In his part of the documentary, Pasolini deals with the 1956 Hungarian Revolution and of the Cuban Revolution, praises progressivism, decolonization and class struggle, he takes Marilyn Monroe's death as an example to speak about the death of beauty, complains about the disappearance of the rural world and heavily criticizes industrialization, conservatism, anti-communism and the bourgeoisie. Part of Pasolini's film was cut to make room for Guareschi in the final cut.
