Rachel Carson
Career

At the urging of her undergraduate biology mentor Mary Scott Skinker, Carson secured a temporary position with the U.S. Bureau of Fisheries, where she wrote radio copy for a series of weekly educational broadcasts called Romance Under the Waters. The series of 52 seven-minute programs focused on aquatic life and was intended to generate public interest in fish biology and the bureau's work, a task that several writers before Carson had not managed. Carson also began submitting articles on marine life in the Chesapeake Bay, based on her research for the series, to local newspapers and magazines.

Carson's supervisor, pleased with the success of the radio series, asked her to write the introduction to a public brochure about the fisheries bureau; he also worked to secure her the first full-time position that became available. Sitting for the civil service exam, she outscored all other applicants and, in 1936, became the second woman hired by the Bureau of Fisheries for a full-time professional position, as a junior aquatic biologist.

Using her research and consultations with marine biologists as starting points, she wrote a steady stream of articles for The Baltimore Sun and other newspapers. However, her family responsibilities further increased in January 1937 when her older sister died, leaving Carson as the sole breadwinner for her mother and two nieces.

In July 1937, the Atlantic Monthly accepted a revised version of an essay, The World of Waters, that she originally wrote for her first fisheries bureau brochure. Her supervisor had deemed it too good for that purpose. The essay, published as Undersea, was a vivid narrative of a journey along the ocean floor. It marked a major turning point in Carson's writing career. Publishing house Simon & Schuster, impressed by Undersea, contacted Carson and suggested that she expand it into a book. Several years of writing resulted in Under the Sea Wind (1941), which received excellent reviews but sold poorly. In the meantime, Carson's article-writing success continued with her features appearing in Sun Magazine, Nature, and Collier's. Carson attempted to leave the Bureau (by then transformed into the United States Fish and Wildlife Service) in 1945. However, few jobs for naturalists were available, since most money for science was focused on technical fields in the wake of the Manhattan Project.

In mid-1945, Carson first encountered the subject of DDT, a revolutionary new pesticide—lauded as the "insect bomb" after the atomic bombings of Hiroshima and Nagasaki —that was only beginning to undergo tests for safety and ecological effects. DDT was one of Carson's many writing interests at the time, but editors found the subject unappealing; she published nothing on DDT until 1962.

Carson rose within the Fish and Wildlife Service, and in 1945 was supervising a small writing staff. In 1949, she was appointed chief editor of publications, which allowed her increased opportunities for fieldwork and freedom in choosing her writing projects; however, it also entailed increasingly tedious administrative responsibilities. By 1948, Carson was working on material for a second book and decided to begin a transition to writing full-time. That year, she took on a literary agent, Marie Rodell; they formed a close professional relationship that would last the rest of Carson's career.

Oxford University Press expressed interest in Carson's book proposal for a life history of the ocean, spurring her to complete by early 1950 the manuscript of what would become The Sea Around Us. Chapters appeared in Science Digest and The Yale Review, which published a chapter, "The Birth of an Island," which won the American Association for the Advancement of Science 's George Westinghouse Science Writing Prize. Beginning in June 1951, nine chapters were serialized in The New Yorker.

On July 2, 1951, the book was published by Oxford University Press. The Sea Around Us remained on The New York Times Bestseller List for 86 weeks, was abridged by Reader's Digest, won the 1952 National Book Award for Nonfiction and the John Burroughs Medal, and resulted in Carson being awarded two honorary doctorates. She licensed a documentary film based on it, The Sea, whose success led to republication of Under the Sea Wind, which became a bestseller. With success, came financial security; in 1952, Carson was able to give up her job in order to concentrate on writing full-time.

Carson was inundated with requests for speaking engagements, fan mail and other correspondence regarding The Sea Around Us, along with work on the script that she had secured the right to review. She was very unhappy with the final version of the script by writer, director, and producer Irwin Allen; she found it untrue to the atmosphere of the book and scientifically embarrassing, describing it as "a cross between a believe-it-or-not and a breezy travelogue." However, she discovered that her right to review the script did not extend to any control over its content. This led to many scientific inconsistencies inside the film. Despite Carson's requests to resolve these problems, Allen went forward with the script. He succeeded in producing a very successful documentary. It went on to win the 1953 Academy Award for Best Documentary Feature. However, Carson was so embittered by the experience that she never again sold film rights to her work.
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