In the same article, Moffett writes further: "Two strikingly novel features of the new work are very bright color - often fluorescent - and very thick, plastic paint" and from Belgian philosopher Marcel Paquet: "Thus, far from having been just a quick-fire, Abstract Expressionism has cleared the path to a new aesthetics, to a non-organic, multi-sensorial space in which the New Acrylic Painters are already ranking quite high. These young and resolute painters harbour the proof that art did not die at the end of Renaissance, but that it is just confronted at entirely new tasks-the first being to create a beauty of a new world."
