stylistic:style_transfer
Art

Compared to the preceding Upper Paleolithic and the following Neolithic, there is rather less surviving art from the Mesolithic. The Rock art of the Iberian Mediterranean Basin, which probably spreads across from the Upper Paleolithic, is a widespread phenomenon, much less well known than the cave-paintings of the Upper Paleolithic, with which it makes an interesting contrast. The sites are now mostly cliff faces in the open air, and the subjects are now mostly human rather than animal, with large groups of small figures; there are 45 figures at Roca dels Moros. Clothing is shown, and scenes of dancing, fighting, hunting and food-gathering. The figures are much smaller than the animals of Paleolithic art, and depicted much more schematically, though often in energetic poses. A few small engraved pendants with suspension holes and simple engraved designs are known, some from northern Europe in amber, and one from Star Carr in Britain in shale. The Elk's Head of Huittinen is a rare Mesolithic animal carving in soapstone from Finland.

The rock art in the Urals appears to show similar changes after the Paleolithic, and the wooden Shigir Idol is a rare survival of what may well have been a very common material for sculpture. It is a plank of larch carved with geometric motifs, but topped with a human head. Now in fragments, it would apparently have been over 5 metres tall when made. The Ain Sakhri figurine from Palestine is a Natufian carving in calcite.

A total of 33 antler frontlets have been discovered at Star Carr. These are red deer skulls modified to be worn by humans. Modified frontlets have also been discovered at Bedburg-Königshoven, Hohen Viecheln, Plau, and Berlin-Biesdorf.