Aladdin (1992 Disney film)
Themes

The filmmakers thought that the moral message of the original tale was inappropriate, and decided to "put a spin on it" by making the fulfillment of wishes seem like a great solution, but eventually becoming a problem. Another major theme was avoiding an attempt to be what the person is not — both Aladdin and Jasmine get into trouble pretending to be different people, and Prince Ali's persona fails to impress Jasmine, who falls for Aladdin only when she finds out who he truly is. Being "imprisoned" is also presented, a fate that occurs to most of the characters — Aladdin and Jasmine are limited by their lifestyles, while the Genie is attached to his lamp, and Jafar to the Sultan — and is represented visually by the prison-like walls and bars of the Agrabah palace and the scene involving caged birds, which Jasmine eventually frees. Jasmine is also depicted as a different type of Disney Princess, being rebellious against the royal life and the social structure.
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