conversations.from: human
conversations.value: What could be a title for a book about Adventurous, Handbook, Best with the genre: History, Americas?
conversations.from: assistant
conversations.value: A title for this book could be 'An Autobiography of Jack London'
conversations.from: human
conversations.value: What is the first five paragraphs for this book?
conversations.from: assistant
conversations.value: An Autobiography of Jack London
  One rule I observed. I never took a drink until my day's work of writing a thousand words was done. And, when done, the cocktails reared a wall of inhibition in my brain between the day's work done and the rest of the day of fun to come. My work ceased from my consciousness. No thought of it flickered in my brain till next morning at nine o'clock when I sat at my desk and began my next thousand words. This was a desirable condition of mind to achieve. I conserved my energy by means of this alcoholic inhibition. John Barleycorn was not so black as he was painted. He did a fellow many a good turn, and this was one of them.
  And I turned out work that was healthful, and wholesome, and sincere. It was never pessimistic. The way to life I had learned in my long sickness. I knew the illusions were right, and I exalted the illusions. Oh, I still turn out the same sort of work, stuff that is clean, alive, optimistic, and that makes toward life. And I am always assured by the critics of my super-abundant and abounding vitality, and of how thoroughly I am deluded by these very illusions I exploit.
  And while on this digression, let me repeat the question I have repeated to myself ten thousand times. WHY DID I DRINK? What need was there for it? I was happy. Was it because I was too happy? I was strong. Was it because I was too strong? Did I possess too much vitality? I don't know why I drank. I cannot answer, though I can voice the suspicion that ever grows in me. I had been in too-familiar contact with John Barleycorn through too many years. A left-handed man, by long practice, can become a right-handed man. Had I, a non-alcoholic, by long practice become an alcoholic?
  The more I drank the more I was required to drink to get an equivalent effect. When I left the Valley of the Moon, and went to the city, and dined out, a cocktail served at table was a wan and worthless thing. There was no pre-dinner kick in it. On my way to dinner I was compelled to accumulate the kick—two cocktails, three, and, if I met some fellows, four or five, or six, it didn't matter within several. Once, I was in a rush. I had no time decently to accumulate the several drinks. A brilliant idea came to me. I told the barkeeper to mix me a double cocktail. Thereafter, whenever I was in a hurry, I ordered double cocktails. It saved time.
  Of course, I veiled the situation to myself and excused myself to John Barleycorn. And I was very scientific about it. I said that I would drink only while in ports. During the dry sea-stretches my system would be cleansed of the alcohol that soaked it, so that when I reached a port I should be in shape to enjoy John Barleycorn more thoroughly. His bite would be sharper, his kick keener and more delicious.
conversations.from: human
conversations.value: What is five more paragraphs?
conversations.from: assistant
conversations.value: White men in the tropics undergo radical changes of nature. They become savage, merciless. They commit monstrous acts of cruelty that they would never dream of committing in their original temperate climate. They become nervous, irritable, and less moral. And they drink as they never drank before. Drinking is one form of the many forms of degeneration that set in when white men are exposed too long to too much white light. The increase of alcoholic consumption is automatic. The tropics is no place for a long sojourn. They seem doomed to die anyway, and the heavy drinking expedites the process. They don't reason about it. They just do it.
  The sun sickness got me, despite the fact that I had been in the tropics only a couple of years. I drank heavily during this time, but right here I wish to forestall misunderstanding. The drinking was not the cause of the sickness, nor of the abandonment of the voyage. I was strong as a bull, and for many months I fought the sun sickness that was ripping and tearing my surface and nervous tissues to pieces. All through the New Hebrides and the Solomons and up among the atolls on the Line, during this period under a tropic sun, rotten with malaria, and suffering from a few minor afflictions such as Biblical leprosy with the silvery skin, I did the work of five men.
  I went to Australia to go into hospital and get tinkered up, after which I planned to go on with the voyage. And during the long weeks I lay in hospital, from the first day I never missed alcohol. I never thought about it. I knew I should have it again when I was on my feet. But when I regained my feet I was not cured of my major afflictions. Naaman's silvery skin was still mine. The mysterious sun-sickness, which the experts of Australia could not fathom, still ripped and tore my tissues. Malaria still festered in me and put me on my back in shivering delirium at the most unexpected moments, compelling me to cancel a double lecture tour which had been arranged.
  After a time, for cooler climate, I went down to southermost Tasmania in forty-three South. And I found myself in a place where there was nothing to drink. It didn't mean anything. I didn't drink. It was no hardship. I soaked in the cool air, rode horseback, and did my thousand words a day save when the fever shock came in the morning.
  And for fear that the idea may still lurk in some minds that my preceding years of drinking were the cause of my disabilities, I here point out that my Japanese cabin boy, Nakata, still with me, was rotten with fever, as was Charmian, who in addition was in the slough of a tropical neurasthenia that required several years of temperate climates to cure, and that neither she nor Nakata drank or ever had drunk.
conversations.from: human
conversations.value: What is the last three paragraphs?
conversations.from: assistant
conversations.value: The East End of London, I read, or someone says; and first of all, under my eyelids, leap the visions of the shining pubs, and in my ears echo the calls for "two of bitter" and "three of Scotch." The Latin Quarter—at once I am in the student cabarets, bright faces and keen spirits around me, sipping cool, well-dripped absinthe while our voices mount and soar in Latin fashion as we settle God and art and democracy and the rest of the simple problems of existence.
  In a pampero off the River Plate we speculate, if we are disabled, of running in to Buenos Ayres, the "Paris of America," and I have visions of bright congregating places of men, of the jollity of raised glasses, and of song and cheer and the hum of genial voices. When we have picked up the North-east Trades in the Pacific we try to persuade our dying captain to run for Honolulu, and while I persuade I see myself again drinking cocktails on the cool lanais and fizzes out at Waikiki where the surf rolls in. Someone mentions the way wild ducks are cooked in the restaurants of San Francisco, and at once I am transported to the light and clatter of many tables, where I gaze at old friends across the golden brims of long-stemmed Rhine-wine glasses.
  And so I pondered my problem. I should not care to revisit all these fair places of the world except in the fashion I visited them before. GLASS IN HAND! There is a magic in the phrase. It means more than all the words in the dictionary can be made to mean. It is a habit of mind to which I have been trained all my life. It is now part of the stuff that composes me. I like the bubbling play of wit, the chesty laughs, the resonant voices of men, when, glass in hand, they shut the grey world outside and prod their brains with the fun and folly of an accelerated pulse.
conversations.from: human
conversations.value: Delete the last sentence.
conversations.from: assistant
conversations.value: The East End of London, I read, or someone says; and first of all, under my eyelids, leap the visions of the shining pubs, and in my ears echo the calls for "two of bitter" and "three of Scotch." The Latin Quarter—at once I am in the student cabarets, bright faces and keen spirits around me, sipping cool, well-dripped absinthe while our voices mount and soar in Latin fashion as we settle God and art and democracy and the rest of the simple problems of existence.
  In a pampero off the River Plate we speculate, if we are disabled, of running in to Buenos Ayres, the "Paris of America," and I have visions of bright congregating places of men, of the jollity of raised glasses, and of song and cheer and the hum of genial voices. When we have picked up the North-east Trades in the Pacific we try to persuade our dying captain to run for Honolulu, and while I persuade I see myself again drinking cocktails on the cool lanais and fizzes out at Waikiki where the surf rolls in. Someone mentions the way wild ducks are cooked in the restaurants of San Francisco, and at once I am transported to the light and clatter of many tables, where I gaze at old friends across the golden brims of long-stemmed Rhine-wine glasses.
  And so I pondered my problem. I should not care to revisit all these fair places of the world except in the fashion I visited them before. GLASS IN HAND! There is a magic in the phrase. It means more than all the words in the dictionary can be made to mean. It is a habit of mind to which I have been trained all my life. It is now part of the stuff that composes me.