His surviving output suggests a marked preference for the chorale fantasia style, though he is also known for chorale versets, such as his setting of Jesus Christus unser Heiland, notable in particular for the opening pedal flourish (probably the earliest surviving example of an opening pedal solo in an organ work), a technique that was to be more fully exploited by Dietrich Buxtehude.Geoffrey Webber, "The Cambridge Companion to the Organ", edited by Nicholas Thistlethwaite and Geoffrey Webber. Cambridge University Press, 1998.
