conversations.from: human
conversations.value: Give me a description for a book titled Anthology of Modern Japanese Poetry about with the genre: Literature & Fiction, Poetry.
conversations.from: assistant
conversations.value: This much-praised collection features works by forty-nine acclaimed modern poets skilled in the styles of colloquial free verse, modern tanka, and haiku.
conversations.from: human
conversations.value: Give me the first five paragraphs for this book.
conversations.from: assistant
conversations.value: Anthology of Modern Japanese Poetry
  NAKAGIRI, MAS AO (1919- ). He lived in Kobe until he was twenty and there edited two little magazines of poetry which were part of the Waste Land movement. At present he works for the Yomiuri Newspaper in Tokyo. He has written essays on contemporary English and American poets as well as composing his own poetry.
  AYUKAWA, NOBUO (1920- ). After 1937 he was associated with several poetry magazines. When twenty-two he left the English department of Waseda University, Tokyo, and was drafted into the army. Two years later he was returned to Japan from Sumatra as a disabled soldier and he became one of those active in the Waste Land movement. His collected poems appeared in 1955, and he also wrote a number of volumes of essays and translated some of T. S. Eliot's essays.
  AIZU, YAICHI (1881-1956). He was quite rare for a tanka poet in that he never belonged to any poetic group. As a professor at Waseda University, Tokyo, he taught the history of Chinese art and of Nara, as well as English literature. His complete works are in nine volumes.
  TAKAORI, TAEKO (1912- ). Her father was the noted artist Kansetsu Hashimoto and her home has always been in Kyoto. After graduating from the Sacred Heart Women's Academy in Tokyo she traveled through Europe and spent a year in England. She has been abroad many times since. She is leader of several tanka groups in the Kyoto-Osaka area and has published three volumes of her tanka.
  KAWAHIGASHI, HEKIGODŌ (1873-1937). He attended junior and senior high school with Kyoshi Takahama and they were both influenced by their master, Shiki Masaoka. But later these two came to have different ideas. Kawahigashi's haiku became more realistic, freer, and less literary, but increasingly difficult to understand.
conversations.from: human
conversations.value: Add another sentence about Nara, interested.
conversations.from: assistant
conversations.value: Anthology of Modern Japanese Poetry
  NAKAGIRI, MAS AO (1919- ). He lived in Kobe until he was twenty and there edited two little magazines of poetry which were part of the Waste Land movement. At present he works for the Yomiuri Newspaper in Tokyo. He has written essays on contemporary English and American poets as well as composing his own poetry. 
  AYUKAWA, NOBUO (1920- ). After 1937 he was associated with several poetry magazines. When twenty-two he left the English department of Waseda University, Tokyo, and was drafted into the army. Two years later he was returned to Japan from Sumatra as a disabled soldier and he became one of those active in the Waste Land movement. His collected poems appeared in 1955, and he also wrote a number of volumes of essays and translated some of T. S. Eliot's essays. 
  AIZU, YAICHI (1881-1956). The classical history of the ancient Nara period strongly interested him. He was quite rare for a tanka poet in that he never belonged to any poetic group. As a professor at Waseda University, Tokyo, he taught the history of Chinese art and of Nara, as well as English literature. His complete works are in nine volumes. 
  TAKAORI, TAEKO (1912- ). Her father was the noted artist Kansetsu Hashimoto and her home has always been in Kyoto. After graduating from the Sacred Heart Women's Academy in Tokyo she traveled through Europe and spent a year in England. She has been abroad many times since. She is leader of several tanka groups in the Kyoto-Osaka area and has published three volumes of her tanka. 
  KAWAHIGASHI, HEKIGODŌ (1873-1937). He attended junior and senior high school with Kyoshi Takahama and they were both influenced by their master, Shiki Masaoka. But later these two came to have different ideas. Kawahigashi's haiku became more realistic, freer, and less literary, but increasingly difficult to understand.
conversations.from: human
conversations.value: Give me another paragraph.. End with the sentence ' Kawahigashi's haiku became more realistic, freer, and less literary, but increasingly difficult to understand.'.
conversations.from: assistant
conversations.value: KAWAHIGASHI, HEKIGODŌ (1873-1937). He attended junior and senior high school with Kyoshi Takahama and they were both influenced by their master, Shiki Masaoka. But later these two came to have different ideas. Kawahigashi's haiku became more realistic, freer, and less literary, but increasingly difficult to understand.
conversations.from: human
conversations.value: Give me the last four paragraphs.
conversations.from: assistant
conversations.value: IIDA, DAKOTSU (1885-1962). After entering Waseda University in Tokyo he started writing haiku under Kyoshi Takahama. Although many new movements occurred in haiku, he never changed his style. And, after returning to his country home, he continued to write poetry describing the rural area where he remained until his death.
  TAKANO, SŪJO (1893- ). As a Tokyo University medical student he became acquainted with Shūdshi Mizuhara and started writing haiku. He became a professor of medicine but continued to work at haiku under Kyoshi Takahama, as one of those most close to him and his attitudes.
  NAKAMURA, KUSATAO (1901- ). He was born in the Japanese consulate at Amoy, China, and brought to Japan when he was four. As a Tokyo University student, he read Mokichi Saitō and became interested in both tanka and haiku poetry. Although he studied under Shūoshi Mizuhara, his use of allegorical or metaphorical expressions often made his haiku difficult to understand. He is, however, noted as a humanistic haiku poet. He is a professor at Seikei University, Tokyo.
  TSUDA, KIYOKO (1920- ). The ancient capital of Nara was her birthplace. She graduated from the Normal School there and, after the war, started studying haiku under Takako Hashimoto and Seishi Yamaguchi. She is now teaching at an Osaka school.
conversations.from: human
conversations.value: Delete the last sentence.
conversations.from: assistant
conversations.value: IIDA, DAKOTSU (1885-1962). After entering Waseda University in Tokyo he started writing haiku under Kyoshi Takahama. Although many new movements occurred in haiku, he never changed his style. And, after returning to his country home, he continued to write poetry describing the rural area where he remained until his death.
  TAKANO, SŪJO (1893- ). As a Tokyo University medical student he became acquainted with Shūdshi Mizuhara and started writing haiku. He became a professor of medicine but continued to work at haiku under Kyoshi Takahama, as one of those most close to him and his attitudes.
  NAKAMURA, KUSATAO (1901- ). He was born in the Japanese consulate at Amoy, China, and brought to Japan when he was four. As a Tokyo University student, he read Mokichi Saitō and became interested in both tanka and haiku poetry. Although he studied under Shūoshi Mizuhara, his use of allegorical or metaphorical expressions often made his haiku difficult to understand. He is, however, noted as a humanistic haiku poet. He is a professor at Seikei University, Tokyo.
  TSUDA, KIYOKO (1920- ). The ancient capital of Nara was her birthplace. She graduated from the Normal School there and, after the war, started studying haiku under Takako Hashimoto and Seishi Yamaguchi.