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Painting and sculpture

Vilnius was an artistic centre of the Grand Duchy of Lithuania, attracting artists across Europe. The oldest surviving early Gothic artworks (14th century) are paintings dedicated to churches and liturgy, such as frescoes in the crypts of Vilnius Cathedral and decorated hymnbooks. Sixteenth-century wall paintings are in the city's Church of St. Francis and St. Bernard and the Church of Saint Nicholas. Gothic wooden polychrome sculptures decorate church altars. Some Gothic seals from the 14th and 15th centuries still exist, including those of Kęstutis, Vytautas the Great and Sigismund II Augustus.

Renaissance sculpture appeared during the early 16th century, primarily by the Italian sculptors Bernardinus Zanobi da Gianotti, Giovani Cini, and Giovanni Maria Padovano. During the Renaissance, portrait tombstones and medals were valued; examples are the marble tombs of Albertas Goštautas (1548) and Paweł Holszański (1555) by Bernardino de Gianotis in Vilnius Cathedral. Italian sculpture is characterized by its naturalistic treatment of forms and precise proportions. Local sculptors adopted the iconographic scheme of Renaissance tombs; their works, such the tomb of Lew Sapieha (c. 1633) in the Church of St. Michael, are stylized. During this period, local and Western European painters created religious and mythological compositions and portraits with late Gothic and Baroque features; illustrated prayerbooks, illustrations, and miniatures have survived.

During the late-16th-century Baroque, wall painting developed. Most palaces and churches were decorated in frescoes with bright colors, sophisticated angles, and drama. Secular painting – representational, imaginative, epitaph portraits, scenes of battles and politically important events in a detailed, realistic style – also spread at this time. Baroque sculptures dominated sacred architecture: tombstones with sculpted portraits and decorative sculptures in wood, marble, and stucco. Italian sculptors such as G. P. Perti, G. M. Galli, and A. S. Capone, key figures in the development of sculpture in the 17th-century grand duchy, were commissioned by Lithuanian nobility. Their works exemplify the mature Baroque, with expressive forms and sensuality. Local sculptors emphasized Baroque decorative features, with less expression and emotion.

Lithuanian painting was influenced by the Vilnius Art School during the late 18th and 19th centuries, which introduced classical and romantic art. Painters had internships abroad, mainly in Italy. Allegorical, mythological compositions, landscapes, and portraits of representatives of various circles of society began, and historical themes prevailed. The era's best-known classical painters are Franciszek Smaglewicz, Jan Rustem, Józef Oleszkiew, Daniel Kondratowicz, Józef Peszka, and Wincenty Smokowski. Romantic artists were Jan Rustem, Jan Krzysztof Damel, Wincenty Dmochowski and Kanuty Rusiecki. After the 1832 closure of Vilnius University, the Vilnius Art School continued to influence Lithuanian art.

The Lithuanian Art Society was established in 1907 by Petras Rimša, Antanas Žmuidzinavičius and Antanas Jaroševičius, and the Vilnius Art Society was founded the following year. Artists included Jonas Šileika, Justinas Vienožinskis, Jonas Mackevičius (1872), Vytautas Kairiūkštis, and Vytautas Pranas Bičiūnas, who employed Western European symbolism, realism, Art Nouveau and modernism. Socialist realism was introduced after World War II, with propaganda paintings, historical and household works, still lives, landscapes, portraits, and sculptures. Late 20th- and 21st-century painters are Žygimantas Augustinas, Eglė Ridikaitė, Eglė Gineitytė, Patricija Jurkšaitytė, Jurga Barilaitė, and Solomonas Teitelbaumas.

The Užupis district near the Old Town, a run-down district during the Soviet era, hosts bohemian artists who operate a number of art galleries and workshops. In its main square, a statue of an angel blowing a trumpet symbolises artistic freedom.

The world's first bronze memorial to Frank Zappa was installed in the Naujamiestis district in 1995. In 2015, the Vilnius Talking Statues project was introduced. Eighteen statues around the city interact by smartphone with visitors in several languages.