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conversations.value: What could be a title for a book about Magnificent, Coverage, except with the genre: Science & Math, Biological Sciences?
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conversations.value: A title for this book could be 'Birds of Prey'
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conversations.value: Do you know a description for a book titled Birds of Prey about Raptors, Tad, Merrick with the genre: Science & Math, Nature & Ecology?
conversations.from: assistant
conversations.value: Raptors have intrigued and inspired artists and naturalists for thousands of years. the author's own fascination with these winged hunters began when he took up bird carving in the 1970's, but he was long frustrated by the lack of close up, detailed reference photographs of these birds. He decided to team up with photographer Tad Merrick to fill that void.
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conversations.value: Do you know a description for a book titled Birds of Prey about York, University, California with the genre: Mystery, Thriller & Suspense, Thrillers & Suspense?
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conversations.value: the author is the pen name for Robert J. Abatecola, MD. Born and raised in New York, he graduated from New York University and New York Medical College before completing residency at University of Southern California. He is a practicing family physician with over thirty years of medical experience, who began writing as a medical student. He resides in Northern California with his wife, children, and grandchildren.
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conversations.value: Delete the last sentence.
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conversations.value: the author is the pen name for Robert J. Abatecola, MD. Born and raised in New York, he graduated from New York University and New York Medical College before completing residency at University of Southern California. He is a practicing family physician with over thirty years of medical experience, who began writing as a medical student.
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conversations.value: Do you know a plot for a book titled Birds of Prey?
conversations.from: assistant
conversations.value: Birds of Prey (1930 film): At his country estate, Arthur Hilton (C.\nAubrey Smith) is regaling his dinner guests of his exploits as a police officer decades earlier in Africa.\nHe keys in a case where he had to track down a gang of three men who were suspected of a series of murders.\nHe does stumble on them, but they actually end up capturing him.\nFortunately, he was able to talk his way out of that predicament, and later on tracked them down again and captured them.\nOne was hanged for his crimes, while the other two were sentenced to twenty years in prison.\nLittle does Hilton know that two of his dinner guests, Edward Laverick (Warwick Ward) and Edward Carter (Robert Loraine), are the two men who he sent to prison.\nThey have vowed revenge, and prior to dinner, they exact it, killing Hilton.\nHowever, they have planned it to look like a suicide on the part of the elderly aristocrat.\nInitially, their plot seems successful, as the local constables who arrive to investigate the incident buy into the suicide scenario.\nHilton's nephew, Jimmy Hilton (Frank Lawton), and his girlfriend Mollie (Dorothy Boyd), who also happens to be the ward of the elder Hilton, become suspicious of the story told by the two men, and begin their own investigation.\nTheir questioning leads them to arrive at the truth, and the two murderers are apprehended.
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conversations.value: Delete the last sentence.
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conversations.value: Birds of Prey (1930 film): At his country estate, Arthur Hilton (C.\nAubrey Smith) is regaling his dinner guests of his exploits as a police officer decades earlier in Africa.\nHe keys in a case where he had to track down a gang of three men who were suspected of a series of murders.\nHe does stumble on them, but they actually end up capturing him.\nFortunately, he was able to talk his way out of that predicament, and later on tracked them down again and captured them.\nOne was hanged for his crimes, while the other two were sentenced to twenty years in prison.\nLittle does Hilton know that two of his dinner guests, Edward Laverick (Warwick Ward) and Edward Carter (Robert Loraine), are the two men who he sent to prison.\nThey have vowed revenge, and prior to dinner, they exact it, killing Hilton.\nHowever, they have planned it to look like a suicide on the part of the elderly aristocrat.\nInitially, their plot seems successful, as the local constables who arrive to investigate the incident buy into the suicide scenario.\nHilton's nephew, Jimmy Hilton (Frank Lawton), and his girlfriend Mollie (Dorothy Boyd), who also happens to be the ward of the elder Hilton, become suspicious of the story told by the two men, and begin their own investigation.
conversations.from: human
conversations.value: Do you know a plot for a book about Magnificent, Coverage, except with the genre: Science & Math, Biological Sciences?
conversations.from: assistant
conversations.value: Birds of Prey (1930 film): At his country estate, Arthur Hilton (C.\nAubrey Smith) is regaling his dinner guests of his exploits as a police officer decades earlier in Africa.\nHe keys in a case where he had to track down a gang of three men who were suspected of a series of murders.\nHe does stumble on them, but they actually end up capturing him.\nFortunately, he was able to talk his way out of that predicament, and later on tracked them down again and captured them.\nOne was hanged for his crimes, while the other two were sentenced to twenty years in prison.\nLittle does Hilton know that two of his dinner guests, Edward Laverick (Warwick Ward) and Edward Carter (Robert Loraine), are the two men who he sent to prison.\nThey have vowed revenge, and prior to dinner, they exact it, killing Hilton.\nHowever, they have planned it to look like a suicide on the part of the elderly aristocrat.\nInitially, their plot seems successful, as the local constables who arrive to investigate the incident buy into the suicide scenario.\nHilton's nephew, Jimmy Hilton (Frank Lawton), and his girlfriend Mollie (Dorothy Boyd), who also happens to be the ward of the elder Hilton, become suspicious of the story told by the two men, and begin their own investigation.\nTheir questioning leads them to arrive at the truth, and the two murderers are apprehended.
conversations.from: human
conversations.value: Do you know a plot for a book titled Birds of Prey?
conversations.from: assistant
conversations.value: Birds of Prey (TV series): The series is set in New Gotham City, several years after it has been apparently abandoned by Batman.\nIn his absence, Oracle (Barbara) and the Huntress (Helena) have taken over his war on crime.\nThe two are joined by Dinah, a telepath (after she assists them in defeating Larry Ketterly); Alfred Pennyworth, who serves Helena as she is heir to the Wayne estate; and Detective Jesse Reese, a police officer confronted with crimes and abilities he cannot explain.\nA central feature of the series is the concept of metahumans: individuals born with powers that cannot be explained.\nNo two metahumans have the same abilities (unless hereditary), and there exists a whole subculture of metahuman society that the outside world knows nothing about.\nDetective Reese reluctantly teams up with Huntress and the other Birds of Prey to defeat metahuman criminals.\nAt first, he disapproves of Helena's vigilantism, even trying to arrest her, but eventually he realizes there is a need for the Birds of Prey to take down criminals the police cannot handle.\nDuring the course of the show, the Birds of Prey often confront schemes masterminded by dr Harleen Quinzel (Harley Quinn), though they are unaware of her involvement until the final episode of the series.\nQuinzel's attempts to discover what Helena is hiding, and the duplicitous nature of their therapy sessions together, form a large part of the series arc, beginning in the pilot episode and being resolved in the series finale.
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conversations.value: Delete the last sentence.
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conversations.value: Birds of Prey (TV series): The series is set in New Gotham City, several years after it has been apparently abandoned by Batman.\nIn his absence, Oracle (Barbara) and the Huntress (Helena) have taken over his war on crime.\nThe two are joined by Dinah, a telepath (after she assists them in defeating Larry Ketterly); Alfred Pennyworth, who serves Helena as she is heir to the Wayne estate; and Detective Jesse Reese, a police officer confronted with crimes and abilities he cannot explain.\nA central feature of the series is the concept of metahumans: individuals born with powers that cannot be explained.\nNo two metahumans have the same abilities (unless hereditary), and there exists a whole subculture of metahuman society that the outside world knows nothing about.\nDetective Reese reluctantly teams up with Huntress and the other Birds of Prey to defeat metahuman criminals.\nAt first, he disapproves of Helena's vigilantism, even trying to arrest her, but eventually he realizes there is a need for the Birds of Prey to take down criminals the police cannot handle.\nDuring the course of the show, the Birds of Prey often confront schemes masterminded by dr Harleen Quinzel (Harley Quinn), though they are unaware of her involvement until the final episode of the series.
conversations.from: human
conversations.value: Do you know a plot for a book titled Birds of Prey about York, University, California with the genre: Mystery, Thriller & Suspense, Thrillers & Suspense?
conversations.from: assistant
conversations.value: Birds of Prey (1973 film): A former American Volunteer Group pilot, Harry Walker (David Janssen), who flies a Hughes 500C helicopter for Salt Lake City radio station KBEX as a traffic reporter, is introduced flying and singing along to Three Little Fishies (the song was changed to another in VHS and DVD versions of the film) and then doing an afternoon rush-hour report during a station nostalgia promotion in which standards from the World War II era are being played on-air.\nOpening credits run over aerial combat footage borrowed from the 1942 Republic Pictures film Flying Tigers, then segues into footage of a P-40 Warhawk, in full sharkmouth scheme, being towed along the highway to the radio station by Walker as part of the promotion.\nWalker\'s ex-AVG squadron mate, Captain Jim "Mac" McAndrew, now a communications officer with the Salt Lake City Police, responds in a squad car to the radio station and challenges Walker on whether he has paperwork for hauling the fighter on public streets, which he does.\nThey reminisce about their wartime experiences years ago, pointing out their different viewpoints: Walker in the past, and McAndrew, "in front of a computer", in the present.\nMeanwhile, two bearded men are seen breaking into an Army National Guard Armory and stealing canister grenades.\nAs McAndrew and another officer drive away from the radio station, Mac comments that one would think that Walker might act his age, characterizing him as a "Smilin\' Jack".\nBack in the air, Walker observes an armed robbery of an armored car at the Zion\'s Bank in downtown Salt Lake City in which bearded men gun down the guards and grab a canvas sack of currency, then grab a female hostage and shove her into their getaway car.\nReporting what he has seen to a disbelieving McAndrew over the radio, Walker pursues the car and describes the vehicle, its license number, and the suspects\' descriptions.\nDuring the chase, the helicopter flies under several highway overpasses near the Union Pacific railyard before the getaway vehicle drives up into a multi-level garage, where the police and Walker think that they have the bandits cornered.\nTo his surprise, an Aérospatiale SA 315B Lama (mistakenly listed in the end credits as an "Alouette") rises up from the far side of the garage structure and the suspects abandon their vehicle for the helicopter, taking the female hostage with them, but not before a pursuing police officer shoots one of the robbers with his side arm as the man tries to flee.\nWalker then continues the aerial pursuit as the robbers attempt to ram him and fly off.\nLow on fuel, Walker stops a gasoline tanker onS.\n40 and tops up his fuel supply.\nHe also offers to buy a shotgun from another driver after explaining the situation, but the driver refuses his cash and gives him the weapon.\nWalker continues the pursuit, while McAndrew informs him that fingerprints have identified two of the robbers as former Marines who served in Vietnam and they surmise that the chopper pilot is similarly experienced.\nThe hostage is identified as Teresa Janice Shaw, a bank employee, who is due to get married that Friday.\nThe getaway helicopter attempts to hide in the open pit copper mine at Bingham, but Walker locates it sitting behind a giant shovel.\nThe chase continues into canyonlands.\nBoth helicopters land and the robbers try to parlay with the radio station pilot over a loudspeaker, offering him a bribe as both aircraft sit on the ground.\nExasperated by Walker\'s stubbornness, they ask what he wants, but Walker only replies "You.\n".\nThe chase resumes, and when the robbers land to refuel from 55-gallon drums they have previously stashed in a remote location, one robber exits the helicopter with a shotgun, unseen by Walker, and holes his hydraulic line as the Hughes 500 flies past.\nWhen the remaining bandits wrestle with their fuel drums,J.\n(the hostage) grabs the money bag and flees through the underbrush.\nOne robber chases her through thicket on foot while the getaway copter hovers overhead.\nSnatches of the 1930s big band tune "Sing, Sing, Sing" punctuate the chase.\nWalker, who had landed to patch his oil leak, then comes to the woman\'s rescue, knocking her foot pursuer flat with his landing skid, with the two helicopters hovering and circling over the bank employee, crouching in the blowing dust as they maneuver for position, a "birds of prey" scenario.\nWalker touches down next the woman and she climbs into his helicopter with the money.\nAs twilight falls, and a thunderstorm approaches, Walker drops his chopper into a narrow canyon and eludes the pursuing robbers.\nDuring the night, Walker andJ.\nconverse and exchange lines of dialogue from Casablanca while repairing the hydraulic line.\nShe reveals that she has never been far from Salt Lake City in her 22 years and that she has known her fiance since childhood.\nWalker states that he had failed marriages and advises her not to rush into nuptials.\nA gentle flirtation takes place and she kisses Walker three times, becoming somewhat infatuated with the dashing pilot, unlike anyone she has ever met.\nHe stops the seduction before it goes any further, directing her to tune the radio to KBEX, which is playing Glenn Miller\'s "Moonlight Serenade".\nThe following morning, Walker raises a Continental Airlines flight on an emergency channel and asks the pilot to relay their location to the police.\nDetermining that the robbers are close by and still searching for him, Walker directs the girl to go to the nearby highway and hitch-hike after he lifts off, but she doesn\'t want to leave him.\nHe insists so that she doesn\'t get hurt and she leaves the money with him.\nSaying "So long, 22.\n" (a reference to her age), Walker takes off, with TJ screaming his last name, trying to make him change his mind.\nThe helicopter chase resumes; meanwhile, McAndrew and a police pilot in a Piper Arrow, alerted by the airline pilot, approach the area as well.\nThe two helicopters fly to an abandoned airfield, where the bank employee said the robbers have a getaway plane and pilot to fly them to Mexico.\nThe two choppers fly in and out of abandoned hangars, including a scene in which both hover inside a large one.\nGunfire is exchanged and another bandit goes down, and Walker maneuvers his 500 past the Lama and blocks their escape.\nThe police aircraft arrives and McAndrew runs to the hangar where Walker has cornered the bandit\'s helicopter inside, with Walker tossing the money out to his old AVG buddy.\nThe bandit in the Lama throws a grenade out to the hangar door, forcing Walker to get out of the way of the blast; the Lama slips past and then chases after McAndrew, the bandits shooting at him.\nWalker then rams his helicopter into the bandit\'s aircraft to save his buddy.\nMcAndrew, dazed, stares in disbelief at the burning wreckage, muttering, "Damn it, Walker.\nNobody asked you to do that".\nThe police pilot runs over and McAndrew says that they are going after the pilot of the getaway plane, who has just fled in a Cessna 206 after seeing the crash.\n"What about Walker.\n" asks the police pilot.\n"What about him.\n" says McAndrew.\nThe closing credits roll as the police aircraft is shown pursuing the other plane into the sunset with KBEX DJ banter over "I\'ll Get By".
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conversations.value: Delete the last sentence.
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conversations.value: Birds of Prey (1973 film): A former American Volunteer Group pilot, Harry Walker (David Janssen), who flies a Hughes 500C helicopter for Salt Lake City radio station KBEX as a traffic reporter, is introduced flying and singing along to Three Little Fishies (the song was changed to another in VHS and DVD versions of the film) and then doing an afternoon rush-hour report during a station nostalgia promotion in which standards from the World War II era are being played on-air.\nOpening credits run over aerial combat footage borrowed from the 1942 Republic Pictures film Flying Tigers, then segues into footage of a P-40 Warhawk, in full sharkmouth scheme, being towed along the highway to the radio station by Walker as part of the promotion.\nWalker\'s ex-AVG squadron mate, Captain Jim "Mac" McAndrew, now a communications officer with the Salt Lake City Police, responds in a squad car to the radio station and challenges Walker on whether he has paperwork for hauling the fighter on public streets, which he does.\nThey reminisce about their wartime experiences years ago, pointing out their different viewpoints: Walker in the past, and McAndrew, "in front of a computer", in the present.\nMeanwhile, two bearded men are seen breaking into an Army National Guard Armory and stealing canister grenades.\nAs McAndrew and another officer drive away from the radio station, Mac comments that one would think that Walker might act his age, characterizing him as a "Smilin\' Jack".\nBack in the air, Walker observes an armed robbery of an armored car at the Zion\'s Bank in downtown Salt Lake City in which bearded men gun down the guards and grab a canvas sack of currency, then grab a female hostage and shove her into their getaway car.\nReporting what he has seen to a disbelieving McAndrew over the radio, Walker pursues the car and describes the vehicle, its license number, and the suspects\' descriptions.\nDuring the chase, the helicopter flies under several highway overpasses near the Union Pacific railyard before the getaway vehicle drives up into a multi-level garage, where the police and Walker think that they have the bandits cornered.\nTo his surprise, an Aérospatiale SA 315B Lama (mistakenly listed in the end credits as an "Alouette") rises up from the far side of the garage structure and the suspects abandon their vehicle for the helicopter, taking the female hostage with them, but not before a pursuing police officer shoots one of the robbers with his side arm as the man tries to flee.\nWalker then continues the aerial pursuit as the robbers attempt to ram him and fly off.\nLow on fuel, Walker stops a gasoline tanker onS.\n40 and tops up his fuel supply.\nHe also offers to buy a shotgun from another driver after explaining the situation, but the driver refuses his cash and gives him the weapon.\nWalker continues the pursuit, while McAndrew informs him that fingerprints have identified two of the robbers as former Marines who served in Vietnam and they surmise that the chopper pilot is similarly experienced.\nThe hostage is identified as Teresa Janice Shaw, a bank employee, who is due to get married that Friday.\nThe getaway helicopter attempts to hide in the open pit copper mine at Bingham, but Walker locates it sitting behind a giant shovel.\nThe chase continues into canyonlands.\nBoth helicopters land and the robbers try to parlay with the radio station pilot over a loudspeaker, offering him a bribe as both aircraft sit on the ground.\nExasperated by Walker\'s stubbornness, they ask what he wants, but Walker only replies "You.\n".\nThe chase resumes, and when the robbers land to refuel from 55-gallon drums they have previously stashed in a remote location, one robber exits the helicopter with a shotgun, unseen by Walker, and holes his hydraulic line as the Hughes 500 flies past.\nWhen the remaining bandits wrestle with their fuel drums,J.\n(the hostage) grabs the money bag and flees through the underbrush.\nOne robber chases her through thicket on foot while the getaway copter hovers overhead.\nSnatches of the 1930s big band tune "Sing, Sing, Sing" punctuate the chase.\nWalker, who had landed to patch his oil leak, then comes to the woman\'s rescue, knocking her foot pursuer flat with his landing skid, with the two helicopters hovering and circling over the bank employee, crouching in the blowing dust as they maneuver for position, a "birds of prey" scenario.\nWalker touches down next the woman and she climbs into his helicopter with the money.\nAs twilight falls, and a thunderstorm approaches, Walker drops his chopper into a narrow canyon and eludes the pursuing robbers.\nDuring the night, Walker andJ.\nconverse and exchange lines of dialogue from Casablanca while repairing the hydraulic line.\nShe reveals that she has never been far from Salt Lake City in her 22 years and that she has known her fiance since childhood.\nWalker states that he had failed marriages and advises her not to rush into nuptials.\nA gentle flirtation takes place and she kisses Walker three times, becoming somewhat infatuated with the dashing pilot, unlike anyone she has ever met.\nHe stops the seduction before it goes any further, directing her to tune the radio to KBEX, which is playing Glenn Miller\'s "Moonlight Serenade".\nThe following morning, Walker raises a Continental Airlines flight on an emergency channel and asks the pilot to relay their location to the police.\nDetermining that the robbers are close by and still searching for him, Walker directs the girl to go to the nearby highway and hitch-hike after he lifts off, but she doesn\'t want to leave him.\nHe insists so that she doesn\'t get hurt and she leaves the money with him.\nSaying "So long, 22.\n" (a reference to her age), Walker takes off, with TJ screaming his last name, trying to make him change his mind.\nThe helicopter chase resumes; meanwhile, McAndrew and a police pilot in a Piper Arrow, alerted by the airline pilot, approach the area as well.\nThe two helicopters fly to an abandoned airfield, where the bank employee said the robbers have a getaway plane and pilot to fly them to Mexico.\nThe two choppers fly in and out of abandoned hangars, including a scene in which both hover inside a large one.\nGunfire is exchanged and another bandit goes down, and Walker maneuvers his 500 past the Lama and blocks their escape.\nThe police aircraft arrives and McAndrew runs to the hangar where Walker has cornered the bandit\'s helicopter inside, with Walker tossing the money out to his old AVG buddy.\nThe bandit in the Lama throws a grenade out to the hangar door, forcing Walker to get out of the way of the blast; the Lama slips past and then chases after McAndrew, the bandits shooting at him.\nWalker then rams his helicopter into the bandit\'s aircraft to save his buddy.\nMcAndrew, dazed, stares in disbelief at the burning wreckage, muttering, "Damn it, Walker.\nNobody asked you to do that".\nThe police pilot runs over and McAndrew says that they are going after the pilot of the getaway plane, who has just fled in a Cessna 206 after seeing the crash.\n"What about Walker.\n" asks the police pilot.\n"What about him.\n" says McAndrew.
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conversations.value: Do you know the first paragraph for this book?
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conversations.value: Birds of Prey
  A Peregrine sampler. From left, top and bottom: adult ventral, adult dorsal, and juvenile. Note the golden crown on the juvenile, indicative of a young tundra Peregrine. Clockwise from top left: Jim Zipp, Jim Zipp, Kevin T. Karlson, Kevin T. Karlson, Steve Sachs, Steve Sachs
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conversations.value: Do you know five more paragraphs?
conversations.from: assistant
conversations.value: Benediction for some road-killed animal? No, wing drying or thermoregulation on a cold morning. Brian Small
  Audubon claimed Black Vultures never lay more than two eggs. Eggs are gray-green or creamy white to buff, or with sparse small blotches of deep reddish brown and markings sometimes concentrated at the larger end. Incubation, shared equally by the parents, lasts 38 or 39 days. At eight weeks, young can leave ground nest cavities, but fledging takes 10 or 11 weeks. After fledging, adults and young commonly share the same roost, and the young may continue to be fed by adults for as much as eight months.
  BEHAVIOR/FORAGING: Black Vultures spend much of the day aloft or perched in the vicinity of carrion. They roost and feed communally, often in association with Turkey Vultures. In winter, typical roosts are in mature trees or manmade structures, often on a hillside so that early morning foraging expeditions can be conducted downhill in a gravity-friendly glide, thus avoiding the need to wait until thermals form. Black Vultures are believed to make roosts the center of their social and communications strategy. Birds returning to the roost with distended crops might expect to garner the watchful attention of unsuccessful birds when they leave the roost the following day.
  Monitoring the next guy (whether at the roost or soaring aloft) seems to be central to Black Vulture's foraging strategy. Sharing is not a detriment when the carcass is a meat package as large as a white-tailed deer.
  In towns and villages of the southern states, particularly Charleston and Georgetown, South Carolina, and in Savannah, Georgia, these birds may be seen sauntering about the streets; sunning themselves on the roofs of houses and the fences; or if the weather be cold, cowering around the tops of chimneys. They are protected by law; and may be said to be completely domesticated, being as common as the poultry, and equally familiar.
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conversations.value: Do you know the last four paragraphs?
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conversations.value: Fish, Allen. 2013. "Rodenticides and Raptors: A Deadly Relationship." Pacific Raptor Report Number 35.
  U.S. Fish and Wildlife Service, Pacific Southwest Region. "California Condor Count Information."www.fws.gov/CNO/es/CalCondor/Condor.cfm (April 28, 2015).
  A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z
  PETE DUNNE is the founding director of the Cape May Bird Observatory and now serves as New Jersey Audubon's birding ambassador. He lives in Mauricetown, New Jersey.
conversations.from: human
conversations.value: Delete the first sentence.
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conversations.value: 2013. "Rodenticides and Raptors: A Deadly Relationship." Pacific Raptor Report Number 35.
  U.S. Fish and Wildlife Service, Pacific Southwest Region. "California Condor Count Information."www.fws.gov/CNO/es/CalCondor/Condor.cfm (April 28, 2015).
  A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z
  PETE DUNNE is the founding director of the Cape May Bird Observatory and now serves as New Jersey Audubon's birding ambassador. He lives in Mauricetown, New Jersey.