human
Can you write me a poem about douglas hyde?
assistant
Sure, here's a poem about douglas hyde:
  _Cr. 8vo., cloth, 3s. 6d. net each. With Frontispieces._
Edited by the EARL OF DUNRAVEN.
Irish. Edited by DOUGLAS HYDE, LL.D.
by Professor T.M. KETTLE, M.P.
Introduction by DARRELL FIGGIS.
Introduction by PADRAIC COLUM.
WORKS. With an Introduction by MALCOLM
(_All rights reserved_)
To the Rose upon the Rood of Time
Who goes with Fergus
The Dedication to a Book of Stories selected from
The Indian upon God
_While I wrought out these fitful Danaan rhymes,
My heart would brim with dreams about the times
When we bent down above the fading coals;
And talked of the dark folk, who live in souls
Of passionate men, like bats in the dead trees;
And of the wayward twilight companies,
Who sigh with mingled sorrow and content,
Because their blossoming dreams have never bent
Under the fruit of evil and of good:
And of the embattled flaming multitude
Who rise, wing above wing, flame above flame,
And, like a storm, cry the Ineffable Name,
And with the clashing of their sword blades make
A rapturous music, till the morning break,
And the white hush end all, but the loud beat
Of their long wings, the flash of their white feet._
SHEMUS RUA                                         A Peasant
MARY                                                His Wife
TEIG                                                 His Son
ALEEL                                                 A Poet
OONA                                       Her Foster Mother
Two Demons disguised as Merchants
_The Scene is laid in Ireland and in old times_
SCENE.--_A room with lighted fire, and a door into the open air,
through which one sees, perhaps, the trees of a wood, and these
What can have made the grey hen flutter so?
They say that now the land is famine struck
The graves are walking.
There is something that the hen hears.
And that is not the worst; at Tubber-vanach
A woman met a man with ears spread out,
And they moved up and down like a bat's wing.
What can have kept your father all this while?
Two nights ago, at Carrick-orus churchyard,
A herdsman met a man who had no mouth,
Nor eyes, nor ears; his face a wall of flesh;
He saw him plainly by the light of the moon.
Look out, and tell me if your father's coming.
(TEIG _goes to door_.)
In the bush beyond,
There are two birds--if you can call them birds--
I could not see them rightly for the leaves.
But they've the shape and colour of horned owls
And I'm half certain they've a human face.
Mother of God, defend us!
They're looking at me.
What is the good of praying? father says.
God and the Mother of God have dropped asleep.
What do they care, he says, though the whole land
Squeal like a rabbit under a weasel's tooth?
You'll bring misfortune with your blasphemies
Upon your father, or yourself, or me.
I would to God he were home--ah, there he is.
What was it kept you in the wood? You know
I cannot get all sorts of accidents
Out of my mind till you are home again.
I'm in no mood to listen to your clatter.
Although I tramped the woods for half a day,
I've taken nothing, for the very rats,
Badgers, and hedgehogs seem to have died of drought,
And there was scarce a wind in the parched leaves.
Then you have brought no dinner.
After that
I sat among the beggars at the cross-roads,
And held a hollow hand among the others.
What, did you beg?
I had no chance to beg,
For when the beggars saw me they cried out
They would not have another share their alms,
And hunted me away with sticks and stones.
You said that you would bring us food or money.
What's in the house?
A bit of mouldy bread.
There's flour enough to make another loaf.
And when that's gone?
There is the hen in the coop.
My curse upon the beggars, my curse upon them!
And the last penny gone.
When the hen's gone,
What can we do but live on sorrel and dock,
And dandelion, till our mouths are green?
God, that to this hour's found bit and sup,
Will cater for us still.
His kitchen's bare.
There were five doors that I looked through this day
And saw the dead and not a soul to wake them.
Maybe He'd have us die because He knows,
When the ear is stopped and when the eye is stopped,
That every wicked sight is hid from the eye,
And all fool talk from the ear.
Who's passing there?
And mocking us with music?
(_A stringed instrument without._)
A young man plays it,
There's an old woman and a lady with him.
What is the trouble of the poor to her?
Nothing at all or a harsh radishy sauce
For the day's meat.
God's pity on the rich.
Had we been through as many doors, and seen
The dishes standing on the polished wood
In the wax candle light, we'd be as hard,
And there's the needle's eye at the end of all.
My curse upon the rich.
They're coming here.
Then down upon that stool, down quick, I say,
And call up a whey face and a whining voice,
And let your head be bowed upon your knees.
Had I but time to put the place to rights.
(CATHLEEN, OONA, _and_ ALEEL _enter_.)
God save all here. There is a certain house,
An old grey castle with a kitchen garden,
A cider orchard and a plot for flowers,
Somewhere among these woods.
We know it, lady.
A place that's set among impassable walls
As though world's trouble could not find it out.
It may be that we are that trouble, for we--
Although we've wandered in the wood this hour--
Have lost it too, yet I should know my way,
For I lived all my childhood in that house.
And this woman,
Oona, my nurse, should have remembered it,
For we were happy for a long time there.
The paths are overgrown with thickets now,
Or else some change has come upon my sight.
And this young man, that should have known the woods--
Because we met him on their border but now,
Wandering and singing like a wave of the sea--
Is so wrapped up in dreams of terrors to come
That he can give no help.
You have still some way,
But I can put you on the trodden path
Your servants take when they are marketing.
But first sit down and rest yourself awhile,
For my old fathers served your fathers, lady,
Longer than books can tell--and it were strange
If you and yours should not be welcome here.
And it were stranger still were I ungrateful
For such kind welcome--but I must be gone,
For the night's gathering in.
It is a long while
Since I've set eyes on bread or on what buys it.
So you are starving even in this wood,
Where I had thought I would find nothing changed.
But that's a dream, for the old worm o' the world
Can eat its way into what place it pleases.
Beautiful lady, give me something too;
I fell but now, being weak with hunger and thirst
And lay upon the threshold like a log.
I gave for all and that was all I had.
Look, my purse is empty. I have passed
By starving men and women all this day,
And they have had the rest; but take the purse,
The silver clasps on't may be worth a trifle.
But if you'll come to-morrow to my house
You shall have twice the sum.
(ALEEL _begins to play_.)
SHEMUS (_muttering_)
What, music, music!
Ah, do not blame the finger on the string;
The doctors bid me fly the unlucky times
And find distraction for my thoughts, or else
Pine to my grave.
I have said nothing, lady.
Why should the like of us complain?
Have done.
Sorrows that she's but read of in a book
Weigh on her mind as if they had been her own.
ALEEL (_singing_)
I know who'd measure out his length,
I know the heads that I should break,
There! all's out now to leave or take,
And who mocks music mocks at love;
I'll not go far to choose.
(_Snapping his fingers in_ SHEMUS' _face_.)
I know the heads that I shall break.
(_He takes a step towards the door and then turns again._)
Shut to the door before the night has fallen,
For who can say what walks, or in what shape
Some devilish creature flies in the air, but now
Two grey-horned owls hooted above our heads.
So that fool's gone.
He's seen the horned owls too.
There's no good luck in owls, but it may be
That the ill luck's to fall upon his head.
You never thanked her ladyship.
Thank her,
For seven halfpence and a silver bit?
But for this empty purse?
What's that for thanks,
Or what's the double of it that she promised?
With bread and flesh and every sort of food
Up to a price no man has heard the like of
And rising every day.
We have all she had;
She emptied out the purse before our eyes.
SHEMUS (_to_ MARY, _who has gone to close the door_)
Leave that door open.
When those that have read books,
And seen the seven wonders of the world,
Fear what's above or what's below the ground,
It's time that poverty should bolt the door.
I'll have no bolts, for there is not a thing
That walks above the ground or under it
I had not rather welcome to this house
Than any more of mankind, rich or poor.
So that they brought us money.
I heard say
There's something that appears like a white bird,
A pigeon or a seagull or the like,
But if you hit it with a stone or a stick
It clangs as though it had been made of brass,
And that if you dig down where it was scratching
You'll find a crock of gold.
But dream of gold
For three nights running, and there's always gold.
You might be starved before you've dug it out.
But maybe if you called, something would come,
They have been seen of late.
Is it call devils?
Call devils from the wood, call them in here?
So you'd stand up against me, and you'd say
Who or what I am to welcome here. (_He hits her._)
That is to show who's master.
Call them in.
God help us all!
Pray, if you have a mind to.
It's little that the sleepy ears above
Care for your words; but I'll call what I please.
There is many a one, they say, had money from them.
SHEMUS (_at door_)
Whatever you are that walk the woods at night,
So be it that you have not shouldered up
Out of a grave--for I'll have nothing human--
And have free hands, a friendly trick of speech,
I welcome you. Come, sit beside the fire.
What matter if your head's below your arms
Or you've a horse's tail to whip your flank,
Feathers instead of hair, that's but a straw,
Come, share what bread and meat is in the house,
And stretch your heels and warm them in the ashes.
And after that, let's share and share alike
And curse all men and women. Come in, come in.
What, is there no one there?  (_Turning from door_)
And yet they say
They are as common as the grass, and ride
Even upon the book in the priest's hand.
(TEIG _lifts one arm slowly and points toward the door and begins
deliberately. When they are seated they take money out of
embroidered purses at their girdles and begin arranging it on the
You speak to them.
'Twas you that called them.
SHEMUS (_coming nearer_)
I'd make so bold, if you would pardon it,
To ask if there's a thing you'd have of us.
Although we are but poor people, if there is,
We've travelled a long road,
For we are merchants that must tramp the world,
And now we look for supper and a fire
And a safe corner to count money in.
I thought you were ... but that's no matter now--
There had been words between my wife and me
Because I said I would be master here,
And ask in what I pleased or who I pleased
And so.... but that is nothing to the point,
Because it's certain that you are but merchants.
We travel for the Master of all merchants.
Yet if you were that I had thought but now
I'd welcome you no less. Be what you please
And you'll have supper at the market rate,
That means that what was sold for but a penny
Is now worth fifty.
(MERCHANTS _begin putting money on carpet_.)
Our Master bids us pay
So good a price, that all who deal with us
Shall eat, drink, and be merry.
Bestir yourself,
Go kill and draw the fowl, while Teig and I
Lay out the plates and make a better fire.
I will not cook for you.
Not cook! not cook!
Do not be angry. She wants to pay me back
Because I struck her in that argument.
But she'll get sense again. Since the dearth came
We rattle one on another as though we were
Knives thrown into a basket to be cleaned.
I will not cook for you, because I know
In what unlucky shape you sat but now
Outside this door.
It's this, your honours:
Because of some wild words my father said
She thinks you are not of those who cast a shadow.
I said I'd make the devils of the wood
Welcome, if they'd a mind to eat and drink;
But it is certain that you are men like us.
It's strange that she should think we cast no shadow,
For there is nothing on the ridge of the world
That's more substantial than the merchants are
That buy and sell you.
If you are not demons,
And seeing what great wealth is spread out there,
Give food or money to the starving poor.
If we knew how to find deserving poor
We'd do our share.
But seek them patiently.
We know the evils of mere charity.
Those scruples may befit a common time.
I had thought there was a pushing to and fro,
At times like this, that overset the scale
And trampled measure down.
But if already
We'd thought of a more prudent way than that?
If each one brings a bit of merchandise,
We'll give him such a price he never dreamt of.
Where shall the starving come at merchandise?
We will ask nothing but what all men have.
Their swine and cattle, fields and implements
Are sold and gone.
They have not sold all yet.
For there's a vaporous thing--that may be nothing,
But that's the buyer's risk--a second self,
They call immortal for a story's sake.
They come to buy our souls?
I'll barter mine.
Why should we starve for what may be but nothing?
What can it be but nothing?
What has God poured out of His bag but famine?
Satan gives money.
Yet no thunder stirs.
There is a heap for each.
(SHEMUS _goes to take money_.)
But no, not yet,
For there's a work I have to set you to.
So then you're as deceitful as the rest,
And all that talk of buying what's but a vapour
Is fancy bread. I might have known as much,
Because that's how the trick-o'-the-loop man talks.
That's for the work, each has its separate price;
But neither price is paid till the work's done.
The same for me.
Oh, God, why are you still?
You've but to cry aloud at every cross-road,
At every house door, that we buy men's souls.
And give so good a price that all may live
In mirth and comfort till the famine's done,
Because we are Christian men.
Come, let's away.
I shall keep running till I've earned the price.
(_who has risen and gone towards fire_)
Stop; you must have proof behind the words.
So here's your entertainment on the road.
(_He throws a bag of money on the ground._)
Live as you please; our Master's generous.
Destroyers of souls, God will destroy you quickly.
You shall at last dry like dry leaves and hang
Nailed like dead vermin to the doors of God.
Curse to your fill, for saints will have their dreams.
Though we're but vermin that our Master sent
To overrun the world, he at the end
Shall pull apart the pale ribs of the moon
And quench the stars in the ancestral night.
God is all powerful.
Pray, you shall need Him.
You shall eat dock and grass, and dandelion,
Till that low threshold there becomes a wall,
And when your hands can scarcely drag your body
We shall be near you.
Our faces go unscratched,
Wring the neck o' that fowl, scatter the flour
And look if there is bread upon the shelves.
We'll turn the fowl upon the spit and roast it,
And eat the supper we were bidden to,
Now that the house is quiet, praise our Master,
And stretch and warm our heels among the ashes.
FRONT SCENE.--_A wood with perhaps distant view of turreted house
against a diapered or gold background._
CATHLEEN (_stopping_)
Surely this leafy corner, where one smells
The wild bee's honey, has a story too?
There is the house at last.
A man, they say,
Loved Maeve the Queen of all the invisible host,
And died of his love nine centuries ago.
And now, when the moon's riding at the full,
She leaves her dancers lonely and lies there
Upon that level place, and for three days
Stretches and sighs and wets her long pale cheeks.
So she loves truly.
No, but wets her cheeks,
Lady, because she has forgot his name.
She'd sleep that trouble away--though it must be
A heavy trouble to forget his name--
If she had better sense.
Your own house, lady.
She sleeps high up on wintry Knock-na-rea
In an old cairn of stones; while her poor women
Must lie and jog in the wave if they would sleep--
Being water born--yet if she cry their names
They run up on the land and dance in the moon
Till they are giddy and would love as men do,
And be as patient and as pitiful.
But there is nothing that will stop in their heads
They've such poor memories, though they weep for it.
Oh, yes, they weep; that's when the moon is full.
Is it because they have short memories
They live so long?
What's memory but the ash
That chokes our fires that have begun to sink?
And they've a dizzy, everlasting fire.
There is your own house, lady.
Why, that's true,
And we'd have passed it without noticing.
A curse upon it for a meddlesome house!
Had it but stayed away I would have known
What Queen Maeve thinks on when the moon is pinched;
And whether now--as in the old days--the dancers
Set their brief love on men.
Rest on my arm.
These are no thoughts for any Christian ear.
I am younger, she would be too heavy for you.
This hollow box remembers every foot
That danced upon the level grass of the world,
And will tell secrets if I whisper to it.
Lift up the white knee;
Hear what they sing,
Those young dancers
That in a ring
Of the hearts that brake
Long, long ago
For their sake.
New friends are sweet.
"But the dance changes.
Lift up the gown,
All that sorrow
Is trodden down."
The empty rattle-pate! Lean on this arm,
That I can tell you is a christened arm,
And not like some, if we are to judge by speech.
But as you please. It is time I was forgot.
Maybe it is not on this arm you slumbered
When you were as helpless as a worm.
Stay with me till we come to your own house.
CATHLEEN (_sitting down_)
When I am rested I will need no help.
I thought to have kept her from remembering
The evil of the times for full ten minutes;
But now when seven are out you come between.
Talk on; what does it matter what you say,
For you have not been christened?
Old woman, old woman,
You robbed her of three minutes peace of mind,
And though you live unto a hundred years,
And wash the feet of beggars and give alms,
And climb Croaghpatrick, you shall not be pardoned.
How does a man who never was baptized
Know what Heaven pardons?
You are a sinful woman.
I care no more than if a pig had grunted.
I am not to blame, for I had locked the gate,
The forester's to blame. The men climbed in
At the east corner where the elm-tree is.
I do not understand you, who has climbed?
Then God be thanked, I am the first to tell you.
I was afraid some other of the servants--
Though I've been on the watch--had been the first,
And mixed up truth and lies, your ladyship.
CATHLEEN (_rising_)
Has some misfortune happened?
Yes, indeed.
The forester that let the branches lie
Against the wall's to blame for everything,
For that is how the rogues got into the garden.
I thought to have escaped misfortune here.
Has any one been killed?
Oh, no, not killed.
They have stolen half a cart-load of green cabbage.
But maybe they were starving.
That is certain.
To rob or starve, that was the choice they had.
A learned theologian has laid down
That starving men may take what's necessary,
And yet be sinless.
Sinless and a thief!
There should be broken bottles on the wall.
And if it be a sin, while faith's unbroken
God cannot help but pardon. There is no soul
But it's unlike all others in the world,
Nor one but lifts a strangeness to God's love
Till that's grown infinite, and therefore none
Whose loss were less than irremediable
Although it were the wickedest in the world.
What are you running for? Pull off your cap,
Do you not see who's there?
I cannot wait.
I am running to the world with the best news
That has been brought it for a thousand years.
Then get your breath and speak.
If you'd my news
You'd run as fast and be as out of breath.
Such news, we shall be carried on men's shoulders.
There's something every man has carried with him
And thought no more about than if it were
A mouthful of the wind; and now it's grown
A marketable thing!
And yet it seemed
As useless as the paring of one's nails.
What sets me laughing when I think of it,
Is that a rogue who's lain in lousy straw,
If he but sell it, may set up his coach.
TEIG (_laughing_)
There are two gentlemen who buy men's souls.
And maybe there's no soul at all.
They're drunk or mad.
Look at the price they give.
SHEMUS (_tossing up money_)
"Go cry it all about the world," they said.
"Money for souls, good money for a soul."
Give twice and thrice and twenty times their money,
And get your souls again. I will pay all.
Not we! not we! For souls--if there are souls--
But keep the flesh out of its merriment.
I shall be drunk and merry.
Come, let's away.
But there's a world to come.
And if there is,
I'd rather trust myself into the hands
That can pay money down than to the hands
That have but shaken famine from the bag.
"There's money for a soul, sweet yellow money.
There's money for men's souls, good money, money."
Go call them here again, bring them by force,
Beseech them, bribe, do anything you like;
And you too follow, add your prayers to his.
(OONA, _who has been praying, goes out_.)
Steward, you know the secrets of my house.
How much have I?
A hundred kegs of gold.
How much have I in castles?
As much more.
How much have I in pasture?
As much more.
How much have I in forests?
As much more.
Keeping this house alone, sell all I have,
Go barter where you please, but come again
With herds of cattle and with ships of meal.
God's blessing light upon your ladyship.
You will have saved the land.
Make no delay.
(ALEEL _and_ OONA _return_)
They have not come; speak quickly.
One drew his knife
And said that he would kill the man or woman
That stopped his way; and when I would have stopped him
He made this stroke at me; but it is nothing.
You shall be tended. From this day for ever
I'll have no joy or sorrow of my own.
Their eyes shone like the eyes of birds of prey.
Come, follow me, for the earth burns my feet
Till I have changed my house to such a refuge
That the old and ailing, and all weak of heart,
May escape from beak and claw; all, all, shall come
Till the walls burst and the roof fall on us.
From this day out I have nothing of my own.
She has found something now to put her hand to,
And you and I are of no more account
Than flies upon a window-pane in the winter.
SCENE.--_Hall in the house of_ COUNTESS CATHLEEN. _At the Left an
wall, more or less repeating the form of the oratory, and a great
CATHLEEN _is kneeling in front of the altar in the oratory; there
I have come to bid you leave this castle and fly
Out of these woods.
What evil is there here
That is not everywhere from this to the sea?
They who have sent me walk invisible.
So it is true what I have heard men say,
That you have seen and heard what others cannot.
I was asleep in my bed, and while I slept
My dream became a fire; and in the fire
One walked and he had birds about his head.
I have heard that one of the old gods walked so.
It may be that he is angelical;
And, lady, he bids me call you from these woods.
And you must bring but your old foster-mother,
And some few serving men, and live in the hills,
Among the sounds of music and the light
Of waters, till the evil days are done.
For here some terrible death is waiting you,
Some unimagined evil, some great darkness
That fable has not dreamt of, nor sun nor moon
No, not angelical.
This house
You are to leave with some old trusty man,
And bid him shelter all that starve or wander
While there is food and house room.
He bids me go
Where none of mortal creatures but the swan
Dabbles, and there you would pluck the harp, when the trees
Had made a heavy shadow about our door,
And talk among the rustling of the reeds,
When night hunted the foolish sun away
With stillness and pale tapers. No--no--no!
I cannot. Although I weep, I do not weep
Because that life would be most happy, and here
I find no way, no end. Nor do I weep
Because I had longed to look upon your face,
But that a night of prayer has made me weary.
ALEEL (_prostrating himself before her_)
Let Him that made mankind, the angels and devils
And dearth and plenty, mend what He has made,
For when we labour in vain and eye still sees
Heart breaks in vain.
How would that quiet end?
How but in healing?
You have seen my tears
And I can see your hand shake on the floor.
ALEEL (_faltering_)
I thought but of healing. He was angelical.
CATHLEEN (_turning away from him_)
No, not angelical, but of the old gods,
Who wander about the world to waken the heart--
The passionate, proud heart--that all the angels,
Leaving nine heavens empty, would rock to sleep.
Do not hold out to me beseeching hands.
This heart shall never waken on earth. I have sworn,
By her whose heart the seven sorrows have pierced,
To pray before this altar until my heart
Has grown to Heaven like a tree, and there
Rustled its leaves, till Heaven has saved my people.
ALEEL (_who has risen_)
When one so great has spoken of love to one
So little as I, though to deny him love,
What can he but hold out beseeching hands,
Then let them fall beside him, knowing how greatly
They have overdared?
If the old tales are true,
Queens have wed shepherds and kings beggar-maids;
God's procreant waters flowing about your mind
Have made you more than kings or queens; and not you
But I am the empty pitcher.
Being silent,
I have said all, yet let me stay beside you.
No, no, not while my heart is shaken. No,
But you shall hear wind cry and water cry,
And curlew cry, and have the peace I longed for.
Give me your hand to kiss.
I kiss your forehead.
And yet I send you from me. Do not speak;
There have been women that bid men to rob
Crowns from the Country-under-Wave or apples
Upon a dragon-guarded hill, and all
That they might sift men's hearts and wills,
And trembled as they bid it, as I tremble
That lay a hard task on you, that you go,
And silently, and do not turn your head;
Goodbye; but do not turn your head and look;
Above all else, I would not have you look.
I never spoke to him of his wounded hand,
And now he is gone. (_She looks out._)
I cannot see him, for all is dark outside.
Would my imagination and my heart
Were as little shaken as this holy flame!
They are ringing the alarm, and in a moment
They'll be upon us.
FIRST MERCHANT (_going to a door at the side_)
You'd my commands to put them all to sleep.
Some angel or else her prayers protected them.
She has fallen asleep.
We've all the treasure now,
So let's away before they've tracked us out.
I have a plan to win her.
You have time enough
If you would kill her and bear off her soul
Before they are upon us with their prayers;
They search the Western Tower.
We cannot face the heavenly host in arms.
Her soul must come to us of its own will,
But being of the ninth and mightiest Hell
Where all are kings, I have a plan to win it.
Lady, we've news that's crying out for speech.
(CATHLEEN _wakes and comes to door of chapel_.)
Who calls?
We have brought news.
What are you?
We are merchants, and we know the book of the world
Because we have walked upon its leaves; and there
Have read of late matters that much concern you;
And noticing the castle door stand open,
Came in to find an ear.
The door stands open,
That no one who is famished or afraid,
Despair of help or of a welcome with it.
But you have news, you say.
We saw a man,
Heavy with sickness in the bog of Allen,
Whom you had bid buy cattle. Near Fair Head
We saw your grain ships lying all becalmed
In the dark night; and not less still than they,
Burned all their mirrored lanthorns in the sea.
My thanks to God, to Mary and the angels,
That I have money in my treasury,
And can buy grain from those who have stored it up
To prosper on the hunger of the poor.
But you've been far and know the signs of things,
When will this famine end?
Day copies day,
And there's no sign of change, nor can it change,
With the wheat withered and the cattle dead.
And heard you of the demons who buy souls?
There are some men who hold they have wolves' heads,
And say their limbs--dried by the infinite flame--
Have all the speed of storms; others, again,
Say they are gross and little; while a few
Will have it they seem much as mortals are,
But tall and brown and travelled--like us, lady--
Yet all agree a power is in their looks
That makes men bow, and flings a casting-net
About their souls, and that all men would go
And barter those poor vapours, were it not
You bribe them with the safety of your gold.
Praise be to God, to Mary, and the angels
That I am wealthy! Wherefore do they sell?
As we came in at the great door we saw
Your porter sleeping in his niche--a soul
Too little to be worth a hundred pence,
And yet they buy it for a hundred crowns.
But for a soul like yours, I heard them say,
They would give five hundred thousand crowns and more.
How can a heap of crowns pay for a soul?
Is the green grave so terrible a thing?
Some sell because the money gleams, and some
Because they are in terror of the grave,
And some because their neighbours sold before,
And some because there is a kind of joy
In casting hope away, in losing joy,
In ceasing all resistance, in at last
Opening one's arms to the eternal flames,
In casting all sails out upon the wind;
To this--full of the gaiety of the lost--
Would all folk hurry if your gold were gone.
There is a something, Merchant, in your voice
That makes me fear. When you were telling how
A man may lose his soul and lose his God
Your eyes were lighted up, and when you told
How my poor money serves the people, both--
Merchants forgive me--seemed to smile.
I laugh
To think that all these people should be swung
As on a lady's shoe-string,--under them
The glowing leagues of never-ending flame.
There is a something in you that I fear;
A something not of us; were you not born
In some most distant corner of the world?
Away now--they are in the passage--hurry,
For they will know us, and freeze up our hearts
With Ave Marys, and burn all our skin
With holy water.
Farewell; for we must ride
Many a mile before the morning come;
Our horses beat the ground impatiently.
(_They go out._ _A number of_ PEASANTS _enter by other door_.)
Forgive us, lady, but we heard a noise.
We sat by the fireside telling vanities.
We heard a noise, but though we have searched the house
We have found nobody.
You are too timid,
For now you are safe from all the evil times,
There is no evil that can find you here.
OONA (_entering hurriedly_)
Ochone! Ochone! The treasure room is broken in.
The door stands open, and the gold is gone.
(PEASANTS _raise a lamentable cry_.)
Be silent. (_The cry ceases._) Have you seen nobody?
That my good mistress should lose all this money.
Let those among you--not too old to ride--
Get horses and search all the country round,
I'll give a farm to him who finds the thieves.
Demons were here. I sat beside the door
In my stone niche, and two owls passed me by,
Whispering with human voices.
God forsakes us.
Old man, old man, He never closed a door
Unless one opened. I am desolate,
Because of a strange thought that's in my heart;
But I have still my faith; therefore be silent;
For surely He does not forsake the world,
But stands before it modelling in the clay
And moulding there His image. Age by age
The clay wars with His fingers and pleads hard
For its old, heavy, dull and shapeless ease;
But sometimes--though His hand is on it still--
It moves awry and demon hordes are born.
(PEASANTS _cross themselves_.)
Yet leave me now, for I am desolate,
I hear a whisper from beyond the thunder.
(_She comes from the oratory door._)
Yet stay an instant. When we meet again
I may have grown forgetful. Oona, take
These two--the larder and the dairy keys.
But take you this. It opens the small room
Of herbs for medicine, of hellebore,
Of vervain, monkshood, plantain, and self-heal.
The book of cures is on the upper shelf.
Why do you do this, lady; did you see
Your coffin in a dream?
Ah, no, not that.
But I have come to a strange thought. I have heard
A sound of wailing in unnumbered hovels,
And I must go down, down--I know not where--
Pray for all men and women mad from famine;
Pray, you good neighbours.
Mary, Queen of angels,
And all you clouds on clouds of saints, farewell!
SCENE.--_A wood near the Castle, as in Scene II. A group of_
PEASANTS _pass_.
I have seen silver and copper, but not gold.
It's yellow and it shines.
It's beautiful.
The most beautiful thing under the sun,
That's what I've heard.
I have seen gold enough.
I would not say that it's so beautiful.
But doesn't a gold piece glitter like the sun?
That's what my father, who'd seen better days,
Told me when I was but a little boy--
So high--so high, it's shining like the sun,
Round and shining, that is what he said.
There's nothing in the world it cannot buy.
They've bags and bags of it.
Impetuous heart be still, be still,
Your sorrowful love can never be told,
Cover it up with a lonely tune.
He who could bend all things to His will
Has covered the door of the infinite fold
With the pale stars and the wandering moon.
Thanks to that lie I told about her ships
And that about the herdsman lying sick,
We shall be too much thronged with souls to-morrow.
What has she in her coffers now but mice?
When the night fell and I had shaped myself
Into the image of the man-headed owl,
I hurried to the cliffs of Donegal,
And saw with all their canvas full of wind
And rushing through the parti-coloured sea
Those ships that bring the woman grain and meal.
They're but three days from us.
When the dew rose
I hurried in like feathers to the east,
And saw nine hundred oxen driven through Meath
With goads of iron. They're but three days from us.
Three days for traffic.
(PEASANTS _crowd in with_ TEIG _and_ SHEMUS.)
Come in, come in, you are welcome.
That is my wife. She mocked at my great masters,
And would not deal with them. Now there she is;
She does not even know she was a fool,
So great a fool she was.
She would not eat
One crumb of bread bought with our master's money,
But lived on nettles, dock, and dandelion.
There's nobody could put into her head
That Death is the worst thing can happen us.
Though that sounds simple, for her tongue grew rank
With all the lies that she had heard in chapel.
Draw to the curtain. (TEIG _draws it_.) You'll not play the fool
While these good gentlemen are there to save you.
Since the drought came they drift about in a throng,
Like autumn leaves blown by the dreary winds.
Come, deal--come, deal.
Who will come deal with us?
They are out of spirit, sir, with lack of food,
Save four or five. Here, sir, is one of these;
The others will gain courage in good time.
I come to deal--if you give honest price.
FIRST MERCHANT (_reading in a book_)
"John Maher, a man of substance, with dull mind,
And quiet senses and unventurous heart.
The angels think him safe." Two hundred crowns,
All for a soul, a little breath of wind.
I ask three hundred crowns. You have read there
That no mere lapse of days can make me yours.
There is something more writ here--"Often at night
He is wakeful from a dread of growing poor,
And thereon wonders if there's any man
That he could rob in safety."
Who'd have thought it?
And I was once alone with him at midnight.
I will not trust my mother after this.
There is this crack in you--two hundred crowns.
That's plenty for a rogue.
I'd give him nothing.
You'll get no more--so take what's offered you.
Has no one got a better soul than that?
If only for the credit of your parishes,
Traffic with us.
What will you give for mine?
FIRST MERCHANT (_reading in book_)
"Soft, handsome, and still young"--not much, I think.
"It's certain that the man she's married to
Knows nothing of what's hidden in the jar
Between the hour-glass and the pepper-pot."
The scandalous book.
"Nor how when he's away
At the horse fair the hand that wrote what's hid
Will tap three times upon the window-pane."
And if there is a letter, that is no reason
Why I should have less money than the others.
You're almost safe, I give you fifty crowns.
A hundred, then.
Woman, have sense--come, come.
Is this a time to haggle at the price?
There, take it up. There, there. That's right.
(_She takes them and goes into the crowd._)
Come, deal, deal, deal. It is but for charity
We buy such souls at all; a thousand sins
Made them our Master's long before we came.
Here, take my soul, for I am tired of it.
I do not ask a price.
Not ask a price?
How can you sell your soul without a price?
I would not listen to his broken wits;
His love for Countess Cathleen has so crazed him
He hardly understands what he is saying.
The trouble that has come on Countess Cathleen,
The sorrow that is in her wasted face,
The burden in her eyes, have broke my wits,
And yet I know I'd have you take my soul.
We cannot take your soul, for it is hers.
No, but you must. Seeing it cannot help her
I have grown tired of it.
Begone from me,
I may not touch it.
Is your power so small?
And must I bear it with me all my days?
May you be scorned and mocked!
Drag him away.
He troubles me.
(TEIG _and_ SHEMUS _lead_ ALEEL _into the crowd_.)
His gaze has filled me, brother,
With shaking and a dreadful fear.
Lean forward
And kiss the circlet where my Master's lips
Were pressed upon it when he sent us hither;
You shall have peace once more.
I, too, grow weary,
But there is something moving in my heart
Whereby I know that what we seek the most
Is drawing near--our labour will soon end.
What, will you keep me from our ancient home,
And from the eternal revelry?
Deal, deal.
They say you beat the woman down too low.
I offer this great price: a thousand crowns
For an old woman who was always ugly.
There is but little set down here against her.
"She has stolen eggs and fowl when times were bad,
But when the times grew better has confessed it;
She never missed her chapel of a Sunday
And when she could, paid dues." Take up your money.
That name is like a fire to all damned souls.
How she screamed out!
And maybe we shall scream so.
I tell you there is no such place as hell.
Can such a trifle turn you from your profit?
Come, deal; come, deal.
Master, I am afraid.
I bought your soul, and there's no sense in fear
Now the soul's gone.
Give me my soul again.
WOMAN (_going on her knees and clinging to_
And take this money too, and give me mine.
For sighs and cries are the soul's work,
And you have none.
(_Throws the woman off._)
Come, let's away.
Yes, yes.
Come quickly; if that woman had not screamed
I would have lost my soul.
Come, come away.
CATHLEEN (_entering_)
And so you trade once more?
In spite of you.
What brings you here, saint with the sapphire eyes?
I come to barter a soul for a great price.
What matter, if the soul be worth the price?
The people starve, therefore the people go
Thronging to you. I hear a cry come from them
And it is in my ears by night and day,
And I would have five hundred thousand crowns
That I may feed them till the dearth go by.
It may be the soul's worth it.
There is more:
The souls that you have bought must be set free.
We know of but one soul that's worth the price.
Being my own it seems a priceless thing.
I offer my own soul.
Do not, do not, for souls the like of ours
Are not precious to God as your soul is.
O! what would Heaven do without you, lady?
Look how their claws clutch in their leathern gloves.
Five hundred thousand crowns; we give the price.
The gold is here; the souls even while you speak
Have slipped out of our bond, because your face
Has shed a light on them and filled their hearts.
But you must sign, for we omit no form
In buying a soul like yours.
Sign with this quill
It was a feather growing on the cock
That crowed when Peter dared deny his Master,
And all who use it have great honour in Hell.
(CATHLEEN _leans forward to sign_.)
ALEEL (_rushing forward and snatching the
pen from her_)
Leave all things to the builder of the heavens.
I have no thoughts; I hear a cry--a cry.
ALEEL (_casting the pen on the ground_)
I have seen a vision under a green hedge,
A hedge of hips and haws--men yet shall hear
The Archangels rolling Satan's empty skull
Over the mountain-tops.
Take him away.
Take up the money, and now come with me;
When we are far from this polluted place
I will give everybody money enough.
(_She goes out, the_ PEASANTS _crowding round her and kissing her
We must away and wait until she dies,
Sitting above her tower as two grey owls,
Waiting as many years as may be, guarding
We need but hover over her head in the air,
For she has only minutes. When she signed
Her heart began to break. Hush, hush, I hear
The brazen door of Hell move on its hinges,
And the eternal revelry float hither
To hearten us.
Leap feathered on the air
And meet them with her soul caught in your claws.
The brazen door stands wide, and Balor comes
Borne in his heavy car, and demons have lifted
The age-weary eyelids from the eyes that of old
Turned gods to stone; Barach, the traitor, comes
And the lascivious race, Cailitin,
That cast a druid weakness and decay
Over Sualtem's and old Dectera's child;
And that great king Hell first took hold upon
When he killed Naisi and broke Deirdre's heart
And all their heads are twisted to one side,
For when they lived they warred on beauty and peace
With obstinate, crafty, sidelong bitterness.
Crouch down, old heron, out of the blind storm.
Where is the Countess Cathleen? All this day
Her eyes were full of tears, and when for a moment
Her hand was laid upon my hand it trembled,
And now I do not know where she is gone.
Cathleen has chosen other friends than us,
And they are rising through the hollow world.
Demons are out, old heron.
God guard her soul.
She's bartered it away this very hour,
As though we two were never in the world.
(_He points downward._)
First, Orchill, her pale, beautiful head
Her body shadowy as vapour drifting
Under the dawn, for she who awoke desire
Has but a heart of blood when others die;
About her is a vapoury multitude
Of women alluring devils with soft laughter;
Behind her a host heat of the blood made sin,
But all the little pink-white nails have grown
To be great talons.
They begin a song
And there is still some music on their tongues.
OONA (_casting herself face downwards on the floor_)
O, Maker of all, protect her from the demons,
And if a soul must need be lost, take mine.
O, that so many pitchers of rough clay
Should prosper and the porcelain break in two!
(_She kisses the hands of_ CATHLEEN.)
We were under the tree where the path turns,
When she grew pale as death and fainted away.
And while we bore her hither cloudy gusts
Blackened the world and shook us on our feet;
Draw the great bolt, for no man has beheld
So black, bitter, blinding, and sudden a storm.
(_One who is near the door draws the bolt._)
O, hold me, and hold me tightly, for the storm
Is dragging me away.
(OONA _takes her in her arms_. A WOMAN _begins to wail_.)
CATHLEEN (_half rising_)
Lay all the bags of money in a heap,
And when I am gone, old Oona, share them out
To every man and woman: judge, and give
According to their needs.
And will she give
Enough to keep my children through the dearth?
O, Queen of Heaven, and all you blessed saints,
Let us and ours be lost so she be shriven.
Bend down your faces, Oona and Aleel;
I gaze upon them as the swallow gazes
Upon the nest under the eave, before
She wander the loud waters. Do not weep
Too great a while, for there is many a candle
On the High Altar though one fall. Aleel,
Who sang about the dancers of the woods,
That know not the hard burden of the world,
Having but breath in their kind bodies, farewell!
And farewell, Oona, you who played with me,
And bore me in your arms about the house
When I was but a child and therefore happy,
Therefore happy, even like those that dance.
The storm is in my hair and I must go.
Bring me the looking-glass.
O, she is dead!
She was the great white lily of the world.
She was more beautiful than the pale stars.
The little plant I love is broken in two.
I shatter you in fragments, for the face
That brimmed you up with beauty is no more:
And die, dull heart, for she whose mournful words
Made you a living spirit has passed away
And left you but a ball of passionate dust.
And you, proud earth and plumy sea, fade out!
For you may hear no more her faltering feet,
But are left lonely amid the clamorous war
Of angels upon devils.
And I who weep
Call curses on you, Time and Fate and Change,
And have no excellent hope but the great hour
When you shall plunge headlong through bottomless space.
(_A flash of lightning followed immediately by thunder._)
Pull him upon his knees before his curses
Have plucked thunder and lightning on our heads.
Angels and devils clash in the middle air,
And brazen swords clang upon brazen helms.
(_A flash of lightning followed immediately by thunder._)
Yonder a bright spear, cast out of a sling,
Has torn through Balor's eye, and the dark clans
Fly screaming as they fled Moytura of old.
(_Everything is lost in darkness._)
The Almighty wrath at our great weakness and sin
Has blotted out the world and we must die.
Look no more on the half-closed gates of Hell,
But speak to me, whose mind is smitten of God,
That it may be no more with mortal things,
And tell of her who lies there.
(_He seizes one of the angels._)
Till you speak
You shall not drift into eternity.
The light beats down; the gates of pearl are wide
And she is passing to the floor of peace,
And Mary of the seven times wounded heart
Has kissed her lips, and the long blessed hair
Has fallen on her face; The Light of Lights
Looks always on the motive, not the deed,
The Shadow of Shadows on the deed alone.
(ALEEL _releases the_ ANGEL _and kneels_.)
Tell them who walk upon the floor of peace
That I would die and go to her I love;
The years like great black oxen tread the world,
And God the herdsman goads them on behind
And I am broken by their passing feet.
"_Sero te amavi, Pulchritudo tam antiqua et tam nova! Sero te
_Red Rose, proud Rose, sad Rose of all my days!
Come near me, while I sing the ancient ways:
Cuchulain battling with the bitter tide;
The Druid, gray, wood-nurtured, quiet-eyed,
Who cast round Fergus dreams, and ruin untold;
And thine own sadness, whereof stars, grown old
In dancing silver sandalled on the sea,
Sing in their high and lonely melody.
Come near, that no more blinded by man's fate,
I find under the boughs of love and hate,
In all poor foolish things that live a day,
Eternal beauty wandering on her way._
_Come near, come near, come near--Ah, leave me still
A little space for the rose-breath to fill!
Lest I no more hear common things that crave;
The weak worm hiding down in its small cave,_
_The field mouse running by me in the grass,
And heavy mortal hopes that toil and pass;
But seek alone to hear the strange things said
By God to the bright hearts of those long dead,
And learn to chaunt a tongue men do not know.
Come near; I would, before my time to go,
Sing of old Eire and the ancient ways:
Red Rose, proud Rose, sad Rose of all my days._
The whole day have I followed in the rocks,
And you have changed and flowed from shape to shape.
First as a raven on whose ancient wings
Scarcely a feather lingered, then you seemed
A weasel moving on from stone to stone,
And now at last you wear a human shape,
A thin gray man half lost in gathering night.
What would you, king of the proud Red Branch kings?
This would I say, most wise of living souls:
Young subtle Concobar sat close by me
When I gave judgment, and his words were wise,
And what to me was burden without end,
To him seemed easy, so I laid the crown
Upon his head to cast away my care.
What would you, king of the proud Red Branch kings?
I feast amid my people on the hill,
And pace the woods, and drive my chariot wheels
In the white border of the murmuring sea;
And still I feel the crown upon my head.
What would you?
I would be no more a king
But learn the dreaming wisdom that is yours.
Look on my thin gray hair and hollow cheeks
And on these hands that may not lift the sword
This body trembling like a wind-blown reed.
No woman loves me, no man seeks my help,
Because I be not of the things I dream.
A wild and foolish labourer is a king,
To do and do and do, and never dream.
Take, if you must, this little bag of dreams;
Unloose the cord, and they will wrap you round.
I see my life go dripping like a stream
From change to change; I have been many things,
A green drop in the surge, a gleam of light
Upon a sword, a fir-tree on a hill,
An old slave grinding at a heavy quern,
A king sitting upon a chair of gold,
And all these things were wonderful and great;
But now I have grown nothing, being all,
And the whole world weighs down upon my heart:
Ah! Druid, Druid, how great webs of sorrow
Lay hidden in the small slate-coloured bag!
A man came slowly from the setting sun,
To Forgail's daughter, Emer, in her dun,
And found her dyeing cloth with subtle care,
And said, casting aside his draggled hair:
"I am Aleel, the swineherd, whom you bid
"Go dwell upon the sea cliffs, vapour hid;
"But now my years of watching are no more."
Then Emer cast the web upon the floor,
And stretching out her arms, red with the dye,
Parted her lips with a loud sudden cry.
Looking on her, Aleel, the swineherd, said:
"Not any god alive, nor mortal dead,
"Has slain so mighty armies, so great kings,
"Nor won the gold that now Cuchulain brings."
"Why do you tremble thus from feet to crown?"
Aleel, the swineherd, wept and cast him down
Upon the web-heaped floor, and thus his word:
"With him is one sweet-throated like a bird."
"Who bade you tell these things?" and then she cried
To those about, "Beat him with thongs of hide
"And drive him from the door."
And thus it was:
And where her son, Finmole, on the smooth grass
Was driving cattle, came she with swift feet,
And called out to him, "Son, it is not meet
"That you stay idling here with flocks and herds."
"I have long waited, mother, for those words:
"But wherefore now?"
"There is a man to die;
"You have the heaviest arm under the sky."
"My father dwells among the sea-worn bands,
"And breaks the ridge of battle with his hands."
"Nay, you are taller than Cuchulain, son."
"He is the mightiest man in ship or dun."
"Nay, he is old and sad with many wars,
"And weary of the crash of battle cars."
"I only ask what way my journey lies,
"For God, who made you bitter, made you wise."
"The Red Branch kings a tireless banquet keep,
"Where the sun falls into the Western deep.
"Go there, and dwell on the green forest rim;
"But tell alone your name and house to him
"Whose blade compels, and bid them send you one
"Who has a like vow from their triple dun."
Between the lavish shelter of a wood
And the gray tide, the Red Branch multitude
Feasted, and with them old Cuchulain dwelt,
And his young dear one close beside him knelt,
And gazed upon the wisdom of his eyes,
More mournful than the depth of starry skies,
And pondered on the wonder of his days;
And all around the harp-string told his praise,
And Concobar, the Red Branch king of kings,
With his own fingers touched the brazen strings.
At last Cuchulain spake, "A young man strays
"Driving the deer along the woody ways.
"I often hear him singing to and fro,
"I often hear the sweet sound of his bow,
"Seek out what man he is."
One went and came.
"He bade me let all know he gives his name
"At the sword point, and bade me bring him one
"Who had a like vow from our triple dun."
"I only of the Red Branch hosted now,"
Cuchulain cried, "have made and keep that vow."
After short fighting in the leafy shade,
He spake to the young man, "Is there no maid
"Who loves you, no white arms to wrap you round,
"Or do you long for the dim sleepy ground,
"That you come here to meet this ancient sword?"
"The dooms of men are in God's hidden hoard."
"Your head a while seemed like a woman's head
"That I loved once."
Again the fighting sped,
But now the war rage in Cuchulain woke,
And through the other's shield his long blade broke,
And pierced him.
"Speak before your breath is done."
"I am Finmole, mighty Cuchulain's son."
"I put you from your pain. I can no more."
While day its burden on to evening bore,
With head bowed on his knees Cuchulain stayed;
Then Concobar sent that sweet-throated maid,
And she, to win him, his gray hair caressed;
In vain her arms, in vain her soft white breast.
Then Concobar, the subtlest of all men,
Ranking his Druids round him ten by ten,
Spake thus, "Cuchulain will dwell there and brood,
"For three days more in dreadful quietude,
"And then arise, and raving slay us all.
"Go, cast on him delusions magical,
"That he might fight the waves of the loud sea."
And ten by ten under a quicken tree,
The Druids chaunted, swaying in their hands
Tall wands of alder, and white quicken wands.
In three days' time, Cuchulain with a moan
Stood up, and came to the long sands alone:
For four days warred he with the bitter tide;
And the waves flowed above him, and he died.
Who dreamed that beauty passes like a dream?
For these red lips, with all their mournful pride,
Mournful that no new wonder may betide,
Troy passed away in one high funeral gleam,
And Usna's children died.
We and the labouring world are passing by:
Amid men's souls, that waver and give place,
Like the pale waters in their wintry race,
Under the passing stars, foam of the sky,
Lives on this lonely face.
Bow down, archangels, in your dim abode:
Before you were, or any hearts to beat,
Weary and kind one lingered by His seat;
He made the world to be a grassy road
Before her wandering feet.
If Michael, leader of God's host
When Heaven and Hell are met,
Looked down on you from Heaven's door-post
He would his deeds forget.
Brooding no more upon God's wars
In his Divine homestead,
He would go weave out of the stars
A chaplet for your head.
And all folk seeing him bow down,
And white stars tell your praise,
Would come at last to God's great town,
Led on by gentle ways;
And God would bid His warfare cease.
Saying all things were well;
And softly make a rosy peace,
A peace of Heaven with Hell.
The tall thought-woven sails, that flap unfurled
Above the tide of hours, trouble the air,
And God's bell buoyed to be the water's care;
While hushed from fear, or loud with hope, a band
With blown, spray-dabbled hair gather at hand.
_Turn if you may from battles never done_,
I call, as they go by me one by one,
_Danger no refuge holds; and war no peace,
For him who hears love sing and never cease,
Beside her clean-swept hearth, her quiet shade:
But gather all for whom no love hath made
A woven silence, or but came to cast
A song into the air, and singing past
To smile on the pale dawn; and gather you
Who have sought more than is in rain or dew
Or in the sun and moon, or on the earth,_
_Or sighs amid the wandering, starry mirth,
Or comes in laughter from the sea's sad lips
And wage God's battles in the long gray ships.
The sad, the lonely, the insatiable,
To these Old Night shall all her mystery tell;
God's bell has claimed them by the little cry
Of their sad hearts, that may not live nor die._
You, too, have come where the dim tides are hurled
Upon the wharves of sorrow, and heard ring
The bell that calls us on; the sweet far thing.
Beauty grown sad with its eternity
Made you of us, and of the dim gray sea.
Our long ships loose thought-woven sails and wait,
For God has bid them share an equal fate;
And when at last defeated in His wars,
They have gone down under the same white stars,
We shall no longer hear the little cry
Of our sad hearts, that may not live nor die.
_Sung by the people of faery over Diarmuid and Grania, who lay in
We who are old, old and gay,
O so old!
Thousands of years, thousands of years,
If all were told:
Give to these children, new from the world,
Silence and love;
And the long dew-dropping hours of the night,
And the stars above:
Give to these children, new from the world,
Rest far from men.
Is anything better, anything better?
Tell us it then:
Us who are old, old and gay,
O so old!
Thousands of years, thousands of years,
If all were told.
I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made:
Nine bean rows will I have there, a hive for the honey bee,
And live alone in the bee-loud glade.
And I shall have some peace there, for peace comes dropping slow,
And evening full of the linnet's wings.
I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements gray,
I hear it in the deep heart's core.
"_Coth yani me von gilli beg,
'N heur ve thu more a creena_."
The angels are stooping
Above your bed;
They weary of trooping
With the whimpering dead.
God's laughing in heaven
To see you so good;
Are gay with His mood.
I kiss you and kiss you,
My pigeon, my own;
Ah, how I shall miss you
When you have grown.
A pity beyond all telling
Is hid in the heart of love:
The folk who are buying and selling
The clouds on their journey above
The cold wet winds ever blowing
And the shadowy hazel grove
Where mouse-gray waters are flowing
Threaten the head that I love.
The quarrel of the sparrows in the eaves,
The full round moon and the star-laden sky,
And the loud song of the ever-singing leaves,
Had hid away earth's old and weary cry.
And then you came with those red mournful lips,
And with you came the whole of the world's tears
And all the trouble of her labouring ships,
And all the trouble of her myriad years.
And now the sparrows warring in the eaves,
The curd-pale moon, the white stars in the sky,
And the loud chaunting of the unquiet leaves,
Are shaken with earth's old and weary cry.
When you are old and gray and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;
How many loved your moments of glad grace,
And loved your beauty will love false or true;
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face.
And bending down beside the glowing bars
Murmur, a little sadly, how love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.
And the flame of the blue star of twilight, hung low
on the rim of the sky,
Has awaked in our hearts, my beloved, a sadness that may not die.
in the fall of the dew:
For I would we were changed to white birds on the
wandering foam: I and you!
I am haunted by numberless islands, and many a Danaan shore,
I dreamed that one had died in a strange place
Near no accustomed hand;
And they had nailed the boards above her face
The peasants of that land,
Wondering to lay her in that solitude,
And raised above her mound
A cross they had made out of two bits of wood,
And planted cypress round;
And left her to the indifferent stars above
Until I carved these words:
_She was more beautiful than thy first love,
But now lies under boards_.
All the heavy days are over;
Leave the body's coloured pride
Underneath the grass and clover,
With the feet laid side by side.
One with her are mirth and duty,
Bear the gold embroidered dress,
For she needs not her sad beauty,
To the scented oaken press.
Hers the kiss of Mother Mary,
The long hair is on her face;
Still she goes with footsteps wary,
Full of earth's old timid grace.
With white feet of angels seven
Her white feet go glimmering
And above the deep of heaven,
Flame on flame and wing on wing.
Who will go drive with Fergus now,
And pierce the deep wood's woven shade,
And dance upon the level shore?
Young man, lift up your russet brow,
And lift your tender eyelids, maid,
And brood on hopes and fears no more.
And no more turn aside and brood
Upon Love's bitter mystery;
For Fergus rules the brazen cars,
And rules the shadows of the wood,
And the white breast of the dim sea
And all dishevelled wandering stars.
He stood among a crowd at Drumahair;
His heart hung all upon a silken dress,
And he had known at last some tenderness,
Before earth made of him her sleepy care;
But when a man poured fish into a pile,
It seemed they raised their little silver heads,
And sang how day a Druid twilight sheds
Upon a dim, green, well-beloved isle,
Where people love beside star-laden seas;
How Time may never mar their faery vows
Under the woven roofs of quicken boughs:
The singing shook him out of his new ease.
He wandered by the sands of Lisadill;
His mind ran all on money cares and fears,
And he had known at last some prudent years
Before they heaped his grave under the hill;
But while he passed before a plashy place,
A lug-worm with its gray and muddy mouth
Sang how somewhere to north or west or south
There dwelt a gay, exulting, gentle race;
And how beneath those three times blessed skies
A Danaan fruitage makes a shower of moons,
And as it falls awakens leafy tunes:
And at that singing he was no more wise.
He mused beside the well of Scanavin,
He mused upon his mockers: without fail
His sudden vengeance were a country tale,
Now that deep earth has drunk his body in;
But one small knot-grass growing by the pool
Told where, ah, little, all-unneeded voice!
Old Silence bids a lonely folk rejoice,
And how, when fades the sea-strewn rose of day,
A gentle feeling wraps them like a fleece,
And all their trouble dies into its peace:
The tale drove his fine angry mood away.
He slept under the hill of Lugnagall;
And might have known at last unhaunted sleep
Under that cold and vapour-turbaned steep,
Now that old earth had taken man and all:
Were not the worms that spired about his bones
A-telling with their low and reedy cry,
Of how God leans His hands out of the sky,
To bless that isle with honey in His tones;
That none may feel the power of squall and wave
And no one any leaf-crowned dancer miss
Until He burn up Nature with a kiss:
The man has found no comfort in the grave.
There was a green branch hung with many a bell
When her own people ruled in wave-worn Eire;
And from its murmuring greenness, calm of faery,
A Druid kindness, on all hearers fell.
It charmed away the merchant from his guile,
And turned the farmer's memory from his cattle,
And hushed in sleep the roaring ranks of battle,
For all who heard it dreamed a little while.
Ah, Exiles wandering over many seas,
Spinning at all times Eire's good to-morrow!
Ah, worldwide Nation, always growing Sorrow!
I also bear a bell branch full of ease.
I tore it from green boughs winds tossed and hurled,
Green boughs of tossing always, weary, weary!
I tore it from the green boughs of old Eire,
The willow of the many-sorrowed world.
Ah, Exiles, wandering over many lands!
My bell branch murmurs: the gay bells bring laughter,
Leaping to shake a cobweb from the rafter;
The sad bells bow the forehead on the hands.
A honeyed ringing: under the new skies
They bring you memories of old village faces,
Cabins gone now, old well-sides, old dear places;
And men who loved the cause that never dies.
I had a chair at every hearth,
When no one turned to see,
With "Look at that old fellow there,
"And who may he be?"
And therefore do I wander now,
And the fret lies on me.
The road-side trees keep murmuring
Ah, wherefore murmur ye,
As in the old days long gone by,
Green oak and poplar tree?
The well-known faces are all gone
And the fret lies on me.
The old priest Peter Gilligan
Was weary night and day;
For half his flock were in their beds,
Or under green sods lay.
Once, while he nodded on a chair,
At the moth-hour of eve,
Another poor man sent for him,
And he began to grieve.
"I have no rest, nor joy, nor peace,
"For people die and die";
And after cried he, "God forgive!
"My body spake, not I!"
He knelt, and leaning on the chair
He prayed and fell asleep;
And the moth-hour went from the fields,
And stars began to peep.
They slowly into millions grew,
And leaves shook in the wind;
And God covered the world with shade,
And whispered to mankind.
Upon the time of sparrow chirp
When the moths came once more,
The old priest Peter Gilligan
Stood upright on the floor.
"Mavrone, mavrone! the man has died,
"While I slept on the chair";
He roused his horse out of its sleep,
And rode with little care.
He rode now as he never rode,
By rocky lane and fen;
The sick man's wife opened the door:
"Father! you come again!"
"And is the poor man dead?" he cried,
"He died an hour ago,"
The old priest Peter Gilligan
In grief swayed to and fro.
"When you were gone, he turned and died
"As merry as a bird."
The old priest Peter Gilligan
He knelt him at that word.
"He who hath made the night of stars
"For souls, who tire and bleed,
"Sent one of His great angels down
"To help me in my need.
"He who is wrapped in purple robes,
"With planets in His care,
"Had pity on the least of things
"Asleep upon a chair."
Beloved, gaze in thine own heart,
The holy tree is growing there;
From joy the holy branches start,
And all the trembling flowers they bear.
The changing colours of its fruit
Have dowered the stars with merry light;
The surety of its hidden root
Has planted quiet in the night;
The shaking of its leafy head
Has given the waves their melody,
And made my lips and music wed,
Murmuring a wizard song for thee.
There, through bewildered branches, go
Winged Loves borne on in gentle strife,
Tossing and tossing to and fro
The flaming circle of our life.
When looking on their shaken hair,
And dreaming how they dance and dart,
Thine eyes grow full of tender care:
Beloved, gaze in thine own heart.
Gaze no more in the bitter glass
The demons, with their subtle guile,
Lift up before us when they pass,
Or only gaze a little while;
For there a fatal image grows,
With broken boughs, and blackened leaves,
And roots half hidden under snows
Driven by a storm that ever grieves.
For all things turn to barrenness
In the dim glass the demons hold,
The glass of outer weariness,
Made when God slept in times of old.
There, through the broken branches, go
The ravens of unresting thought;
Peering and flying to and fro
To see men's souls bartered and bought.
When they are heard upon the wind,
And when they shake their wings; alas!
Thy tender eyes grow all unkind:
Gaze no more in the bitter glass.
_Know, that I would accounted be
True brother of that company,
Who sang to sweeten Ireland's wrong,
Ballad and story, rann and song;
Nor be I any less of them,
Because the red-rose-bordered hem
Of her, whose history began
Before God made the angelic clan,
Trails all about the written page;
For in the world's first blossoming age
The light fall of her flying feet
Made Ireland's heart begin to beat;
And still the starry candles flare
To help her light foot here and there;
And still the thoughts of Ireland brood
Upon her holy quietude._
_Nor may I less be counted one
Because to him, who ponders well,
My rhymes more than their rhyming tell
Of the dim wisdoms old and deep,
That God gives unto man in sleep.
For the elemental beings go
About my table to and fro.
In flood and fire and clay and wind,
They huddle from man's pondering mind;
Yet he who treads in austere ways
May surely meet their ancient gaze.
Man ever journeys on with them
After the red-rose-bordered hem.
Ah, faeries, dancing under the moon,
A Druid land, a Druid tune!_
_While still I may, I write for you
The love I lived, the dream I knew.
From our birthday, until we die,
Is but the winking of an eye;
And we, our singing and our love,
The mariners of night above,
And all the wizard things that go
About my table to and fro.
Are passing on to where may be,
In truth's consuming ecstasy
No place for love and dream at all;
For God goes by with white foot-fall.
I cast my heart into my rhymes,
That you, in the dim coming times,
May know how my heart went with them
After the red-rose-bordered hem._
_O Rose, thou art sick._
_The Scene is laid in the Barony of Kilmacowen, in the County of
Sligo, and at a remote time._
through the trees and carries the eye far off into a vague,
Because I bid her clean the pots for supper
She took that old book down out of the thatch;
She has been doubled over it ever since.
We should be deafened by her groans and moans
Had she to work as some do, Father Hart;
Get up at dawn like me and mend and scour
Or ride abroad in the boisterous night like you,
The pyx and blessed bread under your arm.
Mother, you are too cross.
You've married her,
And fear to vex her and so take her part.
It is but right that youth should side with youth;
She quarrels with my wife a bit at times,
And is too deep just now in the old book!
But do not blame her greatly; she will grow
As quiet as a puff-ball in a tree
When but the moons of marriage dawn and die
For half a score of times.
Their hearts are wild,
As be the hearts of birds, till children come.
She would not mind the kettle, milk the cow,
Or even lay the knives and spread the cloth.
Shawn, this is half empty;
Go, bring up the best bottle that we have.
I never saw her read a book before,
What are you waiting for?
You must not shake it when you draw the cork;
It's precious wine, so take your time about it.
(_To Priest._)                    (SHAWN _goes_.)
There was a Spaniard wrecked at Ocris Head,
When I was young, and I have still some bottles.
He cannot bear to hear her blamed; the book
Has lain up in the thatch these fifty years;
My father told me my grandfather wrote it,
And killed a heifer for the binding of it--
But supper's spread, and we can talk and eat
It was little good he got out of the book,
Because it filled his house with rambling fiddlers,
And rambling ballad-makers and the like.
The griddle-bread is there in front of you.
Colleen, what is the wonder in that book,
That you must leave the bread to cool? Had I
Or had my father read or written books
There were no stocking stuffed with yellow guineas
To come when I am dead to Shawn and you.
You should not fill your head with foolish dreams.
What are you reading?
A daughter of a King of Ireland, heard
A voice singing on a May Eve like this,
And followed half awake and half asleep,
Until she came into the Land of Faery,
Where nobody gets old and godly and grave,
Where nobody gets old and crafty and wise,
Where nobody gets old and bitter of tongue.
And she is still there, busied with a dance
Deep in the dewy shadow of a wood,
Or where stars walk upon a mountain-top.
Persuade the colleen to put down the book;
My grandfather would mutter just such things,
And he was no judge of a dog or a horse,
And any idle boy could blarney him;
Just speak your mind.
Put it away, my colleen;
God spreads the heavens above us like great wings
And gives a little round of deeds and days,
And then come the wrecked angels and set snares,
And bait them with light hopes and heavy dreams,
Until the heart is puffed with pride and goes
Half shuddering and half joyous from God's peace;
And it was some wrecked angel, blind with tears,
Who flattered Edane's heart with merry words.
My colleen, I have seen some other girls
Restless and ill at ease, but years went by
And they grew like their neighbours and were glad
In minding children, working at the churn,
And gossiping of weddings and of wakes;
For life moves out of a red flare of dreams
Into a common light of common hours,
Until old age bring the red flare again.
That's true--but she's too young to know it's true.
She's old enough to know that it is wrong
To mope and idle.
I've little blame for her;
She's dull when my big son is in the fields,
And that and maybe this good woman's tongue
Have driven her to hide among her dreams
Like children from the dark under the bed-clothes.
She'd never do a turn if I were silent.
And maybe it is natural upon May Eve
To dream of the good people. But tell me, girl,
If you've the branch of blessed quicken wood
That women hang upon the post of the door
That they may send good luck into the house?
Remember they may steal new-married brides
After the fall of twilight on May Eve,
Or what old women mutter at the fire
Is but a pack of lies.
It may be truth.
We do not know the limit of those powers
God has permitted to the evil spirits
For some mysterious end. You have done right (_to_ MARY);
It's well to keep old innocent customs up.
I had no sooner hung it on the nail
Before a child ran up out of the wind;
She has caught it in her hand and fondled it;
Her face is pale as water before dawn.
Whose child can this be?
No one's child at all.
She often dreams that some one has gone by,
When there was nothing but a puff of wind.
They have taken away the blessed quicken wood,
They will not bring good luck into the house;
Yet I am glad that I was courteous to them,
For are not they, likewise, children of God?
Colleen, they are the children of the fiend,
And they have power until the end of Time,
When God shall fight with them a great pitched battle
And hack them into pieces.
He will smile,
Father, perhaps, and open His great door.
Did but the lawless angels see that door
They would fall, slain by everlasting peace;
And when such angels knock upon our doors,
Who goes with them must drive through the same storm.
MARY (_coming to table_)
There's somebody out there that beckoned me
And raised her hand as though it held a cup,
And she was drinking from it, so it may be
That she is thirsty.
(_She takes milk from the table and carries it to the door._)
That will be the child
That you would have it was no child at all.
And maybe, Father, what he said was true;
For there is not another night in the year
So wicked as to-night.
Nothing can harm us
While the good Father's underneath our roof.
A little queer old woman dressed in green.
The good people beg for milk and fire
Upon May Eve--woe to the house that gives,
For they have power upon it for a year.
Hush, woman, hush!
She's given milk away.
I knew she would bring evil on the house.
Who was it?
Both the tongue and face were strange.
Some strangers came last week to Clover Hill;
She must be one of them.
I am afraid.
The Cross will keep all evil from the house
While it hangs there.
Come, sit beside me, colleen,
And put away your dreams of discontent,
For I would have you light up my last days,
Like the good glow of the turf; and when I die
You'll be the wealthiest hereabout, for, colleen,
I have a stocking full of yellow guineas
Hidden away where nobody can find it.
You are the fool of every pretty face,
And I must spare and pinch that my son's wife
May have all kinds of ribbons for her head.
Do not be cross; she is a right good girl!
The butter is by your elbow, Father Hart.
My colleen, have not Fate and Time and Change
Done well for me and for old Bridget there?
We have a hundred acres of good land,
And sit beside each other at the fire.
I have this reverend Father for my friend,
I look upon your face and my son's face--
We've put his plate by yours--and here he comes,
And brings with him the only thing we have lacked,
Abundance of good wine. (SHAWN _comes in_.) Stir up the fire,
And put new turf upon it till it blaze;
To watch the turf-smoke coiling from the fire,
And feel content and wisdom in your heart,
This is the best of life; when we are young
We long to tread a way none trod before,
But find the excellent old way through love,
And through the care of children, to the hour
For bidding Fate and Time and Change goodbye.
What is it draws you to the chill o' the wood?
There is a light among the stems of the trees
That makes one shiver.
A little queer old man
Made me a sign to show he wanted fire
To light his pipe.
You've given milk and fire
Upon the unluckiest night of the year and brought,
For all you know, evil upon the house.
Before you married you were idle and fine
And went about with ribbons on your head;
And now--no, Father, I will speak my mind--
She is not a fitting wife for any man----
Be quiet, Mother!
You are much too cross.
What do I care if I have given this house,
Where I must hear all day a bitter tongue,
Into the power of faeries!
You know well
How calling the good people by that name,
Or talking of them over much at all,
May bring all kinds of evil on the house.
Come, faeries, take me out of this dull house!
Let me have all the freedom I have lost;
Work when I will and idle when I will!
Faeries, come take me out of this dull world,
For I would ride with you upon the wind.
Run on the top of the dishevelled tide,
And dance upon the mountains like a flame.
You cannot know the meaning of your words.
Father, I am right weary of four tongues:
A tongue that is too crafty and too wise,
A tongue that is too godly and too grave,
A tongue that is more bitter than the tide,
And a kind tongue too full of drowsy love,
Of drowsy love and my captivity.
(SHAWN BRUIN _leads her to a seat at the left of the door_.)
Do not blame me; I often lie awake
Thinking that all things trouble your bright head.
How beautiful it is--your broad pale forehead
Under a cloudy blossoming of hair!
Sit down beside me here--these are too old,
And have forgotten they were ever young.
O, you are the great door-post of this house,
And I the branch of blessed quicken wood,
And if I could I'd hang upon the post,
Till I had brought good luck into the house.
My daughter, take his hand--by love alone
God binds us to Himself and to the hearth,
That shuts us from the waste beyond His peace,
From maddening freedom and bewildering light.
Would that the world were mine to give it you,
And not its quiet hearths alone, but even
All that bewilderment of light and freedom,
If you would have it.
I would take the world
And break it into pieces in my hands
To see you smile watching it crumble away.
Then I would mould a world of fire and dew,
With no one bitter, grave or over wise,
And nothing marred or old to do you wrong,
And crowd the enraptured quiet of the sky
With candles burning to your lonely face.
Your looks are all the candles that I need.
Once a fly dancing in a beam of the sun,
Or the light wind blowing out of the dawn,
Could fill your heart with dreams none other knew,
But now the indissoluble sacrament
Has mixed your heart that was most proud and cold
With my warm heart for ever; the sun and moon
Must fade and heaven be rolled up like a scroll;
But your white spirit still walk by my spirit.
(_A Voice singing in the wood._)
There's some one singing. Why, it's but a child.
It sang, "The lonely of heart is withered away."
A strange song for a child, but she sings sweetly.
Listen, listen!
O, cling close to me,
Because I have said wicked things to-night.
The wind blows out of the gates of the day,
The wind blows over the lonely of heart,
And the lonely of heart is withered away.
While the faeries dance in a place apart,
Shaking their milk-white feet in a ring,
Tossing their milk-white arms in the air;
For they hear the wind laugh and murmur and sing
Of a land where even the old are fair,
And even the wise are merry of tongue;
But I heard a reed of Coolaney say,
"When the wind has laughed and murmured and sung
The lonely of heart is withered away!"
Being happy, I would have all others happy,
So I will bring her in out of the cold.
(_He brings in the faery child._)
I tire of winds and waters and pale lights.
And that's no wonder, for when night has fallen
The wood's a cold and a bewildering place,
But you are welcome here.
I am welcome here.
For when I tire of this warm little house
There is one here that must away, away.
O, listen to her dreamy and strange talk.
Are you not cold?
I will crouch down beside you,
For I have run a long, long way this night.
You have a comely shape.
Your hair is wet.
I'll warm your chilly feet.
You have come indeed
A long, long way--for I have never seen
Your pretty face--and must be tired and hungry,
Here is some bread and wine.
The wine is bitter.
Old mother, have you no sweet food for me?
I have some honey.
(_She goes into the next room._)
You have coaxing ways,
The mother was quite cross before you came.
She is the child of gentle people; look
At her white hands and at her pretty dress.
I've brought you some new milk, but wait a while
And I will put it to the fire to warm,
For things well fitted for poor folk like us
Would never please a high-born child like you.
From dawn, when you must blow the fire ablaze,
You work your fingers to the bone, old mother.
The young may lie in bed and dream and hope,
But you must work your fingers to the bone
Because your heart is old.
The young are idle.
Your memories have made you wise, old father;
The young must sigh through many a dream and hope,
But you are wise because your heart is old.
(BRIDGET _gives her more bread and honey_.)
O, who would think to find so young a girl
Loving old age and wisdom?
No more, mother.
What a small bite! The milk is ready now.
(_Hands it to her._) What a small sip!
Put on my shoes, old mother.
Now I would like to dance now I have eaten,
The reeds are dancing by Coolaney lake,
And I would like to dance until the reeds
And the white waves have danced themselves asleep.
What is that ugly thing on the black cross?
You cannot know how naughty your words are!
Hide it away!
I have begun to be afraid again.
Hide it away!
That would be wickedness!
That would be sacrilege!
The tortured thing!
Hide it away!
Her parents are to blame.
That is the image of the Son of God.
THE CHILD (_caressing him_)
Hide it away, hide it away!
Because you are so young and like a bird,
That must take fright at every stir of the leaves,
I will go take it down.
Hide it away!
And cover it out of sight and out of mind!
Since you have come into this barony,
I will instruct you in our blessed faith;
And being so keen witted you'll soon learn.
We must be tender to all budding things,
Our Maker let no thought of Calvary
Trouble the morning stars in their first song.
(_Puts crucifix in inner room._)
Here is level ground for dancing; I will dance.
"The wind blows out of the gates of the day,
The wind blows over the lonely of heart,
And the lonely of heart is withered away."
Just now when she came near I thought I heard
Other small steps beating upon the floor,
And a faint music blowing in the wind,
Invisible pipes giving her feet the tune.
I heard no steps but hers.
I hear them now,
The unholy powers are dancing in the house.
Come over here, and if you promise me
Not to talk wickedly of holy things
I will give you something.
Bring it me, old father.
Here are some ribbons that I bought in the town
For my son's wife--but she will let me give them
To tie up that wild hair the winds have tumbled.
Come, tell me, do you love me?
Yes, I love you.
Ah, but you love this fireside. Do you love me?
When the Almighty puts so great a share
Of His own ageless youth into a creature,
To look is but to love.
But you love Him?
She is blaspheming.
And do you love me too?
I do not know.
You love that young man there,
Yet I could make you ride upon the winds,
Run on the top of the dishevelled tide,
And dance upon the mountains like a flame.
Queen of Angels and kind saints defend us!
Some dreadful thing will happen. A while ago
She took away the blessed quicken wood.
You fear because of her unmeasured prattle;
She knows no better. Child, how old are you?
When winter sleep is abroad my hair grows thin,
My feet unsteady. When the leaves awaken
My mother carries me in her golden arms;
I'll soon put on my womanhood and marry
The spirits of wood and water, but who can tell
When I was born for the first time? I think
I am much older than the eagle cock
That blinks and blinks on Ballygawley Hill,
And he is the oldest thing under the moon.
O she is of the faery people.
One called,
I sent my messengers for milk and fire,
She called again and after that I came.
Though you have made all these obedient,
You have not charmed my sight and won from me
A wish or gift to make you powerful;
I'll turn you from the house.
No, I will face her.
Because you took away the crucifix
I am so mighty that there's none can pass,
Unless I will it, where my feet have danced
Or where I've whirled my finger-tops.
(SHAWN _tries to approach her and cannot_.)
Look, look!
There something stops him--look how he moves his hands
As though he rubbed them on a wall of glass!
I will confront this mighty spirit alone;
Be not afraid, the Father is with us,
The adoring Magi in their coats of mail,
And He who died and rose on the third day,
And all the nine angelic hierarchies.
Cry, daughter, to the Angels and the Saints.
You shall go with me, newly-married bride,
And gaze upon a merrier multitude.
White-armed Nuala, Aengus of the Birds,
Feacra of the hurtling foam, and him
Who is the ruler of the Western Host,
Finvarra, and their Land of Heart's Desire,
Where beauty has no ebb, decay no flood,
But joy is wisdom, Time an endless song.
I kiss you and the world begins to fade.
Awake out of that trance--and cover up
Your eyes and ears.
She must both look and listen,
For only the soul's choice can save her now.
Come over to me, daughter; stand beside me;
Think of this house and of your duties in it.
Stay and come with me, newly-married bride,
For if you hear him you grow like the rest;
Bear children, cook, and bend above the churn,
And wrangle over butter, fowl, and eggs,
Until at last, grown old and bitter of tongue,
You're crouching there and shivering at the grave.
Daughter, I point you out the way to Heaven.
But I can lead you, newly-married bride,
Where nobody gets old and crafty and wise,
Where nobody gets old and godly and grave,
Where nobody gets old and bitter of tongue,
And where kind tongues bring no captivity;
For we are but obedient to the thoughts
That drift into the mind at a wink of the eye.
By the dear Name of the One crucified,
I bid you, Mary Bruin, come to me.
I keep you in the name of your own heart.
It is because I put away the crucifix
That I am nothing, and my power is nothing.
I'll bring it here again.
MAURTEEN (_clinging to him_)
Do not leave us.
O, let me go before it is too late;
It is my sin alone that brought it all.
I hear them sing, "Come, newly-married bride,
Come, to the woods and waters and pale lights."
I will go with you.
She is lost, alas!
THE CHILD (_standing by the door_)
But clinging mortal hope must fall from you,
For we who ride the winds, run on the waves,
And dance upon the mountains are more light
Than dewdrops on the banner of the dawn.
O, take me with you.
Beloved, I will keep you.
I've more than words, I have these arms to hold you,
Nor all the faery host, do what they please,
Shall ever make me loosen you from these arms.
Dear face! Dear voice!
Come, newly-married bride.
I always loved her world--and yet--and yet----
White bird, white bird, come with me, little bird.
She calls me!
Come with me, little bird.
(_Distant dancing figures appear in the wood._)
I can hear songs and dancing.
Stay with me.
I think that I would stay--and yet--and yet----
Come, little bird, with crest of gold.
MARY (_very softly_)
Come, little bird with silver feet!
(MARY BRUIN _dies, and the_ CHILD _goes_.)
She is dead!
Come from that image; body and soul are gone.
You have thrown your arms about a drift of leaves,
Or bole of an ash-tree changed into her image.
Thus do the spirits of evil snatch their prey,
Almost out of the very hand of God;
And day by day their power is more and more,
And men and women leave old paths, for pride
Comes knocking with thin knuckles on the heart.
"The wind blows out of the gates of the day,
The wind blows over the lonely of heart,
And the lonely of heart is withered away;
While the faeries dance in a place apart,
Shaking their milk-white feet in a ring,
Tossing their milk-white arms in the air;
For they hear the wind laugh and murmur and sing
Of a land where even the old are fair,
And even the wise are merry of tongue;
But I heard a reed of Coolaney say--
'When the wind has laughed and murmured and sung,
The lonely of heart is withered away.'"
The woods of Arcady are dead,
And over is their antique joy;
Of old the world on dreaming fed;
Gray Truth is now her painted toy;
Yet still she turns her restless head:
But O, sick children of the world,
Of all the many changing things
In dreary dancing past us whirled,
To the cracked tune that Chronos sings,
Words alone are certain good.
Where are now the warring kings,
Word be-mockers?--By the Rood
Where are now the warring kings?
An idle word is now their glory,
By the stammering schoolboy said,
Reading some entangled story:
The kings of the old time are fled
The wandering earth herself may be
Only a sudden flaming word,
In clanging space a moment heard,
Troubling the endless reverie.
Then nowise worship dusty deeds,
Nor seek; for this is also sooth;
To hunger fiercely after truth,
Lest all thy toiling only breeds
New dreams, new dreams; there is no truth
Saving in thine own heart. Seek, then,
No learning from the starry men,
Who follow with the optic glass
The whirling ways of stars that pass--
Seek, then, for this is also sooth,
No word of theirs--the cold star-bane
Has cloven and rent their hearts in twain,
And dead is all their human truth.
Go gather by the humming-sea
Some twisted, echo-harbouring shell,
And to its lips thy story tell,
And they thy comforters will be,
Rewarding in melodious guile,
Thy fretful words a little while,
Till they shall singing fade in ruth,
And die a pearly brotherhood;
For words alone are certain good:
Sing, then, for this is also sooth.
I must be gone: there is a grave
Where daffodil and lily wave,
And I would please the hapless faun,
Buried under the sleepy ground,
With mirthful songs before the dawn.
His shouting days with mirth were crowned;
And still I dream he treads the lawn,
Walking ghostly in the dew,
Pierced by my glad singing through,
My songs of old earth's dreamy youth:
But ah! she dreams not now; dream thou!
For fair are poppies on the brow:
Dream, dream, for this is also sooth.
There was a man whom Sorrow named his friend,
And he, of his high comrade Sorrow dreaming,
Went walking with slow steps along the gleaming
And humming sands, where windy surges wend:
And he called loudly to the stars to bend
From their pale thrones and comfort him, but they
Among themselves laugh on and sing alway:
And then the man whom Sorrow named his friend
Cried out, _Dim sea, hear my most piteous story!_
The sea swept on and cried her old cry still,
Rolling along in dreams from hill to hill;
He fled the persecution of her glory
And, in a far-off, gentle valley stopping,
Cried all his story to the dewdrops glistening,
But naught they heard, for they are always listening,
The dewdrops, for the sound of their own dropping.
And then the man whom Sorrow named his friend,
Sought once again the shore, and found a shell,
And thought, _I will my heavy story tell
Till my own words, re-echoing, shall send
Their sadness through a hollow, pearly heart;
And my own tale again for me shall sing,
And my own whispering words be comforting,
And lo! my ancient burden may depart_.
Then he sang softly nigh the pearly rim;
But the sad dweller by the sea-ways lone
Changed all he sang to inarticulate moan
Among her wildering whirls, forgetting him.
"What do you make so fair and bright?"
"I make the cloak of Sorrow:
"O, lovely to see in all men's sight
"Shall be the cloak of Sorrow,
"In all men's sight."
"What do you build with sails for flight?"
"I build a boat for Sorrow,
"O, swift on the seas all day and night
"Saileth the rover Sorrow,
"All day and night."
"What do you weave with wool so white?
"I weave the shoes of Sorrow,
"Soundless shall be the footfall light
"In all men's ears of Sorrow,
"Sudden and light."
_A little Indian temple in the Golden Age. Around it a garden;
around that the forest._ ANASHUYA, _the young priestess, kneeling
Send peace on all the lands and flickering corn.--
O, may tranquillity walk by his elbow
When wandering in the forest, if he love
No other.--Hear, and may the indolent flocks
Be plentiful.--And if he love another,
May panthers end him.--Hear, and load our king
With wisdom hour by hour.--May we two stand,
When we are dead, beyond the setting suns,
A little from the other shades apart,
With mingling hair, and play upon one lute.
VIJAYA [_entering and throwing a lily at her_]
Hail! hail, my Anashuya.
No: be still.
I, priestess of this temple, offer up
Prayers for the land.
I will wait here, Amrita.
By mighty Brahma's ever rustling robe,
Who is Amrita? Sorrow of all sorrows!
Another fills your mind.
My mother's name.
ANASHUYA [_sings, coming out of the temple_]
_A sad, sad thought went by me slowly:
Sigh, O you little stars! O, sigh and shake your blue apparel!
The sad, sad thought has gone from me now wholly:
Sing, O you little stars! O, sing and raise your rapturous carol
To mighty Brahma, he who made you many as the sands,
And laid you on the gates of evening with his quiet hands._
Vijaya, I have brought my evening rice;
The sun has laid his chin on the gray wood,
Weary, with all his poppies gathered round him.
The hour when Kama, full of sleepy laughter,
Rises, and showers abroad his fragrant arrows,
Piercing the twilight with their murmuring barbs.
See how the sacred old flamingoes come,
Painting with shadow all the marble steps:
Aged and wise, they seek their wonted perches
Within the temple, devious walking, made
To wander by their melancholy minds.
Yon tall one eyes my supper; swiftly chase him
Far, far away. I named him after you.
He is a famous fisher; hour by hour
He ruffles with his bill the minnowed streams.
Ah! there he snaps my rice. I told you so.
Now cuff him off. He's off! A kiss for you,
Because you saved my rice. Have you no thanks?
_Sing you of her, O first few stars,
Whom Brahma, touching with his finger, praises, for you hold_
_The van of wandering quiet; ere you be too calm and old,
Sing, turning in your cars,
What know the pilots of the stars of tears?
Their faces are all worn, and in their eyes
Flashes the fire of sadness, for they see
The icicles that famish all the north,
Where men lie frozen in the glimmering snow;
And in the flaming forests cower the lion
And lioness, with all their whimpering cubs;
And, ever pacing on the verge of things,
The phantom, Beauty, in a mist of tears;
While we alone have round us woven woods,
And feel the softness of each other's hand,
ANASHUYA [_going away from him_]
Ah me, you love another,
And may some dreadful ill befall her quick!
I loved another; now I love no other.
Among the mouldering of ancient woods
You live, and on the village border she,
With her old father the blind wood-cutter;
I saw her standing in her door but now.
Vijaya, swear to love her never more,
Swear by the parents of the gods,
Dread oath, who dwell on sacred Himalay,
On the far Golden Peak; enormous shapes,
Who still were old when the great sea was young
On their vast faces mystery and dreams;
Their hair along the mountains rolled and filled
From year to year by the unnumbered nests
Of aweless birds, and round their stirless feet
The joyous flocks of deer and antelope,
Who never hear the unforgiving hound.
By the parents of the gods, I swear.
ANASHUYA [_sings_]
_I have forgiven, O new star!
Maybe you have not heard of us, you have come forth so newly,
You hunter of the fields afar!
Ah, you will know my loved one by his hunter's arrows truly,
Shoot on him shafts of quietness, that he may ever keep
An inner laughter, and may kiss his hands to me in sleep._
Farewell, Vijaya. Nay, no word, no word;
I, priestess of this temple, offer up
Prayers for the land.
O Brahma, guard in sleep
The merry lambs and the complacent kine,
The flies below the leaves, and the young mice
In the tree roots, and all the sacred flocks
Of red flamingo; and my love, Vijaya;
And may no restless fay with fidget finger
Trouble his sleeping: give him dreams of me.
I passed along the water's edge below the humid trees,
My spirit rocked in evening light, the rushes round my knees,
My spirit rocked in sleep and sighs; and saw the moorfowl pace
All dripping on a grassy slope, and saw them cease to chase
Each other round in circles, and heard the eldest speak:
_Who holds the world between His bill and made us strong or weak
Is an undying moorfowl, and He lives beyond the sky.
_Who made the world and ruleth it, He hangeth on a stalk,_
_For I am in His image made, and all this tinkling tide
Is but a sliding drop of rain between His petals wide._
A little way within the gloom a roebuck raised his eyes
Brimful of starlight, and he said: _The Stamper of the Skies,
He is a gentle roebuck; for how else, I pray, could He
Conceive a thing so sad and soft, a gentle thing like me?_
I passed a little further on and heard a peacock say:
_Who made the grass and made the worms and made my feathers gay,
He is a monstrous peacock, and He waveth all the night
His languid tail above us, lit with myriad spots of light._
The island dreams under the dawn
And great boughs drop tranquillity;
The peahens dance on a smooth lawn,
A parrot sways upon a tree,
Raging at his own image in the enamelled sea.
Here we will moor our lonely ship
And wander ever with woven hands,
Murmuring softly lip to lip,
Along the grass, along the sands,
Murmuring how far away are the unquiet lands:
How we alone of mortals are
Hid under quiet bows apart,
While our love grows an Indian star,
A meteor of the burning heart,
One with the tide that gleams, the wings that gleam and dart,
The heavy boughs, the burnished dove
That moans and sighs a hundred days:
How when we die our shades will rove,
When eve has hushed the feathered ways,
With vapoury footsole among the water's drowsy blaze.
Autumn is over the long leaves that love us,
And over the mice in the barley sheaves;
Yellow the leaves of the rowan above us,
And yellow the wet wild-strawberry leaves.
The hour of the waning of love has beset us,
And weary and worn are our sad souls now;
Let us part, ere the season of passion forget us,
With a kiss and a tear on thy drooping brow.
"Your eyes that once were never weary of mine
"Are bowed in sorrow under pendulous lids,
"Because our love is waning."
And then she:
"Although our love is waning, let us stand
"By the lone border of the lake once more,
"Together in that hour of gentleness
"When the poor tired child, Passion, falls asleep:
"How far away the stars seem, and how far
"Is our first kiss, and ah, how old my heart!"
Pensive they paced along the faded leaves,
While slowly he whose hand held hers replied:
"Passion has often worn our wandering hearts."
The woods were round them, and the yellow leaves
Fell like faint meteors in the gloom, and once
A rabbit old and lame limped down the path;
Autumn was over him: and now they stood
On the lone border of the lake once more:
Turning, he saw that she had thrust dead leaves
Gathered in silence, dewy as her eyes,
In bosom and hair.
"Ah, do not mourn," he said,
"That we are tired, for other loves await us;
"Hate on and love through unrepining hours.
"Before us lies eternity; our souls
"Are love, and a continual farewell."
I sat on cushioned otter skin:
My word was law from Ith to Emen,
And shook at Invar Amargin
The hearts of the world-troubling seamen.
And drove tumult and war away
From girl and boy and man and beast;
The fields grew fatter day by day,
The wild fowl of the air increased;
And every ancient Ollave said,
While he bent down his fading head,
"He drives away the Northern cold."
_They will not hush, the leaves a-flutter round me,
the beech leaves old._
I sat and mused and drank sweet wine;
A herdsman came from inland valleys,
Crying, the pirates drove his swine
To fill their dark-beaked hollow galleys.
I called my battle-breaking men,
And my loud brazen battle-cars
From rolling vale and rivery glen,
And under the blinking of the stars
Fell on the pirates by the deep,
And hurled them in the gulph of sleep:
These hands won many a torque of gold.
_They will not hush, the leaves a-flutter round me,
the beech leaves old._
But slowly, as I shouting slew
And trampled in the bubbling mire,
In my most secret spirit grew
A whirling and a wandering fire:
I stood: keen stars above me shone,
Around me shone keen eyes of men:
I laughed aloud and hurried on
By rocky shore and rushy fen;
I laughed because birds fluttered by,
And starlight gleamed, and clouds flew high,
And rushes waved and waters rolled.
_They will not hush, the leaves a-flutter round me,
the beech leaves old._
And now I wander in the woods
When summer gluts the golden bees,
Or in autumnal solitudes
Arise the leopard-coloured trees;
Or when along the wintry strands
The cormorants shiver on their rocks;
I wander on, and wave my hands,
And sing, and shake my heavy locks.
The gray wolf knows me; by one ear
I lead along the woodland deer;
The hares run by me growing bold.
_They will not hush, the leaves a-flutter round me,
the beech leaves old._
I came upon a little town,
That slumbered in the harvest moon,
And passed a-tiptoe up and down,
Murmuring, to a fitful tune,
How I have followed, night and day,
A tramping of tremendous feet,
And saw where this old tympan lay,
Deserted on a doorway seat,
And bore it to the woods with me;
Of some unhuman misery
Our married voiced wildly trolled.
_They will not hush, the leaves a-flutter round me,
the beech leaves old._
I sang how, when day's toil is done,
Orchil shakes out her long dark hair
That hides away the dying sun
And sheds faint odours through the air:
When my hand passed from wire to wire
It quenched, with sound like falling dew,
The whirling and the wandering fire;
But lift a mournful ulalu,
For the kind wires are torn and still,
And I must wander wood and hill
Through summer's heat and winter's cold.
_They will not hush, the leaves a-flutter round me,
the beech leaves old._
Where dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There we've hid our faery vats,
Full of berries,
And of reddest stolen cherries.
_Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand._
Where the wave of moonlight glosses
The dim gray sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances,
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And is anxious in its sleep.
_Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand._
Where the wandering water gushes
From the hills above Glen-Car,
In pools among the rushes
That scarce could bathe a star,
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams;
Leaning softly out
From ferns that drop their tears
Over the young streams,
_Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand._
Away with us he's going,
The solemn-eyed:
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal-chest.
_For he comes, the human child,
To the waters and the wild
With a faery, hand in hand,
From a world more full of weeping than he can understand._
Shy one, shy one,
Shy one of my heart,
She moves in the firelight
Pensively apart.
She carries in the dishes,
And lays them in a row.
To an isle in the water
With her would I go.
She carries in the candles,
And lights the curtained room,
Shy in the doorway
And shy in the gloom;
And shy as a rabbit,
Helpful and shy.
To an isle in the water
With her would I fly.
Down by the salley gardens my love and I did meet;
She passed the salley gardens with little snow-white feet.
She bid me take love easy, as the leaves grow on the tree;
But I, being young and foolish, with her would not agree.
In a field by the river my love and I did stand,
And on my leaning shoulder she laid her snow-white hand.
She bid me take life easy, as the grass grows on the weirs;
But I was young and foolish, and now am full of tears.
You waves, though you dance by my feet like children at play,
Though you glow and you glance, though you purr and you dart;
The herring are not in the tides as they were of old;
My sorrow! for many a creak gave the creel in the cart
That carried the take to Sligo town to be sold,
_When I was a boy with never a crack in my heart_.
And ah, you proud maiden, you are not so fair when his oar
Is heard on the water, as they were, the proud and apart,
Who paced in the eve by the nets on the pebbly shore,
_When I was a boy with never a crack in my heart_.
In penal days rode out
To a shoneen who had free lands
And his own snipe and trout.
In trust took he John's lands;
Sleiveens were all his race;
And he gave them as dowers to his daughters,
And they married beyond their place.
But Father John went up,
And Father John went down;
And he wore small holes in his shoes,
And he wore large holes in his gown.
All loved him, only the shoneen,
Whom the devils have by the hair,
From the wives, and the cats, and the children,
To the birds in the white of the air.
The birds, for he opened their cages
As he went up and down;
And he said with a smile, "Have peace now";
And he went his way with a frown.
But if when any one died
Came keeners hoarser than rooks,
He bade them give over their keening;
For he was a man of books.
And these were the works of John,
When weeping score by score,
People came into Coloony;
For he'd died at ninety-four.
There was no human keening;
The birds from Knocknarea
And the world round Knocknashee
Came keening in that day.
The young birds and old birds
Came flying, heavy and sad;
Keening in from Tiraragh,
Keening from Ballinafad;
Keening from Inishmurray,
Nor stayed for bite or sup;
This way were all reproved
Who dig old customs up.
Come round me, little childer;
There, don't fling stones at me
Because I mutter as I go;
But pity Moll Magee.
My man was a poor fisher
With shore lines in the say;
My work was saltin' herrings
The whole of the long day.
And sometimes from the saltin' shed,
I scarce could drag my feet
Under the blessed moonlight,
Along the pebbly street.
I'd always been but weakly,
And my baby was just born;
A neighbour minded her by day
I minded her till morn.
I lay upon my baby;
Ye little childer dear,
I looked on my cold baby
When the morn grew frosty and clear.
A weary woman sleeps so hard!
My man grew red and pale,
And gave me money, and bade me go
To my own place, Kinsale.
He drove me out and shut the door,
And gave his curse to me;
I went away in silence,
No neighbour could I see.
The windows and the doors were shut,
One star shone faint and green
The little straws were turnin' round
Across the bare boreen.
I went away in silence:
Beyond old Martin's byre
I saw a kindly neighbour
Blowin' her mornin' fire.
She drew from me my story--
My money's all used up,
And still, with pityin', scornin' eye,
She gives me bite and sup.
She says my man will surely come,
And fetch me home agin;
But always, as I'm movin' round,
Without doors or within,
Pilin' the wood or pilin' the turf,
Or goin' to the well,
I'm thinkin' of my baby
And keenin' to mysel'.
And sometimes I am sure she knows
When, openin' wide His door,
God lights the stars, His candles,
And looks upon the poor.
So now, ye little childer,
Ye won't fling stones at me;
But gather with your shinin' looks
And pity Moll Magee.
"Now lay me in a cushioned chair
"And carry me, you four,
"With cushions here and cushions there,
"To see the world once more.
"And some one from the stables bring
"My Dermot dear and brown,
"And lead him gently in a ring,
"And gently up and down.
"Now leave the chair upon the grass:
"Bring hound and huntsman here,
"And I on this strange road will pass,
"Filled full of ancient cheer."
His eyelids droop, his head falls low,
His old eyes cloud with dreams;
The sun upon all things that grow
Pours round in sleepy streams.
Brown Dermot treads upon the lawn,
And to the armchair goes,
And now the old man's dreams are gone,
He smooths the long brown nose.
And now moves many a pleasant tongue
Upon his wasted hands,
For leading aged hounds and young
The huntsman near him stands.
"My huntsman, Rody, blow the horn,
"And make the hills reply."
The huntsman loosens on the morn
A gay and wandering cry.
A fire is in the old man's eyes,
His fingers move and sway,
And when the wandering music dies
They hear him feebly say,
"My huntsman, Rody, blow the horn,
"And make the hills reply."
"I cannot blow upon my horn,
"I can but weep and sigh."
The servants round his cushioned place
Are with new sorrow wrung;
And hounds are gazing on his face,
Both aged hounds and young.
One blind hound only lies apart
On the sun-smitten grass;
He holds deep commune with his heart:
The moments pass and pass;
The blind hound with a mournful din
Lifts slow his wintry head;
The servants bear the body in;
The hounds wail for the dead.
"_Give me the world if Thou wilt, but grant me an asylum for my
affections._"
You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.
Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
And feet of maidens dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air,
Must live to be old like the wandering moon.
Caolte, and Conan, and Finn were there,
When we followed a deer with our baying hounds,
And passing the Firbolgs' burial mounds,
Came to the cairn-heaped grassy hill
Where passionate Maive is stony still;
And found on the dove-gray edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,
But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft bosom rose and fell.
You are still wrecked among heathen dreams.
"Why do you wind no horn?" she said.
"And every hero droop his head?
"The hornless deer is not more sad
"That many a peaceful moment had,
"More sleek than any granary mouse,
"In his own leafy forest house
"Among the waving fields of fern:
"The hunting of heroes should be glad."
"O pleasant woman," answered Finn,
"We think on Oscar's pencilled urn,
"And on the heroes lying slain,
On Gavra's raven-covered plain;
"But where are your noble kith and kin,
"And from what country do you ride?"
"My father and my mother are
"Aengus and Adene, my own name
"Niam, and my country far
"Beyond the tumbling of this tide."
"What dream came with you that you came
"Through bitter tide on foam wet feet?
"Did your companion wander away
"From where the birds of Aengus wing?"
She said, with laughter tender and sweet:
"I have not yet, war-weary king,
"Been spoken of with any one;
"Yet now I choose, for these four feet
"Ran through the foam and ran to this
"That I might have your son to kiss."
"Were there no better than my son
"That you through all that foam should run?"
"I loved no man, though kings besought
"Love, till the Danaan poets brought
"Rhyme, that rhymed to Usheen's name,
"And now I am dizzy with the thought
"Of all that wisdom and the fame
"Of battles broken by his hands,
"Of stories builded by his words
"That are like coloured Asian birds
"At evening in their rainless lands."
O Patric, by your brazen bell,
There was no limb of mine but fell
Into a desperate gulph of love!
"You only will I wed," I cried,
"And I will make a thousand songs,
"And set your name all names above.
"And captives bound with leathern thongs
"Shall kneel and praise you, one by one,
"At evening in my western dun."
"O Usheen, mount by me and ride
"To shores by the wash of the tremulous tide,
"Where men have heaped no burial mounds,
"And the days pass by like a wayward tune,
"Where broken faith has never been known,
"And the blushes of first love never have flown;
"And there I will give you a hundred hounds;
"No mightier creatures bay at the moon;
"And a hundred robes of murmuring silk,
"And a hundred calves and a hundred sheep
"Whose long wool whiter than sea froth flows,
"And a hundred spears and a hundred bows,
"And oil and wine and honey and milk,
"And always never-anxious sleep;
"While a hundred youths, mighty of limb,
"But knowing nor tumult nor hate nor strife,
"And a hundred maidens, merry as birds,
"Who when they dance to a fitful measure
"Have a speed like the speed of the salmon herds,
"Shall follow your horn and obey your whim,
"And you shall know the Danaan leisure:
"And Niam be with you for a wife."
Then she sighed gently, "It grows late,
"Music and love and sleep await,
"Where I would be when the white moon climbs
"The red sun falls, and the world grows dim."
And then I mounted and she bound me
With her triumphing arms around me,
And whispering to herself enwound me;
But when the horse had felt my weight,
He shook himself and neighed three times:
Caolte, Conan, and Finn came near,
And wept, and raised their lamenting hands,
And bid me stay, with many a tear;
But we rode out from the human lands.
In what far kingdom do you go,
Ah, Fenians, with the shield and bow?
Or are you phantoms white as snow,
Whose lips had life's most prosperous glow?
O you, with whom in sloping valleys,
Or down the dewy forest alleys,
I chased at morn the flying deer,
With whom I hurled the hurrying spear,
And heard the foemen's bucklers rattle,
And broke the heaving ranks of battle!
Where are you with your long rough hair?
You go not where the red deer feeds,
Nor tear the foemen from their steeds.
Boast not, nor mourn with drooping head
Companions long accurst and dead,
And hounds for centuries dust and air.
We galloped over the glossy sea:
I know not if days passed or hours,
And Niam sang continually
Danaan songs, and their dewy showers
Of pensive laughter, unhuman sound,
Lulled weariness, and softly round
My human sorrow her white arms wound.
We galloped; now a hornless deer
Passed by us, chased by a phantom hound
All pearly white, save one red ear;
And now a maiden rode like the wind
With an apple of gold in her tossing hand;
And a beautiful young man followed behind
With quenchless gaze and fluttering hair.
"Were these two born in the Danaan land,
"Or have they breathed the mortal air?"
"Vex them no longer," Niam said,
And sighing bowed her gentle head,
And sighing laid the pearly tip
Of one long finger on my lip.
But now the moon like a white rose shone
In the pale west, and the sun's rim sank,
And clouds arrayed their rank on rank
About his fading crimson ball:
The floor of Emen's hosting hall
Was not more level than the sea,
As full of loving phantasy,
And with low murmurs we rode on,
Where many a trumpet-twisted shell
That in immortal silence sleeps
Dreaming of her own melting hues,
Her golds, her ambers, and her blues,
Pierced with soft light the shallowing deeps.
But now a wandering land breeze came
And a far sound of feathery quires;
It seemed to blow from the dying flame,
They seemed to sing in the smouldering fires.
The horse towards the music raced,
Neighing along the lifeless waste;
Like sooty fingers, many a tree
Rose ever out of the warm sea;
And they were trembling ceaselessly,
As though they all were beating time,
Upon the centre of the sun,
To that low laughing woodland rhyme.
And, now our wandering hours were done,
We cantered to the shore, and knew
The reason of the trembling trees:
Round every branch the song-birds flew,
Or clung thereon like swarming bees;
While round the shore a million stood
Like drops of frozen rainbow light,
And pondered in a soft vain mood
Upon their shadows in the tide,
And told the purple deeps their pride,
And murmured snatches of delight;
And on the shores were many boats
With bending sterns and bending bows.
And carven figures on their prows
Of bitterns, and fish-eating stoats,
And swans with their exultant throats:
And where the wood and waters meet
We tied the horse in a leafy clump,
And Niam blew three merry notes
Out of a little silver trump;
And then an answering whispering flew
Over the bare and woody land,
A whisper of impetuous feet,
And ever nearer, nearer grew;
And from the woods rushed out a band
Of men and maidens, hand in hand,
And singing, singing altogether;
Their brows were white as fragrant milk,
Their cloaks made out of yellow silk,
And trimmed with many a crimson feather:
And when they saw the cloak I wore
Was dim with mire of a mortal shore,
They fingered it and gazed on me
And laughed like murmurs of the sea;
But Niam with a swift distress
Bid them away and hold their peace;
And when they heard her voice they ran
And knelt them, every maid and man
And kissed, as they would never cease,
Her pearl-pale hand and the hem of her dress.
She bade them bring us to the hall
Where Aengus dreams, from sun to sun,
A Druid dream of the end of days
When the stars are to wane and the world be done.
They led us by long and shadowy ways
Where drops of dew in myriads fall,
And tangled creepers every hour
Blossom in some new crimson flower,
And once a sudden laughter sprang
From all their lips, and once they sang
Together, while the dark woods rang,
And made in all their distant parts,
With boom of bees in honey marts,
A rumour of delighted hearts.
And once a maiden by my side
Gave me a harp, and bid me sing,
And touch the laughing silver string;
But when I sang of human joy
A sorrow wrapped each merry face,
And, Patric! by your beard, they wept,
Until one came, a tearful boy;
"A sadder creature never stept
"Than this strange human bard," he cried;
And caught the silver harp away,
And, weeping over the white strings, hurled
It down in a leaf-hid, hollow place
That kept dim waters from the sky;
And each one said, with a long, long sigh,
"O saddest harp in all the world,
"Sleep there till the moon and the stars die!"
And now still sad we came to where
A beautiful young man dreamed within
A house of wattles, clay, and skin;
One hand upheld his beardless chin,
And one a sceptre flashing out
Wild flames of red and gold and blue,
Like to a merry wandering rout
Of dancers leaping in the air;
And men and maidens knelt them there
And showed their eyes with teardrops dim,
And with low murmurs prayed to him,
And kissed the sceptre with red lips,
And touched it with their finger-tips.
He held that flashing sceptre up.
"Joy drowns the twilight in the dew,
"And fills with stars night's purple cup,
"And wakes the sluggard seeds of corn,
"And stirs the young kid's budding horn.
"And makes the infant ferns unwrap,
"And for the peewit paints his cap,
"And rolls along the unwieldy sun,
"And makes the little planets run:
"And if joy were not on the earth,
"There were an end of change and birth,
"And earth and heaven and hell would die,
"And in some gloomy barrow lie
"Folded like a frozen fly;
"Then mock at Death and Time with glances
"And wavering arms and wandering dances.
"Men's hearts of old were drops of flame
"That from the saffron morning came,
"Or drops of silver joy that fell
"Out of the moon's pale twisted shell;
"But now hearts cry that hearts are slaves,
"And toss and turn in narrow caves;
"But here there is nor law nor rule,
"Nor have hands held a weary tool;
"And here there is nor Change nor Death,
"But only kind and merry breath,
"For joy is God and God is joy."
With one long glance on maid and boy
And the pale blossom of the moon,
He fell into a Druid swoon.
And in a wild and sudden dance
We mocked at Time and Fate and Chance
And swept out of the wattled hall
And came to where the dewdrops fall
Among the foamdrops of the sea,
And there we hushed the revelry;
And, gathering on our brows a frown,
Bent all our swaying bodies down,
And to the waves that glimmer by
That sloping green De Danaan sod
"And things that have grown sad are wicked,
"And things that fear the dawn of the morrow
"Or the gray wandering osprey Sorrow."
We danced to where in the winding thicket
The damask roses, bloom on bloom,
Like crimson meteors hang in the gloom,
And bending over them softly said,
Bending over them in the dance,
With a swift and friendly glance
From dewy eyes: "Upon the dead
"Fall the leaves of other roses,
"On the dead dim earth encloses:
"But never, never on our graves,
"Heaped beside the glimmering waves,
"Shall fall the leaves of damask roses.
"For neither Death nor Change comes near us,
"And all listless hours fear us,
"And we fear no dawning morrow,
"Nor the gray wandering osprey Sorrow."
The dance wound through the windless woods;
The ever-summered solitudes;
Until the tossing arms grew still
Upon the woody central hill;
And, gathered in a panting band,
We flung on high each waving hand,
And sang unto the starry broods:
In our raised eyes there flashed a glow
Of milky brightness to and fro
As thus our song arose: "You stars,
"Across your wandering ruby cars
"Shake the loose reins: you slaves of God
"He rules you with an iron rod,
"He holds you with an iron bond,
"Each one woven to the other,
"Each one woven to his brother
"Like bubbles in a frozen pond;
"But we in a lonely land abide
"Unchainable as the dim tide,
"With hearts that know nor law nor rule,
"And hands that hold no wearisome tool
"Folded in love that fears no morrow,
"Nor the gray wandering osprey Sorrow."
O Patric! for a hundred years
I chased upon that woody shore
The deer, the badger, and the boar.
O Patric! for a hundred years
At evening on the glimmering sands,
Beside the piled-up hunting spears,
These now outworn and withered hands
Wrestled among the island bands.
O Patric! for a hundred years
We went a-fishing in long boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns and fish-eating stoats.
O Patric! for a hundred years
The gentle Niam was my wife;
But now two things devour my life;
The things that most of all I hate;
Fasting and prayers.
Yes, yes,
For these were ancient Usheen's fate
Loosed long ago from heaven's gate,
For his last days to lie in wait.
When one day by the tide I stood,
I found in that forgetfulness
Of dreamy foam a staff of wood
From some dead warrior's broken lance:
I turned it in my hands; the stains
Of war were on it, and I wept,
Remembering how the Fenians stept
Along the blood-bedabbled plains,
Equal to good or grievous chance:
Thereon young Niam softly came
And caught my hands, but spake no word
Save only many times my name,
In murmurs, like a frighted bird.
We passed by woods, and lawns of clover,
And found the horse and bridled him,
For we knew well the old was over.
I heard one say "His eyes grow dim
"With all the ancient sorrow of men";
And wrapped in dreams rode out again
With hoofs of the pale findrinny
Over the glimmering purple sea:
Under the golden evening light.
The immortals moved among the fountains
By rivers and the woods' old night;
Some danced like shadows on the mountains,
Some wandered ever hand in hand,
Or sat in dreams on the pale strand;
Each forehead like an obscure star
Bent down above each hooked knee:
And sang, and with a dreamy gaze
Watched where the sun in a saffron blaze
Was slumbering half in the sea ways;
And, as they sang, the painted birds
Kept time with their bright wings and feet;
Like drops of honey came their words,
But fainter than a young lamb's bleat.
"An old man stirs the fire to a blaze,
"In the house of a child, of a friend, of a brother
"He has over-lingered his welcome; the days,
"Grown desolate, whisper and sigh to each other;
"He hears the storm in the chimney above,
"And bends to the fire and shakes with the cold,
"While his heart still dreams of battle and love,
"And the cry of the hounds on the hills of old.
"But we are apart in the grassy places,
"Where care cannot trouble the least of our days,
"Or the softness of youth be gone from our faces,
"Or love's first tenderness die in our gaze.
"The hare grows old as she plays in the sun
"And gazes around her with eyes of brightness;
"Before the swift things that she dreamed of were done
"She limps along in an aged whiteness;
"A storm of birds in the Asian trees
"Like tulips in the air a-winging,
"And the gentle waves of the summer seas,
"That raise their heads and wander singing.
"Must murmur at last 'Unjust, unjust';
"And 'My speed is a weariness,' falters the mouse
"And the kingfisher turns to a ball of dust,
"And the roof falls in of his tunnelled house.
"But the love-dew dims our eyes till the day
"When God shall come from the sea with a sigh
"And bid the stars drop down from the sky,
"And the moon like a pale rose wither away."
Now, man of croziers, shadows called our names
And then away, away, like whirling flames;
And now fled by, mist-covered, without sound,
The youth and lady and the deer and hound;
"Gaze no more on the phantoms," Niam said,
And kissed my eyes, and, swaying her bright head
And her bright body, sang of faery and man
Before God was or my old line began;
Wars shadowy, vast, exultant; faeries of old
Who wedded men with rings of Druid gold;
And how those lovers never turn their eyes
Upon the life that fades and flickers and dies,
But love and kiss on dim shores far away
Rolled round with music of the sighing spray:
But sang no more, as when, like a brown bee
That has drunk full, she crossed the misty sea
With me in her white arms a hundred years
Before this day; for now the fall of tears
Troubled her song.
I do not know if days
Or hours passed by, yet hold the morning rays
Shone many times among the glimmering flowers
Woven into her hair, before dark towers
Rose in the darkness, and the white surf gleamed
About them; and the horse of faery screamed
And shivered, knowing the Isle of many Fears,
Nor ceased until white Niam stroked his ears
And named him by sweet names.
A foaming tide
Whitened afar with surge, fan-formed and wide,
Burst from a great door marred by many a blow
From mace and sword and pole-axe, long ago
When gods and giants warred. We rode between
The seaweed-covered pillars, and the green
And surging phosphorus alone gave light
On our dark pathway, till a countless flight
Of moonlit steps glimmered; and left and right
Dark statues glimmered over the pale tide
Upon dark thrones. Between the lids of one
The imaged meteors had flashed and run
And had disported in the stilly jet,
And the fixed stars had dawned and shone and set,
Since God made Time and Death and Sleep: the other
Stretched his long arm to where, a misty smother,
The stream churned, churned, and churned--his lips apart,
As though he told his never slumbering heart
Of every foamdrop on its misty way:
Tying the horse to his vast foot that lay
Half in the unvesselled sea, we climbed the stairs
And climbed so long, I thought the last steps were
Hung from the morning star; when these mild words
Fanned the delighted air like wings of birds:
"My brothers spring out of their beds at morn,
"A-murmur like young partridge: with loud horn
"They chase the noontide deer;
"And when the dew-drowned stars hang in the air
"Look to long fishing-lines, or point and pare
"An ash-wood hunting spear.
"O sigh, O fluttering sigh, be kind to me;
"Flutter along the froth lips of the sea,
"And shores, the froth lips wet:
"And stay a little while, and bid them weep:
"Ah, touch their blue-veined eyelids if they sleep,
"And shake their coverlet.
"When you have told how I weep endlessly,
"Flutter along the froth lips of the sea
"And home to me again,
"And in the shadow of my hair lie hid,
"And tell me how you came to one unbid,
"The saddest of all men."
A maiden with soft eyes like funeral tapers,
And face that seemed wrought out of moonlit vapours,
And a sad mouth, that fear made tremulous
As any ruddy moth, looked down on us;
And she with a wave-rusted chain was tied
To two old eagles, full of ancient pride,
That with dim eyeballs stood on either side.
Few feathers were on their dishevelled wings,
For their dim minds were with the ancient things.
"I bring deliverance," pearl-pale Niam said.
"Neither the living, nor the unlabouring dead,
"Nor the high gods who never lived, may fight
"My enemy and hope; demons for fright
"Jabber and scream about him in the night;
"For he is strong and crafty as the seas
"That sprang under the Seven Hazel Trees,
"And I must needs endure and hate and weep,
"Until the gods and demons drop asleep,
"Hearing Aed touch the mournful strings of gold."
"Is he so dreadful?"
"Be not over bold,
"But flee while you may flee from him."
"This demon shall be pierced and drop and die,
"And his loose bulk be thrown in the loud tide."
"Flee from him," pearl-pale Niam weeping cried,
"For all men flee the demons"; but moved not
My angry, king remembering soul one jot;
There was no mightier soul of Heber's line;
Now it is old and mouse-like: for a sign
I burst the chain: still earless, nerveless, blind,
Wrapped in the things of the unhuman mind,
In some dim memory or ancient mood
Still earless, nerveless, blind, the eagles stood.
And then we climbed the stair to a high door;
A hundred horsemen on the basalt floor
Beneath had paced content: we held our way
And stood within: clothed in a misty ray
I saw a foam-white seagull drift and float
Under the roof, and with a straining throat
Shouted, and hailed him: he hung there a star,
For no man's cry shall ever mount so far;
Not even your God could have thrown down that hall;
Stabling His unloosed lightnings in their stall,
He had sat down and sighed with cumbered heart,
As though His hour were come.
We sought the part
That was most distant from the door; green slime
Made the way slippery, and time on time
Showed prints of sea-born scales, while down through it
The captive's journeys to and fro were writ
Like a small river, and, where feet touched, came
A momentary gleam of phosphorus flame.
Under the deepest shadows of the hall
That maiden found a ring hung on the wall,
And in the ring a torch, and with its flare
Making a world about her in the air,
Passed under a dim doorway, out of sight
And came again, holding a second light
Burning between her fingers, and in mine
Laid it and sighed: I held a sword whose shine
No centuries could dim: and a word ran
Thereon in Ogham letters, "Mananan";
That sea god's name, who in a deep content
Sprang dripping, and, with captive demons sent
Out of the seven-fold seas, built the dark hall
Rooted in foam and clouds, and cried to all
The mightier masters of a mightier race;
And at his cry there came no milk-pale face
Under a crown of thorns and dark with blood,
But only exultant faces.
Niam stood
With bowed head, trembling when the white blade shone,
But she whose hours of tenderness were gone
Had neither hope nor fear. I bade them hide
Under the shadows till the tumults died
Of the loud crashing and earth shaking fight,
Lest they should look upon some dreadful sight;
And thrust the torch between the slimy flags.
A dome made out of endless carven jags,
Where shadowy face flowed into shadowy face,
Looked down on me; and in the self-same place
I waited hour by hour, and the high dome,
Windowless, pillarless, multitudinous home
Of faces, waited; and the leisured gaze
Was loaded with the memory of days
Buried and mighty. When through the great door
The dawn came in, and glimmered on the floor
With a pale light, I journeyed round the hall
And found a door deep sunken in the wall,
The least of doors; beyond on a dim plain
A little runnel made a bubbling strain,
And on the runnel's stony and bare edge
A husky demon dry as a withered sedge
Swayed, crooning to himself an unknown tongue:
In a sad revelry he sang and swung
Bacchant and mournful, passing to and fro
His hand along the runnel's side, as though
The flowers still grew there: far on the sea's waste
Shaking and waving, vapour vapour chased,
While high frail cloudlets, fed with a green light,
Like drifts of leaves, immovable and bright,
Hung in the passionate dawn. He slowly turned:
A demon's leisure: eyes, first white, now burned
Like wings of kingfishers; and he arose
Barking. We trampled up and down with blows
Of sword and brazen battle-axe, while day
Gave to high noon and noon to night gave way;
And when at withering of the sun he knew
The Druid sword of Mananan, he grew
To many shapes; I lunged at the smooth throat
Of a great eel; it changed, and I but smote
A fir-tree roaring in its leafless top;
I held a dripping corpse, with livid chop
And sunken shape, against my face and breast,
When I tore down the tree; but when the west
Surged up in plumy fire, I lunged and drave
Through heart and spine, and cast him in the wave,
Lest Niam shudder.
Full of hope and dread
Those two came carrying wine and meat and bread,
And healed my wounds with unguents out of flowers
That feed white moths by some De Danaan shrine;
Then in that hall, lit by the dim sea shine,
We lay on skins of otters, and drank wine,
Brewed by the sea-gods, from huge cups that lay
Upon the lips of sea-gods in their day;
And then on heaped-up skins of otters slept.
But when the sun once more in saffron stept,
Rolling his flagrant wheel out of the deep,
We sang the loves and angers without sleep,
And all the exultant labours of the strong:
But now the lying clerics murder song
With barren words and flatteries of the weak.
In what land do the powerless turn the beak
Of ravening Sorrow, or the hand of Wrath?
For all your croziers, they have left the path
And wander in the storms and clinging snows,
Hopeless for ever: ancient Usheen knows,
For he is weak and poor and blind, and lies
On the anvil of the world.
Be still: the skies
Are choked with thunder, lightning, and fierce wind,
For God has heard, and speaks His angry mind;
Go cast your body on the stones and pray,
For He has wrought midnight and dawn and day.
Saint, do you weep? I hear amid the thunder
The Fenian horses; armour torn asunder;
Laughter and cries; the armies clash and shock;
All is done now; I see the ravens flock;
Ah, cease, you mournful, laughing Fenian horn!
We feasted for three days. On the fourth morn
I found, dropping sea foam on the wide stair,
And hung with slime, and whispering in his hair,
That demon dull and unsubduable;
And once more to a day-long battle fell,
And at the sundown threw him in the surge,
To lie until the fourth morn saw emerge
His new healed shape: and for a hundred years
So warred, so feasted, with nor dreams nor fears,
Nor languor nor fatigue: and endless feast,
An endless war.
The hundred years had ceased;
I stood upon the stair: the surges bore
A beech bough to me, and my heart grew sore,
Remembering how I had stood by white-haired Finn
Under a beech at Emen and heard the thin
Outcry of bats.
And then young Niam came
Holding that horse, and sadly called my name;
I mounted, and we passed over the lone
And drifting grayness, while this monotone,
Surly and distant, mixed inseparably
Into the clangour of the wind and sea.
"I hear my soul drop down into decay,
"And Mananan's dark tower, stone by stone,
"Gather sea slime and fall the seaward way,
"And the moon goad the waters night and day,
"That all be overthrown.
"But till the moon has taken all, I wage
"War on the mightiest men under the skies,
"And they have fallen or fled, age after age:
"Light is man's love, and lighter is man's rage;
"His purpose drifts and dies."
And then lost Niam murmured, "Love, we go
"Are empty of all power."
"And which of these
"None know," she said;
And on my bosom laid her weeping head.
foam-pale distance broke;
I mused on the chase with the Fenians, and Bran, Sgeolan, Lomair,
Came now the sliding of tears and sweeping of mist-cold hair,
And now the warmth of sighs, and after the quiver of lips.
And we stood on a sea's edge we saw not; for whiter
than new-washed fleece
And we rode on the plains of the sea's edge; the sea's edge
barren and gray,
For no live creatures lived there, no weasels moved in the dark:
Long sighs arose in our spirits, beneath us bubbled the ground.
And the ears of the horse went sinking away in the hollow night,
For, as drift from a sailor slow drowning the gleams
of the world and the sun,
Till the horse gave a whinny; for, cumbrous with stems
of the hazel and oak,
Their naked and gleaming bodies poured out and heaped in the way.
And by them were arrow and war-axe, arrow and shield and blade;
the claws of birds,
grown whiter than curds.
His dew-cumbered skies;
So long were they sleeping, the owls had builded their nests
in their locks,
Filling the fibrous dimness with long generations of eyes.
And the chief of the huge white creatures, his knees
in the soft star-flame,
Lay loose in a place of shadow: we drew the reins by his side.
And my gaze was thronged with the sleepers; no,
not since the world began,
And I gazed on the bell-branch, sleep's forebear,
far sung by the Sennachies.
Snatching the horn of Niam, I blew a lingering note;
Came sound from those monstrous sleepers, a sound like
the stirring of flies.
I cried, "Come out of the shadow, king of the nails of gold!
Half open his eyes were, and held me, dull with
the smoke of their dreams;
His lips moved slowly in answer, no answer out of them came;
Then he swayed in his fingers the bell-branch, slow dropping
a sound in faint streams
of the whole of my mirth,
In the roots of the grasses, the sorrels, I laid my body as low;
And, man of the many white croziers, a century there I forgot;
How the fetlocks drip blood in the battle, when
the fallen on fallen lie rolled;
And, man of the many white croziers, a century there I forgot;
That the spear-shaft is made out of ashwood, the shield
out of ozier and hide;
But in dreams, mild man of the croziers, driving the dust
with their throngs,
Moved round me, of seamen or landsmen, all who are winter tales;
Came by me the kings of the Red Branch, with roaring
of laughter and songs,
Or moved as they moved once, love-making or piercing
the tempest with sails.
on his beard never dry,
Dark Balor, as old as a forest, car borne, his mighty head sunk
Helpless, men lifting the lids of his weary and death-making eye.
So lived I and lived not, so wrought I and wrought not,
with creatures of dreams,
they love going by;
When a glow-worm was green on a grass leaf, lured from
his lair in the mould;
white as a shell.
That once more moved in my bosom the ancient sadness of man,
And that I would leave the immortals, their dimness,
their dews dropping sleep.
I cried, "O Niam! O white one! if only a twelve-houred day,
"Like me were some galley forsaken far off in Meridian isle.
"Remembering its long-oared companions, sails turning
to thread-bare rags;
"No more to crawl on the seas with long oars mile after mile,
bell-branch is naught,
"But weep for your Niam, O Usheen, weep; for if only your shoe
"Brush lightly as haymouse earth's pebbles, you will come
no more to my side.
"O flaming lion of the world, O when will you turn to your rest?"
"I would die like a small withered leaf in the autumn,
for breast unto breast
"In the isles of the farthest seas where only the spirits come.
"Were the winds less soft than the breath of a pigeon
who sleeps on her nest,
In a reverie forgetful of all things, over the bubbling ground.
When they froze the cloth on my body like armour riveted fast,
Till fattening the winds of the morning, an odour of new-mown hay
If I were as I once was, the strong hoofs crushing
the sand and the shells,
Making way from the kindling surges, I rode on a bridle-path
Or weeding or ploughing with faces a-shining with much-toil wet;
While in this place and that place, with bodies unglorious,
their chieftains stood,
of wind in a wood.
wolves in the night,
So sleep thee by daytime." A voice cried, "The Fenians
a long time are dead."
A whitebeard stood hushed on the pathway, the flesh
of his face as dried grass,
And in folds round his eyes and his mouth, he sad
as a child without milk;
And the dreams of the islands were gone, and I knew how
men sorrow and pass,
And their hound, and their horse, and their love, and their eyes
that glimmer like silk.
"Where white clouds lie spread
"On Crevroe or broad Knockfefin, with many of old they feast
"On the floors of the gods." He cried, "No, the gods
a long time are dead."
And lonely and longing for Niam, I shivered and turned me about,
with their burden at length:
Leaning down from the gem-studded saddle, I flung it
five yards with my hand,
And my years three hundred fell on me, and I rose,
and walked on the earth,
A creeping old man, full of sleep, with the spittle
on his beard never dry.
the crozier gleams;
What place have Caolte and Conan, and Bran, Sgeolan, Lomair?
Speak, you too are old with your memories, an old man surrounded
with dreams.
Where the flesh of the footsole clingeth on the burning stones
is their place;
armed guest;
and turn to our rest.
in their rage;
As a hay-cock out on the flood, or a wolf sucked under a weir.
_The Ballad of Father Gilligan._--A tradition among the people of
Ce que je vais vous dire est un recit du careme Irlandais. Le
boiteux, l'aveugle, le paralytique des rues de Dublin ou de
Limerick, vous le diraient mieux que moi, cher lecteur, si vous
pendant les jours de preparation a la communion sainte, pas un
berger des bords de la Blackwater qui ne le puisse redire a la
veillee.
Il y a bien longtemps qu'il apparut tout-a-coup dans la vielle
Irlande deux marchands inconnus dont personne n'avait oui parler,
leurs robes d'une grande magnificence.
Tous deux semblaient avoir le meme age; ils paraissaient etre des
silencieux et discrets.
Et pendant qu'ils demeurerent dans l'hotellerie, ils ne cesserent
clarte s'apercevait a travers les vitres du logis.
ouvrirons.
Le lendemain, quand on sut qu'il existait deux opulents etrangers
figures des gens qui en sortaient etaient bien diverses. Les uns
L'ame d'un vieillard valait vingt pieces d'or, pas un penny de
plus; car Satan avait eu le temps d'y former hypotheque. L'ame
d'une epose en valait cinquante quand elle etait jolie, ou cent
cheres.
Pendant ce temps, il existait dans la ville un ange de beaute, la
--Master Patrick, lui dit elle, combien ai-je de pieces d'or dans
--Cent mille.
--Combien de bijoux?
--Peur autant d'argent.
--Combien de chateux, de bois et de terres?
--Pour le double de ces sommes.
--Eh bien! Patrick, vendez tout ce qui n'est pas or et
Ceci ne faisait pas le compte, dit la tradition, des
commis-voyageurs du malin esprit, qui ne trouvaient plus d'ames a
Aides par un valet infame, ils penetrerent dans la retraite de la
lutta-t-elle de toutes ses forces pour sauver le contenu de son
coffre, les larrons diaboliques furent les plus forts. Si Ketty
avait eu les moyens de faire un signe de croix, ajoute la legende
captives--Le larcin fut effectue. Alors les pauvres solliciterent
fourrages arrivassent en abondance des pays d'Orient. Mais, huit
jours, c'etait un siecle: huit jours necessitaient une somme
immense pour subvenir aux exigences de la disette, et les pauvres
Et Ketty n'avait plus une obole, car elle avait abandonne son
chateux aux malheureux.
desespoir.
Elle se rendit chez les marchands d'ames.
--Que voulez-vous? dirent ils.
--Vous achetez des ames?
--Aujourd'hui je viens vous proposer un marche, reprit elle.
--J'ai une ame a vendre; mais elle est chere.
--Qu'importe si elle est precieuse? l'ame, comme le diamant,
s'apprecie a sa blancheur.
--C'est la mienne, dit Ketty.
Les deux envoyes de Satan tressaillirent. Leurs griffes
s'allongerent sous leurs gants de cuir; leurs yeux gris
etincelerent--l'ame, pure, immaculee, virginale de Ketty!...
c'etait une acquisition inappreciable.
--Gentille dame, combien voulez-vous?
--Cent cinquante mille ecus d'or.
--C'est fait, dirent les marchands: et ils tendirent a Ketty un
parchemin cachete de noir, qu'elle signa en frissonnant.
La somme lui fut comptee.
Des qu'elle fut rentree, elle dit au majordome:
--Tenez, distribuez ceci. Avec la somme que je vous donne les
Puis elle s'enferma et recommanda qu'on ne vint pas la deranger.
Trois jours se passerent; elle n'appela pas; elle ne sortit pas.
Apres la huitaine, des vaisseaux nombreux amenerent a l'Irlande
affamee d'immenses provisions de grains.
La famine n'etait plus possible. Quant aux marchands, ils
disparurent de leur hotellerie, sans qu'on sut jamais ce qu'ils
etaient devenus.
Toutefois, les pecheurs de la Blackwater pretendent qu'ils sont
--Mais les pauvres l'ont raconte d'age en age et les enfants de
Cork et de Dublin chantent encore la ballade dont voici les
derniers couplets:--
Pour sauver les pauvres qu'elle aime
Ketty donna
Son esprit, sa croyance meme:
Satan paya
Cette ame au devoument sublime,
En ecus d'or,
Disons pour racheter son crime,
Mais l'ange qui se fit coupable
Par charite
Au sejour d'amour ineffable
Est remonte.
Satan vaincu n'eut pas de prise
Sur ce coeur d'or;
Chantons sous la nef de l'eglise,
N'est ce pas que ce recit, ne de l'imagination des poetes
catholiques de la verte Erin, est une veritable recit de careme?
dramatic purposes has been made for no better reason than that
The play was performed at the Abbey Theatre for the first time on
(MERCHANTS _rush out_. ALEEL _crawls into the middle of the room;
They're rising up--they're rising through the earth,
Fat Asmodel and giddy Belial,
And all the fiends. Now they leap in the air.
But why does Hell's gate creak so? Round and round.
Hither and hither, to and fro they're running.
Crouch down, old heron, out of the blind storm.
Where is the Countess Cathleen? All this day
Her eyes were full of tears, and when for a moment
Her hand was laid upon my hand, it trembled.
And now I do not know where she is gone.
Cathleen has chosen other friends than us,
And they are rising through the hollow world.
Demons are out, old heron.
God guard her soul.
She's bartered it away this very hour,
As though we two were never in the world.
(_He kneels beside her, but does not seem to hear her words. The_
O, that so many pitchers of rough clay
Should prosper and the porcelain break in two!
(_She kisses the hands of_ CATHLEEN.)
We were under the tree where the path turns
When she grew pale as death and fainted away.
O, hold me, and hold me tightly, for the storm
Is dragging me away.
(OONA _takes her in her arms_. A WOMAN _begins to wail_.)
CATHLEEN (_half rising_)
Lay all the bags of money in a heap,
And when I am gone, old Oona, share them out
To every man and woman: judge, and give
According to their needs.
And will she give
Enough to keep my children through the dearth?
O, Queen of Heaven, and all you blessed saints,
Let us and ours be lost, so she be shriven.
Bend down your faces, Oona and Aleel;
I gaze upon them as the swallow gazes
Upon the nest under the eave, before
She wander the loud waters. Do not weep
Too great a while, for there is many a candle
On the High Altar though one fall. Aleel,
Who sang about the dancers of the woods,
That know not the hard burden of the world,
Having but breath in their kind bodies, farewell!
And farewell, Oona, you who played with me
And bore me in your arms about the house
When I was but a child--and therefore happy,
Therefore happy even like those that dance.
The storm is in my hair and I must go.
Bring me the looking-glass.
O, she is dead!
She was the great white lily of the world.
She was more beautiful than the pale stars.
The little plant I loved is broken in two.
I shatter you in fragments, for the face
That brimmed you up with beauty is no more;
And die, dull heart, for you that were a mirror
Are but a ball of passionate dust again!
And level earth and plumy sea, rise up!
And haughty sky, fall down!
Pull him upon his knees,
His curses will pluck lightning on our heads.
Angels and devils clash in the middle air,
And brazen swords clang upon brazen helms.
Look, look, a spear has gone through Belial's eye!
Look no more on the half-closed gates of Hell,
But speak to me whose mind is smitten of God,
That it may be no more with mortal things:
And tell of her who lies there.
Till you speak
You shall not drift into eternity.
The light beats down; the gates of pearl are wide.
And she is passing to the floor of peace,
And Mary of the seven times wounded heart
Has kissed her lips, and the long blessed hair
Has fallen on her face; the Light of Lights
Looks always on the motive, not the deed,
The Shadow of Shadows on the deed alone.
(ALEEL _releases the_ ANGEL _and kneels_.)
Tell them to walk upon the floor of peace,
That I would die and go to her I love;
The years like great black oxen tread the world,
And God the herdsman goads them on behind,
And I am broken by their passing feet.
_Findrinny (Findruine)._--A kind of white bronze.
_Finvarra (Finbar)._--The king of the faeries of Connaught.
_Nuala._--The wife of Finvarra.