Niger
Culture

Nigerien culture is marked by variation, evidence of the cultural crossroads which French colonialism formed into a unified state from the beginning of the 20th century. What is now Niger was created from four distinct cultural areas in the pre-colonial era: the Zarma and Songhai dominated the Niger River valley in the southwest; the northern periphery of Hausaland, made mostly of those states which had resisted the Sokoto Caliphate, and ranged along the long southern border with Nigeria; the Lake Chad basin and Kaouar in the far east, populated by Kanuri farmers and Toubou pastoralists who had once been part of the Kanem–Bornu Empire; and the Tuareg nomads of the Aïr Mountains and the Sahara in the vast north.

Each of these communities, along with smaller ethnic groups like the pastoral Wodaabe Fula, brought their own cultural traditions to the new state of Niger. While successive post-independence governments have tried to forge a shared national culture, this has been slow forming, in part because the major Nigerien communities have their own cultural histories, and in part because Nigerien ethnic groups such as the Hausa, Tuareg and Kanuri are but part of larger ethnic communities which cross borders introduced under colonialism.

Until the 1990s, government and politics was inordinately dominated by Niamey and the Zarma people of the surrounding region. At the same time the plurality of the population, in the Hausa borderlands between Birni-N'Konni and Maine-Soroa, have often looked culturally more to Hausaland in Nigeria than Niamey. Between 1996 and 2003, primary school attendance was around 30%, including 36% of males and only 25% of females. Additional education occurs through madrasas.
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