conversations.from: human
conversations.value: Give me a plot for a book about Harold, Marjorie, Joyce entitled Intimate Relations.
conversations.from: assistant
conversations.value: Intimate Relations (1996 film): Marjorie Beaslie (Walters) is a housewife in her forties who takes in a lodger named Harold Guppey (Graves), who has just stumbled into town to look up his long-lost brother (played by Les Dennis).\nAlthough seemingly prudish (she no longer sleeps in the same bed as her husband, for "medical reasons"), Marjorie takes a liking to Harold despite him being a good twenty years her junior.\nThey begin to have a clandestine affair, sneaking into bed together at night.\nEver since taking in her lodger, Marjorie insists that Harold refer to her as "mum", giving more than a little oedipal slant to their subsequent lustful antics.\nMarjorie\'s youngest daughter is fourteen-year-old Joyce (Sadler), a precocious, Lolita-like girl who alternates between trying to act grown up by putting on make up and smoking cigarettes, and acting childish by grossing people out with tales of medieval punishments and giggling at rude words.\nJoyce is fascinated by Harold and with her teasing behaviour she cunningly turns him from being apathetic towards her to being intrigued by her.\nAt one point, she catches Harold in bed with her mum, but seemingly does not realise what they are up to and merely thinks they\'re having an innocent "bunk up".\nShe talks her way into getting them to let her climb into the bed, both Harold and Marjorie continue their intimate relations whilst Joyce is asleep, or rather, pretending to be and steadily realising what is actually going on.\nA few days later, Joyce blackmails Harold into taking her to a hotel for the night, where he turns the tables on her with every intent and purpose but actually diverts his attention by doing much the opposite as he seduces her before spurning her.\nMarjorie\'s husband, Stanley, who is a one-legged World War I veteran, is much older than his wife.\nStanley sleeps in a separate room from her and is as oblivious to all the sordid antics of his wife, and daughter, initially as the rest of the suburban neighbourhood is.\nSick of being caught between a mother and daughter, who are too old and too young for him respectively, Harold tries to get out of the house and move away, joining the army and getting a new more suitable girlfriend but Marjorie manages to emotionally blackmail him into coming back.\nOne day, Harold takes Marjorie and Joyce out for a picnic, although things are tense between the trio.\nHaving sent her daughter Joyce away to play, Marjorie begins to ravish Harold, but Joyce returns and hits her mother with an axe.\nHarold panics and attempts to get Marjorie into the car to take her to hospital but, with blood streaming down her face, Marjorie manages to pick up a knife Harold drops and attacks him with it.\nHarold fights Marjorie off and stabs her to death.\nJoyce then tries to attack Harold and so he stabs her to death too.\nFinally, Harold stabs himself in the stomach in an attempt to emphasise that is actions were out of self-defence.\nIt is said in the post-script to the movie the fact he, the real Albert Goozee, was sentenced to death for Joyce\'s murder, to revise the original decision made during the proceedings the sentence was commuted to life imprisonment, with much demand and to further the matter the added charge of murdering Marjorie which had been included in the ruling was dropped because it was considered that there was not enough evidence suitable in the correct degree for this to stand.
conversations.from: human
conversations.value: Give me a plot for a book about Intimate, Relations, Crisis entitled Intimate Relations.
conversations.from: assistant
conversations.value: Intimate Relations (1953 film): Crisis in a middle-class family when the son falls in love with his father's mistress.\nFamily ties are stretched to breaking point, and the mother fears she'll lose her son as well as her husband.