The Fotoveramovil was later renamed “Watrygraf” and Watry's were among the first mixed cinema and magic shows not only in Italy and Brazil, but also in Peru (1899), where he presented images of corrida and created a commotion because of his provocatively dressed female assistants,Ricardo Bedoya, El cine silente en el Perù, Lima: Universidad de Lima, 2009, pp. 100–107. and in Seville (1904).Mónica Barrientos Bueno, Inicios del cine en Sevilla (1896–1906], Seville: Segretariado de Publicaciones de la Universidad de Sevilla, 2006, p. 128.
