Cherkassky-Nnadi and her family immigrated to Israel in 1991, just two weeks before the collapse of the USSR. In 2010, Cherkassky-Nnadi began working on an exhibit entitled Pravda (truth), which was published in 2018, depicting the experience. Similar to the Soviet Childhood exhibit, Pravda includes scenes from Cherkassky-Nnadi's own experience with immigrating, as well as scenarios that she portrays as a common experience for those migrating from the former Soviet Union to Israel at that time. Some of these scenes include the arrival of the new immigrants, like in her painting titled "New Victims," as well as the struggles these new immigrants faced when trying to fully integrate into the Jewish lifestyle, as can be seen in "The Rabbi's Deliquium" and "The Circumcision of Uncle Yasha." Some of the works in the exhibit also portray the discrimination some immigrants experienced. Cherkassky-Nnadi specifically addresses some of the stereotypes placed on Russian women in Israel, such as her work entitled "Aliyah of the 1990s" which depicts the stereotype of the "Russian whore," or in her painting "Iztik," which not only shows the stereotypical Russian woman - fragile, blonde, fair-skinned - but also portrays a very stereotypical Mizrahi man, including the dark skin, large nose, and thick lips. The painting was the subject of much criticism due to its portrayal of both groups of people, but the painting is intended to portray the habit of stereotyping that occurred in Israel at the time.
