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Jerusalem and Schnorr's
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Deluge in the new Pinakothek, his
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Seni is indicative of the beginning of a new period. Before him the most celebrated men of the Munich school made a boast of not being able to paint, and looked down upon the
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with a contemptuous shrug; so here everything was attained which the young generation had admired in Gallait and Bièfve. This astounding revelation of colour was in 1855 praised in Germany as something unheard of and absolutely perfect. There was no more of the petty, motley, bodyless painting which had hitherto been dominant. The manner in which the grey of morning falls upon the murdered man in the eerie chamber, the way the clothes and the silken curtains glimmer, were things which enchanted artists, whilst the lay public philosophised with the thoughtful Seni over the greatness of heroes and the destiny of the world. At one bound Piloty took rank as the first German
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; he was the future, and he became the leader to whom young Munich looked up with wonder. Before him no one had known how to paint a head, a hand, or a boot in such a way. No one could do so much, and by virtue of this technical strength he founded such a school as Munich had never yet seen. The consequence of his advent was that the town could soon boast of many painters who thoroughly understood their business. What an academical professor can give his pupils (thorough groundwork in drawing and colour), that the young generation received from Piloty, who at his death might have said with more right than Cornelius:
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We have left a better art than we found.