Raphael's mature style influenced him for a period afterwards, as can be seen in the large altarpiece depicting Noli me Tangere, and in the foreground the Archangel Michael defeating Satan and St Anthony Abbot (c. 1512) for the church of Sant'Angelo Minore in Cagli (Pesaro). In later works he rejected Raphael's influence and looked back to the art of the late 15th century. In his last paintings (such as the Mary Magdalene of 1521 in Gubbio Cathedral) his style became heavier, possibly as a result of the increasing intervention of pupils.Concise Grove op cit.
