In addition to the stenciling, de Forest's touch can be seen in the incorporation of other Eastern designs and Tiffany glass. De Forest used carved teakwood, like that produced by the Ahmedabad Woodcarving Company, in the molding along the outer edge of the fireplace in Mamie Gwinn's study, as well as some picture frames in the corridor between her and Thomas's study (the Blue Room).Mayer, Roberta. Lockwood de Forest, Furnishing the Gilded Age with a Passion for India (Newark, DE, 2008) p. 180. In the third expansion of the house in 1908, de Forest decorated the ceiling of the Dorothy Vernon Room with thin sheets of patterned brass in a variety of East Indian designs.Mayer, Roberta. Lockwood de Forest, Furnishing the Gilded Age with a Passion for India (Newark, DE, 2008) p. 184. Several of the rooms also included Tiffany glass lamps or fixtures that were designed by de Forest and created in the Tiffany Studios."'The Very Best Woman's College There Is': M. Carey Thomas and the Making of the Bryn Mawr Campus." Bryn Mawr College Library Special Collections. September 21 – December 20, 2001. Web exhibition by Marianne Hansen. Accessed 22 May 2014.
