Stone worked for Atlantic as a producer, songwriter, and arranger. During a trip to the South in 1949 with Ahmet Ertegun and Herb Abramson, Stone discovered that Atlantic's records were not selling in the southern states because they lacked a certain danceable quality. Stone later said: "I listened to the stuff that was being done by those thrown-together bands in the joints down there, and I concluded that the only thing that was missing from the stuff we were recording was the rhythm. All we needed was a bass line. So I designed a bass pattern, and it sort of became identified with rock'n'roll - doo, da-DOO, DUM; doo, da-DOO, DUM - that thing. I'm the guilty person that started that."
