conversations.from: human
conversations.value: Provide a plot for a book about Judd, Quinn, Wade entitled This Is Where I Leave You.. Start with the sentence 'This Is Where I Leave You: Judd Altman (Jason Bateman) finds out his wife Quinn (Abigail Spencer) has been having an affair with his boss Wade (Dax Shepard) for a year'.
conversations.from: assistant
conversations.value: This Is Where I Leave You: Judd Altman (Jason Bateman) finds out his wife Quinn (Abigail Spencer) has been having an affair with his boss Wade (Dax Shepard) for a year.\nAfter he moves out, Judd\'s sister Wendy (Tina Fey) calls to tell him their father Mort has died.\nThe Altmans gather for the funeral at their mother\'s home where they reconnect with family friends Horry Callen (Timothy Olyphant), and his mother Linda (Debra Monk).\nWendy is unhappy because her husband Barry (Aaron Lazar) is too busy with work.\nJudd reunites with his older brother Paul (Corey Stoll) and Paul\'s wife Annie (Kathryn Hahn), who had once been Judd\'s girlfriend.\nThe youngest brother, Phillip (Adam Driver), arrives late with older, therapist girlfriend Tracy (Connie Britton) and interrupts the funeral.\nThe Altmans\' mother, Hilary (Jane Fonda) tells her children their father wanted them to sit shiva, presided over by the Altmans\' childhood friend, rabbi Charles "Boner" Grodner (Ben Schwartz).\nWendy knows about Judd\'s discovery of Quinn\'s infidelity, about which he avoids telling everyone else.\nJudd also reunites with Penny Moore (Rose Byrne), a girl who had a crush on him in high school.\nDuring a family gathering, Wendy drunkenly badgers Judd to tell the truth about Quinn.\nPhillip laments being seen as the family screw-up, while also flirting with another girl while Tracy watches.\nIrritated, Judd blurts out that Quinn was cheating on him and he plans to divorce her.\nQuinn shows up the next day and reveals she\'s pregnant with Judd\'s child.\nIt could not be Wade\'s child as he is sterile.\nPhillip finds out about the pregnancy and reveals this to the family.\nThe family goes to temple for a service where the brothers sneak out to smoke joints Judd found in his father\'s suit.\nAnnie, upset that she and Paul haven\'t conceived, crawls into bed with Judd in hopes that he could get her pregnant, but he rejects her.\nWendy visits Horry in his backyard, and expresses her remorse over being involved the accident that caused Horry\'s brain injury and then leaving him.\nA few days later, when her husband leaves for a conference, an upset Wendy sleeps with Horry.\nBeing caught walking home in the morning by Judd, she tearfully confesses she will never love Barry the way she loved Horry.\nJudd spends the night with Penny, and then spends the day with her.\nBut then Quinn calls him out of fear that she is having a miscarriage, and he admits to Penny that Quinn is pregnant.\nJudd gets to the hospital to be with Quinn, only for Wade to show up.\nThe baby is fine and is determined to be a girl.\nUpon being asked to leave by the OB, Judd and Wade get into a fight in the waiting room.\nWhen Philip and Wendy arrive, Wendy punches Wade in the face.\nUpon leaving, Wade tells Judd he\'s not ready to be a step-dad and leaves Quinn.\nThe next day, Annie apologizes to Judd, tearfully confessing that she only wants a baby so badly and is so frustrated by her lack of progress with Paul.\nJudd replies that she should focus and remember the things she does have with Paul, the love they share and not let the need for a baby ruin her marriage.\nPaul walks in as Judd hugs her and assumes they were kissing.\nPaul chases and attacks Judd as Tracy leaves Phillip for being unfaithful, resulting in the three brothers fighting.\nHillary silences everyone by kissing Linda passionately in front of all the spectators and informs everyone that she and Linda are in love, something Mort was happy with.\nShe admits the Shiva was her idea, in order to come out to all her children at once and get them all to reconnect.\nThe four siblings are shocked at first, but see their mother is happy and accept it.\nOne night, when the power goes out in the basement (where Judd is staying), Judd attempts to fix the problem in the power box, only to be given an electrical shock that knocks him out.\nHe dreams of a memory with his father, where Judd had fallen down from his bike as a child, and his father comforted him and pressed his forehead to his, a characteristic sign of affection Mort used for his children.\nJudd wakes up crying, finally fully mourning for his father.\nJudd meets Penny at the skating center, apologizing for not being honest.\nWendy leaves with her two kids, waving to Horry from the car, tearing up as she lets him go again.\nThe brothers make amends, and Paul offers Phillip a job at their father\'s sporting goods store.\nJudd decides to quietly slip out, and after loading his luggage in his car, steals Phillip\'s Porsche 997.\nThe final shot is of Judd driving on the highway to Maine, a place he has always wanted to go.
conversations.from: human
conversations.value: Provide the first five paragraphs for this book.. Start with the sentence 'This Is Where I Leave You
  This is Tuesday, just under three weeks before his wife will be getting married, and a few days before Silver will tentatively decide that life isn't necessarily worth living when you've been doing it as poorly as he has'.
conversations.from: assistant
conversations.value: This Is Where I Leave You
  This is Tuesday, just under three weeks before his wife will be getting married, and a few days before Silver will tentatively decide that life isn't necessarily worth living when you've been doing it as poorly as he has. It is seven years and four months or so since Denise divorced him for a host of valid reasons, and roughly eight years since his band, the Bent Daisies, released its only album and became rock stars overnight on the strength of their solitary hit, "Rest in Pieces." For one blessed summer it seemed as if the entire world was singing that song. And then they weren't, and then he couldn't get arrested—although, actually, Silver did get arrested twice; one DUI and once for solicitation, and he would tell you about it if he could, but he was, at best, fuzzy about the details back then, and now it's like an oral history long forgotten. Then, with a little back-channel manipulation from the record label, Pat McReedy, their lead singer, quit the band to launch his now epic solo career, dropping Danny (bass), Ray (lead guitar), and Silver (drums) back home in Elmsbrook to stare down the barrel of the rest of their painfully unglamorous lives. With nowhere else to go, Silver went back home to discover that Denise had already changed the locks and retained counsel.
  But that was then, and this is Tuesday, eight years and countless mistakes later. Silver is forty-four years old, if you can believe it, out of shape, and depressed—although he doesn't know if you call it depression when you have good reason to be; maybe then you're simply sad, or lonely, or just painfully aware, on a daily basis, of all the things you can never get back.
  They are speeding down the highway in Jack's ten-year-old BMW convertible when Jack notices the band on Silver's finger. Jack is blasting hip-hop music and pretending to know the words, while Silver absently taps along on his knees to the automated beat. They are the same age, seasoned veterans of epically bad decisions and poor follow-through.
  He forgot to take off the ring. God only knows how long he's been wearing it. Hours? Days, maybe. His finger still bears the groove from when he was married, and whenever he slips it on, it slides into place like a machined part, and he forgets about it. Chagrined, he pulls it off his finger and sticks it into his pocket, to jingle around with his other loose change.
  A good amount of his time with Jack is spent wondering whether Jack actually believes his own particular brand of bullshit. They are two middle-aged divorced men, their friendship born of mutual inconvenience, because they happened to live on the same floor of the Versailles. Jack thinks Silver is depressed and Silver thinks Jack is an idiot and, at any given moment, both of them are generally right.
conversations.from: human
conversations.value: Provide five more paragraphs.
conversations.from: assistant
conversations.value: They are on their way to a satellite office of the Blecher-Royal Medical Research Facility, where they will check in, submit to the prick of a blood test, then submit their own pricks to a quick, sterile flurry of self-abuse and gracelessly come into specimen jars. They will accomplish this without the aid of any chemical lubricants, in the name of science, and for the weekly seventy-five-dollar stipend.
  The drug trial in which they are enrolled—Jack found it online—is purported to be a new nonhormonal treatment for low sperm motility. Possible side effects include mood swings; dizziness; and, strangely, decreased libido, a fact the test administrator told them during the twenty-minute orientation without the slightest hint of irony.
  But as always, just before his ejaculate hits the bottom of the specimen cup with a soft plastic burp, no matter how determined he is to avoid it, he sees Denise, frowning at him with her customary scorn, depleting the moment of whatever lingering molecular pleasure it may have retained.
  A last sad grunt and squeeze, the cold damp of the baby wipe, and then the warmth of his semen against his fingertips through the thin plastic walls of the cup, more alive than anything coming out of him has any right to feel.
  Out in the lobby, Jack, already finished, is chatting up the receptionist. She isn't his type—mousy-looking with a light smattering of adult acne across the edge of her jaw—but Jack likes to stay sharp. You never know who might be in the market for a house.
conversations.from: human
conversations.value: Provide the last four paragraphs.. Start with the sentence 'Every so often, clarity washes over him in a wave, drenching him with realizations and reminders of what he's lost and who he has turned out to be'.
conversations.from: assistant
conversations.value: Every so often, clarity washes over him in a wave, drenching him with realizations and reminders of what he's lost and who he has turned out to be. He lurks there, beyond help in the Self-Help section, a middle-aged mess of a man with restless legs, ringing ears, and an aching heart, fighting back the tears elicited by a woman he's never met singing her heart out about the attempted murder of a cat.
  The way he sees it, he's teetering on that edge. By his estimation, he's got maybe one last shot at any kind of real and lasting love, and that's before you take into account his warped and deeply compromised faculty for it to begin with. He has loved more women than any man should. He doesn't so much fall in love as dive-bomb it like a kamikaze pilot, fearless and at full throttle. He used to look at this propensity as a gift, then a curse, and now understands it to be just another way in which he is broken.
  He's been alone for a long time now, more than seven years. At some point, loneliness becomes less a condition than a habit. In time, you stop looking at your phone wondering why you can't think of anyone to call, stop getting your hair cut, stop working out, stop thinking that tomorrow is the first day of the rest of your life. Because tomorrow is today, and today is yesterday, and yesterday beat the shit out of you and brought you to your knees. The only way to stay sane is to stop hoping for something better.
  But there's still something in him, a small pocket of insurgency that hasn't fully conceded. There's a part of him that still believes she's out there, the woman who will see the man behind this shifting, splitting land mass, the woman who knows exactly what to do with the hopeless paradox of a kamikaze lover like him. And he knows that's the part of him that has to finish dying if he's ever going to sleep soundly again.