Cabinetry
History

Before the advent of industrial design, cabinet makers were responsible for the conception and the production of any piece of furniture. In the last half of the 18th century, cabinet makers, such as Thomas Sheraton, Thomas Chippendale, Shaver and Wormley Brothers Cabinet Constructors, and George Hepplewhite, also published books of furniture forms. These books were compendiums of their designs and those of other cabinet makers. The most famous cabinetmaker before the advent of industrial design is probably André-Charles Boulle (11 November 1642 – 29 February 1732) and his legacy is known as " Boulle work " and the École Boulle, a college of fine arts and crafts and applied arts in Paris, today bears testimony to his art.

With the Industrial Revolution and the application of steam power to cabinet making tools, mass production techniques were gradually applied to nearly all aspects of cabinet making, and the traditional cabinet shop ceased to be the main source of furniture, domestic or commercial. In parallel to this evolution there came a growing demand by the rising middle class in most industrialised countries for finely made furniture. This eventually grew the total number of traditional cabinet makers.

Before 1650, fine furniture was a rarity in Western Europe and North America. Generally, people did not need it and for the most part could not afford it. They made do with simple but serviceable pieces.

The arts and craft movement which started in the United Kingdom in the middle of the 19th century spurred a market for traditional cabinet making, and other craft goods. It rapidly spread to the United States and to all the countries in the British Empire. This movement exemplified the reaction to the eclectic historicism of the Victorian era and to the 'soulless' machine-made production which was starting to become widespread. During this time, cabinetry was said to be one of the most noble and admirable skills by nearly one fourth of the population of the United Kingdom, and 31% of those who believed this strived for their children to learn the art of cabinetry.

After World War II woodworking became a popular hobby among the middle classes. The more serious and skilled amateurs in this field now turn out pieces of furniture which rival the work of professional cabinet makers. Together, their work now represents but a small percentage of furniture production in any industrial country, but their numbers are vastly greater than those of their counterparts in the 18th century and before.
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