ve of the structure at all, in the
way that a ST stylist can hardly help but to think,
but that they are in fact an epi-phenomenon to the
true form and substance of the subject, arising from
nothing more than the inconvenient conventions that
force one who would express the form to choose among
accidental, inessential, and particular manners and
mediums of coordinate representation.  Accordingly,
the GT genreist thinks to have presented the viewer
with a picture of the graph that is closer to the
truth, nea