conversations.from: human
conversations.value: Give me a plot for a book about Lanser, U-boat, Lanser\'s entitled Judgment Night.
conversations.from: assistant
conversations.value: Judgment Night (The Twilight Zone): A man is seen standing aboard the deck of a British passenger liner crossing the Atlantic in 1942.\nThe man\'s name is Carl Lanser and he appears disoriented, with no idea of how he got aboard or who he really is.\nHe is staring into a thick fog when a man calls him to dinner.\nHe enters the ship\'s dining cabin and joins the crew and passengers.\nThe captain discusses German U-boats seen in the area and tries to reassure the nervous passengers that there is no sign that the ship has caught the attention of any lurking "wolfpacks".\nLanser becomes annoyed and, displaying an unusually comprehensive knowledge of submarines, explains in great detail that a single ship would be of no interest to a wolfpack and instead would most likely be pursued by a single submarine.\nThe diners ask Lanser about his profession and how long he has been in England.\nLanser hesitantly tells them that he has not been there long and that he was born in Frankfurt, Germany.\nLanser appears confused, claims that he is ill and takes his leave.\nWhile still on deck, he speaks to a female passenger that he met at the dinner.\nLanser explains to her that he has no memory of how he came aboard the ship – he knows who he is and finds each of the passengers and crew dimly familiar but can\'t recall specific details.\nHis irritation grows and he begins to rant about impending doom.\nThe captain, suspicious due to Lanser\'s claims of German nationality, sends an officer to escort him to the bridge.\nHis suspicion is compounded when Lanser cannot provide details of his life and does not have his passport on hand to verify his identity.\nA steward is sent to Lanser\'s cabin.\nThe steward finds the cap of a German naval officer among Lanser\'s possessions as he helps him unpack.\nInspecting it in private, Lanser discovers that sewn into the lining of the cap is his own name.\nDisturbed, he leaves for the ship\'s bar.\nOn the bridge, the captain and first officer are faced with a dilemma posed by the ship\'s engines.\nThey are long due an overhaul and cannot maintain top speed without generating noise and thus giving away their position to any lurking U-boats.\nStopping for repairs will leave them without chance of escape should they be attacked.\nDown in the bar, Lanser is drinking but remarks to the bartender that the engines "don\'t sound right" and that they are laboring.\nThe ship comes to a halt to effect repairs at 12:05 which causes Lanser to undergo a moment of realization.\nDespite the crew\'s reassurances, he becomes certain that the ship will be attacked and announces that they will all be killed at 1:15.\nUnable to convince the crew of the danger, Lanser runs throughout the vessel desperately trying to persuade the other passengers to abandon ship only to find the corridors and cabins now mysteriously empty.\nAt 1:15, a searchlight illuminates the deck and Lanser watches in horror as a surfaced U-boat, commanded by a Captain-Lieutenant Carl Lanser, immediately begins shelling the British ship.\nLanser and the other passengers, now having reappeared, are killed as the ship sinks with Lanser suffering the agony of watching the innocent people die at precisely the time that he had predicted and being powerless to help them.\nSome time later, Captain Lanser is in his cabin aboard the U-boat, recording that night\'s kill.\nWith him is the second-in-command who is deeply disturbed by their merciless killing of civilians and speculates whether the crew of the U-boat are now damned.\nLanser replies that they are surely damned in the eyes of the British but the first mate clarifies that he fears they are now damned in the eyes of God and believes that they may be condemned to relive the final moments of the passengers on the doomed ship for eternity.\nThe first mate\'s fears are realized – the attacking U-boat and its crew are condemned to sink the defenseless vessel over and over, with Lanser as an unwitting victim among those slaughtered without mercy.\nThe story thus recounts Carl Lanser\'s private hell as the former U-boat commander re-materializes on the deck of the ship and the nightmare begins again.
conversations.from: human
conversations.value: Give me a plot for a book about Mike, Frank, Fallon entitled Judgment Night.
conversations.from: assistant
conversations.value: Judgment Night (film): Francis (Frank) Wyatt (Emilio Estevez), along with his brother John (Stephen Dorff) and friend Mike Peterson (Cuba Gooding, Jr) set out to see a professional boxing match in Chicago with their friend Ray Cochran (Jeremy Piven), who is testing out a lavish RV.\nStuck in traffic, Ray decides to make up for lost time by exiting the expressway and search out a shortcut through a poor residential neighborhood.\nThe four friends are alarmed when they hit a man named Teddy (Michael DeLorenzo), who they take into the RV.\nThey find that he has been shot, and that he has a paper bag filled with money.\nThe group sees a police car and begins pursuing it.\nThey are unable to catch up and their RV is side-swiped by a Cadillac.\nThe impact forces them into a narrow alleyway, leaving the RV stuck between two brick walls and unable to start.\nMoments later, three unknown men shatter the back window and drag Teddy out.\nStill inside the RV, the four friends witness gang leader Fallon (Denis Leary) shoot and kill Teddy.\nFallon reminds the gang that policy is to leave no witnesses.\nAs the criminals approach the RV, Frank sets it on fire, and all four escape through the front window.\nThe four friends hide and try to outrun the gang until they think they have gotten away.\nThey head to a railyard, followed by Fallon and his gang.\nWhile hiding inside the car of an old train, Frank and his friends are blackmailed by homeless men living in the train, who threaten to alert their pursuers to their location unless they pay them.\nThe friends comply, but one of the homeless men freaks out when Mike won't give him his jacket.\nFallon and his gang are leaving the railyard when they hear shouting coming from the railcar.\nAs they open the car everyone aboard jumps off and starts running.\nFallon accidentally shoots a homeless guy (who he thought was Mike by the jacket), but recovers Frank's wallet and now knows where he lives.\nThe guys find an apartment building with an open door and run inside.\nA local boy on the swingset outside of the building spots the guys, who then runs off to tell his friends.\nThe group of local kids, who are protecting their neighbourhood, confront Fallon and his gang, believing them to be the group they are looking for.\nFallon pays the group off to find out which building they ran into.\nWhile inside the building, Frank and his friends hole up in the apartment of two women and a child and they call the police.\nFallon and his gang terrorize the building's tenants.\nHearing this, the women demand that Frank and his friends leave, suggesting that they head to the roof to escape.\nMike, John, and Frank manage to cross over to the neighboring building with the use of a ladder bridge.\nBecause of Ray's fear of heights, and the unsteadiness of the ladder at that point, he decides to throw the ladder down and stay behind to pay Fallon off.\nHowever, Fallon pushes him off the roof, falling to his death.\nEscaping into the sewers, Mike suggests that they fight back against their pursuers.\nSykes (Peter Greene), Fallon's best friend and right-hand man, catches up with them, and after a brief confrontation is shot and killed by Mike.\nFrank chooses not to risk their lives anymore, so they escape from the sewer and keep running.\nWithin the sewer, the remaining members of Fallon's gang find the body of Sykes.\nA comment made by one of the gang members annoys Fallon and he (whether accidentally or not) drowns him.\nSearching for help, the guys find a swap meet and Mike breaks a window in the hopes it will trigger the alarm and bring the police.\nShortly afterwards, they realize that Fallon has found them once more.\nThe last remaining member of Fallon's gang, Rhodes (Everlast) is shot dead by Mike, but in the process Mike is shot in the stomach.\nJohn goes to help Mike but Fallon shoots him in the leg.\nFrank leads the wounded Mike and John to a bathroom closet where they hide.\nFrank gets to the security office and activates a silent alarm.\nKnowing that the three can run no longer, Frank draws out Fallon, leading him away from Mike and John.\nAfter a struggle, Frank pushes Fallon off the stairs, causing him to fall to his death.\nAfterwards the police arrive, and Frank takes them to where his friends are.\nThe movie ends with Mike and John being wheeled away by the medics, the police investigating the scene, and Frank's wallet being recovered by an officer, who then informs Frank that his wife is outside.
conversations.from: human
conversations.value: Reverse the sentences.
conversations.from: assistant
conversations.value: \nThe movie ends with Mike and John being wheeled away by the medics, the police investigating the scene, and Frank's wallet being recovered by an officer, who then informs Frank that his wife is outside..\nAfterwards the police arrive, and Frank takes them to where his friends are.\nAfter a struggle, Frank pushes Fallon off the stairs, causing him to fall to his death.\nKnowing that the three can run no longer, Frank draws out Fallon, leading him away from Mike and John.\nFrank gets to the security office and activates a silent alarm.\nFrank leads the wounded Mike and John to a bathroom closet where they hide.\nJohn goes to help Mike but Fallon shoots him in the leg.\nThe last remaining member of Fallon's gang, Rhodes (Everlast) is shot dead by Mike, but in the process Mike is shot in the stomach.\nShortly afterwards, they realize that Fallon has found them once more.\nSearching for help, the guys find a swap meet and Mike breaks a window in the hopes it will trigger the alarm and bring the police.\nA comment made by one of the gang members annoys Fallon and he (whether accidentally or not) drowns him.\nWithin the sewer, the remaining members of Fallon's gang find the body of Sykes.\nFrank chooses not to risk their lives anymore, so they escape from the sewer and keep running.\nSykes (Peter Greene), Fallon's best friend and right-hand man, catches up with them, and after a brief confrontation is shot and killed by Mike.\nEscaping into the sewers, Mike suggests that they fight back against their pursuers.\nHowever, Fallon pushes him off the roof, falling to his death.\nBecause of Ray's fear of heights, and the unsteadiness of the ladder at that point, he decides to throw the ladder down and stay behind to pay Fallon off.\nMike, John, and Frank manage to cross over to the neighboring building with the use of a ladder bridge.\nHearing this, the women demand that Frank and his friends leave, suggesting that they head to the roof to escape.\nFallon and his gang terrorize the building's tenants.\nWhile inside the building, Frank and his friends hole up in the apartment of two women and a child and they call the police.\nFallon pays the group off to find out which building they ran into.\nThe group of local kids, who are protecting their neighbourhood, confront Fallon and his gang, believing them to be the group they are looking for.\nA local boy on the swingset outside of the building spots the guys, who then runs off to tell his friends.\nThe guys find an apartment building with an open door and run inside.\nFallon accidentally shoots a homeless guy (who he thought was Mike by the jacket), but recovers Frank's wallet and now knows where he lives.\nAs they open the car everyone aboard jumps off and starts running.\nFallon and his gang are leaving the railyard when they hear shouting coming from the railcar.\nThe friends comply, but one of the homeless men freaks out when Mike won't give him his jacket.\nWhile hiding inside the car of an old train, Frank and his friends are blackmailed by homeless men living in the train, who threaten to alert their pursuers to their location unless they pay them.\nThey head to a railyard, followed by Fallon and his gang.\nThe four friends hide and try to outrun the gang until they think they have gotten away.\nAs the criminals approach the RV, Frank sets it on fire, and all four escape through the front window.\nFallon reminds the gang that policy is to leave no witnesses.\nStill inside the RV, the four friends witness gang leader Fallon (Denis Leary) shoot and kill Teddy.\nMoments later, three unknown men shatter the back window and drag Teddy out.\nThe impact forces them into a narrow alleyway, leaving the RV stuck between two brick walls and unable to start.\nThey are unable to catch up and their RV is side-swiped by a Cadillac.\nThe group sees a police car and begins pursuing it.\nThey find that he has been shot, and that he has a paper bag filled with money.\nThe four friends are alarmed when they hit a man named Teddy (Michael DeLorenzo), who they take into the RV.\nStuck in traffic, Ray decides to make up for lost time by exiting the expressway and search out a shortcut through a poor residential neighborhood.Judgment Night (film): Francis (Frank) Wyatt (Emilio Estevez), along with his brother John (Stephen Dorff) and friend Mike Peterson (Cuba Gooding, Jr) set out to see a professional boxing match in Chicago with their friend Ray Cochran (Jeremy Piven), who is testing out a lavish RV
conversations.from: human
conversations.value: Give me the first three paragraphs for this book.
conversations.from: assistant
conversations.value: Judgment Night
  Presently a flash of scarlet seen through the leaves of a passing platform caught her eye. She remembered then that she had noticed that same shocking cloak upon a young man on the stairs. It was a garment so startling that she felt more than a passing wonder about the personality of the man who would wear it. The garment had been deliberately designed to look like a waterfall of gushing blood, bright arterial scarlet that rippled from the shoulders in a cascading deluge, its colors constantly moving and changing so that one instinctively looked downward to see the scarlet stream go pouring away behind its wearer down the stairs.
  Now the blood-red deluge moved fitfully between the branches of a passing arbor. The platform turned so that she could see through the arch of the entrance, and for a long moment as they moved lazily by one another she looked into the interested face of a young man with yellow curls and a short blond beard. His eyes followed her all during the leisurely passing of their platforms, and Juille suddenly sparkled behind the delicious languorous spell her drink had laid upon her. This was it! This was what she had hoped for, and not quite admitted even to herself.
  A panel glowed into opaque life in the center of the table she leaned upon. The ubiquitous, inhumanly sweet voice of Cyrille murmured:
conversations.from: human
conversations.value: Give me three more paragraphs.
conversations.from: assistant
conversations.value: Her heart was beating heavily as she went up the slope toward those great dark leaning walls that breathed out silence. She saw no door. The grassy furrow she had been following led up between the trees to a clear space against the solid black wall, and ended there. She was not breathing as she took the last step forward and put out hesitant hands toward that blackness.
  She could tell then, of course, that it was not there at all. The walls were black and the dark inside was black, and the entrance made no difference between them to the eye. Light from outside did not penetrate over the threshold. Juille took a long, deliberate breath and stepped forward.
  She walked three paces through utter darkness. Then light began to show faintly underfoot. Glancing back now, she could see the outlines of the portal, and the woods beyond looking indescribably changed and enchanted, like the woods of another dimension. Beneath her feet the light grew slowly stronger as she went on.
conversations.from: human
conversations.value: Give me the last four paragraphs.
conversations.from: assistant
conversations.value: SHAMBLEAU, Moore's bizarre, imaginative, and wildly acclaimed debut, featuring space outlaw Northwest Smith and his meeting on Mars with a strange young lady whose turban hides a terrifying secret...
  BLACK GOD'S KISS, the debut of Jirel of Joiry, one of the classic heroes of sword and sorcery and fantasy's first true strong female protagonist. As cunning as she is fierce, Jirel descends into a nightmarish land beneath her castle to find the instruments of her revenge...
  THE BRIGHT ILLUSION, one man's journey to a mind-bending, terrifying planet of blinding colors and impossible angles, filled with unutterable horrors and strange temptations...
  Filled with ten stories that evoke the enduring spirit of sci-fi and fantasy's early days, THE BEST OF C.L. MOORE is a treasure that belongs on the shelf of any reader of speculative fiction.
conversations.from: human
conversations.value: Reverse the sentences.
conversations.from: assistant
conversations.value: MOORE is a treasure that belongs on the shelf of any reader of speculative fiction..L.
  Filled with ten stories that evoke the enduring spirit of sci-fi and fantasy's early days, THE BEST OF C...
  THE BRIGHT ILLUSION, one man's journey to a mind-bending, terrifying planet of blinding colors and impossible angles, filled with unutterable horrors and strange temptations... As cunning as she is fierce, Jirel descends into a nightmarish land beneath her castle to find the instruments of her revenge.
  BLACK GOD'S KISS, the debut of Jirel of Joiry, one of the classic heroes of sword and sorcery and fantasy's first true strong female protagonist...SHAMBLEAU, Moore's bizarre, imaginative, and wildly acclaimed debut, featuring space outlaw Northwest Smith and his meeting on Mars with a strange young lady whose turban hides a terrifying secret