conversations.from: human
conversations.value: What could be a title for a book about Jack, Hamilton with the genre: Science Fiction & Fantasy, Science Fiction?
conversations.from: assistant
conversations.value: A title for this book could be 'Eye in the Sky'
conversations.from: human
conversations.value: Provide the first long scene for the screenplay.
conversations.from: assistant
conversations.value: Eye in the Sky
  
  FADE IN our TITLE: Over this we become faintly aware of the low pulse of deep bass music...CUT TO:YELLOW SHOOTING SCRIPT 12 September 2014 2.
  INT. BEDROOM - POWELL’S HOUSE - SURREY - NIGHT 22COLONEL KATHERINE POWELL lies awake in bed. Her husband SIMON sleeps beside her in an eye mask. 
  ON SCREEN: SURREY, ENGLAND - 03h15The thud of music is coming from another room: Quiet, but loud enough to be irritating once one becomes aware of it. 
  POWELL has become aware of it and it is now irritating her. She gets up.
  INT. LANDING - POWELL’S HOUSE - SURREY - NIGHT 33POWELL, in her pyjamas, exits her bedroom, crosses the landing and stops at the bedroom from where the monotonous bass is emanating. She stands for a moment, wondering whether to enter the room. She decides against it.
  EXT. ALIA’S COMPOUND - EASTLEIGH - DAWN 44ALIA swings her hips as the hoop whizzes around her body.
  INT. KITCHEN - POWELL’S HOUSE - SURREY - NIGHT 55POWELL, still in her pyjamas but now also in slippers and a dressing gown, enters the kitchen. A Labrador dog, Jesse, gets up out of a basket. 
  POWELL pats the dog’s head, goes to the kitchen tap and drinks some water. A routine.
  EXT. GARDEN - POWELL’S HOUSE - SURREY - NIGHT 66POWELL, with Jesse following, exits the house. She walks across the garden to an office ‘shed’ and unlocks a bolted door. She goes inside.
  EXT. ALIA’S COMPOUND - EASTLEIGH - DAWN 77ALIA, laughing, swings her hips. The hoop whizzes around her. 
  YELLOW SHOOTING SCRIPT 12 September 2014 3.
  EXT. LAS VEGAS - NEVADA - EVENING 99FROM HIGH IN THE SKY we drift ominously over suburbs of tract homes that pattern the Nevada desert at last light. 
  ON SCREEN: LAS VEGAS, NEVADA, USA - 20h
  INT. BEDROOM - STEVE’S HOUSE - LAS VEGAS - NIGHT1010Dark. A large digital alarm clock reads: 20h44A sleeping body is dimly visible with covers over its head. The clock clicks to 20h45 and the radio comes on: Indie rock. 
  STEVE WATTS, 25, reluctantly moves the covers aside and flips on a side lamp. He lies staring at the ceiling for a moment, listening to his music, still half asleep, not wanting to get up just yet.The room is sparsely decorated. On his bedroom wall is a single, large framed aviation art painting by Randy Green of “The Boys from Richmond” fighter jets against a striking sky. 
  YELLOW SHOOTING SCRIPT 12 September 2014 6.On a small desk is a framed picture of Steve graduating from University in Nevada, a plaque from a Reserve Officer Training Corps showing him commissioned as a 2nd Lieutenant, and an Undergraduate RPA (Remotely Piloted Aircraft) training certificate. Finally there is a photo of Steve himself posing in a flight suit next to a training aeroplane.
  EXT. COUNTRYSIDE - SURREY - DAWN 1111We drift over beautiful English countryside as dawn breaks. 
  ON SCREEN: SURREY, ENGLAND
  EXT. COUNTRY LANE - SURREY - DAWN 1212POWELL, now in Wellington boots and a weatherproof jacket, walks with Jesse. There is a weariness about her. A profound sadness lurking just beneath her tough exterior.She tosses a stick for her dog. There’s an edge of aggression, of unexpressed anger in the throw. Jesse chases it, happy.
conversations.from: human
conversations.value: Provide another medium length scene.
conversations.from: assistant
conversations.value: INT. PJHQ - LONDON - AFTERNOON 169169POWELL looks at the live feed: Danford has stood up. 
  COLONEL POWELLShowman50, North20, when we attack, you will need to extract your man on the ground in a hurry. Prepare him to leave the area.
  INT. OPERATIONS ROOM - COMPANY D BASE - AFTERNOON 170170MAJOR OWITIUnderstood. He begins to type a text on his laptop.
conversations.from: human
conversations.value: Provide the last scene.
conversations.from: assistant
conversations.value: COMPUTER VOICEYou have one unheard message...Her husband’s voice comes on. 
  SIMON (V.O.)Katherine, I want you to know that I don’t appreciate your angry calls first thing in the morning. Neither do the boys want to be humiliated in front of their girlfriends. Robert is under a lot of stress with his exams so you back off. This is just about the last thing she wants to hear. As she drives on, she is as tense as she was in the morning. We pre-lap the rising SOUND of an angry crowd...
  EXT. AMADU’S COMPOUND - EASTLEIGH - DUSK354354A large crowd has gathered in the street outside the bombed house. Placards denouncing America and Britain are waved. Weapons brandished. Some of them set fire to a United Nations flag - and angrily wave the burning emblem. 
  YELLOW SHOOTING SCRIPT 12 September 2014 135.Camera rises up, slowly leaving the crowd below. As we rise higher, clouds slowly move in, until the view below disappears completely and we -FADE TO BLACK ENDYELLOW SHOOTING SCRIPT 12 September 2014 136.
conversations.from: human
conversations.value: Provide the first two paragraphs for this book.
conversations.from: assistant
conversations.value: Eye in the Sky
  As for the Soviet fishing trawler? "That same trawler could have 'suddenly left port' on schedule every Saturday afternoon." Buzard interview.
  After World War II, James Baker worked as a consultant to Boston University's Optical Research Laboratory, Perkin-Elmer, and Eastman Kodak, while volunteering his services to committees of the USAF, the CIA, and PSAC. All of his postwar efforts had enormous ramifications for national security. Among other contributions, he designed and calibrated the high-resolution lenses for the 240-inch focal length "Boston Camera" as well as the lenses for the U-2, SR-71, and Eastman Kodak satellite cameras. Because almost all of Baker's government-related service involved classified projects, this modest man remained then, as he remains today, virtually unknown outside of the photogrammetry and intelligence communities.
conversations.from: human
conversations.value: Provide another paragraph.
conversations.from: assistant
conversations.value: Incidentally, Levison at the CORONA symposium said that he "never got to see one of those [CORONA] launches because Jim Plummer would never let me go down there for security reasons. Plummer was afraid someone would recognize me."
conversations.from: human
conversations.value: Provide the last four paragraphs.
conversations.from: assistant
conversations.value: After reviewing an edited version of the transcript of the May 1995 CORONA conference, Dr. Mahoney supplemented his comments with a paper that further details many of the points he touched on during the meeting. Consequently, his material in this chapter is a combination of both his submitted essay and his original comments.
  John M. Logsdon is the director of the Space Policy Institute and the Center for International Science and Technology Policy at the Elliott School of International Affairs, George Washington University where he is professor of political science and international affairs.
  Ernest R. He has also been dean of Harvard College, associate dean of the Faculty of Arts and Sciences, director of the Institute on Politics, and chairman of the Department of History. He has written extensively on American foreign policy and the uses of history in decisionmaking.
  Albert "Bud" Wheelon was the CIA's first deputy director for science and technology, a position he held from 1963 to 1966. He later joined Hughes Aircraft Company as vice-president for engineering and was named executive vice-president for operations in 1986. He became chief executive officer and chairman of the board in 1987. He served as visiting professor of science, technology, and policy at MIT in 1989.
conversations.from: human
conversations.value: Add another sentence about Charles, Warren, Center.
conversations.from: assistant
conversations.value: After reviewing an edited version of the transcript of the May 1995 CORONA conference, Dr. Mahoney supplemented his comments with a paper that further details many of the points he touched on during the meeting. Consequently, his material in this chapter is a combination of both his submitted essay and his original comments. 
  John M. Logsdon is the director of the Space Policy Institute and the Center for International Science and Technology Policy at the Elliott School of International Affairs, George Washington University where he is professor of political science and international affairs. 
  Ernest R. May is director of the Charles Warren Center for Studies in American History at Harvard University. He has also been dean of Harvard College, associate dean of the Faculty of Arts and Sciences, director of the Institute on Politics, and chairman of the Department of History. He has written extensively on American foreign policy and the uses of history in decisionmaking. 
  Albert "Bud" Wheelon was the CIA's first deputy director for science and technology, a position he held from 1963 to 1966. He later joined Hughes Aircraft Company as vice-president for engineering and was named executive vice-president for operations in 1986. He became chief executive officer and chairman of the board in 1987. He served as visiting professor of science, technology, and policy at MIT in 1989.