The existence of Kierkegaard was marked by the guilt and the image of a vengeful and wrathful God. This essence is preserved in the film, but we decided to change the original context, Protestant and Danish, to Mexican and Catholic. The completion of the script was a very long process, where it was severely restructured, one to contextualize the story in Mexico, and another to define the structure into chapters. The Cristiada topic is very interesting and seductive, but that was not our subject, our story was of that family, that guilt, that punishment, that madness.
