Disco
Factors contributing to disco's decline

Factors that have been cited as leading to the decline of disco in the United States include economic and political changes at the end of the 1970s, as well as burnout from the hedonistic lifestyles led by participants. In the years since Disco Demolition Night, some social critics have described the "Disco sucks" movement as implicitly macho and bigoted, and an attack on non-white and non-heterosexual cultures. It was also interpreted being part of a wider cultural "backlash", the move towards conservatism, that also made its way into US politics with the election of conservative president Ronald Reagan in 1980, which also led to Republican control of the United States Senate for the first time since 1954, plus the subsequent rise of the Religious Right around the same time.

In January 1979, rock critic Robert Christgau argued that homophobia, and most likely racism, were reasons behind the movement, a conclusion seconded by John Rockwell. Craig Werner wrote: "The Anti-disco movement represented an unholy alliance of funkateers and feminists, progressives, and puritans, rockers and reactionaries. Nonetheless, the attacks on disco gave respectable voice to the ugliest kinds of unacknowledged racism, sexism and homophobia." Legs McNeil, founder of the fanzine Punk, was quoted in an interview as saying, "the hippies always wanted to be black. We were going, 'fuck the blues, fuck the black experience.'" He also said that disco was the result of an " unholy " union between homosexuals and blacks.

Steve Dahl, who had spearheaded Disco Demolition Night, denied any racist or homophobic undertones to the promotion, saying, "It's really easy to look at it historically, from this perspective, and attach all those things to it. But we weren't thinking like that," it was "just kids pissing on a musical genre". It has been noted that British punk rock critics of disco were very supportive of the pro-black/anti-racist reggae genre as well as the more pro-gay new romantics movement. Christgau and Jim Testa have said that there were legitimate artistic reasons for being critical of disco.

In 1979, the music industry in the United States underwent its worst slump in decades, and disco, despite its mass popularity, was blamed. The producer-oriented sound was having difficulty mixing well with the industry's artist-oriented marketing system. Harold Childs, senior vice president at A&M Records, reportedly told the Los Angeles Times that "radio is really desperate for rock product" and "they're all looking for some white rock-n-roll". Gloria Gaynor argued that the music industry supported the destruction of disco because rock music producers were losing money and rock musicians were losing the spotlight.
oulipo:avoid_letter[t]