Removing of ruins and restructuring after World War II was the basis of Mihály Eisemann-László Dalos, Géza Baróti’s operetta, titled Bástyasétány 77. It was remade as a film by Gyula Gazdag under the title Bástyasétány 74. While the first is a romantic work, the other is less romantic, and its screening was band up to the change of regime in 1989.
