human
One value in fairy stories for the young is that they embody and commemorate the man-child's first rude assertion of the lordship of mind, and subserve the development of a later sense of spiritual freedom and autonomy. Another is that they are expressive, as all art is expressive, of the idealistic hunger at the heart of men. Again, as forms of art, they select and co-ordinate those facts which bring out the spiritual meanings of life. That is, they release from the unsifted materials of experience the imprisoned 'Soul of Fact.' And not only do they embody the basic moral insights and interpretations of childish man, but they express the simple and larger emotions, and so feed the heart of the child. They quicken, too, the imagination--that master-faculty without which the sympathy which is man's highest and richest endowment fails of fruition. They are an aid to culture by giving an outlook upon all nations and kindreds, all countries and conditions of life. Finally, along with their allied forms of literary invention, the myth, saga, fable, and so on, they are a condition to understanding the innumerable allusions with which the literature of the world is studded.