on Henley's music video for "The Boys of Summer" (1984). <i>Digital Spy</i> ' s Justin Harp felt that "the sight of Madonna wearing a cowboy hat and line dancing in the [video] still ranks as one of the iconic visuals from her four-decade career". Author Judith Periano wrote in her book <i>Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig</i> that the video was comparable to the clip for Judy Garland's "Get Happy". Samuel R. Murrian opined that it "revolutionized cowboy ch