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Oh les filles, venez les filles aux voix douces. The first _entr'acte_, in march time, opens with trumpets. There is a flowing trio founded on the same subject, and then back to the beginning for the close--a very pleasant little interlude. Now comes a so-called madrigal, not in the English sense of a contrapuntal number in several vocal parts, but a very pretty sentimental song, the words, again by M. Haraucourt,
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Celle que j'aime a de beauté, being {79} charmingly set for baritone once more. The
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Épithalme or
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Bridal Song is for orchestra only; it is a solemn adagio movement, almost too sombre for such a comedy as M. Haraucourt makes of _The Merchant_. The love music is in nocturne form, and is chiefly a duet for solo violin and 'cello. The last number, headed
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Finale,