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in various
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At this time, she tells us, the Greeks were her demi-gods, and she dreamt much of Agamemnon. In the same year, in suburban Camberwell, a little boy was often wont to listen eagerly to his father's narrative of the same hero, and to all the moving tale of Troy. It is significant that these two children, so far apart, both with the light of the future upon their brows, grew up in familiarity with something of the antique beauty. It was a lifelong joy to both, that
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Many an hour of gloom was charmed away by it for the poetess who translated the
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Prometheus Bound of Æschylus, and wrote
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The Dead Pan : many a happy day and memorable night were spent in that
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by the poet who wrote
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Balaustion's Adventure and translated the
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Agamemnon.
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Cry of the Children rang like a clarion throughout the country. The poem was founded upon an official report by Richard Hengist Horne, the friend whom some years previously she had won in correspondence, and with whom she had become so intimate, though without personal acquaintance, that she had agreed to write a drama in collaboration with him, to be called
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Psyche Apocalypté, and to be modelled on
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Greek instead of modern tragedy.
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John Kenyon--a jovial, genial, gracious, and altogether delightful man, who acted the part of Providence to many troubled souls, and, in particular, was
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to Elizabeth Barrett and to
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as he used to call Browning. It was to Mr. Kenyon--
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Kenyon, with the face of a Bendectine monk, but the most jovial of good fellows, as a friend has recorded of him;
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Kenyon the Magnificent,
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Bells and Pomegranates, among which she then and always cared most for the penultimate volume, the
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Dramatic Romances and Lyrics. Two years before she met the author she had written, in
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Lady Geraldine's Courtship
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Or from Browning some 'Pomegranate' which, if cut deep down the middle, Shows a heart within blood-tinctured, of a veined humanity.
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She gave Horne much aid in the preparation of his
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New Spirit of the Age, and he has himself told us
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We artists--how well praise agrees with us,