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Where the bee sucks and
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Come unto these yellow sands,
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O, bid your faithful Ariel fly, sung in Prospero's cave {136} by Ariel (the words by Dr Laurence). Then follows a very simple so-called symphony by Davy, all very quiet and peaceful, going into Linley's horrible
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Storm Chorus. Christopher Smith's Caliban song is introduced after the
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Storm --
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No more dams I'll make for fish, which has a very cheerful tune; and Purcell's beautiful settings of
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Come unto these yellow sands and
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Full fathom five follow. Between Acts i. and ii. Davy introduced a symphony by himself, consisting of a very simple Largo, followed by an equally simple Rondo. The song and chorus that follow are by Purcell, to words by Dryden, beginning
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King Fortune smiles, which, like the next song by the same authors, are too interesting to pass over in silence, though neither has any real connection with Shakespeare. The music for the appearance of Fairies is by Purcell, to words by Dryden,
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Where does the black fiend ambition reside?
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Where the bee sucks is Arne's delightful one, and is sung by Ariel, repeated by a quartet, with added words and the music much elaborated, while, according to the stage directions, Ariel and the spirits ascend into the sky. This is the last number, but the untiring Linley has added an appendix consisting of two songs for Ariel,
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While you here do snoring lie and
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Ere you can say come and go, and a duet for Juno and Ceres, entitled
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Honour, riches, marriage, blessing