human
Ja, er ist ein netter Mann, nicht wahr?
gpt
Reineke Fuchs. It is an unspeakable relief, after staring at one of his pictures--the
human
Destruction of Jerusalem, for example, which is a regular child's puzzle of symbolism--to sweep it all out of one's mind--which is very easily done, for nothing grasps you in it--and call up in your imagination a little Gerard Dow that you have seen hanging in a corner of one of the cabinets. We have been to his _atelier_, and he has given us a proof of his
gpt
Irrenhaus, [3] a strange sketch, which he made years ago--very terrible and powerful. He is certainly a man of great faculty, but is, I imagine, carried out of his true path by the ambition to produce
human
Weltgeschichtliche Bilder, which the German critics may go into raptures about. His
gpt
Battle of the Huns, which is the most impressive of all his great pictures, was the first of the series. He painted it simply under the inspiration of the grand myth about the spirits of the dead warriors rising and carrying on the battle in the air. Straightway the German critics began to smoke furiously that vile tobacco which they call _æsthetik_, declared it a
human
Weltgeschichtliches Bild, and ever since Kaulbach has been concocting these pictures in which, instead of taking a single moment of reality and trusting to the infinite symbolism that belongs to all nature, he attempts to give you at one view a succession of events--each represented by some group which may mean
gpt
Whichever you please, my little dear.