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conversations.value: Give me a plot for a book about Aldo, Michael, Vito entitled The Godfather.. End with the sentence '\nIf the player keeps playing at this point, and Aldo bombs all four rival family compounds, he is promoted to Don of New York.'.
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conversations.value: The Godfather (2006 video game): The game begins in Little Italy in 1936.\nJohnny Trapani (voiced by Adam Harrington), a modest ranking member of the Corleone family, is meeting his wife, Sarafina (Sirenetta Leoni), when their bakery explodes.\nTrapani is then beaten up and killed by members of the Barzini family, with Emilio Barzini (Michael Kopsa) telling him "sorry Johnny, it\'s just business".\nMoments later, Trapani\'s son Aldo (Andrew Pifko) arrives, and is consoled by Vito Corleone (Marlon Brando/Doug Abrahams), who tells him that when he is old enough and the time is right, he will have his revenge.\nThe game then moves to 1945.\nSarafina comes to see Vito, telling him that Aldo has fallen in with a bad crowd.\nVito sends Luca Brasi (Garry Chalk) to find Aldo and recruit him into the family.\nAfter teaching Aldo how to fight and get protection money, Brasi sends him to meet Paulie Gatto (Tony Alcantar), who introduces him to, Marty "Monk" Malone (Jason Schombing).\nGatto has been assigned to take revenge on a group of men who attacked the daughter of an undertaker, Bonasera, a friend of Vito\'s.\nGatto, Monk and Aldo beat up the gang, and Aldo then joins Brasi on a mission to meet with Bruno Tattaglia (Joe Paulino) and Virgil Sollozzo (Richard Newman).\nSeveral days previously, Vito refused to enter the cocaine trade with Sollozzo.\nKnowing that Sollozzo feels insulted by this refusal, Vito is concerned about retribution, and has sent Brasi to pretend he is discontented working for the Corleones, and wishes to join the Tattaglia family, who are supporting Sollozzo.\nHowever, Bruno and Sollozzo kill Brasi, witnessed by Aldo through a window.\nHe flees, meeting Monk and his sister, Frankie (Jennifer Copping).\nAs Aldo explains what happened, there is an attempted hit on Vito nearby.\nAldo ensures Frankie is safe, before helping Fredo (Andrew Moxham) get Vito to the hospital.\nAldo then heads to the Corleone compound, where he meets caporegimes Peter Clemenza (Doug Abrahams) and Salvatore Tessio (Abe Vigoda), acting Don Sonny Corleone (James Caan), and consigliere Tom Hagen (Robert Duvall).\nImpressed with Aldo\'s contributions, Tom makes him an Enforcer, and Clemenza sends him to help guard Vito in the hospital.\nWhilst there, Aldo meets Frankie, and the two make a date.\nMeanwhile, Michael Corleone (Joseph May) arrives, and finds all the Corleone guards gone, except Aldo.\nAs a Tattaglia hit squad arrives, Aldo gets Frankie out of the building whilst Michael has a nurse move Vito\'s bed.\nAldo then kills the hit squad.\nPolice led by Captain McCluskey (Doug Abrahams), who is being paid by Sollozzo, arrive, ordering Michael and Aldo to leave.\nHowever, Tom arrives with a group of private detectives to guard Vito, and the police reluctantly allow them to enter.\nAt the compound, Tom promotes Aldo to Associate.\nRealizing it was Paulie who sold Vito out to Sollozzo, Sonny orders Clemenza to have him killed.\nClemenza assigns the hit to Aldo.\nAfter Gatto is dead, Tom sends Aldo to accompany Rocco Lampone (Michael Dobson) to Hollywood to intimidate a studio executive named Jack Woltz (Doug Abrahams) into giving Vito\'s godson, Johnny Fontane, the starring role in a new film.\nRocco and Aldo decapitate Woltz\' prized stallion, and place the head in his bed as he sleeps, terrifying him into casting Fontane.\nBack in New York, the Corleones purchase an apartment in Midtown for Aldo and Frankie.\nSollozzo and McClusky arrange a meeting with Michael to try to come to bring the conflict to a peaceful resolution.\nHowever, Michael plans to assassinate them.\nClemenza has Aldo hide a gun in the toilet of the restaurant where the meeting is taking place, and Michael kills them both.\nAldo then drives him to the docks, where he leaves for Sicily.\nMeanwhile, Vito is released from hospital and promotes Aldo to Soldier, officially making him a made man of the Corleone family.\nShortly thereafter, a group of Tattaglia soldiers kill Frankie.\nSonny tells Aldo that Bruno Tattaglia ordered the hit, and is hiding at his funeral home.\nAldo heads there and kills Bruno.\nAs Aldo returns to the compound, Sonny speeds off in a car.\nCarlo Rizzi has assaulted Sonny\'s sister, and Sonny is heading to their house for revenge.\nOn his way, he is killed by a Tattaglia hit squad.\nAldo arrives moments later, interrogating the leader, who tells him the hit was not ordered by Philip Tattaglia (Bill Meilen), but by Emilio Barzini, who is secretly pulling Tattaglia strings.\nUpon hearing of Sonny\'s death, Vito calls an end to the war and arranges to meet the heads of the families.\nAt the meeting, he assures Tattaglia there will be no retribution for the death of Sonny, on the condition that Michael be allowed to return to America.\nThe families agree to this, and Vito makes peace with Tattaglia.\nAfter Michael returns, he becomes the new Don, with Vito retiring, and shortly thereafter, dying.\nMichael promotes Aldo to Caporegime.\nLearning the FBI are conducting an investigation into the Corleones, Michael sends Aldo and Monk to find out what they know.\nWhen Aldo arrives at the hotel used by the FBI, Monk tells him Michael has learned a Corleone informant is meeting with the FBI at that moment, and they are to kill him.\nThey storm the hotel, and Monk kills a lone FBI agent, before fleeing.\nAldo realizes that Monk himself is the informant.\nMichael calls, telling Aldo he knew there was an informant but was unsure if it was Monk or Aldo, and the job was a ruse to smoke out the culprit.\nAldo pursues Monk, who explains he became disillusioned in the Corleones after Frankie\'s death, and allied with the Cuneo family.\nFurious with Monk\'s betrayal, Aldo kills him.\nAldo returns to the compound to see Tessio held at gun point.\nTom explains Tessio had set Michael up to be murdered - he had arranged a meeting between Michael and the Barzini family at which Michael would be killed.\nAldo heads to the meeting with Tessio, killing the Barzini assassins and then killing Tessio.\nMichael then summons Aldo to a church in Little Italy where he is acting as godfather for his sister\'s son.\nDuring the ceremony, Michael has Aldo assassinate the heads of the four families - Victor Stracci, Carmine Cuneo, Philip Tattaglia, and Emilio Barzini.\nWith the aid of Clemenza, Willi Cicci (Gavin Hammon), Rocco Lampone and Al Neri (Terence McGovern), Aldo carries out each hit, finally avenging the death of his father at the hands of Barzini.\nMichael then promotes Aldo to Underboss.\nIf the player keeps playing at this point, and Aldo bombs all four rival family compounds, he is promoted to Don of New York.
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conversations.value: Give me a plot for a book about Michael, Vito, Corleone entitled The Godfather.
conversations.from: assistant
conversations.value: The Godfather: In 1945, at his daughter Connie\'s wedding, Vito Corleone hears requests in his role as the Godfather, the Don of a New York crime family.\nVito\'s youngest son, Michael, who was a Marine during World War II, introduces his girlfriend, Kay Adams, to his family at the reception.\nJohnny Fontane, a famous singer and godson to Vito, seeks Vito\'s help in securing a movie role; Vito dispatches his consigliere, Tom Hagen, to Los Angeles to talk the obnoxious studio head, Jack Woltz, into giving Johnny the part.\nWoltz refuses until he wakes up in bed with the severed head of his prized stallion.\nShortly before Christmas, drug baron Virgil "The Turk" Sollozzo, backed by the Tattaglia crime family, asks Vito for investment in his narcotics business and protection through his political connections.\nWary of involvement in a dangerous new trade that risks alienating political insiders, Vito declines.\nSuspicious, Vito sends his enforcer, Luca Brasi, to spy on them.\nHowever, a Tattaglia button man garrotes Brasi during Brasi\'s first meeting with Bruno Tattaglia and Sollozzo.\nLater Sollozzo has Vito gunned down in the street, then kidnaps Hagen.\nWith Corleone first-born Sonny in command, Hagen is pressured to persuade Sonny to accept Sollozzo\'s deal, then released.\nThe family receives fish wrapped in Brasi\'s bullet-proof vest, indicating that Luca "sleeps with the fishes".\nVito survives, and at the hospital Michael thwarts another attempt on his father; Michael\'s jaw is broken by NYPD Captain Marc McCluskey, Sollozzo\'s bodyguard.\nSonny retaliates with a hit on Tattaglia\'s son.\nMichael plots to murder Sollozzo and McCluskey: on the pretext of settling the dispute, Michael agrees to meet them in a Bronx restaurant.\nThere, retrieving a planted handgun, he kills both men.\nDespite a clampdown by the authorities, the Five Families erupt in open warfare and Vito\'s sons fear for their safety.\nMichael takes refuge in Sicily, and his brother, Fredo, is sheltered by the Corleone\'s Las Vegas casino partner, Moe Greene.\nSonny attacks his brother-in-law Carlo on the street for abusing his sister and threatens to kill him if it happens again.\nWhen it does, Sonny speeds to their home, but is ambushed at a highway toll booth and riddled with submachine gun fire.\nWhile in Sicily, Michael meets and marries Apollonia Vitelli, but a car bomb intended for him takes her life.\nDevastated by Sonny\'s death, Vito moves to end the feuds.\nRealizing that the Tattaglias are controlled by the now-dominant Don Emilio Barzini, Vito assures the Five Families that he will withdraw his opposition to their heroin business and forgo avenging his son\'s murder.\nHis safety guaranteed, Michael returns home to enter the family business and marry Kay, who gives birth to two children by the early 1950s.\nWith his father at the end of his career and his brother too weak, Michael takes the family reins, promising his wife the business will be legitimate within five years.\nTo that end, he insists Hagen relocate to Las Vegas and relinquish his role to Vito because Tom is not a "wartime consigliere"; Vito agrees Tom should "have no part in what will happen" in the coming battles with rival families.\nWhen Michael travels to Las Vegas to buy out Greene\'s stake in the family\'s casinos, their partner derides the Corleones for being run out of New York; Michael is dismayed to see that Fredo has fallen under Greene\'s sway.\nVito suffers a fatal heart attack.\nAt the funeral, Tessio, a Corleone capo, asks Michael to meet with Don Barzini, signalling the betrayal that Vito had forewarned.\nThe meeting is set for the same day as the christening of Connie\'s baby.\nWhile Michael stands at the altar as the child\'s godfather, Corleone assassins murder the other New York dons and Moe Greene.\nTessio is executed for his treachery and Michael extracts Carlo\'s confession to his complicity in setting up Sonny\'s murder for Barzini.\nA Corleone capo, Clemenza, garrotes Carlo with a wire.\nConnie accuses Michael of the murder, telling Kay that Michael ordered all the killings.\nKay is relieved when Michael finally denies it, but, when the capos arrive, they address her husband as Don Corleone, and she watches as they close the door on her.
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conversations.value: Delete the first sentence.
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conversations.value: \nVito\'s youngest son, Michael, who was a Marine during World War II, introduces his girlfriend, Kay Adams, to his family at the reception.\nJohnny Fontane, a famous singer and godson to Vito, seeks Vito\'s help in securing a movie role; Vito dispatches his consigliere, Tom Hagen, to Los Angeles to talk the obnoxious studio head, Jack Woltz, into giving Johnny the part.\nWoltz refuses until he wakes up in bed with the severed head of his prized stallion.\nShortly before Christmas, drug baron Virgil "The Turk" Sollozzo, backed by the Tattaglia crime family, asks Vito for investment in his narcotics business and protection through his political connections.\nWary of involvement in a dangerous new trade that risks alienating political insiders, Vito declines.\nSuspicious, Vito sends his enforcer, Luca Brasi, to spy on them.\nHowever, a Tattaglia button man garrotes Brasi during Brasi\'s first meeting with Bruno Tattaglia and Sollozzo.\nLater Sollozzo has Vito gunned down in the street, then kidnaps Hagen.\nWith Corleone first-born Sonny in command, Hagen is pressured to persuade Sonny to accept Sollozzo\'s deal, then released.\nThe family receives fish wrapped in Brasi\'s bullet-proof vest, indicating that Luca "sleeps with the fishes".\nVito survives, and at the hospital Michael thwarts another attempt on his father; Michael\'s jaw is broken by NYPD Captain Marc McCluskey, Sollozzo\'s bodyguard.\nSonny retaliates with a hit on Tattaglia\'s son.\nMichael plots to murder Sollozzo and McCluskey: on the pretext of settling the dispute, Michael agrees to meet them in a Bronx restaurant.\nThere, retrieving a planted handgun, he kills both men.\nDespite a clampdown by the authorities, the Five Families erupt in open warfare and Vito\'s sons fear for their safety.\nMichael takes refuge in Sicily, and his brother, Fredo, is sheltered by the Corleone\'s Las Vegas casino partner, Moe Greene.\nSonny attacks his brother-in-law Carlo on the street for abusing his sister and threatens to kill him if it happens again.\nWhen it does, Sonny speeds to their home, but is ambushed at a highway toll booth and riddled with submachine gun fire.\nWhile in Sicily, Michael meets and marries Apollonia Vitelli, but a car bomb intended for him takes her life.\nDevastated by Sonny\'s death, Vito moves to end the feuds.\nRealizing that the Tattaglias are controlled by the now-dominant Don Emilio Barzini, Vito assures the Five Families that he will withdraw his opposition to their heroin business and forgo avenging his son\'s murder.\nHis safety guaranteed, Michael returns home to enter the family business and marry Kay, who gives birth to two children by the early 1950s.\nWith his father at the end of his career and his brother too weak, Michael takes the family reins, promising his wife the business will be legitimate within five years.\nTo that end, he insists Hagen relocate to Las Vegas and relinquish his role to Vito because Tom is not a "wartime consigliere"; Vito agrees Tom should "have no part in what will happen" in the coming battles with rival families.\nWhen Michael travels to Las Vegas to buy out Greene\'s stake in the family\'s casinos, their partner derides the Corleones for being run out of New York; Michael is dismayed to see that Fredo has fallen under Greene\'s sway.\nVito suffers a fatal heart attack.\nAt the funeral, Tessio, a Corleone capo, asks Michael to meet with Don Barzini, signalling the betrayal that Vito had forewarned.\nThe meeting is set for the same day as the christening of Connie\'s baby.\nWhile Michael stands at the altar as the child\'s godfather, Corleone assassins murder the other New York dons and Moe Greene.\nTessio is executed for his treachery and Michael extracts Carlo\'s confession to his complicity in setting up Sonny\'s murder for Barzini.\nA Corleone capo, Clemenza, garrotes Carlo with a wire.\nConnie accuses Michael of the murder, telling Kay that Michael ordered all the killings.\nKay is relieved when Michael finally denies it, but, when the capos arrive, they address her husband as Don Corleone, and she watches as they close the door on her.
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conversations.value: Give me the first five paragraphs for this book.
conversations.from: assistant
conversations.value: The Godfather
  The Don and his associates see themselves as more than an excessively proactive neighborhood watch group, however. There is in what they do an appealing, if ultimately unworkable, political philosophy. When discussing the inevitable "war" between the Tattaglia and the Corleone families, one associate theorizes:
  Michael Corleone, Don Vito's son, recalls his own father making a similar observation back in 1939: "If the Families had been running the State Department," Michael muses to himself, "there would never have been World War II" (p. 134).
  Don Corleone's ability to deliver implies that he is not just the Godfather, but in fact God. In his son Michael's assessment, "He takes everything personal. Like God. He knows every feather that falls from the tail of a sparrow or however the hell it goes" (p.138).
  Of course, we know that the activities of the Corleone family are not good ones. We know that ultimately a system like theirs cannot take the place of laws and courts, and we need look no farther than the Don's hometown for evidence of this. By the time he left Corleone as a child, the village was tormented by violence, danger, and feuds brought on by the Mafia, which served as the village's "second government, far more powerful than the official one in Rome" (p.183). The techniques Vito Corleone continues in America are the very ones that made it necessary for him to leave Sicily.
  The judge, a formidably heavy-featured man, rolled up the sleeves of his black robe as if to physically chastise the two young men standing before the bench. His face was cold with majestic contempt. But there was something false in all this that Amerigo Bonasera sensed but did not yet understand.
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conversations.value: Give me five more paragraphs.. End with the sentence '"'.
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conversations.value: The second incident had more far-reaching repercussions. In 1939, Don Corleone had decided to move his family out of the city. Like any other parent he wanted his children to go to better schools and mix with better companions. For his own personal reasons he wanted the anonymity of suburban life where his reputation was not known. He bought the mall property in Long Beach, which at that time had only four newly built houses but with plenty of room for more. Sonny was formally engaged to Sandra and would soon marry, one of the houses would be for him. One of the houses was for the Don. Another was for Genco Abbandando and his family. The other was kept vacant at the time.
  A week after the mall was occupied, a group of three workmen came in all innocence with their truck. They claimed to be furnace inspectors for the town of Long Beach. One of the Don's young bodyguards let the men in and led them to the furnace in the basement. The Don, his wife and Sonny were in the garden taking their ease and enjoying the salty sea air.
  The Don was amused. It had been a boring, quiet week in which he had had to neglect his business to take care of such family details moving to a new house entailed. In more broken English than his usual slight accent he asked, "If I don't pay you, what happens to my furnace?"
  The leader of the three men shrugged. "We just leave the furnace the way it is now." He gestured at the metal parts strewn over the floor.
  Sonny's solution did not altogether please his father. It was too direct, too lacking in Sicilian subtleness. He was the Club, not the Rapier. For as soon as Sonny heard the leader's demand he held the three men at gun-point and had them thoroughly bastinadoed by the bodyguards. Then he made them put the furnace together again and tidy up the basement. He searched them and found that they actually were employed by a house-improvement firm with headquarters in Suffolk County. He learned the name of the man who owned the firm. Then he kicked the three men to their truck. "Don't let me see you in Long Beach again," he told them. "I'll have your balls hanging from your ears."
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conversations.value: Give me the last four paragraphs.
conversations.from: assistant
conversations.value: FROM THE INNERMOST recess of the church the bell tolled for repentance. As she had been taught to do, Kay struck her breast lightly with her clenched hand, the stroke of repentance. The bell tolled again and there was the shuffling of feet as the communicants left their seats to go to the altar rail. Kay rose to join them. She knelt at the altar and from the depths of the church the bell tolled again. With her closed hand she struck her heart once more. The priest was before her. She tilted back her head and opened her mouth to receive the papery thin wafer. This was the most terrible moment of all. Until it melted away and she could swallow and she could do what she came to do.
  Washed clean of sin, a favored supplicant, she bowed her head and folded her hands over the altar rail.
  She emptied her mind of all thought of herself, of her children, of all anger, of all rebellion, of all questions. Then with a profound and deeply willed desire to believe, to be heard, as she had done every day since the murder of Carlo Rizzi, she said the necessary prayers for the soul of Michael Corleone.
  In the end, the corporate "mavens" backed off, and my original proposed director—Coppola—reemerged as the obvious choice. The problems encountered by Coppola during the production have by now been well documented—a tight budget, insufficient time for preproduction planning, arguments over casting, etc.—but oddly, all this strife seemed to work in his favor. Coppola somehow managed to galvanize the tensions on the set into a sort of creative frenzy. Al Pacino's performance had an edge because the young actor thought he might be fired at any moment. Coppola was determined to throw everything into his scenes day by day because he, too, felt that every shooting day might be his last. At one point early in the schedule the studio actually started interviewing other directors, fearing that the production was out of control. Coppola's problems were exacerbated by a couple of rebellious members of his crew, who mistakenly concluded that his seemingly disorganized approach to filmmaking signaled a lack of discipline. In fact, Coppola was feeling his way, but doing so with utter brilliance.
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conversations.value: Add another sentence about shifted, punishing.
conversations.from: assistant
conversations.value: FROM THE INNERMOST recess of the church the bell tolled for repentance. As she had been taught to do, Kay struck her breast lightly with her clenched hand, the stroke of repentance. The bell tolled again and there was the shuffling of feet as the communicants left their seats to go to the altar rail. Kay rose to join them. She knelt at the altar and from the depths of the church the bell tolled again. With her closed hand she struck her heart once more. The priest was before her. She tilted back her head and opened her mouth to receive the papery thin wafer. This was the most terrible moment of all. Until it melted away and she could swallow and she could do what she came to do. 
  Washed clean of sin, a favored supplicant, she bowed her head and folded her hands over the altar rail. She shifted her body to make her weight less punishing to her knees. 
  She emptied her mind of all thought of herself, of her children, of all anger, of all rebellion, of all questions. Then with a profound and deeply willed desire to believe, to be heard, as she had done every day since the murder of Carlo Rizzi, she said the necessary prayers for the soul of Michael Corleone. 
  In the end, the corporate "mavens" backed off, and my original proposed director—Coppola—reemerged as the obvious choice. The problems encountered by Coppola during the production have by now been well documented—a tight budget, insufficient time for preproduction planning, arguments over casting, etc. —but oddly, all this strife seemed to work in his favor. Coppola somehow managed to galvanize the tensions on the set into a sort of creative frenzy. Al Pacino's performance had an edge because the young actor thought he might be fired at any moment. Coppola was determined to throw everything into his scenes day by day because he, too, felt that every shooting day might be his last. At one point early in the schedule the studio actually started interviewing other directors, fearing that the production was out of control. Coppola's problems were exacerbated by a couple of rebellious members of his crew, who mistakenly concluded that his seemingly disorganized approach to filmmaking signaled a lack of discipline. In fact, Coppola was feeling his way, but doing so with utter brilliance.