human
Sarasate and
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Comte Montesquiou, but he was more active as an etcher, lithographer, pamphleteer, lecturer and teacher. Orders were scarce at all times. The only regular portrait orders he had in the first half of the eighties were those of Lady Archibald Campbell, wife of the Duke of Argyll; and of Lady Meux, who liked her first portrait, in a black evening gown with a white opera cloak against a black background, so well that she had herself painted three times in succession. Whistler's sense of beauty was a strong feature in his work. Maybe it was not the sense of beauty an Englishman would like. He looked for a pictorial aspect, rather than the
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in his sitter; and in England the
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In the roses of his garden he buried his sorrows, one of his most talented pupils, E. H. Wuerpel, tells us, in his little brochure
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My Friend Whistler.