The Reminiscences of Qinhuai is another of Shitao's unique paintings. Like many of the paintings from the late Ming dynasty and early Manchurian sovereignty it deals with man's place in nature. Upon a first viewing, however, the craggy peak in this painting seems somewhat distorted. What makes this painting so unique is that it appears to depict the mountain bowing. A monk stands placidly on a boat that floats along the Qin-Huai river, staring up in admiration at the genuflecting stone giant. The economy of respect that circulates between man and nature is explored here in a sophisticated style reminiscent of surrealism or magical realism, and bordering on the absurd. Shitao himself had visited the river and the surrounding region in the 1680s, but it is unknown whether the album that contains this painting depicts specific places. Re-presentation itself is the only way the feeling of mutual respect that Shitao depicts in this painting could be communicated; the subject of a personified mountain simply defies anything simpler. Shitao also painted other "reminiscences" in this style, including "Reminiscences of Nanjing" that reinforced his legacy.
