 Dante's footsteps through <i>The Inferno </i> in real time." 
	If any exhibition endeavor has achieved this recently it is the "PORT" exhibition, and its process itself is very apparent and very evident throughout the performative development of the work.  
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<small>*Diagram by Umberto Eco from <i>The Limits of Interpretation</i>, A Midland Book, Indiana University Press, Bloomington and Indianapolis, 1994, Illustration 9.2, p. 141.</small>

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<Center><BR><BR><BR>
