Caste system in India
In film

The Hindi film Achhut Kannya (Untouchable Maiden, 1936), starring Ashok Kumar and Devika Rani, was an early reformist film. Since then, there are a variety of films focusing on caste discrimination and the depiction of inter-caste relations, such as Sujata (1959) and Ankur (1974). The largest swell of caste-focused films with lower-caste representation occurred from the 1960s until 1990, during the peak of parallel cinema. However, since the 1990s, there is a substantial disparity in caste representation in film due to the rise of upper-caste protagonists, casting, and participation in the industry. This can be traced to the beginning of the film industry, which was pioneered by a Brahmin, Dadasaheb Phalke; since then, while Dalits tried to enter the industry, they were often cast in side roles or as villains.

In the 21st century, there are several critically acclaimed regional films known for strong caste representation. Sairat (2016) and Fandry (2013) are both Marathi-language films about inter-caste romance and discrimination and are respected for their Dalit direction and honest depiction of lower-caste experiences. Pariyerum Perumal (2018) is a Tamil film on caste violence, and Kabali (2016) is an action film starring Rajinikanth, both directed by Dalit filmmaker Pa. Ranjith.

Unlike regional films, Hindi films are still dominated by upper-caste filmmakers and stories, even when they attempt to discuss caste discrimination. Article 15 (2019) is a crime thriller that stars a Brahmin hero who helps Dalit villagers by investigating the murder of two Dalit girls, and works to erase caste discrimination in the police system. It was a box-office hit but is criticized for its upper-caste casting and victimization of Dalits.
keywords:frequency, combination:repeat_prompt