Satie alternately set Péladan's text for organ and a unison chorus of female voices, or for solo vocalist with piano accompaniment. Live performances and recordings have opted for the latter. He was also said to have composed a Prelude for the play, but it was either lost or never started.Lindsey MacChiarella, Shades of Ungodliness: Satie, the Occult, and the Flight from Reason, master's thesis for the Florida State University College of Music, 2012, pp. 44-47, at https://diginole.lib.fsu.edu/islandora/object/fsu:182991/datastream/PDF/view
