The publication of the works on archaeology and art followed the same pattern as with the publication of the works on physical and natural sciences: that of an itinerary with descriptions of the roads travelled, noteworthy monuments along these routes, and descriptions of their destinations. Hence, volume I of Expédition de Morée. Section des Beaux Arts describes Navarino (pp. 1–7Expédition de Morée. Section des Beaux Arts., vol. 1, Navarino, pages 1 to 7) with six pages of drawings (fountains, churches, the fortress of Navarino and the city of NestorExpédition de Morée. Section des Beaux Arts., vol. 1, six pages of plates on Navarino); then on pages 9–10, the road Navarino-MethoniExpédition de Morée. Section des Beaux Arts., vol. 1, Navarin-Methoni road, pages 9 and 10 is detailed with four pages of plates (a church in ruins and its frescoes, but also bucolic landscapes reminding the reader that the scene is not so far from Arcadia);Expédition de Morée. Section des Beaux Arts., vol. 1, four pages of plates on the Navarino-Methoni road and finally three pages on MethoniExpédition de Morée. Section des Beaux Arts., vol. 1, Methoni with four pages of drawings.Expédition de Morée. Section des Beaux Arts., vol. 1, four pages of plates. Methoni
