"A canvas like Chinese Reds (1990) in its scarlet color relates to the chromatic scheme of his teacher’s Angel of Death (1998), while alarming paintings like Marlboro Country (1990) with its human skulls spread in the foreground, or Coit Tower Night (1988) – a painting of deep blue water, a brown hill and a violent purple sky – all done with an agitated brush, elicit a fervent emotion, comparable to the sensations evoked by the canvases of Kokoschka himself."
