conversations.from: human
conversations.value: Do you know the first long scene for a screenplay with the title 'Youth in Revolt'?
conversations.from: assistant
conversations.value: Youth in Revolt
  
  DISSOLVE TO:
  EXT. REDWOOD HIGH SCHOOL - LATER
  DISSOLVE TO:
  EXT. REDWOOD HIGH SCHOOL - LATER
  The parking lot is now filled with police cruisers and FBI vans, the news crews, REDWOOD HIGH STUDENTS, and an apparently CALIFORNIA WIDE NICK TWISP CULT FOLLOWING. 
  TINA MANION, 17, speaks into a STUDENT NEWS CREW CAMERA.
  TINA This is Tina Manion reporting live at Redwood High in Ukiah where local law enforcement as well as the FBI awaits the promised arrival of Nick Twisp. There comes a murmur from the crowd and Tina directs the student camera-man to the road on the ridge where... George's BMW pulls to a stop overlooking the school.
  GEORGE Hey. That's my car! The crowd hushes as the door opens and Nick emerges.
  NICK'S POV of the parking lot below, which looks like the kind of turn out one would expect of a Star Wars prequel.
  ON THE VARIOUS FACES OF THE CROWD staring up in silence. Estelle, Wally, Vijay, Trent, Dwayne, George, Lacey, Paul... Nick gives a little wave as if he were a celebrity. The parking lot erupts with CHEERS of his name. A few Berkeley KIDS hold up a sign that reads I'M SINGLE, LET'S
  MINGLE. Then - shouts of warning from the megaphones. And as the flashers and sirens come to life, Nick jumps back into his father's car and peels out.
  I/E. 
  BMW 325I (MOVING) - DAY Nick glances in the rear view mirror as the cops bear through the cloud kicked up in his wake.
  Nick pops in a CD and turns up the Christmas music to drown out the sirens.
  EXT. COVERED BRIDGE - DAY
  He zips across the covered bridge, the train of law enforcement in hot pursuit.
  I/E. 
  BMW 325I (MOVING) - DAY He yanks the wheel hard and veers off onto the mountain road. A few of the squad cars miss the turn and skid side-long through a picket fence. Nick takes the switchbacks at 60 per, wheels practically sliding off the turns.
  EXT. BLUFF OVER CLEAR LAKE - DAY
conversations.from: human
conversations.value: Do you know another scene?
conversations.from: assistant
conversations.value: SHEENI You shouldn't be, Carlotta. I am no doubt culpable for Nick's actions.
  NICK/CARLOTTA Well, love does compel us to desperate acts. People cannot always act rationally. Sheeni lets go a slight, wistful smile.
  SHEENI Yes, Carlotta. Nick had wonderful a way of making me feel worthy of the pursuit.
conversations.from: human
conversations.value: Add another sentence about NICK/CARLOTTA, cont'd.
conversations.from: assistant
conversations.value: SHEENI You shouldn't be, Carlotta. I am no doubt culpable for Nick's actions. 
  NICK/CARLOTTA Well, love does compel us to desperate acts. People cannot always act rationally. 
  NICK/CARLOTTA (cont'd) The greater the love, the stronger the passions, the more reckless the crimes. Sheeni lets go a slight, wistful smile. 
  SHEENI Yes, Carlotta. Nick had wonderful a way of making me feel worthy of the pursuit.
conversations.from: human
conversations.value: Do you know the last scene?
conversations.from: assistant
conversations.value: NICK (V.O.) Besides, what jury would convict a teenager who acted out of love? And even if I do get to spend the next few months of my youth getting Dwayned by the inmates of the California Juvenile Correctional System, I did get my thirty two minutes of lovemaking with one of the most outstanding girls of this or any other epoch. Nick turns to face the front while behind him the waving figure gets ever more distant. A pensive moment as he actually questions...
  NICK (V.O.) But was it all worth it? Nick revisits those thirty two minutes in his mind and it brings a smirk to his face.
  NICK (V.O.) You bet your left nut it was. And as Tom Jones' SHE'S A LADY kicks in, we...
  Back to IMSDb