When the National Gallery bought the painting, they had little information about its attribution or provenance. A piece of a paper label was found on the reverse which was believed to have dated from the 17th century, and was similar to another found on the back of Dürer's 1498 self-portrait. In addition they noted the sitter's resemblance to the 1490 portrait and 1486 assumed self-portrait, and found a 1639 inventory record which described a portrait of his father as wearing a black hat and wearing "a dark yellow gown wherein his hands are hidden in the wide sleeves painted upon a reddish ground all crack’t". These discoveries lead to the belief that it was the Dürer painting recorded in Charles I possession.
