human
Can you continue this poem for me?
  Number of parts: nature of parts: rest of same inquiry.
Begin in order of nature from first principles.
Some artists imitate (i.e. depict) by shapes and colours. (Obs.
Rhythm and tune alone, harping, fluting, and other arts with same
For example, their enlightenment in the literal phrase, 'how the
of un-happiness that we think it, is properly an imitation of
I hope it is not rash to surmise that the much-debated word
__katharsis__, 'purification' or 'purgation', may have come into
might have been used in the days of Thespis in a much cruder and
less metaphorical sense. According to primitive ideas, the mimic
It may seem as if the large uncertainties which we have indicated
Poetry, however, soon broke up into two kinds according to the
If it be asked whether Tragedy is now all that it need be in its
It certainly began in improvisations--as did also Comedy; the one
tragedy, but only its own proper pleasure.
The tragic pleasure is that of pity and fear, and the poet has to
one meditating some deadly injury to another, in ignorance of his
the ordinary man, we in our way should follow the example of good
the story demands. This, therefore, is not far removed from the
At the time when he is constructing his Plots, and engaged on the
The Diction viewed as a whole is made up of the following parts:
(6) A Verb is a composite significant sound involving the idea of
Nouns are of two kinds, either (1) simple, i.e. made up of
non-significant parts, like the word ge, or (2) double; in the
latter case the word may be made up either of a significant and a
_phagedaina he mon sarkas hesthiei podos_
Euripides has merely altered the hesthiei here into thoinatai. Or
_nun de m' heon holigos te kai outidanos kai haeikos_
to be altered by the substitution of the ordinary words into
_nun de m' heon mikros te kai hasthenikos kai haeidos_
Or the line
_diphron haeikelion katatheis olingen te trapexan_
_diphron moxtheron katatheis mikran te trapexan_
Of the kinds of words we have enumerated it may be observed that
As for the poetry which merely narrates, or imitates by means of
the narrative form of poetry goes beyond all others. The iambic
and trochaic, on the other hand, are metres of movement, the one
A likely impossibility is always preferable to an unconvincing
assistant
Sure, a continuation for this poem could be:
  The objections, then, of critics start with faults of five kinds: