Impressionism
Photography and film

While his photographs are less known than his paintings or his sculptures, Edgar Degas also pursued photography later in his life. His photographs were never exhibited during his lifetime, and not much attention was given to them following his death. It was not until the late 20th century that scholars started to take interest in Degas's photographs.

Pictorialist photographers, whose work is characterized by soft focus and atmospheric effects, have also been called Impressionists. These Impressionist photographers used various techniques such as photographing subjects out of focus, using soft focus lenses or pinhole lenses, and manipulating the gum bichromate process to create images that resembled Impressionist paintings.

French Impressionist Cinema is a term applied to a loosely defined group of films and filmmakers in France from 1919 to 1929, although these years are debatable. French Impressionist filmmakers include Abel Gance, Jean Epstein, Germaine Dulac, Marcel L'Herbier, Louis Delluc, and Dmitry Kirsanoff.
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