d the track at number 32, calling it "brilliantly strange" and praising its catchiness. Jon O'Brien from <i>Paste</i> magazine complimented the track's production, and believed it to be an "immediate standout" on the album. The mix of the guitar riffs, the fractured beats and Colombier's string arrangement were all listed as an "elegiac finale" complementing the cowboy imagery portrayed by Madonna during the album cycle. Similar thoughts were registered by <i>The Huffington Post</i> ' s Matthew Jacobs who r