De lo urbano y lo sagrado is a mixture of themes. On the one hand, there is nature again; there is the everyday, which the poet considers sacred; and there is also the city, the ultimate city, New York. Blanco transforms herself into a series of Nicaraguan poets: Rubén Darío, Salomón de la Selva, José Coronel Urtecho, and Ernesto Cardenal to portray the 20th century, together with her own time, her country, and her tradition.Valle-Castillo, Julio, ed. "El siglo de la poesía en Nicaragua". Managua, Nicaragua: Colección Cultural de Centro América Serie Literaria No. 15. 2005
