conversations.from: human
conversations.value: What could be a title for a book about Inside, Actors, Studio with the genre: Arts & Photography, Performing Arts?
conversations.from: assistant
conversations.value: A title for this book could be 'Inside Inside'
conversations.from: human
conversations.value: Give me the first paragraph for this book.
conversations.from: assistant
conversations.value: Inside Inside
  The inhabitants of these pages aren't Micawber and Peggotty—though, for the two years it has taken to write these pages, I have lived with them as closely and constantly as Dickens lived with the spirited "creatures of his brain." The subjects of this account existed and exist entirely independent of me, and are, to put it plainly, simply and conclusively, the heroes of my life.
conversations.from: human
conversations.value: Give me four more paragraphs.. End with the sentence '"'.
conversations.from: assistant
conversations.value: On February 9, 2005, 112 Actors Studio Drama School students signed their names to a petition to the university that read, "The Special Advisor to the Provost, who is not a member of the Actors Studio, has made changes without consulting or obtaining the support of the creators of the program. Because of these changes we have lost the core philosophy of the Actors Studio and the integrated approach of the training, which are two reasons we all entered this school. We also chose to attend the ASDS because it offers the establishment of a relationship with the Actors Studio following graduation. This benefit is now in jeopardy.
  Bob's response was a series of meetings with the students. At the students' insistence, the meetings were openly tape-recorded, for use in a student class-action lawsuit against the university. At one of the meetings, a student asked Bob, "It's not guaranteed we will all graduate from the Actors Studio Drama School, right?"
  The room erupted into angry protest, which was interrupted by Kerrey with "You can argue with me about this all you want. You asked me a question. I gave you a truthful answer. If you want me to lie to you, if that's what you're asking me to do, then I will lie to you."
  A student responded, "Where is our money back for our credits lost, that the actors got shorted on this year? Where is the rebate for the workshop that was stolen from the first-year students? And I do say stolen. This is expensive. This is a hundred thousand dollars. Right now, this is not a hundred-thousand-dollar institution. Would Yale School of Drama have as many applicants if it was New Haven School of Drama? No. And that's why the name is important."
conversations.from: human
conversations.value: Give me the last four paragraphs.
conversations.from: assistant
conversations.value: But still, as I disembark, I can't help looking back at a deck lined with companions I will never forget and to whom I am profoundly indebted.
  Although the reader has already encountered some of them along the way, I feel compelled to acknowledge definitively and finally their importance to this journey and to me.
  The titles are Bodoni Book, an interpretation of Giambattista Bodoni's 300-year-old typeface by Morris Fuller Benton, who designed his version in the early twentieth century. Although Bodoni is a classic font, it is considered modern because of its sharp shapes and contrast of thick and thin lines.
  The font Celeste, used for the text, was created by British typeface designer Christopher Burke in the 1990s. Designed expressly for digital typography, its strength and subtlety are perfect for long texts.
conversations.from: human
conversations.value: Reverse the sentences.
conversations.from: assistant
conversations.value: Designed expressly for digital typography, its strength and subtlety are perfect for long texts..
  The font Celeste, used for the text, was created by British typeface designer Christopher Burke in the 1990s. Although Bodoni is a classic font, it is considered modern because of its sharp shapes and contrast of thick and thin lines.
  The titles are Bodoni Book, an interpretation of Giambattista Bodoni's 300-year-old typeface by Morris Fuller Benton, who designed his version in the early twentieth century.
  Although the reader has already encountered some of them along the way, I feel compelled to acknowledge definitively and finally their importance to this journey and to me.But still, as I disembark, I can't help looking back at a deck lined with companions I will never forget and to whom I am profoundly indebted