In Beckett's original script, the two main characters, the camera and the man it is pursuing are referred to as E (the Eye) and O (the Object). This simplistic division might lead one to assume that the Eye is only interested in the man it is pursuing. This may be true, but it does not mean it will not have the same effect on anyone who comes in contact with it. “E is both part of O and not part of O; E is also the camera and, through the camera, the eye of the spectator as well. But E is also self, not merely O’s self but the self of any person or people, specifically that of the other characters — the elderly couple and the flower-lady — who respond to its stare with that look of horror.”Henning S. D., ‘Film: a dialogue between Beckett and Berkeley’ in Journal of Beckett Studies, No 7 , Spring 1982 E is, so to speak, O's blind eye. "He has the function of making all with whom he comes into contact self-aware.”Pountney, R., Theatre of Shadows: Samuel Beckett’s Drama 1956-1976 (Gerrards Cross: Colin Smythe, 1988), p 128
