conversations.from: human
conversations.value: What could be a title for a book about Ireland, Third, Policeman with the genre: Literature & Fiction, Humor & Satire?
conversations.from: assistant
conversations.value: A title for this book could be 'The Third Policeman'
conversations.from: human
conversations.value: What is a plot for a book titled The Third Policeman?
conversations.from: assistant
conversations.value: The Third Policeman: The Third Policeman is set in rural Ireland and is narrated by a dedicated amateur scholar of de Selby, a scientist and philosopher.\nThe narrator, whose name we never learn, is orphaned at a young age.\nAt boarding school, he discovers the work of de Selby and becomes a fanatically dedicated student of it.\nOne night he breaks his leg under mysterious circumstances\xa0– "if you like, it was broken for me"\xa0– and he is ultimately fitted with a wooden leg to replace the original one.\nOn returning to his family home, he meets and befriends John Divney who is in charge of the family farm and pub.\nOver the next few years, the narrator devotes himself to the study of de Selby\'s work and leaves Divney to run the family business.\nBy the time the narrator is thirty, he has written what he believes to be the definitive critical work on de Selby, but does not have enough money to have it published.\nDivney observes that Mathers, a local man, "is worth a packet of potato-meal" and eventually it dawns on the narrator that Divney plans to rob and kill Mathers.\nThe narrator and Divney encounter Mathers one night on the road and Divney knocks Mathers down with a bicycle pump.\nThe narrator, prompted by Divney, finishes Mathers off with a spade, and then notices that Divney has disappeared with Mathers\'s cash box.\nWhen Divney returns, he refuses to reveal the location of the cash box and fends off the narrator\'s repeated inquiries.\nTo ensure that Divney does not retrieve the box unobserved, the narrator becomes more and more inseparable from Divney, eventually sharing a bed with him: "the situation was a queer one and neither of us liked it".\nThree years pass, in which the previously amicable relationship between the narrator and Divney breaks down.\nEventually Divney reveals that the box is hidden under the floorboards in Mathers\'s old house, and instructs the narrator to fetch it.\nThe narrator follows Divney\'s instructions but just as he reaches for the box, "something happened":It was as if the daylight had changed with unnatural suddenness, as if the temperature of the evening had altered greatly in an instant or as if the air had become twice as rare or twice as dense as it had been in the winking of an eye; perhaps all of these and other things happened together for all my senses were bewildered all at once and could give me no explanation.\nThe box has disappeared, and the narrator is perplexed to notice that Mathers is in the room with him.\nDuring a surreal conversation with the apparently dead Mathers, the narrator hears another voice speaking to him which he realises is his soul: "For convenience I called him Joe".\nThe narrator is bent on finding the cash box, and when Mathers tells him about a remarkable police barracks nearby he resolves to go to the barracks and enlist the help of the police in finding the box.\nOn the way, he meets a one-legged bandit named Martin Finnucane, who threatens to kill him but who becomes his friend upon finding out that his potential victim is also one-legged.\nThe narrator approaches the police barracks and is disturbed by its appearance:It looked as if it were painted like an advertisement on a board on the roadside and indeed very poorly painted.\nIt looked completely false and unconvincing.\nInside the barracks he meets two of the three policemen, Sergeant Pluck and Policeman MacCruiskeen, who speak largely in non-sequitur and who are entirely obsessed with bicycles.\nThere he is introduced to various peculiar or irrational concepts, artefacts, and locations, including a contraption that collects sound and converts it to light based on a theory regarding omnium, the fundamental energy of the universe; a vast underground chamber called \'Eternity,\' where time stands still, mysterious numbers are devoutly recorded and worried about by the policemen; a box from which anything you desire can be produced; and an intricate carved chest containing a series of identical but smaller chests.\nThe infinite nature of this last device causes the narrator great mental and spiritual discomfort.\nIt is later discovered that Mathers has been found dead and eviscerated in a ditch.\nJoe suspects Martin Finnucane, but to the narrator\'s dismay he himself is charged with the crime because he is the most convenient suspect.\nHe argues with Sergeant Pluck that since he is nameless, and therefore, as Pluck observed, "invisible to the law", he cannot be charged with anything.\nPluck is surprised, but after he unsuccessfully attempts to guess the narrator\'s name he reasons that since the narrator is nameless he is not really a person, and can therefore be hanged without fear of repercussions:The particular death you die is not even a death (which is an inferior phenomenon at best) only an insanitary abstraction in the backyard[.\n].\nThe narrator calls on the help of Finnucane, but his rescue is thwarted by MacCruiskeen riding a bicycle painted an unknown colour which drives those who see it mad.\nHe faces the gallows, but the two policemen are called away by dangerously high readings in the underground chamber.\nThe following day he escapes from the barracks on a bicycle of unusual perfection.\nAs he rides through the countryside, he passes Mathers\'s house and sees a light.\nDisturbed, he enters the house and finally meets the mysterious and reportedly all-powerful third policeman, Fox, who has the face of Mathers.\nFox\'s secret police station is in the walls of Mathers\'s house.\nHe tells the narrator that he is the architect of the readings in the underground chamber, which he alters for his amusement, thereby inadvertently saving the narrator\'s life.\nFox goes on to tell the narrator that he found the cash box and has sent it to the narrator\'s home, where it is waiting for him.\nHe also reveals that the box contains not money but omnium, which can become anything he desires.\nElated by the possibilities before him, the narrator leaves Fox\'s police station and goes home looking forward to seeing Divney once again; on arrival he finds that while only a few days have passed in his own life, his accomplice is sixteen years older, with a wife and children.\nDivney can see the narrator, although the others cannot, and he has a heart attack from the shock.\nHe shouts that the narrator was supposed to be dead, for the black box was not filled with money but a bomb and it exploded when the narrator reached for it.\nThe narrator leaves Divney on the floor, apparently dying.\nFeeling "sad, empty and without a thought", the narrator leaves the house and walks away down the road.\nHe soon approaches the police barracks, the book using exactly the same words to describe the barracks and the narrator\'s opinion of it that were used earlier, the story having circled around itself and restarted.\nThis time, John Divney joins the narrator on the road; they neither look at nor speak to each other.\nThey both enter the police station and are confronted by Sergeant Pluck, who repeats his earlier dialogue and ends the book with a reprise of his original greeting to the narrator:"Is it about a bicycle.\n" he asked.