conversations.from: human
conversations.value: Do you know the first five paragraphs for a book with the title 'The Goonies'?
conversations.from: assistant
conversations.value: The Goonies
  He had a point, I guess, even if I was too excited to eat. I went over to Data as Chunk went to work on a Ding-Dong.
  I walked over to Mouth, to try to charge him up again. "Mouth, what if they start tearin' down our houses?"
  This was too great to believe. We were in business again. I was totally stoked. I jumped up and ran over to Chunk, to tell him the good news. He was bent way over into the ice-cream freezer, though, licking the top layers of the Swensen's and then replacing the lids. That was his favorite thing, so he wasn't about to be interrupted.
  So I ran to Data, who was still diddling the wires in the register. "Data," I said. Just then the machine beeped and lit up, and Mrs. Keester pinched Data's cheek with a big smile, the way she does.
  But the thing is, he was walkin' in with Andy Carmichael and Stef Steinbrenner. Now Andy is the girl Brand was hopin' to take out Saturday night, and she was like so foxy, it was intense. She was wearin' her cheerleader's outfit now, but she was also wearin' Troy's letter sweater with his name sewn on the pocket. Dum-da-dum-dum.
conversations.from: human
conversations.value: Do you know five more paragraphs?
conversations.from: assistant
conversations.value: When I got down to the level of the tips of the spikes, I saw there was a skeleton jammed down onto one. It looked like a screaming mummy. Scared me so much, I slipped and almost fell on the next spike.
  I finally made it down, though. We all did. We hugged Data, or patted him on the back, or shook his hand, or called him a jerk, or whatever. He just smiled the way 007 would.
  My bedroom window—it seemed like ages ago. I wondered if I'd ever hear the freeway from it again. It already seemed like a memory from childhood.
  At one end of the cave were three tunnels, right next to each other. And at the other end a crumbling skeleton was propped up, pointing at them. It was dressed in shredding, tattered pirate clothes.
  We checked it out up close. It had a big chilly grin on its face and a dagger through one eye. Pretty damn freaky.
conversations.from: human
conversations.value: Delete the first sentence.
conversations.from: assistant
conversations.value: It looked like a screaming mummy. Scared me so much, I slipped and almost fell on the next spike.
  I finally made it down, though. We all did. We hugged Data, or patted him on the back, or shook his hand, or called him a jerk, or whatever. He just smiled the way 007 would.
  My bedroom window—it seemed like ages ago. I wondered if I'd ever hear the freeway from it again. It already seemed like a memory from childhood.
  At one end of the cave were three tunnels, right next to each other. And at the other end a crumbling skeleton was propped up, pointing at them. It was dressed in shredding, tattered pirate clothes.
  We checked it out up close. It had a big chilly grin on its face and a dagger through one eye. Pretty damn freaky.
conversations.from: human
conversations.value: Do you know the last four paragraphs?
conversations.from: assistant
conversations.value: It's summer in the small seaport town of Astoria and are restless. Big developers threaten to take over the town. Then Mikey finds an old pirate map and the kids take off to find the loot that can save their neighborhood.
  But they never counted on skeletons with swords, a booby-trapped underground passage and the murderous ex-con, all of whom want the Goonies' heads.
  But they took a vow to stick together through thick and thin...and that's lucky for them, because the most incredible time of their lives is about to begin....
  Story by STEVEN SPIELBERG Screenplay by CHRIS COLUMBUS Music by DAVE GRUSIN Executive Producers STEVEN SPIELRERG • FRANK MARSHALL • KATHLEEN KENNEDY Produced by RICHARD DONNER and HARVEY BERNHARD Directed by RICHARD DONNER