conversations.from: human
conversations.value: What could be a title for a story about Bailee, Cooper, BR><BR>Together with the genre: Christian Books & Bibles, Literature & Fiction?
conversations.from: assistant
conversations.value: A title for this story could be 'House of Secrets'
conversations.from: human
conversations.value: Give me a description for a story titled House Of Secrets about Wisconsin, Island, Lost/Broken/Strange with the genre: Literature & Fiction, United States.. Start with the sentence 'the author lives in Wisconsin with two slightly crazed cats, a husband who's turned their home into the Island of Lost/Broken/Strange Antiques, and their two daughters'.
conversations.from: assistant
conversations.value: the author lives in Wisconsin with two slightly crazed cats, a husband who's turned their home into the Island of Lost/Broken/Strange Antiques, and their two daughters. Her storys have won the Daphne, the Beacon, and the Golden Quill awards for romantic suspense. A journalist and magazine editor by day, Tracy likes to scuba dive, forget to go to spinning class, wallow in bed with a story, or get out her guitar and pretend she's Suzanne Vega. Find her online at tracymontoya.com.
conversations.from: human
conversations.value: Give me the first paragraph for this story.
conversations.from: assistant
conversations.value: House of Secrets
  Olsen, Christina, "Gross expenditure: Botticelli's Nastagio degli Onesti panels," Art History 15 (1992): 146–70.
conversations.from: human
conversations.value: Give me five more paragraphs.
conversations.from: assistant
conversations.value: Scalini, Mario, "The chivalric 'Ludus' in quattrocento Florence," in Cristina Acidini Luchinat, ed., Renaissance Florence: The Age of Lorenzo de' Medici 1449–1492 (Milan, 1993), 61–3.
  Schneider, Laurie, "Leon Battista Alberti: some biographical implications of the winged eye," Art Bulletin 72 (1990): 261–70.
  Sframeli, Maria, Il centro di Firenze restituito: Affreschi e frammenti lapidei nel Museo di San Marco (Florence, 1989).
  Small, Jocelyn Penny, Wax Tablets of the Mind: Cognitive Studies of Memory and Literacy in Classical Antiquity (London, 1997).
  Smith, Graham, "Florence, photography and the Victorians," in John E. Law and Lene Østermark-Johansen, eds, Victorian and Edwardian Responses to the Italian Renaissance (Aldershot, 2005), 7–32.
conversations.from: human
conversations.value: Give me the last five paragraphs.
conversations.from: assistant
conversations.value: Plate 12. Mnemosyne, mother of the muses, floats with four of her daughters high above the piano nobile, painted on the occasion of an eighteenth-century wedding in the house.
  Plate 13. Filippino Lippi's Virgin and Child with Saints Jerome and Dominic, c.1485, sold by the Rucellai family to the National Gallery, London in 1857.
  Plate 14. Madonna and Child with Saints, c.1340, remained in the Rucellai enclave for nearly 560 years; it was eventually acquired, in 1932, by the American collector Samuel H. Kress.
  Plate 15. Delaney, abbi pazienza (Delaney, Be Patient!), a giallo from the Mondadori crime fiction series, published January 1955, 42 years before Alvise di Robilant was murdered in Palazzo Rucellai.
  Plate 16. In Caravaggio's dramatic rendering of a crimson-cloaked Jerome, the Rucellai patron saint's outstretched arm directs our gaze toward a glowing skull, a vivid reminder of death ever-looming.
conversations.from: human
conversations.value: Give me the first two paragraphs for this story.
conversations.from: assistant
conversations.value: House of Secrets
  I sat there, rereading that verse over and over. Was God really trying to encourage me? Did He work like that? I closed the Bible and put it aside, but the words rang over and over in my mind.
  When I finally returned home, it was as if I'd never been gone. No one said a word about my disappearance, and in fact the rest of the family was gathered once again on the deck discussing our mother. My sisters seemed much more at ease than when I'd left, and Mark was nowhere in sight. Had he gone, as I'd suggested? A part of me hoped he had stayed.
conversations.from: human
conversations.value: Give me four more paragraphs.
conversations.from: assistant
conversations.value: We had plenty of time, so I opted to drive Mark to SeaTac rather than take the ferry. The overcast skies promised rain, but that didn't bother me. What did bother me was the way Mark watched me from the passenger seat. I had expected him to be talkative and full of references to the kiss we'd shared earlier. Instead he just sat there grinning like he knew I was reliving that moment over and over. Of course... I was.
  Finally, I couldn't take it anymore. "Okay, so let's say we have a... relationship... hypothetically."
  I had to slam on the brakes to avoid rear-ending the white sedan in front of me. Maybe this wasn't the best conversation to have while driving.
  I tried to still my racing heart. "Look, I don't feel things lightly. In fact, I don't like to allow myself to feel deeply at all. You have a way of breaking down my defenses."
conversations.from: human
conversations.value: Give me the last paragraph.
conversations.from: assistant
conversations.value: I could smell the sweet scent of my bouquet and took in a long, deep breath. "A new thing," I whispered as we reached the end of the church aisle.