His known works are the Sinfonia in F major for harpsichord and strings, which is lost, and the Certamen aonium (Augsburg, 1733), composed of a prelude, three verses in the form of short fughettas and a cadenza on each of the church modes. The style shows influence by Franz Xaver Murschhauser and Gottlieb Muffat. Modern editions have been published in Altötting, 1959, ed. R. Walter, and Heidelberg, 1960.
