Beekman began quietly visiting Gobeaux's house in Rue de la Fère, letting herself in with her own key during the day, placing her set on a small table and passing the long aerial out through the window above. Interviewed after the war, Gobeaux remembered Beekman often waiting for the next transmission, lying on a divan with her head in a book, apparently unruffled by the possibility of arrest. Eugène Cordelette, one of MUSICIAN's lieutenants, later described Bieler and Beekman as being "both of the finest stuff imaginable", but her training should have left her more mindful of security.
