conversations.from: human
conversations.value: Provide a plot for a book about Jeremy, Stefan, Elena entitled Let the Right One In.
conversations.from: assistant
conversations.value: Let the Right One In (The Vampire Diaries): Anna (Malese Jow) is still at Jeremy\'s (Steven McQueen) room where Jeremy tries to convince her to turn him but she does not agree with it.\nElena (Nina Dobrev) knocks the door to ask Jeremy\'s help on checking all the windows due to the storm and Anna disappears before she opens the door.\nFrederick (Stephen Martines) wants to go hunting with Anna but Pearl (Kelly Hu) does not allow him to.\nWhile Pearl plans her next trip into town where she will continue her research on how to get their town back, Frederick allies with the rest of the vampires who are all want to take their revenge on the Salvatore brothers and humans now and do not want to wait.\nDamon (Ian Somerhalder) explains Pearl\'s plan to Stefan (Paul Wesley) and Elena cannot believe that he made a deal with her.\nDamon leaves and Stefan promises Elena to handle the situation.\nAnna and Jeremy meet at the Grill where Jeremy tries once again to convince Anna to turn him.\nShe asks him to keep her secret from everyone and she sees his bracelet with the vervain that Elena gave him.\nJeremy offers to give it to her since she likes it so much but she gives it back to him and asks him to keep wearing it.\nPearl gets into the Grill to find and take Anna and Anna gets up to walk away from Jeremy sending him a text to explain that her mother walked in.\nOn their way out they run into Mayor Lockwood (Robert Pralgo) and Tyler (Michael Trevino).\nMayor asks them not to go out in the storm and invites them to join them for dinner but Pearl declines.\nShe hears his name on her way out and changes her mind coming back.\nMeanwhile, Stefan is weakened by the fight with Frederick and Bethanne and goes out for hunting alone.\nFrederick and the other vampires find him, they stab him in the gut and take him to their house.\nDamon worries about Stefan not coming back home and not answering his phone and goes to Elena to ask if he is there.\nHe suspects that Stefan has been taken by Pearl\'s vampires and his suspicions are confirmed when he visits the house and Frederick answers the door.\nThey show him Stefan who is wounded but Damon can\'t enter the house to help him without invitation.\nDamon tells Elena that Stefan is in the house but he cannot get in.\nElena wants to go herself but Damon stops her.\nHe knows that they have to save Stefan but does not know how.\nThey go to school to ask Alaric\'s (Matt Davis) help since he knows about vampires, has weapons and the ring that protects him.\nAlaric denies to help them but he accepts when Damon tells him that Pearl can lead him to Isobel.\nMeanwhile, the vampires keep torturing Stefan by stringing him up on vervain-laced ropes and stabbing him.\nHarper (Sterling Sulieman) shows up and tries to stop them since Pearl would not agree to this but the other vampires tie him up as well and stake him on the legs.\nDamon and Alaric make their plan while Elena insists to go into the house with them.\nDamon refuses and explains her why she cannot get into that house that is, in case she does not know, full of vampires.\nElena can drive the car but she has to stay in it while the two of them try to help Stefan.\nAlaric knocks on Pearl\'s door and when Frederick answers he tells him that he needs to use his phone because his car broke down.\nFrederick lets him in and when Alaric is led to the kitchen, he stakes the vampire who\'is there and leads Miss Gibbons (Tiffany Morgan) to the door but she refuses to invite Damon in since she is compelled not to do it.\nDamon asks if there are any other living people who live in this house and when he is sure that there are not, he breaks her neck and gets in.\nBack at the Grill, Pearl tries to get as many details as she can from the Mayor about his family at the dinner.\nAnna and Jeremy exchange texts from across the room but Pearl notices and asks the Mayor who is the boy.\nHe tells her that his name is Jeremy Gilbert.\nPearl follows Anna to the ladies\' room and confronts her about Jeremy.\nShe tells her the Gilbert family is the reason she was trapped in the tomb for over a century and asks her to stop seeing him because when he finds out what she is he will turn on her.\nAnna reveals that Jeremy already knows and Pearl slaps her.\nAnna walks out of the Grill texting Jeremy: "I\'ll do it".\nDamon keeps looking for Stefan killing some other vampires in the process.\nAlaric returns to the car but Elena is not there so he goes back to the house knowing that she went there to help Stefan.\nElena sneaks into the basement getting herself in trouble before Damon appears to save her.\nThey find Stefan and Harper and they free them.\nDamon goes to distract Frederick, who already got suspicious that something is going on, while Elena helps Stefan to get out.\nDamon fights with Frederick and two other vampires when Alaric shows up to help him.\nFrederick escapes and Damon searches the house to find him but he is not there.\nThey try to get out to head to the car but a bunch of vampires appear and they return in.\nPearl and Anna return home to find them inside.\nDamon explains what happened before he and Alaric walk out the door, leaving Pearl and Anna behind with all the vampire bodies.\nStefan and Elena make it back to the car but the key is missing.\nFrederick shows up and starts hitting and stabbing Stefan.\nHe is about to kill him when Elena stabs him in the back.\nStefan tells Elena to run but she gives him her wrist to drink from so he can regain his strength.\nStefan tries to resist but eventually he drinks and manages to kill Frederick.\nIn the meantime, Caroline (Candice Accola) has to drive to a family engagement in the storm and she leaves after she says goodbye to Matt (Zach Roerig).\nThe main roads are closed so she drives in the backwoods when her car gets stuck in the mud.\nShe has no cell reception so she decides to get out trying to get one and call for help.\nShe falls down and grabs a tree root to steady herself only to discover that it is a human arm.\nMatt and Kelly (Melinda Clarke) prepare their dinner when the doorbell rings and Caroline is at the door with her mom, Liz (Marguerite MacIntyre).\nThey ask to see Kelly and they inform her, and Matt, that they found Vicky\'s body.\nLiz calls the Mayor to let him know.\nWhen he tells Tyler they have to go, he tells him about Vicky and Jeremy also hears.\nTyler and Jeremy head to Matt\'s house and Jeremy also calls Elena to tell her.\nElena and Jeremy return home where Jeremy finds Anna waiting on his room.\nAnna realizes that Jeremy only wanted to turn to find Vicky and she takes off before Jeremy apologizes.\nDamon sits next to Alaric at the bar for a drink and tries to have a friend-talk with him but Alaric punches him and leaves.\nDamon returns home and finds IV blood bags all over the place and Stefan drinking of one.
conversations.from: human
conversations.value: Provide a plot for a book about Eli, Oskar, Erik entitled Let the Right One In.
conversations.from: assistant
conversations.value: Let the Right One In (film): Oskar, a meek 12-year-old boy, resides with his mother Yvonne in the western Stockholm suburb of Blackeberg in 1981 and occasionally visits his father Erik in the countryside.\nIt is not clear why Erik is living apart from Yvonne, but on one such visit, when Oskar and Erik are enjoying a cosy night playing games, a drunken neighbour arrives and Erik starts to drink heavily with him, breaking up the father/son evening.\nOskar\'s classmates regularly bully him, and he spends his evenings imagining revenge, collecting clippings from newspapers and magazines about grisly murders.\nOne night he meets Eli, who appears to be a pale girl of his age.\nEli has recently moved into the next-door apartment with an older man, Håkan.\nEli initially informs Oskar that they cannot be friends.\nOver time, however, they begin to form a close relationship, with Oskar lending his Rubik\'s Cube to Eli, and the two exchanging Morse code messages through their adjoining wall.\nHåkan requests that Eli stop seeing Oskar.\nAfter questioning Oskar about a cut on his cheek, Eli learns that the boy is being bullied by schoolmates and encourages him to stand up for himself.\nThis inspires Oskar to enroll for weight-training classes after school.\nEarlier, Håkan stops and kills a passerby on a busy footpath near a main road to harvest fresh blood for Eli, but he fails to return with any when he is interrupted by an oncoming dog walker.\nEli is prompted to waylay and kill a local man, Jocke, making his way home from a bar after having said goodnight to his best friend, Lacke.\nA local cat-loving recluse, Gösta, witnesses the attack from his flat.\nHe does not believe what he has seen and decides not to report the incident.\nHåkan hides Jocke\'s body in an ice-hole in the local lake.\nHåkan later makes another well-prepared but incompetently executed effort to obtain blood for Eli by trapping a teenage boy in a changing room after school.\nThe boy\'s friends are waiting for him to emerge, and go to see what is holding him up.\nBefore he is discovered, Håkan pours concentrated hydrochloric acid onto his own face, disfiguring it to prevent the authorities from identifying him and tracing Eli.\nEli learns that Håkan has been taken to the hospital and scales the building to access his restricted room.\nHåkan opens the window for Eli and offers his neck to Eli for feeding; after Eli has fed, Håkan falls out of the window on the snow.\nNow alone, Eli goes to Oskar\'s apartment and spends the night with him, during which time they agree to "go steady".\nWhile Eli states, "I\'m not a girl", Oskar (ambiguously) either ignores this or accepts the nature of the relationship.\nDuring an ice skating field trip at the lake, some of Oskar\'s fellow students discover Jocke\'s body.\nAt the same time, Oskar finally stands up to his tormentors and strikes the leader of the bullies, Conny, on the side of the head with a pole, splitting his ear.\nSome time later, Oskar shows Eli a private place he knows.\nUnaware that Eli is a vampire, Oskar suggests that they form a blood bond, and cuts his hand, asking Eli to do the same.\nEli, thirsting for blood but not wanting to harm Oskar, laps up his spilled blood before running away.\nLacke\'s girlfriend, Virginia, is subsequently attacked by Eli.\nLacke turns up in time to interrupt the attack.\nVirginia survives, but soon discovers that she has become painfully sensitive to sunlight.\nSeeking Lacke, Virginia visits Gösta, only to be fiercely attacked by Gösta\'s cats.\nIn the hospital, Virginia, who has realized what she has become, asks an orderly to open the blinds in her room.\nWhen the sunlight streams in, she bursts into flames.\nOn realizing Eli\'s true nature, Oskar confronts Eli, who admits to being a vampire.\nOskar is initially upset by Eli\'s need to kill people for survival.\nHowever, Eli insists that their bloodthirsty natures are alike, in that Oskar wants to kill and Eli needs to kill, and encourages Oskar to "be me, for a little while".\nIt is also revealed that Eli, whilst appearing to be a girl, is in fact a boy who has been castrated (we see this from the scar where her genitalia used to be).\nLacke, who has lost everything because of Eli, tracks Eli down to the closed-off apartment.\nBreaking in, he discovers Eli asleep in the bathtub.\nLacke prepares to kill Eli, but Oskar, who was hiding inside the apartment, interferes; Eli immediately wakes up, jumps on Lacke and kills him, feeding on his blood.\nEli thanks Oskar and kisses him in gratitude.\nHowever, an upstairs neighbor is angrily knocking on the ceiling due to the disturbance the fight has caused.\nEli realizes that it is no longer safe to stay and leaves the same night.\nThe next morning, Oskar receives a phone call from Conny\'s friend, Martin, who lures Oskar out to resume the after-school fitness program at the local swimming pool.\nThe bullies, led by Conny and his sadistic older brother Jimmy, start a fire to draw Mr Ávila, the teacher in charge, outside, enter the pool-area and order the other children to clear out, which leaves Oskar trapped alone in the pool.\nJimmy forces Oskar under the water, threatening to stab his eye out if he does not hold his breath for three minutes.\nWhile Oskar is being held underwater, Eli arrives and rescues Oskar by killing and dismembering the bullies except for the most reluctant of their number, Andreas, who is left sobbing on a bench.\nLater, Oskar is traveling on a train with Eli in a box beside him, safe from sunlight.\nFrom inside, Eli taps the word "kiss" to Oskar in Morse code, to which he taps back "puss" (small kiss in Swedish).
conversations.from: human
conversations.value: Provide the first five paragraphs for this book.
conversations.from: assistant
conversations.value: Let the Right One In
  The film, in fact, has three endings, two of them false. After the death of Lacke and the reaction from neighbours who have apparently been disturbed by the noise (though Eli kills Lacke during daylight hours, so one can't help feeling they're being a little fussy) Eli tells Oskar, 'I've got to go away'. They kiss, leaving Oskar with blood on his mouth; to use a hunting term, he has been 'blooded'. They have shared culpability for the death of Lacke. But just as it seems his relationship with Eli is signed, sealed and delivered, Oskar will find himself on his own again.
  But wait! There's more to come. The second ending begins with Oskar once again gazing sadly out of the window – this time in daylight. He's weeping softly to himself, until the phone rings and he answers it. It's Martin, saying, 'Mr Avila wanted to know if you're coming tonight'. Oskar wants to know why; Martin gives an unsatisfactory answer before saying, 'It was good, by the way, what you did to Conny. He had it coming'. Perhaps Oskar has made a friend after all. Eli was just the practice he needed to enable him to interact with his classmates. But no; Martin is calling from a pay-phone, with Conny, his elder brother Jimmy and Andreas sniggering behind him. It's a trap, and Oskar walks straight into it.
  The following scenes are choreographed very precisely. In the changing rooms, the camera creeps around a corner to show Oskar putting on his plimsolls, though he is almost immediately accosted by Mr Avila, who proposes aqua aerobics. All the camera movements are slow and ominous and creeping, which together with the sound of running water, the echoing locker-room and corridors, stokes feelings of mounting dread in the spectator. We are aware that something terrible is about to happen, and we fear Oskar won't be able to cope with it now he's on his own.
  Martin appears, loitering as though waiting for a prearranged signal. A door opens. There's a close-up of someone pouring accelerant over something in the dark.
  The putting on of the plimsolls was obviously a redundant exercise, since when we next see Oskar, he's in the water, exercising joyfully to the sound of 'Flash in the Night' issuing from a transistor radio by the pool's edge. Mr Avila is urging him on, marching on the spot. The camera approaches him from the point of view of Martin; we see their legs and feet – with Oskar in the water behind them – as Martin goes up on tiptoe to say something to Mr Avila, who reacts with 'What? Christ!' and dashes away, pausing only to scoop up his keys.
conversations.from: human
conversations.value: Provide four more paragraphs.
conversations.from: assistant
conversations.value: Outside, in the snow, the contents of a skip are ablaze. Mr Avila walks briskly out and shouts, 'Call the fire department! Fire!' Jimmy watches him go. Martin, meanwhile, has taken Mr Avila's place, marching on the spot. Oskar looks up at him delightedly, smiling wide enough to break our hearts, as we know something terrible is about to happen. Martin gives a sadistic little smirk, seeming to enjoy having lured Oskar into the trap, and glances over towards the entrance to the pool.
  The following occurs in a single take: Martin stops marching as Jimmy, Conny and Andreas enter in the background and start making their way along the length of the pool; Jimmy says 'Beat it!' to the other kids (all of them smaller) who scramble out of the pool and run out of the hall; Jimmy approaches the camera until his chest is in medium close-up, whereupon he flicks upen a knife; the camera moves up to include his head in the frame as he saunters along the edge of the pool and takes off his jacket; beside him, Andreas and Conny exchange glances; the camera pans round to show Oskar alone in the pool, dwarfed by Jimmy, who's crouching down in the foreground; Jimmy asks, 'Do you know who I am?'
  We don't really know who Jimmy is, other than he's Conny's older brother, but we're pretty sure we don't want to know; he's about sixteen or seventeen, with a bad complexion and a weak but shifty look. Jimmy explains the rules of what he calls, 'a little contest'. But if he can't, Jimmy will poke one of his eyes out. 'An eye for an ear, right?' Clearly, Jimmy is a horrible sadist, and maybe the reason Conny feels the need to pick on someone weaker than himself; in a previous scene, we've already seen Jimmy teasing his younger brother for being deaf in one ear, suggesting he habitually preys on anyone who is weak and defenceless and that Conny compensates by dealing out misery to other, weaker boys. Jimmy is the least sympathetic character in the film; if the film ended with the death of Lacke, we would feel ambivalent; but we can't wait for Jimmy to get his come-uppance.
  Oskar says, 'But that's impossible', to which Jimmy replies, 'That's your problem'. Conny kicks the radio into the water, which stops the music abruptly. Jimmy beckons to Oskar, who approaches him resignedly, persumably thinking he may as well get it over with.
conversations.from: human
conversations.value: Add another sentence about Oskar, nicked.
conversations.from: assistant
conversations.value: Outside, in the snow, the contents of a skip are ablaze. Mr Avila walks briskly out and shouts, 'Call the fire department! Fire!' Jimmy watches him go. Martin, meanwhile, has taken Mr Avila's place, marching on the spot. Oskar looks up at him delightedly, smiling wide enough to break our hearts, as we know something terrible is about to happen. Martin gives a sadistic little smirk, seeming to enjoy having lured Oskar into the trap, and glances over towards the entrance to the pool. 
  The following occurs in a single take: Martin stops marching as Jimmy, Conny and Andreas enter in the background and start making their way along the length of the pool; Jimmy says 'Beat it!' to the other kids (all of them smaller) who scramble out of the pool and run out of the hall; Jimmy approaches the camera until his chest is in medium close-up, whereupon he flicks upen a knife; the camera moves up to include his head in the frame as he saunters along the edge of the pool and takes off his jacket; beside him, Andreas and Conny exchange glances; the camera pans round to show Oskar alone in the pool, dwarfed by Jimmy, who's crouching down in the foreground; Jimmy asks, 'Do you know who I am?'
  We don't really know who Jimmy is, other than he's Conny's older brother, but we're pretty sure we don't want to know; he's about sixteen or seventeen, with a bad complexion and a weak but shifty look. Jimmy explains the rules of what he calls, 'a little contest'. If Oskar can stay underwater for three minutes, he'll just get nicked. But if he can't, Jimmy will poke one of his eyes out. 'An eye for an ear, right?' Clearly, Jimmy is a horrible sadist, and maybe the reason Conny feels the need to pick on someone weaker than himself; in a previous scene, we've already seen Jimmy teasing his younger brother for being deaf in one ear, suggesting he habitually preys on anyone who is weak and defenceless and that Conny compensates by dealing out misery to other, weaker boys. Jimmy is the least sympathetic character in the film; if the film ended with the death of Lacke, we would feel ambivalent; but we can't wait for Jimmy to get his come-uppance. 
  Oskar says, 'But that's impossible', to which Jimmy replies, 'That's your problem'. Conny kicks the radio into the water, which stops the music abruptly. Jimmy beckons to Oskar, who approaches him resignedly, persumably thinking he may as well get it over with.
conversations.from: human
conversations.value: Provide the last five paragraphs.
conversations.from: assistant
conversations.value: This is the Second False Ending. The film could end here, leaving us more or less satisfied since the bullies have got their come-uppance – though perhaps feeling a little uncomfortable too, since even bullying, however nasty, isn't a capital offence. It's hard to feel sorry for Jimmy, whose behaviour bordered on the psychopathic and who really did seem prepared to let Oskar drown; but though we dislike Conny and Martin, did they really deserve to die? No matter, Eli doled out rough justice and rescued her friend, just as we'd hoped she would.
  On first viewing, for a few horrible moments while Oskar was still underwater, I thought the film-makers were going to play the deathdream card, by having him imagine a rescue which never came. I'm glad they didn't. But it doesn't end there. Not quite.
  The camera creeps slowly around the seatback in a seemingly deserted railway carriage to show Oskar, sitting on his own by the window as snow-covered countryside flashes past. He's not on his own, though, not this time. There's a knocking from a large trunk on the floor next to him. Oskar responds by tapping out the Morse code for 'kiss'.
  It's a classic 'happy ending' in that we leave them at what is probably the optimum point in their story: young, in love with each other, and free. Each has saved the other's life, they trust each other completely and from now on they can be together.
  We're not supposed to think too hard about the trail of corpses they leave behind them. Of course, Oskar's mother will report her son's disappearance to the police. The school will come under attack for the violence perpetrated on its premises; there will be an inquiry, and Mr Avila will probably be disgraced and lose his job. The press will have a field day. Lacke's corpse is presumably still in Eli's old flat; soon it will be discovered, and detectives will link the flat to Håkan. Perhaps they will also link it to the strange and inexplicable death of Virginia. Perhaps they will conclude that Oskar has been abducted by a paedophile ring to which Hâkan belonged. Or perhaps they will dig around in Håkan's past and find evidence that his 12-year-old 'daughter' isn't all she appears to be.