human
Love's Labor's Lost, Act IV., Sc. 3, when Birone conceals himself from the King, the stage-direction in the folio of 1632, as well as in that of 1623, is
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But in Mr. Collier's folio of 1632 this is changed to
human
and he is afterward directed to speak
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So again in
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Much Ado about Nothing, Act II., Sc. 3, there is a MS. stage-direction to the effect that Benedick, when he hides
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human
Now as this use of scenery did not obtain until after the Restoration, these stage-directions manifestly could not have been written until after that period. Upon this point--which was first made in
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Putnam's Magazine for October, 1853, in the article
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The Text of Shakespeare: Mr. Collier's Corrected Folio of 1632, --Mr. Halliwell says (fol. Shak. Vol. IV. p. 340) that the writer of that article
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See, too, in the following passage from
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The Noble Stranger,