conversations.from: human
conversations.value: the first scene for a screenplay with the title 'Fantastic Mr Fox'
conversations.from: assistant
conversations.value: Fantastic Mr Fox
  
  DISSOLVE TO: The hill with half its earth dug out from under the tree. The tree still stands precariously above the wild tractors.
  DISSOLVE TO: The hill now razed with the fallen, old beech tree laying on its side as the tractors dig deeper.
  DISSOLVE TO: The tractors almost completely below ground in a deep crater. A crowd of neighbors and local press from the town has gathered and watches as the tractors stop digging and rumble up out of the crater. The motors go quiet. Boggis, Bunce, and Bean climb down from their tractors. They look angry and tired. They stand among the workers and onlookers. A television reporter with an Action 13 camera crew confronts
  REPORTER Farmer, correct me if I'm misreading the data, you've successfully destroyed the scenery, but the alleged fox remains at large. What will you three prominent farmers do now?
  BEAN Well, Dan, I can tell you what we're not going to do. We're not going to let him go.
  REPORTER Are you concerned about the possibility
  BEAN I have no further dialogue in this scene. Bean turns away from the reporter and pulls Boggis and Bunce aside. He addresses them with calm intensity:
  BEAN I'm not going home until we smoke this son-of-a-cuss out his hole, string him up on a clothesline, and fly him like a kite. Boggis, how many men have you got working on your farm?
  BOGGIS Thirty-five.
  BEAN Bunce?
  BUNCE Thirty-six.
  BEAN And I've got thirty-seven. That's 108 men altogether. Now what do I got here? Two quitters -- or are you staying with?
  CUT TO: That night. A helicopter with a Bean, inc. decal on the side of it circles the crater scanning the dark terrain with a searchlight. There are tents, trucks, and 108 men gathered around the perimeter. They sit on bricks and logs and are armed with bats, pistols, rifles, shotguns, bows and arrows, and hatchets.
  INT. HOLE.
conversations.from: human
conversations.value: another scene
conversations.from: assistant
conversations.value: FOX Weasel! Mustela Nivalis!
  WEASEL Stop yelling! Fox snaps his fingers, kicks a rock, and throws his arm into the air.
  FOX All right! Fox points to the various cubs and pups.
  FOX All you little kids get organized and put together some kind of a K.P. unit or something to keep this sewer clean. It's good for morale. The field mouse shoves his way to the front of the crowd. He makes a fist with his paw.
conversations.from: human
conversations.value: the last long scene
conversations.from: assistant
conversations.value: CUT TO: A wide shot of all sixteen aisles of the supermarket stacked with boxes, cartons, cans, bottles, bags, and jars of every possible variety of food. The family of foxes continues to dance at the distant end of the center aisle.
  EXT. STREET. 
  DAY
  Boggis, Bunce, and Bean sit silently in folding metal chairs around the manhole. Boggis's carbine rests across his lap. Bunce's shotgun hangs from a strap over his shoulder. Bean cleans his Luger. Petey sits on a cider box outside the Nag's Head strumming his guitar in the background. The bartender pulls the shutters shut and flips a sign on the door to Closed. Petey starts singing his song as the credits roll. The sun sets. The farmers sit waiting in the dark.
  Back to IMSDb
conversations.from: human
conversations.value: Reverse the sentences.
conversations.from: assistant
conversations.value: Back to IMSDb. The farmers sit waiting in the dark. The sun sets. Petey starts singing his song as the credits roll. The bartender pulls the shutters shut and flips a sign on the door to Closed. Petey sits on a cider box outside the Nag's Head strumming his guitar in the background. Bean cleans his Luger. Bunce's shotgun hangs from a strap over his shoulder. Boggis's carbine rests across his lap. 
  DAY
  Boggis, Bunce, and Bean sit silently in folding metal chairs around the manhole. STREET.
  EXT. The family of foxes continues to dance at the distant end of the center aisle.CUT TO: A wide shot of all sixteen aisles of the supermarket stacked with boxes, cartons, cans, bottles, bags, and jars of every possible variety of food