Pyongyang
Cityscape

After being destroyed during the Korean War, Pyongyang was entirely rebuilt according to Kim Il Sung's vision, which was to create a capital that would boost morale in the post-war years. The result was a city with wide, tree-lined boulevards and public buildings with terraced landscaping, mosaics and decorated ceilings. Its Soviet-style architecture makes it reminiscent of a Siberian city during winter snowfall, although edifices of traditional Korean design somewhat soften this perception. In summer, it is notable for its rivers, willow trees, flowers and parkland.

While the city has, since the end of the Korean War was planned strictly according to the Socialist principles the city did pass transformation According to the 1953 masterplan designed Kim Jung-hee the city was planned to reach one-million residents stretching from the Taedong River to the Pothong River. The city center was planned as the main administrative district with main landscape structures constructed in between districts and are used as buffer zones so that they cannot expand freely. The city center was planned with wide avenues and streets and monumental structures and forms the central administrative district where many government and public buildings are located including the Forbidden City as well as various monuments and memorials, which together form an important axis of symbolic places which promotes the Ideology of the Workers' Party of Korea and North Korean cult of personality around Kim family with the epicentre and Kilometre zero of the central district located at Kim Il-sung Square.

The 1953 masterplan set the basic layout from which the city's development was derived in the next decades with a unit district system which mixes residential and industrial zoning. Those districts are spread around the central administrative district and together with it they form the key axis of directionality for the city expansion. While in the 50s the major emphasis was placed on the reconstruction of Pyongyang from its ruins as carefully a socialist city in strict line with the masterplan, the 60s and 70s saw new wave of development which included expansion of the central boulevards, construction of high-density apartment buildings along the central boulevards, grandiose civic and cultural buildings and monumental statues and squares. This tendency included also the inclusion of traditional Korean architecture for some buildings. While the development generally followed the 1953 master plan, it diverted from it in some aspects, such as the construction of high-rises along the central avenues, a step conflicted with the 1953 plan which called for more even distribution of the residential construction throughout the city in several multi-cores. The 90s saw a relative slowdown in the development of the urban structure due to the deep economic crisis and famine which swept through North Korea and led to the diversion of resources to the army. The 2010s and 2020s saw renewed efforts in urbanization and increasing density with the reconstruction of streets and avenues located further from the center and transformation of former rural parts of the city into high density residential districts.

The streets are laid out in a north–south, east–west grid, giving the city an orderly appearance. North Korean designers applied the Swedish experience of self-sufficient urban neighbourhoods throughout the entire country, and Pyongyang is no exception. Its inhabitants are mostly divided into administrative units of 5,000 to 6,000 people (dong). These units all have similar sets of amenities including a food store, a barber shop, a tailor, a public bathhouse, a post office, a clinic, a library and others. Many residents occupy high-rise apartment buildings. One of Kim Il Sung's priorities while designing Pyongyang was to limit the population. Authorities maintain a restrictive regime of movement into the city, making it atypical of East Asia as it is silent, uncrowded and spacious.

Structures in Pyongyang are divided into three major architectural categories: monuments, buildings with traditional Korean motifs and high-rises. Some of North Korea's most recognisable landmarks are monuments, like the Juche Tower, the Arch of Triumph and the Mansu Hill Grand Monument. The first of them is a 170-meter (560 ft) granite spire symbolizing the Juche ideology. It was completed in 1982 and contains 25,550 granite blocks, one for each day of Kim Il Sung's life up to that point. The most prominent building on Pyongyang's skyline is Ryugyong Hotel, the seventh highest building in the world terms of floor count, the tallest unoccupied building in the world, and one of the tallest hotels in the world. It has yet to open.

Pyongyang has a rapidly evolving skyline, dominated by high-rise apartment buildings. A construction boom began with the Changjon Street Apartment Complex, which was completed in 2012. Construction of the complex began after late leader Kim Jong Il described Changjon Street as "pitiful". Other housing complexes are being upgraded as well, but most are still poorly insulated, and lacking elevators and central heating. An urban renewal program continued under Kim Jong Un's leadership, with the old apartments of the 1970s and '80s replaced by taller high rise buildings and leisure parks like the Kaesong Youth Park, as well as renovations of older buildings. In 2018, the city was described as unrecognizable compared to five years before.
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