Scored for bass soloist, male chorus, and orchestra, the symphony could be argued to be a symphonic cantata or orchestral song cycle rather than a choral symphony. The music, while having a life and logic of its own, remains closely welded to the texts. The chorus, used consistently in unison, often creates the impression of a choral recitation, while the solo baritone's passages create a similar impression of "speech-song." However, Shostakovich provides a solid symphonic framework for the work - a strongly dramatic opening movement, a scherzo, two slow movements and a finale; fully justifying it as a symphony.Schwarz, New Grove, 17:270.
