conversations.from: human
conversations.value: What could be a title for a book about University, History, Charles with the genre: Mystery, Thriller & Suspense, Mystery?
conversations.from: assistant
conversations.value: A title for this book could be 'Chasing Shadows'
conversations.from: human
conversations.value: Provide a plot for a book titled Chasing Shadows.
conversations.from: assistant
conversations.value: Chasing Shadows (TV series): DS.\nSean Stone (Reece Shearsmith) is intense and socially awkward, a misfit who is happier dealing with data rather than people.\nHis lack of people skills and forthright honesty make him some powerful enemies in the force, and he finds himself exiled to missing persons.\nSean's new caseload is overwhelming - up to 300,000 people go missing in the UK each year - but his brilliant mind turns out to be perfectly adapted to his new role.\nWhere others see a hopeless, ever-growing sea of lost faces, Sean spots patterns, that lead to victims.\nand their killers.\nRuth Hattersley (Alex Kingston) is the analyst from the Missing Persons Bureau tasked with working alongside Sean.\nShe puts people first - a born connector able to get on with anyone, but Sean pushes even her patience to breaking point.\nDCI Pryor (Noel Clarke) has ambitions and a clear plan for rising up the ranks.\nBut all this is jeopardised when DS Stone becomes his responsibility.
conversations.from: human
conversations.value: Provide a plot for a book about University, History, Charles with the genre: Mystery, Thriller & Suspense, Mystery.
conversations.from: assistant
conversations.value: Chasing Shadows (TV series): DS.\nSean Stone (Reece Shearsmith) is intense and socially awkward, a misfit who is happier dealing with data rather than people.\nHis lack of people skills and forthright honesty make him some powerful enemies in the force, and he finds himself exiled to missing persons.\nSean's new caseload is overwhelming - up to 300,000 people go missing in the UK each year - but his brilliant mind turns out to be perfectly adapted to his new role.\nWhere others see a hopeless, ever-growing sea of lost faces, Sean spots patterns, that lead to victims.\nand their killers.\nRuth Hattersley (Alex Kingston) is the analyst from the Missing Persons Bureau tasked with working alongside Sean.\nShe puts people first - a born connector able to get on with anyone, but Sean pushes even her patience to breaking point.\nDCI Pryor (Noel Clarke) has ambitions and a clear plan for rising up the ranks.\nBut all this is jeopardised when DS Stone becomes his responsibility.
conversations.from: human
conversations.value: Delete the last sentence.
conversations.from: assistant
conversations.value: Chasing Shadows (TV series): DS.\nSean Stone (Reece Shearsmith) is intense and socially awkward, a misfit who is happier dealing with data rather than people.\nHis lack of people skills and forthright honesty make him some powerful enemies in the force, and he finds himself exiled to missing persons.\nSean's new caseload is overwhelming - up to 300,000 people go missing in the UK each year - but his brilliant mind turns out to be perfectly adapted to his new role.\nWhere others see a hopeless, ever-growing sea of lost faces, Sean spots patterns, that lead to victims.\nand their killers.\nRuth Hattersley (Alex Kingston) is the analyst from the Missing Persons Bureau tasked with working alongside Sean.\nShe puts people first - a born connector able to get on with anyone, but Sean pushes even her patience to breaking point.\nDCI Pryor (Noel Clarke) has ambitions and a clear plan for rising up the ranks.
conversations.from: human
conversations.value: Provide the first five paragraphs for this book.
conversations.from: assistant
conversations.value: Chasing Shadows
  As I dangle off the edge of this roof, I could use her steel claws. Superheroes get Wicked Toys, Cinematic Escapes, and Guaranteed Wins. If I could live in a comic, I'd be The Leopardess. And if I were The Leopardess, I'd be Fearless.
  I tighten my grip on the cold edge of the roof, close my eyes, and open my breathing. Deep into my body. I sink into freerunning mode. Where my thoughts are dictated by the Morse code of footsteps and the flow from jump to jump. Where Fear Cannot Leash Me.
  It works for freerunners too. I force myself to ignore Hungry Gravity and the four stories of free space below, and picture my escape.
  My right foot finds the wall. Followed by my left. I jump, jump, jump them up until they are crouched beneath me—and I'm in cat-grab position, hands gripping, legs tucked, ready to spring.
  Savitri sails over me. Her th-thump landing—much heavier than she is—shakes my grip and I try to dig my fingers into stone.
conversations.from: human
conversations.value: Provide another paragraph.
conversations.from: assistant
conversations.value: I press the heels of my palms against my eyes. A headstone edged in purple appears in the blackness. When I pull my hands away and open my eyes, a familiar figure is waiting at a gravestone in the distance.
conversations.from: human
conversations.value: Provide the last five paragraphs.
conversations.from: assistant
conversations.value: Freerunner Chad Zwadlo and his cohorts at Fight or Flight Academy answered questions, showed me their moves, and taught me the terminology and the philosophy of the sport. Dr. Anita Koshy, Dr. Robert T. Law, Lisa Wennerlund, and Susan Hess all provided their medical expertise. Police officer John Biederman gave me a long chunk of his time. Jennifer Meade and John Magruder, Chicago consultants, helped me zero in on setting. Karen Beltz entrusted her emotional insights to my imagination.
  The Minnesota State Arts Board and the Thomas H. Shevlin Fellowship in the University of Minnesota's Graduate Program generously gave me the gift of time through their funding—essential for any artist and particularly necessary on this venture.
  My kids give up their mother to this crazy craft. They forgive the forgotten permission slips, last-minute tumults, and frozen dinners. They keep me going with their bright spirits and inspire me with their strength and tenacity.
  John Yopp's dedication to and endurance for this novel was Iron Man limitless. Draft after draft, frenzy after frenzy, freak-out after freak-out, he never wavered. His musical ear turned slop into phrasing, his questions helped me shape a mess into an arc, and his ramrod backbone helped me find the courage I needed for this novel. Oh, and he made me pie—writerly pie.
  Ms. Avasthi received her MFA from the University of Minnesota and currently teaches in Hamline University's MFA program in Writing for Children and Young Adults. She lives in Minneapolis with her husband and two children. You can read more about her work at SwatiAvasthi.com.
conversations.from: human
conversations.value: Delete the first sentence.
conversations.from: assistant
conversations.value: Dr. Anita Koshy, Dr. Robert T. Law, Lisa Wennerlund, and Susan Hess all provided their medical expertise. Police officer John Biederman gave me a long chunk of his time. Jennifer Meade and John Magruder, Chicago consultants, helped me zero in on setting. Karen Beltz entrusted her emotional insights to my imagination.
  The Minnesota State Arts Board and the Thomas H. Shevlin Fellowship in the University of Minnesota's Graduate Program generously gave me the gift of time through their funding—essential for any artist and particularly necessary on this venture.
  My kids give up their mother to this crazy craft. They forgive the forgotten permission slips, last-minute tumults, and frozen dinners. They keep me going with their bright spirits and inspire me with their strength and tenacity.
  John Yopp's dedication to and endurance for this novel was Iron Man limitless. Draft after draft, frenzy after frenzy, freak-out after freak-out, he never wavered. His musical ear turned slop into phrasing, his questions helped me shape a mess into an arc, and his ramrod backbone helped me find the courage I needed for this novel. Oh, and he made me pie—writerly pie.
  Ms. Avasthi received her MFA from the University of Minnesota and currently teaches in Hamline University's MFA program in Writing for Children and Young Adults. She lives in Minneapolis with her husband and two children. You can read more about her work at SwatiAvasthi.com.