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Later years and death

Sand and Foam was published in 1926, and Jesus, the Son of Man in 1928. At the beginning of 1929, Gibran was diagnosed with an enlarged liver. In a letter dated March 26, he wrote to Naimy that "the rheumatic pains are gone, and the swelling has turned to something opposite". In a telegram dated the same day, he reported being told by the doctors that he "must not work for full year," which was something he found "more painful than illness." The last book published during Gibran's life was The Earth Gods, on March 14, 1931.

Gibran was admitted to St. Vincent's Hospital, Manhattan, on April 10, 1931, where he died the same day, aged forty-eight, after refusing the last rites. The cause of death was reported to be cirrhosis of the liver with incipient tuberculosis in one of his lungs. Waterfield argues that the cirrhosis was contracted through excessive drinking of alcohol and was the only real cause of Gibran's death.

"The epitaph I wish to be written on my tomb: 'I am alive, like you. And I now stand beside you. Close your eyes and look around, you will see me in front of you'. Gibran"

Epitaph at the Gibran Museum

Gibran had expressed the wish that he be buried in Lebanon. His body lay temporarily at Mount Benedict Cemetery in Boston before it was taken on July 23 to Providence, Rhode Island, and from there to Lebanon on the liner Sinaia. Gibran's body reached Bsharri in August and was deposited in a church near-by until a cousin of Gibran finalized the purchase of the Mar Sarkis Monastery, now the Gibran Museum.

All future American royalties to his books were willed to his hometown of Bsharri, to be used for "civic betterment." Gibran had also willed the contents of his studio to Haskell.

Going through his papers, Young and Haskell discovered that Gibran had kept all of Mary's love letters to him. Young admitted to being stunned at the depth of the relationship, which was all but unknown to her. In her own biography of Gibran, she minimized the relationship and begged Mary Haskell to burn the letters. Mary agreed initially but then reneged, and eventually they were published, along with her journal and Gibran's some three hundred letters to her, in Hilu's Beloved Prophet.

In 1950, Haskell donated her personal collection of nearly one hundred original works of art by Gibran (including five oils) to the Telfair Museum of Art in Savannah, Georgia. Haskell had been thinking of placing her collection at the Telfair as early as 1914. Her gift to the Telfair is the largest public collection of Gibran's visual art in the country.