human
Can you write me a poem about rudyard kipling and john drinkwater in the style of Guy de Maupassant?
assistant
Sure, here's a poem about rudyard kipling and john drinkwater in the style of Guy de Maupassant:
  "_Modern American Poetry_," etc.
For permission to reprint the material in this volume, the editor
For "The Return" from _The Five Nations_ and for "An
Astrologer's Song" from _Rewards and Fairies_ by Rudyard
Kipling. Thanks also are due to Mr. Kipling himself for
personal permission to reprint these poems.
For the poem from _Collected Poems_ by James Elroy Flecker.
For the poems from _The Old Huntsman_, _Counter-Attack_ and
For poems from _War and Love_ by Richard Aldington and _The
Mountainy Singer_ by Seosamh MacCathmhaoil (Joseph
For poems from _Peacock Pie_ and _The Listeners_ by Walter
For two poems from _Poems, 1908-1919_, by John Drinkwater,
both of which are used by permission of, and by special
arrangement with, Houghton Mifflin Company, the authorized
publishers.
For the selections from _Chamber Music_ by James Joyce,
Rutherford McLeod, _Amores, Look! We Have Come Through!_,
For poems from _The Collected Poems of William H. Davies_,
For the selections from _Poems_ by G. K. Chesterton,
For the selections from _Fires_ and _Borderlands and
Hodgson, the sonnet from _Good Friday and Other Poems_ by
John Masefield, and the passage (entitled in this volume
"Rounding the Horn") from "Dauber" in _The Story of a
For the title poem from _In Flanders Fields_ by John McCrae.
For two excerpts from _Strange Meetings_ by Harold Monro and
for the poems from the biennial anthologies, _Georgian
For the quotations from _Poems_ by William Ernest Henley.
For the poem from _Ardours and Endurances_ by Robert
LONGMANS, GREEN & CO., as the representatives of B. H.
BLACKWELL, of Oxford--
For a poem by Edith Sitwell from _The Mother_.
INTRODUCTORY                                         xi
Ode in May
When I Was One-and-Twenty
Drake's Drum
An Astrologer's Song
Fragment from "Herod"
A Translation from Petrarch
Beauty's a Flower
Songs from an Evil Wood
JOSEPH CAMPBELL (_Seosamh MacCathmhaoil_) (1881-    )
By-the-Way
"Is Love, then, so Simple"
It's a Queer Time
At its worst, it was a period of smugness, of placid and pious
sympathy with their time.
ugliness of the immediate past, that the slogan won. At least,
temporarily.
monotony. It may indeed be something more than a coincidence that
possessed the three things which he said the English would never
forgive--youth, power and enthusiasm. But in trying to make an
exclusive cult of beauty, Wilde had also tried to make it evade
discovered."
coarse, difficult, often dangerous and dirty, but splendid at the
hungers of man; it could not flourish only on its own essences or
Whistler and to proclaim the genius of the sculptor Rodin.
If at times Henley's verse is imperialistic, over-muscular and
strident, his noisy moments are redeemed not only by his delicate
background of dreams, politics, suffering and heroism that is
As to Synge's poetic power, it is unquestionably greatest in his
New tendencies are contagious. But they also disclose themselves
recovered from its surfeit of Victorian priggishness and
"Romance is gone," sighed most of his contemporaries,
"... and all unseen
Romance brought up the nine-fifteen."
That sentence (from his poem "The King") contains the key to the
universal.
All art is a twofold revivifying--a recreation of subject and a
_Livelihood_, _Daily Bread_ and _Fires_. This intensity had been
asking new questions. It found its answers in the war; repressed
emotionalism discovered a new outlet. One hears its echoes in the
brilliant G. K. Chesterton, the facile Alfred Noyes, the romantic
perhaps best known to American readers.
All of the poets mentioned in the foregoing paragraph (with the
chronological scheme, but it is more amplified and goes into far
greater detail than its predecessor.
It was not until he was almost sixty, in 1898 to be precise, that
Only a man harrowing clods
In a slow silent walk,
With an old horse that stumbles and nods
Half asleep as they stalk.
Only thin smoke without flame
From the heaps of couch grass:
Yet this will go onward the same
Though Dynasties pass.
Yonder a maid and her wight
Come whispering by;
War's annals will fade into night
Ere their story die.
The moving sun-shapes on the spray,
The sparkles where the brook was flowing,
Pink faces, plightings, moonlit May,--
These were the things we wished would stay;
But they were going.
Seasons of blankness as of snow,
The silent bleed of a world decaying,
The moan of multitudes in woe,--
These were the things we wished would go;
But they were staying.
By some old ancient inn,
We should have sat us down to wet
Right many a nipperkin!
"But ranged as infantry,
And staring face to face,
I shot at him as he at me,
And killed him in his place.
"I shot him dead because--
Because he was my foe,
Just so: my foe of course he was;
That's clear enough; although
"He thought he'd 'list, perhaps,
Off-hand like--just as I--
Was out of work--had sold his traps--
No other reason why.
"Yes; quaint and curious war is!
You shoot a fellow down
You'd treat, if met where any bar is,
Or help to half-a-crown."
Robert Bridges was born in 1844 and educated at Eton and Corpus
Christi College, Oxford. After traveling extensively, he studied
The day begins to droop,--
Its course is done:
But nothing tells the place
Of the setting sun.
The hazy darkness deepens,
And up the lane
You may hear, but cannot see,
The homing wain.
An engine pants and hums
In the farm hard by:
Its lowering smoke is lost
In the lowering sky.
The soaking branches drip,
And all night through
The dropping will not cease
In the avenue.
A tall man there in the house
Must keep his chair:
He knows he will never again
Breathe the spring air:
His heart is worn with work;
He is giddy and sick
If he rise to go as far
As the nearest rick:
He thinks of his morn of life,
His hale, strong years;
And braves as he may the night
Of darkness and tears.
Beautiful must be the mountains whence ye come,
And bright in the fruitful valleys the streams, wherefrom
Ye learn your song:
Where are those starry woods? O might I wander there,
Among the flowers, which in that heavenly air
Bloom the year long!
Nay, barren are those mountains and spent the streams:
Our song is the voice of desire, that haunts our dreams,
A throe of the heart,
Whose pining visions dim, forbidden hopes profound,
No dying cadence nor long sigh can sound,
For all our art.
Alone, aloud in the raptured ear of men
We pour our dark nocturnal secret; and then,
As night is withdrawn
From these sweet-springing meads and bursting boughs of May,
Dream, while the innumerable choir of day
Welcome the dawn.
The poem here reprinted is not only O'Shaughnessy's best, but is,
immortal classics of our verse.
We are the music-makers,
And we are the dreamers of dreams,
Wandering by lone sea-breakers,
And sitting by desolate streams;
World-losers and world-forsakers,
On whom the pale moon gleams:
Yet we are the movers and shakers
Of the world for ever, it seems.
With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down.
We, in the ages lying
In the buried past of the earth,
Built Nineveh with our sighing,
And Babel itself with our mirth;
And o'erthrew them with prophesying
To the old of the new world's worth;
For each age is a dream that is dying,
Or one that is coming to birth.
after all, the lyrical instinct had slept--not died."
Out of the night that covers me,
Black as the Pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.
In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.
Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find, me unafraid.
It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.
The nightingale has a lyre of gold,
The lark's is a clarion call,
And the blackbird plays but a boxwood flute,
But I love him best of all.
For his song is all of the joy of life,
And we in the mad, spring weather,
We two have listened till he sang
Our hearts and lips together.
It was a bowl of roses:
There in the light they lay,
Languishing, glorying, glowing
Their life away.
And the soul of them rose like a presence,
Into me crept and grew,
And filled me with something--some one--
O, was it you?
Behold me waiting--waiting for the knife.
A little while, and at a leap I storm
The thick sweet mystery of chloroform,
The drunken dark, the little death-in-life.
The gods are good to me: I have no wife,
No innocent child, to think of as I near
The fateful minute; nothing all-too dear
Unmans me for my bout of passive strife.
Yet I am tremulous and a trifle sick,
And, face to face with chance, I shrink a little:
My hopes are strong, my will is something weak.
Here comes the basket? Thank you. I am ready
But, gentlemen my porters, life is brittle:
You carry Cæsar and his fortunes--Steady!
A late lark twitters from the quiet skies;
And from the west,
Where the sun, his day's work ended,
Lingers as in content,
There falls on the old, grey city
An influence luminous and serene,
A shining peace.
The smoke ascends
In a rosy-and-golden haze. The spires
Shine, and are changed. In the valley
Shadows rise. The lark sings on. The sun,
Closing his benediction,
Sinks, and the darkening air
Thrills with a sense of the triumphing night--
Night with her train of stars
And her great gift of sleep.
So be my passing!
My task accomplished and the long day done,
My wages taken, and in my heart
Some late lark singing,
Let me be gathered to the quiet west,
The sundown splendid and serene,
Great is the sun, and wide he goes
Through empty heaven without repose;
And in the blue and glowing days
More thick than rain he showers his rays.
Though closer still the blinds we pull
To keep the shady parlour cool,
To slip his golden fingers through.
The dusty attic, spider-clad,
He, through the keyhole, maketh glad;
And through the broken edge of tiles
Into the laddered hay-loft smiles.
Meantime his golden face around
He bares to all the garden ground,
And sheds a warm and glittering look
Among the ivy's inmost nook.
Above the hills, along the blue,
Round the bright air with footing true,
To please the child, to paint the rose,
The gardener of the World, he goes.
Late lies the wintry sun a-bed,
A frosty, fiery sleepy-head;
Blinks but an hour or two; and then,
A blood-red orange, sets again.
Before the stars have left the skies,
At morning in the dark I rise;
And shivering in my nakedness,
By the cold candle, bathe and dress.
Close by the jolly fire I sit
To warm my frozen bones a bit;
Or with a reindeer-sled, explore
The colder countries round the door.
When to go out, my nurse doth wrap
Me in my comforter and cap;
The cold wind burns my face, and blows
Its frosty pepper up my nose.
Black are my steps on silver sod;
Thick blows my frosty breath abroad;
And tree and house, and hill and lake,
Are frosted like a wedding-cake.
I will make you brooches and toys for your delight
Of bird-song at morning and star-shine at night.
I will make a palace fit for you and me,
Of green days in forests and blue days at sea.
I will make my kitchen, and you shall keep your room,
Where white flows the river and bright blows the broom,
And you shall wash your linen and keep your body white
In rainfall at morning and dewfall at night.
And this shall be for music when no one else is near,
The fine song for singing, the rare song to hear!
That only I remember, that only you admire,
Of the broad road that stretches and the roadside fire.
Under the wide and starry sky
Dig the grave and let me lie:
Glad did I live and gladly die,
And I laid me down with a will.
This be the verse you 'grave for me:
_Here he lies where he long'd to be;
Home is the sailor, home from the sea,
And the hunter home from the hill._
A voice peals in this end of night
A phrase of notes resembling stars,
Single and spiritual notes of light.
What call they at my window-bars?
The South, the past, the day to be,
An ancient infelicity.
Darkling, deliberate, what sings
This wonderful one, alone, at peace?
What wilder things than song, what things
Sweeter than youth, clearer than Greece,
Dearer than Italy, untold
Delight, and freshness centuries old?
And first first-loves, a multitude,
The exaltation of their pain;
Ancestral childhood long renewed;
And midnights of invisible rain;
And gardens, gardens, night and day,
Gardens and childhood all the way.
What Middle Ages passionate,
O passionless voice! What distant bells
Lodged in the hills, what palace state
Illyrian! For it speaks, it tells,
Without desire, without dismay,
Some morrow and some yesterday.
All-natural things! But more--Whence came
This yet remoter mystery?
How do these starry notes proclaim
A graver still divinity?
This hope, this sanctity of fear?
_O innocent throat! O human ear!_
His feminine _alter ego_, Fiona Macleod, was a far different
personality. Sharp actually believed himself possessed of another
poetry. Of the prose stories written by Fiona Macleod, the most
In the secret Valley of Silence
No breath doth fall;
No wind stirs in the branches;
No bird doth call:
As on a white wall
A breathless lizard is still,
So silence lies on the valley
Breathlessly still.
In the dusk-grown heart of the valley
An altar rises white:
No rapt priest bends in awe
Before its silent light:
But sometimes a flight
Of breathless words of prayer
White-wing'd enclose the altar,
Eddies of prayer.
In a fair place
Of whin and grass,
I heard feet pass
Where no one was.
I saw a face
Bloom like a flower--
Nay, as the rainbow-shower
Of a tempestuous hour.
It was not man, or woman:
It was not human:
But, beautiful and wild,
Terribly undefiled,
I knew an unborn child.
Oscar Wilde was born at Dublin, Ireland, in 1856, and even as an
Wilde died at Paris, November 30, 1900.
Tread lightly, she is near
Under the snow,
Speak gently, she can hear
The daisies grow.
All her bright golden hair
Tarnished with rust,
She that was young and fair
Fallen to dust.
Lily-like, white as snow,
She hardly knew
She was a woman, so
Sweetly she grew.
Coffin-board, heavy stone,
Lie on her breast;
I vex my heart alone,
She is at rest.
Peace, peace; she cannot hear
Lyre or sonnet;
All my life's buried here,
Heap earth upon it.
The Thames nocturne of blue and gold
Changed to a harmony in grey;
A barge with ochre-coloured hay
Dropt from the wharf: and chill and cold
The yellow fog came creeping down
The bridges, till the houses' walls
Seemed changed to shadows, and St. Paul's
Loomed like a bubble o'er the town.
Then suddenly arose the clang
Of waking life; the streets were stirred
With country waggons; and a bird
Flew to the glistening roofs and sang.
But one pale woman all alone,
The daylight kissing her wan hair,
Loitered beneath the gas lamps' flare,
With lips of flame and heart of stone.
John Davidson was born at Barrhead, Renfrewshire, in 1857. His
Davidson died by his own hand in 1909.
'A letter from my love to-day!
Oh, unexpected, dear appeal!'
She struck a happy tear away,
And broke the crimson seal.
'My love, there is no help on earth,
No help in heaven; the dead-man's bell
Must toll our wedding; our first hearth
Must be the well-paved floor of hell.'
The colour died from out her face,
Her eyes like ghostly candles shone;
She cast dread looks about the place,
Then clenched her teeth and read right on.
'I may not pass the prison door;
Here must I rot from day to day,
Unless I wed whom I abhor,
My cousin, Blanche of Valencay.
'At midnight with my dagger keen,
I'll take my life; it must be so.
Meet me in hell to-night, my queen,
For weal and woe.'
She laughed although her face was wan,
She girded on her golden belt,
And at her glowing missal knelt.
Then rose, 'And am I mad?' she said:
She broke her fan, her belt untied;
With leather girt herself instead,
And stuck a dagger at her side.
She waited, shuddering in her room,
Till sleep had fallen on all the house.
She never flinched; she faced her doom:
They two must sin to keep their vows.
Then out into the night she went,
And, stooping, crept by hedge and tree;
Her rose-bush flung a snare of scent,
And caught a happy memory.
She fell, and lay a minute's space;
She tore the sward in her distress;
The dewy grass refreshed her face;
She rose and ran with lifted dress.
She started like a morn-caught ghost
Once when the moon came out and stood
To watch; the naked road she crossed,
And dived into the murmuring wood.
The branches snatched her streaming cloak;
A live thing shrieked; she made no stay!
She hurried to the trysting-oak--
Right well she knew the way.
Without a pause she bared her breast,
And drove her dagger home and fell,
And lay like one that takes her rest,
And died and wakened up in hell.
She bathed her spirit in the flame,
And near the centre took her post;
From all sides to her ears there came
The dreary anguish of the lost.
The devil started at her side,
Comely, and tall, and black as jet.
'I am young Malespina's bride;
Has he come hither yet?'
'My poppet, welcome to your bed.'
'Is Malespina here?'
'Not he! To-morrow he must wed
His cousin Blanche, my dear!'
'You lie, he died with me to-night.'
'Not he! it was a plot' ... 'You lie.'
'My dear, I never lie outright.'
'We died at midnight, he and I.'
The devil went. Without a groan
She, gathered up in one fierce prayer,
Took root in hell's midst all alone,
And waited for him there.
She dared to make herself at home
Amidst the wail, the uneasy stir.
The blood-stained flame that filled the dome,
Scentless and silent, shrouded her.
How long she stayed I cannot tell;
But when she felt his perfidy,
She marched across the floor of hell;
And all the damned stood up to see.
The devil stopped her at the brink:
She shook him off; she cried, 'Away!'
'My dear, you have gone mad, I think.'
'I was betrayed: I will not stay.'
Across the weltering deep she ran;
A stranger thing was never seen:
The damned stood silent to a man;
They saw the great gulf set between.
To her it seemed a meadow fair;
And flowers sprang up about her feet
She entered heaven; she climbed the stair
And knelt down at the mercy-seat.
Seraphs and saints with one great voice
Welcomed that soul that knew not fear.
Amazed to find it could rejoice,
Hell raised a hoarse, half-human cheer.
There is a dish to hold the sea,
A brazier to contain the sun,
A compass for the galaxy,
A voice to wake the dead and done!
That minister of ministers,
Imagination, gathers up
The undiscovered Universe,
Its flame can mingle north and south;
Its accent with the thunder strive;
The ruddy sentence of its mouth
Can make the ancient dead alive.
The mart of power, the fount of will,
The form and mould of every star,
The source and bound of good and ill,
The key of all the things that are,
Imagination, new and strange
In every age, can turn the year;
Can shift the poles and lightly change
The mood of men, the world's career.
Let me go forth, and share
The overflowing Sun
With one wise friend, or one
Better than wise, being fair,
Where the pewit wheels and dips
On heights of bracken and ling,
And Earth, unto her leaflet tips,
Tingles with the Spring.
What is so sweet and dear
As a prosperous morn in May,
The confident prime of the day,
And the dauntless youth of the year,
When nothing that asks for bliss,
Asking aright, is denied,
And half of the world a bridegroom is,
And half of the world a bride?
The Song of Mingling flows,
Grave, ceremonial, pure,
As once, from lips that endure,
The cosmic descant rose,
When the temporal lord of life,
Going his golden way,
Had taken a wondrous maid to wife
That long had said him nay.
For of old the Sun, our sire,
Came wooing the mother of men,
Earth, that was virginal then,
Vestal fire to his fire.
Silent her bosom and coy,
But the strong god sued and pressed;
And born of their starry nuptial joy
Are all that drink of her breast.
And the triumph of him that begot,
And the travail of her that bore,
Behold, they are evermore
As warp and weft in our lot.
We are children of splendour and flame,
Of shuddering, also, and tears.
Magnificent out of the dust we came,
And abject from the Spheres.
O bright irresistible lord,
We are fruit of Earth's womb, each one,
And fruit of thy loins, O Sun,
Whence first was the seed outpoured.
To thee as our Father we bow,
Forbidden thy Father to see,
Who is older and greater than thou, as thou
Art greater and older than we.
Thou art but as a word of his speech,
Thou art but as a wave of his hand;
Thou art brief as a glitter of sand
'Twixt tide and tide on his beach;
Thou art less than a spark of his fire,
Or a moment's mood of his soul:
Thou art lost in the notes on the lips of his choir
That chant the chant of the Whole.
So, without overt breach, we fall apart,
Tacitly sunder--neither you nor I
Conscious of one intelligible Why,
And both, from severance, winning equal smart.
So, with resigned and acquiescent heart,
Whene'er your name on some chance lip may lie,
I seem to see an alien shade pass by,
A spirit wherein I have no lot or part.
Thus may a captive, in some fortress grim,
From casual speech betwixt his warders, learn
That June on her triumphal progress goes
Through arched and bannered woodlands; while for him
She is a legend emptied of concern,
And idle is the rumour of the rose.
Laugh thy girlish laughter;
Then, the moment after,
Weep thy girlish tears,
April, that mine ears
Like a lover greetest,
If I tell thee, sweetest,
All my hopes and fears.
Laugh thy golden laughter,
But, the moment after,
Weep thy golden tears!
Born in 1859 at Preston, Francis Thompson was educated at Owen's
College, Manchester. Later he tried all manner of strange ways of
Where the thistle lifts a purple crown
Six foot out of the turf,
And the harebell shakes on the windy hill--
O breath of the distant surf!--
The hills look over on the South,
And southward dreams the sea;
And with the sea-breeze hand in hand
Came innocence and she.
Where 'mid the gorse the raspberry
Red for the gatherer springs;
Two children did we stray and talk
Wise, idle, childish things.
She listened with big-lipped surprise,
Breast-deep 'mid flower and spine:
Her skin was like a grape whose veins
Run snow instead of wine.
She knew not those sweet words she spake,
Nor knew her own sweet way;
But there's never a bird, so sweet a song
Thronged in whose throat all day.
Oh, there were flowers in Storrington
On the turf and on the spray;
But the sweetest flower on Sussex hills
Was the Daisy-flower that day!
Her beauty smoothed earth's furrowed face.
She gave me tokens three:--
A look, a word of her winsome mouth,
And a wild raspberry.
A berry red, a guileless look,
A still word,--strings of sand!
And yet they made my wild, wild heart
Fly down to her little hand.
For standing artless as the air,
And candid as the skies,
She took the berries with her hand,
And the love with her sweet eyes.
The fairest things have fleetest end,
Their scent survives their close:
But the rose's scent is bitterness
To him that loved the rose.
She looked a little wistfully,
Then went her sunshine way:--
The sea's eye had a mist on it,
And the leaves fell from the day.
She went her unremembering way,
She went and left in me
The pang of all the partings gone,
And partings yet to be.
She left me marvelling why my soul
Was sad that she was glad;
At all the sadness in the sweet,
The sweetness in the sad.
Still, still I seemed to see her, still
Look up with soft replies,
And take the berries with her hand,
And the love with her lovely eyes.
Nothing begins, and nothing ends,
That is not paid with moan,
For we are born in other's pain,
And perish in our own.
I fear to love thee, Sweet, because
Love's the ambassador of loss;
White flake of childhood, clinging so
To my soiled raiment, thy shy snow
At tenderest touch will shrink and go.
Love me not, delightful child.
My heart, by many snares beguiled,
Has grown timorous and wild.
It would fear thee not at all,
Wert thou not so harmless-small.
Because thy arrows, not yet dire,
Are still unbarbed with destined fire,
I fear thee more than hadst thou stood
Full-panoplied in womanhood.
The hunchèd camels of the night
Trouble the bright
And silver waters of the moon.
The Maiden of the Morn will soon
Through Heaven stray and sing,
Star gathering.
Now while the dark about our loves is strewn,
Light of my dark, blood of my heart, O come!
Leave thy father, leave thy mother
And thy brother;
Leave the black tents of thy tribe apart!
Am I not thy father and thy brother,
And thy mother?
And thou--what needest with thy tribe's black
tents
Who hast the red pavilion of my heart?
 (Cloud-shapes observed by travellers in the East.)
A. E. Housman was born March 26, 1859, and, after a classical
Housman has published only one volume of original verse, but that
variations. From a melodic standpoint, _A Shropshire Lad_ is a
collection of exquisite, haunting and almost perfect songs.
Housman has been a professor of Latin since 1892 and, besides his
Wake: the silver dusk returning
Up the beach of darkness brims,
And the ship of sunrise burning
Strands upon the eastern rims.
Wake: the vaulted shadow shatters,
Trampled to the floor it spanned,
And the tent of night in tatters
Straws the sky-pavilioned land.
Up, lad, up, 'tis late for lying:
Hear the drums of morning play;
Hark, the empty highways crying
"Who'll beyond the hills away?"
Towns and countries woo together,
Forelands beacon, belfries call;
Never lad that trod on leather
Lived to feast his heart with all.
Up, lad: thews that lie and cumber
Sunlit pallets never thrive;
Morns abed and daylight slumber
Were not meant for man alive.
Clay lies still, but blood's a rover;
Breath's a ware that will not keep.
Up, lad: when the journey's over
There'll be time enough to sleep.
When I was one-and-twenty
I heard a wise man say,
"Give crowns and pounds and guineas
But not your heart away;
Give pearls away and rubies
But keep your fancy free."
But I was one-and-twenty,
No use to talk to me.
When I was one-and-twenty
I heard him say again,
"The heart out of the bosom
Was never given in vain;
'Tis paid with sighs a-plenty
And sold for endless rue."
And I am two-and-twenty,
And oh, 'tis true, 'tis true.
With rue my heart is laden
For golden friends I had,
For many a rose-lipt maiden
And many a lightfoot lad.
By brooks too broad for leaping
The lightfoot boys are laid;
The rose-lipt girls are sleeping
In fields where roses fade.
The time you won your town the race
We chaired you through the market-place;
Man and boy stood cheering by,
And home we brought you shoulder-high.
To-day, the road all runners come,
Shoulder-high we bring you home,
And set you at your threshold down,
Townsman of a stiller town.
Smart lad, to slip betimes away
From fields where glory does not stay,
And early though the laurel grows
It withers quicker than the rose.
Eyes the shady night has shut
Cannot see the record cut,
And silence sounds no worse than cheers
After earth has stopped the ears:
Now you will not swell the rout
Of lads that wore their honours out,
Runners whom renown outran
And the name died before the man.
So set, before its echoes fade,
The fleet foot on the sill of shade,
And hold to the low lintel up
The still-defended challenge-cup.
And round that early-laurelled head
Will flock to gaze the strengthless dead,
And find unwithered on its curls
The garland briefer than a girl's.
Loveliest of trees, the cherry now
Is hung with bloom along the bough,
And stands about the woodland ride
Wearing white for Eastertide.
Now, of my threescore years and ten,
Twenty will not come again,
And take from seventy springs a score,
It only leaves me fifty more.
And since to look at things in bloom
Fifty springs are little room,
About the woodlands I will go
To see the cherry hung with snow.
Doctor Douglas Hyde was born in Roscommon County, Ireland in, as
The poem which is here quoted is one of his many brilliant and
For thee, I shall not die,
Woman of high fame and name;
Foolish men thou mayest slay
I and they are not the same.
Why should I expire
For the fire of an eye,
Slender waist or swan-like limb,
Is't for them that I should die?
The round breasts, the fresh skin,
Cheeks crimson, hair so long and rich;
Indeed, indeed, I shall not die,
Please God, not I, for any such.
The golden hair, the forehead thin,
The chaste mien, the gracious ease,
The rounded heel, the languid tone,--
Fools alone find death from these.
Thy sharp wit, thy perfect calm,
Thy thin palm like foam o' the sea;
Thy white neck, thy blue eye,
I shall not die for thee.
Woman, graceful as the swan,
A wise man did nurture me.
Little palm, white neck, bright eye,
I shall not die for ye.
(_On a commonplace person who died in bed_)
This is the end of him, here he lies:
The dust in his throat, the worm in his eyes,
The mould in his mouth, the turf on his breast;
This is the end of him, this is best.
He will never lie on his couch awake,
Wide-eyed, tearless, till dim daybreak.
Never again will he smile and smile
When his heart is breaking all the while.
He will never stretch out his hands in vain
Groping and groping--never again.
Never ask for bread, get a stone instead,
Never pretend that the stone is bread;
Nor sway and sway 'twixt the false and true,
Weighing and noting the long hours through.
Never ache and ache with the choked-up sighs;
This is the end of him, here he lies.
How like her! But 'tis she herself,
Comes up the crowded street,
How little did I think, the morn,
My only love to meet!
Who else that motion and that mien?
Whose else that airy tread?
For one strange moment I forgot
My only love was dead.
Katharine Tynan was born at Dublin in 1861, and educated at the
religious themes, and much of her verse is devotional and yet
distinctive. In _New Poems_ (1911) she is at her best; graceful,
meditative and with occasional notes of deep pathos.
All in the April morning,
April airs were abroad;
The sheep with their little lambs
Pass'd me by on the road.
The sheep with their little lambs
Pass'd me by on the road;
All in an April evening
I thought on the Lamb of God.
The lambs were weary, and crying
With a weak human cry;
I thought on the Lamb of God
Going meekly to die.
Up in the blue, blue mountains
Dewy pastures are sweet:
Rest for the little bodies,
Rest for the little feet.
Up on the hill-top green;
Only a cross of shame
Two stark crosses between.
All in the April evening,
April airs were abroad;
I saw the sheep with their lambs,
And thought on the Lamb of God.
The door of Heaven is on the latch
To-night, and many a one is fain
To go home for one's night's watch
With his love again.
Oh, where the father and mother sit
There's a drift of dead leaves at the door
Like pitter-patter of little feet
That come no more.
Their thoughts are in the night and cold,
Their tears are heavier than the clay,
But who is this at the threshold
So young and gay?
They are come from the land o' the young,
They have forgotten how to weep;
Words of comfort on the tongue,
And a kiss to keep.
They sit down and they stay awhile,
Kisses and comfort none shall lack;
At morn they steal forth with a smile
And a long look back.
(_Who Contends that Christmas is Played Out_)
O frankly bald and obviously stout!
And so you find that Christmas as a fête
Dispassionately viewed, is getting out
Of date.
The studied festal air is overdone;
The humour of it grows a little thin;
You fail, in fact, to gather where the fun
Visions of very heavy meals arise
That tend to make your organism shiver;
Roast beef that irks, and pies that agonise
The liver;
Those pies at which you annually wince,
Hearing the tale how happy months will follow
Proportioned to the total mass of mince
You swallow.
Visions of youth whose reverence is scant,
Who with the brutal _verve_ of boyhood's prime
Insist on being taken to the pant-
Of infants, sitting up extremely late,
Who run you on toboggans down the stair;
Or make you fetch a rug and simulate
A bear.
This takes your faultless trousers at the knees,
The other hurts them rather more behind;
And both effect a fracture in your ease
Of mind.
My good dyspeptic, this will never do;
Your weary withers must be sadly wrung!
Yet once I well believe that even you
Were young.
Time was when you devoured, like other boys,
Plum-pudding sequent on a turkey-hen;
With cracker-mottos hinting of the joys
Of men.
Time was when 'mid the maidens you would pull
The fiery raisin with profound delight;
When sprigs of mistletoe seemed beautiful
And right.
Old Christmas changes not! Long, long ago
He won the treasure of eternal youth;
_Yours_ is the dotage--if you want to know
The truth.
Come, now, I'll cure your case, and ask no fee:--
Make others' happiness this once your own;
All else may pass: that joy can never be
Facing the guns, he jokes as well
As any Judge upon the Bench;
Between the crash of shell and shell
His laughter rings along the trench;
He seems immensely tickled by a
Projectile while he calls a "Black Maria."
He whistles down the day-long road,
And, when the chilly shadows fall
And heavier hangs the weary load,
Is he down-hearted? Not at all.
'Tis then he takes a light and airy
View of the tedious route to Tipperary.
His songs are not exactly hymns;
He never learned them in the choir;
And yet they brace his dragging limbs
Although they miss the sacred fire;
Although his choice and cherished gems
Do not include "The Watch upon the Thames."
He takes to fighting as a game;
He does no talking, through his hat,
Of holy missions; all the same
He has his faith--be sure of that;
He'll not disgrace his sporting breed,
Nor play what isn't cricket. There's his creed.
 "_It's a long way to Tipperary_," the most popular song of the
Allied armies during the World's War.
In 1898 Newbolt published _The Island Race_, which contains about
Drake he's in his hammock an' a thousand mile away,
(Capten, art tha sleepin' there below?)
Slung atween the round shot in Nombre Dios Bay,
An' dreamin' arl the time o' Plymouth Hoe.
Yarnder lumes the island, yarnder lie the ships,
Wi' sailor lads a-dancin' heel-an'-toe,
An' the shore-lights flashin', an' the night-tide dashin'
He sees et arl so plainly as he saw et long ago.
Drake he was a Devon man, an' ruled the Devon seas,
(Capten, art tha sleepin' there below?),
Rovin' tho' his death fell, he went wi' heart at ease,
An' dreamin' arl the time o' Plymouth Hoe,
"Take my drum to England, hang et by the shore,
Strike et when your powder's runnin' low;
If the Dons sight Devon, I'll quit the port o' Heaven,
An' drum them up the Channel as we drummed them long ago."
Drake he's in his hammock till the great Armadas come,
(Capten, art tha sleepin' there below?),
Slung atween the round shot, listenin' for the drum,
An' dreamin' arl the time o' Plymouth Hoe.
Call him on the deep sea, call him up the Sound,
Call him when ye sail to meet the foe;
Where the old trade's plyin' an' the old flag flyin',
They shall find him, ware an' wakin', as they found him long ago.
Born in 1865, Arthur Symons' first few publications revealed an
I have grown tired of sorrow and human tears;
Life is a dream in the night, a fear among fears,
A naked runner lost in a storm of spears.
I have grown tired of rapture and love's desire;
Love is a flaming heart, and its flames aspire
Till they cloud the soul in the smoke of a windy fire.
I would wash the dust of the world in a soft green flood;
Here between sea and sea, in the fairy wood,
I have found a delicate, wave-green solitude.
Here, in the fairy wood, between sea and sea,
I have heard the song of a fairy bird in a tree,
And the peace that is not in the world has flown to me.
I am the torch, she saith, and what to me
If the moth die of me? I am the flame
Of Beauty, and I burn that all may see
Beauty, and I have neither joy nor shame,
But live with that clear light of perfect fire
Which is to men the death of their desire.
I am Yseult and Helen, I have seen
Troy burn, and the most loving knight lie dead.
The world has been my mirror, time has been
My breath upon the glass; and men have said,
Age after age, in rapture and despair,
Love's poor few words, before my image there.
I live, and am immortal; in my eyes
The sorrow of the world, and on my lips
The joy of life, mingle to make me wise;
Yet now the day is darkened with eclipse:
Who is there still lives for beauty? Still am I
The torch, but where's the moth that still dares die?
It was in the activities of a "Young Ireland" society that Yeats
I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;
Nine bean rows will I have there, a hive for the honey bee,
And live alone in the bee-loud glade.
And I shall have some peace there, for peace comes dropping slow,
And evening full of the linnet's wings.
I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements gray,
I hear it in the deep heart's core.
I rise in the dawn, and I kneel and blow
Till the seed of the fire flicker and glow.
And then I must scrub, and bake, and sweep,
Till stars are beginning to blink and peep;
But the young lie long and dream in their bed
Of the matching of ribbons, the blue and the red,
And their day goes over in idleness,
And they sigh if the wind but lift up a tress.
While I must work, because I am old
And the seed of the fire gets feeble and cold.
A Queen was beloved by a jester,
And once when the owls grew still
He made his soul go upward
And stand on her window sill.
In a long and straight blue garment,
It talked before morn was white,
And it had grown wise by thinking
Of a footfall hushed and light.
But the young queen would not listen;
She rose in her pale nightgown,
She drew in the brightening casement
And pushed the brass bolt down.
He bade his heart go to her,
When the bats cried out no more,
In a red and quivering garment
It sang to her through the door.
The tongue of it sweet with dreaming
Of a flutter of flower-like hair,
But she took up her fan from the table
And waved it off on the air.
'I've cap and bells,' he pondered,
'I will send them to her and die.'
And as soon as the morn had whitened
He left them where she went by.
She laid them upon her bosom,
Under a cloud of her hair,
And her red lips sang them a love song.
The stars grew out of the air.
She opened her door and her window,
And the heart and the soul came through,
To her right hand came the red one,
To her left hand came the blue.
They set up a noise like crickets,
A chattering wise and sweet,
And her hair was a folded flower,
And the quiet of love her feet.
Down by the salley gardens my love and I did meet;
She passed the salley gardens with little snow-white feet.
She bid me take love easy, as the leaves grow on the tree;
But I, being young and foolish, with her would not agree.
In a field by the river my love and I did stand,
And on my leaning shoulder she laid her snow-white hand.
She bid me take life easy, as the grass grows on the weirs;
But I was young and foolish, and now am full of tears.
_Soldiers Three_ (1888) was the first of six collections of short
Considered solely as a poet (see Preface) he is one of the most
Ah! What avails the classic bent
And what the cultured word,
Against the undoctored incident
That actually occurred?
You may talk o' gin an' beer
When you're quartered safe out 'ere,
An' you're sent to penny-fights an' Aldershot it;
But if it comes to slaughter
You will do your work on water,
An' you'll lick the bloomin' boots of 'im that's got it
Now in Injia's sunny clime,
Where I used to spend my time
A-servin' of 'Er Majesty the Queen,
Of all them black-faced crew
The finest man I knew
Was our regimental _bhisti_, Gunga Din.
You limping lump o' brick-dust, Gunga Din!
Hi! _slippy hitherao!_
Water, get it! _Panee lao!_
You squidgy-nosed old idol, Gunga Din!"
The uniform 'e wore
Was nothin' much before,
An' rather less than 'arf o' that be'ind,
For a twisty piece o' rag
An' a goatskin water-bag
Was all the field-equipment 'e could find.
When the sweatin' troop-train lay
In a sidin' through the day,
Where the 'eat would make your bloomin' eyebrows crawl,
We shouted "_Harry By!_"
Till our throats were bricky-dry,
You 'eathen, where the mischief 'ave you been?
You put some _juldees_ in it,
Or I'll _marrow_ you this minute,
If you don't fill up my helmet, Gunga Din!"
'E would dot an' carry one
Till the longest day was done,
An' 'e didn't seem to know the use o' fear.
If we charged or broke or cut,
You could bet your bloomin' nut,
'E'd be waitin' fifty paces right flank rear.
With 'is _mussick_ on 'is back,
'E would skip with our attack,
An' watch us till the bugles made "Retire."
An' for all 'is dirty 'ide,
'E was white, clear white, inside
When 'e went to tend the wounded under fire!
With the bullets kickin' dust-spots on the green.
When the cartridges ran out,
You could 'ear the front-files shout:
"Hi! ammunition-mules an' Gunga Din!"
I sha'n't forgit the night
When I dropped be'ind the fight
With a bullet where my belt-plate should 'a' been.
I was chokin' mad with thirst,
An' the man that spied me first
Was our good old grinnin', gruntin' Gunga Din.
'E lifted up my 'ead,
An' 'e plugged me where I bled,
An' 'e guv me 'arf-a-pint o' water--green;
It was crawlin' an' it stunk,
But of all the drinks I've drunk,
I'm gratefullest to one from Gunga Din.
'Ere's a beggar with a bullet through 'is spleen;
'E's chawin' up the ground an' 'e's kickin' all around:
For Gawd's sake, git the water, Gunga Din!"
'E carried me away
To where a _dooli_ lay,
An' a bullet come an' drilled the beggar clean.
'E put me safe inside,
An' just before 'e died:
"I 'ope you liked your drink," sez Gunga Din.
So I'll meet 'im later on
In the place where 'e is gone--
Where it's always double drill and no canteen;
'E'll be squattin' on the coals
Givin' drink to pore damned souls,
An' I'll get a swig in Hell from Gunga Din!
You Lazarushian-leather Gunga Din!
Tho' I've belted you an' flayed you,
By the livin' Gawd that made you,
You're a better man than I am, Gunga Din!
Peace is declared, and I return
To 'Ackneystadt, but not the same;
Things 'ave transpired which made me learn
The size and meanin' of the game.
I did no more than others did,
I don't know where the change began;
I started as a average kid,
I finished as a thinkin' man.
_If England was what England seems
An not the England of our dreams,
But only putty, brass, an' paint,
'Ow quick we'd drop 'er!_ But she ain't!
Before my gappin' mouth could speak
I 'eard it in my comrade's tone;
I saw it on my neighbour's cheek
Before I felt it flush my own.
An' last it come to me--not pride,
Nor yet conceit, but on the 'ole
(If such a term may be applied),
The makin's of a bloomin' soul.
Rivers at night that cluck an' jeer,
Plains which the moonshine turns to sea,
Mountains that never let you near,
An' stars to all eternity;
An' the quick-breathin' dark that fills
The 'ollows of the wilderness,
When the wind worries through the 'ills--
These may 'ave taught me more or less.
Towns without people, ten times took,
An' ten times left an' burned at last;
An' starvin' dogs that come to look
For owners when a column passed;
An' quiet, 'omesick talks between
Men, met by night, you never knew
Until--'is face--by shellfire seen--
Once--an' struck off. They taught me, too.
The day's lay-out--the mornin' sun
Beneath your 'at-brim as you sight;
The dinner-'ush from noon till one,
An' the full roar that lasts till night;
An' the pore dead that look so old
An' was so young an hour ago,
An' legs tied down before they're cold--
These are the things which make you know.
Also Time runnin' into years--
A thousand Places left be'ind--
An' Men from both two 'emispheres
Discussin' things of every kind;
So much more near than I 'ad known,
So much more great than I 'ad guessed--
An' me, like all the rest, alone--
But reachin' out to all the rest!
So 'ath it come to me--not pride,
Nor yet conceit, but on the 'ole
(If such a term may be applied),
The makin's of a bloomin' soul.
But now, discharged, I fall away
To do with little things again....
Gawd, 'oo knows all I cannot say,
Look after me in Thamesfontein!
_If England was what England seems
An' not the England of our dreams,
But only putty, brass, an' paint,
'Ow quick we'd chuck 'er!_ But she ain't!
When the flush of a newborn sun fell first on Eden's
green and gold,
Our father Adam sat under the Tree and scratched with
a stick in the mold;
And the first rude sketch that the world had seen was
joy to his mighty heart,
Till the Devil whispered behind the leaves: "It's pretty,
Wherefore he called to his wife and fled to fashion
his work anew--
The first of his race who cared a fig for the first, most
dread review;
And he left his lore to the use of his sons--and that was
a glorious gain
When the Devil chuckled: "Is it Art?" in the ear of
the branded Cain.
They builded a tower to shiver the sky and wrench the
stars apart,
Till the Devil grunted behind the bricks: "It's striking,
The stone was dropped by the quarry-side, and the idle
derrick swung,
While each man talked of the aims of art, and each in
an alien tongue.
They fought and they talked in the north and the south,
they talked and they fought in the west,
Till the waters rose on the jabbering land, and the poor
Red Clay had rest--
Had rest till the dank blank-canvas dawn when the dove
was preened to start,
And the Devil bubbled below the keel: "It's human, but
The tale is old as the Eden Tree--as new as the new-cut
For each man knows ere his lip-thatch grows he is
master of Art and Truth;
And each man hears as the twilight nears, to the beat of
his dying heart,
The Devil drum on the darkened pane: "You did it,
We have learned to whittle the Eden Tree to the shape
of a surplice-peg,
We have learned to bottle our parents twain in the yolk
of an addled egg,
We know that the tail must wag the dog, as the horse
is drawn by the cart;
But the Devil whoops, as he whooped of old: "It's clever,
When the flicker of London's sun falls faint on the club-
room's green and gold,
The sons of Adam sit them down and scratch with their
pens in the mold--
They scratch with their pens in the mold of their graves,
and the ink and the anguish start
When the Devil mutters behind the leaves: "It's pretty,
but is it art?"
Now, if we could win to the Eden Tree where the four
great rivers flow,
And the wreath of Eve is red on the turf as she left it
long ago,
And if we could come when the sentry slept, and softly
scurry through,
By the favor of God we might know as much--as our
father Adam knew.
To the Heavens above us
O look and behold
The Planets that love us
All harnessed in gold!
What chariots, what horses
Against us shall bide
While the Stars in their courses
Do fight on our side?
All thought, all desires,
That are under the sun,
Are one with their fires,
As we also are one:
All matter, all spirit,
All fashion, all frame,
Receive and inherit
Their strength from the same.
(Oh, man that deniest
All power save thine own,
Their power in the highest
Is mightily shown.
Not less in the lowest
That power is made clear.
Oh, man, if thou knowest,
What treasure is here!)
Earth quakes in her throes
And we wonder for why!
But the blind planet knows
When her ruler is nigh;
And, attuned since Creation
To perfect accord,
She thrills in her station
And yearns to her Lord.
The waters have risen,
The springs are unbound--
The floods break their prison,
And ravin around.
No rampart withstands 'em,
Their fury will last,
Till the Sign that commands 'em
Sinks low or swings past.
Through abysses unproven
And gulfs beyond thought,
Our portion is woven,
Our burden is brought.
Yet They that prepare it,
Whose Nature we share,
Make us who must bear is
Well able to bear.
Though terrors o'ertake us
We'll not be afraid.
No power can unmake us
Save that which has made.
Nor yet beyond reason
Or hope shall we fall--
All things have their season,
And Mercy crowns all!
Then, doubt not, ye fearful--
Up, heart, and be cheerful,
And lustily sing:--
_What chariots, what horses
Against us shall bide
While the Stars in their courses
Do fight on our side?_
 Bring water swiftly.
 Tommy Atkins' equivalent for "O Brother!"
 Hit you.
 Water-skin.
Richard Le Gallienne, who, in spite of his long residence in the
United States, must be considered an English poet, was born at
Ah, London! London! our delight,
Great flower that opens but at night,
Great City of the midnight sun,
Whose day begins when day is done.
Lamp after lamp against the sky
Opens a sudden beaming eye,
Leaping alight on either hand,
The iron lilies of the Strand.
Like dragonflies, the hansoms hover,
The streets are full of lights and loves,
Soft gowns, and flutter of soiled doves.
The human moths about the light
Dash and cling close in dazed delight,
And burn and laugh, the world and wife,
For this is London, this is life!
Upon thy petals butterflies,
But at thy root, some say, there lies,
A world of weeping trodden things,
Poor worms that have not eyes or wings.
From out corruption of their woe
Springs this bright flower that charms us so,
Men die and rot deep out of sight
To keep this jungle-flower bright.
Paris and London, World-Flowers twain
Wherewith the World-Tree blooms again,
Since Time hath gathered Babylon,
And withered Rome still withers on.
Sidon and Tyre were such as ye,
How bright they shone upon the tree!
But Time hath gathered, both are gone,
And no man sails to Babylon.
One asked of regret,
And I made reply:
To have held the bird,
And let it fly;
To have seen the star
For a moment nigh,
And lost it
Through a slothful eye;
To have plucked the flower
And cast it by;
To have one only hope--
To die.
Cavalier poets of the seventeenth century, mystically devotional.
Go from me: I am one of those who fall.
What! hath no cold wind swept your heart at all,
In my sad company? Before the end,
Go from me, dear my friend!
Yours are the victories of light: your feet
Rest from good toil, where rest is brave and sweet:
But after warfare in a mourning gloom,
I rest in clouds of doom.
Have you not read so, looking in these eyes?
Is it the common light of the pure skies,
Lights up their shadowy depths? The end is set:
Though the end be not yet.
When gracious music stirs, and all is bright,
And beauty triumphs through a courtly night;
When I too joy, a man like other men:
Yet, am I like them, then?
And in the battle, when the horsemen sweep
Against a thousand deaths, and fall on sleep:
Who ever sought that sudden calm, if I
Sought not? yet could not die!
Seek with thine eyes to pierce this crystal sphere:
Canst read a fate there, prosperous and clear?
Only the mists, only the weeping clouds,
Dimness and airy shrouds.
Beneath, what angels are at work? What powers
Prepare the secret of the fatal hours?
See! the mists tremble, and the clouds are stirred:
When comes the calling word?
The clouds are breaking from the crystal ball,
Breaking and clearing: and I look to fall.
When the cold winds and airs of portent sweep,
My spirit may have sleep.
O rich and sounding voices of the air!
Interpreters and prophets of despair:
Priests of a fearful sacrament! I come,
To make with you mine home.
The mountains, and the lonely death at last
Upon the lonely mountains: O strong friend!
The wandering over, and the labour passed,
Thou art indeed at rest:
Earth gave thee of her best,
That labour and this end.
Earth was thy mother, and her true son thou:
Earth called thee to a knowledge of her ways,
Upon the great hills, up the great streams: now
Upon earth's kindly breast
Thou art indeed at rest:
Thou, and thine arduous days.
Fare thee well, O strong heart! The tranquil night
Looks calmly on thee: and the sun pours down
His glory over thee, O heart of might!
Earth gives thee perfect rest:
Earth, whom thy swift feet pressed:
Earth, whom the vast stars crown.
Ernest Dowson was born at Belmont Hill in Kent in 1867. His
His delicate and fantastic poetry was an attempt to escape from a
intoxicating and perhaps immortal music."
With delicate, mad hands, behind his sordid bars,
Surely he hath his posies, which they tear and twine;
Those scentless wisps of straw that, miserable, line
His strait, caged universe, whereat the dull world stares.
Pedant and pitiful. O, how his rapt gaze wars
With their stupidity! Know they what dreams divine
Lift his long, laughing reveries like enchanted wine,
And make his melancholy germane to the stars'?
O lamentable brother! if those pity thee,
Am I not fain of all thy lone eyes promise me;
Half a fool's kingdom, far from men who sow and reap,
All their days, vanity? Better than mortal flowers,
Thy moon-kissed roses seem: better than love or sleep,
The star-crowned solitude of thine oblivious hours!
You would have understood me, had you waited;
I could have loved you, dear! as well as he:
Had we not been impatient, dear! and fated
Always to disagree.
What is the use of speech? Silence were fitter:
Lest we should still be wishing things unsaid.
Though all the words we ever spake were bitter,
Shall I reproach you, dead?
Nay, let this earth, your portion, likewise cover
All the old anger, setting us apart:
Always, in all, in truth was I your lover;
Always, I held your heart.
I have met other women who were tender,
As you were cold, dear! with a grace as rare.
Think you, I turned to them, or made surrender,
I who had found you fair?
Had we been patient, dear! ah, had you waited,
I had fought death for you, better than he:
But from the very first, dear! we were fated
Always to disagree.
Late, late, I come to you, now death discloses
Love that in life was not to be our part:
On your low lying mound between the roses,
Sadly I cast my heart.
I would not waken you: nay! this is fitter;
Death and the darkness give you unto me;
Here we who loved so, were so cold and bitter,
Hardly can disagree.
Its edges foamed with amethyst and rose,
Withers once more the old blue flower of day:
There where the ether like a diamond glows,
Its petals fade away.
A shadowy tumult stirs the dusky air;
Sparkle the delicate dews, the distant snows;
The great deep thrills--for through it everywhere
The breath of Beauty blows.
I saw how all the trembling ages past,
Moulded to her by deep and deeper breath,
Near'd to the hour when Beauty breathes her last
And knows herself in death.
Far up the dim twilight fluttered
Moth-wings of vapour and flame:
The lights danced over the mountains,
Star after star they came.
The lights grew thicker unheeded,
For silent and still were we;
Our hearts were drunk with a beauty
Our eyes could never see.
_Herod speaks_:
I dreamed last night of a dome of beaten gold
To be a counter-glory to the Sun.
There shall the eagle blindly dash himself,
There the first beam shall strike, and there the moon
Shall aim all night her argent archery;
And it shall be the tryst of sundered stars,
The haunt of dead and dreaming Solomon;
Shall send a light upon the lost in Hell,
And flashings upon faces without hope.--
And I will think in gold and dream in silver,
Imagine in marble and conceive in bronze,
Till it shall dazzle pilgrim nations
And stammering tribes from undiscovered lands,
Allure the living God out of the bliss,
And all the streaming seraphim from heaven.
Beautiful lie the dead;
Clear comes each feature;
Strangely contented.
Like ships, the anchor dropped,
Furled every sail is;
Mirrored with all their masts
In a deep water.
My dead love came to me, and said:
'God gives me one hour's rest,
To spend with thee on earth again:
How shall we spend it best?'
'Why, as of old,' I said; and so
We quarrelled, as of old:
But, when I turned to make my peace,
That one short hour was told.
appeared in _The London Mercury_, November, 1919.
There is no measure upon earth.
Nay, they wither, root and stem,
If an end be set to them.
Overbrim and overflow,
If your own heart you would know;
For the spirit born to bless
Lives but in its own excess.
Of the old house, only a few crumbled
Courses of brick, smothered in nettle and dock,
Or a squared stone, lying mossy where it tumbled!
Sprawling bramble and saucy thistle mock
What once was firelit floor and private charm
Where, seen in a windowed picture, hills were fading
At dusk, and all was memory-coloured and warm,
And voices talked, secure from the wind's invading.
Of the old garden, only a stray shining
Of daffodil flames amid April's cuckoo-flowers,
Or a cluster of aconite mixt with weeds entwining!
But, dark and lofty, a royal cedar towers
By homely thorns: whether the white rain drifts
Or sun scorches, he holds the downs in ken,
The western vale; his branchy tiers he lifts,
Older than many a generation of men.
writing.
I know a green grass path that leaves the field
And, like a running river, winds along
Into a leafy wood, where is no throng
Of birds at noon-day; and no soft throats yield
Their music to the moon. The place is sealed,
An unclaimed sovereignty of voiceless song,
And all the unravished silences belong
To some sweet singer lost, or unrevealed.
So is my soul become a silent place....
Oh, may I wake from this uneasy night
To find some voice of music manifold.
Let it be shape of sorrow with wan face,
Or love that swoons on sleep, or else delight
That is as wide-eyed as a marigold.
O silver-throated Swan
Struck, struck! A golden dart
Clean through thy breast has gone
Home to thy heart.
Thrill, thrill, O silver throat!
O silver trumpet, pour
Love for defiance back
On him who smote!
And brim, brim o'er
With love; and ruby-dye thy track
Down thy last living reach
Of river, sail the golden light--
Enter the sun's heart--even teach
O wondrous-gifted Pain, teach Thou
The God of love, let him learn how!
So faint, no ear is sure it hears,
So faint and far;
So vast that very near appears
My voice, both here and in each star
Unmeasured leagues do bridge between;
Like that which on a face is seen
Where secrets are;
Sweeping, like veils of lofty balm,
Tresses unbound
O'er desert sand, o'er ocean calm,
I am wherever is not sound;
And, goddess of the truthful face,
My beauty doth instil its grace
That joy abound.
According to his own biography, William H. Davies was born in a
public-house called Church House at Newport, in the County of
Autobiography of a Super-Tramp_ (1906), Shaw describes how the
manuscript came into his hands:
When primroses are out in Spring,
And small, blue violets come between;
When merry birds sing on boughs green,
And rills, as soon as born, must sing;
When butterflies will make side-leaps,
As though escaped from Nature's hand
Ere perfect quite; and bees will stand
Upon their heads in fragrant deeps;
When small clouds are so silvery white
Each seems a broken rimmèd moon--
When such things are, this world too soon,
For me, doth wear the veil of Night.
Thy beauty haunts me heart and soul,
Oh, thou fair Moon, so close and bright;
Thy beauty makes me like the child
That cries aloud to own thy light:
The little child that lifts each arm
To press thee to her bosom warm.
Though there are birds that sing this night
With thy white beams across their throats,
Let my deep silence speak for me
More than for them their sweetest notes:
Who worships thee till music fails,
Is greater than thy nightingales.
While joy gave clouds the light of stars,
That beamed where'er they looked;
And calves and lambs had tottering knees,
Excited, while they sucked;
While every bird enjoyed his song,
Without one thought of harm or wrong--
I turned my head and saw the wind,
Not far from where I stood,
Dragging the corn by her golden hair,
Into a dark and lonely wood.
Here's an example from
That on a rough, hard rock
Happy can lie;
Friendless and all alone
On this unsweetened stone.
Now let my bed be hard,
No care take I;
I'll make my joy like this
Whose happy heart has power
To make a stone a flower.
When I am living in the Midlands
That are sodden and unkind,
I light my lamp in the evening:
My work is left behind;
And the great hills of the South Country
Come back into my mind.
The great hills of the South Country
They stand along the sea;
And it's there walking in the high woods
That I could wish to be,
And the men that were boys when I was a boy
Walking along with me.
The men that live in North England
I saw them for a day:
Their hearts are set upon the waste fells,
Their skies are fast and grey;
From their castle-walls a man may see
The mountains far away.
The men that live in West England
They see the Severn strong,
A-rolling on rough water brown
Light aspen leaves along.
They have the secret of the Rocks,
And the oldest kind of song.
But the men that live in the South Country
Are the kindest and most wise,
They get their laughter from the loud surf,
And the faith in their happy eyes
Comes surely from our Sister the Spring
When over the sea she flies;
The violets suddenly bloom at her feet,
She blesses us with surprise.
I never get between the pines
But I smell the Sussex air;
Nor I never come on a belt of sand
But my home is there.
And along the sky the line of the Downs
So noble and so bare.
A lost thing could I never find,
Nor a broken thing mend:
And I fear I shall be all alone
When I get towards the end.
Who will there be to comfort me
Or who will be my friend?
I will gather and carefully make my friends
They watch the stars from silent folds,
They stiffly plough the field.
By them and the God of the South Country
My poor soul shall be healed.
If I ever become a rich man,
Or if ever I grow to be old,
I will build a house with deep thatch
To shelter me from the cold,
And there shall the Sussex songs be sung
And the story of Sussex told.
I will hold my house in the high wood
Within a walk of the sea,
And the men that were boys when I was a boy
Shall sit and drink with me.
It was the good ship _Billycock_, with thirteen men aboard,
Athirst to grapple with their country's foes,--
A crew, 'twill be admitted, not numerically fitted
To navigate a battleship in prose.
It was the good ship _Billycock_ put out from Plymouth Sound,
While lustily the gallant heroes cheered,
And all the air was ringing with the merry bo'sun's singing,
Till in the gloom of night she disappeared.
But when the morning broke on her, behold, a dozen ships,
A dozen ships of France around her lay,
(Or, if that isn't plenty, I will gladly make it twenty),
And hemmed her close in Salamander Bay.
Then to the Lord High Admiral there spake a cabin-boy:
"Methinks," he said, "the odds are somewhat great,
And, in the present crisis, a cabin-boy's advice is
That you and France had better arbitrate!"
"Pooh!" said the Lord High Admiral, and slapped his manly chest,
"Pooh! That would be both cowardly and wrong;
Shall I, a gallant fighter, give the needy ballad-writer
No suitable material for song?"
"Nay--is the shorthand-writer here?--I tell you, one and all,
I mean to do my duty, as I ought;
With eager satisfaction let us clear the decks for action
And fight the craven Frenchmen!" So they fought.
And (after several stanzas which as yet are incomplete,
Describing all the fight in epic style)
When the _Billycock_ was going, she'd a dozen prizes towing
(Or twenty, as above) in single file!
Ah, long in glowing English hearts the story will remain,
The memory of that historic day,
And, while we rule the ocean, we will picture with emotion
_P.S._--I've lately noticed that the critics--who, I think,
In praising _my_ productions are remiss--
Quite easily are captured, and profess themselves enraptured,
By patriotic ditties such as this,
For making which you merely take some dauntless Englishmen,
Guns, heroism, slaughter, and a fleet--
Ingredients you mingle in a metre with a jingle,
And there you have your masterpiece complete!
Why, then, with labour infinite, produce a book of verse
The ballad bold and breezy comes particularly easy--
I mean to take to writing it myself!
Oh, I be vun of the useful troibe
O' rustic volk, I be;
And writin' gennelmen dü descroibe
The doin's o' such as we;
I don't knaw mooch o' corliflower plants,
I can't tell 'oes from trowels,
But 'ear me mix ma consonants,
An' moodle oop all ma vowels!
I talks in a wunnerful dialect
That vew can hunderstand,
'Tis Yorkshire-Zummerzet, I expect,
With a dash o' the Oirish brand;
Sometimes a bloomin' flower of speech
I picks from Cockney spots,
And when releegious truths I teach,
Obsairve ma richt gude Scots!
In most of the bukes, 'twas once the case
I 'adn't got much to do,
I blessed the 'eroine's purty face,
An' I seëd the 'ero through;
But now, I'm juist a pairsonage!
A power o' bukes there be
Which from the start to the very last page
Entoirely deal with me!
The wit or the point o' what I spakes
Ye've got to find if ye can;
A wunnerful difference spellin' makes
In the 'ands of a competent man!
I mayn't knaw mooch o' corliflower plants,
I mayn't knaw 'oes from trowels,
But I does ma wark, if ma consonants
Be properly mixed with ma vowels!
"That's a sweet tongue you have, Sarah Casey; but if sleep's
a grand thing, it's a grand thing to be waking up a day the
like of this, when there's a warm sun in it, and a kind air,
and you'll hear the cuckoos singing and crying out on the
top of the hill."
vocabulary from the time of Malory and of the translators of the
spirituality of his associates in the Irish Theatre.
anything in his plays; his versions of Villon and Petrarch are
Synge died, just as he was beginning to attain fame, at a private
Bring Kateen-beug and Maurya Jude
To dance in Beg-Innish,
And when the lads (they're in Dunquin)
Have sold their crabs and fish,
Wave fawny shawls and call them in,
And call the little girls who spin,
And seven weavers from Dunquin,
To dance in Beg-Innish.
I'll play you jigs, and Maurice Kean,
Where nets are laid to dry,
I've silken strings would draw a dance
From girls are lame or shy;
Four strings I've brought from Spain and France
To make your long men skip and prance,
Till stars look out to see the dance
Where nets are laid to dry.
We'll have no priest or peeler in
To dance in Beg-Innish;
But we'll have drink from M'riarty Jim
Rowed round while gannets fish,
A keg with porter to the brim,
That every lad may have his whim,
Till we up sails with M'riarty Jim
And sail from Beg-Innish.
My arms are round you, and I lean
Against you, while the lark
Sings over us, and golden lights, and green
Shadows are on your bark.
There'll come a season when you'll stretch
Black boards to cover me;
Then in Mount Jerome I will lie, poor wretch,
With worms eternally.
 (The accent is on the last syllable.)
I will arise and go hence to the west,
And dig me a grave where the hill-winds call;
But O were I dead, were I dust, the fall
Of my own love's footstep would break my rest!
My heart in my bosom is black as a sloe!
I heed not cuckoo, nor wren, nor swallow:
Like a flying leaf in the sky's blue hollow
The heart in my breast is, that beats so low.
Because of the words your lips have spoken,
(O dear black head that I must not follow)
My heart is a grave that is stripped and hollow,
As ice on the water my heart is broken.
O lips forgetful and kindness fickle,
The swallow goes south with you: I go west
Where fields are empty and scythes at rest.
I am the poppy and you the sickle;
My heart is broken within my breast.
Her initial volume, _Poems_ (1898), showed practically no
The grand road from the mountain goes shining to the sea,
And there is traffic on it and many a horse and cart,
But the little roads of Cloonagh are dearer far to me
And the little roads of Cloonagh go rambling through my heart.
A great storm from the ocean goes shouting o'er the hill,
And there is glory in it; and terror on the wind:
But the haunted air of twilight is very strange and still,
And the little winds of twilight are dearer to my mind.
The great waves of the Atlantic sweep storming on their way,
Shining green and silver with the hidden herring shoal;
But the little waves of Breffny have drenched my heart in spray,
And the little waves of Breffny go stumbling through my soul.
Free to all souls the hidden beauty calls,
The sea thrift dwelling on her spray-swept height,
The lofty rose, the low-grown aconite,
The gliding river and the stream that brawls
Down the sharp cliffs with constant breaks and falls--
All these are equal in the equal light--
All waters mirror the one Infinite.
God made a garden, it was men built walls;
But the wide sea from men is wholly freed;
Freely the great waves rise and storm and break,
Nor softlier go for any landlord's need,
Where rhythmic tides flow for no miser's sake
And none hath profit of the brown sea-weed,
But all things give themselves, yet none may take.
'_Where am I from?_' From the green hills of Erin.
'_Have I no song then?_' My songs are all sung.
'_What o' my love?_' 'Tis alone I am farin'.
Old grows my heart, an' my voice yet is young.
'_If she was tall?_' Like a king's own daughter.
'_If she was fair?_' Like a mornin' o' May.
When she'd come laughin' 'twas the runnin' wather,
When she'd come blushin' 'twas the break o' day.
'_Where did she dwell?_' Where one'st I had my dwellin'.
'_Who loved her best?_' There's no one now will know.
'_Where is she gone?_' Och, why would I be tellin'!
Where she is gone there I can never go.
_Youth's for an hour,
Beauty's a flower,
Youth's for an hour, an' the taste o' life is sweet,
Ailes was a girl that stepped on two bare feet;
In all my days I never seen the one as fair as she,
I'd have lost my life for Ailes, an' she never cared for me.
Beauty's a flower, an' the days o' life are long,
There's little knowin' who may live to sing another song;
For Ailes was the fairest, but another is my wife,
An' Mary--God be good to her!--is all I love in life.
_Youth's for an hour,
Beauty's a flower,
_John McCrae_
John McCrae was born in Guelph, Ontario, Canada, in 1872. He was
In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.
Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.
written in collaboration with Joseph Conrad. He has written also
I should like to imagine
A moonlight in which there would be no machine-guns!
For, it is possible
All silent.
The white strips of sky
At the sides, cut by the poplar trunks:
The white strips of sky
Above, diminishing--
The silence and blackness of the avenue
Enclosed by immensities of space
Spreading away
Over No Man's Land....
For a minute ...
There will be no star shells
But the untroubled stars,
There will be no _Very_ light
But the light of the quiet moon
Like a swan.
Then, far away to the right thro' the moonbeams
"_Wukka Wukka_" will go the machine-guns,
And, far away to the left
And sharply,
For a space in the clear of the moon.
I should like to imagine
A moonlight in which the machine-guns of trouble
Will be silent....
Do you remember, my dear,
Long ago, on the cliffs, in the moonlight,
Looking over to Flatholme
And the things that you told me ...
Little things in the clear of the moon,
The little, sad things of a life....
We shall do it again
Full surely,
Sitting still, looking over at Flatholme.
Then, far away to the right
Shall sound the Machine Guns of trouble
And, far away to the left, under Flatholme,
I wonder, my dear, can you stick it?
As we should say: "Stick it, the Welch!"
In the dark of the moon,
The little angels of Heaven
Each wear a long white dress,
And in the tall arcadings
Play ball and play at chess;
With never a soil on their garments,
Not a sigh the whole day long,
Not a bitter note in their pleasure,
Not a bitter note in their song.
But they shall know keener pleasure,
And they shall know joy more rare--
Keener, keener pleasure
When you, my dear, come there.
The little angels of Heaven
Each wear a long white gown,
And they lean over the ramparts
Waiting and looking down.
Shakespeare rendered by Mother Goose. The trick of revealing the
ordinary in whimsical colors, of catching the commonplace off its
This poet's second gift is his sense of the supernatural, of the
'Is there anybody there?' said the Traveller,
Knocking on the moonlit door;
And his horse in the silence champed the grasses
Of the forest's ferny floor.
And a bird flew up out of the turret,
Above the Traveller's head:
And he smote upon the door again a second time;
'Is there anybody there?' he said.
But no one descended to the Traveller;
No head from the leaf-fringed sill
Leaned over and looked into his grey eyes,
Where he stood perplexed and still.
But only a host of phantom listeners
That dwelt in the lone house then
Stood listening in the quiet of the moonlight
To that voice from the world of men:
Stood thronging the faint moonbeams on the dark stair,
That goes down to the empty hall,
Hearkening in an air stirred and shaken
By the lonely Traveller's call.
And he felt in his heart their strangeness,
Their stillness answering his cry,
While his horse moved, cropping the dark turf,
'Neath the starred and leafy sky;
For he suddenly smote on the door, even
Louder, and lifted his head:--
'Tell them I came, and no one answered,
That I kept my word,' he said.
Never the least stir made the listeners,
Though every word he spake
Fell echoing through the shadowiness of the still house
From the one man left awake:
Ay, they heard his foot upon the stirrup,
And the sound of iron on stone,
And how the silence surged softly backward,
When the plunging hoofs were gone.
Here lies a most beautiful lady,
Light of step and heart was she;
I think she was the most beautiful lady
That ever was in the West Country.
But beauty vanishes; beauty passes;
However rare--rare it be;
And when I crumble, who will remember
This lady of the West Country?
Poor tired Tim! It's sad for him.
He lags the long bright morning through,
Ever so tired of nothing to do;
He moons and mopes the livelong day,
Nothing to think about, nothing to say;
Up to bed with his candle to creep,
Too tired to yawn; too tired to sleep:
Poor tired Tim! It's sad for him.
When Susan's work was done, she'd sit
With one fat guttering candle lit,
And window opened wide to win
The sweet night air to enter in;
There, with a thumb to keep her place
She'd read, with stern and wrinkled face.
Her mild eyes gliding very slow
Across the letters to and fro,
While wagged the guttering candle flame
In the wind that through the window came.
And sometimes in the silence she
Would mumble a sentence audibly,
Or shake her head as if to say,
'You silly souls, to act this way!'
And never a sound from night I'd hear,
Unless some far-off cock crowed clear;
Or her old shuffling thumb should turn
Another page; and rapt and stern,
Through her great glasses bent on me
She'd glance into reality;
And shake her round old silvery head,
With--'You!--I thought you was in bed!'--
Only to tilt her book again,
And rooted in Romance remain.
Softly along the road of evening,
In a twilight dim with rose,
Wrinkled with age, and drenched with dew
Old Nod, the shepherd, goes.
His drowsy flock streams on before him,
Their fleeces charged with gold,
To where the sun's last beam leans low
On Nod the shepherd's fold.
The hedge is quick and green with briar,
From their sand the conies creep;
And all the birds that fly in heaven
Flock singing home to sleep.
His lambs outnumber a noon's roses,
Yet, when night's shadows fall,
His blind old sheep-dog, Slumber-soon,
Misses not one of all.
His are the quiet steeps of dreamland,
The waters of no-more-pain;
His ram's bell rings 'neath an arch of stars,
"Rest, rest, and rest again."
various magazines. He is best known as a writer of flashing,
paradoxical essays on anything and everything, like _Tremendous
, _The Ball and the Cross_ ), a pamphleteer, and a poet.
"Strong gongs groaning as the guns boom far,
Don John of Austria is going to the war;
Stiff flags straining in the night-blasts cold
In the gloom black-purple, in the glint old-gold;
Torchlight crimson on the copper kettle-drums,
Chesterton, the prose-paradoxer, is a delightful product of a
White founts falling in the Courts of the sun,
And the Soldan of Byzantium is smiling as they run;
It curls the blood-red crescent, the crescent of his lips;
For the inmost sea of all the earth is shaken with his ships.
They have dared the white republics up the capes of Italy,
They have dashed the Adriatic round the Lion of the Sea,
And the Pope has cast his arms abroad for agony and loss,
And called the kings of Christendom for swords about the Cross.
The cold queen of England is looking in the glass;
The shadow of the Valois is yawning at the Mass;
From evening isles fantastical rings faint the Spanish gun,
And the Lord upon the Golden Horn is laughing in the sun.
Dim drums throbbing, in the hills half heard,
Where only on a nameless throne a crownless prince has stirred,
Where, risen from a doubtful seat and half attainted stall,
The last knight of Europe takes weapons from the wall,
The last and lingering troubadour to whom the bird has sung,
That once went singing southward when all the world was young.
In that enormous silence, tiny and unafraid,
Comes up along a winding road the noise of the Crusade.
Strong gongs groaning as the guns boom far,
Don John of Austria is going to the war,
Stiff flags straining in the night-blasts cold
In the gloom black-purple, in the glint old-gold,
Torchlight crimson on the copper kettle-drums,
Spurning of his stirrups like the thrones of all the world,
Holding his head up for a flag of all the free.
Love-light of Spain--hurrah!
Death-light of Africa!
Is riding to the sea.
Mahound is in his paradise above the evening star,
(_Don John of Austria is going to the war._)
He moves a mighty turban on the timeless houri's knees,
His turban that is woven of the sunsets and the seas.
He shakes the peacock gardens as he rises from his ease,
And he strides among the tree-tops and is taller than the trees;
And his voice through all the garden is a thunder sent to bring
Black Azrael and Ariel and Ammon on the wing.
Multiplex of wing and eye,
Whose strong obedience broke the sky
When Solomon was king.
They rush in red and purple from the red clouds of the morn,
Where fallen skies and evil hues and eyeless creatures be,
On them the sea-valves cluster and the grey sea-forests curl,
Splashed with a splendid sickness, the sickness of the pearl;
And chase the Giaours flying night and day, not giving rest,
For that which was our trouble comes again out of the west.
We have set the seal of Solomon on all things under sun,
Of knowledge and of sorrow and endurance of things done.
But a noise is in the mountains, in the mountains, and I know
The voice that shook our palaces--four hundred years ago:
It is he that saith not 'Kismet'; it is he that knows not Fate;
It is Richard, it is Raymond, it is Godfrey at the gate!
It is he whose loss is laughter when he counts the wager worth,
Put down your feet upon him, that our peace be on the earth."
For he heard drums groaning and he heard guns jar,
(_Don John of Austria is going to the war._)
Sudden and still--hurrah!
Bolt from Iberia!
Is gone by Alcalar.
St. Michael's on his Mountain in the sea-roads of the north
(_Don John of Austria is girt and going forth._)
Where the grey seas glitter and the sharp tides shift
And the sea-folk labour and the red sails lift.
He shakes his lance of iron and he claps his wings of stone;
The noise is gone through Normandy; the noise is gone alone;
The North is full of tangled things and texts and aching eyes,
And dead is all the innocence of anger and surprise,
And Christian killeth Christian in a narrow dusty room,
And Christian dreadeth Christ that hath a newer face of doom,
And Christian hateth Mary that God kissed in Galilee,--
But Don John of Austria is riding to the sea.
Don John calling through the blast and the eclipse
Crying with the trumpet, with the trumpet of his lips,
Trumpet that sayeth _ha_!
_Domino gloria!_
Is shouting to the ships.
King Philip's in his closet with the Fleece about his neck
(_Don John of Austria is armed upon the deck._)
The walls are hung with velvet that is black and soft as sin,
And little dwarfs creep out of it and little dwarfs creep in.
He holds a crystal phial that has colours like the moon,
He touches, and it tingles, and he trembles very soon,
And his face is as a fungus of a leprous white and grey
Like plants in the high houses that are shuttered from the day,
And death is in the phial and the end of noble work,
But Don John of Austria has fired upon the Turk.
Don John's hunting, and his hounds have bayed--
Booms away past Italy the rumour of his raid.
Gun upon gun, ha! ha!
Gun upon gun, hurrah!
Has loosed the cannonade.
The Pope was in his chapel before day or battle broke,
(_Don John of Austria is hidden in the smoke._)
The hidden room in man's house where God sits all the year,
The secret window whence the world looks small and very dear.
He sees as in a mirror on the monstrous twilight sea
The crescent of his cruel ships whose name is mystery;
They fling great shadows foe-wards, making Cross and Castle dark,
And above the ships are palaces of brown, black-bearded chiefs,
And below the ships are prisons, where with multitudinous griefs,
And many a one grows witless in his quiet room in hell
Where a yellow face looks inward through the lattice of his cell,
(_But Don John of Austria has burst the battle-line!_)
Don John pounding from the slaughter-painted poop,
Purpling all the ocean like a bloody pirate's sloop,
Scarlet running over on the silvers and the golds,
Breaking of the hatches up and bursting of the holds,
Thronging of the thousands up that labour under sea
White for bliss and blind for sun and stunned for liberty.
Has set his people free!
Cervantes on his galley sets the sword back in the sheath
(_Don John of Austria rides homeward with a wreath._)
And he sees across a weary land a straggling road in Spain,
Up which a lean and foolish knight for ever rides in vain,
This much, O heaven--if I should brood or rave,
Pity me not; but let the world be fed,
Yea, in my madness if I strike me dead,
Heed you the grass that grows upon my grave.
If I dare snarl between this sun and sod,
Whimper and clamour, give me grace to own,
In sun and rain and fruit in season shown,
The shining silence of the scorn of God.
Thank God the stars are set beyond my power,
If I must travail in a night of wrath,
Thank God my tears will never vex a moth,
Nor any curse of mine cut down a flower.
Men say the sun was darkened: yet I had
Thought it beat brightly, even on--Calvary:
And He that hung upon the Torturing Tree
Heard all the crickets singing, and was glad.
"The tattered outlaw of the earth,
Of ancient crooked will;
I keep my secret still.
"Fools! For I also had my hour;
One far fierce hour and sweet:
There was a shout about my ears,
And palms before my feet."
imitative in manner and sentimentally romantic in tone. With _The
village-names and the glamour of the English countryside.
As one, at midnight, wakened by the call
Of golden-plovers in their seaward flight,
Who lies and listens, as the clear notes fall
Through tingling silence of the frosty night--
Who lies and listens, till the last note fails,
And then, in fancy, faring with the flock
Far over slumbering hills and dreaming dales,
Soon hears the surges break on reef and rock;
And, hearkening, till all sense of self is drowned
Within the mightier music of the deep,
No more remembers the sweet piping sound
That startled him from dull, undreaming sleep;
So I, first waking from oblivion, heard,
With heart that kindled to the call of song,
The voice of young life, fluting like a bird,
And echoed that light lilting; till, ere long,
Lured onward by that happy, singing-flight,
I caught the stormy summons of the sea,
And dared the restless deeps that, day and night,
Surge with the life-song of humanity.
"And will you cut a stone for him,
To set above his head?
And will you cut a stone for him--
A stone for him?" she said.
Three days before, a splintered rock
Had struck her lover dead--
Had struck him in the quarry dead,
Where, careless of the warning call,
He loitered, while the shot was fired--
A lively stripling, brave and tall,
And sure of all his heart desired ...
A flash, a shock,
A rumbling fall ...
And, broken 'neath the broken rock,
A lifeless heap, with face of clay;
And still as any stone he lay,
With eyes that saw the end of all.
I went to break the news to her;
And I could hear my own heart beat
With dread of what my lips might say
But, some poor fool had sped before;
And flinging wide her father's door,
Had blurted out the news to her,
Had struck her lover dead for her,
Had struck the girl's heart dead in her,
Had struck life, lifeless, at a word,
And dropped it at her feet:
Then hurried on his witless way,
Scarce knowing she had heard.
And when I came, she stood, alone
A woman, turned to stone:
And, though no word at all she said,
I knew that all was known.
Because her heart was dead,
She did not sigh nor moan,
His mother wept:
She could not weep.
Her lover slept:
She could not sleep.
Three days, three nights,
She did not stir:
Three days, three nights,
Were one to her,
Who never closed her eyes
From sunset to sunrise,
From dawn to evenfall:
Her tearless, staring eyes,
That seeing naught, saw all.
The fourth night when I came from work,
I found her at my door.
"And will you cut a stone for him?"
She said: and spoke no more:
But followed me, as I went in,
And sank upon a chair;
And fixed her grey eyes on my face,
With still, unseeing stare.
And, as she waited patiently,
I could not bear to feel
Those still, grey eyes that followed me,
Those eyes that plucked the heart from me,
Those eyes that sucked the breath from me
And curdled the warm blood in me,
Those eyes that cut me to the bone,
And pierced my marrow like cold steel.
And so I rose, and sought a stone;
And cut it, smooth and square:
And, as I worked, she sat and watched,
Beside me, in her chair.
Night after night, by candlelight,
I cut her lover's name:
Night after night, so still and white,
And like a ghost she came;
And sat beside me in her chair;
And watched with eyes aflame.
She eyed each stroke;
And hardly stirred:
She never spoke
A single word:
And not a sound or murmur broke
The quiet, save the mallet-stroke.
With still eyes ever on my hands,
With eyes that seemed to burn my hands,
My wincing, overwearied hands,
She watched, with bloodless lips apart,
And silent, indrawn breath:
And every stroke my chisel cut,
Death cut still deeper in her heart:
The two of us were chiselling,
Together, I and death.
And when at length the job was done,
And I had laid the mallet by,
As if, at last, her peace were won,
She breathed his name; and, with a sigh,
Passed slowly through the open door:
And never crossed my threshold more.
Next night I laboured late, alone,
To cut her name upon the stone.
By the lamplit stall I loitered, feasting my eyes
On colours ripe and rich for the heart's desire--
Tomatoes, redder than Krakatoa's fire,
Oranges like old sunsets over Tyre,
And apples golden-green as the glades of Paradise.
And as I lingered, lost in divine delight,
My heart thanked God for the goodly gift of sight
And all youth's lively senses keen and quick ...
When suddenly, behind me in the night,
I heard the tapping of a blind man's stick.
Macmillan Co. Reprinted by permission of the publishers.
possibly overemphasized passion and brutality but, underneath the
Masefield has also written several novels of which _Multitude and
Not of the princes and prelates with periwigged charioteers
Riding triumphantly laurelled to lap the fat of the years,--
The men of the tattered battalion which fights till it dies,
Dazed with the dust of the battle, the din and the cries.
Not the be-medalled Commander, beloved of the throne,
Riding cock-horse to parade when the bugles are blown,
But the lads who carried the koppie and cannot be known.
Not the ruler for me, but the ranker, the tramp of the road,
The sailor, the stoker of steamers, the man with the clout,
The chantyman bent at the halliards putting a tune to the shout,
The drowsy man at the wheel and the tired look-out.
Others may sing of the wine and the wealth and the mirth,
The portly presence of potentates goodly in girth;--
Mine be the dirt and the dross, the dust and scum of the earth!
Theirs be the music, the colour, the glory, the gold;
Mine be a handful of ashes, a mouthful of mould.
I must down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by,
I must down to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied;
And all I ask is a windy day with the white clouds flying,
And the flung spray and the blown spume, and the seagulls crying.
To the gull's way and the whale's way where the wind's
like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover,
And quiet sleep and a sweet dream when the long trick's over.
Then came the cry of "Call all hands on deck!"
The Dauber knew its meaning; it was come:
Cape Horn, that tramples beauty into wreck,
Down clattered flying kites and staysails; some
Sang out in quick, high calls: the fair-leads skirled,
And from the south-west came the end of the world....
"Lay out!" the Bosun yelled. The Dauber laid
Out on the yard, gripping the yard, and feeling
Sick at the mighty space of air displayed
Below his feet, where mewing birds were wheeling.
A giddy fear was on him; he was reeling.
He bit his lip half through, clutching the jack.
A cold sweat glued the shirt upon his back.
The yard was shaking, for a brace was loose.
He felt that he would fall; he clutched, he bent,
Clammy with natural terror to the shoes
Snow fluttered on a wind-flaw and was spent;
He saw the water darken. Someone yelled,
"Frap it; don't stay to furl! Hold on!" He held.
Darkness came down--half darkness--in a whirl;
The sky went out, the waters disappeared.
He felt a shocking pressure of blowing hurl
The ship upon her side. The darkness speared
At her with wind; she staggered, she careered;
Then down she lay. The Dauber felt her go,
He saw her yard tilt downwards. Then the snow
Whirled all about--dense, multitudinous, cold--
Mixed with the wind's one devilish thrust and shriek,
Which whiffled out men's tears, defeated, took hold,
Flattening the flying drift against the cheek.
The yards buckled and bent, man could not speak.
The ship lay on her broadside; the wind's sound
Had devilish malice at having got her downed.
How long the gale had blown he could not tell,
Only the world had changed, his life had died.
A moment now was everlasting hell.
Nature an onslaught from the weather side,
A withering rush of death, a frost that cried,
Shrieked, till he withered at the heart; a hail
Plastered his oilskins with an icy mail....
"Up!" yelled the Bosun; "up and clear the wreck!"
The Dauber followed where he led; below
He caught one giddy glimpsing of the deck
Filled with white water, as though heaped with snow.
He saw the streamers of the rigging blow
Straight out like pennons from the splintered mast,
Then, all sense dimmed, all was an icy blast.
Roaring from nether hell and filled with ice,
Roaring and crashing on the jerking stage,
An utter bridle given to utter vice,
Limitless power mad with endless rage
Withering the soul; a minute seemed an age.
He clutched and hacked at ropes, at rags of sail,
Thinking that comfort was a fairy tale,
Told long ago--long, long ago--long since
Heard of in other lives--imagined, dreamed--
There where the basest beggar was a prince.
To him in torment where the tempest screamed,
Comfort and warmth and ease no longer seemed
Things that a man could know; soul, body, brain,
Knew nothing but the wind, the cold, the pain.
Their horses gleam, their banners shake, their spears are many.
The sack of many-peopled towns
Is all their dream:
The way they take
Leaves but a ruin in the brake,
And, in the furrow that the ploughmen make,
A stampless penny; a tale, a dream.
The Merchants reckon up their gold,
They tell and sum;
Their foremen drive
Their servants, starved to half-alive,
Whose labours do but make the earth a hive
Of stinking glories; a tale, a dream.
The Priests are singing in their stalls,
Their singing lifts, their incense burns, their praying clamours;
The ivy drifts;
The votive urns
Are all left void when Fortune turns,
The god is but a marble for the kerns
To break with hammers; a tale, a dream.
O Beauty, let me know again
So shall I pass into the feast
Not touched by King, Merchant, or Priest;
Know the red spirit of the beast,
Be the green grain;
Escape from prison.
Is there a great green commonwealth of Thought
Which ranks the yearly pageant, and decides
How Summer's royal progress shall be wrought,
By secret stir which in each plant abides?
Does rocking daffodil consent that she,
The snowdrop of wet winters, shall be first?
Does spotted cowslip with the grass agree
To hold her pride before the rattle burst?
And in the hedge what quick agreement goes,
When hawthorn blossoms redden to decay,
That Summer's pride shall come, the Summer's rose,
Before the flower be on the bramble spray?
Or is it, as with us, unresting strife,
And each consent a lucky gasp for life?
publishers.
publishers.
There is no wrath in the stars,
They do not rage in the sky;
I look from the evil wood
And find myself wondering why.
Why do they not scream out
And grapple star against star,
Seeking for blood in the wood
As all things round me are?
They do not glare like the sky
Or flash like the deeps of the wood;
But they shine softly on
In their sacred solitude.
To their high, happy haunts
Silence from us has flown,
She whom we loved of old
And know it now she is gone.
When will she come again,
Though for one second only?
She whom we loved is gone
And the whole world is lonely.
And the elder giants come
Sometimes, tramping from far
Through the weird and flickering light
Made by an earthly star.
And the giant with his club,
And the dwarf with rage in his breath,
And the elder giants from far,
They are all the children of Death.
They are all abroad to-night
And are breaking the hills with their brood,--
And the birds are all asleep
Somewhere lost in the haze
The sun goes down in the cold,
And birds in this evil wood
Chirrup home as of old;
Chirrup, stir and are still,
On the high twigs frozen and thin.
There is no more noise of them now,
And the long night sets in.
Of all the wonderful things
That I have seen in the wood
I marvel most at the birds
And their wonderful quietude.
For a giant smites with his club
All day the tops of the hill,
Sometimes he rests at night,
Oftener he beats them still.
And a dwarf with a grim black mane
Raps with repeated rage
All night in the valley below
On the wooden walls of his cage.
I met with Death in his country,
With his scythe and his hollow eye,
Walking the roads of Belgium.
I looked and he passed me by.
Since he passed me by in Plug Street,
In the wood of the evil name,
I shall not now lie with the heroes,
I shall not share their fame;
I shall never be as they are,
A name in the lands of the Free,
Since I looked on Death in Flanders
And he did not look at me.
_Poems_ (1917), dedicated to Robert Frost, is full of Thomas's
villages, birds' nests uncovered by the autumn wind, dusty
Thomas was killed at Arras, at an observatory outpost, on Easter
If I should ever by chance grow rich
I'll buy Codham, Cockridden, and Childerditch,
And let them all to my elder daughter.
The rent I shall ask of her will be only
Each year's first violets, white and lonely,
The first primroses and orchises--
She must find them before I do, that is.
But if she finds a blossom on furze
Without rent they shall all for ever be hers,
I shall give them all to my elder daughter.
Tall nettles cover up, as they have done
These many springs, the rusty harrow, the plough
Long worn out, and the roller made of stone:
Only the elm butt tops the nettles now.
This corner of the farmyard I like most:
As well as any bloom upon a flower
I like the dust on the nettles, never lost
Except to prove the sweetness of a shower.
That once were underwood of hazel and ash
In Jenny Pinks's Copse. Now, by the hedge
Close packed, they make a thicket fancy alone
Can creep through with the mouse and wren. Next Spring
A blackbird or a robin will nest there,
Accustomed to them, thinking they will remain
Whatever is for ever to a bird.
This Spring it is too late; the swift has come,
'Twas a hot day for carrying them up:
Better they will never warm me, though they must
Light several Winters' fires. Before they are done
The war will have ended, many other things
Have ended, maybe, that I can no more
Foresee or more control than robin and wren.
Out of the wood of thoughts that grows by night
To be cut down by the sharp axe of light,--
Out of the night, two cocks together crow,
Cleaving the darkness with a silver blow:
And bright before my eyes twin trumpeters stand,
Heralds of splendour, one at either hand,
Each facing each as in a coat of arms:--
The milkers lace their boots up at the farms.
Dear, they are praising your beauty,
The grass and the sky:
The sky in a silence of wonder,
The grass in a sigh.
I too would sing for your praising,
Speech as the whispering grass,
Or the silent sky.
These have an art for the praising
Beauty so high.
Sweet, you are praised in a silence,
Sung in a sigh.
"an idle rainbow
No less than laboring seas,"
Eve, with her basket, was
Deep in the bells and grass,
Wading in bells and grass
Up to her knees.
Picking a dish of sweet
Berries and plums to eat,
Down in the bells and grass
Under the trees.
Mute as a mouse in a
Corner the cobra lay,
Curled round a bough of the
Cinnamon tall....
Now to get even and
Humble proud heaven and
Now was the moment or
Never at all.
"Eva!" Each syllable
Light as a flower fell,
"Eva!" he whispered the
Wondering maid,
Soft as a bubble sung
Out of a linnet's lung,
Soft and most silverly
Picture that orchard sprite;
Eve, with her body white,
Supple and smooth to her
Slim finger tips;
Wondering, listening,
Listening, wondering,
Eve with a berry
Half-way to her lips.
Oh, had our simple Eve
Seen through the make-believe!
Had she but known the
Pretender he was!
Out of the boughs he came,
Whispering still her name,
Tumbling in twenty rings
Into the grass.
Here was the strangest pair
In the world anywhere,
Eve in the bells and grass
Telling his story low....
Singing birds saw them go
Down the dark path to
Oh, what a clatter when
Saw him successful and
Taking his leave!
How the birds rated him,
How they all hated him!
How they all pitied
Poor motherless Eve!
Picture her crying
Outside in the lane,
Eve, with no dish of sweet
Berries and plums to eat,
Haunting the gate of the
Orchard in vain....
Picture the lewd delight
Under the hill to-night--
"Eva!" the toast goes round,
Time, you old gipsy man,
Will you not stay,
Put up your caravan
Just for one day?
All things I'll give you
Will you be my guest,
Bells for your jennet
Of silver the best,
Goldsmiths shall beat you
A great golden ring,
Peacocks shall bow to you,
Little boys sing,
Oh, and sweet girls will
Festoon you with may.
Time, you old gipsy,
Why hasten away?
Last week in Babylon,
Last night in Rome,
Morning, and in the crush
Under Paul's dome;
Under Paul's dial
You tighten your rein--
Only a moment,
And off once again;
Off to some city
Now blind in the womb,
Off to another
Ere that's in the tomb.
Time, you old gipsy man,
Will you not stay,
Put up your caravan
Just for one day?
When flighting time is on, I go
With clap-net and decoy,
A-fowling after goldfinches
And other birds of joy;
I lurk among the thickets of
The Heart where they are bred,
And catch the twittering beauties as
They fly into my Head.
He came and took me by the hand
Up to a red rose tree,
He kept His meaning to Himself
But gave a rose to me.
I did not pray Him to lay bare
The mystery to me,
Enough the rose was Heaven to smell,
And His own face to see.
Here is the soundless cypress on the lawn:
It listens, listens. Taller trees beyond
Listen. The moon at the unruffled pond
Stares. And you sing, you sing.
That star-enchanted song falls through the air
From lawn to lawn down terraces of sound,
Darts in white arrows on the shadowed ground;
And all the night you sing.
My dreams are flowers to which you are a bee
As all night long I listen, and my brain
Receives your song; then loses it again
In moonlight on the lawn.
Now is your voice a marble high and white,
Then like a mist on fields of paradise,
Now is a raging fire, then is like ice,
Then breaks, and it is dawn.
Since man has been articulate,
Mechanical, improvidently wise,
He has not understood the little cries
And foreign conversations of the small
Delightful creatures that have followed him
Not far behind;
Has failed to hear the sympathetic call
Of Crockery and Cutlery, those kind
Of his domestic happiness; the Stool
He sat on, or the Door he entered through:
He has not thanked them, overbearing fool!
What is he coming to?
But you should listen to the talk of these.
Honest they are, and patient they have kept;
Served him without his Thank you or his Please ...
I often heard
The gentle Bed, a sigh between each word,
Murmuring, before I slept.
The Candle, as I blew it, cried aloud,
Then bowed,
And in a smoky argument
Into the darkness went.
The Kettle puffed a tentacle of breath:--
"Pooh! I have boiled his water, I don't know
Why; and he always says I boil too slow.
He never calls me 'Sukie, dear,' and oh,
I wonder why I squander my desire
Sitting submissive on his kitchen fire."
Now the old Copper Basin suddenly
Rattled and tumbled from the shelf,
Bumping and crying: "I can fall by myself;
Without a woman's hand
To patronize and coax and flatter me,
I understand
The lean and poise of gravitable land."
It gave a raucous and tumultuous shout,
Twisted itself convulsively about,
Rested upon the floor, and, while I stare,
It stares and grins at me.
The old impetuous Gas above my head
Begins irascibly to flare and fret,
Wheezing into its epileptic jet,
Reminding me I ought to go to bed.
The Rafters creak; an Empty-Cupboard door
Swings open; now a wild Plank of the floor
Breaks from its joist, and leaps behind my foot.
Down from the chimney, half a pound of Soot
Tumbles and lies, and shakes itself again.
The Putty cracks against the window-pane.
A piece of Paper in the basket shoves
Another piece, and toward the bottom moves.
My independent Pencil, while I write,
Breaks at the point: the ruminating Clock
Stirs all its body and begins to rock,
Warning the waiting presence of the Night,
Strikes the dead hour, and tumbles to the plain
Ticking of ordinary work again.
You do well to remind me, and I praise
Your strangely individual foreign ways.
You call me from myself to recognize
Companionship in your unselfish eyes.
I want your dear acquaintances, although
I pass you arrogantly over, throw
Your lovely sounds, and squander them along
My busy days. I'll do you no more wrong.
Purr for me, Sukie, like a faithful cat.
You, my well trampled Boots, and you, my Hat,
Remain my friends: I feel, though I don't speak,
Your touch grow kindlier from week to week.
It well becomes our mutual happiness
To go toward the same end more or less.
There is not much dissimilarity,
Not much to choose, I know it well, in fine,
Between the purposes of you and me,
And your eventual Rubbish Heap, and mine.
If suddenly a clod of earth should rise,
And walk about, and breathe, and speak, and love,
How one would tremble, and in what surprise
Gasp: "Can you move?"
I see men walking, and I always feel:
"Earth! How have you done this? What can you be?"
I can't learn how to know men, or conceal
How strange they are to me.
In wiser days, my darling rosebud, blown
To beauty proud as was your mother's prime,
In that desired, delayed, incredible time,
You'll ask why I abandoned you, my own,
And the dear heart that was your baby throne,
To dice with death. And oh! they'll give you rhyme
And reason: some will call the thing sublime,
And some decry it in a knowing tone.
So here, while the mad guns curse overhead,
And tired men sigh with mud for couch and floor,
Know that we fools, now with the foolish dead,
Died not for flag, nor King, nor Emperor,--
But for a dream, born in a herdsman's shed,
And for the secret Scripture of the poor.
classes of people.
What is most appealing about his best verse is its ease and
heartiness; this singer's gift lies in the almost personal bond
genuinely inspired nonsense of the earlier _Forest of Wild Thyme_
literary phase of the same period, is less successful; but these
Sherwood in the twilight, is Robin Hood awake?
Grey and ghostly shadows are gliding through the brake;
Shadows of the dappled deer, dreaming of the morn,
Dreaming of a shadowy man that winds a shadowy horn.
Robin Hood is here again: all his merry thieves
Hear a ghostly bugle-note shivering through the leaves,
Calling as he used to call, faint and far away,
In Sherwood, in Sherwood, about the break of day.
Merry, merry England has kissed the lips of June:
All the wings of fairyland were here beneath the moon;
Like a flight of rose-leaves fluttering in a mist
Of opal and ruby and pearl and amethyst.
Merry, merry England is waking as of old,
With eyes of blither hazel and hair of brighter gold:
For Robin Hood is here again beneath the bursting spray
In Sherwood, in Sherwood, about the break of day.
Love is in the greenwood building him a house
Of wild rose and hawthorn and honeysuckle boughs;
Love it in the greenwood: dawn is in the skies;
And Marian is waiting with a glory in her eyes.
Hark! The dazzled laverock climbs the golden steep:
Marian is waiting: is Robin Hood asleep?
Round the fairy grass-rings frolic elf and fay,
In Sherwood, in Sherwood, about the break of day.
Oberon, Oberon, rake away the gold,
Rake away the red leaves, roll away the mould,
Rake away the gold leaves, roll away the red,
And wake Will Scarlett from his leafy forest bed.
Friar Tuck and Little John are riding down together
With quarter-staff and drinking-can and grey goose-feather;
The dead are coming back again; the years are rolled away
In Sherwood, in Sherwood, about the break of day.
Softly over Sherwood the south wind blows;
All the heart of England hid in every rose
Hears across the greenwood the sunny whisper leap,
Sherwood in the red dawn, is Robin Hood asleep?
Hark, the voice of England wakes him as of old
And, shattering the silence with a cry of brighter gold,
Bugles in the greenwood echo from the steep,
_Sherwood in the red dawn, is Robin Hood asleep?_
Where the deer are gliding down the shadowy glen
All across the glades of fern he calls his merry men;
Doublets of the Lincoln green glancing through the May,
In Sherwood, in Sherwood, about the break of day;
Calls them and they answer: from aisles of oak and ash
Rings the _Follow! Follow!_ and the boughs begin to crash;
The ferns begin to flutter and the flowers begin to fly;
And through the crimson dawning the robber band goes by.
_Robin! Robin! Robin!_ All his merry thieves
Answer as the bugle-note shivers through the leaves:
Calling as he used to call, faint and far away,
In Sherwood, in Sherwood, about the break of day.
There's a barrel-organ carolling across a golden street
In the City as the sun sinks low;
And the music's not immortal; but the world has made it sweet
And fulfilled it with the sunset glow;
And it pulses through the pleasures of the City and the pain
That surround the singing organ like a large eternal light;
And they've given it a glory and a part to play again
In the Symphony that rules the day and night.
And now it's marching onward through the realms of old romance,
And trolling out a fond familiar tune,
And now it's roaring cannon down to fight the King of France,
And now it's prattling softly to the moon.
And all around the organ there's a sea without a shore
Of human joys and wonders and regrets;
To remember and to recompense the music evermore
For what the cold machinery forgets ...
Yes; as the music changes,
Like a prismatic glass,
It takes the light and ranges
Through all the moods that pass;
Dissects the common carnival
Of passions and regrets,
And gives the world a glimpse of all
The colours it forgets.
And there _La Traviata_ sighs
Another sadder song;
And there _Il Trovatore_ cries
A tale of deeper wrong;
And bolder knights to battle go
With sword and shield and lance,
Than ever here on earth below
Have whirled into--a dance!--
Go down to Kew in lilac-time, in lilac-time, in lilac-time;
Go down to Kew in lilac-time (it isn't far from London!)
And there they say, when dawn is high and all the world's
a blaze of sky
The cuckoo, though he's very shy, will sing a song for London.
The linnet and the throstle, too, and after dark the long halloo
And golden-eyed _tu-whit, tu-whoo_ of owls that ogle London.
For Noah hardly knew a bird of any kind that isn't heard
At Kew, at Kew in lilac-time (and oh, so near to London!)
_Come down to Kew in lilac-time, in lilac-time, in lilac-time;
Come down to Kew in lilac-time (it isn't far from London!)
And then the troubadour begins to thrill the golden street,
In the city as the sun sinks low;
And in all the gaudy busses there are scores of weary feet
Marking time, sweet time, with a dull mechanic beat,
And a thousand hearts are plunging to a love they'll never meet,
Verdi, Verdi, when you wrote _Il Trovatore_ did you dream
Of the City when the sun sinks low,
Of the organ and the monkey and the many-coloured stream
On the Piccadilly pavement, of the myriad eyes that seem
To be litten for a moment with a wild Italian gleam
As _A che la morte_ parodies the world's eternal theme
And pulses with the sunset-glow?
There's a portly man of business with a balance of his own,
There's a clerk and there's a butcher of a soft reposeful tone,
And they're all of them returning to the heavens they have known:
There's a labourer that listens to the voices of the dead
In the City as the sun sinks low;
And his hand begins to tremble and his face is rather red
As he sees a loafer watching him and--there he turns his head
And stares into the sunset where his April love is fled,
For he hears her softly singing and his lonely soul is led
Through the land where the dead dreams go ...
There's a barrel-organ carolling across a golden street
In the City as the sun sinks low;
Though the music's only Verdi there's a world to make it sweet
Just as yonder yellow sunset where the earth and heaven meet
Mellows all the sooty City! Hark, a hundred thousand feet
Are marching on to glory through the poppies and the wheat
In the land where the dead dreams go.
So it's Jeremiah, Jeremiah,
What have you to say
When you meet the garland girls
Tripping on their way?
All around my gala hat
I wear a wreath of roses
(A long and lonely year it is
I've waited for the May!)
If any one should ask you,
The reason why I wear it is--
My own love, my true love is coming home to-day.
And it's buy a bunch of violets for the lady
(_It's lilac-time in London; it's lilac-time in London!_)
Buy a bunch of violets for the lady;
While the sky burns blue above:
On the other side the street you'll find it shady
(_It's lilac-time in London; it's lilac-time in London!_)
But buy a bunch of violets for the lady,
And tell her she's your own true love.
There's a barrel-organ carolling across a golden street
In the City as the sun sinks glittering and slow;
And the music's not immortal; but the world has made it sweet
And enriched it with the harmonies that make a song complete
In the deeper heavens of music where the night and morning meet,
As it dies into the sunset glow;
And it pulses through the pleasures of the City and the pain
That surround the singing organ like a large eternal light,
And they've given it a glory and a part to play again
In the Symphony that rules the day and night.
And there, as the music changes,
The song runs round again;
Once more it turns and ranges
Through all its joy and pain:
Dissects the common carnival
Of passions and regrets;
And the wheeling world remembers all
The wheeling song forgets.
Once more _La Traviata_ sighs
Another sadder song:
Once more _Il Trovatore_ cries
A tale of deeper wrong;
Once more the knights to battle go
With sword and shield and lance
Till once, once more, the shattered foe
Has whirled into--a dance!
_Come down to Kew in lilac-time, in lilac-time, in lilac-time;
Come down to Kew in lilac-time (it isn't far from London!)
Carol, every violet has
Heaven for a looking-glass!
Every little valley lies
Under many-clouded skies;
Every little cottage stands
Girt about with boundless lands.
Every little glimmering pond
Claims the mighty shores beyond--
Shores no seamen ever hailed,
Seas no ship has ever sailed.
All the shores when day is done
Fade into the setting sun,
So the story tries to teach
More than can be told in speech.
Beauty is a fading flower,
Truth is but a wizard's tower,
Where a solemn death-bell tolls,
And a forest round it rolls.
We have come by curious ways
To the light that holds the days;
We have sought in haunts of fear
For that all-enfolding sphere:
And lo! it was not far, but near.
We have found, O foolish-fond,
The shore that has no shore beyond.
Deep in every heart it lies
With its untranscended skies;
For what heaven should bend above
Hearts that own the heaven of love?
Carol, Carol, we have come
Back to heaven, back to home.
National Theatre, afterwards called The Abbey Theatre.
Colum began as a dramatist with _Broken Soil_ (1904), _The Land_
Sunset and silence! A man: around him earth savage,
earth broken;
Beside him two horses--a plough!
Earth savage, earth broken, the brutes, the dawn man
there in the sunset,
And the Plough that is twin to the Sword, that is founder
of cities!
"Brute-tamer, plough-maker, earth-breaker! Can'st hear?
There are ages between us.
"Is it praying you are as you stand there alone in the
sunset?
"Surely our sky-born gods can be naught to you, earth
child and earth master?
"Surely your thoughts are of Pan, or of Wotan, or Dana?
"Yet, why give thought to the gods? Has Pan led your
brutes where they stumble?
"Has Dana numbed pain of the child-bed, or Wotan put
hands to your plough?
"What matter your foolish reply! O, man, standing
lone and bowed earthward,
"Your task is a day near its close. Give thanks to the
night-giving God."
Slowly the darkness falls, the broken lands blend
with the savage;
The brute-tamer stands by the brutes, a head's breadth
only above them.
A head's breadth? Ay, but therein is hell's depth, and
the height up to heaven,
And the thrones of the gods and their halls, their chariots,
purples, and splendors.
O, to have a little house!
To own the hearth and stool and all!
The heaped up sods upon the fire,
The pile of turf against the wall!
To have a clock with weights and chains
And pendulum swinging up and down!
A dresser filled with shining delph,
Speckled and white and blue and brown!
I could be busy all the day
Clearing and sweeping hearth and floor,
And fixing on their shelf again
My white and blue and speckled store!
I could be quiet there at night
Beside the fire and by myself,
Sure of a bed and loth to leave
The ticking clock and the shining delph!
Och! but I'm weary of mist and dark,
And roads where there's never a house nor bush,
And tired I am of bog and road,
And the crying wind and the lonesome hush!
And I am praying to God on high,
And I am praying Him night and day,
For a little house--a house of my own--
Out of the wind's and the rain's way.
(_Seosamh MacCathmhaoil_)
I am the mountainy singer--
The voice of the peasant's dream,
The cry of the wind on the wooded hill,
The leap of the fish in the stream.
Quiet and love I sing--
The carn on the mountain crest,
The _cailin_ in her lover's arms,
The child at its mother's breast.
Beauty and peace I sing--
The fire on the open hearth,
The _cailleach_ spinning at her wheel,
The plough in the broken earth.
Travail and pain I sing--
The bride on the childing bed,
The dark man laboring at his rhymes,
The eye in the lambing shed.
Sorrow and death I sing--
The canker come on the corn,
The fisher lost in the mountain loch,
The cry at the mouth of morn.
No other life I sing,
For I am sprung of the stock
That broke the hilly land for bread,
And built the nest in the rock!
As a white candle
In a holy place,
So is the beauty
Of an aged face.
As the spent radiance
Of the winter sun,
So is a woman
With her travail done,
Her brood gone from her,
And her thoughts as still
As the waters
Under a ruined mill.
Stephens's outstanding characteristic is his delightful blend of
And then I pressed the shell
And listened well,
And straightway like a bell
Came low and clear
The slow, sad murmur of the distant seas,
Whipped by an icy breeze
Upon a shore
Wind-swept and desolate.
It was a sunless strand that never bore
The footprint of a man,
Nor felt the weight
Since time began
Of any human quality or stir
Save what the dreary winds and waves incur.
And in the hush of waters was the sound
Of pebbles rolling round,
For ever rolling with a hollow sound.
And bubbling sea-weeds as the waters go
Their long, cold tentacles of slimy grey.
There was no day,
Nor ever came a night
Setting the stars alight
To wonder at the moon:
Was twilight only and the frightened croon,
Smitten to whimpers, of the dreary wind
And waves that journeyed blind--
And then I loosed my ear ... O, it was sweet
To hear a cart go jolting down the street.
I saw God. Do you doubt it?
Do you dare to doubt it?
I saw the Almighty Man. His hand
Was resting on a mountain, and
He looked upon the World and all about it:
I saw him plainer than you see me now,
You mustn't doubt it.
He was not satisfied;
His look was all dissatisfied.
His beard swung on a wind far out of sight
Behind the world's curve, and there was light
Most fearful from His forehead, and He sighed,
"That star went always wrong, and from the start
I was dissatisfied."
He lifted up His hand--
I say He heaved a dreadful hand
Over the spinning Earth. Then I said, "Stay,
You must not strike it, God; I'm in the way;
And I will never move from where I stand."
He said, "Dear child, I feared that you were dead,"
And stayed His hand.
The driver rubbed at his nettly chin
With a huge, loose forefinger, crooked and black,
And his wobbly, violet lips sucked in,
And puffed out again and hung down slack:
One fang shone through his lop-sided smile,
In his little pouched eye flickered years of guile.
And the horse, poor beast, it was ribbed and forked,
And its ears hung down, and its eyes were old,
And its knees were knuckly, and as we talked
It swung the stiff neck that could scarcely hold
Its big, skinny head up--then I stepped in,
And the driver climbed to his seat with a grin.
God help the horse and the driver too,
And the people and beasts who have never a friend,
For the driver easily might have been you,
And the horse be me by a different end.
And nobody knows how their days will cease,
And the poor, when they're old, have little of peace.
I do not think that skies and meadows are
Moral, or that the fixture of a star
Comes of a quiet spirit, or that trees
Have wisdom in their windless silences.
Yet these are things invested in my mood
With constancy, and peace, and fortitude;
That in my troubled season I can cry
Upon the wide composure of the sky,
And envy fields, and wish that I might be
As little daunted as a star or tree.
Beyond my window in the night
Is but a drab inglorious street,
Yet there the frost and clean starlight
As over Warwick woods are sweet.
Under the grey drift of the town
The crocus works among the mould
As eagerly as those that crown
The Warwick spring in flame and gold.
And when the tramway down the hill
Across the cobbles moans and rings,
There is about my window-sill
The tumult of a thousand wings.
James Joyce was born at Dublin, February 2, 1882, and educated in
I hear an army charging upon the land,
And the thunder of horses plunging, foam about their knees:
Arrogant, in black armour, behind them stand,
Disdaining the reins, with fluttering whips, the charioteers.
They cry unto the night their battle-name:
I moan in sleep when I hear afar their whirling laughter.
They cleave the gloom of dreams, a blinding flame,
Clanging, clanging upon the heart as upon an anvil.
They come shaking in triumph their long, green hair:
They come out of the sea and run shouting by the shore.
My heart, have you no wisdom thus to despair?
My love, my love, my love, why have you left me alone?
Now very quietly, and rather mournfully,
In clouds of hyacinth the sun retires,
And all the stubble-fields that were so warm to him
Keep but in memory their borrowed fires.
And I, the traveller, break, still unsatisfied,
From that faint exquisite celestial strand,
And turn and see again the only dwelling-place
In this wide wilderness of darkening land.
The house, that house, O now what change has come to it.
Its crude red-brick façade, its roof of slate;
What imperceptible swift hand has given it
A new, a wonderful, a queenly state?
No hand has altered it, that parallelogram,
So inharmonious, so ill-arranged;
That hard blue roof in shape and colour's what it was;
No, it is not that any line has changed.
Only that loneliness is now accentuate
And, as the dusk unveils the heaven's deep cave,
This small world's feebleness fills me with awe again,
And all man's energies seem very brave.
And this mean edifice, which some dull architect
Built for an ignorant earth-turning hind,
Takes on the quality of that magnificent
Unshakable dauntlessness of human kind.
Darkness and stars will come, and long the night will be,
Yet imperturbable that house will rest,
Avoiding gallantly the stars' chill scrutiny,
Ignoring secrets in the midnight's breast.
Thunders may shudder it, and winds demoniac
May howl their menaces, and hail descend:
Yet it will bear with them, serenely, steadfastly,
Not even scornfully, and wait the end.
And all a universe of nameless messengers
From unknown distances may whisper fear,
And it will imitate immortal permanence,
And stare and stare ahead and scarcely hear.
It stood there yesterday; it will to-morrow, too,
When there is none to watch, no alien eyes
To watch its ugliness assume a majesty
From this great solitude of evening skies.
So lone, so very small, with worlds and worlds around,
While life remains to it prepared to outface
Whatever awful unconjectured mysteries
May hide and wait for it in time and space.
What thing shall be held up to woman's beauty?
Where are the bounds of it? Yea, what is all
The world, but an awning scaffolded amid
The waste perilous Eternity, to lodge
This Heaven-wander'd princess, woman's beauty?
The East and West kneel down to thee, the North
And South; and all for thee their shoulders bear
The load of fourfold space. As yellow morn
Runs on the slippery waves of the spread sea,
Thy feet are on the griefs and joys of men
That sheen to be thy causey. Out of tears
Indeed, and blitheness, murder and lust and love,
Whatever has been passionate in clay,
Thy flesh was tempered. Behold in thy body
The yearnings of all men measured and told,
Insatiate endless agonies of desire
Given thy flesh, the meaning of thy shape!
What beauty is there, but thou makest it?
How is earth good to look on, woods and fields,
The season's garden, and the courageous hills,
All this green raft of earth moored in the seas?
The manner of the sun to ride the air,
The stars God has imagined for the night?
What's this behind them, that we cannot near,
Secret still on the point of being blabbed,
The ghost in the world that flies from being named?
Where do they get their beauty from, all these?
They do but glaze a lantern lit for man,
And woman's beauty is the flame therein.
Balkis was in her marble town,
And shadow over the world came down.
Whiteness of walls, towers and piers,
That all day dazzled eyes to tears,
Turned from being white-golden flame,
And like the deep-sea blue became.
Balkis into her garden went;
Her spirit was in discontent
Like a torch in restless air.
Joylessly she wandered there,
And saw her city's azure white
Lying under the great night,
Beautiful as the memory
Of a worshipping world would be
In the mind of a god, in the hour
When he must kill his outward power;
And, coming to a pool where trees
Grew in double greeneries,
Saw herself, as she went by
The water, walking beautifully,
And saw the stars shine in the glance
Of her eyes, and her own fair countenance
Passing, pale and wonderful,
Across the night that filled the pool.
And cruel was the grief that played
With the queen's spirit; and she said:
"What do I here, reigning alone?
For to be unloved is to be alone.
There is no man in all my land
Dare my longing understand;
The whole folk like a peasant bows
Lest its look should meet my brows
And be harmed by this beauty of mine.
I burn their brains as I were sign
Of God's beautiful anger sent
To master them with punishment
Of beauty that must pour distress
On hearts grown dark with ugliness.
But it is I am the punisht one.
Is there no man, is there none,
In whom my beauty will but move
The lust of a delighted love;
In whom some spirit of God so thrives
That we may wed our lonely lives.
Is there no man, is there none?"--
She said, "I will go to Solomon."
Another remarkable poet whose early death was a blow to English
I have seen old ships sail like swans asleep
Beyond the village which men still call Tyre,
With leaden age o'ercargoed, dipping deep
For Famagusta and the hidden sun
That rings black Cyprus with a lake of fire;
And all those ships were certainly so old--
Who knows how oft with squat and noisy gun,
Questing brown slaves or Syrian oranges,
The pirate Genoese
Hell-raked them till they rolled
Blood, water, fruit and corpses up the hold.
But now through friendly seas they softly run,
Painted the mid-sea blue or shore-sea green,
Still patterned with the vine and grapes in gold.
But I have seen,
Pointing her shapely shadows from the dawn
And image tumbled on a rose-swept bay,
A drowsy ship of some yet older day;
And, wonder's breath indrawn,
Thought I--who knows--who knows--but in that same
(Fished up beyond Aeaea, patched up new
--Stern painted brighter blue--)
That talkative, bald-headed seaman came
(Twelve patient comrades sweating at the oar)
From Troy's doom-crimson shore,
And with great lies about his wooden horse
Set the crew laughing, and forgot his course.
It was so old a ship--who knows, who knows?
--And yet so beautiful, I watched in vain
To see the mast burst open with a rose,
And the whole deck put on its leaves again.
David Herbert Lawrence, born in 1885, is one of the most
As a poet he is often caught in the net of his own emotions; his
passion thickens his utterance and distorts his rhythms, which
The great gold apples of light
Hang from the street's long bough
Dripping their light
On the faces that drift below,
On the faces that drift and blow
Down the night-time, out of sight
In the wind's sad sough.
The ripeness of these apples of night
Distilling over me
Makes sickening the white
Ghost-flux of faces that hie
Them endlessly, endlessly by
Without meaning or reason why
They ever should be.
Softly, in the dusk, a woman is singing to me;
Taking me back down the vista of years, till I see
A child sitting under the piano, in the boom of the
tingling strings
And pressing the small, poised feet of a mother who
smiles as she sings.
In spite of myself, the insidious mastery of song
Betrays me back, till the heart of me weeps to belong
To the old Sunday evenings at home, with winter outside
And hymns in the cosy parlour, the tinkling piano our guide.
So now it is vain for the singer to burst into clamour
With the great black piano appassionato. The glamour
Of childish days is upon me, my manhood is cast
John Freeman, born in 1885, has published several volumes of
pleasantly descriptive verse. The two most distinctive are _Stone
Last night a sword-light in the sky
Flashed a swift terror on the dark.
In that sharp light the fields did lie
Naked and stone-like; each tree stood
Like a tranced woman, bound and stark.
Far off the wood
With darkness ridged the riven dark.
And cows astonished stared with fear,
And sheep crept to the knees of cows,
And conies to their burrows slid,
And rooks were still in rigid boughs,
And all things else were still or hid.
From all the wood
Came but the owl's hoot, ghostly, clear.
In that cold trance the earth was held
It seemed an age, or time was nought.
Sure never from that stone-like field
Sprang golden corn, nor from those chill
Grey granite trees was music wrought.
In all the wood
Even the tall poplar hung stone still.
It seemed an age, or time was none ...
Slowly the earth heaved out of sleep
And shivered, and the trees of stone
Bent and sighed in the gusty wind,
And rain swept as birds flocking sweep.
Far off the wood
Rolled the slow thunders on the wind.
From all the wood came no brave bird,
No song broke through the close-fall'n night,
Nor any sound from cowering herd:
Only a dog's long lonely howl
When from the window poured pale light.
And from the wood
The hoot came ghostly of the owl.
I never see the newsboys run
Amid the whirling street,
With swift untiring feet,
To cry the latest venture done,
But I expect one day to hear
Them cry the crack of doom
And risings from the tomb,
With great Archangel Michael near;
And see them running from the Fleet
As messengers of God,
With Heaven's tidings shod
About their brave unwearied feet.
Father of the thunder,
Flinger of the flame,
Searing stars asunder,
By the sweet-sung quiring
Sister bullets hum,
By our fiercest firing,
_May Thy Kingdom come!_
By Thy strong apostle
Of the Maxim gun,
By his pentecostal
Flame, _Thy Will be done!_
Give us, Lord, good feeding
To Thy battles sped--
Flesh, white grained and bleeding,
_Give for daily bread!_
The daughter of Francis Darwin, third son of Charles Darwin, Mrs.
I laid me down upon the shore
And dreamed a little space;
I heard the great waves break and roar;
The sun was on my face.
My idle hands and fingers brown
Played with the pebbles grey;
The waves came up, the waves went down,
Most thundering and gay.
The pebbles, they were smooth and round
And warm upon my hands,
Like little people I had found
Sitting among the sands.
The grains of sand so shining-small
Soft through my fingers ran;
The sun shone down upon it all,
And so my dream began:
How all of this had been before,
How ages far away
I lay on some forgotten shore
As here I lie to-day.
The waves came shining up the sands,
As here to-day they shine;
And in my pre-pelasgian hands
The sand was warm and fine.
I have forgotten whence I came,
Or what my home might be,
Or by what strange and savage name
I called that thundering sea.
I only know the sun shone down
As still it shines to-day,
And in my fingers long and brown
The little pebbles lay.
If I had peace to sit and sing,
Then I could make a lovely thing;
But I am stung with goads and whips,
So I build songs like iron ships.
Let it be something for my song,
If it is sometimes swift and strong.
Only a starveling singer seeks
The stuff of songs among the Greeks.
Juno is old,
Jove's loves are cold;
Tales over-told.
By a new risen Attic stream
A mortal singer dreamed a dream.
Fixed he not Fancy's habitation,
Nor set in bonds Imagination.
There are new waters, and a new Humanity.
For all old myths give us the dream to be.
We are outwearied with Persephone;
Rather than her, we'll sing Reality.
I was so chill, and overworn, and sad,
To be a lady was the only joy I had.
I walked the street as silent as a mouse,
Buying fine clothes, and fittings for the house.
But since I saw my love
I wear a simple dress,
And happily I move
Forgetting weariness.
His poetry divides itself sharply in two moods--the lyric and the
"glorification" and false glamour of war.
_Counter-Attack_ appeared in 1918. In this volume Sassoon turned
Can Sassoon see nothing glorious or uplifting in war? His friend,
synthesize in poetry what Barbusse's _Under Fire_ spreads out in
panoramic prose.
Return to greet me, colours that were my joy,
Not in the woeful crimson of men slain,
But shining as a garden; come with the streaming
Banners of dawn and sundown after rain.
I want to fill my gaze with blue and silver,
Radiance through living roses, spires of green,
Rising in young-limbed copse and lovely wood,
Where the hueless wind passes and cries unseen.
I am not sad; only I long for lustre,--
Tired of the greys and browns and leafless ash.
I would have hours that move like a glitter of dancers,
Far from the angry guns that boom and flash.
Return, musical, gay with blossom and fleetness,
Days when my sight shall be clear and my heart rejoice;
Come from the sea with breadth of approaching brightness,
When the blithe wind laughs on the hills with uplifted voice.
Soldiers are citizens of death's gray land,
Drawing no dividend from time's to-morrows.
In the great hour of destiny they stand,
Each with his feuds, and jealousies, and sorrows.
Soldiers are sworn to action; they must win
Some flaming, fatal climax with their lives.
Soldiers are dreamers; when the guns begin
They think of firelit homes, clean beds, and wives.
I see them in foul dug-outs, gnawed by rats,
And in the ruined trenches, lashed with rain,
Dreaming of things they did with balls and bats,
And mocked by hopeless longing to regain
Bank-holidays, and picture shows, and spats,
And going to the office in the train.
Groping along the tunnel, step by step,
He winked his prying torch with patching glare
From side to side, and sniffed the unwholesome air.
Tins, boxes, bottles, shapes too vague to know,
A mirror smashed, the mattress from a bed;
And he, exploring fifty feet below
The rosy gloom of battle overhead.
Tripping, he grabbed the wall; saw someone lie
Humped at his feet, half-hidden by a rug,
And stooped to give the sleeper's arm a tug.
"I'm looking for headquarters." No reply.
"God blast your neck!" (For days he'd had no sleep.)
"Get up and guide me through this stinking place."
Savage, he kicked a soft, unanswering heap,
And flashed his beam across the livid face
Terribly glaring up, whose eyes yet wore
Agony dying hard ten days before;
And fists of fingers clutched a blackening wound.
Alone he staggered on until he found
Dawn's ghost that filtered down a shafted stair
To the dazed, muttering creatures underground
Who hear the boom of shells in muffled sound.
At last, with sweat of horror in his hair,
He climbed through darkness to the twilight air,
Unloading hell behind him step by step.
Tossed on the glittering air they soar and skim,
Whose voices make the emptiness of light
A windy palace. Quavering from the brim
Of dawn, and bold with song at edge of night,
They clutch their leafy pinnacles and sing
Scornful of man, and from his toils aloof
Whose heart's a haunted woodland whispering;
Whose thoughts return on tempest-baffled wing;
Who hears the cry of God in everything,
And storms the gate of nothingness for proof.
_Have you forgotten yet?..._
For the world's events have rumbled on since those gagged days,
Like traffic checked a while at the crossing of city ways:
reprieved to go,
Taking your peaceful share of Time, with joy to spare.
_But the past is just the same,--and War's a bloody game....
Have you forgotten yet?...
Do you remember the dark months you held the sector at Mametz,--
The nights you watched and wired and dug and piled
sandbags on parapets?
Do you remember the rats; and the stench
Of corpses rotting in front of the front-line trench,--
And dawn coming, dirty-white, and chill with a hopeless rain?
Do you ever stop and ask, "Is it all going to happen again?"
Do you remember that hour of din before the attack,--
Do you remember the stretcher-cases lurching back
With dying eyes and lolling heads, those ashen-grey
Masks of the lads who once were keen and kind and gay?
_Have you forgotten yet?...
Look up, and swear by the green of the Spring that you'll
never forget._
school. As a youth, Brooke was keenly interested in all forms of
naturally romantic disposition; his early poems are a blend of
This occasional cynicism was purged, when after several years of
travel (he had been to Germany, Italy and Honolulu) the war came,
"A world grown old and cold and weary ...
And half men, and their dirty songs and dreary,
And all the little emptiness of love."
Brooke never reached his destination. He died of blood-poison at
details of life, remembered and catalogued with delightful zest."
I have been so great a lover: filled my days
So proudly with the splendour of Love's praise,
The pain, the calm, and the astonishment,
Desire illimitable, and still content,
And all dear names men use, to cheat despair,
For the perplexed and viewless streams that bear
Our hearts at random down the dark of life.
Now, ere the unthinking silence on that strife
Steals down, I would cheat drowsy Death so far,
My night shall be remembered for a star
That outshone all the suns of all men's days.
Shall I not crown them with immortal praise
Whom I have loved, who have given me, dared with me
High secrets, and in darkness knelt to see
The inenarrable godhead of delight?
Love is a flame;--we have beaconed the world's night.
A city:--and we have built it, these and I.
An emperor:--we have taught the world to die.
So, for their sakes I loved, ere I go hence,
And the high cause of Love's magnificence,
And to keep loyalties young, I'll write those names
Golden for ever, eagles, crying flames,
And set them as a banner, that men may know,
To dare the generations, burn, and blow
Out on; the wind of Time, shining and streaming....
These I have loved:
White plates and cups, clean-gleaming,
Ringed with blue lines; and feathery, faery dust;
Wet roofs, beneath the lamp-light; the strong crust
Of friendly bread; and many-tasting food;
Rainbows; and the blue bitter smoke of wood;
And radiant raindrops couching in cool flowers;
And flowers themselves, that sway through sunny hours,
Dreaming of moths that drink them under the moon;
Then, the cool kindliness of sheets, that soon
Smooth away trouble; and the rough male kiss
Of blankets; grainy wood; live hair that is
Shining and free; blue-massing clouds; the keen
Unpassioned beauty of a great machine;
The benison of hot water; furs to touch;
The good smell of old clothes; and other such--
The comfortable smell of friendly fingers,
Hair's fragrance, and the musty reek that lingers
About dead leaves and last year's ferns....
Dear names,
And thousand others throng to me! Royal flames;
Sweet water's dimpling laugh from tap or spring;
Holes in the ground; and voices that do sing:
Voices in laughter, too; and body's pain,
Soon turned to peace; and the deep-panting train;
Firm sands; the little dulling edge of foam
That browns and dwindles as the wave goes home;
And washen stones, gay for an hour; the cold
Graveness of iron; moist black earthen mould;
Sleep; and high places; footprints in the dew;
And oaks; and brown horse-chestnuts, glossy-new;
And new-peeled sticks; and shining pools on grass;--
All these have been my loves. And these shall pass.
Whatever passes not, in the great hour,
Nor all my passion, all my prayers, have power
To hold them with me through the gate of Death.
They'll play deserter, turn with the traitor breath,
Break the high bond we made, and sell Love's trust
And sacramented covenant to the dust.
--Oh, never a doubt but, somewhere, I shall wake,
And give what's left of love again, and make
New friends, now strangers....
But the best I've known,
Stays here, and changes, breaks, grows old, is blown
About the winds of the world, and fades from brains
Of living men, and dies.
Nothing remains.
O dear my loves, O faithless, once again
This one last gift I give: that after men
Shall know, and later lovers, far-removed
Praise you, "All these were lovely"; say, "He loved."
When the white flame in us is gone,
And we that lost the world's delight
Stiffen in darkness, left alone
To crumble in our separate night;
When your swift hair is quiet in death,
And through the lips corruption thrust
Has stilled the labour of my breath--
When we are dust, when we are dust!--
Not dead, not undesirous yet,
Still sentient, still unsatisfied,
We'll ride the air, and shine and flit,
Around the places where we died,
And dance as dust before the sun,
And light of foot, and unconfined,
Hurry from road to road, and run
About the errands of the wind.
And every mote, on earth or air,
Will speed and gleam, down later days,
And like a secret pilgrim fare
By eager and invisible ways,
Nor ever rest, nor ever lie,
Till, beyond thinking, out of view,
One mote of all the dust that's I
Shall meet one atom that was you.
Then in some garden hushed from wind,
Warm in a sunset's afterglow,
The lovers in the flowers will find
A sweet and strange unquiet grow
Upon the peace; and, past desiring,
So high a beauty in the air,
And such a light, and such a quiring,
And such a radiant ecstasy there,
They'll know not if it's fire, or dew,
Or out of earth, or in the height,
Singing, or flame, or scent, or hue,
Or two that pass, in light, to light,
Out of the garden higher, higher ...
But in that instant they shall learn
The shattering fury of our fire,
And the weak passionless hearts will burn
And faint in that amazing glow,
Until the darkness close above;
And they will know--poor fools, they'll know!--
One moment, what it is to love.
If I should die, think only this of me;
That there's some corner of a foreign field
That is for ever England. There shall be
In that rich earth a richer dust concealed;
A dust whom England bore, shaped, made aware,
Gave, once, her flowers to love, her ways to roam,
A body of England's breathing English air,
Washed by the rivers, blest by suns of home.
And think, this heart, all evil shed away,
A pulse in the eternal mind, no less
Gives somewhere back the thoughts by England given;
Her sights and sounds; dreams happy as her day;
And laughter, learnt of friends; and gentleness,
In hearts at peace, under an English heaven.
Winifred M. Letts was born in Ireland in 1887, and her early work
Poor Mary Byrne is dead,
An' all the world may see
Where she lies upon her bed
Just as fine as quality.
She lies there still and white,
With candles either hand
That'll guard her through the night:
Sure she never was so grand.
She holds her rosary,
Her hands clasped on her breast.
Just as dacint as can be
In the habit she's been dressed.
In life her hands were red
With every sort of toil,
But they're white now she is dead,
An' they've sorra mark of soil.
The neighbours come and go,
They kneel to say a prayer,
I wish herself could know
Of the way she's lyin' there.
It was work from morn till night,
And hard she earned her bread:
But I'm thinking she's a right
To be aisy now she's dead.
When other girls were gay,
At wedding or at fair,
She'd be toiling all the day,
Not a minyit could she spare.
An' no one missed her face,
Or sought her in a crowd,
But to-day they throng the place
Just to see her in her shroud.
The creature in her life
Drew trouble with each breath;
She was just "poor Jim Byrne's wife"--
But she's lovely in her death.
I wish the dead could see
The splendour of a wake,
For it's proud herself would be
Of the keening that they make.
Och! little Mary Byrne,
You welcome every guest,
Is it now you take your turn
To be merry with the rest?
I'm thinking you'd be glad,
Though the angels make your bed,
Could you see the care we've had
To respect you--now you're dead.
I saw the spires of Oxford
As I was passing by,
The grey spires of Oxford
Against the pearl-grey sky.
My heart was with the Oxford men
Who went abroad to die.
The years go fast in Oxford,
The golden years and gay,
The hoary Colleges look down
On careless boys at play.
But when the bugles sounded war
They put their games away.
They left the peaceful river,
The cricket-field, the quad,
The shaven lawns of Oxford,
To seek a bloody sod--
They gave their merry youth away
For country and for God.
God rest you, happy gentlemen,
Who laid your good lives down,
Who took the khaki and the gun
Instead of cap and gown.
God bring you to a fairer place
Than even Oxford town.
This is the image of my last content:
My soul shall be a little lonely lake,
So hidden that no shadow of man may break
The folding of its mountain battlement;
Only the beautiful and innocent
Whiteness of sea-born cloud drooping to shake
Cool rain upon the reed-beds, or the wake
Of churned cloud in a howling wind's descent.
For there shall be no terror in the night
When stars that I have loved are born in me,
And cloudy darkness I will hold most fair;
But this shall be the end of my delight:--
That you, my lovely one, may stoop and see
Your image in the mirrored beauty there.
London, my beautiful,
it is not the sunset
nor the pale green sky
shimmering through the curtain
of the silver birch,
nor the quietness;
it is not the hopping
of birds
upon the lawn,
nor the darkness
stealing over all things
that moves me.
But as the moon creeps slowly
over the tree-tops
among the stars,
I think of her
and the glow her passing
sheds on men.
London, my beautiful,
I will climb
into the branches
to the moonlit tree-tops,
that my blood may be cooled
by the wind.
Within your magic web of hair, lies furled
The fire and splendour of the ancient world;
The dire gold of the comet's wind-blown hair;
The songs that turned to gold the evening air
When all the stars of heaven sang for joy.
The flames that burnt the cloud-high city Troy.
The mænad fire of spring on the cold earth;
The myrrh-lit flame that gave both death and birth
To the soul Phoenix; and the star-bright shower
That came to Danaë in her brazen tower....
Within your magic web of hair lies furled
The fire and splendour of the ancient world.
Amid this hot green glowing gloom
A word falls with a raindrop's boom....
Like baskets of ripe fruit in air
The bird-songs seem, suspended where
Those goldfinches--the ripe warm lights
Peck slyly at them--take quick flights.
My feet are feathered like a bird
Among the shadows scarcely heard;
I bring you branches green with dew
And fruits that you may crown anew
Your whirring waspish-gilded hair
Amid this cornucopia--
Until your warm lips bear the stains
And bird-blood leap within your veins.
God dreamed a man;
Then, having firmly shut
Life like a precious metal in his fist
Withdrew, His labour done. Thus did begin
Our various divinity and sin.
For some to ploughshares did the metal twist,
And others--dreaming empires--straightway cut
Crowns for their aching foreheads. Others beat
Long nails and heavy hammers for the feet
Of their forgotten Lord. (Who dares to boast
That he is guiltless?) Others coined it: most
Did with it--simply nothing. (Here again
Who cries his innocence?) Yet doth remain
Metal unmarred, to each man more or less,
Whereof to fashion perfect loveliness.
For me, I do but bear within my hand
(For sake of Him our Lord, now long forsaken)
A simple bugle such as may awaken
With one high morning note a drowsing man:
That wheresoe'er within my motherland
That sound may come, 'twill echo far and wide
Like pipes of battle calling up a clan,
Trumpeting men through beauty to God's side.
"Tony" P. Cameron Wilson was born in South Devon in 1889 and was
educated at Exeter and Oxford. He wrote one novel besides several
When the war broke out he was a teacher in a school at Hindhead,
They left the fury of the fight,
And they were very tired.
The gates of Heaven were open quite,
Unguarded and unwired.
There was no sound of any gun,
The land was still and green;
Wide hills lay silent in the sun,
Blue valleys slept between.
They saw far-off a little wood
Stand up against the sky.
Knee-deep in grass a great tree stood;
Some lazy cows went by ...
There were some rooks sailed overhead,
And once a church-bell pealed.
"_God! but it's England_," someone said,
"_And there's a cricket-field!_"
When I was but thirteen or so
I went into a golden land,
Took me by the hand.
My father died, my brother too,
They passed like fleeting dreams,
I stood where Popocatapetl
In the sunlight gleams.
I dimly heard the master's voice
And boys far-off at play,--
Had stolen me away.
I walked in a great golden dream
To and fro from school--
The dusty streets did rule.
I walked home with a gold dark boy
And never a word I'd say,
Had taken my speech away.
I gazed entranced upon his face
Fairer than any flower--
O shining Popocatapetl
It was thy magic hour:
The houses, people, traffic seemed
Thin fading dreams by day;
They had stolen my soul away!
_Patrick MacGill_
Patrick MacGill was born in Donegal in 1890. He was the son of
poverty-stricken peasants and, between the ages of 12 and 19, he
These be the little verses, rough and uncultured, which
I've written in hut and model, deep in the dirty ditch,
On the upturned hod by the palace made for the idle rich.
Out on the happy highway, or lines where the engines go,
Which fact you may hardly credit, still for your doubts 'tis so,
For I am the person who wrote them, and surely to God, I know!
Wrote them beside the hot-plate, or under the chilling skies,
Some of them true as death is, some of them merely lies,
Some of them very foolish, some of them otherwise.
Little sorrows and hopings, little and rugged rhymes,
Some of them maybe distasteful to the moral men of our times,
Some of them marked against me in the Book of the Many Crimes.
These, the Songs of a Navvy, bearing the taint of the brute,
Unasked, uncouth, unworthy out to the world I put,
Stamped with the brand of labor, the heel of a navvy's boot.
Before I joined the Army
I lived in Donegal,
Where every night the Fairies
Would hold their carnival.
Where men like wheat-ears fall,
And it's Death and not the Fairies
Who is holding carnival.
From its blue vase the rose of evening drops;
Upon the streams its petals float away.
The hills all blue with distance hide their tops
In the dim silence falling on the grey.
A little wind said "Hush!" and shook a spray
Heavy with May's white crop of opening bloom;
A silent bat went dipping in the gloom.
Night tells her rosary of stars full soon,
They drop from out her dark hand to her knees.
Upon a silhouette of woods, the moon
Leans on one horn as if beseeching ease
From all her changes which have stirred the seas.
Across the ears of Toil, Rest throws her veil.
I and a marsh bird only make a wail.
A little flock of clouds go down to rest
In some blue corner off the moon's highway,
With shepherd-winds that shook them in the West
To borrowed shapes of earth, in bright array,
Perhaps to weave a rainbow's gay festoons
Around the lonesome isle which Brooke has made
A little England full of lovely noons,
Or dot it with his country's mountain shade.
Ah, little wanderers, when you reach that isle
Tell him, with dripping dew, they have not failed,
What he loved most; for late I roamed a while
Thro' English fields and down her rivers sailed;
And they remember him with beauty caught
From old desires of Oriental Spring
Heard in his heart with singing overwrought;
And still on Purley Common gooseboys sing.
 The island of Skyros where Rupert Brooke was buried. (See page
_Irene Rutherford McLeod_
Irene Rutherford McLeod, born August 21, 1891, has written three
Is love, then, so simple my dear?
The opening of a door,
And seeing all things clear?
I did not know before.
I had thought it unrest and desire
Soaring only to fall,
Annihilation and fire:
It is not so at all.
I feel no desperate will,
But I think I understand
Many things, as I sit quite still,
With Eternity in my hand.
I'm a lean dog, a keen dog, a wild dog, and lone;
I'm a rough dog, a tough dog, hunting on my own;
I'm a bad dog, a mad dog, teasing silly sheep;
I love to sit and bay the moon, to keep fat souls from sleep.
I'll never be a lap dog, licking dirty feet,
A sleek dog, a meek dog, cringing for my meat,
Not for me the fireside, the well-filled plate,
But shut door, and sharp stone, and cuff and kick, and hate.
Not for me the other dogs, running by my side,
Some have run a short while, but none of them would bide.
O mine is still the lone trail, the hard trail, the best,
Wide wind, and wild stars, and hunger of the quest!
How could I love you more?
I would give up
Even that beauty I have loved too well
That I might love you better.
Alas, how poor the gifts that lovers give--
I can but give you of my flesh and strength,
I can but give you these few passing days
And passionate words that, since our speech began,
All lovers whisper in all ladies' ears.
I try to think of some one lovely gift
No lover yet in all the world has found;
I think: If the cold sombre gods
Were hot with love as I am
Could they not endow you with a star
And fix bright youth for ever in your limbs?
Could they not give you all things that I lack?
You should have loved a god; I am but dust.
Yet no god loves as loves this poor frail dust.
Like a gondola of green scented fruits
Drifting along the dank canals of Venice,
You, O exquisite one,
Have entered into my desolate city.
The blue smoke leaps
Like swirling clouds of birds vanishing.
So my love leaps forth toward you,
Vanishes and is renewed.
A rose-yellow moon in a pale sky
When the sunset is faint vermilion
In the mist among the tree-boughs
Art thou to me, my beloved.
A young beech tree on the edge of the forest
Stands still in the evening,
Yet shudders through all its leaves in the light air
And seems to fear the stars--
So are you still and so tremble.
The red deer are high on the mountain,
They are beyond the last pine trees.
And my desires have run with them.
The flower which the wind has shaken
Is soon filled again with rain;
So does my heart fill slowly with tears,
O Foam-Driver, Wind-of-the-Vineyards,
Until you return.
I turn the page and read:
"I dream of silent verses where the rhyme
Glides noiseless as an oar."
The heavy musty air, the black desks,
The bent heads and the rustling noises
In the great dome
The sun hangs in the cobalt-blue sky,
The boat drifts over the lake shallows,
The fishes skim like umber shades through the undulating weeds,
The oleanders drop their rosy petals on the lawns,
And the swallows dive and swirl and whistle
About the cleft battlements of Can Grande's castle....
Edward Shanks was born in London in 1892 and educated at Trinity
When in the mines of dark and silent thought
Sometimes I delve and find strange fancies there,
With heavy labour to the surface brought
That lie and mock me in the brighter air,
Poor ores from starvèd lodes of poverty,
Unfit for working or to be refined,
That in the darkness cheat the miner's eye,
I turn away from that base cave, the mind.
Yet had I but the power to crush the stone
There are strange metals hid in flakes therein,
Each flake a spark sole-hidden and alone,
That only cunning, toilsome chemists win.
All this I know, and yet my chemistry
Fails and the pregnant treasures useless lie.
I stand alone through each long day
Upon these pavers; cannot see
The wares spread out upon this tray
--For God has taken sight from me!
Many a time I've cursed the night
When I was born. My peering eyes
Have sought for but one ray of light
To pierce the darkness. When the skies
Rain down their first sweet April showers
On budding branches; when the morn
Is sweet with breath of spring and flowers,
I've cursed the night when I was born.
But now I thank God, and am glad
For what I cannot see this day
--The young men cripples, old, and sad,
With faces burnt and torn away;
Or those who, growing rich and old,
Have battened on the slaughter,
Whose faces, gorged with blood and gold,
Are creased in purple laughter!
The city's heat is like a leaden pall--
Its lowered lamps glow in the midnight air
Like mammoth orange-moths that flit and flare
Through the dark tapestry of night. The tall
Black houses crush the creeping beggars down,
Who walk beneath and think of breezes cool,
Of silver bodies bathing in a pool;
Or trees that whisper in some far, small town
Whose quiet nursed them, when they thought that gold
Was merely metal, not a grave of mould
In which men bury all that's fine and fair.
Through the green bracken-scented lanes or sigh
For all the future held so rich and rare;
When, though they knew it not, their baby cries
Robert Nichols was born on the Isle of Wight in 1893. His first
Endurances_ (1917) is the most representative work of this poet,
Nearer and ever nearer ...
My body, tired but tense,
Hovers 'twixt vague pleasure
And tremulous confidence.
Arms to have and to use them
And a soul to be made
Worthy, if not worthy;
If afraid, unafraid.
To endure for a little,
To endure and have done:
Men I love about me,
Over me the sun!
And should at last suddenly
Fly the speeding death,
The four great quarters of heaven
Receive this little breath.
Saints have adored the lofty soul of you.
Poets have whitened at your high renown.
We stand among the many millions who
Do hourly wait to pass your pathway down.
You, so familiar, once were strange: we tried
To live as of your presence unaware.
But now in every road on every side
We see your straight and steadfast signpost there.
I think it like that signpost in my land
Hoary and tall, which pointed me to go
Upward, into the hills, on the right hand,
Where the mists swim and the winds shriek and blow,
A homeless land and friendless, but a land
I did not know and that I wished to know.
Such, such is Death: no triumph: no defeat:
Only an empty pail, a slate rubbed clean,
A merciful putting away of what has been.
And this we know: Death is not Life effete,
Life crushed, the broken pail. We who have seen
So marvellous things know well the end not yet.
Victor and vanquished are a-one in death:
Coward and brave: friend, foe. Ghosts do not say,
"Come, what was your record when you drew breath?"
But a big blot has hid each yesterday
So poor, so manifestly incomplete.
And your bright Promise, withered long and sped,
Is touched; stirs, rises, opens and grows sweet
And blossoms and is you, when you are dead.
You are blind like us. Your hurt no man designed,
And no man claimed the conquest of your land.
But gropers both, through fields of thought confined,
We stumble and we do not understand.
You only saw your future bigly planned,
And we the tapering paths of our own mind,
And in each other's dearest ways we stand,
And hiss and hate. And the blind fight the blind.
When it is peace, then we may view again
With new-won eyes each other's truer form
And wonder. Grown more loving-kind and warm
We'll grasp firm hands and laugh at the old pain,
When it is peace. But until peace, the storm,
The darkness and the thunder and the rain.
Robert Graves was born July 26, 1895. One of "the three rhyming
musketeers" (the other two being the poets Siegfried Sassoon and
It's hard to know if you're alive or dead
When steel and fire go roaring through your head.
One moment you'll be crouching at your gun
Traversing, mowing heaps down half in fun:
The next, you choke and clutch at your right breast--
No time to think--leave all--and off you go ...
To Treasure Island where the Spice winds blow,
To lovely groves of mango, quince and lime--
Breathe no good-bye, but ho, for the Red West!
It's a queer time.
When somehow something gives and your feet drag.
You fall and strike your head; yet feel no pain
And find ... you're digging tunnels through the hay
In the Big Barn, 'cause it's a rainy day.
Oh, springy hay, and lovely beams to climb!
You're back in the old sailor suit again.
It's a queer time.
Or you'll be dozing safe in your dug-out--
A great roar--the trench shakes and falls about--
You're struggling, gasping, struggling, then ... _hullo_!
Elsie comes tripping gaily down the trench,
Hanky to nose--that lyddite makes a stench--
Getting her pinafore all over grime.
Funny! because she died ten years ago!
It's a queer time.
The trouble is, things happen much too quick;
Up jump the Boches, rifles thump and click,
You stagger, and the whole scene fades away:
Even good Christians don't like passing straight
From Tipperary or their Hymn of Hate
To Alleluiah-chanting, and the chime
Of golden harps ... and ... I'm not well to-day ...
It's a queer time.
When a dream is born in you
With a sudden clamorous pain,
When you know the dream is true
And lovely, with no flaw nor stain,
O then, be careful, or with sudden clutch
You'll hurt the delicate thing you prize so much.
Dreams are like a bird that mocks,
Flirting the feathers of his tail.
When you seize at the salt-box,
Over the hedge you'll see him sail.
Old birds are neither caught with salt nor chaff:
They watch you from the apple bough and laugh.
Poet, never chase the dream.
Laugh yourself, and turn away.
Mask your hunger; let it seem
Small matter if he come or stay;
But when he nestles in your hand at last,
Close up your fingers tight and hold him fast.
Look at my knees,
That island rising from the steamy seas!
The candle's a tall lightship; my two hands
Are boats and barges anchored to the sands,
With mighty cliffs all round;
They're full of wine and riches from far lands....
_I wonder what it feels like to be drowned?_
I can make caves,
By lifting up the island and huge waves
And storms, and then with head and ears well under
Blow bubbles with a monstrous roar like thunder,
A bull-of-Bashan sound.
The seas run high and the boats split asunder....
_I wonder what it feels like to be drowned?_
The thin soap slips
And slithers like a shark under the ships.
My toes are on the soap-dish--that's the effect
Of my huge storms; an iron steamer's wrecked.
The soap slides round and round;
He's biting the old sailors, I expect....
_I wonder what it feels like to be drowned?_
The bugler sent a call of high romance--
"Lights out! Lights out!" to the deserted square.
On the thin brazen notes he threw a prayer:
"God, if it's _this_ for me next time in France,
O spare the phantom bugle as I lie
Dead in the gas and smoke and roar of guns,
Dead in a row with other broken ones,
Lying so stiff and still under the sky--
Jolly young Fusiliers, too good to die ..."
The music ceased, and the red sunset flare
Was blood about his head as he stood there.
CHESSON, NORA (_see Nora Hopper_)
_Everlasting Mercy, The_, xxii
GEORGIANS, THE, xi, xxiii-xxiv
GILBERT, W. S., xiv
MACCATHMHAOIL, SEOSAMH (_see Joseph Campbell_)
SHARP, WILLIAM (_see Fiona MacLeod_)
VICTORIANS, THE, xi-xiii, xx