Lonsdale's next success was five years later, for George Edwardes, with Betty (1915). Following Edwardes's death, he submitted to Edwardes' executor, Robert Evett, a text that Curzon had rejected, The Maid of the Mountains (1917; revived in 1920), which became one of the phenomenally successful wartime shows in London, establishing itself as a classic of the British musical stage.
