Dr. Seuss
World War II-era work

As World War II began, Geisel turned to political cartoons, drawing over 400 in two years as editorial cartoonist for the left-leaning New York City daily newspaper, PM. Geisel's political cartoons, later published in Dr. Seuss Goes to War, denounced Adolf Hitler and Benito Mussolini and were highly critical of non-interventionists ("isolationists"), such as Charles Lindbergh, who opposed US entry into the war. One cartoon depicted Japanese Americans being handed TNT in anticipation of a "signal from home", while other cartoons deplored the racism at home against Jews and blacks that harmed the war effort. His cartoons were strongly supportive of President Roosevelt 's handling of the war, combining the usual exhortations to ration and contribute to the war effort with frequent attacks on Congress (especially the Republican Party), parts of the press (such as the New York Daily News, Chicago Tribune and Washington Times-Herald), and others for criticism of Roosevelt, criticism of aid to the Soviet Union, investigation of suspected Communists, and other offences that he depicted as leading to disunity and helping the Nazis, intentionally or inadvertently.

In 1942, Geisel turned his energies to direct support of the U.S. war effort. First, he worked drawing posters for the Treasury Department and the War Production Board. Then, in 1943, he joined the Army as a captain and was commander of the Animation Department of the First Motion Picture Unit of the United States Army Air Forces, where he wrote films that included Your Job in Germany, a 1945 propaganda film about peace in Europe after World War II; Our Job in Japan and the Private Snafu series of adult army training films. While in the Army, he was awarded the Legion of Merit. Our Job in Japan became the basis for the commercially released film Design for Death (1947), a study of Japanese culture that won the Academy Award for Best Documentary Feature Film. Gerald McBoing-Boing (1950) was based on an original story by Seuss and won the Academy Award for Best Animated Short Film.
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