Jazz
"Un Poco Loco"

Another jazz composition critical to the development of Afro-Cuban jazz was Bud Powell's " Un Poco Loco," recorded with Curley Russell on bass and Max Roach on drums. Noted for its "frenetic energy" and "clanging cowbell and polyrhythmic accompaniment," the composition combined Afro-Cuban rhythm with polytonality and preceded further use of modality and avant-garde harmony in Latin jazz.
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