For encores, Bono returned to the stage as a different alter ego—Mirror Ball Man in 1992, and MacPhisto in 1993. Performances of "Desire" were accompanied by images of Richard Nixon, Margaret Thatcher, Paul Gascoigne, and Jimmy Swaggart, and were meant as a criticism of greed; cash rained the stage and Bono portrayed Mirror Ball Man as an interpretation of the greedy preacher described in the song's lyrics.Flanagan (1996), p. 62 Bono often made a crank call from the stage as his persona of the time. Such calls included dialing a phone sex line, calling a taxi cab, ordering 10,000 pizzas (the Detroit pizza parlor delivered 100 pizzas during the show), or contacting a local politician. Bono regularly called the White House in an attempt to contact President Bush. Though Bono never reached the President, Bush did acknowledge the calls during a press conference.Flanagan (1996), p. 99
