Everyone in the play seems to be talking at the top of his or her voice; and talking so fast that the listener often grows quite desperate trying to keep up with them. Any microscopic respites from speech are zealously filled up with bursts of lively music... The directors must realise that actors need directing when they are before the camera. Merely to turn the players (however clever) loose in a drove across the studio floor is fatal.... The acting... is often much too violent for the screen; and, in the case of the women, the energetic "registering" of emotion recalls the early days of the silent screen... Mr. Hanna would be wise to consult well-informed opinion concerning his story and his continuity. Both are exceedingly weak.
