conversations.from: human
conversations.value: a title for a book about School, UpSam, McKenna with the genre: Teen & Young Adult, Literature & Fiction
conversations.from: assistant
conversations.value: A title for this book could be 'Rites of Passage'
conversations.from: human
conversations.value: Give me a description for a book titled Rites of Passage about University, Journalism, Montana with the genre: Mystery, Thriller & Suspense, Mystery.
conversations.from: assistant
conversations.value: The author is a sixty-six year old who never grew up. She has BA in Journalism from the University of Montana and a MA from Marshall University.
conversations.from: human
conversations.value: Give me a plot for a book titled Rites of Passage.
conversations.from: assistant
conversations.value: Rites of Passage (1999 film): The film begins with two recently escaped convicts – Frank (James Remar) and Red (Jaimz Woolvett) – approach a group of campers.\nThe elder of the pair shoots and kills the campers with single rapidfire shots.\nJ.\nFarraday (Robert Glen Keith) discovers that his father, Del (Stockwell), has been having an affairJ.\nasks Del to meet him at the family\'s cabin by the lake, whereJ.\nintends to confront him about his adultery.\nWhen the two arrive at the summer house, they find the younger son, Campbell "Cam" Farraday (Behr), already there.\nEventually it is revealed that Del had found Cam and his boyfriend, Billy, embracing there at the cabin.\nDel brutally beat Billy, and father and son have not spoken since.\nCam seems determined to leave the confrontational situation.\nWhileJ.\nis trying to convince Cam to stay and attempt a reconciliation, Cam reveals to him that Billy is dead, and the clear implication is that Cam blames his father for the loss.\nA short while later, the two escaped convicts show up at the cabin and ask to use the phone, claiming that their car has broken down.\nRed, who is introduced as Frank\'s adult son, makes a point of taking up the hospitality offered, using that excuse to remain in the house (over Frank\'s objection) As the evening progresses Frank seems to be forcing Del into a challenge.\nTensions are high, as Frank makes his play for Alpha of the house.\nAt one point,J.\n(Del Junior) goes so far as to suggest that "we all just whip \'em out and get this over with".\nThe police show up looking for the two escaped convicts, and things get tense very quickly.\nIt soon becomes clear that Cam knew the convicts and has had some sort of entanglement with them.\nFrom there, the twists and turns begin to thicken, and the onionskin layers of this tale are revealed.\nThe family must reconcile and put aside their issues with each other to deal with the menacing force of Frank.\nTragedy ensues in the film\'s final few moments, good vanquishes evil, and father and sons are reconciled.
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conversations.value: Delete the first sentence.
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conversations.value: \nThe elder of the pair shoots and kills the campers with single rapidfire shots.\nJ.\nFarraday (Robert Glen Keith) discovers that his father, Del (Stockwell), has been having an affairJ.\nasks Del to meet him at the family\'s cabin by the lake, whereJ.\nintends to confront him about his adultery.\nWhen the two arrive at the summer house, they find the younger son, Campbell "Cam" Farraday (Behr), already there.\nEventually it is revealed that Del had found Cam and his boyfriend, Billy, embracing there at the cabin.\nDel brutally beat Billy, and father and son have not spoken since.\nCam seems determined to leave the confrontational situation.\nWhileJ.\nis trying to convince Cam to stay and attempt a reconciliation, Cam reveals to him that Billy is dead, and the clear implication is that Cam blames his father for the loss.\nA short while later, the two escaped convicts show up at the cabin and ask to use the phone, claiming that their car has broken down.\nRed, who is introduced as Frank\'s adult son, makes a point of taking up the hospitality offered, using that excuse to remain in the house (over Frank\'s objection) As the evening progresses Frank seems to be forcing Del into a challenge.\nTensions are high, as Frank makes his play for Alpha of the house.\nAt one point,J.\n(Del Junior) goes so far as to suggest that "we all just whip \'em out and get this over with".\nThe police show up looking for the two escaped convicts, and things get tense very quickly.\nIt soon becomes clear that Cam knew the convicts and has had some sort of entanglement with them.\nFrom there, the twists and turns begin to thicken, and the onionskin layers of this tale are revealed.\nThe family must reconcile and put aside their issues with each other to deal with the menacing force of Frank.\nTragedy ensues in the film\'s final few moments, good vanquishes evil, and father and sons are reconciled.
conversations.from: human
conversations.value: Give me a plot for a book titled Rites of Passage about School, UpSam, McKenna with the genre: Teen & Young Adult, Literature & Fiction.
conversations.from: assistant
conversations.value: Rites of Passage (1999 film): The film begins with two recently escaped convicts – Frank (James Remar) and Red (Jaimz Woolvett) – approach a group of campers.\nThe elder of the pair shoots and kills the campers with single rapidfire shots.\nJ.\nFarraday (Robert Glen Keith) discovers that his father, Del (Stockwell), has been having an affairJ.\nasks Del to meet him at the family\'s cabin by the lake, whereJ.\nintends to confront him about his adultery.\nWhen the two arrive at the summer house, they find the younger son, Campbell "Cam" Farraday (Behr), already there.\nEventually it is revealed that Del had found Cam and his boyfriend, Billy, embracing there at the cabin.\nDel brutally beat Billy, and father and son have not spoken since.\nCam seems determined to leave the confrontational situation.\nWhileJ.\nis trying to convince Cam to stay and attempt a reconciliation, Cam reveals to him that Billy is dead, and the clear implication is that Cam blames his father for the loss.\nA short while later, the two escaped convicts show up at the cabin and ask to use the phone, claiming that their car has broken down.\nRed, who is introduced as Frank\'s adult son, makes a point of taking up the hospitality offered, using that excuse to remain in the house (over Frank\'s objection) As the evening progresses Frank seems to be forcing Del into a challenge.\nTensions are high, as Frank makes his play for Alpha of the house.\nAt one point,J.\n(Del Junior) goes so far as to suggest that "we all just whip \'em out and get this over with".\nThe police show up looking for the two escaped convicts, and things get tense very quickly.\nIt soon becomes clear that Cam knew the convicts and has had some sort of entanglement with them.\nFrom there, the twists and turns begin to thicken, and the onionskin layers of this tale are revealed.\nThe family must reconcile and put aside their issues with each other to deal with the menacing force of Frank.\nTragedy ensues in the film\'s final few moments, good vanquishes evil, and father and sons are reconciled.
conversations.from: human
conversations.value: Delete the first sentence.
conversations.from: assistant
conversations.value: \nThe elder of the pair shoots and kills the campers with single rapidfire shots.\nJ.\nFarraday (Robert Glen Keith) discovers that his father, Del (Stockwell), has been having an affairJ.\nasks Del to meet him at the family\'s cabin by the lake, whereJ.\nintends to confront him about his adultery.\nWhen the two arrive at the summer house, they find the younger son, Campbell "Cam" Farraday (Behr), already there.\nEventually it is revealed that Del had found Cam and his boyfriend, Billy, embracing there at the cabin.\nDel brutally beat Billy, and father and son have not spoken since.\nCam seems determined to leave the confrontational situation.\nWhileJ.\nis trying to convince Cam to stay and attempt a reconciliation, Cam reveals to him that Billy is dead, and the clear implication is that Cam blames his father for the loss.\nA short while later, the two escaped convicts show up at the cabin and ask to use the phone, claiming that their car has broken down.\nRed, who is introduced as Frank\'s adult son, makes a point of taking up the hospitality offered, using that excuse to remain in the house (over Frank\'s objection) As the evening progresses Frank seems to be forcing Del into a challenge.\nTensions are high, as Frank makes his play for Alpha of the house.\nAt one point,J.\n(Del Junior) goes so far as to suggest that "we all just whip \'em out and get this over with".\nThe police show up looking for the two escaped convicts, and things get tense very quickly.\nIt soon becomes clear that Cam knew the convicts and has had some sort of entanglement with them.\nFrom there, the twists and turns begin to thicken, and the onionskin layers of this tale are revealed.\nThe family must reconcile and put aside their issues with each other to deal with the menacing force of Frank.\nTragedy ensues in the film\'s final few moments, good vanquishes evil, and father and sons are reconciled.
conversations.from: human
conversations.value: Give me a plot for a book titled Rites of Passage about University, Journalism, Montana with the genre: Mystery, Thriller & Suspense, Mystery.
conversations.from: assistant
conversations.value: Rites of Passage (2012 film): Nathan, (Ryan Donowho), a studious anthropology student decries his position in a society that fails to provide a ceremony to mark his transition into manhood.\nProfessor Nash (Stephen Dorff), an unethical teacher who openly pursues sexual liaisons with his female students, is intrigued when Nathan tells him his family's unoccupied but functional ranch is the site of an ancient Indian burial ground.\nNathan convinces Professor Nash to bring the class out to the ranch, where the plan is to hold a spiritual ceremony in a sweat lodge built over the burial site.\nEncouraged by Nash's enthusiastic agreement to the idea, Nathan guides his stressed, party-going classmates to the ranch.\nThere they meet his brother, Benny (Wes Bentley), who is in a psychotic spiral of drug addiction and guilt.\nA crystal meth cook at the ranch, Delgado (Christian Slater), a man with a grudge who has an uneasy friendship with the brother, kills two of the students after he and the brother are insulted.\nDelgado then begins hunting the rest of the group.\nDuring his rampage, Delgado hallucinates that a stuffed monkey named Pancho that clings to his shotgun talks and makes futile attempts to reason with his apparently absent sense of morality.