human
His name deserves to come down to posterity rather for what he created outside the essential characteristics of his art. In his frescoes in the minster at Aachen, in the choir of the cathedrals of Strasburg and Cologne, he stood firm on the standpoint of the Nazarenes; which is as much as to say they contained nothing novel in the history of art. In his fairy pictures, however, imagination broke through the narrow confines of dogma, and entwined itself in creative enjoyment round the vague figures of fable. His
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Loreley,