The piece was installed in a dark room, featuring strings of tiny white lights rising to the ceiling from gossamer pods that reminded Eno of "jellyfish", while his music played. "It's an idea for a kind of retreat people can go to in the city". Part of Eno's Quiet Club series of Installations, he described it as a sort of "simulated forest" of the future. He gave it a "deliberately clunky" title "because I want it to be like an architectural submission for a new space."
