Inspired by both American Abstract Expressionism and French Tachisme, Avray Wilson produced amongst the most dynamic abstracts during the post-war period in Britain. His work ranged from spiky linear compositions, through others more spare and geometric towards a mature style that comprised images both disciplined and energetic. Critic Peter Davies described this contrast as ‘a meaningful, if tense, dichotomy between structure on the one hand and what Avray Wilson termed "Vitalist" or impulsive free form on the other’, whilst Cathy Courtney characterised Avray Wilson’s paintings as ‘articulating something sensed but not fully seen’. Seeking to 'create a synthetic vitality, more living than life, the means of supplying our anti-vital, anti-human society with intense symbols', Avray Wilson's scientific background was of key importance in understanding his approach to painting, which he expounded in several books.
