Indus Valley Civilisation
Human statuettes

A handful of realistic statuettes have been found at IVC sites, of which much the most famous is the lost-wax casting bronze statuette of a slender-limbed Dancing Girl adorned with bangles, found in Mohenjo-daro. Two other realistic incomplete statuettes have been found in Harappa in proper stratified excavations, which display near- Classical treatment of the human shape: the statuette of a dancer who seems to be male, and the Harappa Torso, a red jasper male torso, both now in the Delhi National Museum. Sir John Marshall reacted with surprise when he saw these two statuettes from Harappa:

When I first saw them I found it difficult to believe that they were prehistoric; they seemed to completely upset all established ideas about early art, and culture. Modelling such as this was unknown in the ancient world up to the Hellenistic age of Greece, and I thought, therefore, that some mistake must surely have been made; that these figures had found their way into levels some 3000 years older than those to which they properly belonged... Now, in these statuettes, it is just this anatomical truth which is so startling; that makes us wonder whether, in this all-important matter, Greek artistry could possibly have been anticipated by the sculptors of a far-off age on the banks of the Indus.

These statuettes remain controversial, due to their advanced style in representing the human body. Regarding the red jasper torso, the discoverer, Vats, claims a Harappan date, but Marshall considered this statuette is probably historical, dating to the Gupta period, comparing it to the much later Lohanipur torso. A second rather similar grey stone torso of a dancing male was also found about 150 meters away in a secure Mature Harappan stratum. Overall, anthropologist Gregory Possehl tends to consider that these statuettes probably form the pinnacle of Indus art during the Mature Harappan period.
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