conversations.from: human
conversations.value: Give me a plot for a book about Gordon, Rosemary, Ravelston entitled Keep the Aspidistra Flying.
conversations.from: assistant
conversations.value: Keep the Aspidistra Flying: Gordon Comstock has \'declared war\' on what he sees as an \'overarching dependence\' on money by leaving a promising job as a copywriter for an advertising company called \'New Albion\'—at which he shows great dexterity—and taking a low-paying job instead, ostensibly so he can write poetry.\nComing from a respectable family background in which the inherited wealth has now become dissipated, Gordon resents having to work for a living.\nThe \'war\' (and the poetry), however, aren\'t going particularly well and, under the stress of his \'self-imposed exile\' from affluence, Gordon has become absurd, petty and deeply neurotic.\nComstock lives without luxuries in a bedsit in London, which he affords by working in a small bookshop owned by a Scot, McKechnie.\nHe works intermittently at a magnum opus he plans to call \'London Pleasures\', describing a day in London; meanwhile, his only published work, a slim volume of poetry entitled Mice, collects dust on the remainder shelf.\nHe is simultaneously content with his meagre existence and also disdainful of it.\nHe lives without financial ambition and the need for a \'good job,\' but his living conditions are uncomfortable and his job is boring.\nComstock is \'obsessed\' by what he sees as a pervasion of money (the \'Money God\', as he calls it) behind social relationships, feeling sure that women would find him more attractive if he were better off.\nAt the beginning of the novel, he senses that his girlfriend Rosemary Waterlow (whom he met at New Albion, and who continues to work there), is dissatisfied with him because of his poverty.\nAn example of his financial embarrassment is when he is desperate for a pint of beer at his local pub, but has run out of pocket money and is ashamed to cadge a drink off his fellow lodger, Flaxman.\nOne of Comstock\'s last remaining friends, Philip Ravelston, a Marxist who publishes a magazine called Anti-Christ, agrees with Comstock in principle, but is comfortably well-off himself and this causes strains when the practical miseries of Comstock\'s life become apparent.\nHe does, however, endeavour to publish some of Comstock\'s work and his efforts had resulted in Mice being published via one of his publisher contacts (unbeknownst to Comstock).\nGordon and Rosemary have little time together—she works late and lives in a hostel, and his \'bitch of a landlady\' forbids female visitors to her tenants.\nThen one evening, having headed southward and having been thinking about women—this women business in general, and Rosemary in particular—he happens to see Rosemary in a street market.\nRosemary won\'t have sex with him but she wants to spend a Sunday with him, right out in the country, near Burnham Beeches.\nAt their parting, as he takes the tram from Tottenham Court Road back to his bedsit, he is happy and feels that somehow it is agreed between them that Rosemary is going to be his mistress.\nHowever, what is intended to be a pleasant day out away from London\'s grime turns into a disaster when, though hungry, they opt to pass by a \'rather low-looking\' pub, and can then not find another pub, and are forced to eat an unappetising lunch at a fancy, overpriced hotel instead.\nGordon has to pay the bill with all the money he had set aside for their jaunt and worries about having to borrow money from Rosemary.\nOut in the countryside again, they are about to have sex for the first time when she violently pushes him back—he wasn\'t going to use contraception.\nHe rails at her; "Money again, you see.\nYou say you \'can\'t\' have a baby.\nYou mean you daren\'t; because you\'d lose your job and I\'ve got no money and all of us would starve".\nHaving sent a poem to an American publication, Gordon suddenly receives from them a cheque worth ten pounds – a considerable sum for him at the time.\nHe intends to set aside half for his sister Julia, who has always been there to lend him money and support.\nHe treats Rosemary and Ravelston to dinner, which begins well, but the evening deteriorates as it proceeds.\nGordon, drunk, tries to force himself upon Rosemary but she angrily rebukes him and leaves.\nGordon continues drinking, drags Ravelston with him to visit a pair of prostitutes, and ends up broke and in a police cell the next morning.\nHe is guilt-ridden over the thought of being unable to pay his sister back the money he owes her, because his £5 note is gone, given to, or stolen by, one of the tarts.\nRavelston pays Gordon\'s fine after a brief appearance before the magistrate, but a reporter hears about the case, and writes about it in the local paper.\nThe ensuing publicity results in Gordon losing his job at the bookshop, and, consequently, his relatively \'comfortable\' lifestyle.\nAs Gordon searches for another job, his life deteriorates, and his poetry stagnates.\nAfter living with his friend Ravelston, and his girlfriend Hermione, during his time of unemployment, Gordon ends up working at another book shop and cheap two-penny lending library, this time in Lambeth, owned by the sinister mr Cheeseman, for an even smaller wage of 30 shillings a week.\nThis is 10 shillings less than he was earning before, but Gordon is satisfied; "The job would do.\nThere was no trouble about a job like this; no room for ambition, no effort, no hope".\nDetermined to sink to the lowest level of society Gordon takes a furnished bed-sitting-room in a filthy alley parallel to Lambeth Cut.\nBoth Julia and Rosemary, "in feminine league against him", seek to get Gordon to go back to his \'good\' job at the New Albion advertising agency.\nRosemary, having avoided Gordon for some time, suddenly comes to visit him one day at his dismal lodgings.\nDespite his terrible poverty and shabbiness, they have sex but it is without any emotion or passion.\nLater, Rosemary drops in one day unexpectedly at the library, having not been in touch with Gordon for some time, and tells him that she is pregnant.\nGordon is presented with the choice between leaving Rosemary to a life of social shame at the hands of her family—since both of them reject the idea of an abortion—or marrying her and returning to a life of respectability by taking back the job he once so deplored at the New Albion with its £4 weekly salary.\nHe chooses Rosemary and respectability and then experiences a feeling of relief at having abandoned his anti-money principles with such comparative ease.\nAfter two years of abject failure and poverty, he throws his poetic work \'London Pleasures\' down a drain, marries Rosemary, resumes his advertising career, and plunges into a campaign to promote a new product to prevent foot odour.\nIn his lonely walks around mean streets, aspidistras seem to appear in every lower-middle class window.\nAs the book closes, Gordon wins an argument with Rosemary to install an aspidistra in their new small but comfortable flat off the Edgware Road.
conversations.from: human
conversations.value: Give me a plot for a book about Aspidistra, Flying, film entitled Keep the Aspidistra Flying.
conversations.from: assistant
conversations.value: Keep the Aspidistra Flying (film): Gordon Comstock (Grant), is a successful copywriter at a flourishing advertising firm in 1930s London.\nHis girlfriend and co-worker, Rosemary (Bonham Carter), fears he may never settle down with her when he suddenly disavows his money-based lifestyle and quits his job for the artistic satisfaction of writing poetry.