While praising "Birdy's simple piano/guitar arrangements and her own sweet voice", The Guardians Caroline Sullivan found the album to be "pleasant but pointless". James Lachno of The Daily Telegraph wrote that the album "consolidates the buzz with more sparse, affecting covers, and a lone original track that is adequately folkish, but for now Birdy remains a novelty." Chris Conaton of PopMatters wrote that Birdy "proves that she can really sing; but [her] appeal may depend on how much enjoy desperate, aching piano ballads, because there are a lot of them here." Duncan Gillespie of NME dismissed the album as "an album of wet-indie covers". Rolling Stone critic Jody Rosen was more critical, panning the album as "the most boring music ever recorded by a teenager" and concluding, "No one so young should have such flawless taste in Quality Indie Rock, or sound this bummed out."
