"Tilt", described by Onda Rock as "a truly shocking piece for the volume and dynamic outcomes to which it arrives," was initially included in Poss' demo tape of four tracks, where he added "the song of Susan Stenger (who also adapted the text of my fist)."Robert Poss :: Le interviste di OndaRock He recalled that he had recorded the intro feedback guitar inside the loft of Nicolas Collins, and used two electric basses and distorted drum machine rather crude. It became one of his favorite tracks. The album closes with the thirteen minute "Guitar Trio", a cover version of the "hypnotic, slow-building fugue" of the same name by experimental American guitarist and experimental composer Rhys Chatham, which, as the name suggests, was composed for three electric guitars,http://www.rhyschatham.net/g3english/GuitarTrioScore.pdf and suited the band as they had a trio of guitarists. Poss considered Chatham a former mentor, as numerous members of the band began their careers in Chatham's ensembles.Rhys Chatham & Angie Eng At The Kitchen Artist Organized Art According to one commentary, "this parallels the way that members of fellow NYC noise rockers Sonic Youth began their careers in Branca's ensembles; Thurston Moore of Sonic Youth did play with Chatham as well."
