Silver has merged tonal and atonal elements in works starting with her 1979 Canto, A Setting of Ezra Pound’s Canto XXXIX, for baritone and chamber ensemble (commissioned by the Berkshire Music Center at Tanglewood). Richard Dyer wrote in the Boston Globe of the world premiere, “Sheila Silver’s Canto matches Pound’s text with music of a comparably audacious directness, simplicity, and specificity and therefore boldly occupies a psycho-spiritual region that few other composers have cared to approach; it is a beautiful work.” Silver often finds inspiration in non-Western musical traditions, such as Hebraic Chant, (Shirat Sara and Cello Sonata), Sikh prayer mantras (The Thief of Love, Ek Ong Kar,) or Hindustani music (A Thousand Splendid Suns). She collects Tibetan singing bowls and has used them in compositions such as Being in Life and The White Rooster. Critics have praised Silver’s work for being modern and accessible. Cary Smith in the Journal American wrote: “To the Spirit Unconquered is one of those rare compositions that grabs you emotionally and will not let you go. It is a stunning modern masterpiece, a work of profound musical and emotional depth.”
