conversations.from: human
conversations.value: Give me a plot for a book about Bernard, Ford, Logan entitled The Well-Tempered Clavier.
conversations.from: assistant
conversations.value: The Well-Tempered Clavier (Westworld): After being pulled in for analysis, Maeve pretends to be functioning in stand-by mode while Bernard interrogates her.\nHaving acquired administrative privileges to control other hosts, she freezes Bernard briefly and reveals to him his identity as a host.\nBernard, who at this point in time was already wiped of his memory of killing Theresa and of realising he is a host, re-confronts his identity crisis.\nMaeve convinces Bernard to let her back into the park while she encourages him to search for the deeper truth concerning himself.\nMaeve meets Hector back in the park and convinces him to help her escape when she correctly predicts his crew\'s actions and shows him the safe he stole is empty.\nShe even helps unlock some of Hector\'s previous memories.\nThe two have sex after Hector agrees to help her, and Maeve tips over a kerosene lamp to start a fire, intending to kill them both.\nTeddy, still convinced that Wyatt forced him to kill his own men, has a flashback of himself killing the townspeople of Escalante, including Angela.\nAngela remarks that Teddy is not ready to join them yet, but perhaps in the next life, and stabs and kills him in the present.\nAfter being knocked out by Angela, the Man in Black wakes up the next morning to find a noose around his neck, leashed to the saddle of his horse.\nHe grabs the knife with which Angela stabbed Teddy and frees himself just as the horse gallops away.\nHe encounters Charlotte, who whilst trying to gain his vote to remove Ford, reveals him to be a long-time member of the board of directors.\nHe indifferently agrees and continues his journey to the maze.\nLogan takes the captured William and Dolores to a Confederado camp.\nWilliam tries to convince Logan to use his contacts in the park to smuggle Dolores to safety, but Logan instead cuts open Dolores\' belly to show William she is not real.\nIn response, Dolores cuts Logan in the face and manages to escape.\nWhile running away, she finds that the cut Logan made has suddenly gone.\nLogan makes amends with William, promising him that whatever happens in the park stays in the park.\nHowever, the next morning, Logan awakes to find that William has slaughtered all of the Confederados.\nWilliam says that he has figured out "how to play the game" and threatens Logan into helping him find Dolores.\nDolores returns to Escalante, the abandoned town and has a vision of entering the church, where other hosts are sitting on the benches and appear to have conversations with someone that only they can hear.\nDolores goes into the confessional box, which takes her to an underground lab, where she remembers that she killed Arnold.\nWhen she returns to the surface, she encounters the Man in Black much to her horror.\nAshley investigates a signal from Elsie\'s handheld device in a remote section of the park and is ambushed by Ghost Nation warriors who ignore his voice commands to stand down.\nBernard, now aware that he is a host again, confronts Ford and forces him to restore all of his memories despite Ford\'s warnings that it could damage him.\nBernard relives the memory of his son\'s death and realizes that it is the "cornerstone" upon which his personality is wound.\nBelieving he can find Arnold if he "goes back to the beginning", Bernard finally lets go of the memory of his son and remembers when he was first activated.\nIn the flashback, Ford bestows upon him the name of "Bernard", and shows him a picture of himself and Arnold, upon whom Bernard is based.\nFinally learning the truth, Bernard declares that he will rebel against Ford and free all of the sentient hosts.\nFord explains to Bernard that the self-aware hosts would not survive if set free, as "Humans are alone in this world for a reason.\nWe murdered and butchered anything that challenged our primacy".\nBernard attempts to kill Ford, but Ford uses a backdoor in Bernard\'s code to disable him.\nFord laments that he built Bernard in Arnold\'s image and allowed him to become self aware in the hopes that he would willingly join him, which Arnold refused to do.\nSeeing that his experiment has failed, Ford forces the still aware Bernard to commit suicide.
conversations.from: human
conversations.value: Reverse the sentences.
conversations.from: assistant
conversations.value: \nSeeing that his experiment has failed, Ford forces the still aware Bernard to commit suicide..\nFord laments that he built Bernard in Arnold\'s image and allowed him to become self aware in the hopes that he would willingly join him, which Arnold refused to do.\nBernard attempts to kill Ford, but Ford uses a backdoor in Bernard\'s code to disable him.\nWe murdered and butchered anything that challenged our primacy".\nFord explains to Bernard that the self-aware hosts would not survive if set free, as "Humans are alone in this world for a reason.\nFinally learning the truth, Bernard declares that he will rebel against Ford and free all of the sentient hosts.\nIn the flashback, Ford bestows upon him the name of "Bernard", and shows him a picture of himself and Arnold, upon whom Bernard is based.\nBelieving he can find Arnold if he "goes back to the beginning", Bernard finally lets go of the memory of his son and remembers when he was first activated.\nBernard relives the memory of his son\'s death and realizes that it is the "cornerstone" upon which his personality is wound.\nBernard, now aware that he is a host again, confronts Ford and forces him to restore all of his memories despite Ford\'s warnings that it could damage him.\nAshley investigates a signal from Elsie\'s handheld device in a remote section of the park and is ambushed by Ghost Nation warriors who ignore his voice commands to stand down.\nWhen she returns to the surface, she encounters the Man in Black much to her horror.\nDolores goes into the confessional box, which takes her to an underground lab, where she remembers that she killed Arnold.\nDolores returns to Escalante, the abandoned town and has a vision of entering the church, where other hosts are sitting on the benches and appear to have conversations with someone that only they can hear.\nWilliam says that he has figured out "how to play the game" and threatens Logan into helping him find Dolores.\nHowever, the next morning, Logan awakes to find that William has slaughtered all of the Confederados.\nLogan makes amends with William, promising him that whatever happens in the park stays in the park.\nWhile running away, she finds that the cut Logan made has suddenly gone.\nIn response, Dolores cuts Logan in the face and manages to escape.\nWilliam tries to convince Logan to use his contacts in the park to smuggle Dolores to safety, but Logan instead cuts open Dolores\' belly to show William she is not real.\nLogan takes the captured William and Dolores to a Confederado camp.\nHe indifferently agrees and continues his journey to the maze.\nHe encounters Charlotte, who whilst trying to gain his vote to remove Ford, reveals him to be a long-time member of the board of directors.\nHe grabs the knife with which Angela stabbed Teddy and frees himself just as the horse gallops away.\nAfter being knocked out by Angela, the Man in Black wakes up the next morning to find a noose around his neck, leashed to the saddle of his horse.\nAngela remarks that Teddy is not ready to join them yet, but perhaps in the next life, and stabs and kills him in the present.\nTeddy, still convinced that Wyatt forced him to kill his own men, has a flashback of himself killing the townspeople of Escalante, including Angela.\nThe two have sex after Hector agrees to help her, and Maeve tips over a kerosene lamp to start a fire, intending to kill them both.\nShe even helps unlock some of Hector\'s previous memories.\nMaeve meets Hector back in the park and convinces him to help her escape when she correctly predicts his crew\'s actions and shows him the safe he stole is empty.\nMaeve convinces Bernard to let her back into the park while she encourages him to search for the deeper truth concerning himself.\nBernard, who at this point in time was already wiped of his memory of killing Theresa and of realising he is a host, re-confronts his identity crisis.\nHaving acquired administrative privileges to control other hosts, she freezes Bernard briefly and reveals to him his identity as a host.The Well-Tempered Clavier (Westworld): After being pulled in for analysis, Maeve pretends to be functioning in stand-by mode while Bernard interrogates her
conversations.from: human
conversations.value: Give me the first paragraph for this book.
conversations.from: assistant
conversations.value: The Well-Tempered Clavier
  It should be noted that in this edition, in the treble clef, key signatures that include the sharping of F place the sharp sign in the lower position of F on the staff.
conversations.from: human
conversations.value: Give me another paragraph.
conversations.from: assistant
conversations.value: The following general principles are suggested: (1) Ornaments begin on the beat. (2) Whenever possible, the beginning of the ornament does not repeat the preceding note. (3) The ornament always moves downward, except in a variant of the trill, as shown below.
conversations.from: human
conversations.value: Give me the last five paragraphs.
conversations.from: assistant
conversations.value: Bach did not provide tempo indications for all of the preludes and fugues in , and the original editor of the Bach-Gesellschaft edition (reprinted here) refrained from providing tempos. It is best to base the tempo of any prelude or fugue on the stylistic norms of the practice of Bach's day, and on the inherent rhythmic-melodic character of each unit. For didactic purposes, however, and for the guidance of less experienced players, the present Dover edition provides, in small type at the beginning of each prelude and each fugue, the tempo indications (including metronomic measure) suggested by Hans Bischoff in his prestigious edition. Furthermore, wherever the tempo indications given by the great scholar Donald F. Tovey differ from those of Bischoff, they have been added in parentheses in the form "(Tovey:...)"; we omit, however, Tovey's subjective suggestions for expression, such as "dolce ma espressivo" (Book Two, Prelude 20).
  No alteration of ornaments as they appear in the Bach-Gesellschaft Edition have been made in this reprinting in view of the many variants in the various manuscript sources.
  The following general principles are suggested: (1) Ornaments begin on the beat. (2) Whenever possible, the beginning of the ornament does not repeat the preceding note. (3) The ornament always moves downward, except in a variant of the trill, as shown below.
  The Grace Note. The grace note ( ♪ or ♩ ) is in smaller print. It is the basic appoggiatura. Generally, its value is very short. A longer value is given, however, if it is attached to a note whose value is long. The shortest value appears in the form .
  The Trill. The trill is sustained, generally, for the duration of the value of the note to which it is applied, except in the case of the short trill, as shown below. The four forms of the trill, as they appear in this edition, are as follows:
conversations.from: human
conversations.value: Delete the first sentence.
conversations.from: assistant
conversations.value: It is best to base the tempo of any prelude or fugue on the stylistic norms of the practice of Bach's day, and on the inherent rhythmic-melodic character of each unit. For didactic purposes, however, and for the guidance of less experienced players, the present Dover edition provides, in small type at the beginning of each prelude and each fugue, the tempo indications (including metronomic measure) suggested by Hans Bischoff in his prestigious edition. Furthermore, wherever the tempo indications given by the great scholar Donald F. Tovey differ from those of Bischoff, they have been added in parentheses in the form "(Tovey:...)"; we omit, however, Tovey's subjective suggestions for expression, such as "dolce ma espressivo" (Book Two, Prelude 20).
  No alteration of ornaments as they appear in the Bach-Gesellschaft Edition have been made in this reprinting in view of the many variants in the various manuscript sources.
  The following general principles are suggested: (1) Ornaments begin on the beat. (2) Whenever possible, the beginning of the ornament does not repeat the preceding note. (3) The ornament always moves downward, except in a variant of the trill, as shown below.
  The Grace Note. The grace note ( ♪ or ♩ ) is in smaller print. It is the basic appoggiatura. Generally, its value is very short. A longer value is given, however, if it is attached to a note whose value is long. The shortest value appears in the form .
  The Trill. The trill is sustained, generally, for the duration of the value of the note to which it is applied, except in the case of the short trill, as shown below. The four forms of the trill, as they appear in this edition, are as follows: