stylistic:tone
The Boom

After World War II, Latin America enjoyed increasing economic prosperity, and a new-found confidence also gave rise to a literary boom. From 1960 to 1967, some of the major seminal works of the boom were published and before long became widely noticed, admired, and commented on beyond Latin America itself. Many of these novels and collections of short stories were somewhat rebellious from the general point of view of Latin America culture. Authors crossed traditional boundaries, experimented with language, and often mixed different styles of writing in their works.

Structures of literary works were also changing. Boom writers ventured outside traditional narrative structures, embracing non-linearity and experimental narration. The figure of Jorge Luis Borges, though not a Boom author per se, was extremely influential for the Boom generation. Latin American authors were inspired by North American and European authors such as William Faulkner, James Joyce, and Virginia Woolf, by the legendary Spanish poet and dramatist Federico García Lorca as well as by each other's works; many of the authors knew one another, which led to a mutual crossbreeding of styles.

The Boom launched Latin American literature onto the world stage. It was distinguished by daring and experimental novels such as Julio Cortázar 's Rayuela (1963), that were frequently published in Spanish and quickly translated into English. From 1966 to 1968, Emir Rodríguez Monegal published his influential Latin American literature monthly Mundo Nuevo, with excerpts of unreleased novels from then-new writers such as Guillermo Cabrera Infante or Severo Sarduy, including two chapters of Gabriel García Márquez 's Cien años de soledad in 1966. In 1967, the published book was one of the Boom's defining novels, which led to the association of Latin American literature with magic realism, though other important writers of the period such as Mario Vargas Llosa and Carlos Fuentes do not fit so easily within this framework. In the same year, 1967. Miguel Ángel Asturias was awarded the Nobel prize for literature, making his magical realist, metaphor-heavy, folkloristic and sometimes politically charged novels widely known in Europe and North America. Perhaps, the Boom's culmination arrived in Augusto Roa Bastos 's monumental Yo, el supremo (1974). Other important novelists of the period include the Chilean José Donoso, the Guatemalan Augusto Monterroso and the Cuban Guillermo Cabrera Infante.

Though the literary boom occurred while Latin America was having commercial success, the works of this period tended to move away from the positives of the modernization that was underway. Boom works often tended not to focus on social and local issues, but rather on universal and at times metaphysical themes.

Political turmoil in Latin American countries such as Cuba at this time influenced the literary boom as well. Some works anticipated an end to the prosperity that was occurring, and even predicted old problems would resurface in the near future. Their works foreshadowed the events to come in the future of Latin America, with the 1970s and 1980s dictatorships, economic turmoil, and Dirty Wars.