human
Tens! 170 XVII. A Pair of Boots 180 XVIII. Enter Cyril 192 XIX. Dollops Makes a Discovery 202 XX.
gpt
Pins and Needles 212 XXI.
human
A Lunnon Gentleman 221 XXII. Damning Evidence 226 XXIII. A Startling Dénouement 233 XXIV. Hare and Hounds 239 XXV. The Man in the Black Mask 247 XXVI. The End in Sight 265 XXVII. What Happened in the Library 278 XXVIII. The Secret of the Singing Wheel 284 XXIX.
gpt
As a Tale That Was Told
human
Come in.
gpt
I know you wasn't to be disturbed, sir, he began apologetically,
human
And, being a religious man, you succumbed, of course, rapped out Mr. Narkom in a tone of exasperation.
gpt
Oh, well, where's her card? What with one thing and another, this morning's work has practically gone to blazes. Not a minute's peace, by James! What's the lady's name, Petrie?
human
Very important, sir.
gpt
Oh, well, then, show her up. This cipher business requires entire quiet, and so long as I can't seem to enforce that, I might as well attend to the matter in hand.
human
Very good, sir. Bowing, Petrie withdrew. Meanwhile Mr. Narkom slipped his arms into his coat--it was June, and the heat-wave had London in its grip, and allied with an equally warm problem he had thought himself fully justified in shedding it--and sat at his desk, drumming his fingers upon the top of it to the tune of
gpt
God Save the King.
human
Miss Maud Duggan was standing before him--a slim, pale-faced woman with dark-ringed eyes and a twitching, nervous mouth. She came toward him, hands clasped over heaving breast, entire body aflame with the intensity of her quest. Mr. Narkom, waving her to a seat with none too much cordiality, mentally labelled her
gpt
Miss Duggan, I believe? he began, with a creditable attempt at cordiality.
human
Friend of Miss Lorne's?
gpt
That's right, she said in a hesitating voice, with just a trace of Scotch accent that told of the part of the British Isles which gave her birth.
human
I _am_ a friend of Ailsa's--an old school friend--although we haven't seen each other for a matter of five years. But I wrote to her--when the trouble began--and she told me to come to you. Here is her letter, if you care to see it.
gpt
I prefer to listen to your version of the story first, my dear young lady, returned Mr. Narkom, with a reassuring smile. She was palpably nervous.
human
You are in trouble, of course? No one ever visits these offices for any other reason. Now just set yourself at ease and tell me all about it. Is it a family matter, or what?
gpt
Yes, it is a family matter. And a very serious one at that, Mr. Narkom, returned Miss Duggan in her rapid voice.
human
And I am so worried I don't know which way to turn--and so, in desperation, I came down--all the way from Scotland--to consult you. You will help me, I know. It is about my father. His life is in danger, in very grave danger, and I am afraid that even now, while I am away, something may happen to him, and that woman practise her cunning successfully at last.
gpt
In danger? Mr. Narkom sat forward in his chair, his professional instincts awake at the word.
human
Who is the woman of whom you speak, Miss Duggan, and why should she have designs on your father's life? Begin at the beginning and tell me where you live, and all about it. There's plenty of time, you know. Things don't happen so rapidly as a lot of you young people imagine. You are Scotch, are you not?
gpt
I am. And my father is Sir Andrew Duggan, of whom you have no doubt heard. He--he has large possessions in Scotland. A big landowner, you know----
human
And a hard one,
gpt
Our home is at Aygon--Aygon Castle, in Argyllshire. And there are two of us by our father's first marriage--my brother Ross and me. Ross, as you know, is heir to the estates, of course, as eldest son of the line (that part of them which is entailed); but some seventeen years ago my father married again, an Italian woman whom he met upon one of his periodical journeys abroad.
human
And this is the woman in question?
gpt
It is! Her voice ran up a tiny scale of excitement. She shut her hands together and breathed hard, and leaning forward in her seat, let her big dark eyes dwell a moment upon his face.
human
That woman is a would-be murderer, a fiend incarnate, prompted to heaven knows what awful action by her ambitions for her son Cyril!
gpt
Your father's child?
human
My father's child. Cyril is sixteen this birthday--a nice lad, but with all the Latin traits of his mother's race--those traits which mix so badly with our Scotch character, Mr. Narkom. Paula has planned this thing from the beginning--slowly, secretly, steadily. She has planned to wrest the estates from Ross, to turn his own father against him, so that at the last he will remake his will and leave all that he possesses to Cyril--and rob Ross of his rightful inheritance!
gpt
My dear lady, have you any foundation for believing this? put in Mr. Narkom at this juncture, as she paused.
human
An ambitious woman is not necessarily a potential murderess, you know.
gpt
But this one is. One can see it in her eyes when she looks at Ross, and one can read it in every gesture--every thought that passes across her face. She is a dangerous woman, Mr. Narkom, who will stop at nothing. Her own father, I believe, had a career that was shrouded in mystery, so far as we can trace, but there was theft in it, and crime, too--that much I have ascertained. His daughter is the fitting descendant of the family. I repeat, there is nothing she will stop at--nothing!--and now that Ross has taken up with this electricity installation--he has been mad on engineering ever since he was big enough to toddle, but Father would not permit him to go in for it--Lady Paula has used it to her own desperate plans, and has practically succeeded in turning Father against Ross, so that the two hardly speak when they meet, and avoid each other as much as possible in the daily round of life.
human
And what, my dear young lady, makes you think that--er--Lady Paula would wish to murder your father?
gpt
My eyes--and my ears, too. Both of which are sharper than one might imagine. When Paula mixes my father's food--he is an old man and full of whims and cranks, Mr. Narkom, and he has been much attached to his second wife and trusts her absolutely--and at night he takes bread-and-milk for supper, nothing else. And no one but Paula must make it. She has a little sitting-room of her own just off my father's study, where there is a little gas-stove and all the necessary paraphernalia for mixing an invalid's food, and last week I made a point of going in to watch her--found an excuse to get some note-paper and stepped into the room quietly. She was stirring the milk in the saucepan, and in her hand was a little phial of some whitish powder which she was just about to empty into it when the sound of my step startled her. Instantly she swung round, went as pale as death, and clapped her hand to her heart. 'How you startled me!' she exclaimed. 'You should not enter the room so softly, Maud. It is dangerous.' 'Not more dangerous than what you are at present doing,' I wanted to answer, but I dared not. I had no proof, and to accuse her without it might only make Father turn entirely from Ross and me in his quick-tempered, irascible fashion. But she slipped the phial into her pocket and finished making the bread-and-milk while I fumbled in the stand where the house paper is kept, all the time watching her from the tail of my eye. And I could see how her hands trembled, Mr. Narkom, so that she slopped the milk over into the saucer from the cup. It's poisoning she is practising upon him-- I know it, intuitively! She clenched her hand, and sent an agonized look into the Superintendent's face.
human
And all because she is determined to get the estates for Cyril, and then kill poor Father, and take _everything_, and turn us all out of our rightful home!