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Paradise Lost without the co-operation of Samuel Symmons. Symmons's endeavours to push the sale of the book make the bibliographical history of the first edition unusually interesting. There were at least nine different issues, as fresh batches were successively bound up, with frequent alterations of title-page as reasonable cause became apparent to the strategic Symmons. First Milton's name is given in full, then he is reduced to initials, then restored; Symmons's own name, at first suppressed, by and by appears; his agents are frequently changed; and the title is altered to suit the year of issue, that the book may seem a novelty. The most important of all these alterations is one in which the author must have actively participated--the introduction of the Argument which, a hundred and forty years afterwards, was to cause Harriet Martineau to take up
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Paradise Lost at the age of seven, and of the Note on the metre conveying
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Partly, perhaps, by help of these devices, certainly without any aid from advertising or reviewing, the impression of thirteen hundred copies was disposed of within twenty months, as attested by Milton's receipt for his second five pounds, April 26, 1669--two years, less one day, since the signature of the original contract. The first printed notice appeared after the edition had been entirely sold. It was by Milton's nephew, Edward Phillips, and was contained in a little Latin essay appended to Buchlerus's
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Treasury of Poetical Phrases.
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John Milton, in addition to other most elegant writings of his, both in English and Latin, has recently published 'Paradise Lost,' a poem which, whether we regard the sublimity of the subject, or the combined pleasantness and majesty of the style, or the sublimity of the invention, or the beauty of its images and descriptions of nature, will, if I mistake not, receive the name of truly heroic, inasmuch as by the suffrages of many not unqualified to judge, it is reputed to have reached the perfection of this kind of poetry.