conversations.from: human
conversations.value: What is a plot for a book about Crazy, Metger, Moorehouse entitled Tales from the Hood?
conversations.from: assistant
conversations.value: Tales from the Hood: In South Central Los Angeles, a trio gang of drug dealers, Stack (Joe Torry), Ball (De\'Aundre Bonds) and Bulldog (Samuel Monroe Jr), arrive at Simms\' Funeral Home to purchase some drugs from mr Simms (Clarence Williams III), the mortuary\'s eccentric owner.\nmr Simms claims that he found the drugs in an alley and has them safely stored in the mortuary.\nHe asks the dealers to help him get the drugs and, as the four make their way through the building, relates stories about some of his recent "customers".\nThe first casket contains the body of a man named Clarence.\nDuring his first night on the job, young black police officer Clarence Smith (Anthony Griffith) is taken by his new partner, Newton (Michael Massee), to the scene of what initially appears to be a routine traffic stop of a well-dressed black man.\nWhen Smith runs the car\'s license plates, he learns that the man is in fact Martin Moorehouse (Tom Wright), a city councilman and black rights activist who has recently been on a crusade to eliminate police corruption in the city.\nSmith watches in horror as Newton, along with fellow officers Billy (Duane Whitaker) and Strom (Wings Hauser), brutally beat Moorehouse with their nightsticks and vandalize his car.\nWhen Smith insists that Moorehouse should be taken to a hospital, two of the officers appear to agree.\nSmith tells Newton that Billy and Strom should be reported for what they did, but Newton tells Smith that officers are not to break "the code".\nStrom and Billy drive Moorehouse\' car to the docks.\nStrom shoots the battered Moorehouse up with heroin, plants some in his car, then pushes it into the water with Moorehouse still inside.\nMoorehouse is posthumously labeled a hypocrite.\nOne year later, Smith has left the police force and is now a guilt-consumed drunk.\nOn a walk in his neighborhood, he sees a mural of Moorehouse.\nSmith then has a vision of a crucified Moorehouse haunting him with the words "Bring them to me.\n" In response, Smith convinces the three police officers involved in the death to meet him at Moorehouse\'s grave.\nOnce there, the officers begin to insult Moorehouse, with Strom urinating on Moorehouse\'s grave and then ordering Billy to do the same thing.\nAs Newton and Strom prepare to kill Smith, a zombie-like Moorehouse bursts from the grave to drag Billy beneath the ground by his genitals.\nMoorehouse\'s coffin bursts from the ground, opening to reveal Billy\'s mutilated corpse with Moorehouse clutching Billy\'s still-beating heart.\nStrom and Newton flee in horror.\nA lengthy chase ensues, with the two cops fleeing by patrol car.\nAs Newton is driving the vehicle, Moorehouse jumps on top of the vehicle and decapitates Strom.\nTerrified, Newton exits his vehicle.\nWith Moorehouse still on top of the patrol car and carrying Strom\'s head, Newton shoots the gas tank, causing the patrol car to explode.\nMoorehouse then chases Newton into an alley, where he telekinetically throws used hypodermic needles into the cop\'s body, pinning him to a wall mural.\nAfter Newton is killed, his body melts into the mural, becoming a painting of himself crucified.\nHis vengeance nearly complete, Moorehouse accosts Smith, asking him why he did not help him when he was being beaten.\nThe story ends with Smith in a mental hospital.\nTwo orderlies outside his cell mention that he killed the officers and that he used to be an officer himself.\nMoorehouse is never mentioned.\nStack, Ball and Bulldog think mr Simms is crazy after hearing the story.\nAfter they look at the second casket, mr Simms tells them about a boy named Walter.\nWalter Johnson (Brandon Hammond) is a quiet and sensitive boy who shows up to school one day with bruises around his cheek and eye.\nWalter\'s caring teacher, Richard Garvy (Rusty Cundieff), notices the bruises and asks what happened; Walter claims that he was attacked by a monster.\nA few days later he again shows up with a bruised arm.\nWhile the other children play, Walter sits inside and draws a boy named Tyrone, one of the school bullies.\nWalter crumples the drawing up causing Tyrone to suffer spontaneous injuries.\nLater that night mr Garvy visits Walter\'s home and asks Walter\'s mother, Sissy (Paula Jai Parker), about the monster.\nSissy claims that Walter\'s injuries are the result of his own clumsiness; she then tells Walter not to reveal anything about the monster to anyone else.\nAs mr Garvy is leaving, Sissy\'s boyfriend, Carl (David Alan Grier) comes home: seen through Walter\'s imagination, the audience learns that Carl in fact is the "monster".\nThinking that Walter has told his teacher about him and called him a monster (a tattoo of the word "Monster" can be seen on Carl\'s arm), Carl terrorizes Walter and then whips Sissy with a belt when she intervenes.\nmr Garvy turns around to check on Walter and sees Carl abusing Walter and Sissy: mr Garvy bursts into the house and begins to fight Carl.\nWith Carl\'s attention elsewhere, Walter grabs a drawing he made of the monster and begins to fold and crumple it.\nCarl becomes mangled, helpless and unable to accept defeat.\nSissy stomps on the wadded-up paper to end the threat.\nFinally mr Garvy gives the paper to Walter, who burns it, completely immolating Carl.\nSissy and Walter look on as Carl burns alive and appear to be relieved to be free from his brutal abuse.\nLater, Carl\'s burnt and twisted corpse is in the coffin in Simms\' Funeral Home.\nmr Simms shows a doll, instead of a corpse, to Ball, Stack and Bulldog, explaining that it isn\'t any ordinary doll.\nDuke Metger (Corbin Bernsen) is an obnoxious and racist Southern senator, and a former member of the Ku Klux Klan.\nThe senator is in his office filming a campaign commercial when he sees protesters outside the office: Jewish and African-American groups have teamed up to protest against Metger for being a racist, a former Klansman, and for setting up his office at an old slave plantation.\nOne individual, Eli (Art Evans), tells the reporter that the plantation is haunted by dolls animated by the souls of previously tortured slaves.\nHe warns everyone that it is not a myth.\nMeanwhile, Metger and his African-American "image-maker" assistant Rhodie (Roger Guenveur Smith) notice a large painting of Miss Cobbs, a hoodoo witch, and her dolls.\nMetger says racial slurs to Rhodie, who attempts to ignore his rantings.\nMetger also refers to the dolls as "Negro dolls".\nOne of the dolls is seen under the floorboard as Rhodie leaves.\nWhile Metger and Rhodie are working on Metger\'s media skills, Rhodie falls down the stairs to his death (it is later learned that the doll seen under the floorboard earlier was the cause).\nAt the funeral, Eli warns Metger to leave the house before he ends up like his deceased assistant or worse.\nIn the limo after Rhodie\'s funeral, Metger notices the doll and orders his African-American driver to pull over so he can throw the doll out the window into the street.\nLater, after noticing a blank spot on the painting, Metger comes in contact with the doll he threw out on the street and has a fight with it.\nWhen Metger throws a vase at the doll, it disappears and attacks Metger out of nowhere, trying to eat him.\nMetger is injured, but he manages to stop the doll by beating it with an American Flag.\nHe also damages the painting, which starts to bleed.\nMetger takes the doll outside to his porch and ties it to a dart board.\nHe then blasts the doll with his shotgun and goes back inside to rant at the painting.\nBut in the midst of his rant, Metger realizes more doll images in the painting have faded to white.\nAfter Metger begins chasing several small footsteps throughout the house, he finds the previously blasted doll in the hallway, reattaching its head.\nThe doll attacks again and chases Metger into his office.\nMetger manages to lock the doll outside and tries to figure out a way to help himself.\nHe sees that the painting has all the doll images faded to white.\nTerrified, Metger turns around to see an army of dolls.\nHe covers himself in the American flag as the dolls converge and devour him.\nMiss Cobbs then disappears from the painting and manifests herself in the room, holding the first doll in her arms.\nSatisfied, they both smile as they witness the carnage taking place before them.\nBy now, the dealers are getting impatient and want the drugs they came for, not wanting to listen to any more of mr Simms\' strange stories.\nBall notices a corpse in another room and alerts the others to come and see it.\nWhen Simms asks them if they knew the man, Bulldog says it was just someone they had seen around their neighborhood.\nmr Simms explains the final moments of the man known as Crazy Jerome "Crazy K" Johns (Lamont Bentley) is a violent gang member and homicidal psychopath who has killed many people mercilessly.\nHe is driving down the streets of Los Angeles in his Mustang.\nComing to a stoplight, he notices the car of an enemy he\'s been after for a long time and follows him.\nCrazy K parks in a neighborhood and has a brief argument with the enemy, then shoots him.\nIn retaliation, three other men attack from a house nearby.\nThe men shoot Crazy K, and just as they are about to kill him, the police arrive at the scene.\nDue to one of the shooters firing at the police officers, all three gunmen are shot and killed by the officers.\nCrazy K is badly injured but survives, only to get arrested and sent to prison.\nAs described by a prison guard Crazy K has received a life sentence for suspicion of murder three times along with other charges.\ndr Cushing (Rosalind Cash in her final film role before her death) arrives at the prison and transfers Crazy K to another facility.\nCrazy K meets an inmate (Rick Dean) who is a homicidal white supremacist and raves about killing black people and the end of days for blacks.\nThis angers Crazy K and causes him to punch him in the face.\nThe man then asks Crazy K the race of the victims he killed, silencing Crazy K because all of his victims were black.\nThe man grows fond of Crazy K and he tells him that there will be a few black people who will be spared as long as they think like him.\nAfter speaking to the man, Crazy K is told by dr Cushing that she purposely put him there to meet someone who is just like him.\nShe then tells him that she has been hired by the government to administer a rehabilitation process on Crazy K in hopes that he will change his ways.\nCrazy K is put through a process of torture to make him learn the consequences of his actions.\nHis hair (with K cut into the front) is shaved off he is put through a slideshow of images involving the KKK and victims of lynching along with gory footage of gang violence along with a montage showing all those he has killed.\ndr Cushing goes into the fact that Crazy K killed many innocent African Americans without remorse or second thought.\nCrazy K is put through the next stage, in which he is put in a sensory deprivation chamber.\nHe is confronted by all the souls of his victims, one of whom is an innocent little girl who was killed when a bullet from Crazy K\'s gun came through her wall and hit her in the chest.\nCrazy K doesn\'t accept any responsibility.\ndr Cushing warns him that he won\'t get another chance for forgiveness.\nThe souls haunt him more and more, but he grows increasingly uncaring of his actions.\nHaving refused a chance for redemption for his sins, he is transported back to the moment when he was shot.\nCrazy K is brutally shot dead by the three gunmen, and the story ends with his corpse lying abandoned on the street.\nWhen the last story ends, the three drug dealers are revealed to be Crazy K\'s killers.\nThey become angry and demand to know how Simms knows of their murder as they threaten to kill him and demand their drugs.\nSimms leads them deep into the funeral home and tells them their "reward" is in three closed caskets.\nThe dealers open them and each coffin has their corpses inside.\nThe dealers are terrified to learn that they are dead; at the whim of Simms their guns burn red hot, forcing the dealers to drop them.\nSimms explains that after killing Crazy K, some of Crazy K\'s "boys" killed them in retaliation.\nBulldog then asks Simms why they are still alive if they are dead.\nSimms, growing more eccentric by the second, tells them that they are not in a funeral home, but in Hell and transforms into Satan.\nThe drug dealers scream in horror at Simms\' transformation into the Devil.\nThen, the walls of the funeral home shatter, revealing the fiery reality of where they had been all along.\nTheir fate is to burn in eternal damnation along with others, as Satan laughs.
conversations.from: human
conversations.value: Delete the first sentence.
conversations.from: assistant
conversations.value: \nmr Simms claims that he found the drugs in an alley and has them safely stored in the mortuary.\nHe asks the dealers to help him get the drugs and, as the four make their way through the building, relates stories about some of his recent "customers".\nThe first casket contains the body of a man named Clarence.\nDuring his first night on the job, young black police officer Clarence Smith (Anthony Griffith) is taken by his new partner, Newton (Michael Massee), to the scene of what initially appears to be a routine traffic stop of a well-dressed black man.\nWhen Smith runs the car\'s license plates, he learns that the man is in fact Martin Moorehouse (Tom Wright), a city councilman and black rights activist who has recently been on a crusade to eliminate police corruption in the city.\nSmith watches in horror as Newton, along with fellow officers Billy (Duane Whitaker) and Strom (Wings Hauser), brutally beat Moorehouse with their nightsticks and vandalize his car.\nWhen Smith insists that Moorehouse should be taken to a hospital, two of the officers appear to agree.\nSmith tells Newton that Billy and Strom should be reported for what they did, but Newton tells Smith that officers are not to break "the code".\nStrom and Billy drive Moorehouse\' car to the docks.\nStrom shoots the battered Moorehouse up with heroin, plants some in his car, then pushes it into the water with Moorehouse still inside.\nMoorehouse is posthumously labeled a hypocrite.\nOne year later, Smith has left the police force and is now a guilt-consumed drunk.\nOn a walk in his neighborhood, he sees a mural of Moorehouse.\nSmith then has a vision of a crucified Moorehouse haunting him with the words "Bring them to me.\n" In response, Smith convinces the three police officers involved in the death to meet him at Moorehouse\'s grave.\nOnce there, the officers begin to insult Moorehouse, with Strom urinating on Moorehouse\'s grave and then ordering Billy to do the same thing.\nAs Newton and Strom prepare to kill Smith, a zombie-like Moorehouse bursts from the grave to drag Billy beneath the ground by his genitals.\nMoorehouse\'s coffin bursts from the ground, opening to reveal Billy\'s mutilated corpse with Moorehouse clutching Billy\'s still-beating heart.\nStrom and Newton flee in horror.\nA lengthy chase ensues, with the two cops fleeing by patrol car.\nAs Newton is driving the vehicle, Moorehouse jumps on top of the vehicle and decapitates Strom.\nTerrified, Newton exits his vehicle.\nWith Moorehouse still on top of the patrol car and carrying Strom\'s head, Newton shoots the gas tank, causing the patrol car to explode.\nMoorehouse then chases Newton into an alley, where he telekinetically throws used hypodermic needles into the cop\'s body, pinning him to a wall mural.\nAfter Newton is killed, his body melts into the mural, becoming a painting of himself crucified.\nHis vengeance nearly complete, Moorehouse accosts Smith, asking him why he did not help him when he was being beaten.\nThe story ends with Smith in a mental hospital.\nTwo orderlies outside his cell mention that he killed the officers and that he used to be an officer himself.\nMoorehouse is never mentioned.\nStack, Ball and Bulldog think mr Simms is crazy after hearing the story.\nAfter they look at the second casket, mr Simms tells them about a boy named Walter.\nWalter Johnson (Brandon Hammond) is a quiet and sensitive boy who shows up to school one day with bruises around his cheek and eye.\nWalter\'s caring teacher, Richard Garvy (Rusty Cundieff), notices the bruises and asks what happened; Walter claims that he was attacked by a monster.\nA few days later he again shows up with a bruised arm.\nWhile the other children play, Walter sits inside and draws a boy named Tyrone, one of the school bullies.\nWalter crumples the drawing up causing Tyrone to suffer spontaneous injuries.\nLater that night mr Garvy visits Walter\'s home and asks Walter\'s mother, Sissy (Paula Jai Parker), about the monster.\nSissy claims that Walter\'s injuries are the result of his own clumsiness; she then tells Walter not to reveal anything about the monster to anyone else.\nAs mr Garvy is leaving, Sissy\'s boyfriend, Carl (David Alan Grier) comes home: seen through Walter\'s imagination, the audience learns that Carl in fact is the "monster".\nThinking that Walter has told his teacher about him and called him a monster (a tattoo of the word "Monster" can be seen on Carl\'s arm), Carl terrorizes Walter and then whips Sissy with a belt when she intervenes.\nmr Garvy turns around to check on Walter and sees Carl abusing Walter and Sissy: mr Garvy bursts into the house and begins to fight Carl.\nWith Carl\'s attention elsewhere, Walter grabs a drawing he made of the monster and begins to fold and crumple it.\nCarl becomes mangled, helpless and unable to accept defeat.\nSissy stomps on the wadded-up paper to end the threat.\nFinally mr Garvy gives the paper to Walter, who burns it, completely immolating Carl.\nSissy and Walter look on as Carl burns alive and appear to be relieved to be free from his brutal abuse.\nLater, Carl\'s burnt and twisted corpse is in the coffin in Simms\' Funeral Home.\nmr Simms shows a doll, instead of a corpse, to Ball, Stack and Bulldog, explaining that it isn\'t any ordinary doll.\nDuke Metger (Corbin Bernsen) is an obnoxious and racist Southern senator, and a former member of the Ku Klux Klan.\nThe senator is in his office filming a campaign commercial when he sees protesters outside the office: Jewish and African-American groups have teamed up to protest against Metger for being a racist, a former Klansman, and for setting up his office at an old slave plantation.\nOne individual, Eli (Art Evans), tells the reporter that the plantation is haunted by dolls animated by the souls of previously tortured slaves.\nHe warns everyone that it is not a myth.\nMeanwhile, Metger and his African-American "image-maker" assistant Rhodie (Roger Guenveur Smith) notice a large painting of Miss Cobbs, a hoodoo witch, and her dolls.\nMetger says racial slurs to Rhodie, who attempts to ignore his rantings.\nMetger also refers to the dolls as "Negro dolls".\nOne of the dolls is seen under the floorboard as Rhodie leaves.\nWhile Metger and Rhodie are working on Metger\'s media skills, Rhodie falls down the stairs to his death (it is later learned that the doll seen under the floorboard earlier was the cause).\nAt the funeral, Eli warns Metger to leave the house before he ends up like his deceased assistant or worse.\nIn the limo after Rhodie\'s funeral, Metger notices the doll and orders his African-American driver to pull over so he can throw the doll out the window into the street.\nLater, after noticing a blank spot on the painting, Metger comes in contact with the doll he threw out on the street and has a fight with it.\nWhen Metger throws a vase at the doll, it disappears and attacks Metger out of nowhere, trying to eat him.\nMetger is injured, but he manages to stop the doll by beating it with an American Flag.\nHe also damages the painting, which starts to bleed.\nMetger takes the doll outside to his porch and ties it to a dart board.\nHe then blasts the doll with his shotgun and goes back inside to rant at the painting.\nBut in the midst of his rant, Metger realizes more doll images in the painting have faded to white.\nAfter Metger begins chasing several small footsteps throughout the house, he finds the previously blasted doll in the hallway, reattaching its head.\nThe doll attacks again and chases Metger into his office.\nMetger manages to lock the doll outside and tries to figure out a way to help himself.\nHe sees that the painting has all the doll images faded to white.\nTerrified, Metger turns around to see an army of dolls.\nHe covers himself in the American flag as the dolls converge and devour him.\nMiss Cobbs then disappears from the painting and manifests herself in the room, holding the first doll in her arms.\nSatisfied, they both smile as they witness the carnage taking place before them.\nBy now, the dealers are getting impatient and want the drugs they came for, not wanting to listen to any more of mr Simms\' strange stories.\nBall notices a corpse in another room and alerts the others to come and see it.\nWhen Simms asks them if they knew the man, Bulldog says it was just someone they had seen around their neighborhood.\nmr Simms explains the final moments of the man known as Crazy Jerome "Crazy K" Johns (Lamont Bentley) is a violent gang member and homicidal psychopath who has killed many people mercilessly.\nHe is driving down the streets of Los Angeles in his Mustang.\nComing to a stoplight, he notices the car of an enemy he\'s been after for a long time and follows him.\nCrazy K parks in a neighborhood and has a brief argument with the enemy, then shoots him.\nIn retaliation, three other men attack from a house nearby.\nThe men shoot Crazy K, and just as they are about to kill him, the police arrive at the scene.\nDue to one of the shooters firing at the police officers, all three gunmen are shot and killed by the officers.\nCrazy K is badly injured but survives, only to get arrested and sent to prison.\nAs described by a prison guard Crazy K has received a life sentence for suspicion of murder three times along with other charges.\ndr Cushing (Rosalind Cash in her final film role before her death) arrives at the prison and transfers Crazy K to another facility.\nCrazy K meets an inmate (Rick Dean) who is a homicidal white supremacist and raves about killing black people and the end of days for blacks.\nThis angers Crazy K and causes him to punch him in the face.\nThe man then asks Crazy K the race of the victims he killed, silencing Crazy K because all of his victims were black.\nThe man grows fond of Crazy K and he tells him that there will be a few black people who will be spared as long as they think like him.\nAfter speaking to the man, Crazy K is told by dr Cushing that she purposely put him there to meet someone who is just like him.\nShe then tells him that she has been hired by the government to administer a rehabilitation process on Crazy K in hopes that he will change his ways.\nCrazy K is put through a process of torture to make him learn the consequences of his actions.\nHis hair (with K cut into the front) is shaved off he is put through a slideshow of images involving the KKK and victims of lynching along with gory footage of gang violence along with a montage showing all those he has killed.\ndr Cushing goes into the fact that Crazy K killed many innocent African Americans without remorse or second thought.\nCrazy K is put through the next stage, in which he is put in a sensory deprivation chamber.\nHe is confronted by all the souls of his victims, one of whom is an innocent little girl who was killed when a bullet from Crazy K\'s gun came through her wall and hit her in the chest.\nCrazy K doesn\'t accept any responsibility.\ndr Cushing warns him that he won\'t get another chance for forgiveness.\nThe souls haunt him more and more, but he grows increasingly uncaring of his actions.\nHaving refused a chance for redemption for his sins, he is transported back to the moment when he was shot.\nCrazy K is brutally shot dead by the three gunmen, and the story ends with his corpse lying abandoned on the street.\nWhen the last story ends, the three drug dealers are revealed to be Crazy K\'s killers.\nThey become angry and demand to know how Simms knows of their murder as they threaten to kill him and demand their drugs.\nSimms leads them deep into the funeral home and tells them their "reward" is in three closed caskets.\nThe dealers open them and each coffin has their corpses inside.\nThe dealers are terrified to learn that they are dead; at the whim of Simms their guns burn red hot, forcing the dealers to drop them.\nSimms explains that after killing Crazy K, some of Crazy K\'s "boys" killed them in retaliation.\nBulldog then asks Simms why they are still alive if they are dead.\nSimms, growing more eccentric by the second, tells them that they are not in a funeral home, but in Hell and transforms into Satan.\nThe drug dealers scream in horror at Simms\' transformation into the Devil.\nThen, the walls of the funeral home shatter, revealing the fiery reality of where they had been all along.\nTheir fate is to burn in eternal damnation along with others, as Satan laughs.
conversations.from: human
conversations.value: What is the first five paragraphs for this book?
conversations.from: assistant
conversations.value: Tales from the Hood
  Sabrina recognized the code the group had worked out beforehand. It was time to get down to business and Puck couldn't have been more excited. He dragged the girls out of the shack and closed the door behind him.
  Daphne took a long, thin wand from her purse. It had a shiny silver star at the end. "Don't worry, this won't hurt at all."
  Daphne flicked the wand and smacked Puck on the head. The boy winced. "I thought you said this wouldn't hurt!" But before he could complain any further, a change came over him. Hair sprouted from every pore. Fangs grew in his mouth. Talons popped out of his fingers and toes. He grew several feet and put on hundreds of pounds of muscle. Seconds later, his transformation was complete. He looked exactly like the Big Bad Wolf.
  Puck nodded. "Wait, let me roar. He'll lose his mind if I roar." Puck let out a long, goofy howl that sounded nothing like a wolf.
  The children entered the little house. Instantly, Hatchett fell to the floor, scampered into a corner, and screamed like a baby.
conversations.from: human
conversations.value: What is five more paragraphs?
conversations.from: assistant
conversations.value: Sabrina nodded. "The only chance of saving Canis is if an Everafter stands up for him. If we fix Red, she can do that for us."
  Daphne raised the kazoo to her lips and blew. The wind blasted out of it, upending the dolls, tea set, and anything else that wasn't nailed down. The people, however, seemed unfazed, except for their hair flying around.
  Red Riding Hood glanced around her and started to laugh. "Bad weather!" she shrieked. "Very bad weather."
  The wind swirled around her like a snake. It crept around every limb, embraced her tightly, and then pulled back. Red cried out in pain as the group watched something horrible and black seep out of her. To call it a person would be wrong. It was more like an animal, with fangs and with eyes like bottomless pits. To Sabrina, it looked like some horribly mutated worm seeking revenge on a fisherman. It whipped around in midair, desperate to reach Red Riding Hood, but the wind kept it at bay. It shrieked angrily.
  Sabrina opened the glass jar and reached out to the creature. It thrashed about as Daphne forced it into the jar. Once it was inside, Sabrina quickly tightened the lid and the wind vanished. She watched her sister look at the little kazoo and slip it back into her pocket. Then she turned to Red Riding Hood. The strange girl had collapsed to the ground and lay still.
conversations.from: human
conversations.value: What is the last five paragraphs?
conversations.from: assistant
conversations.value: In no time, the taxi was pulling into the train station. Ms. Smirt pinched the girls on their shoulders and hustled them onto the waiting train. The doors closed before Sabrina and Daphne could make a run for it.
  Daphne shook her head. "That's what most people believe, but it's not true. The Brothers Grimm didn't write stories—they wrote down things that really happened. The fairy tales aren't made-up stories. They're warnings to the world about Everafters."
  Sabrina was stunned. Daphne was spilling the family's secret to the worst possible person. They couldn't trust Smirt any further than they could throw her.
  Daphne ignored Smirt. "The barrier has made people in the town angry, and a lot of the Everafters don't like us much," Daphne said. "But—"
  Suddenly there was a tap on the window. Sabrina gazed out, expecting to see the Hudson River rushing past. Instead, what she saw nearly caused her to fall out of her seat. In the window was a familiar ragged-haired boy in cowboys-fighting-monkeys pajamas. Held aloft by two giant pink insect wings, he soared alongside the speeding train, grinning and sticking his tongue out at her. Sabrina had never been so happy to get a raspberry in her life.
conversations.from: human
conversations.value: Delete the first sentence.
conversations.from: assistant
conversations.value: Ms. Smirt pinched the girls on their shoulders and hustled them onto the waiting train. The doors closed before Sabrina and Daphne could make a run for it.
  Daphne shook her head. "That's what most people believe, but it's not true. The Brothers Grimm didn't write stories—they wrote down things that really happened. The fairy tales aren't made-up stories. They're warnings to the world about Everafters."
  Sabrina was stunned. Daphne was spilling the family's secret to the worst possible person. They couldn't trust Smirt any further than they could throw her.
  Daphne ignored Smirt. "The barrier has made people in the town angry, and a lot of the Everafters don't like us much," Daphne said. "But—"
  Suddenly there was a tap on the window. Sabrina gazed out, expecting to see the Hudson River rushing past. Instead, what she saw nearly caused her to fall out of her seat. In the window was a familiar ragged-haired boy in cowboys-fighting-monkeys pajamas. Held aloft by two giant pink insect wings, he soared alongside the speeding train, grinning and sticking his tongue out at her. Sabrina had never been so happy to get a raspberry in her life.