In 1955 Camaro started to receive commissions for public art. Probably the best known example was his collaborative project with his then partner, the ceramics artist Susanne Riée, for a permanent work created from strongly coloured glass blocks at the Berliner Philharmonie (concert hall) (1963). There were further works of the same kind produced for public buildings, now in collaboration with Renata Camaro, notably at the Berlin Public library ("Staatsbibliothek)") (1974/75) and at the Berlin Musical Instrument Museum (1980/81).
