conversations.from: human
conversations.value: Provide a plot for a book about Chinese, Stevenson, Ballet entitled Mao's Last Dancer.. Start with the sentence 'Mao's Last Dancer (film): In the era of Mao's Cultural Revolution (in the 60s), 11-year-old Chinese boy Li Cunxin resides in a rural village commune in Shandong Province, destined to labour in the fields'.
conversations.from: assistant
conversations.value: Mao's Last Dancer (film): In the era of Mao's Cultural Revolution (in the 60s), 11-year-old Chinese boy Li Cunxin resides in a rural village commune in Shandong Province, destined to labour in the fields.\nAs often occurred in those times, government officials fanning out across the nation seeking young candidates for centralized training arrive at this school.\nAt first bypassed but selected after a plea by his teacher during the school visit, Li seems bewildered although piqued by the gruff preliminary inspection screening at the provincial capital city of Qingdao.\nForwarded to a Beijing audition for a place in Madame Mao's Dance Academy, he is admitted for ballet training based on a series of physique and flexibility examinations.\nYears of arduous training follow, Li surpassing his initial lukewarm interest and mediocre performance after inspiration from senior teacher Chan (whose advocacy of classical Russian ballet as opposed to the politically aimed, physically strident form required by Madame Mao leads to the teacher's apparent banishment).\nLater during the course of a groundbreaking cultural visit to China, American-based English ballet director Ben Stevenson, impressed by Li's standout talent, seeks him as an exchange student at his the Houston Ballet.\nLi's determined courage garners a formerly disparaging teacher to influence the Academy to allow him the opportunity for a three-month stay in the United States.\nLi's encounters with US life cause questioning of the Chinese Communist Party dictates upon which he has been raised, and he begins a relationship with an aspiring American dancer, Elizabeth Mackey.\nQuickly attracting the attention of the local ballet scene, Li together with Stevenson requests a time extension in America, but the Chinese government refuses.\nOverwhelmed by the opportunities offered in America and in love with Mackey, Li is determined to stay.\nWith legal advice that the Chinese government would recognize certain residence rights arising from an international marriage, Li and Mackey rush into a marriage.\nTo declare personal responsibility for his decision and hopefully avoid consequences for his family and Stevenson, Li visits the Chinese Consulate in Houston.\nThe Chinese resident diplomat forcibly detains Li in an attempt to coerce his return to China.\nUnknown to Li, the situation quickly evolves when the media and high level government agents both in the US and China become involved.\nWhen Li perseveres in his refusal to repatriate, the Chinese Government agrees to release him but revokes his citizenship and declares he can never return to the land of his birth.\nLi and Elizabeth are set to depart for Florida but Li is persuaded to stay by Stevenson for his ballet company, dooming Elizabeth's prospects of dancing success.\nBurdened by this, plus concerned for and unable to communicate with his family, Cunxin continues to excel as a dancer, but his relationship with Elizabeth disintegrates and their marriage ends.\nFive years later, as a show of goodwill the Chinese government allows Li's parents to visit him in the US where they finally witness his performance of the The Rite of Spring and even reunite with him on stage.\nLi is eventually granted permission to visit China.\nTogether with his new wife Mary McKendry (Camilla Vergotis), an Australian ballerina, and coming back to the village of his youth, he rejoins his family and his former teacher Chan, who expresses regret that he never got to see Li perform.\nLi and McKendry give an impromptu outdoor ballet performance to the village's uproarious cheer.\nClosing credits announce that: Li Cunxin danced in China with the Houston Ballet in 1995, a performance broadcast to an audience of over 500 million people.\nHe and Mary McKendry now live in Australia with their three children.\nBen Stevenson left the Houston Ballet after 27 years as Artistic Director.\nAcclaimed as one of the world's leading choreographers, he is now Artistic Director of the Texas Ballet Theater.\nCharles Foster still practices law in Houston.\nHe is recognized internationally as an authority on Immigration Law.\nElizabeth Mackey (Liz) danced with the Oklahoma Ballet for some years.\nShe is now a speech therapist, working mainly with children.