Keshavrao's place in Jyotsnabai's musical life was quite important. They married in 1932, when the latter was only eighteen years old. After their marriage, her artistic talents began to flourish. Keshavrao had good relations with singers like Manji Khan, Ramkrishnabuwa Vaze, Mallikarjun Mansur and Master Krishnarao among many others. He had collected a number of bandish pieces from them. Meanwhile, Jyotsnabai trained and studied with many teachers, including singers from the Bhendibazaar gharana, to hone her skills. The features of different gharanas created an independent and effective chemistry in her singing. Within a few months, she received the appreciation of Prof. B. R. Deodhar and avid listeners after singing at a concert in the latter's musical circle. In the years that followed, Jyotsnabai performed at several important music festivals across the country. Her singing captivated the audience with her strong sense of rhythm, melody, elegance and sweetness. She presented a beautiful combination of singing styles, with subtle musical awareness and emotion. Ragas such as Gorakh Kalyan, Bhim, Madhmad Sarang, Shuddha Bhatiyar, Shamkalyan, Jaldhar-Kedar etc. became popular as a speciality of Jyotsnabai.
