Reviewing the song in AllMusic, Matthew Greenwald called it a "great example of the collaboration of Brian Wilson's and Van Dyke Parks' sense of comedy and psychedelic whimsy.", also noting it as among the strangest songs of the group's career. Music critic Ritchie Unterberger described it as an example of the "low-key psychedelic weirdness" present throughout Smiley Smile. Lambert wrote that the song heralded a "radically new artistic sensibility" for the group relative to Pet Sounds and Smile. David Leaf, writing in 1990, described the song as marking a new phase in Wilson's development as a musician.
