Milojević also wrote choral music. His activities in this genre encompass simple, unassuming music for children's and youth choirs to complex works. The most significant include: How green is the long field (Dugo se polje zeleni) (1909), a miniature for mixed choir, after the lyrics of Vojislav Ilić; dramatic ballad Presentiment (Slutnja) (1912), marked by Neo-romanticist chromaticism and polyphony, and considered among masterpieces of Serbian choral literature; and cycle The Feast of illusions (Pir iluzija) (1924), after poetry of Miroslav Krleža (Evening decorations (Večernje dekoracije), Triptych (Triptih), and Dark gloomy afternoon (Crno sumorno popodne)), a work of modern expression and high technical demands regarding choral texture. Milojević's most popular choral composition, The Fly and a Mosquito (Muha i komarac) (1930), is a humorous scherzando piece written upon folk text and utilizing tone painting. This effective work is often compared to The Goat-herd (Kozar) by S. Mokranjac. Milojević also wrote sacred music (two liturgies, three opelos (Orthodox Requiem), a particularly successful piece being A Short Opelo in b-flat minor (Kratko Opelo u b-mollu), for men's choir (1920).
