The setting of the music video features crumbled architecture, sustained over years of attack; smouldering oil tankers; young men in kaffiyeh, standing around bored; mysterious women covered from head to toe, with only their kohl-lined eyes flashing out. M.I.A. joked to Noisey in a YouTube comment response interview that she shot the video in Morocco because she "didn't want to go to jail!". M.I.A. deadpans to the camera about having sex in cars while vamping in front of those tanker fires. M.I.A. rides atop a drifting car, filing her nails, and in a see through glow-in-the-dark car custom-made for the shoot. Her idea for the vehicle was inspired by the scene of actor Prabhu Deva dancing atop a see-through bus in the song "Urvasi Urvasi" from Kadhalan (1994). Having initially planned to fund the perspex car's construction in India, M.I.A. and Gavras funded the car's manufacture in Morocco after being told it would take five months to complete. Women are depicted gyrating while wearing designs in cheetah patterns, polka dots and gold. M.I.A. described the design and creation of the video's props, from the clothes designs to the car's upholstery, as an "accumulated process". M.I.A. leads a crowd of women decked in traditional Middle-Eastern garb with a hipster twist, in a modern-day Rebel-Without-A-Cause-esque drag race. It's a dusty evening, where the musician is wearing aviator sunglasses and bling; the women are watched by cheering men as they drive, spin, skid and whoop across the desert plain. Channelling male angst, futility and anger, old family sedans and BMWs are grabbed and turned into drifting, skiing racing stunt rides. A rearing, galloping horse is picturised, being ridden alongside the cars. Critics note this resonates whether on Crenshaw, Eight Mile or a bullet-scarred road running parallel with an oil pipe line. The video evokes a Persian Gulf landscape – dusty, baked, semi-apocalyptic and in the hands of M.I.A. and Gavras, "utterly hard-core". Dan Busheikin of CHARTattack described the outfits in the video as "ostentatious" and the driving "risky", calling the video "pretty badass". He welcomed M.I.A.'s "ditching of the gaudy GIF imagery and digital weirdo phase" of her early work, while feeling the singer remained "as flashy" and confident as ever.
