20)</span>, but it was not until Generative Adversarial Networks (GANs) that music benefited from raw audio synthesized with DL <span class="citation" data-cites="Bollepalli_2017 2017Kaneko pascual2017segan donahue2018adversarial 2019waveglow tian2020tfgan Liu_2020">(Bollepalli et al. 2017, Donahue et al. 2018, Kaneko et al. 2017, Liu et al. 2020, Pascual et al. 2017, Prenger et al. 2019, Tian et al. 2020)</span>.<a href="#fn3" class="footnote-ref" id="fnref3" role="doc-noteref"><sup>3</sup></a></p>
<p>Thes