Amelia Bence
Amelia Bence was an Argentine film actress and one of the divas of the Golden Age of Argentine Cinema (1940–1960). Born to Belarusian Jewish immigrants, Bence began her career at a young age, studying with Alfonsina Storni at the Lavardén Children's Theater and with Mecha Quintana at the Conservatorio Nacional de Música y Declamación. She made her film debut in 1933, in only the second sound film of Argentina, Dancing, by Luis Moglia Barth. Bence's acting in La guerra gaucha (1942), one of the most important films in the history of Argentine cinema, gave her recognition and earned her leading role offers. She starred in films such as Los ojos más lindos del mundo (1943), Todo un hombre, Camino del infierno (1946), A sangre fría (1947), La otra y yo (1949) and Danza del fuego (1949), garnering the Best Actress award from the Argentine Academy of Cinematography Arts and Sciences for Todo un hombre, A sangre fría and Danza del fuego. Bence also won the Silver Condor Award for Best Actress for Lauracha (1946), and her work was acknowledged with awards in Spain, Cuba, and the United States throughout the 1940s and 1950s. Bence married Spanish actor Alberto Closas in 1950, and after their divorce she was in a relationship with Osvaldo Cattone in the 1960s. Between 1952 and 1954, Bence was contracted by Reforma Films to film two movies in Mexico and earned high praise for her starring role in Alfonsina (1957), which was selected as the Argentine entry for the Berlin International Film Festival and won her an award from the Argentina Film Academy. She developed an extensive theater career in the 1960s, starring in works like "La dama del trébol", "Así es la vida", "Maribel y la extraña familia" and "El proceso de Mary Duggan". From 1973 to 1976, she completed a long tour of Latin America and featured in "La valija" at the Gramercy Arts Theater in New York City, which earned her an Association of Latin Entertainment Critics (ACE) Award for Best Foreign Actress. Bence's characterizations in "Doña Rosita, la soltera" (1975) and "La loba" (1982) in the United States and Peru were very successful. During the last stage of her career, she acted in several television productions, including series such as Romina, Bianca and Las 24 horas. In 1989, she received the Silver Condor for Lifetime Achievement Award, and later won awards in the same category at the Podesta Awards in 1992 and by the National Endowment for the Arts in 1997. Between 1996 and 2010, she appeared in several theaters with her show "Alfonsina", which combined music and poetry. After a career spanning eight decades in entertainment, she retired in 2010.
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