On IndieWire's 2022 'The 100 Best Movies of the 90s' list, the film was crowned the ninth best film of its decade. Critic David Ehrlich writes "Davies’ fading slipstream of a film drifts through the rain and rubble of postwar England with the meticulousness of a Wes Anderson movie, eventually freezing over into a delicate snow-globe that swirls the pain of repression into the pleasure of self-discovery."
