It was Barnet's gift of artistic invention that made him stand out from the crowd of Soviet colleagues. In a Barnet film, a photograph in the newspaper would unexpectedly come alive, and scenes would often end with a detail introducing the next scene. He would begin a scene with a close up, "so that the space is progressively discovered by changing the axis or by camera movement". Among Russian filmmakers professing their admiration for Barnet was Andrei Tarkovsky. French film historian Georges Sadoul once called him “the best Soviet comedy director.”
