Bock wrote that `` The resonance of `` Twenty-Four Eyes `` for audiences then and now is that Miss Oishi speaks for countless people the world over who never want to see another father , son , or brother die in a war for reasons they do not understand '' , and posited that the film 's anti-war message is `` aimed more directly at Japan `` compared to films with a similar message by Yasujirō Ozu or Akira Kurosawa .
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