imitations we have found. We conclude in section 4 that there is much work to be done in both the adaptation of image to audio algorithms and in the navigable feature space of deep models.</p>
<p>The research in DreamSound can be understood from two approaches: <em>input manipulation</em> and <em>sonification design</em>. In turn, these approaches are described with examples of previous work and our implementation is briefly discussed.</p>
<h1 id="previous-work">Previous Work</h1>
<h2 id="deep-dream">Deep D