A fourth volume was published posthumously. Kaye was anxious to have it a home production, and to that end had submitted the copy to the copyright office and negotiations were entered into that would have ended in a publication the same year. This last poem was a rehearsal in metrical form of the story of Judas Iscariot's betrayal of Christ. Contrary to conventional opinion, Kaye did not accept the idea that Judas intended to betray Christ, and the poem is a defence of Judas, in which the entire story of the trial before the Sanhedrin and Caiaphas is rehearsed with a clearness that adds his own vision to the biblical account. The critic might not accept Kaye's version of the translation, but might see in it a volume of more than usual poetical power.Proceedings of the 1st Annual Session of the Iowa State Bar Association (1909)
