conversations.from: human
conversations.value: Give me the first long scene for a screenplay with the title 'Dry White Season, A'.
conversations.from: assistant
conversations.value: Dry White Season, A
  
  INT. NEWSPAPER AND CONFECTIONARY SHOP - MORNING It's a Saturday morning.
  A shopping center in a white suburb. Ben goes into a newspaper shop. There are two children buying sweets and a woman leaving. The PROPRIETOR is an Afrikaner in his middle age. 
  BEN More meneer Van de Merwe. 
  (Morning Mister Van de Merwe.) PROPRIETOR (in offhand manner) More meneer du Toit.
  BEN Our boys gave the Eastern province a thrashing. 
  PROPRIETOR Yes. Ben realizes that the man is not his usual conversational self. 
  BEN Is anything wrong?
  PROPRIETOR No.
  Ben goes to pick up an Afrikaans newspaper and the Rand Daily Mail. 
  BEN (walking up to counter) And a packet of tobacco and pipe cleaners. The man gets them and takes a note from Ben and gives him his change. By then a man is waiting. 
  (CONTINUED)
  As he walks out the other man turns around to watch him.
  EXT. STREET - MORNING
  Ben walks out of the shop. The newspaper under his arm. A group of three middle-aged women turn to look at him. Ben didn't see them. A little further on, he meets Mrs. Coetzee. He tries to greet her but she walks straight by.
  Further on, he notices two men obviously talking about him. Then a couple of boys on bikes snigger as they pass him. He begins to wonder what's it all about, and spontaneously checks his clothes.
  EXT. BEN'S HOUSE - VERANDA - MORNING Susan and Suzette sit there. Suzette's holding a news- paper -- the Ossewa -- Susan's thoughtful, her face is red and discomposed -- obviously she had cried. The PHONE RINGS but they deliberately ignore it. Ben appears with the newspapers under his arm, sees Suzette's sports car and hurries to join them. Suzette doesn't even give him a chance to kiss her. 
  SUZETTE (jumping up and showing the cover of Ossewa) Now, Papa, this is going too far! How could you?
  BEN (surprised) How's that, Suzette?
  Ben takes the newspaper and looks at the cover. A picture of himself and Emily outside the courtroom. The two faces are close together with the notes:
conversations.from: human
conversations.value: Give me another long scene.
conversations.from: assistant
conversations.value: INT. BEN'S STUDY - DAY
  Ben's study is in chaos. The books have been plucked from the shelves and the contents of his drawers emptied on the floor.
  Ben standing in the middle of the room surveying the vandalism.
  INT. BRUWER KITCHEN - AFTERNOON This is a medium-sized kitchen with two doors leading from it, one to the dining room and the other to the living room. It has not changed since it was furnished twenty years ago, the only modern appliances being the electric stove and a modern mixer on the working table.
  Ben is leaning against the wall next to the door leading to the living room, drinking coffee. Melanie, bare-feet, her long black hair tied up in a ribbon, is washing up. She looks younger and fragile with this hair-style.
conversations.from: human
conversations.value: Give me the last scene.
conversations.from: assistant
conversations.value: Just then, Ben is hurrying across the road to his car. Captain Stolz sees him, accelerates and hits Ben, hurling him high into the air. And speeds away. People rush to Ben's side... crowd quietly gathers.
  FREEZE FRAME and... 
  SLOW DISSOLVE TO BLACK:
  Back to IMSDb
conversations.from: human
conversations.value: Delete the last sentence.
conversations.from: assistant
conversations.value: Just then, Ben is hurrying across the road to his car. Captain Stolz sees him, accelerates and hits Ben, hurling him high into the air. And speeds away. People rush to Ben's side... crowd quietly gathers.
  FREEZE FRAME and...