human
Don Juan fantasia, for pianoforte alone, gave Mr. Rosenthal an opportunity of exhibiting his technical powers in one of the most audacious _bravura_ compositions that exist. In many persons the fine frenzy that rages through the middle and latter parts of this piece awakens no sympathy. It has, nevertheless, a legitimate place in the Palace of Art, being nothing more than the logical development to the highest possible point of the _bravura_ style that originated with Liszt. The latter of the two variations on