conversations.from: human
conversations.value: the first four paragraphs for a book with the title 'A House for Mr Biswas'
conversations.from: assistant
conversations.value: A House for Mr Biswas
  The sun shone and the rain fell. The roof didn't leak. But the asphalt began to melt and hung limply down: a legion of slim, black, growing snakes. Occasionally they fell, and, falling, curled and died.
  Late one night, when he had put out the oil lamp and was in bed, he heard footsteps outside his room.
  He lay still, listening. Then he jumped out of bed, grabbed his stick and deliberately knocked against the kitchen safe and table and Shama's dressingtable. He stood at the side of the door and violently pushed out the top half, his body protected by the lower half.
  He saw nothing but the night, the still, colourless barrackyard, the dead trees black against the moonlit sky. Two rooms away a light was burning: someone was out, or a child was ill.
conversations.from: human
conversations.value: five more paragraphs
conversations.from: assistant
conversations.value: With the disappearance of the gospo tree the cricket field shrank rapidly. After every shower part of it was carved away, leaving a grass-covered overhang which collapsed in a day or two and was carried off by the next downpour. The drive became tall with weeds, and through the weeds a narrow, curiously wavering path led to the concrete steps, now cracked and sagging and bursting into vegetation at every crack. The evergreen hedge was a tangle of small trees, and whenever it rained the grounds smelled fresh, as of fish, telling that snakes were about.
  No one had time to fight the bush. The widows, when not cooking or washing or cleaning or looking after the cows, were making coffee or chocolate or coconut oil or grinding maize. Their clothes became patched, their arms hard. They looked like labourers, and they had to bear with the exulting comments Seth sent through common friends. He had given his life to the family; then he had been rejected and slandered. Their punishment was only beginning. When the gully became a gorge they threw a bridge of coconut trunks across it. The gorge widened; the trunks collapsed. The widows built another bridge; that collapsed too. The widows prevailed on Mrs Tulsi to buy lengths of rail. The rails were laid across the gorge, coconut trunks laid across the rails, and for a time this structure survived, shaky, slippery, with gaps through which a child might fall to the rocks below.
  Mr Biswas could no longer ignore the dereliction about him; yet when he spoke about moving, Shama, though excluded from the councils of the widows and the confidences of the other sisters, became sullen and sometimes cried.
  Chinta announced one day that someone had stolen eighty dollars from her room. It was an astonishing announcement, not only because an accusation of theft had never been made in the family before, but also because no one knew that Chinta and Govind had so much money. Chinta told again and again of the last time she had checked the money, and of the accident that had led her to find out that the money was missing. She said she knew who had stolen the money, but was waiting for the thief to trip himself up.
conversations.from: human
conversations.value: Add another sentence about catching, worked.
conversations.from: assistant
conversations.value: With the disappearance of the gospo tree the cricket field shrank rapidly. After every shower part of it was carved away, leaving a grass-covered overhang which collapsed in a day or two and was carried off by the next downpour. The drive became tall with weeds, and through the weeds a narrow, curiously wavering path led to the concrete steps, now cracked and sagging and bursting into vegetation at every crack. The evergreen hedge was a tangle of small trees, and whenever it rained the grounds smelled fresh, as of fish, telling that snakes were about. 
  No one had time to fight the bush. The widows, when not cooking or washing or cleaning or looking after the cows, were making coffee or chocolate or coconut oil or grinding maize. Their clothes became patched, their arms hard. They looked like labourers, and they had to bear with the exulting comments Seth sent through common friends. He had given his life to the family; then he had been rejected and slandered. Their punishment was only beginning. Had he not said that when he left them they would all start catching crabs?
  And the widows worked like men. When the gully became a gorge they threw a bridge of coconut trunks across it. The gorge widened; the trunks collapsed. The widows built another bridge; that collapsed too. The widows prevailed on Mrs Tulsi to buy lengths of rail. The rails were laid across the gorge, coconut trunks laid across the rails, and for a time this structure survived, shaky, slippery, with gaps through which a child might fall to the rocks below. 
  Mr Biswas could no longer ignore the dereliction about him; yet when he spoke about moving, Shama, though excluded from the councils of the widows and the confidences of the other sisters, became sullen and sometimes cried. 
  Chinta announced one day that someone had stolen eighty dollars from her room. It was an astonishing announcement, not only because an accusation of theft had never been made in the family before, but also because no one knew that Chinta and Govind had so much money. Chinta told again and again of the last time she had checked the money, and of the accident that had led her to find out that the money was missing. She said she knew who had stolen the money, but was waiting for the thief to trip himself up.
conversations.from: human
conversations.value: the last five paragraphs. End with the sentence ' Yet it is also woven through with remarkable invention to make it a rich and complex novel.'.
conversations.from: assistant
conversations.value: Her sisters did not fail Shama. They all came. For them it was an occasion of reunion, no longer so frequent, for they had all moved to their own houses, some in the town, some in the country.
  Downstairs the doors of the house were open. The door that couldn't open had been made to, and its hinges dislocated. The furniture was pushed to the walls. All that day and evening well-dressed mourners, men, women and children, passed through the house. The polished floor became scratched and dusty; the staircase shivered continually; the top floor resounded with the steady shuffle. And the house did not fall.
  The cremation, one of the few permitted by the Health Department, was conducted on the banks of a muddy stream and attracted spectators of various races. Afterwards the sisters returned to their respective homes and Shama and the children went back in the Prefect to the empty house.
  In this novel V. S. Naipaul takes us deeply into the life of one man—an Indian who, uprooted by the bloody tides of Third World history, has come to live in an isolated town at the bend of a great river in a newly independent African nation. Naipaul gives us the most convincing and disturbing vision yet of what happens in a place caught between the dangerously alluring modern world and its own tenacious past and traditions.
  The story of a writer's singular journey—from one place to another, from the British colony of Trinidad to the ancient countryside of England, and from one state of mind to another—this is perhaps Naipaul's most autobiographical work. Yet it is also woven through with remarkable invention to make it a rich and complex novel.