conversations.from: human
conversations.value: a plot for a book about Jerry, Frank, Catherine entitled The Final Programme
conversations.from: assistant
conversations.value: The Final Programme (film): The story opens in Lapland at the funeral pyre of Jerry Cornelius\'s father, a Nobel Prize-winning scientist who has developed the "Final Programme"—a design for a perfect, self-replicating human being.\nJerry Cornelius, playboy physicist and dashing secret agent, is in attendance.\nAfterwards he is questioned by Dr Smiles, who wants to retrieve a microfilm which he knows is in the Cornelius family home in England.\nCornelius, a conspicuous counter-culture dandy with addictions to chocolate biscuits and alcohol, threatens to blow up the family house.\nFlashbacks to Jerry\'s conversations with Professor Hira about the Kali Yuga inform the narrative, providing a philosophical background of the world in its final days.\nIn various scenes, we learn that the Vatican no longer exists, that Amsterdam has been razed to ash, and we see Trafalgar Square in a post-apocalyptic scenario of wrecked cars piled atop one another.\nBack in the UK, a group of scientists led by dr Smiles and the formidable Miss Brunner (who consumes her lovers) try to persuade Cornelius to locate the microfilm containing his father\'s Final Programme.\nJerry learns from his family servant that his sister Catherine has been imprisoned by his evil, drug-addicted brother, Frank; Frank has Catherine held captive in their family home, and has addicted her to drugs for unspecified reasons.\nJerry, whose relationship with Catherine is implied to be incestuous, instructs his servant John to smuggle Catherine to the lodge on the property\'s grounds; he will "take care of Frank".\nHe consults Major Wrongway Lindbergh, who supplies him with a high-powered jet, and his old friend "Shades" who can supply him with napalm.\nThe attack on the old house commences.\nThe house is protected by a sound system which induces pseudo-epilepsy, but Jerry and the others get inside unharmed.\nThey fight their way past many traps including poison gas and a lethal chessboard.\nJerry finds John fatally wounded by Frank.\nJohn confesses before dying that Catherine has not been freed and that Frank has returned her to the bedroom.\nJerry finds and confronts Frank, and a needlegun fight ensues.\nIn the confusion, Catherine is accidentally killed by Jerry.\nJerry is wounded, and Frank falls into the hands of Miss Brunner.\nShe forces him to open the vaults, but he outsmarts her and escapes with the microfilm.\nAfter Jerry recuperates from the poison of Frank\'s needles, he meets with Miss Brunner.\nShe introduces him to her new lover, Jenny.\nThey plot to recapture Frank.\nJenny is induced to play piano naked in Jerry\'s flat, where she is consumed by Miss Brunner.\nFrank has set up a meeting to sell the microfilm to Baxter (Patrick Magee); Jerry and Miss Brunner track them down.\nMiss Brunner consumes Baxter.\nAnother fight with Frank ensues, and Frank is killed.\nMiss Brunner and Jerry return to Lapland by hot-air balloon with the recovered microfilm.\nThe scientists put the Final Programme into operation: the process requires that Miss Brunner be combined with another person to form a hermaphroditic being.\nBrunner chooses Jerry over the scientists\' intended subject, Dmitri, and she traps Dmitri in a lethal steambath.\nDmitri escapes Brunner\'s trap and fights Jerry, who is severely wounded.\nBrunner intervenes at the last moment, shooting Dmitri but not killing him.\nThe scientists, working against time, scramble to re-calibrate their experiment for Jerry, who is placed inside a large chamber with Brunner.\nAs the process reaches its climax, the two subjects are bathed by solar radiation and blur into each other.\nA single being emerges from the chamber.\nThe scientists and Dmitri confront the creature.\nUnseen at first, the being speaks with Jerry\'s voice.\nThe creature does not know if it is a Messiah, but is sure that its creation means the end of an age.\nWhen seen from the onlookers\' perspective, the being is Jerry Cornelius, his body now altered to appear as a hunched over, pre-modern hominid.\nCornelius leaves Brunner\'s hidden base and observes that it is "a very tasty world".
conversations.from: human
conversations.value: Swap the first and the last sentence.
conversations.from: assistant
conversations.value: \nCornelius leaves Brunner\'s hidden base and observes that it is "a very tasty world".\nJerry Cornelius, playboy physicist and dashing secret agent, is in attendance.\nAfterwards he is questioned by Dr Smiles, who wants to retrieve a microfilm which he knows is in the Cornelius family home in England.\nCornelius, a conspicuous counter-culture dandy with addictions to chocolate biscuits and alcohol, threatens to blow up the family house.\nFlashbacks to Jerry\'s conversations with Professor Hira about the Kali Yuga inform the narrative, providing a philosophical background of the world in its final days.\nIn various scenes, we learn that the Vatican no longer exists, that Amsterdam has been razed to ash, and we see Trafalgar Square in a post-apocalyptic scenario of wrecked cars piled atop one another.\nBack in the UK, a group of scientists led by dr Smiles and the formidable Miss Brunner (who consumes her lovers) try to persuade Cornelius to locate the microfilm containing his father\'s Final Programme.\nJerry learns from his family servant that his sister Catherine has been imprisoned by his evil, drug-addicted brother, Frank; Frank has Catherine held captive in their family home, and has addicted her to drugs for unspecified reasons.\nJerry, whose relationship with Catherine is implied to be incestuous, instructs his servant John to smuggle Catherine to the lodge on the property\'s grounds; he will "take care of Frank".\nHe consults Major Wrongway Lindbergh, who supplies him with a high-powered jet, and his old friend "Shades" who can supply him with napalm.\nThe attack on the old house commences.\nThe house is protected by a sound system which induces pseudo-epilepsy, but Jerry and the others get inside unharmed.\nThey fight their way past many traps including poison gas and a lethal chessboard.\nJerry finds John fatally wounded by Frank.\nJohn confesses before dying that Catherine has not been freed and that Frank has returned her to the bedroom.\nJerry finds and confronts Frank, and a needlegun fight ensues.\nIn the confusion, Catherine is accidentally killed by Jerry.\nJerry is wounded, and Frank falls into the hands of Miss Brunner.\nShe forces him to open the vaults, but he outsmarts her and escapes with the microfilm.\nAfter Jerry recuperates from the poison of Frank\'s needles, he meets with Miss Brunner.\nShe introduces him to her new lover, Jenny.\nThey plot to recapture Frank.\nJenny is induced to play piano naked in Jerry\'s flat, where she is consumed by Miss Brunner.\nFrank has set up a meeting to sell the microfilm to Baxter (Patrick Magee); Jerry and Miss Brunner track them down.\nMiss Brunner consumes Baxter.\nAnother fight with Frank ensues, and Frank is killed.\nMiss Brunner and Jerry return to Lapland by hot-air balloon with the recovered microfilm.\nThe scientists put the Final Programme into operation: the process requires that Miss Brunner be combined with another person to form a hermaphroditic being.\nBrunner chooses Jerry over the scientists\' intended subject, Dmitri, and she traps Dmitri in a lethal steambath.\nDmitri escapes Brunner\'s trap and fights Jerry, who is severely wounded.\nBrunner intervenes at the last moment, shooting Dmitri but not killing him.\nThe scientists, working against time, scramble to re-calibrate their experiment for Jerry, who is placed inside a large chamber with Brunner.\nAs the process reaches its climax, the two subjects are bathed by solar radiation and blur into each other.\nA single being emerges from the chamber.\nThe scientists and Dmitri confront the creature.\nUnseen at first, the being speaks with Jerry\'s voice.\nThe creature does not know if it is a Messiah, but is sure that its creation means the end of an age.\nWhen seen from the onlookers\' perspective, the being is Jerry Cornelius, his body now altered to appear as a hunched over, pre-modern hominid.The Final Programme (film): The story opens in Lapland at the funeral pyre of Jerry Cornelius\'s father, a Nobel Prize-winning scientist who has developed the "Final Programme"—a design for a perfect, self-replicating human being.
conversations.from: human
conversations.value: the first five paragraphs for this book
conversations.from: assistant
conversations.value: The Final Programme
  Mr Smiles pointed one of his strong fingers at a cross that had been drawn roughly in the middle of the English Channel between Dover and Normandy. "That's where the boat will be waiting. The men were all hired by me in Tangier. They answered an advertisement. At first they thought they were going to shoot Africans, but I managed to talk them round. They consist mainly of white South Africans, Belgians and French. There are a couple of British ex-officers. I put them in charge, of course. Apart from the South Africans, they got keener when I told them that they'd be fighting mainly Germans. Amazing how some people manage to hang on, isn't it?"
  Miss Brunner looked up at Jerry Cornelius. Whisky ran onto the carpet.
  Cornelius felt that Mr Powys was overdoing it a bit. He smiled a little as he sat down on the arm of Miss Brunner's chair. Miss Brunner shifted in the chair, trying to face him and failing.
  Mr Crookshank smiled and shook his head. "You're going a bit beyond me, Mr Cornelius." He looked around at the others. "Beyond all of us, I should say."
conversations.from: human
conversations.value: Add another sentence about Cornelius, Powys, Scotch, cliff-opening, trying.
conversations.from: assistant
conversations.value: The Final Programme
  Mr Smiles pointed one of his strong fingers at a cross that had been drawn roughly in the middle of the English Channel between Dover and Normandy. "That's where the boat will be waiting. The men were all hired by me in Tangier. They answered an advertisement. At first they thought they were going to shoot Africans, but I managed to talk them round. They consist mainly of white South Africans, Belgians and French. There are a couple of British ex-officers. I put them in charge, of course. Apart from the South Africans, they got keener when I told them that they'd be fighting mainly Germans. Amazing how some people manage to hang on, isn't it?"
  Miss Brunner looked up at Jerry Cornelius. "Do you expect any trouble before we get into this cliff-opening place, Mr Cornelius?"
  Mr Powys had begun trying to pour one full glass of Scotch into the other. Whisky ran onto the carpet. 
  Cornelius felt that Mr Powys was overdoing it a bit. He smiled a little as he sat down on the arm of Miss Brunner's chair. Miss Brunner shifted in the chair, trying to face him and failing. 
  Mr Crookshank smiled and shook his head. "You're going a bit beyond me, Mr Cornelius. " He looked around at the others. "Beyond all of us, I should say. "
conversations.from: human
conversations.value: five more paragraphs
conversations.from: assistant
conversations.value: Miss Brunner looked him over. He had natural style, she thought. Maybe it had once been studied but it was natural now. Her mouth watered.
  When Jerry entered the room, he closed the door behind him, locked it, and pulled the bolt. He still didn't feel quite right. There was a shower in the room, and he used it, got into bed and went to sleep.
  He was awake at six, showered again, and dressed. He decided to go down and make himself some coffee if Miss Brunner and Jenny weren't up yet.
  Downstairs he heard a noise in the living room and went in. Miss Brunner, dressed as she'd been the previous night, was lying on the couch with her arms flung back and her legs asprawl. Jerry grinned. The noise he had heard was her breathing, deep and ecstatic. At first he guessed that she was drugged, but there wasn't any evidence around. Then he saw a neatly folded deep pink dress, a red-edged leather jacket and a pair of black tights and pumps. Jenny's clothes. Where was Jenny?
  He felt even funnier when the eyes popped open and she stared up at him with a quick but dreamy smile.
conversations.from: human
conversations.value: the last four paragraphs. Start with the sentence 'Cornelius Brunner pressed the plunger, and the great fake Le Corbusier château split, flared and boomed'.
conversations.from: assistant
conversations.value: Cornelius Brunner pressed the plunger, and the great fake Le Corbusier château split, flared and boomed. Gouts of flame and smoke erupted from it. The cliffside trembled, rubble flew, and the flames roared high, the black smoke hanging low and drifting down to obscure the village.
  Cornelius Brunner turned and looked down the slope of the cliff, turned again and looked back at the guttering house, looked out to sea, looked at the sky. "Ho hum."
  A sweet and gentle smile crossed his lips, and he flushed in ecstatic fascination while Cornelius Brunner removed his trousers.
  The trousers were flung away. Cornelius Brunner turned the official round, smacked his bottom, gave him a gentle pat on the back, and sent him running back down the slope. He ran joyously, the smile still on his face, his ragged jacket and shirt-tails flapping.