Critical opinions of the film were varied. Roger Ebert wrote that while the movie is "no masterpiece" it still satisfies audiences as it "unzips along at a nice, vulgar clip". He said that Elizabeth Taylor is the film's main attraction, but the emphasis upon her detracts somewhat from a fuller representation of the love triangle in the film. Steven Scheuer praised the film for its "intelligent dialogue" and as a "change of pace" for its director. Michael McWilliams cited Taylor's work as "her greatest movie performance" and called the film "outrageously funny" (McWilliams, 1987: 32).
