conversations.from: human
conversations.value: a title for a book about Claire, Hugh, Banning with the genre: Romance, Contemporary
conversations.from: assistant
conversations.value: A title for this book could be 'Irresistible'
conversations.from: human
conversations.value: Give me a plot for a book titled Irresistible about Claire, Hugh, Banning with the genre: Romance, Contemporary.. End with the sentence '\nThe caption she wrote in the scrapbook reads "Mother and Me".'.
conversations.from: assistant
conversations.value: Irresistible (film): The film begins with Sophie, a popular illustrator for books, walking her daughters, Ruby and Elly, home from school.\nShe suddenly remembers she forgot to turn off the iron, and rushes to get home.\nWhen she gets there, she finds that it was still hot, but someone had already switched it off.\nEventually dismissing it as a lapse of memory, she continues her daily routine of taking care of her two daughters and working on her next painting.\nWhile she\'s working, her husband, Craig, sends a singing telegram with flowers as an anniversary gift.\nLater, while fixing dinner, Sophie senses that someone is in the house, but shrugs it off.\nThen Elly complains of the same feeling, and being frightened of it.\nSophie has a look around and seems to notice things just slightly out of place, but again decides it\'s nothing of concern.\nLater, she has to pick up Craig because he has lost his keys.\nSophie continues to feel on edge that night during their anniversary dinner.\nThe next day, she finds one of her paintings destroyed and assumes her cat knocked over the inkwell.\nShe soon meets Mara, her husband\'s new co-worker, at a party.\nMara and Sophie leave the party for a walk to the beach, where they have a talk.\nMara offers Sophie her sympathy for her mother\'s passing, telling her she can relate because she lost her best friend, Kate, who had been an aid worker with orphans in Kosovo.\nShe told Sophie that someone threw a Molotov cocktail through the window of the orphanage, and Kate burned to death trying to save the babies.\nOver the next few weeks, items begin to go missing from Sophie\'s house, including one of her dresses and her daughter\'s favorite stuffed animal, causing the child great distress.\nShe comes to suspect that Mara is stealing her belongings after seeing her wearing the missing dress, but Sophie has no evidence.\nShe then breaks into Mara\'s house to collect proof, but gets caught and is given a restraining order.\nCraig does not back up Sophie in court.\nSophie soon suspects Craig may be having an affair with Mara, but he is quick to shrug it off.\nSophie decides to take Craig\'s suggestion to stay in a friend\'s cabin, to spend time apart from the family and clear her mind.\nDuring a conversation with her father, it is revealed that Sophie became pregnant at the age of 18, and the baby had been surrendered to an orphanage against Sophie\'s wishes.\nWhen Sophie returns home from the cabin, she realizes her cat is nowhere to be found.\nShe suspects Mara is behind it, so she decides to sneak onto Mara\'s property to check.\nShe finds her cat inside the house, but the burglar alarm goes off, attracting a neighbor\'s attention.\nSophie hides in the basement just as Mara returns, who then searches the house to find out why the alarm was tripped.\nWielding a hammer, she checks the basement while Sophie hides behind a shelf unit.\nMara seems to sense someone is there but doesn\'t say anything.\nShe just goes back upstairs and bolts the basement door, locking Sophie inside.\nMara then goes to work.\nSophie begins to look around for tools or a way out, and finds her missing items, including her daughter\'s beloved toy and family photos with her face cut out of them.\nShe realizes her suspicions of Mara were correct.\nShe also finds a birth certificate and a letter from an adoption agency addressed to Mara, informing her that, despite her request, her biological mother did not wish to make contact with her.\nBecause of the details in the documents, Sophie comes to believe that Mara was the baby she gave up.\nWhile this is going on, Mara attempts to seduce Craig at his office, but they are interrupted by a phone call from his children\'s school.\nThe school informs Craig that Sophie has not picked up the children.\nCraig needs to attend a meeting, so Mara offers to pick up the girls and take them to her house.\nWhen they arrive at Mara\'s house, Sophie, who is trying to escape via the air ducts, sees them through a floor vent in the kitchen.\nShe tries to get her daughter\'s attention, but Mara discovers her instead.\nMara confronts Sophie in the basement and threatens her.\nSophie tries to reason with Mara, who will have none of it.\nSophie tells her she knows she is her mother, and she is sorry for giving her up.\nMara strikes Sophie and smashes a bottle of wine on the floor.\nShe drops a lit match on the wine, setting the basement on fire and hoping to kill Sophie.\nThey struggle, and Mara\'s trouser legs catch fire, but Sophie saves her and helps Mara walk out to safety.\nAt the hospital, Craig is given the contents of his wife\'s pockets.\nAmong them is the birth certificate and letter from the adoption agency.\nWhen Sophie wakes up, Craig tells her he knows about Mara, and they resolve to make their relationship work.\nLater, Sophie visits Mara in her hospital room, asking if she can include their story in her book.\nSophie tells Mara she was brave to try to meet her, and she was a coward to refuse.\nSophie asks for forgiveness, and they embrace as Mara weeps, apparently now forging a true mother-daughter bond.\nWhen the nurse tells Sophie she can\'t be there, she replies, "I\'m her mother".\nWhile Mara continues to recover at home, she pores over old news clippings and photos of her deceased childhood friend, Kate.\nThere is a photo of Mara and Kate together as children in the orphanage, and we see that Kate looked just like Elly does now, and another photo of Mara and Kate together as adults in Kosovo.\nIn that one, we see Kate grew up to be the spitting image of Sophie, revealing it was really Kate who was Sophie\'s daughter.\nShe then angrily cuts out Ruby\'s face from another of Sophie\'s family photos and replaces it with her own, so her face is next to Sophie\'s.\nThe caption she wrote in the scrapbook reads "Mother and Me".
conversations.from: human
conversations.value: Give me the first paragraph for this book.
conversations.from: assistant
conversations.value: Irresistible
  I stumbled on: You can play Sign of the Zodiac here (but make sure you clear your schedule for several hours first): www.freeslots.co.uk/sign-of-the-zodiac/index.htm.
conversations.from: human
conversations.value: Give me four more paragraphs.
conversations.from: assistant
conversations.value: You can see the same loss: Scathing Consumer Reports reviews of those sites: www.consumerreports.org/cro/2011/12/with-penny-auctions-you-can-spend-a-bundle-but-still-leave-empty-handed/index.htm.
  More than twenty years later: Adam Alter, David Berri, Griffin Edwards, and Heather Kappes, "Hardship Inoculation Improves Performance but Dampens Motivation," unpublished manuscript (2016).
  Nick Yee, who: Nick Yee completed a PhD focusing on social sciences and gaming at Stanford; he lists beginner's luck as one of the major drivers of repeat behavior in games. See: www.nickyee.com/ and www.nickyee.com/hub/addiction/attraction.html.
  Neither one signals: Note that it is legal to change how losses are presented, so a near win is just as legal as a clear loss.
conversations.from: human
conversations.value: Give me the last two paragraphs.. End with the sentence 'php?storyId=17307572.'.
conversations.from: assistant
conversations.value: Volkswagen was releasing: Website for DDB's Fun Theory campaign: www.thefuntheory.com; Cannes Awards announcement: www.prnewswire.com/news-releases/ddbs-fun-theory-for-volkswagen-takes-home-cannes-cyber-grand-prix-97156119.html; video of the "Piano Stairs" experiment: Rolighetsteorin, "Piano Stairs: TheFunTheory.com," YouTube, October 7, 2009, www.youtube.com/watch?v=2lXh2n0aPyw.
  A computer programmer named John: On Breen and FreeRice: Michele Kelemen, "Net Game Boosts Vocabulary, Fights Hunger," NPR, December 17, 2007, www.npr.org/templates/story/story.php?storyId=17307572.
conversations.from: human
conversations.value: Give me the first five paragraphs for this book.. Start with the sentence 'Irresistible
  But she would not lie to herself'.
conversations.from: assistant
conversations.value: Irresistible
  But she would not lie to herself. She was not sorry for last night. She did not even feel guilty. No one had been harmed—except perhaps her.
  She turned and led the way upstairs, drawing off her gloves as she went and untying the ribbons of her bonnet. She set them on a small table just inside the sitting-room door.
  But he had not noticed. He had crossed the room and was standing at the window, looking out. His hands, clasped at his back, were not still. She wished she could have avoided this. If she had only been five minutes earlier...
  She wondered if he really regretted what had happened. Probably he did; but if he did, she hoped he would not say so. A woman needed some illusions. Perhaps just one in her life. Surely it was not too much to ask. One would suffice.
  He lowered his head and she heard him draw an audible breath. "Will you do me the honor of marrying me?" he asked.
conversations.from: human
conversations.value: Give me four more paragraphs.
conversations.from: assistant
conversations.value: It should have been a mutual, rational decision, he thought. But suddenly he could not bear the thought of life without Sophie—which was an alarming realization. For three years he had been quite content neither to see nor to hear from her—except that one letter in response to his own.
  She snatched back her hand, caught up the side of her dress, and whisked herself past him. He stood with his back to the door, listening to it open, listening to the scratching sound of her dog's paws on the marble floor of the hall, and then listening to the silence that succeeded the closing of the door.
  Eden had gone to White's alone for breakfast. But he might have saved himself the trouble, he thought as he left there an hour or so later. He had not been hungry and Nat had not shown up. Perhaps he could have cheered himself up if he could but have listened to an account—a strictly expurgated account, of course—of Nat's successes the night before. But then he would have had to tell Nat about the meeting with Sophie in the park—a meeting that had disturbed and even upset them all considerably.
  Eden had walked to White's after riding home. He was glad to be on foot as he took a path back through the park. A brisk walk would perhaps blow some cobwebs away. He was trying to decide whether to call at Upper Brook Street to see if Nat was home yet. It would be very interesting indeed if he was not. But then he probably was. Nat had become damnably respectable and he had those young relatives of his to fire off into marriage—though who would take the prickly redhead heaven alone knew. And perhaps even heaven did not have the answer.
conversations.from: human
conversations.value: Give me the last five paragraphs.
conversations.from: assistant
conversations.value: She did not speak for a long time. He steeled himself. She would be honest now, he knew. But she was a kind woman who cared for people. He knew that she cared in some special way for him. She would be choosing her words in order to give him as little pain as possible.
  He turned his head to look at her. She was looking back. "I am not sure," she said, "if for even one mad moment I convinced myself that having an affair with you would help me get over you. I believe I knew from the start that I was wreaking dreadful havoc on my life. I dreaded coming here, Nathaniel. I dreaded seeing you. Yet since I have been here I have been storing memories so that for the rest of my life I can picture you in the setting where you will live your life. I touched your chair where your head rests, and the top of your desk, where you work. I sat inside the folly, where you sit, and looked out at the lake, on which you gaze."
  She placed her hand in his and he drew her to her feet and into his arms. But he did not hold her close at first. He set his hands at her waist and moved them inward and down, looking into her face as he did so. He could feel the soft beginnings of swelling in her womb. He slid his hands upward and about her breasts. They were fuller, heavier. They would suckle his child.
  She wrapped her arms about his neck and laughed as he picked her up off her feet and twirled her once about. It was a rash thing to do. They were not far from the water's edge. He laughed too.
  He laughed with her until laughter faded as they felt again all the wonder of having discovered a love they had shared without knowing it for some time and would share with full awareness for the rest of their lives.