The exhibit's first section repeats the phrase "There is no life without death." Part of the exhibition's definition of life is that all living things die, and through their decomposition stimulate more life. This section presents the life inside a pig carcass (paradisaically living off of the pig's demise), the oldest living animal (the Antarctic glass sponge) and the human fascination with death (featuring many art installations including H.R. Geiger's original mask for the film Alien.) The museum is, in essence, a repository for dead animals, and this section pays homage to their collectors and exhibits. Visitors look onto treasures through a transparent floor in somewhat of a meta-mission: the museum too was founded on a fascination with the death of the world around us.
