conversations.from: human
conversations.value: Do you know a plot for a book about Red, Ruby, David entitled Child of the Moon?
conversations.from: assistant
conversations.value: Child of the Moon: Red Riding Hood, in human form and wearing her hood, walks through the forest.\nIn the Enchanted Forest, Snow White (Ginnifer Goodwin) and Red Riding Hood (Meghan Ory) fight off the Evil Queen\'s men and escape from them.\nBut Red\'s hood has torn, and she worries it won\'t prevent her from turning into a wolf during that night\'s coming full moon.\nShe insists that they separate for the night, for Snow\'s safety, and they plan to reunite in the morning.\nSnow reaffirms her commitment to their friendship.\nAs she leaves, Red is watched by a man with glowing eyes.\nThe following morning, he appears and steals the hood.\nAfter a physical altercation, he introduces himself as Quinn (Ben Hollingsworth), a fellow werewolf.\nHe tells her that she can learn how to control the wolf, and leads her to a subterranean community of werewolves.\nTheir leader Anita (Annabeth Gish) is revealed to be Red\'s mother.\nAnita tells Red that Granny (Beverley Elliott) kidnapped Red as baby and lied about her parents, to prevent her from learning her true identity.\nAnita says she can teach her to learn control by accepting the wolf as a part of herself, and she persuades Red to remove her hood.\nDuring the night, Anita teaches Red that her blackouts are caused by her belief that the wolf is an invader; by instead recognizing the wolf as herself, she can retain control.\nIn the morning, Red remembers the entire experience and is no longer afraid.\nSnow later arrives, having tracked Red.\nRed persuades Anita that Snow is not a threat, and informs Snow that she\'s going to stay with her "pack" and her mother, a decision Snow regretfully accepts.\nHowever, the queen\'s men then arrive and kill Quinn before being killed by the werewolves.\nAnita holds Snow responsible and tells Red to kill her.\nWhen Red refuses, Anita turns into a wolf in order to do it herself.\nRed also transforms and inadvertently kills Anita by knocking her onto a skewer.\nSnow places the red cloak onto Red, changing her back into her human form.\nRed apologizes to her mother, who says Red chose Snow, but Red explains that she chose herself and is not a killer.\nRed and Snow bury Anita, and Red tells Snow that she didn\'t lose her family; she protected it, because Snow was the only person who truly accepted both aspects of her dual nature.\nThe dwarves continue mining for fairy dust in the mines.\nAfter Leroy (Lee Arenberg) resists taking a break, he punctures a wall and discovers the diamonds needed to create fairy dust.\nThe Mother Superior (Keegan Connor Tracy) tells David (Josh Dallas) to protect Jefferson\'s damaged hat and that they will be ready to bring back Mary Margaret and Emma Swan (Jennifer Morrison) within a day.\nAt Granny\'s, Billy the tow truck driver introduces himself to Ruby as Gus, a mouse who lived in Cinderella\'s pantry, and asks her out for a drink.\nShe declines, and Belle provides the false excuse of a prearranged "girls\' night; Red keeps secret the fact that she\'ll turn into a wolf that night.\nHenry (Jared Gilmore) drinks coffee to avoid sleep, due to his curse-induced nightmares, but David reassures him.\nAlbert Spencer (Alan Dale) arrives and tells David that he is determined to discredit him.\nDavid assures Spencer that, having defeated him before, he can defeat him again.\nGranny finishes welding a cage for Ruby since, after 28 years without turning, Ruby is unsure if she can still control herself and she has been unable to find her red hood in Storybrooke.\nShe locks herself in for the night, but in the morning Granny discovers claw marks on the destroyed cage; she and David find Ruby in the woods, and she has no memory of the previous night.\nThey then check on an abandoned vehicle in town, which turns out to be Billy\'s tow truck.\nWhen Billy\'s corpse is found nearby in two pieces, Ruby believes that she might be responsible for his death and asks David to lock her up in jail, even though David believes that Ruby is innocent.\nMeanwhile, David has asked Regina (Lana Parrilla) to stay with Henry.\nWhen he awakens from his fiery nightmare with a burn on his hand, she brings him to see mr Gold (Robert Carlyle).\nGold explains that the nightmares are a side effect of the sleeping curse; its victims\' souls travel to a netherworld (a "very real" world "between life and death") until the curse is broken, and recovered victims can find themselves there while sleeping.\nGold can\'t keep Henry from going back there, but he prepares an amulet that will allow Henry to control his actions in the other world, providing it free of charge.\nSpencer comes to the police station and accuses Ruby of the murder.\nAfter David refuses Spencer\'s demand that Ruby be turned over to the will of the townspeople, Spencer denounces David and Ruby to an angry mob that then breaks into the station, only to find that Ruby is gone.\nShe is at the library, where Belle (Emilie de Ravin) has agreed to hide her.\nOver Ruby\'s warnings, Belle plans to stay through the night with a chained Ruby.\nBut Ruby instead traps Belle and goes to face the mob, believing she deserves death.\nGranny\'s tracking skills lead David to uncover Ruby\'s hood and the real murder weapon, an axe, in the trunk of a car registered to Spencer.\nSpencer and the mob corner Ruby in her wolf form and Spencer points his gun at her, but Granny disarms Spencer with a crossbow.\nDavid identifies Spencer as the murderer and demands that the mob stand down.\nHe calms Ruby and puts the hood over her, restoring her human form.\nAfter Spencer flees, David and Ruby pursue him but catch him only after he destroys Jefferson\'s hat in a fire; David points his gun at him, but lets him live.\nAt the loft, Ruby reassures David that they\'ll find a way to bring his family home.\nShe leaves the hood with him so she can run free as a wolf.\nPrincess Aurora (Sarah Bolger) sleeps and dreams of the fiery room.\nThis time, Henry calms the flames and reassures her.\nAurora wakes up and stuns Mary Margaret and Emma by telling them that she met a boy named Henry in her dream.
conversations.from: human
conversations.value: Do you know the first five paragraphs for this book?
conversations.from: assistant
conversations.value: Child of the Moon
  For a long time, I have been on the hunt for their origins. I wanted to know why they had chosen me as their friend in sin.
  Bathing in tears of silence, I finally noticed the moon, who has always been there to soothe. Especially on the darkest nights of the year. For even a waning or waxing crescent moon, as thin as it is, is still there. The moon was the love that made the questions of why my life was like this, and why my pain was so overwhelming, wither away like autumn leaves.
  Sailing in the sea of silence, I heard echoes of my whys. Other voices were screaming desperate whys. Whys from  
  Sinking into the hole of silence, I heard her sobs. The child said: "Love me please." She seemed indifferent to my whys. She seemed unfazed by the silence. She seemed unconcerned with my adult drama. She wanted love from her mama.
  You start seeing these moments of acceptance, you surprise yourself by putting up boundaries, you give yourself approval just because
conversations.from: human
conversations.value: Do you know four more paragraphs?
conversations.from: assistant
conversations.value: When I returned to California after my year sabbatical, I was inundated with stories about a protest camp in South Dakota led by a group of Native American tribes to stop the building of a pipeline that would harm their water and violate the sacredness of their land. I knew I had to do something to support them.
  The day I arrived was the day many veterans joined to support the Native American cause. As I was volunteering in the kitchen in one of the tents, an old man in tears in his Army uniform caught my eye. People started gathering around him. He spoke softly of atonement. Of the pain he has lived since the war in Vietnam. Of the numerous veterans who killed themselves, who live with daily emotional and mental pain. The cost of unjust war has been transformed into trauma that the soldiers carry, along with the nations who have been abused, colonized, used. A Native American tribe leader sitting facing him said quietly: "Your trauma is our trauma.  
  Leila was born in the underworld. Leila means night in Arabic. She knew darkness so well, drank sadness from a well. Swam in shame. Feasted on anger. She was the wise woman of all, and often visited by both mortals and gods.
  One night, Queen Nour, which means light in Arabic, reluctantly paid a visit to Leila. She had been flying for decades and in the process her legs, of no use, became limp. Now that she was tired and wanted to find her ground, her legs fell apart.
conversations.from: human
conversations.value: Reverse the sentences.
conversations.from: assistant
conversations.value: Now that she was tired and wanted to find her ground, her legs fell apart.. She had been flying for decades and in the process her legs, of no use, became limp.
  One night, Queen Nour, which means light in Arabic, reluctantly paid a visit to Leila. She was the wise woman of all, and often visited by both mortals and gods. Feasted on anger. Swam in shame. She knew darkness so well, drank sadness from a well. Leila means night in Arabic.  
  Leila was born in the underworld. A Native American tribe leader sitting facing him said quietly: "Your trauma is our trauma. The cost of unjust war has been transformed into trauma that the soldiers carry, along with the nations who have been abused, colonized, used. Of the numerous veterans who killed themselves, who live with daily emotional and mental pain. Of the pain he has lived since the war in Vietnam. He spoke softly of atonement. People started gathering around him. As I was volunteering in the kitchen in one of the tents, an old man in tears in his Army uniform caught my eye.
  The day I arrived was the day many veterans joined to support the Native American cause. I knew I had to do something to support them.When I returned to California after my year sabbatical, I was inundated with stories about a protest camp in South Dakota led by a group of Native American tribes to stop the building of a pipeline that would harm their water and violate the sacredness of their land
conversations.from: human
conversations.value: Do you know the last five paragraphs?
conversations.from: assistant
conversations.value: To Sofiane Si Merabet, for supporting the visual creative process and reminding me through his art to stay true to my roots.
  To my mother, Yolla, for being my rock, my brother, Rayan, for carrying the biggest of hearts, my grandmothers for nourishing me.
  To California Institute of Integral Studies, for molding me into a therapist by providing a safe space to face one's and society's darkness.
  To anyone and everyone who crossed my path during this time of deep excavation, you have carried me knowingly and unknowingly to the shore.
  Jessica Semaan is a writer, poet, and performer. She finds inspiration in her journey to heal from complex trauma. Born and raised in Lebanon, Semaan currently resides in San Francisco, where she is attending school to become a psychotherapist. Prior to following her authentic path of artist and healer, she attended Stanford Business School and founded The Passion Co., an organization that helps people find and pursue their passions.
conversations.from: human
conversations.value: Reverse the sentences.
conversations.from: assistant
conversations.value: , an organization that helps people find and pursue their passions.. Prior to following her authentic path of artist and healer, she attended Stanford Business School and founded The Passion Co. Born and raised in Lebanon, Semaan currently resides in San Francisco, where she is attending school to become a psychotherapist. She finds inspiration in her journey to heal from complex trauma.
  Jessica Semaan is a writer, poet, and performer.
  To anyone and everyone who crossed my path during this time of deep excavation, you have carried me knowingly and unknowingly to the shore.
  To California Institute of Integral Studies, for molding me into a therapist by providing a safe space to face one's and society's darkness.
  To my mother, Yolla, for being my rock, my brother, Rayan, for carrying the biggest of hearts, my grandmothers for nourishing me.To Sofiane Si Merabet, for supporting the visual creative process and reminding me through his art to stay true to my roots