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La Bénédiction des Blés. It was of this picture that Hamerton, the author of
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Painting in France, wrote:
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It is technically a work of singular importance in modern art for its almost perfect interpretation of sunshine.
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Rolla and
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Les Nuits
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Contes d'Espagne et d'Italie. During the next two years De Musset published another volume of poems and the collection
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Un Spectacle dans un Fauteuil, and followed this up with several essays in dramatic verse, published under the title
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Comédies Injouables. In 1833, De Musset went to Italy together with Georges Sand, but in Venice the lovers quarrelled and separated. The character of Stenio in Georges Sand's novel
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Lelia was recognized as a personification of De Musset. Alfred de Musset himself drew on these experiences for his novel
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Confessions d'un Enfant du Siècle, published upon his return from Italy in 1836. Georges Sand, stung by De Musset's allegations concerning her, gave her version of their relations in the famous book
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Elle et Lui, whereupon De Musset's brother Paul published an even less lovely version of the affair, in his book
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Lui et Elle. During the succeeding year De Musset became one of the foremost contributors to the
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Revue des Deux Mondes. In its pages appeared most of his
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Comédies et Proverbes, and the lyric pieces of
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Rolla and
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Les Nuits. Among his prose tales of this period were
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Emmeline,
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Les deux Maitresses,
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Frédéric et Bernerette, and
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Le Fils du Titien.