Based around a single studio and a small news and continuity announce booth, each studio was equipped with a complement of tungsten luminaires suspended from an overhead lighting grid and controlled by a small board of analogue dimmers. These luminaires included 2kw fresnel spot / key lights, 1kw 'scoop' fill lights and back lighting from banks of 5 Par38 type lamps. Microphones were connected on wall-mounted or multi-core terminated stageboxes. The latter being bulky (clumsy but indestructible) Philips connector strips.
