conversations.from: human
conversations.value: Provide a description for a book titled Let's Get Lost about Sarra, British, ELLE with the genre: Children's Books, Growing Up & Facts of Life.
conversations.from: assistant
conversations.value: the author is a British author and journalist. Sarra has written for ELLE, Grazia , Red , InStyle,  The Guardian , and many more. Sarra lives in North London with her Staffordshire Bull Terrier, Miss Betsy, and prides herself on her unique ability to accessorize.
conversations.from: human
conversations.value: Add another sentence about Guitar, Let's, Pretty, best-selling.
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conversations.value: the author is a British author and journalist. Sarra has written for ELLE, Grazia , Red , InStyle,  The Guardian , and many more. Her best-selling YA novels include Guitar Girl , Let's Get Lost , Pretty Things , The Diary Of A Crush trilogy, and Nobody's Girl. Sarra lives in North London with her Staffordshire Bull Terrier, Miss Betsy, and prides herself on her unique ability to accessorize.
conversations.from: human
conversations.value: Provide a plot for a book titled Let's Get Lost about Sarra, British, ELLE with the genre: Children's Books, Growing Up & Facts of Life.
conversations.from: assistant
conversations.value: Let's Get Lost (1988 film): A group of Baker fans, ranging from ex-associates to ex-wives and children, talk about the man.\nWeber\'s film traces the man\'s career from the 1950s, playing with jazz greats like Charlie Parker, Gerry Mulligan, and Russ Freeman, to the 1980s, when his heroin addiction and domestic indifference kept him in Europe.\nBy juxtaposing these two decades, Weber presents a sharp contrast between the younger, handsome Baker — the statuesque idol who resembled a mix of James Dean and Jack Kerouac — to what he became, "a seamy looking drugstore cowboy-cum-derelict", as Hoberman put it in his Village Voice review.\nLet\'s Get Lost begins near the end of Baker\'s life, on the beaches of Santa Monica, and ends at the Cannes Film Festival.\nWeber uses these moments in the present as bookends to the historic footage contained in the bulk of the film.\nThe documentation ranges from vintage photographs by William Claxton in 1953 to appearances on The Steve Allen Show and kitschy, low budget Italian films Baker did for quick money.
conversations.from: human
conversations.value: Swap the first and the last sentence.
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conversations.value: \nThe documentation ranges from vintage photographs by William Claxton in 1953 to appearances on The Steve Allen Show and kitschy, low budget Italian films Baker did for quick money.\nWeber\'s film traces the man\'s career from the 1950s, playing with jazz greats like Charlie Parker, Gerry Mulligan, and Russ Freeman, to the 1980s, when his heroin addiction and domestic indifference kept him in Europe.\nBy juxtaposing these two decades, Weber presents a sharp contrast between the younger, handsome Baker — the statuesque idol who resembled a mix of James Dean and Jack Kerouac — to what he became, "a seamy looking drugstore cowboy-cum-derelict", as Hoberman put it in his Village Voice review.\nLet\'s Get Lost begins near the end of Baker\'s life, on the beaches of Santa Monica, and ends at the Cannes Film Festival.\nWeber uses these moments in the present as bookends to the historic footage contained in the bulk of the film.Let's Get Lost (1988 film): A group of Baker fans, ranging from ex-associates to ex-wives and children, talk about the man.