conversations.from: human
conversations.value: a title for a book about Writers, Digest, Yale with the genre: Literature & Fiction, Genre Fiction
conversations.from: assistant
conversations.value: A title for this book could be 'Sadhana'
conversations.from: human
conversations.value: Give me the first three paragraphs for this book.
conversations.from: assistant
conversations.value: Sadhana
  All the great utterances of man have to be judged not by the letter but by the spirit--the spirit which unfolds itself with the growth of life in history. We get to know the real meaning of Christianity by observing its living aspect at the present moment--however different that may be, even in important respects, from the Christianity of earlier periods.
  For western scholars the great religious scriptures of India seem to possess merely a retrospective and archælogical interest; but to us they are of living importance, and we cannot help thinking that they lose their significance when exhibited in labelled cases—mummied specimens of human thought and aspiration, preserved for all time in the wrappings of erudition.
  The meaning of the living words that come out of the experiences of great hearts can never be exhausted by any one system of logical interpretation. They have to be endlessly explained by the commentaries of individual lives, and they gain an added mystery in each new revelation. To me the verses of the Upanishads and the teachings of Buddha have ever been things of the spirit, and therefore endowed with boundless vital growth; and I have used them, both in my own life and in my preaching, as being instinct with individual meaning for me, as for others, and awaiting for their confirmation, my own special testimony, which must have its value because of its individuality.
conversations.from: human
conversations.value: Give me five more paragraphs.
conversations.from: assistant
conversations.value: The play of life and death we see everywhere—this transmutation of the old into the new. The day comes to us every morning, naked and white, fresh as a flower. But we know it is old. It is age itself. It is that very ancient day which took up the newborn earth in its arms, covered it with its white mantle of light, and sent it forth on its pilgrimage among the stars.
  Yet its feet are untired and its eyes undimmed. It carries the golden amulet of ageless eternity, at whose touch all wrinkles vanish from the forehead of creation. In the very core of the world's heart stands immortal youth. Death and decay cast over its face momentary shadows and pass on; they leave no marks of their steps—and truth remains fresh and young.
  This old, old day of our earth is born again and again every morning. It comes back to the original refrain of its music. If its march were the march of an infinite straight line, if it had not the awful pause of its plunge in the abysmal darkness and its repeated rebirth in the life of the endless beginning, then it would gradually soil and bury truth with its dust and spread ceaseless aching over the earth under its heavy tread. Then every moment would leave its load of weariness behind, and decrepitude would reign supreme on its throne of eternal dirt.
  But every morning the day is reborn among the newly-blossomed flowers with the same message retold and the same assurance renewed that death eternally dies, that the waves of turmoil are on the surface, and that the sea of tranquillity is fathomless. The curtain of night is drawn aside and truth emerges without a speck of dust on its garment, without a furrow of age on its lineaments.
  We see that he who is before everything else is the same to-day. Every note of the song of creation comes fresh from his voice. The universe is not a mere echo, reverberating from sky to sky, like a homeless wanderer—the echo of an old song sung once for all in the dim beginning of things and then left orphaned. Every moment it comes from the heart of the master, it is breathed in his breath.
conversations.from: human
conversations.value: Delete the last sentence.
conversations.from: assistant
conversations.value: The play of life and death we see everywhere—this transmutation of the old into the new. The day comes to us every morning, naked and white, fresh as a flower. But we know it is old. It is age itself. It is that very ancient day which took up the newborn earth in its arms, covered it with its white mantle of light, and sent it forth on its pilgrimage among the stars.
  Yet its feet are untired and its eyes undimmed. It carries the golden amulet of ageless eternity, at whose touch all wrinkles vanish from the forehead of creation. In the very core of the world's heart stands immortal youth. Death and decay cast over its face momentary shadows and pass on; they leave no marks of their steps—and truth remains fresh and young.
  This old, old day of our earth is born again and again every morning. It comes back to the original refrain of its music. If its march were the march of an infinite straight line, if it had not the awful pause of its plunge in the abysmal darkness and its repeated rebirth in the life of the endless beginning, then it would gradually soil and bury truth with its dust and spread ceaseless aching over the earth under its heavy tread. Then every moment would leave its load of weariness behind, and decrepitude would reign supreme on its throne of eternal dirt.
  But every morning the day is reborn among the newly-blossomed flowers with the same message retold and the same assurance renewed that death eternally dies, that the waves of turmoil are on the surface, and that the sea of tranquillity is fathomless. The curtain of night is drawn aside and truth emerges without a speck of dust on its garment, without a furrow of age on its lineaments.
  We see that he who is before everything else is the same to-day. Every note of the song of creation comes fresh from his voice. The universe is not a mere echo, reverberating from sky to sky, like a homeless wanderer—the echo of an old song sung once for all in the dim beginning of things and then left orphaned.
conversations.from: human
conversations.value: Give me the last three paragraphs.
conversations.from: assistant
conversations.value: This "I" of mine toils hard, day and night, for a home which it knows as its own. Alas, there will be no end of its sufferings so long as it is not able to call this home thine. Till then it will struggle on, and its heart will ever cry, "Ferryman, lead me across." When this home of mine is made thine, that very moment is it taken across, even while its old walls enclose it. This "I" is restless. It is working for a gain which can never be assimilated with its spirit, which it never can hold and retain. In its efforts to clasp in its own arms that which is for all, it hurts others and is hurt in its turn, and cries, "Lead me across". But as soon as it is able to say, "All my work is thine," everything remains the same, only it is taken across.
  Where can I meet thee unless in this mine home made thine? Where can I join thee unless in this my work transformed into thy work? If I leave my home I shall not reach thy home; if I cease my work I can never join thee in thy work. For thou dwellest in me and I in thee. Thou without me or I without thee are nothing.
  Therefore, in the midst of our home and our work, the prayer rises, "Lead me across!" For here rolls the sea, and even here lies the other shore waiting to be reached—yes, here is this everlasting present, not distant, not anywhere else.