Balfe's music shows the influence of his earlier training in Italy, especially of Bellini and Donizetti, as well as the French works that Balfe had sung (as a baritone) at the Paris Opéra, where he and Malibran had appeared together. Balfe wrote The Maid of Artois partly as a vehicle for her. Malibran was a mezzo-soprano with a three octave range. She had died in September 1836 before the score was printed, and so Balfe decided to set brighter, higher versions of the coloratura and other music in her role that are more typical of operatic treatments of a youthful character such as Isoline.
