conversations.from: human
conversations.value: What could be a title for a book about Bailee, Cooper, BR><BR>Together with the genre: Christian Books & Bibles, Literature & Fiction?
conversations.from: assistant
conversations.value: A title for this book could be 'House of Secrets'
conversations.from: human
conversations.value: Do you know a description for a book titled House Of Secrets about Wisconsin, Island, Lost/Broken/Strange with the genre: Literature & Fiction, United States? Start with the sentence 'the author lives in Wisconsin with two slightly crazed cats, a husband who's turned their home into the Island of Lost/Broken/Strange Antiques, and their two daughters'.
conversations.from: assistant
conversations.value: the author lives in Wisconsin with two slightly crazed cats, a husband who's turned their home into the Island of Lost/Broken/Strange Antiques, and their two daughters. Her books have won the Daphne, the Beacon, and the Golden Quill awards for romantic suspense. A journalist and magazine editor by day, Tracy likes to scuba dive, forget to go to spinning class, wallow in bed with a book, or get out her guitar and pretend she's Suzanne Vega. Find her online at tracymontoya.com.
conversations.from: human
conversations.value: Do you know the first five paragraphs for this book?
conversations.from: assistant
conversations.value: House of Secrets
  Olsen, Christina, "Gross expenditure: Botticelli's Nastagio degli Onesti panels," Art History 15 (1992): 146–70.
  Origo, Iris, "The domestic enemy: the Eastern slaves in Tuscany in the fourteenth and fifteenth centuries," Speculum 30 (1955): 321–66.
  Park, Katharine and John Henderson, "'The first hospital among Christians': the Ospedale di Santa Maria Nuova in early sixteenth-century Florence," Medical History 35 (1991): 164–88.
  Pedretti, Carlo, "La macchina idraulica costruita da Leonardo per conto di Bernardo Rucellai e i primi contatori d'acqua," Raccòlta vinciana 17 (1954): 177–215.
  Pérez-Gómez, Alberto, "The Hypnerotomachia Poliphili by Francesco Colonna: the erotic nature of architectural meaning," in Vaughan Hart with Peter Hicks, eds, Paper Palaces: The Rise of the Renaissance Architectural Treatise (New Haven, CT, 1989), 86–104.
conversations.from: human
conversations.value: Delete the last sentence.
conversations.from: assistant
conversations.value: House of Secrets
  Olsen, Christina, "Gross expenditure: Botticelli's Nastagio degli Onesti panels," Art History 15 (1992): 146–70.
  Origo, Iris, "The domestic enemy: the Eastern slaves in Tuscany in the fourteenth and fifteenth centuries," Speculum 30 (1955): 321–66.
  Park, Katharine and John Henderson, "'The first hospital among Christians': the Ospedale di Santa Maria Nuova in early sixteenth-century Florence," Medical History 35 (1991): 164–88.
  Pedretti, Carlo, "La macchina idraulica costruita da Leonardo per conto di Bernardo Rucellai e i primi contatori d'acqua," Raccòlta vinciana 17 (1954): 177–215.
conversations.from: human
conversations.value: Do you know five more paragraphs?
conversations.from: assistant
conversations.value: Scalini, Mario, "The chivalric 'Ludus' in quattrocento Florence," in Cristina Acidini Luchinat, ed., Renaissance Florence: The Age of Lorenzo de' Medici 1449–1492 (Milan, 1993), 61–3.
  Schneider, Laurie, "Leon Battista Alberti: some biographical implications of the winged eye," Art Bulletin 72 (1990): 261–70.
  Sframeli, Maria, Il centro di Firenze restituito: Affreschi e frammenti lapidei nel Museo di San Marco (Florence, 1989).
  Small, Jocelyn Penny, Wax Tablets of the Mind: Cognitive Studies of Memory and Literacy in Classical Antiquity (London, 1997).
  Smith, Graham, "Florence, photography and the Victorians," in John E. Law and Lene Østermark-Johansen, eds, Victorian and Edwardian Responses to the Italian Renaissance (Aldershot, 2005), 7–32.
conversations.from: human
conversations.value: Do you know the last four paragraphs?
conversations.from: assistant
conversations.value: Plate 13. Filippino Lippi's Virgin and Child with Saints Jerome and Dominic, c.1485, sold by the Rucellai family to the National Gallery, London in 1857.
  Plate 14. Madonna and Child with Saints, c.1340, remained in the Rucellai enclave for nearly 560 years; it was eventually acquired, in 1932, by the American collector Samuel H. Kress.
  Plate 15. Delaney, abbi pazienza (Delaney, Be Patient!), a giallo from the Mondadori crime fiction series, published January 1955, 42 years before Alvise di Robilant was murdered in Palazzo Rucellai.
  Plate 16. In Caravaggio's dramatic rendering of a crimson-cloaked Jerome, the Rucellai patron saint's outstretched arm directs our gaze toward a glowing skull, a vivid reminder of death ever-looming.
conversations.from: human
conversations.value: Reverse the sentences.
conversations.from: assistant
conversations.value: In Caravaggio's dramatic rendering of a crimson-cloaked Jerome, the Rucellai patron saint's outstretched arm directs our gaze toward a glowing skull, a vivid reminder of death ever-looming..
  Plate 16. Delaney, abbi pazienza (Delaney, Be Patient!), a giallo from the Mondadori crime fiction series, published January 1955, 42 years before Alvise di Robilant was murdered in Palazzo Rucellai.
  Plate 15. Kress.1340, remained in the Rucellai enclave for nearly 560 years; it was eventually acquired, in 1932, by the American collector Samuel H. Madonna and Child with Saints, c.
  Plate 14.1485, sold by the Rucellai family to the National Gallery, London in 1857. Filippino Lippi's Virgin and Child with Saints Jerome and Dominic, c.Plate 13
conversations.from: human
conversations.value: Do you know the first two paragraphs for this book?
conversations.from: assistant
conversations.value: House of Secrets
  I sat there, rereading that verse over and over. Was God really trying to encourage me? Did He work like that? I closed the Bible and put it aside, but the words rang over and over in my mind.
  When I finally returned home, it was as if I'd never been gone. No one said a word about my disappearance, and in fact the rest of the family was gathered once again on the deck discussing our mother. My sisters seemed much more at ease than when I'd left, and Mark was nowhere in sight. Had he gone, as I'd suggested? A part of me hoped he had stayed.
conversations.from: human
conversations.value: Do you know five more paragraphs?
conversations.from: assistant
conversations.value: I felt my face flush and quickly jumped to my feet. "Well, if I'm going to drive you to SeaTac, I'd better change my clothes." It was a poor excuse, as I was dressed perfectly for the trip. Mark chuckled and I ignored him. "I'll only be a minute."
  We had plenty of time, so I opted to drive Mark to SeaTac rather than take the ferry. The overcast skies promised rain, but that didn't bother me. What did bother me was the way Mark watched me from the passenger seat. I had expected him to be talkative and full of references to the kiss we'd shared earlier. Instead he just sat there grinning like he knew I was reliving that moment over and over. Of course... I was.
  Finally, I couldn't take it anymore. "Okay, so let's say we have a... relationship... hypothetically."
  I had to slam on the brakes to avoid rear-ending the white sedan in front of me. Maybe this wasn't the best conversation to have while driving.
  I tried to still my racing heart. "Look, I don't feel things lightly. In fact, I don't like to allow myself to feel deeply at all. You have a way of breaking down my defenses."
conversations.from: human
conversations.value: Delete the last sentence.
conversations.from: assistant
conversations.value: I felt my face flush and quickly jumped to my feet. "Well, if I'm going to drive you to SeaTac, I'd better change my clothes." It was a poor excuse, as I was dressed perfectly for the trip. Mark chuckled and I ignored him. "I'll only be a minute."
  We had plenty of time, so I opted to drive Mark to SeaTac rather than take the ferry. The overcast skies promised rain, but that didn't bother me. What did bother me was the way Mark watched me from the passenger seat. I had expected him to be talkative and full of references to the kiss we'd shared earlier. Instead he just sat there grinning like he knew I was reliving that moment over and over. Of course... I was.
  Finally, I couldn't take it anymore. "Okay, so let's say we have a... relationship... hypothetically."
  I had to slam on the brakes to avoid rear-ending the white sedan in front of me. Maybe this wasn't the best conversation to have while driving.
  I tried to still my racing heart. "Look, I don't feel things lightly. In fact, I don't like to allow myself to feel deeply at all. You have a way of breaking down my defenses.
conversations.from: human
conversations.value: Do you know the last five paragraphs? End with the sentence ' "A new thing," I whispered as we reached the end of the church aisle.'.
conversations.from: assistant
conversations.value: I can't say that I remember all the details of the ceremony. I was so nervous about doing everything just right that when the moment finally came and the pastor said we were man and wife, I wanted to take hold of Mark and drag him out of the church. I was tired of crowds and fanfare and wished only to be alone in his arms. Instead, we kissed very briefly.
  Geena leaned in. "Get a move on, you two. There's a reception and dinner to be completed before you can go traipsing off on your honeymoon."
  I will live for today, I told myself and smiled at my new husband. With God's help and his, I felt there was nothing I couldn't accomplish—nothing I couldn't endure. I would do as God said in Isaiah and fear not—and in doing so focus on the other verses that Mark had shared with me.
  Forget the former things; do not dwell on the past. See, I am doing a new thing! Now it springs up; do you not perceive it?
  I could smell the sweet scent of my bouquet and took in a long, deep breath. "A new thing," I whispered as we reached the end of the church aisle.