conversations.from: human
conversations.value: What could be a title for a story about Outside, Box, Bookface.com with the genre: Literature & Fiction, Short Stories & Anthologies?
conversations.from: assistant
conversations.value: A title for this story could be 'Outside the Box'
conversations.from: human
conversations.value: Give me a description for a story titled Outside the Box about Grid, Latin, America with the genre: Teen & Young Adult, Literature & Fiction.
conversations.from: assistant
conversations.value: the author is currently writing a sequel to this story, called Off the Grid , and a novel of Latin America, called Agua. Find out more at www.stayoutsidethebox.com.
conversations.from: human
conversations.value: Reverse the sentences.
conversations.from: assistant
conversations.value: com..stayoutsidethebox. Find out more at www.the author is currently writing a sequel to this story, called Off the Grid , and a novel of Latin America, called Agua
conversations.from: human
conversations.value: Give me the first three paragraphs for this story.
conversations.from: assistant
conversations.value: Outside the Box
  I'll take an educated guess here, but I attribute the resurgence to two factors. First, in an overexposed, slick computer-generated packaging world, where every brand manager wants their product to stand out on the overcrowded grocery shelf, some see the value of a handcrafted package. Second, there is a lively business of small microbreweries, small wineries, and microdistilleries. They, rightly so, want designers to create packaging that reflects their hands-on approach in the label as well as in the supporting marketing materials.
  Saint Bernadine Mission Communications Inc. is a Vancouver-based agency specializing in branding, advertising, graphic design, and digital design.
  PROJECT DESCRIPTION: Evil Spirits Distillery is a new premium spirits line that is painstakingly crafted to be sinfully enjoyed. Saint Bernadine was tasked with package design and a media kit for Evil Spirits' launch.
conversations.from: human
conversations.value: Give me another paragraph.
conversations.from: assistant
conversations.value: Not much. The early sketch word marks are sometimes inspired by other typefaces but are often imagined and custom to each bottle sketch. At a more refined stage, the resulting Evil Spirits word mark was inspired by a few different typefaces and created by tracing over existing letterforms, adding new elements and characters from other typefaces, skewing it, and tracing it again and again, trying new things until the desired look is achieved.
conversations.from: human
conversations.value: Give me the last five paragraphs.. End with the sentence ' A huge debt of gratitude is also extended to my old friend Gary Montalvo, who came in at the end, as he always does, to help wrap up the layouts.'.
conversations.from: assistant
conversations.value: Not much. The early sketch word marks are sometimes inspired by other typefaces but are often imagined and custom to each bottle sketch. At a more refined stage, the resulting Evil Spirits word mark was inspired by a few different typefaces and created by tracing over existing letterforms, adding new elements and characters from other typefaces, skewing it, and tracing it again and again, trying new things until the desired look is achieved.
  Yes, things were kept rough and in sketch form until the approved Ouija concept. From there, it was a combination of a sketched label applied to a photograph of the bottle in Photoshop, with multiple color and word mark combinations done digitally after that. Once a word mark and loose color palette had been decided on, the actual digital artwork began.
  My special thanks is extended to Sara Bader from Princeton Architectural Press, whose idea all of this was in the first place, and to the fabulous Louise Fili, who put us together. I am also indebted to Tom Cho from PAP, whose helpful edits, guidance, and good humor made working nights and weekends a little more fun. And high praise to PAP's design director, Paul Wagner, whose keen eye to detail is much appreciated.
  Thanks goes to Joe Newton, my workmate and friend, whose assistance throughout this project proved to be invaluable, as always. Joe put up with a lot of hand wringing and whining—even more than usual—and I am forever in his debt for being a such good egg and good listener.
  Betsy Mei Chun Lin, Maria Sofie Rose, and Maxwell Beucler all interned on this project at various points, and their hard work and patience is greatly appreciated. A huge debt of gratitude is also extended to my old friend Gary Montalvo, who came in at the end, as he always does, to help wrap up the layouts.