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Don Quixote. But in putting an end to the old romances he created a new school of fiction, called the modern novel, by introducing into his romance of pseudo-knighthood a faithful description of the lower classes, and intermingling the phases of popular life. But he had no one-sided tendency to portray the vulgar only; he brought together the higher and the lower in society, to serve as light and shade, and the aristocratic element was as prominent as the popular. This noble and chivalrous element disappears in the novels of the English who imitated Cervantes.
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These English novelists since Richardson's reign, says Heine,
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But Scott appeared, and effected a restoration of the balance in fiction. As Cervantes had introduced the democratic element into romances, so Scott replaced the aristocratic element, when it had disappeared, and only a prosaic, bourgeoisie fiction existed. He restored to romances the symmetry which we admire in
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Don Quixote.