Her career included several successful international tours. She had a particularly successful run at the Palace Theatre in New York City in 1928. She also appeared in the musical revue film Elstree Calling (1930), co-directed by Alfred Hitchcock. Roger Wilmut wrote of Morris:Her performance of "Why Am I Always the Bridesmaid" in Elstree Calling shows the sort of polish that could only be obtained by taking the same act round the halls for years, improving it, tightening it up, and producing a performance where every line has a suitable little visual gag or facial expression; it is one of the funniest pieces of film in existence.Roger Wilmut, Kindly Leave the Stage: The Story of Variety 1919-1960, Methuen, 1985, , p.77
