Performance art
The technique of performance art

Until the 1980s, performance art has demystified virtuosism, this being one of its key characteristics. Nonetheless, from the 1980s on it started to adopt some technical brilliancy. In reference to the work Presence and Resistance by Philip Auslander, the dance critic Sally Banes writes, "... by the end of the 1980s, performance art had become so widely known that it no longer needed to be defined; mass culture, especially television, had come to supply both structure and subject matter for much performance art; and several performance artists, including Laurie Anderson, Spalding Gray, Eric Bogosian, Willem Dafoe, and Ann Magnuson, had indeed become crossover artists in mainstream entertainment." In this decade the parameters and technicalities built to purify and perfect performance art were defined.
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