It was cultural programs that distinguished the camp. Vera Lachmann, who taught classics at Brooklyn College, told the campers the Iliad and the Odyssey in alternating summers, and directed a drama program that included plays by Aeschylus, Sophocles and Aristophanes; Shakespeare, Molière, Schiller and Yeats; and Nelly Sachs, who was a friend of hers. The music program, under Tui St. George Tucker, consisted of a choir, an orchestra (with some parts adjusted according to the instrumentalists available), and private lessons, particularly on the recorder, her professional specialty. Baroque (especially Bach) and early nineteenth century classical music (Haydn, Mozart, Beethoven, and Schubert) predominated. The boys also performed Gregorian chants and other medieval music, and Tucker's arrangements of Negro spirituals. Some arts counselors went on to become respected professionals including: Eva Frankfurther, Thomas Locker, Hannibal Alkhas, Mark di Suvero, and Richard Pepitone.
