human
Are not his brethren still with us? It is true that it is still not real enough. The dresses are too beautiful--everything is conventional. We have here not the real Christ, the Jew, the outcast and the vagabond. For him we must wait till Vereschagin or some other realist painter may bring us reality. But even behind all the despisers of conventional Christian art, we have at least a sufficiently human figure to elicit sympathy, compassion and love. We get near enough to Christ to hear the blows that fall upon his face, to appreciate the superior respectability of the high priests, and to understand the contempt of Herod for the