human
The Last Farewell, in a late issue of the Berlin _Illustrirte Zeitung_ (and which the New York _Graphic_ a few days since stole to spoil in the stealing), is worthy of the celebrated original at Munich--a painting which will never be forgotten by those who have once beheld it. Among modern painters, probably Max has no superior in the art of harmoniously blending the horrible with the pathetic; and in none of his works is this peculiar power exhibited to better advantage than in
gpt
The Last Farewell: