During the summer of 1955, Lytle, Ambrose and Richards, who were paid on a set salary (as opposed to the other two Comets, pianist Johnny Grande and steel guitar player Billy Williamson, who were considered partners with Haley), requested a pay raise. According to the books Bill Haley by John Swenson and Sound and Glory by John W. Haley and John von Hoelle, their request was denied by either Haley's management or by Haley himself (accounts vary). During that summer, unknown to Haley, the trio recruited a couple of other musicians, and recorded a few demo tapes - including a version of a Haley composition, "Rock-a-Beatin' Boogie". This won the group a recording contract with Capitol Records and the group subsequently resigned from the Comets, although according to Swenson they agreed to help train the replacement musicians.
