conversations.from: human
conversations.value: What could be a title for a book about em>The, Target</em, Florida with the genre: Literature & Fiction, Contemporary?
conversations.from: assistant
conversations.value: A title for this book could be 'Sundays at Tiffany's'
conversations.from: human
conversations.value: a plot for a book titled Sundays at Tiffany's
conversations.from: assistant
conversations.value: Sundays at Tiffany's (film): In 1990, ten-year-old Jane Claremont (Emily Alyn Lind ) is infatuated with her imaginary friend Michael (Gage Munroe), much to the dismay of her mother Vivienne (Channing), who even sends her daughter to therapy because of him.\nVivienne, who is bitter since going through a tough divorce, has lost all hope in love, and reflects these feelings on young Jane.\nMichael tries to prevent Jane from believing her, and assures her that real love exists.\nOn Christmas Eve, Jane's birthday, her mother takes her to Tiffany & Co in New York City to buy a gift, an annual 'event'.\nWhile Vivienne shops, Jane picks out a yellow diamond ring to try on, which Michael tells her will be her wedding ring someday.\nThen Michael tells her that she is now 'grown up', at the 'age of awareness' and he has to leave her at 5:15pm, the moment of her birth.\nJane doesn't understand and begs him to stay, but he departs, and Jane is devastated.\nTwenty years later, Jane (Alyssa Milano) is soon to marry her fiance Hugh Morrison (Sergei), a famous television actor who proposed to her live during The Tonight Show.\nShe is currently following her mother's steps into becoming a theater manager and will produce her husband in his theater debut.\nOne day, a grown up Michael (Winter) appears to her, telling her that he is her imaginary friend of the past, and that she needs help with something, because otherwise he would not have been sent to her.\nThe difference is, everybody else can see Michael now - he is human.\nJane initially thinks that Michael is a stalker and struggling actor, who probably wants a role in an upcoming play.\nHe assures her of his identity by coming up with information about her past he could not have known if he was not really Michael.\nMichael is surprised that Jane has never pursued her passion of becoming a writer, but Jane assures him that she has let go some of her dreams and grew up instead.\nSwamped with her work and the exhausting planning process of her wedding, she parts ways.\nMichael, however, cannot leave again until he helps Jane with what she needs, though neither know what that is.\nMuch to Jane's dismay, Michael joins her and Hugh for dinner, and soon comes to the conclusion that Jane and Hugh do not know each other very well, and lack the passion that they should have as a soon-to-be bride and groom.\nAfter dinner, Michael follows Jane to her home, and she reluctantly lets him in to spend the night on her couch.\nThey dig up old memories and bond over night.\nThe next evening, he joins her at Hugh's stage debut, and horrifies Vivienne by introducing himself to her as Jane's imaginary friend, and telling her that she has always tried to protect Jane from love because she has become bitter.\nMichael then gives Vivienne a heartfelt hug, to her surprise.\nJane, who has been indecisive about her wedding choices because she thinks everything should be perfect, is helped by Michael choosing the perfect wedding dress.\nWhen she is fitting it, Michael tells her she looks beautiful in it, and they share a kiss.\nJane then immediately tells Michael that she made a mistake, and that they can never become intimate again.\nThey go out a couple of time afterwards, though, and grow even closer.\nHugh enters Jane's apartment one evening and interrupts them having a pillow fight, and becoming jealous, demands Jane end her contact with Michael.\nJane tells Michael that they had fun together, but that she is not the little girl he once knew, and that he should leave.\nAfter returning to her life with Hugh, Jane soon comes to the conclusion that she is not happy with him, and that they do not share the same interests.\nWhile he is away shooting a movie in Los Angeles, she contacts Michael, who is now working in a restaurant.\nThey reconnect and spend their first night together intimately.\nBecause she is now finally happy, Michael announces that he must leave again.\nHeartbroken, Jane assures him that she will not spend another minute thinking of him if he truly leaves.\nShe continues preparing for her wedding, but then leaves Hugh at the altar because she still is in love with Michael.\nAs it is Christmas Eve and almost 5:15pm, she runs off to Tiffany's to find Michael.\nShe does, just in time, and professes her love for him.\nBut he again says he has to go, saddening her once again.\nShe goes outside the store feeling heartbroken.\nBut Michael then reappears and professes his love for her and explains that he came back because he needs her.\nHe gives her the yellow diamond ring before they kiss.
conversations.from: human
conversations.value: Swap the first and the last sentence.
conversations.from: assistant
conversations.value: \nHe gives her the yellow diamond ring before they kiss.\nVivienne, who is bitter since going through a tough divorce, has lost all hope in love, and reflects these feelings on young Jane.\nMichael tries to prevent Jane from believing her, and assures her that real love exists.\nOn Christmas Eve, Jane's birthday, her mother takes her to Tiffany & Co in New York City to buy a gift, an annual 'event'.\nWhile Vivienne shops, Jane picks out a yellow diamond ring to try on, which Michael tells her will be her wedding ring someday.\nThen Michael tells her that she is now 'grown up', at the 'age of awareness' and he has to leave her at 5:15pm, the moment of her birth.\nJane doesn't understand and begs him to stay, but he departs, and Jane is devastated.\nTwenty years later, Jane (Alyssa Milano) is soon to marry her fiance Hugh Morrison (Sergei), a famous television actor who proposed to her live during The Tonight Show.\nShe is currently following her mother's steps into becoming a theater manager and will produce her husband in his theater debut.\nOne day, a grown up Michael (Winter) appears to her, telling her that he is her imaginary friend of the past, and that she needs help with something, because otherwise he would not have been sent to her.\nThe difference is, everybody else can see Michael now - he is human.\nJane initially thinks that Michael is a stalker and struggling actor, who probably wants a role in an upcoming play.\nHe assures her of his identity by coming up with information about her past he could not have known if he was not really Michael.\nMichael is surprised that Jane has never pursued her passion of becoming a writer, but Jane assures him that she has let go some of her dreams and grew up instead.\nSwamped with her work and the exhausting planning process of her wedding, she parts ways.\nMichael, however, cannot leave again until he helps Jane with what she needs, though neither know what that is.\nMuch to Jane's dismay, Michael joins her and Hugh for dinner, and soon comes to the conclusion that Jane and Hugh do not know each other very well, and lack the passion that they should have as a soon-to-be bride and groom.\nAfter dinner, Michael follows Jane to her home, and she reluctantly lets him in to spend the night on her couch.\nThey dig up old memories and bond over night.\nThe next evening, he joins her at Hugh's stage debut, and horrifies Vivienne by introducing himself to her as Jane's imaginary friend, and telling her that she has always tried to protect Jane from love because she has become bitter.\nMichael then gives Vivienne a heartfelt hug, to her surprise.\nJane, who has been indecisive about her wedding choices because she thinks everything should be perfect, is helped by Michael choosing the perfect wedding dress.\nWhen she is fitting it, Michael tells her she looks beautiful in it, and they share a kiss.\nJane then immediately tells Michael that she made a mistake, and that they can never become intimate again.\nThey go out a couple of time afterwards, though, and grow even closer.\nHugh enters Jane's apartment one evening and interrupts them having a pillow fight, and becoming jealous, demands Jane end her contact with Michael.\nJane tells Michael that they had fun together, but that she is not the little girl he once knew, and that he should leave.\nAfter returning to her life with Hugh, Jane soon comes to the conclusion that she is not happy with him, and that they do not share the same interests.\nWhile he is away shooting a movie in Los Angeles, she contacts Michael, who is now working in a restaurant.\nThey reconnect and spend their first night together intimately.\nBecause she is now finally happy, Michael announces that he must leave again.\nHeartbroken, Jane assures him that she will not spend another minute thinking of him if he truly leaves.\nShe continues preparing for her wedding, but then leaves Hugh at the altar because she still is in love with Michael.\nAs it is Christmas Eve and almost 5:15pm, she runs off to Tiffany's to find Michael.\nShe does, just in time, and professes her love for him.\nBut he again says he has to go, saddening her once again.\nShe goes outside the store feeling heartbroken.\nBut Michael then reappears and professes his love for her and explains that he came back because he needs her.Sundays at Tiffany's (film): In 1990, ten-year-old Jane Claremont (Emily Alyn Lind ) is infatuated with her imaginary friend Michael (Gage Munroe), much to the dismay of her mother Vivienne (Channing), who even sends her daughter to therapy because of him.
conversations.from: human
conversations.value: a plot for a book about em>The, Target</em, Florida with the genre: Literature & Fiction, Contemporary
conversations.from: assistant
conversations.value: Sundays at Tiffany's (film): In 1990, ten-year-old Jane Claremont (Emily Alyn Lind ) is infatuated with her imaginary friend Michael (Gage Munroe), much to the dismay of her mother Vivienne (Channing), who even sends her daughter to therapy because of him.\nVivienne, who is bitter since going through a tough divorce, has lost all hope in love, and reflects these feelings on young Jane.\nMichael tries to prevent Jane from believing her, and assures her that real love exists.\nOn Christmas Eve, Jane's birthday, her mother takes her to Tiffany & Co in New York City to buy a gift, an annual 'event'.\nWhile Vivienne shops, Jane picks out a yellow diamond ring to try on, which Michael tells her will be her wedding ring someday.\nThen Michael tells her that she is now 'grown up', at the 'age of awareness' and he has to leave her at 5:15pm, the moment of her birth.\nJane doesn't understand and begs him to stay, but he departs, and Jane is devastated.\nTwenty years later, Jane (Alyssa Milano) is soon to marry her fiance Hugh Morrison (Sergei), a famous television actor who proposed to her live during The Tonight Show.\nShe is currently following her mother's steps into becoming a theater manager and will produce her husband in his theater debut.\nOne day, a grown up Michael (Winter) appears to her, telling her that he is her imaginary friend of the past, and that she needs help with something, because otherwise he would not have been sent to her.\nThe difference is, everybody else can see Michael now - he is human.\nJane initially thinks that Michael is a stalker and struggling actor, who probably wants a role in an upcoming play.\nHe assures her of his identity by coming up with information about her past he could not have known if he was not really Michael.\nMichael is surprised that Jane has never pursued her passion of becoming a writer, but Jane assures him that she has let go some of her dreams and grew up instead.\nSwamped with her work and the exhausting planning process of her wedding, she parts ways.\nMichael, however, cannot leave again until he helps Jane with what she needs, though neither know what that is.\nMuch to Jane's dismay, Michael joins her and Hugh for dinner, and soon comes to the conclusion that Jane and Hugh do not know each other very well, and lack the passion that they should have as a soon-to-be bride and groom.\nAfter dinner, Michael follows Jane to her home, and she reluctantly lets him in to spend the night on her couch.\nThey dig up old memories and bond over night.\nThe next evening, he joins her at Hugh's stage debut, and horrifies Vivienne by introducing himself to her as Jane's imaginary friend, and telling her that she has always tried to protect Jane from love because she has become bitter.\nMichael then gives Vivienne a heartfelt hug, to her surprise.\nJane, who has been indecisive about her wedding choices because she thinks everything should be perfect, is helped by Michael choosing the perfect wedding dress.\nWhen she is fitting it, Michael tells her she looks beautiful in it, and they share a kiss.\nJane then immediately tells Michael that she made a mistake, and that they can never become intimate again.\nThey go out a couple of time afterwards, though, and grow even closer.\nHugh enters Jane's apartment one evening and interrupts them having a pillow fight, and becoming jealous, demands Jane end her contact with Michael.\nJane tells Michael that they had fun together, but that she is not the little girl he once knew, and that he should leave.\nAfter returning to her life with Hugh, Jane soon comes to the conclusion that she is not happy with him, and that they do not share the same interests.\nWhile he is away shooting a movie in Los Angeles, she contacts Michael, who is now working in a restaurant.\nThey reconnect and spend their first night together intimately.\nBecause she is now finally happy, Michael announces that he must leave again.\nHeartbroken, Jane assures him that she will not spend another minute thinking of him if he truly leaves.\nShe continues preparing for her wedding, but then leaves Hugh at the altar because she still is in love with Michael.\nAs it is Christmas Eve and almost 5:15pm, she runs off to Tiffany's to find Michael.\nShe does, just in time, and professes her love for him.\nBut he again says he has to go, saddening her once again.\nShe goes outside the store feeling heartbroken.\nBut Michael then reappears and professes his love for her and explains that he came back because he needs her.\nHe gives her the yellow diamond ring before they kiss.
conversations.from: human
conversations.value: Delete the last sentence.
conversations.from: assistant
conversations.value: Sundays at Tiffany's (film): In 1990, ten-year-old Jane Claremont (Emily Alyn Lind ) is infatuated with her imaginary friend Michael (Gage Munroe), much to the dismay of her mother Vivienne (Channing), who even sends her daughter to therapy because of him.\nVivienne, who is bitter since going through a tough divorce, has lost all hope in love, and reflects these feelings on young Jane.\nMichael tries to prevent Jane from believing her, and assures her that real love exists.\nOn Christmas Eve, Jane's birthday, her mother takes her to Tiffany & Co in New York City to buy a gift, an annual 'event'.\nWhile Vivienne shops, Jane picks out a yellow diamond ring to try on, which Michael tells her will be her wedding ring someday.\nThen Michael tells her that she is now 'grown up', at the 'age of awareness' and he has to leave her at 5:15pm, the moment of her birth.\nJane doesn't understand and begs him to stay, but he departs, and Jane is devastated.\nTwenty years later, Jane (Alyssa Milano) is soon to marry her fiance Hugh Morrison (Sergei), a famous television actor who proposed to her live during The Tonight Show.\nShe is currently following her mother's steps into becoming a theater manager and will produce her husband in his theater debut.\nOne day, a grown up Michael (Winter) appears to her, telling her that he is her imaginary friend of the past, and that she needs help with something, because otherwise he would not have been sent to her.\nThe difference is, everybody else can see Michael now - he is human.\nJane initially thinks that Michael is a stalker and struggling actor, who probably wants a role in an upcoming play.\nHe assures her of his identity by coming up with information about her past he could not have known if he was not really Michael.\nMichael is surprised that Jane has never pursued her passion of becoming a writer, but Jane assures him that she has let go some of her dreams and grew up instead.\nSwamped with her work and the exhausting planning process of her wedding, she parts ways.\nMichael, however, cannot leave again until he helps Jane with what she needs, though neither know what that is.\nMuch to Jane's dismay, Michael joins her and Hugh for dinner, and soon comes to the conclusion that Jane and Hugh do not know each other very well, and lack the passion that they should have as a soon-to-be bride and groom.\nAfter dinner, Michael follows Jane to her home, and she reluctantly lets him in to spend the night on her couch.\nThey dig up old memories and bond over night.\nThe next evening, he joins her at Hugh's stage debut, and horrifies Vivienne by introducing himself to her as Jane's imaginary friend, and telling her that she has always tried to protect Jane from love because she has become bitter.\nMichael then gives Vivienne a heartfelt hug, to her surprise.\nJane, who has been indecisive about her wedding choices because she thinks everything should be perfect, is helped by Michael choosing the perfect wedding dress.\nWhen she is fitting it, Michael tells her she looks beautiful in it, and they share a kiss.\nJane then immediately tells Michael that she made a mistake, and that they can never become intimate again.\nThey go out a couple of time afterwards, though, and grow even closer.\nHugh enters Jane's apartment one evening and interrupts them having a pillow fight, and becoming jealous, demands Jane end her contact with Michael.\nJane tells Michael that they had fun together, but that she is not the little girl he once knew, and that he should leave.\nAfter returning to her life with Hugh, Jane soon comes to the conclusion that she is not happy with him, and that they do not share the same interests.\nWhile he is away shooting a movie in Los Angeles, she contacts Michael, who is now working in a restaurant.\nThey reconnect and spend their first night together intimately.\nBecause she is now finally happy, Michael announces that he must leave again.\nHeartbroken, Jane assures him that she will not spend another minute thinking of him if he truly leaves.\nShe continues preparing for her wedding, but then leaves Hugh at the altar because she still is in love with Michael.\nAs it is Christmas Eve and almost 5:15pm, she runs off to Tiffany's to find Michael.\nShe does, just in time, and professes her love for him.\nBut he again says he has to go, saddening her once again.\nShe goes outside the store feeling heartbroken.\nBut Michael then reappears and professes his love for her and explains that he came back because he needs her.