human
; [562] and even then there was no general reversion to orthodoxy, the upper-class tone remaining, as in the age of Richelieu and Mazarin, more or less unbelieving. When Corneille had introduced a touch of Christian zeal into his Polyeucte (1643) he had given general offence to the dilettants of both sexes. [563] Molière, again, the disciple of Gassendi [564] and