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China

In China, the earliest bronze artefacts have been found in the Majiayao culture site (between 3100 and 2700 BC).

The term "Bronze Age" has been transferred to the archaeology of China from that of Western Eurasia, and there is no consensus or universally used convention delimiting the "Bronze Age" in the context of Chinese prehistory. "Early Bronze Age" in China is sometimes taken as equivalent to the " Shang dynasty " period (16th to 11th centuries BC), and the "Later Bronze Age" as equivalent to the " Zhou dynasty " period (11th to 3rd centuries BC, from the 5th century, also called " Iron Age "), although there is an argument to be made that the "Bronze Age" proper never ended in China, as there is no recognizable transition to an "Iron Age". Significantly, together with the jade art that precedes it, bronze was seen as a "fine" material for ritual art when compared with iron or stone.

Bronze metallurgy in China originated in what is referred to as the Erlitou (Wade–Giles: Erh-li-t'ou) period, which some historians argue places it within the Shang dynasty. Others believe the Erlitou sites belong to the preceding Xia (Wade–Giles: Hsia) dynasty. The U.S. National Gallery of Art defines the Chinese Bronze Age as the "period between about 2000 BC and 771 BC", a period that begins with the Erlitou culture and ends abruptly with the disintegration of Western Zhou rule.

There is reason to believe that bronze work developed inside of China apart from outside influence. However, the discovery of Europoid mummies in Xinjiang has caused some archaeologists such as Johan Gunnar Andersson, Jan Romgard, and An Zhimin to suggest a possible route of transmission from the West eastwards. According to An Zhimin, "It can be imagined that initially, bronze and iron technology took its rise in West Asia, first influenced the Xinjiang region, and then reached the Yellow River valley, providing external impetus for the rise of the Shang and Zhou civilizations." According to Jan Romgard, "bronze and iron tools seem to have traveled from west to east as well as the use of wheeled wagons and the domestication of the horse." There are also possible links to Seima-Turbino culture, "a transcultural complex across northern Eurasia," the Eurasian steppe, and the Urals. However, the oldest bronze objects found in China so far were discovered at the Majiayao site in Gansu rather than at Xinjiang.

The Shang dynasty (also known as the Yin dynasty) of the Yellow River Valley rose to power after the Xia dynasty around 1600 BC. While some direct information about the Shang dynasty comes from Shang-era inscriptions on bronze artefacts, most comes from oracle bones —turtle shells, cattle scapulae, or other bones—which bear glyphs that form the first significant corpus of recorded Chinese characters.

The production of Erlitou in Henan represents the earliest large-scale metallurgy industry in the Central Plains of China. The influence of the Saima-Turbino metalworking tradition from the north is supported by a series of recent discoveries in China of many unique perforated spearheads with downward hooks and small loops on the same or opposite side of the socket, which could be associated with the Seima-Turbino visual vocabulary of southern Siberia. The metallurgical centres of northwestern China, especially Qijia in Gansu and Kexingzhuang culture in Shaanxi, played an intermediary role in this process.

Iron has been found from the Zhou dynasty, but its use was minimal. Chinese literature dating to the 6th century BC attests to knowledge of iron smelting, yet bronze continues to occupy the seat of significance in the archaeological and historical record for some time after this. Historian W.C. White argues that iron did not supplant bronze "at any period before the end of the Zhou dynasty (256 BC)" and that bronze vessels make up the majority of metal vessels through the Later Han period, or to 221 BC.

The Chinese bronze artefacts generally are either utilitarian, like spear points or adze heads, or "ritual bronzes", which are more elaborate versions in precious materials of everyday vessels, as well as tools and weapons. Examples are the numerous large sacrificial tripods known as dings in Chinese; there are many other distinct shapes. Surviving identified Chinese ritual bronzes tend to be highly decorated, often with the taotie motif, which involves highly stylised animal faces. These appear in three main motif types: those of demons, symbolic animals, and abstract symbols. Many large bronzes also bear cast inscriptions that are the great bulk of the surviving body of early Chinese writing and have helped historians and archaeologists piece together the history of China, especially during the Zhou dynasty (1046–256 BC).

The bronzes of the Western Zhou dynasty document large portions of history not found in the extant texts that were often composed by persons of varying rank and possibly even social class. Further, the medium of cast bronze lends the record they preserve a permanence not enjoyed by manuscripts. These inscriptions can commonly be subdivided into four parts: a reference to the date and place, the naming of the event commemorated, the list of gifts given to the artisan in exchange for the bronze, and a dedication. The relative points of reference these vessels provide have enabled historians to place most of the vessels within a certain time frame of the Western Zhou period, allowing them to trace the evolution of the vessels and the events they record.