Amplifier
Notes on implementation

Any real amplifier is an imperfect realization of an ideal amplifier. An important limitation of a real amplifier is that the output it generates is ultimately limited by the power available from the power supply. An amplifier saturates and clips the output if the input signal becomes too large for the amplifier to reproduce or exceeds operational limits for the device. The power supply may influence the output, so must be considered in the design. The power output from an amplifier cannot exceed its input power.

The amplifier circuit has an "open loop" performance. This is described by various parameters (gain, slew rate, output impedance, distortion, bandwidth, signal-to-noise ratio, etc.). Many modern amplifiers use negative feedback techniques to hold the gain at the desired value and reduce distortion. Negative loop feedback has the intended effect of lowering the output impedance and thereby increasing electrical damping of loudspeaker motion at and near the resonance frequency of the speaker.

When assessing rated amplifier power output, it is useful to consider the applied load, the signal type (e.g., speech or music), required power output duration (i.e., short-time or continuous), and required dynamic range (e.g., recorded or live audio). In high-powered audio applications that require long cables to the load (e.g., cinemas and shopping centres) it may be more efficient to connect to the load at line output voltage, with matching transformers at source and loads. This avoids long runs of heavy speaker cables.

To prevent instability or overheating requires care to ensure solid state amplifiers are adequately loaded. Most have a rated minimum load impedance.

All amplifiers generate heat through electrical losses. The amplifier must dissipate this heat via convection or forced air cooling. Heat can damage or reduce electronic component service life. Designers and installers must also consider heating effects on adjacent equipment.

Different power supply types result in many different methods of bias. Bias is a technique by which active devices are set to operate in a particular region, or by which the DC component of the output signal is set to the midpoint between the maximum voltages available from the power supply. Most amplifiers use several devices at each stage; they are typically matched in specifications except for polarity. Matched inverted polarity devices are called complementary pairs. Class-A amplifiers generally use only one device, unless the power supply is set to provide both positive and negative voltages, in which case a dual device symmetrical design may be used. Class-C amplifiers, by definition, use a single polarity supply.

Amplifiers often have multiple stages in cascade to increase gain. Each stage of these designs may be a different type of amp to suit the needs of that stage. For instance, the first stage might be a class-A stage, feeding a class-AB push–pull second stage, which then drives a class-G final output stage, taking advantage of the strengths of each type, while minimizing their weaknesses.
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