Averaging the 2nd World War, the group proposed a rupture as an alternative. Said rupture was related to the search for a new visual language corresponding to the exigencies of a new technological, industrial society. The group sustained common goals: the art should be non-figurative art, the painting flat, and the illusions and appearances banished, moving away from traditional painting. They looked for the worth of the painting itself. In 1951 he traveled to Europe and met Vantongerloo in Paris and Vordemberge-Gildewarth in Amsterdam, who guided him in his pursuit.
