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As in the instance of my 'Crock of Gold,' both 'The Twins' and 'Heart' were undoubtedly the outcome in after years of early observations, anecdotes, and incidents, whereof memory kept in silence an experimental record. Very few artists succeed in the delineation of life without living models; but no good one servilely will betray the forms they rather get hints from than actually copy. Thus though I sketched Roger Acton from one Robert Tunnel, an Albury labourer, and took the cottage near Postford Pond as his home,--adding thereto Mr. Campion's park and house at Danney, near Hurst (I was then living at Brighton) as the model for Sir John Vincent's estate,--as well as Grace, Ben Burke, and so on from persons I had seen,--I need not say that my sketches from nature were but outlines to my finished work of art. Simon Jennings, however, is an exact portrait of a man I knew at Brighton. So also with these tales, and others of my writings.
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The Twins a curious and somewhat awkward coincidence happened, in the fact that my totally ideal characters of General Tracey and his family were supposed to be intended for some persons whom the cap (it seems) fitted pretty accurately, and who then lived at the southern watering-place I had too diaphanously depicted as Burleigh-Singleton. It is somewhat dangerous to invent blindly. However, my total innocence of any intentional allusion to private matters whereof I was entirely ignorant was set clear at once by an explanatory letter; and so no harm resulted. In the case of
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Heart similarly, I invented the bankruptcy of a certain Austral Bank, which at the time of my tale's publication had no existence,--the very name having been taken some years after. This is another instance of the literary perils to which imaginative authors may be subject; for _litera scripta manet_, especially if in printer's ink, and, for aught I know, that offhand word might be held a continuous libel. For all else, by way of notice, the stories speak for themselves; as, Covetousness was the text for
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The Crock of Gold, while Concealment and False Witness are severally the _morale_ of
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The Twins and
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Heart. I once meditated ten tales, on the Ten Commandments, these three being an instalment; and I mentally sketched my fourth upon Idolatry,
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The Prior of Marrick,
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The find of the Heartless,
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If I had been gifted with the true prophetic power, hereabouts should my heartless hero have stumbled on a big nugget of gold (I wrote before the Australian gold discovery), even as the shrewd Defoe invented for his Robinson Crusoe in Juan Fernandez, where gold has not yet been found, though it may be. However, I did not originally make the splendid guess, and will not now in a future edition surreptitiously interpolate such a suggestive incident, after the example of dishonest Murphy in his prognostic of that coldest January 7th. It may be true enough that, for my story's sake, I may wish I had thought of such a not unlikely find: for the uselessness of the mere metal to a positively starving man in the desert might have furnished comment analogous to what was uttered by Timon of Athens; and would have been picturesque enough and characteristic withal.
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Crock of Gold
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A story of extraordinary power, and, which is a still greater eulogy, of power devoted to a great and beneficent purpose. Mr. Martin Tupper (the author) is already known to the world by his 'Proverbial Philosophy,' and other works which indicate an extraordinarily gifted mind and an originality of conception and treatment rare indeed in these latter days,--but he has never demonstrated these qualities to such perfection as in his present deeply interesting work, wherein romance is united to wisdom, and both to practical utility. Terror is there in its sternest shape--the hateful lust of gold is shown in all its hideous deformity and inconceivable meanness, and through the awful suspense that hovers over the incidents, occasional gleams of pure and hallowed love come to humanise the darkness. This is cue of the few fictions constructed to stand the shocks of time.