When working in the studio, Moroder generally avoids a living model when looking for forms and avoids any realism and narrative content.Hans-Peter Riese, in: Andrea Firmenich (Ed.): Walter Moroder - Alberto Giacometti. Secret world. Altana Kulturstiftung, Bad Homburg / Wienand Verlag Cologne 2008, p. 12 ff. A number of individual works illustrate the disappearance of the human figure or they turn out to be precarious existences in sewn, perforated, segmented bodies or torsos.Annette Reich: Having body and being body. In: Walter Moroder. Nzaul d'auter. Somewhere else. Museum Pfalzgalerie Kaiserslautern 2017, p. 14 f.
