conversations.from: human
conversations.value: Provide a plot for a book about Prewitt, Warden, Holmes entitled From Here to Eternity.
conversations.from: assistant
conversations.value: From Here to Eternity (miniseries): It is April 1941 at Schofield Barracks, Hawaii and Pvt.\nRobert Lee Prewitt is new to G Company.\nHe is a skilled boxer who unintentionally severely injured a fellow soldier in an exhibition boxing match.\nAs a result he refuses to be a boxer anymore.\nThis places him at odds with his company\'s commanding officer, Captain Holmes, who uses the reputation of many of the sergeants in his company as skilled boxers to further his military career.\nFacing pressure from the fascist Gen.\nBarney Slater, Captain Holmes has many of his sergeants harass and abuse Prewitt in an attempt to pressure him to join the company\'s boxing team.\nPrewitt is tough and refuses to bend to the pressure.\nThe company\'s First Sergeant, Milt Warden, attempts to help Prewitt, but there is only so much he can do.\nPrewitt becomes involved with Lorene Rogers, a local prostitute.\nPrewitt\'s friend, Private Angelo Maggio, is sent to the stockade after being court martialed for getting drunk and fighting with MPs.\nThings take a turn for the worse when Pvt.\nPrewitt is sent to the stockade for a few months of what turns out to brutal mistreatment at the hands of the Sergeant of the Guard at the stockade, Sgt.\nFatso Judson, a bully and a sadist.\nWhile in the stockade, Prewitt reunites with Maggio and finds that he has been nearly beaten to death by Judson.\nMaggio dies after panicking and falling out of the ambulance on his way to the hospital.\nAfter Prewitt is released from the stockade he tracks downs Judson and kills him in a knife fight.\nPrewitt is wounded in the fight and he takes refuge at Lorene\'s house while he heals.\nCaptain Holmes is promoted to major and leaves the company.\nThe new company commander does not care about the boxing team.\nOn December 7, 1941, the Japanese attack Pearl Harbor and Schofield Barracks.\nFirst Sergeant Warden organizes the men of his company.\nHe and the other sergeants of the company go to the armory and get Browning Automatic Rifles (BARs) and.\n30 caliber Model 1919 machine guns and return fire to the attacking Japanese warplanes.\nWarden and his men shoot down one of the Japanese "Zeros".\nWanting to join in on the upcoming war, and with Warden promising to help smooth things over regarding Fatso\'s murder if he reports back, Prewitt attempts to rejoin the company but is mortally wounded by a nervous sentry that same evening.\nAs he lays dying, he says he knows that Sgt.\nWarden will take care of his body (make sure his death is marked "line of duty") and makes sure that it gets a military burial.\nAfter he dies, Warden assures the guilt-ridden sentry that Prewitt\'s death was going to happen one way or another.\nWhen asked by the other soldiers if Prewitt was a good soldier in his company, Warden replies, "Hell, he was the only soldier".
conversations.from: human
conversations.value: Swap the first and the last sentence.
conversations.from: assistant
conversations.value: \nWhen asked by the other soldiers if Prewitt was a good soldier in his company, Warden replies, "Hell, he was the only soldier".\nRobert Lee Prewitt is new to G Company.\nHe is a skilled boxer who unintentionally severely injured a fellow soldier in an exhibition boxing match.\nAs a result he refuses to be a boxer anymore.\nThis places him at odds with his company\'s commanding officer, Captain Holmes, who uses the reputation of many of the sergeants in his company as skilled boxers to further his military career.\nFacing pressure from the fascist Gen.\nBarney Slater, Captain Holmes has many of his sergeants harass and abuse Prewitt in an attempt to pressure him to join the company\'s boxing team.\nPrewitt is tough and refuses to bend to the pressure.\nThe company\'s First Sergeant, Milt Warden, attempts to help Prewitt, but there is only so much he can do.\nPrewitt becomes involved with Lorene Rogers, a local prostitute.\nPrewitt\'s friend, Private Angelo Maggio, is sent to the stockade after being court martialed for getting drunk and fighting with MPs.\nThings take a turn for the worse when Pvt.\nPrewitt is sent to the stockade for a few months of what turns out to brutal mistreatment at the hands of the Sergeant of the Guard at the stockade, Sgt.\nFatso Judson, a bully and a sadist.\nWhile in the stockade, Prewitt reunites with Maggio and finds that he has been nearly beaten to death by Judson.\nMaggio dies after panicking and falling out of the ambulance on his way to the hospital.\nAfter Prewitt is released from the stockade he tracks downs Judson and kills him in a knife fight.\nPrewitt is wounded in the fight and he takes refuge at Lorene\'s house while he heals.\nCaptain Holmes is promoted to major and leaves the company.\nThe new company commander does not care about the boxing team.\nOn December 7, 1941, the Japanese attack Pearl Harbor and Schofield Barracks.\nFirst Sergeant Warden organizes the men of his company.\nHe and the other sergeants of the company go to the armory and get Browning Automatic Rifles (BARs) and.\n30 caliber Model 1919 machine guns and return fire to the attacking Japanese warplanes.\nWarden and his men shoot down one of the Japanese "Zeros".\nWanting to join in on the upcoming war, and with Warden promising to help smooth things over regarding Fatso\'s murder if he reports back, Prewitt attempts to rejoin the company but is mortally wounded by a nervous sentry that same evening.\nAs he lays dying, he says he knows that Sgt.\nWarden will take care of his body (make sure his death is marked "line of duty") and makes sure that it gets a military burial.\nAfter he dies, Warden assures the guilt-ridden sentry that Prewitt\'s death was going to happen one way or another.From Here to Eternity (miniseries): It is April 1941 at Schofield Barracks, Hawaii and Pvt.
conversations.from: human
conversations.value: Provide a plot for a book about Prew, Warden, Maggio entitled From Here to Eternity.
conversations.from: assistant
conversations.value: From Here to Eternity (novel): In February 1941, Private Robert Lee Prewitt, nicknamed "Prew," reports to his new posting at G Company, a US Army infantry unit stationed at Schofield Barracks in Hawaii.\nPrew is a career soldier (a "thirty-year man") with six years\' service, an excellent bugler, and a former boxer.\nHe was transferred from his last unit, a Bugle Corps, with a reduction to the lowest rank after complaining that a less skilled bugler, who was a friend (possibly a romantic partner) of the Chief Bugler, had been made First Bugler over him.\nG Company\'s commanding officer is Captain Dana "Dynamite" Holmes, the regimental boxing coach, who chose Prew for his unit because of Prew\'s past history as a talented welterweight boxer.\nHolmes thinks that winning a boxing championship will greatly help his chances for promotion and concentrates on building a strong team, offering incentives such as promotions to men who box well.\nHowever, Prew swore off boxing after accidentally blinding his sparring partner and even transferred out of a past regiment to get away from boxing.\nPrew refuses to box for Holmes\' team, resulting in his being given "The Treatment" by his platoon guide Sergeant Galovitch and others.\n"The Treatment" is a daily hazing ritual in which Prew is constantly singled out for extra drill exercises, unwarranted punishments, and undesirable work assignments in hopes of breaking him down through exhaustion.\nDespite the abuse, Prew stubbornly refuses to change his mind about boxing.\nHolmes\' First Sergeant Milt Warden is a career soldier, who, despite being only a non-commissioned officer, does most of the work of running the company while Captain Holmes is off pursuing either his promotion or women.\nWarden is both efficient at his job and understanding with the men under him.\nHe comes to respect Prew, and at one point even stays out late getting drunk with him and then makes sure he gets home safely without being disciplined.\nWarden has also heard that Holmes\' beautiful wife, Karen, has slept with a number of other men in his unit and begins an affair with her himself.\nWarden finds out that Karen\'s promiscuous behavior is due to her husband\'s cheating and giving her gonorrhea a few years after their marriage, forcing her to have a hysterectomy as part of the cure.\nKaren and Warden fall passionately in love, and Warden continues to see her in secret despite the risk to his career and a possible military prison sentence at Leavenworth if her husband finds out.\nHolmes realizes that his wife is having an affair but does not suspect that it is with Warden.\nKaren wants Warden to take a training course to become a commissioned officer so she can divorce Holmes and marry him, something that Warden feels would be improper on top of his already mixed feelings about officers.\nOver time, the strain of keeping the relationship secret also begins to put a damper on their feelings.\nPrew befriends a new young recruit, Private Angelo Maggio, whose temper and impetuous behavior sometimes get him into trouble.\nReturning from a drunken night on the town, Prew and Maggio encounter military policemen (MPs), and Maggio fights them.\nAs a result, Maggio is sentenced to a term in the stockade, the local military prison.\nAt a local brothel catering to servicemen, Prew meets a beautiful prostitute, Lorene, whose real name turns out to be Alma Schmidt.\nLorene is planning to save the money she makes and use it to establish herself in respectable society back in her Oregon hometown and eventually marry a man who is so respectable that no one would ever believe she had been a prostitute.\nOver time, she and Prew fall in love, but she refuses to marry him because she does not think he is respectable enough.\nJust before the company\'s big boxing match, Prew gets into a fight with Private First Class Isaac Bloom, one of the boxers, and beats him so badly there is a concern that Bloom can no longer box.\nHowever, Bloom boxes and wins his match with a quick knockout.\nLater, Sergeant Galovitch attacks Prew with a knife while Prew is unarmed.\nPrew knocks out Sergeant Galovitch but refuses to testify that Galovitch had a knife; as a result, Prew is sentenced to three months in the Stockade.\nWhile Prew is in the Stockade, Bloom, a closet homosexual, commits suicide.\nIn the Stockade, Prew sees prisoners routinely beaten and abused by Staff Sergeant "Fatso" Judson, the prison second-in-command.\nPrew reconnects with Maggio, who is in the "Number Two" barracks where the hardest and most recalcitrant prisoners are kept.\nMaggio has undergone repeated beatings and solitary confinement in the prison and is now hardened as a result.\nPrew schemes to be transferred into Number Two by committing an infraction and then being beaten and then spending time in the "Black Hole," a dark solitary confinement cell where prisoners are fed minimal bread and water rations.\nWhen he comes out, he is placed in Number Two and forms a camaraderie with the other prisoners there.\nMaggio finally schemes to get out of the prison and out of the Army altogether by pretending to have gone crazy.\nHe is repeatedly beaten for many days by Judson, who strongly suspects that he is faking and is trying to get him to admit it.\nJudson fails to get an admission out of Maggio although Maggio manages to get a message back to his friends that he is all right.\nMaggio is finally given a Section 8 dishonorable discharge, and Prew never sees him again.\nJudson interrogates one of the other Number Two prisoners, Blues Berry, and ends up torturing and beating Berry to death in front of his Number Two barracks mates including Prew.\nPrew vows to kill Judson when he himself is released.\nShortly thereafter, Prew is released and returns to Company G, which is much changed.\nHolmes received a promotion and left the company, and Galovitch was reduced in rank after the knife fight incident.\nAfter a few days, Prew goes into town, finds Judson, challenges him to a knife fight, and kills him, but Prew sustains severe injuries.\nHe goes AWOL to Alma\'s house to recover and stays there after he is well even though his relationship with Alma is slowly deteriorating.\nPrew no longer wishes to make the Army his career but has no other ideas about what he might do, and Alma is making plans to return to Oregon without him.\nPrew is afraid of imprisonment for killing Judson, but during a clandestine meeting with Warden, he finds out he has not been suspected in the killing.\nHowever, Warden tells Prew he might have to serve a month in the Stockade for the time he spent AWOL, causing Prew to go back into hiding at Alma\'s to avoid returning to the Stockade.\nThe Japanese suddenly attack Pearl Harbor although most of the damage is done at the harbor and Hickam Field rather than the Schofield Barracks.\nPrew decides he must return to his unit and says goodbye to Alma forever.\nOn the way back, he is stopped by guards and because he has no identification, they begin to arrest him.\nNot wanting to go back to the Stockade, he runs and is shot dead.\nWarden comes to identify him and collect his personal effects.\nWarden bids a fond farewell to Karen since he will be involved in combat in World War II, and she is returning to the mainland United States.\nThe two are sad to be breaking up but better off for having known and loved each other.\nOn the ship leaving Hawaii, Karen meets a beautiful and elegantly dressed girl, who says that she was an executive secretary on the island and that her fiance, named Robert Lee Prewitt and from "an old Virginia family", was a bomber pilot killed in the attack on Hickam Field who posthumously received the Silver Star.\nKaren, told by Warden about Prew, realizes that the girl is the former prostitute, Lorene.
conversations.from: human
conversations.value: Reverse the sentences.
conversations.from: assistant
conversations.value: \nKaren, told by Warden about Prew, realizes that the girl is the former prostitute, Lorene..\nOn the ship leaving Hawaii, Karen meets a beautiful and elegantly dressed girl, who says that she was an executive secretary on the island and that her fiance, named Robert Lee Prewitt and from "an old Virginia family", was a bomber pilot killed in the attack on Hickam Field who posthumously received the Silver Star.\nThe two are sad to be breaking up but better off for having known and loved each other.\nWarden bids a fond farewell to Karen since he will be involved in combat in World War II, and she is returning to the mainland United States.\nWarden comes to identify him and collect his personal effects.\nNot wanting to go back to the Stockade, he runs and is shot dead.\nOn the way back, he is stopped by guards and because he has no identification, they begin to arrest him.\nPrew decides he must return to his unit and says goodbye to Alma forever.\nThe Japanese suddenly attack Pearl Harbor although most of the damage is done at the harbor and Hickam Field rather than the Schofield Barracks.\nHowever, Warden tells Prew he might have to serve a month in the Stockade for the time he spent AWOL, causing Prew to go back into hiding at Alma\'s to avoid returning to the Stockade.\nPrew is afraid of imprisonment for killing Judson, but during a clandestine meeting with Warden, he finds out he has not been suspected in the killing.\nPrew no longer wishes to make the Army his career but has no other ideas about what he might do, and Alma is making plans to return to Oregon without him.\nHe goes AWOL to Alma\'s house to recover and stays there after he is well even though his relationship with Alma is slowly deteriorating.\nAfter a few days, Prew goes into town, finds Judson, challenges him to a knife fight, and kills him, but Prew sustains severe injuries.\nHolmes received a promotion and left the company, and Galovitch was reduced in rank after the knife fight incident.\nShortly thereafter, Prew is released and returns to Company G, which is much changed.\nPrew vows to kill Judson when he himself is released.\nJudson interrogates one of the other Number Two prisoners, Blues Berry, and ends up torturing and beating Berry to death in front of his Number Two barracks mates including Prew.\nMaggio is finally given a Section 8 dishonorable discharge, and Prew never sees him again.\nJudson fails to get an admission out of Maggio although Maggio manages to get a message back to his friends that he is all right.\nHe is repeatedly beaten for many days by Judson, who strongly suspects that he is faking and is trying to get him to admit it.\nMaggio finally schemes to get out of the prison and out of the Army altogether by pretending to have gone crazy.\nWhen he comes out, he is placed in Number Two and forms a camaraderie with the other prisoners there.\nPrew schemes to be transferred into Number Two by committing an infraction and then being beaten and then spending time in the "Black Hole," a dark solitary confinement cell where prisoners are fed minimal bread and water rations.\nMaggio has undergone repeated beatings and solitary confinement in the prison and is now hardened as a result.\nPrew reconnects with Maggio, who is in the "Number Two" barracks where the hardest and most recalcitrant prisoners are kept.\nIn the Stockade, Prew sees prisoners routinely beaten and abused by Staff Sergeant "Fatso" Judson, the prison second-in-command.\nWhile Prew is in the Stockade, Bloom, a closet homosexual, commits suicide.\nPrew knocks out Sergeant Galovitch but refuses to testify that Galovitch had a knife; as a result, Prew is sentenced to three months in the Stockade.\nLater, Sergeant Galovitch attacks Prew with a knife while Prew is unarmed.\nHowever, Bloom boxes and wins his match with a quick knockout.\nJust before the company\'s big boxing match, Prew gets into a fight with Private First Class Isaac Bloom, one of the boxers, and beats him so badly there is a concern that Bloom can no longer box.\nOver time, she and Prew fall in love, but she refuses to marry him because she does not think he is respectable enough.\nLorene is planning to save the money she makes and use it to establish herself in respectable society back in her Oregon hometown and eventually marry a man who is so respectable that no one would ever believe she had been a prostitute.\nAt a local brothel catering to servicemen, Prew meets a beautiful prostitute, Lorene, whose real name turns out to be Alma Schmidt.\nAs a result, Maggio is sentenced to a term in the stockade, the local military prison.\nReturning from a drunken night on the town, Prew and Maggio encounter military policemen (MPs), and Maggio fights them.\nPrew befriends a new young recruit, Private Angelo Maggio, whose temper and impetuous behavior sometimes get him into trouble.\nOver time, the strain of keeping the relationship secret also begins to put a damper on their feelings.\nKaren wants Warden to take a training course to become a commissioned officer so she can divorce Holmes and marry him, something that Warden feels would be improper on top of his already mixed feelings about officers.\nHolmes realizes that his wife is having an affair but does not suspect that it is with Warden.\nKaren and Warden fall passionately in love, and Warden continues to see her in secret despite the risk to his career and a possible military prison sentence at Leavenworth if her husband finds out.\nWarden finds out that Karen\'s promiscuous behavior is due to her husband\'s cheating and giving her gonorrhea a few years after their marriage, forcing her to have a hysterectomy as part of the cure.\nWarden has also heard that Holmes\' beautiful wife, Karen, has slept with a number of other men in his unit and begins an affair with her himself.\nHe comes to respect Prew, and at one point even stays out late getting drunk with him and then makes sure he gets home safely without being disciplined.\nWarden is both efficient at his job and understanding with the men under him.\nHolmes\' First Sergeant Milt Warden is a career soldier, who, despite being only a non-commissioned officer, does most of the work of running the company while Captain Holmes is off pursuing either his promotion or women.\nDespite the abuse, Prew stubbornly refuses to change his mind about boxing.\n"The Treatment" is a daily hazing ritual in which Prew is constantly singled out for extra drill exercises, unwarranted punishments, and undesirable work assignments in hopes of breaking him down through exhaustion.\nPrew refuses to box for Holmes\' team, resulting in his being given "The Treatment" by his platoon guide Sergeant Galovitch and others.\nHowever, Prew swore off boxing after accidentally blinding his sparring partner and even transferred out of a past regiment to get away from boxing.\nHolmes thinks that winning a boxing championship will greatly help his chances for promotion and concentrates on building a strong team, offering incentives such as promotions to men who box well.\nG Company\'s commanding officer is Captain Dana "Dynamite" Holmes, the regimental boxing coach, who chose Prew for his unit because of Prew\'s past history as a talented welterweight boxer.\nHe was transferred from his last unit, a Bugle Corps, with a reduction to the lowest rank after complaining that a less skilled bugler, who was a friend (possibly a romantic partner) of the Chief Bugler, had been made First Bugler over him.\nPrew is a career soldier (a "thirty-year man") with six years\' service, an excellent bugler, and a former boxer.From Here to Eternity (novel): In February 1941, Private Robert Lee Prewitt, nicknamed "Prew," reports to his new posting at G Company, a US Army infantry unit stationed at Schofield Barracks in Hawaii
conversations.from: human
conversations.value: Provide a plot for a book about Prewitt, Holmes, Warden entitled From Here to Eternity.
conversations.from: assistant
conversations.value: From Here to Eternity: In 1941, bugler and career soldier Private Robert Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu.\nCaptain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes.\nPrewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in.\nHolmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey.\nWarden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment.\nThe other non-commissioned officers join the conspiracy.\nPrewitt is supported by his only friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes\' neglected wife, Karen (Deborah Kerr).\nWarden tells Karen that he is risking a twenty-year prison sentence.\nSergeant Maylon Stark (George Reeves) has told Warden about Karen\'s many previous affairs at Fort Bliss, including with him.\nAs their relationship develops, Warden asks Karen about her affairs to test her sincerity.\nKaren relates that Holmes has been unfaithful to her most of their marriage.\nShe miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children.\nShe then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen\'s club where Prewitt falls for Lorene (Donna Reed).\nShe wants to marry a "proper" man with a "proper" job and live a "proper" life.\nMaggio and Staff Sergeant James Judson (Ernest Borgnine) nearly come to blows at the club over Judson\'s loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt\'s ear.\nMaggio smashes a barstool over Judson\'s head.\nJudson pulls a switchblade, but Warden intervenes.\nJudson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him.\nWarden reluctantly agrees to consider it.\nWarden gives Prewitt a weekend pass, which he uses to see Lorene.\nMaggio then walks in drunk, having deserted his post.\nThe military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt.\nAt first, Prewitt refuses to fight back and then resorts to only body blows.\nHis fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight.\nGalovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch.\nHolmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General.\nAfter Holmes\' motives are revealed, the base commander orders a court-martial.\nWhen Holmes begs for an alternative, an aide suggests for Holmes to resign his commission.\nHolmes\' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team\'s framed photographs and trophies removed.\nHe then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt\'s arms after telling of the abuse he suffered at Judson\'s hands.\nPrewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound.\nPrewitt goes into hiding at Lorene\'s house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise.\nPrewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs.\nWarden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together.\nShe returns to the mainland with her husband.\nLorene and Karen meet on the ship.\nLorene tells Karen that her fiancé was a bomber pilot who was heroically killed during the attack.\nKaren recognizes Prewitt\'s name but says nothing.
conversations.from: human
conversations.value: Provide the first long scene for the screenplay.
conversations.from: assistant
conversations.value: From Here to Eternity
  
  EXT. NEW CONGRESS CLUB - NIGHT TRACKING SHOT CAMERA MOVES along street, passing a lone pedestrian. It MOVES TOWARD the sign NEW CONGRESS CLUB, HOLDS beside an open window through which is heard the sound of harsh piano playing; the pounding style and lack of shading are clearly Fatso Judson's. 
  CAMERA PANS AND INCLUDES Prew, leaning against the building. He is watching the entrance to the Club patiently. There is relentless hatred on his face. The music stops. Prew does not move. 
  DISSOLVE TO:
  EXT. NEW CONGRESS CLUB - NIGHT MEDIUM SHOT AT ENTRANCE Hearty male laughter from within. The door opens and Fatso and a couple of sailors cane out. They are about to start down the street. 
  PREW'S VOICE Hello, Fatso. Fatso looks around in direction of voice. 
  CAMERA PANS, DISCLOSES Prew, still leaning against the building. Fatso squints, not recognizing him. 125. 
  FATSO You want me? PREW Yeah, Fatso. Fatso takes a couple of steps toward Prew, squints again. 
  FATSO I don't like that nickname. You want to see me about somethin? PREW Yeah. Let's step around the corner here where we can talk. Prew's voice is so toneless as to be ominous. 
  FATSO (GRINS) Okay. Good night, gents. The sailors go off. Fatso walks into the darkness of an alley next to the building. Prew follows.
  EXT. ALLEY - NIGHT MEDIUM SHOT PREW AND FATSO Just enough light from the street lamp to illuminate about ten feet into the alley. You sore about somethin? PREW No. I just don't like the way you play the piano. Fatso throws back his head and laughs loudly. 
  PREW You know Maggio? FATSO The little Wop? The one who bust out of the Stockade? Sure. He was a real tough monkey. But crazy, see? PREW You killed him. 
  FATSO Did I? If I did, he ask for it. 126. 
  PREW I hear they're gonna court martial you, Fatso. But before the Army gets you, I want a piece of you myself. There is the snick of a blade snapping open as Fatso pulls a knife. He moves toward Prew, who steps swiftly to one side. 
  PREW I kinds thought you'd try that. There is the same sound as Prew pulls a knife from his pocket, snaps it open, holds it out flat in his hand, showing it to Fatso. 
  PREW This here's the one you pulled on Maggio once. Reconize it? Fatso darts at Prew, knife raised. Prew moves back, but Fatso is on him and they both roll to one side along the building. The movement throws them deep into the shadows. 
  ANOTHER ANGLE SHOOTING INTO THE SHADOWS The two figures feint and dart. There is the occasional silver flash of the knives as light hits them. The men go deeper into the shadows, are all but lost to view. There is a startled, pained cry. Then one of the figures falls to his knees and starts to crawl toward camera. 
  CLOSE SHOT SHOOTING NEAR GROUND as the figure comes directly to camera, REVEALING the anguished face of Fatso. It slowly turns, is upside down in the frame. 
  MEDIUM SHOT Fatso is on his back, his stomach gushing bloods his eyes already glazing. Prew staggers into the light now. His left side has two vicious cuts; he is bleeding badly. He stares down at Fatso, who manages a small, reproving voice.
conversations.from: human
conversations.value: Add another sentence about FATSO.
conversations.from: assistant
conversations.value: From Here to Eternity
  
  EXT. NEW CONGRESS CLUB - NIGHT TRACKING SHOT CAMERA MOVES along street, passing a lone pedestrian. It MOVES TOWARD the sign NEW CONGRESS CLUB, HOLDS beside an open window through which is heard the sound of harsh piano playing; the pounding style and lack of shading are clearly Fatso Judson's. 
  CAMERA PANS AND INCLUDES Prew, leaning against the building. He is watching the entrance to the Club patiently. There is relentless hatred on his face. The music stops. Prew does not move. 
  DISSOLVE TO:
  EXT. NEW CONGRESS CLUB - NIGHT MEDIUM SHOT AT ENTRANCE Hearty male laughter from within. The door opens and Fatso and a couple of sailors cane out. They are about to start down the street. 
  PREW'S VOICE Hello, Fatso. Fatso looks around in direction of voice. 
  CAMERA PANS, DISCLOSES Prew, still leaning against the building. Fatso squints, not recognizing him. 125. 
  FATSO You want me? PREW Yeah, Fatso. Fatso takes a couple of steps toward Prew, squints again. 
  FATSO I don't like that nickname. You want to see me about somethin? PREW Yeah. Let's step around the corner here where we can talk. Prew's voice is so toneless as to be ominous. 
  FATSO (GRINS) Okay. Good night, gents. The sailors go off. Fatso walks into the darkness of an alley next to the building. Prew follows. 
  EXT. ALLEY - NIGHT MEDIUM SHOT PREW AND FATSO Just enough light from the street lamp to illuminate about ten feet into the alley. 
  FATSO Okay. You sore about somethin? PREW No. I just don't like the way you play the piano. Fatso throws back his head and laughs loudly. 
  PREW You know Maggio? FATSO The little Wop? The one who bust out of the Stockade? Sure. He was a real tough monkey. But crazy, see? PREW You killed him. 
  FATSO Did I? If I did, he ask for it. 126. 
  PREW I hear they're gonna court martial you, Fatso. But before the Army gets you, I want a piece of you myself. There is the snick of a blade snapping open as Fatso pulls a knife. He moves toward Prew, who steps swiftly to one side. 
  PREW I kinds thought you'd try that. There is the same sound as Prew pulls a knife from his pocket, snaps it open, holds it out flat in his hand, showing it to Fatso. 
  PREW This here's the one you pulled on Maggio once. Reconize it? Fatso darts at Prew, knife raised. Prew moves back, but Fatso is on him and they both roll to one side along the building. The movement throws them deep into the shadows. 
  ANOTHER ANGLE SHOOTING INTO THE SHADOWS The two figures feint and dart. There is the occasional silver flash of the knives as light hits them. The men go deeper into the shadows, are all but lost to view. There is a startled, pained cry. Then one of the figures falls to his knees and starts to crawl toward camera. 
  CLOSE SHOT SHOOTING NEAR GROUND as the figure comes directly to camera, REVEALING the anguished face of Fatso. It slowly turns, is upside down in the frame. 
  MEDIUM SHOT Fatso is on his back, his stomach gushing bloods his eyes already glazing. Prew staggers into the light now. His left side has two vicious cuts; he is bleeding badly. He stares down at Fatso, who manages a small, reproving voice.
conversations.from: human
conversations.value: Provide another long scene.
conversations.from: assistant
conversations.value: WARDEN Okay. I'll see you get a medal. Warden dashes up the porch steps as Choate, Henderson and Dhom launch themselves at the door. Leva steps aside. The door rattles ponderously, then flies open. The three battering rams careen into the Supply Room. The men standing by cheer and rush in after them. Leva shakes his head grimly.
  INT. SQUAD ROOM - DAY FULL SHOT The men are sitting on their bunks, unhappily, holding their rifles. Others who have slept through breakfast are dressing hastily. Warden rushes into the room. Squad leaders, get `em packin! In b.g. Henderson and others are going up the porch stairs to the roof. They tote BARs and loading clips. Karelsen and two helpers follow with a heavy machine gun and belt boxes. Warden starts for the porch stairs. He is attracted by something, stops, looks out of scene. 
  MEDIUM SHOT THORNHILL FROM WARDEN'S POV lying under an empty bunk with three mattresses piled on it. He is in his underwear and a helmet, hugs his rifle. 
  MEDIUM SHOT THORNHILL AND WARDEN 144. 
  WARDEN You'll catch a cold, Turp.
conversations.from: human
conversations.value: Add another sentence about SOLDIERS, LIB, What's, ad-libbed.
conversations.from: assistant
conversations.value: WARDEN Okay. I'll see you get a medal. Warden dashes up the porch steps as Choate, Henderson and Dhom launch themselves at the door. Leva steps aside. The door rattles ponderously, then flies open. The three battering rams careen into the Supply Room. The men standing by cheer and rush in after them. Leva shakes his head grimly. 
  INT. SQUAD ROOM - DAY FULL SHOT The men are sitting on their bunks, unhappily, holding their rifles. Others who have slept through breakfast are dressing hastily. Warden rushes into the room. The men immediately bark ad-libbed questions at him: SOLDIERS (AD LIB) What's the deal, First? Why can't we go up on the roof? Where's the ammo, Top? Are we soljers -- or Boy Scouts? WARN (PITILESSLY) Start rollin full field packs! We may have to move out of here. Squad leaders, get `em packin! In b. g. Henderson and others are going up the porch stairs to the roof. They tote BARs and loading clips. Karelsen and two helpers follow with a heavy machine gun and belt boxes. Warden starts for the porch stairs. He is attracted by something, stops, looks out of scene. 
  MEDIUM SHOT THORNHILL FROM WARDEN'S POV lying under an empty bunk with three mattresses piled on it. He is in his underwear and a helmet, hugs his rifle. 
  MEDIUM SHOT THORNHILL AND WARDEN 144. 
  WARDEN You'll catch a cold, Turp.
conversations.from: human
conversations.value: Provide the last long scene.
conversations.from: assistant
conversations.value: KAREN Who? ALMA Robert E. Lee Prewitt. (on verge of tears) Isn't that a silly old name? LONG SHOT LEIS IN WATER They are floating on the water behind the ship. They are being carried out to sea. 
  CLOSE SHOT SINGLE LEI A choppy wave washes over it, submerges it. 
  FADE OUT. 
  THE END
  Back to IMSDb
conversations.from: human
conversations.value: Provide the first short for the screenplay.
conversations.from: assistant
conversations.value: From Here to Eternity
  
  EXT. NEW CONGRESS CLUB - NIGHT TRACKING SHOT CAMERA MOVES along street, passing a lone pedestrian. It MOVES TOWARD the sign NEW CONGRESS CLUB, HOLDS beside an open window through which is heard the sound of harsh piano playing; the pounding style and lack of shading are clearly Fatso Judson's. 
  CAMERA PANS AND INCLUDES Prew, leaning against the building. He is watching the entrance to the Club patiently. There is relentless hatred on his face. The music stops. Prew does not move.
  DISSOLVE TO:
  EXT. NEW CONGRESS CLUB - NIGHT MEDIUM SHOT AT ENTRANCE Hearty male laughter from within. The door opens and Fatso and a couple of sailors cane out. They are about to start down the street.
conversations.from: human
conversations.value: Provide another short scene.
conversations.from: assistant
conversations.value: THORNHILL Don't go out there, First Sergeant! You'll be killed! They're shootin it up! You'll be dead! You'll not be alive any more. Don't go out there! WARDEN You better put your pants on. Warden hits the floor as a plane is heard so loud and low it sounds as if it's coming right into the room. A dotted line of bullets crosses the floor and moves into Warden's and Karelsen's room. Warden jumps up and rushes into the room.
  INT. WARDEN'S ROOM OFF SQUAD ROOM - DAY MEDIUM SHOT as Warden runs in. Broken glass lies all over the floor. Bullet holes are stitched across the top of Warden's footlocker. He throws back the lid fiercely. His linen is polka-dotted with holes. He tosses out shirts, shorts, etc., digs underneath them. He pulls out a quart bottle of whisky; it is untouched. Warden smiles with relief. He lifts the bottle to his lips, drinks long and heartily.
conversations.from: human
conversations.value: Reverse the sentences.
conversations.from: assistant
conversations.value: He lifts the bottle to his lips, drinks long and heartily.. Warden smiles with relief. He pulls out a quart bottle of whisky; it is untouched., digs underneath them. He tosses out shirts, shorts, etc. His linen is polka-dotted with holes. He throws back the lid fiercely. Bullet holes are stitched across the top of Warden's footlocker. Broken glass lies all over the floor. WARDEN'S ROOM OFF SQUAD ROOM - DAY MEDIUM SHOT as Warden runs in.
  INT. Warden jumps up and rushes into the room. A dotted line of bullets crosses the floor and moves into Warden's and Karelsen's room. Warden hits the floor as a plane is heard so loud and low it sounds as if it's coming right into the room. Don't go out there! WARDEN You better put your pants on.THORNHILL Don't go out there, First Sergeant! You'll be killed! They're shootin it up! You'll be dead! You'll not be alive any more
conversations.from: human
conversations.value: Provide the last long scene.
conversations.from: assistant
conversations.value: KAREN (tossing the last of leis over) That's very fine of her. 
  ALMA They’re very fine people. Southern people. He was named after a General. Robert E. Lee -- Prewitt. Karen looks at Alma numbly. Alma is looking out across the water. 
  KAREN Who? ALMA Robert E. Lee Prewitt. (on verge of tears) Isn't that a silly old name? LONG SHOT LEIS IN WATER They are floating on the water behind the ship. They are being carried out to sea. 
  CLOSE SHOT SINGLE LEI A choppy wave washes over it, submerges it. 
  FADE OUT.
conversations.from: human
conversations.value: Provide the first four paragraphs for this book.
conversations.from: assistant
conversations.value: From Here to Eternity
  I wondered what it would be like if there were places like Lastel in every major city. Spaces outside the stiff, ceremonial norm, where the family can just be with the body, free from the performance required at a formal viewing. Spaces that are safe, comfortable, like home.
  The history of death and funerals is also filled with ideas before their time—the Reaper's own 3 a.m. inventions. One such creation arrived in 1820s' London. The city was at that time hunting for a solution to the problem of its overcrowded and smelly urban graveyards. Stacks of coffins went twenty feet deep into the soil. Half-decomposed bodies were exposed to public view when wood from their coffins was smashed up and sold to the poor for firewood. This overcrowding was so visible to the average Londoner that Reverend John Blackburn said, "Many delicate minds must sicken to witness the heaped soil, saturated and blackened with human remains and fragments of the dead." It was time to try something else.
  Proposals to reform London's system of burials began to pour in, including one from an architect named Thomas Willson. If land shortage was the problem, Willson proposed that instead of digging further down to bury the bodies, London should send its dead skyward in a massive burial pyramid. This pyramid would be made from brick and granite and situated at the top of a hill—what is now Primrose Hill, overlooking central London. It would be ninety-four stories tall, four times taller than St. Paul's Cathedral, and hold five million bodies. I'm going to hit you with that number again: five million bodies.
  The pyramid would sit on only eighteen acres of land, but would be able to hold the equivalent of 1,000 acres of bodies. Willson's Giant Corpse Pyramid (the actual name was the impossibly cool Metropolitan Sepulchre) spoke to Londoners' enthusiasm for Egyptian artifacts and architecture. Willson was even invited to present his idea before Parliament. And yet, the public did not embrace the concept. The Literary Gazette labeled the project a "monstrous piece of folly." The public wanted garden cemeteries, they wanted to push the dead outside the cramped churchyards of central London and send them to sprawling landscapes where they could picnic and commune with the dead. They didn't want a giant death mound (whose weight might have crushed the hill), a monument to rot, dominating the city's skyline.
conversations.from: human
conversations.value: Provide five more paragraphs.. End with the sentence ' She had, however, been a liberal activist and environmental advocate her whole life, and her family felt that embalming and a metal casket would be against everything she stood for.'.
conversations.from: assistant
conversations.value: Parsons's good friend Phil Kaufman had other plans. The two men had made a pact that if one of them died, "the survivor would take the other guy's body out to Joshua Tree, have a few drinks and burn it."
  Somehow, through charm and brazen drunkenness, Kaufman and an accomplice managed to track down Parsons's casket at Los Angeles International Airport and prevent it from being loaded onto the plane to New Orleans by convincing an airline employee that the Parsons family had changed their minds. The duo even got a police officer and an airline employee to help them transfer Parsons's body into a makeshift hearse (no license plate, broken windows, filled with liquor). Off they drove, Parsons rattling in the back.
  When they reached Cap Rock, a natural boulder formation in Joshua Tree National Park, they removed the casket, doused Parsons's body with fuel, and set it on fire, sending a colossal fireball shooting into the night sky.
  The two men fled. A coating of fuel is not enough to fully cremate a body, and Parsons was recovered as a semi-charred corpse. For all their antics, Kaufman and his accomplice were charged only with misdemeanor theft for stealing the casket (not the body, mind you). What was left of Parsons's body was sent to New Orleans, where it was buried. His stepfather never got the money.
  Mrs. Shepard, for her part, did not have a "throw back a few drinks and burn it" advance directive for her mortal remains. She had, however, been a liberal activist and environmental advocate her whole life, and her family felt that embalming and a metal casket would be against everything she stood for.
conversations.from: human
conversations.value: Provide the last five paragraphs.
conversations.from: assistant
conversations.value: Kreyenbroek, Philip G. Living Zoroastrianism: Urban Parsis Speak about their Religion. Routledge, 2001.
  Hagerty, James R. "Funeral Industry Seeks Ways to Stay Relevant." Wall Street Journal, November 3, 2016.
  Ruggeri, Amanda. "The Strange, Gruesome Truth about Plague Pits and the Tube." BBC, September 6, 2015.
  Metcalf, Peter, and Richard Huntington. Celebrations of Death: The Anthropology of Mortuary Ritual. Cambridge University Press, 1991.
  Murray, Sarah. Making an Exit: From the Magnificent to the Macabre—How We Dignify the Dead. Picador, 2012.