Another aspect of Lionel Bovier's publishing activities was born of a general dissatisfaction with group exhibition's catalogues (the pseudo-documentation of a project, produced before the show, with the two-pages-by-artist-rule, and the inadequate biographies). He replaced them in his own curatorial activity by another form: the anthology. It allowed him to devise and organize the return of textual material that was used to prepare the show, as well as to open the exhibition to its research. It was important for him to state the unfinished status of an exhibition and the anthology seemed to offer an interesting way out, presenting the show as a mere step in a longer journey.
