Puyemré had reserved his tomb for his family including his two wives. This shows that Puyemré did not follow the old custom of assigning names and offices to all but the very humblest servitors (Davies, N. de Garis 38). There is a repetition in scenes that show Puyemré and his two wives where Tanefret is his companion on the north wall and Senseneb on the south wall. This shows the two rivals coming together for the affection or the affectionate memory of Puyemré showing a lack of domestic harmony. It turns out that this scene is the most appealing to visitors when they visit the tomb. These scenes are back to back coming together in the center of the niche in plate sixty-two. There are three scenes that show deceased Tanefert with monkeys eating dates under her chair and deceased spearing hippopotamus as well as deceased families that are fishing. The other scene where Senseneb is deceased where she is standing inspecting three rows bringing geese, ducks, and cranes, netting fowl herdsmen bringing cattle and brining netting fish, the third where there's vintage with sealing wine-jars, pressing and treading grape, and papyrus-harvest. These scenes based on Puyemré's wives seem to be most important because it seemed that both of them had a hard work life for Puyemré they were both worked down doing all these activities/jobs.
