conversations.from: human
conversations.value: a plot for a book about Eve, Amber, Michael entitled The Accidental
conversations.from: assistant
conversations.value: The Accidental: Set in 2003, the novel consists of three parts: "The Beginning," "Middle" and "The End".\nEach part contains four separate narrations, one focusing on each member of the Smart family: Eve, the mother, Michael, her husband, Astrid (12) and Magnus (17), two children of Eve\'s from a previous marriage (to Adam Berenski).\nOpening and closing the novel, and between each part, we have four sections of first-person narration from \'Alhambra\' – who we can assume is Amber, the Smarts\' uninvited house-guest.\nThe novel opens with Alhambra telling us of her conception in \'the town\'s only cinema\'.\nWe then come to "The Beginning", which consists of a third-person narration focused first on Astrid, then Magnus, then Michael, then finally Eve.\nThrough each character we obtain a different view of how Amber came into their lives, and who they believed her to be, when she arrived unannounced and uninvited at their Norfolk holiday home, claiming her car had broken down.\nThrough "The Beginning", we learn of Astrid\'s obsession with video-taping her life, seemingly as proof it existed; of Magnus\' involvement in a school prank which resulted in the suicide of one of his classmates; of Michael\'s affairs with his students (he is a university lecturer); and of Eve\'s writer\'s block.\nThe second first-person narration we have from Alhambra is altogether different from the first – here we are not offered her history, but rather a history of 20th century cinema – a past which she seems to adopt as her own, as if she were each of the characters in those films.\n"The Middle" deals, again, with each of the family members\' experiences of Amber: she throws Astrid\'s camera off a bridge into the road, she seduces Magnus, and reveals flaws in Eve and Michael\'s relationship.\n"The Middle" ends with Eve throwing Amber out of their holiday home.\nThe third first-person narration from Alhambra follows, which is much the same as the second.\nWe then have "The End", which takes us to the Smart home once they return from holiday.\nThe house has been emptied of all possessions – we must assume, as the family do, by Amber – leaving nothing but the answering machine, which contains messages forcing Magnus, Michael and Eve to face up to their past.\nMagnus and Astrid seem freed and excited by the experience of losing their possessions, their past – Michael also seems to find some redemption.\nEve, however, runs away from the family, embarking on a round-the-world tour – eventually ending up in America, where she goes in search of her old family home.\n"The End" ends, ominously, with Eve seeming to take up Amber\'s mantle, arriving at someone\'s house as an uninvited guest.\nThe book then finishes with a short section from Alhambra, reinforcing her connection to the cinema.
conversations.from: human
conversations.value: Reverse the sentences.
conversations.from: assistant
conversations.value: \nThe book then finishes with a short section from Alhambra, reinforcing her connection to the cinema..\n"The End" ends, ominously, with Eve seeming to take up Amber\'s mantle, arriving at someone\'s house as an uninvited guest.\nEve, however, runs away from the family, embarking on a round-the-world tour – eventually ending up in America, where she goes in search of her old family home.\nMagnus and Astrid seem freed and excited by the experience of losing their possessions, their past – Michael also seems to find some redemption.\nThe house has been emptied of all possessions – we must assume, as the family do, by Amber – leaving nothing but the answering machine, which contains messages forcing Magnus, Michael and Eve to face up to their past.\nWe then have "The End", which takes us to the Smart home once they return from holiday.\nThe third first-person narration from Alhambra follows, which is much the same as the second.\n"The Middle" ends with Eve throwing Amber out of their holiday home.\n"The Middle" deals, again, with each of the family members\' experiences of Amber: she throws Astrid\'s camera off a bridge into the road, she seduces Magnus, and reveals flaws in Eve and Michael\'s relationship.\nThe second first-person narration we have from Alhambra is altogether different from the first – here we are not offered her history, but rather a history of 20th century cinema – a past which she seems to adopt as her own, as if she were each of the characters in those films.\nThrough "The Beginning", we learn of Astrid\'s obsession with video-taping her life, seemingly as proof it existed; of Magnus\' involvement in a school prank which resulted in the suicide of one of his classmates; of Michael\'s affairs with his students (he is a university lecturer); and of Eve\'s writer\'s block.\nThrough each character we obtain a different view of how Amber came into their lives, and who they believed her to be, when she arrived unannounced and uninvited at their Norfolk holiday home, claiming her car had broken down.\nWe then come to "The Beginning", which consists of a third-person narration focused first on Astrid, then Magnus, then Michael, then finally Eve.\nThe novel opens with Alhambra telling us of her conception in \'the town\'s only cinema\'.\nOpening and closing the novel, and between each part, we have four sections of first-person narration from \'Alhambra\' – who we can assume is Amber, the Smarts\' uninvited house-guest.\nEach part contains four separate narrations, one focusing on each member of the Smart family: Eve, the mother, Michael, her husband, Astrid (12) and Magnus (17), two children of Eve\'s from a previous marriage (to Adam Berenski).The Accidental: Set in 2003, the novel consists of three parts: "The Beginning," "Middle" and "The End"