In 1936, Baudisch moved to Berlin. The name of Josef Thorak, who had already established himself as an artist in the Third Reich and whom Baudisch had already met in Ankara, reappeared. In Germany, the "Kunst-am-Bau-Verordnung" (Art in Construction Ordinance) had provided good working conditions for artists since 1934, even if the so-called "renewal of art" sought by the National Socialist regime was not to everyone's liking.
