Many theater critics have noted the conventions-challenging nature of Laub's work. When reviewing Daniel and the Dancers one writer commented that "the theatrical illusion has been destroyed, and what is happening on stage is simply a new reality."Marten Spangberg, Dagens Nyheter, 7 February 1995 Deconstructing theater, finding novel ways in which to reconfigure the elements of a performance, is what fascinates and distinguishes this artist. A review pertaining to the same piece in the Danish newspaper Politiken attributes a certain violence to this theatrical approach. "This is masterful comedy," writes Monna Dithmer, "-served by the Laub diva Charlotte Engelkes-and a masterclass in the Laub technique, the aim of which is to smash the whole theatre process into bits and pieces and display them in all their naked glory."Monna Dithmer, Politiken, 9 March 1996
