The event showed 229 works by 60 exhibitors from 14 countriesTorsten Otte: Salvador Dalì: eine Biographie mit Selbstzeugnissen Königshausen & Neumann, Würzburg 2005, , p. 73 and contained paintings, art objects, collages, photographs and installations. Artists and writers like Hans Bellmer, Leonora Carrington, Joseph Cornell and Óscar Domínguez participated. Salvador Dalí was represented with six paintings, among which was "The Great Mastubator" from 1929. Wolfgang Paalen showed his painting "Paysage totémique de mon enfance" among others, as well as his objects "Le moi et le soi", "Potènce avec paratonnerre" (a life-sized gibbet with a lightning rod dedicated to the German philosopher Georg Christoph Lichtenberg. Paalen's umbrella made with sponges Nuage articulé was hanging from the ceiling.Andreas Neufert: Auf Liebe und Tod. Das Leben des Surrealisten Wolfgang Paalen, Berlin (Parthas) 2015, p. 346 ff. The "Ultra-furniture", 1937, by Kurt Seligmann, sculptures by Alberto Giacometti, and objects by Meret Oppenheim, including "Breakfast in Fur" from 1936, were presented along with five other works, such as "La Baguerre d'Austerlitz" and a replica of the Ready-mades "Bottle Dryer" by Marcel Duchamp. Furthermore, there were 14 pictures by Max Ernst, such as "The Rendezvous of Friends" from 1922 and "The Triumph of Surrealism" from 1937; works by Stanley William Hayter, Georges Hugnet, Humphrey Jennings, and Léo Malet; "The Expectation", 1936, by Richard Oelze; and two surrealistic pictures by Pablo Picasso. Man Ray presented, among other works, "A l'heure de l'observatoire – les amoureux", 1932–34, as well as "Irrlichter" from 1932 to 1937. There were nine works by René Magritte, for example "The Key to the Fields" from 1936 and "The Therapist II" from 1937; eight early pictures by Giorgio de Chirico; works by André Masson and Roberto Matta; and several works by Joan Miró, including "Dutch Interior I" from 1928. Other artists represented included Roland Penrose; Jindřich Štyrský; Yves Tanguy with nine pictures, among which was "From the Other Side of the Bridge" from 1936; Toyen; Raoul Ubac; and Remedios Varo.Uwe M. Schneede, in: Bernd Klüser, Katharina Hegewisch (Eds.), p. 99 And the Danish painter Rita Kernn-Larsen with her self-portrait " Know Thyself."
