Bier's films are characterized by the fact that, despite their tragic structure, there is a "flattening" of the dramatic events, or, alternatively, no dramatization of the major events. For example, in the scene of the first encounter between the father and his daughter in After the Wedding, the two of them are silent for most of the scene, and talk about a bottle of water he brings to her. This style of direction creates the feeling that nothing happens in her films, but a thorough analysis of the events shows that the films are faithful to the dramatic structure of the theatre of ancient Greece.
