Following her first concert made up of solos, Graham created Heretic (1929), the first group piece of many that showcased a clear diversion from her days with Denishawn, and served as an insight to her work that would follow in the future. Made up of constricted and sharp movement with the dancers clothed unglamorously, the piece centered around the theme of rejection—one that would reoccur in other Graham works down the line.
