human
Paradise Lost as obsolete by pointing out that its demonology and angelology have for us become mere mythology. This criticism is more formidable in appearance than in reality. The vital question for the poet is his own belief, not the belief of his readers. If the Iliad has survived not merely the decay of faith in the Olympian divinities, but the criticism which has pulverized Achilles as a historical personage,
gpt
Paradise Lost need not be much affected by general disbelief in the personality of Satan, and universal disbelief in that of Gabriel, Raphael, and Uriel. A far more vulnerable point is the failure of the purpose so ostentatiously proclaimed,
human
To justify the ways of God to men.