ticular theme (Drama) signaled a call to the artist to develop a new work or adapt an old, or at least to see a pre-existing work in a new context.
	New works, of course, require time to develop, and there was a time when new works were developed privately, in the studio, and the various stages of their development were neither seen nor discussed.  BLAST's in-depth sweep of good works was enhanced by the fact that all the works were changing over time, whether literally or by perception.  Artists were, to d