 viewers on a platter. This appears to be a straightforward ideology.  In choosing between process and/or product orientation for an exhibition, one would think the former would be the riskiest.  But there is risk in the "platter of objects" mode, too--it hangs on one statement rather than many possible interpretations, and the exhibition may be judged on the nature of the statement rather than on the works itself, even if that is not the intention.<BR><BR>
	A muse-educated colleague of mine described "TECH