ic".</p>
            <p>Santiago Fouz-Hernández and Freya Jarman-Ivens, authors of <i>Madonna's Drowned Worlds</i>, questioned whether the singer's portrayal of Western culture in the video was legitimate or if it was meant to be tongue-in-cheek, also criticizing the dancing cowboys. Farber added that "by putting her cowboys on a commercial billboard, [Madonna] not only acknowledges the absurdity of her playing a rural lass, she's implicitly questioning whether there's any difference left between authentic