human
Shaw Memorial and the Sherman statue; and, indeed, it was a bold enterprise to place them where they are, mingling thus in the same work the real and the ideal, the actual and the allegorical. But the boldness seems to me abundantly justified by success. In either case the entire work is pitched to the key of these figures; the treatment of the whole is so elevated by style and so infused with imagination that there is no shock of unlikeness or difficulty of transition. And these figures are not merely necessary to the composition, an essential part of its beauty--they are even more essential to the expression of the artist's thought. Without that hovering Angel of Death, the negro troops upon the
gpt
Shaw Memorial