conversations.from: human
conversations.value: What could be a title for a story about David, Herbert, English with the genre: Literature & Fiction, Classics?
conversations.from: assistant
conversations.value: A title for this story could be 'The Rainbow'
conversations.from: human
conversations.value: Give me a description for a story titled The Rainbow about I>The, DIV&#62;The, David with the genre: New, Used & Rental Textstorys, Humanities.. End with the sentence '&#60;/DIV&#62;'.
conversations.from: assistant
conversations.value: &#60;DIV&#62;The son of a miner, the prolific novelist, poet, and travel writer David Herbert the author was born in Eastwood, Nottinghamshire, in 1885. He attended Nottingham University and found employment as a schoolteacher. His first novel, <I>The White Peacock</I>, was published in 1911, the same year his beloved mother died and he quit teaching after contracting pneumonia. The next year the author published <I>Sons and Lovers</I> and ran off to Germany with Frieda Weekley, his former tutor s wife. His masterpieces <I>The Rainbow</I> and <I>Women in Love</I> were completed in quick succession, but the first was suppressed as indecent and the second was not published until 1920. the author s lyrical writings challenged convention, promoting a return to an ideal of nature where sex is seen as a sacrament. In 1928 the author s final novel, <I>Lady Chatterley s Lover</I>, was banned in England and the United States for indecency. He died of tuberculosis in 1930 in Venice.&#60;/DIV&#62;
conversations.from: human
conversations.value: Give me a plot for a story titled The Rainbow about David, Herbert, English with the genre: Literature & Fiction, Classics.. Start with the sentence 'The Rainbow: The Rainbow tells the story of three generations of the Brangwen family, a dynasty of farmers and craftsmen who live in the east Midlands of England, on the borders of Nottinghamshire and Derbyshire'.
conversations.from: assistant
conversations.value: The Rainbow: The Rainbow tells the story of three generations of the Brangwen family, a dynasty of farmers and craftsmen who live in the east Midlands of England, on the borders of Nottinghamshire and Derbyshire.\nThe story spans a period of roughly 65 years from the 1840s to 1905, and shows how the love relationships of the Brangwens change against the backdrop of the increasing industrialisation of Britain.\nThe first central character, Tom Brangwen, is a farmer whose experience of the world does not stretch beyond these two counties; while the last, Ursula, his granddaughter, studies at university and becomes a teacher in the progressively urbanised, capitalist and industrial world.\nThe story starts with a description of the Brangwen dynasty, then deals with how Tom Brangwen, one of several brothers, fell in love with a Polish refugee and widow, Lydia.\nThe next part of the story deals with Lydia\'s daughter by her first husband, Anna, and her destructive, battle-riven relationship with her husband, Will, the son of one of Tom\'s brothers.\nThe last and most extended part of the story, and also probably the most famous, then deals with Will and Anna\'s daughter, Ursula, and her struggle to find fulfilment for her passionate, spiritual and sensual nature against the confines of the increasingly materialist and conformist society around her.\nShe experiences a same-sex relationship with a teacher, and a passionate but ultimately doomed love affair with Anton Skrebensky, a British soldier of Polish ancestry.\nAt the end of the story, having failed to find her fulfilment in Skrebensky, she has a vision of a rainbow towering over the Earth, promising a new dawn for humanity: "She saw in the rainbow the earth\'s new architecture, the old, brittle corruption of houses and factories swept away, the world built up in a living fabric of Truth, fitting to the over-arching heaven".
conversations.from: human
conversations.value: Give me a plot for a story titled The Rainbow.. Start with the sentence 'The Rainbow (film): Set during the final years of England's Victorian era, Ursula Brangwen is the eldest of several children of wealthy Derbyshire farmer Will Brangwen and his wife Anna'.
conversations.from: assistant
conversations.value: The Rainbow (film): Set during the final years of England's Victorian era, Ursula Brangwen is the eldest of several children of wealthy Derbyshire farmer Will Brangwen and his wife Anna.\nUrsula, since age 3, has a fascination with rainbows and after one rainstorm, she runs off with a suitcase hoping to look for a pot of gold at the end of it.\nWill tries to ease her fascination by making her peanut butter and jam sandwiches with several spreads of different flavoured jam resembling a rainbow.\nDuring her teenage years, Ursula falls into a same sex romance with her older swimming and gym teacher Winifred Inger, while at the same time, Ursula also begins having romantic feelings for Anton Skrebensky, a student at the nearby boys high school who plans to enlist in the Army after graduation.\nUrsula and Winifred spend romantic weekends together at Winifred's house as well as hiking in the hills around the area.\nWinifred introduces Ursula to an artist friend of hers whom encourages Ursula to model in the nude for his paintings, and when the artist, Mac, makes sexual advances towards Ursula and refuses to pay her for her modeling, she walks out.\nOne weekend, Ursula brings along Winifred as her chaperone when she visits her father's wealthy older brother, Uncle Henry, who becomes smitten with Winifred and, after a short courtship, proposes marriage to her.\nWinifred accepts which creates jealousy in Ursula.\nFeeling abandoned and alone after Winifred leaves her to marry Uncle Henry, and Anton goes off to fight in the Second Boer War in South Africa, Ursula decides to restart her life by becoming a school teacher.\nAfter graduation from high school, Ursula moves to London where she takes a job as a schoolmarm at a poor elementary school in the East End where she becomes quickly appalled by the lack of discipline and hygiene among the impoverished children she is forced to teach (many of whom are illiterate child laborers).\nShe also fends off sexual advances by the lecherous headmaster of the school, who uses physical discipline to settle unruly students.\nUrsula initially refuses to go to that level of physical punishment for her class.\nBut after being provoked a few too many times by one belligerent boy who uses a slingshot to pelt her with small stones, Ursula finally loses her temper and violently beats the child with a cane in full view of the class and school staff.\nWhile her violent outburst actually works to pacify her students, and makes the headmaster not to make anymore inappropriate passes at her, Ursula is guilt-ridden by her own actions and as a result, she quits her job when the school year ends.\nReturning to her family farm a year-and-a-half later in the spring of 1901, Ursula is reunited with Anton who is back from war and wants to rekindle a romance with her.\nAfter having a casual reunion with Winifred, who is now married to Uncle Henry and now has a baby, Ursula decides to consummate her romance with Anton.\nAt the same time, Ursula also begins working with a local miners union to help out unprivileged workers with salary and securities.\nWhen she learns that she may be pregnant, Anton proposes marriage to her, but she turns him down, wanting to follow her own path in life.\nAfter Anton leaves her for good, Ursula is attacked while walking home alone by two mine workers who attempt to rape her, but she escapes and spends most of the day hiding out in a rain-soaked forest, but she makes it back to her farm.\nThere she finds a telegram from Anton who informs her that he had gotten married to another woman and has left the country with her for a military post in India.\nAfter a heartfelt talk with her father about life and what path it leads in life, Ursula decides to start all over again.\nIn the final scene, Ursula packs a suitcase and runs out of her house to chase another large rainbow that appears after a storm, just like her younger self used to.
conversations.from: human
conversations.value: Give me a plot for a story titled The Rainbow.. Start with the sentence 'The Rainbow (film): Set during the final years of England's Victorian era, Ursula Brangwen is the eldest of several children of wealthy Derbyshire farmer Will Brangwen and his wife Anna'.
conversations.from: assistant
conversations.value: The Rainbow (film): Set during the final years of England's Victorian era, Ursula Brangwen is the eldest of several children of wealthy Derbyshire farmer Will Brangwen and his wife Anna.\nUrsula, since age 3, has a fascination with rainbows and after one rainstorm, she runs off with a suitcase hoping to look for a pot of gold at the end of it.\nWill tries to ease her fascination by making her peanut butter and jam sandwiches with several spreads of different flavoured jam resembling a rainbow.\nDuring her teenage years, Ursula falls into a same sex romance with her older swimming and gym teacher Winifred Inger, while at the same time, Ursula also begins having romantic feelings for Anton Skrebensky, a student at the nearby boys high school who plans to enlist in the Army after graduation.\nUrsula and Winifred spend romantic weekends together at Winifred's house as well as hiking in the hills around the area.\nWinifred introduces Ursula to an artist friend of hers whom encourages Ursula to model in the nude for his paintings, and when the artist, Mac, makes sexual advances towards Ursula and refuses to pay her for her modeling, she walks out.\nOne weekend, Ursula brings along Winifred as her chaperone when she visits her father's wealthy older brother, Uncle Henry, who becomes smitten with Winifred and, after a short courtship, proposes marriage to her.\nWinifred accepts which creates jealousy in Ursula.\nFeeling abandoned and alone after Winifred leaves her to marry Uncle Henry, and Anton goes off to fight in the Second Boer War in South Africa, Ursula decides to restart her life by becoming a school teacher.\nAfter graduation from high school, Ursula moves to London where she takes a job as a schoolmarm at a poor elementary school in the East End where she becomes quickly appalled by the lack of discipline and hygiene among the impoverished children she is forced to teach (many of whom are illiterate child laborers).\nShe also fends off sexual advances by the lecherous headmaster of the school, who uses physical discipline to settle unruly students.\nUrsula initially refuses to go to that level of physical punishment for her class.\nBut after being provoked a few too many times by one belligerent boy who uses a slingshot to pelt her with small stones, Ursula finally loses her temper and violently beats the child with a cane in full view of the class and school staff.\nWhile her violent outburst actually works to pacify her students, and makes the headmaster not to make anymore inappropriate passes at her, Ursula is guilt-ridden by her own actions and as a result, she quits her job when the school year ends.\nReturning to her family farm a year-and-a-half later in the spring of 1901, Ursula is reunited with Anton who is back from war and wants to rekindle a romance with her.\nAfter having a casual reunion with Winifred, who is now married to Uncle Henry and now has a baby, Ursula decides to consummate her romance with Anton.\nAt the same time, Ursula also begins working with a local miners union to help out unprivileged workers with salary and securities.\nWhen she learns that she may be pregnant, Anton proposes marriage to her, but she turns him down, wanting to follow her own path in life.\nAfter Anton leaves her for good, Ursula is attacked while walking home alone by two mine workers who attempt to rape her, but she escapes and spends most of the day hiding out in a rain-soaked forest, but she makes it back to her farm.\nThere she finds a telegram from Anton who informs her that he had gotten married to another woman and has left the country with her for a military post in India.\nAfter a heartfelt talk with her father about life and what path it leads in life, Ursula decides to start all over again.\nIn the final scene, Ursula packs a suitcase and runs out of her house to chase another large rainbow that appears after a storm, just like her younger self used to.
conversations.from: human
conversations.value: Give me the first five paragraphs for this story.
conversations.from: assistant
conversations.value: The Rainbow
  There was something he wanted, nevertheless, some form of mastery. Ever and anon, after his collapses into the petty and the shameful, he rose up again, and, stubborn in spirit, strong in his power to start afresh, set out once more in his male pride of being to fulfil the hidden passion of his spirit.
  It began well, but it ended always in war between them, till they were both driven almost to madness. He said, she did not respect him. She laughed in hollow scorn of this. For her it was enough that she loved him.
  But he always answered the wrong thing. And though she cudgelled her brains, she could not come at it.
  But she did not care for the Adam and Eve, and he never put another stroke to it. She jeered at the Eve, saying, "She is like a little marionette. Why is she so small? You've made Adam as big as God, and Eve like a doll."
  In a rage one day, after trying to work on the board, and failing, so that his belly was a flame of nausea, he chopped the whole panel and put it on the fire. She did not know. He went about for some days very quiet and subdued after it.
conversations.from: human
conversations.value: Give me five more paragraphs.
conversations.from: assistant
conversations.value: He wrote in March to say that he was going to South Africa in a short time, but before he went, he would snatch a day at the Marsh.
  As if in a painful dream, she waited suspended, unresolved. She did not know, she could not understand. Only she felt that all the threads of her fate were being held taut, in suspense. She only wept sometimes as she went about, saying blindly:
  He came. But why did he come? She looked at him for a sign. He gave no sign. He did not even kiss her. He behaved as if he were an affable, usual acquaintance. This was superficial, but what did it hide? She waited for him, she wanted him to make some sign.
  So the whole of the day they wavered and avoided contact, until evening. Then, laughing, saying he would be back in six months' time and would tell them all about it, he shook hands with her mother and took his leave.
  Ursula accompanied him into the lane. The night was windy, the yew-trees seethed and hissed and vibrated. The wind seemed to rush about among the chimneys and the church-tower. It was dark.
conversations.from: human
conversations.value: Reverse the sentences.
conversations.from: assistant
conversations.value: It was dark.. The wind seemed to rush about among the chimneys and the church-tower. The night was windy, the yew-trees seethed and hissed and vibrated.
  Ursula accompanied him into the lane. Then, laughing, saying he would be back in six months' time and would tell them all about it, he shook hands with her mother and took his leave.
  So the whole of the day they wavered and avoided contact, until evening. This was superficial, but what did it hide? She waited for him, she wanted him to make some sign. He behaved as if he were an affable, usual acquaintance. He did not even kiss her. He gave no sign. But why did he come? She looked at him for a sign. She only wept sometimes as she went about, saying blindly:
  He came. Only she felt that all the threads of her fate were being held taut, in suspense. She did not know, she could not understand.
  As if in a painful dream, she waited suspended, unresolved.He wrote in March to say that he was going to South Africa in a short time, but before he went, he would snatch a day at the Marsh
conversations.from: human
conversations.value: Give me the last five paragraphs.
conversations.from: assistant
conversations.value: There came the cablegram from Skrebensky: "I am married." An old pain and anger and contempt stirred in her. Did he belong so utterly to the cast-off past? She repudiated him. He was as he was. It was good that he was as he was. Who was she to have a man according to her own desire? It was not for her to create, but to recognize a man created by God. The man should come from the Infinite and she should hail him. She was glad she could not create her man. She was glad she had nothing to do with his creation. She was glad that this lay within the scope of that vaster power in which she rested at last. The man would come out of Eternity to which she herself belonged.
  As she grew better, she sat to watch a new creation. As she sat at her window, she saw the people go by in the street below, colliers, women, children, walking each in the husk of an old fruition, but visible through the husk, the swelling and the heaving contour of the new germination. In the still, silenced forms of the colliers she saw a sort of suspense, a waiting in pain for the new liberation; she saw the same in the false hard confidence of the women. The confidence of the women was brittle. It would break quickly to reveal the strength and patient effort of the new germination.
  In everything she saw she grasped and groped to find the creation of the living God, instead of the old, hard barren form of bygone living. Sometimes great terror possessed her. Sometimes she lost touch, she lost her feeling, she could only know the old horror of the husk which bound in her and all mankind. They were all in prison, they were all going mad.
  She saw the stiffened bodies of the colliers, which seemed already enclosed in a coffin, she saw their unchanging eyes, the eyes of those who are buried alive: she saw the hard, cutting edges of the new houses, which seemed to spread over the hillside in their insentient triumph, the triumph of horrible, amorphous angles and straight lines, the expression of corruption triumphant and unopposed, corruption so pure that it is hard and brittle: she saw the dun atmosphere over the blackened hills opposite, the dark blotches of houses, slate roofed and amorphous, the old church-tower standing up in hideous obsoleteness above raw new houses on the crest of the hill, the amorphous, brittle, hard edged new houses advancing from Beldover to meet the corrupt new houses from Lethley, the houses of Lethley advancing to mix with the houses of Hainor, a dry, brittle, terrible corruption spreading over the face of the land, and she was sick with a nausea so deep that she perished as she sat. And then, in the blowing clouds, she saw a band of faint iridescence colouring in faint colours a portion of the hill. And forgetting, startled, she looked for the hovering colour and saw a rainbow forming itself. In one place it gleamed fiercely, and, her heart anguished with hope, she sought the shadow of iris where the bow should be. Steadily the colour gathered, mysteriously, from nowhere, it took presence upon itself, there was a faint, vast rainbow. The arc bended and strengthened itself till it arched indomitable, making great architecture of light and colour and the space of heaven, its pedestals luminous in the corruption of new houses on the low hill, its arch the top of heaven.
  And the rainbow stood on the earth. She knew that the sordid people who crept hard-scaled and separate on the face of the world's corruption were living still, that the rainbow was arched in their blood and would quiver to life in their spirit, that they would cast off their horny covering of disintegration, that new, clean, naked bodies would issue to a new germination, to a new growth, rising to the light and the wind and the clean rain of heaven. She saw in the rainbow the earth's new architecture, the old, brittle corruption of houses and factories swept away, the world built up in a living fabric of Truth, fitting to the over-arching heaven.
conversations.from: human
conversations.value: Reverse the sentences.
conversations.from: assistant
conversations.value: She saw in the rainbow the earth's new architecture, the old, brittle corruption of houses and factories swept away, the world built up in a living fabric of Truth, fitting to the over-arching heaven.. She knew that the sordid people who crept hard-scaled and separate on the face of the world's corruption were living still, that the rainbow was arched in their blood and would quiver to life in their spirit, that they would cast off their horny covering of disintegration, that new, clean, naked bodies would issue to a new germination, to a new growth, rising to the light and the wind and the clean rain of heaven.
  And the rainbow stood on the earth. The arc bended and strengthened itself till it arched indomitable, making great architecture of light and colour and the space of heaven, its pedestals luminous in the corruption of new houses on the low hill, its arch the top of heaven. Steadily the colour gathered, mysteriously, from nowhere, it took presence upon itself, there was a faint, vast rainbow. In one place it gleamed fiercely, and, her heart anguished with hope, she sought the shadow of iris where the bow should be. And forgetting, startled, she looked for the hovering colour and saw a rainbow forming itself. And then, in the blowing clouds, she saw a band of faint iridescence colouring in faint colours a portion of the hill.
  She saw the stiffened bodies of the colliers, which seemed already enclosed in a coffin, she saw their unchanging eyes, the eyes of those who are buried alive: she saw the hard, cutting edges of the new houses, which seemed to spread over the hillside in their insentient triumph, the triumph of horrible, amorphous angles and straight lines, the expression of corruption triumphant and unopposed, corruption so pure that it is hard and brittle: she saw the dun atmosphere over the blackened hills opposite, the dark blotches of houses, slate roofed and amorphous, the old church-tower standing up in hideous obsoleteness above raw new houses on the crest of the hill, the amorphous, brittle, hard edged new houses advancing from Beldover to meet the corrupt new houses from Lethley, the houses of Lethley advancing to mix with the houses of Hainor, a dry, brittle, terrible corruption spreading over the face of the land, and she was sick with a nausea so deep that she perished as she sat. They were all in prison, they were all going mad. Sometimes she lost touch, she lost her feeling, she could only know the old horror of the husk which bound in her and all mankind. Sometimes great terror possessed her.
  In everything she saw she grasped and groped to find the creation of the living God, instead of the old, hard barren form of bygone living. It would break quickly to reveal the strength and patient effort of the new germination. The confidence of the women was brittle. In the still, silenced forms of the colliers she saw a sort of suspense, a waiting in pain for the new liberation; she saw the same in the false hard confidence of the women. As she sat at her window, she saw the people go by in the street below, colliers, women, children, walking each in the husk of an old fruition, but visible through the husk, the swelling and the heaving contour of the new germination.
  As she grew better, she sat to watch a new creation. The man would come out of Eternity to which she herself belonged. She was glad that this lay within the scope of that vaster power in which she rested at last. She was glad she had nothing to do with his creation. She was glad she could not create her man. The man should come from the Infinite and she should hail him. Who was she to have a man according to her own desire? It was not for her to create, but to recognize a man created by God. It was good that he was as he was. He was as he was. Did he belong so utterly to the cast-off past? She repudiated him." An old pain and anger and contempt stirred in her.There came the cablegram from Skrebensky: "I am married