Nero
Great Fire of Rome

The Great Fire of Rome began on the night of 18 to 19 July 64, probably in one of the merchant shops on the slope of the Aventine overlooking the Circus Maximus, or in the wooden outer seating of the Circus itself. Rome had always been vulnerable to fires, and this one was fanned to catastrophic proportions by the winds. Tacitus, Cassius Dio, and modern archaeology describe the destruction of mansions, ordinary residences, public buildings, and temples on the Aventine, Palatine, and Caelian hills. The fire burned for over seven days before subsiding; it then started again and burned for three more. It destroyed three of Rome's 14 districts and severely damaged seven more.

Some Romans thought the fire an accident, as the merchant shops were timber-framed and sold flammable goods, and the outer seating stands of the Circus were timber-built. Others claimed it was arson committed on Nero's behalf. The accounts by Pliny the Elder, Suetonius, and Cassius Dio suggest several possible reasons for Nero's alleged arson, including his creation of a real-life backdrop to a theatrical performance about the burning of Troy. Suetonius wrote that Nero started the fire to clear the site for his planned palatial Golden House. This would include lush artificial landscapes and a 30-meter-tall statue of himself, the Colossus of Nero, sited more or less where the Colosseum would eventually be built. Suetonius and Cassius Dio claim that Nero sang the " Sack of Ilium " in stage costume while the city burned. The popular legend that Nero played the lyre while Rome burned "is at least partly a literary construct of Flavian propaganda... which looked askance on the abortive Neronian attempt to rewrite Augustan models of rule".

Tacitus suspends judgment on Nero's responsibility for the fire; he found that Nero was in Antium when the fire started, and returned to Rome to organize a relief effort, providing for the removal of bodies and debris, which he paid for from his own funds. After the fire, Nero opened his palaces to provide shelter for the homeless, and arranged for food supplies to be delivered in order to prevent starvation among the survivors.

Tacitus writes that to remove suspicion from himself, Nero accused Christians of starting the fire. According to this account, many Christians were arrested and brutally executed by "being thrown to the beasts, crucified, and being burned alive". Tacitus asserts that in his imposition of such ferocious punishments, Nero was not motivated by a sense of justice, but by a penchant for personal cruelty.

Houses built after the fire were spaced out, built in brick, and faced by porticos on wide roads. Nero also built himself a new palace complex known as the Domus Aurea in an area cleared by the fire. The cost to rebuild Rome was immense, requiring funds the state treasury did not have. To find the necessary funds for the reconstruction, Nero's government increased taxation. Particularly heavy tributes were imposed on the provinces of the empire. To meet at least a portion of the costs, Nero devalued the Roman currency, increasing inflationary pressure for the first time in the Empire's history.
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