structural:scholar_edition, linguistic:translation, quality:correction
Literary and cultural influence

Unlike many famous writers, Kafka is rarely quoted by others. Instead, he is noted more for his visions and perspective. Kafka had a strong influence on Gabriel García Márquez, Milan Kundera and the novel The Palace of Dreams by Ismail Kadare. Shimon Sandbank, a professor, literary critic, and writer, also identifies Kafka as having influenced Jorge Luis Borges, Albert Camus, Eugène Ionesco, J. M. Coetzee and Jean-Paul Sartre. A Financial Times literary critic credits Kafka with influencing José Saramago, and Al Silverman, a writer and editor, states that J. D. Salinger loved to read Kafka's works. The Romanian writer Mircea Cărtărescu said "Kafka is the author I love the most and who means, for me, the gate to literature"; he also described Kafka as "the saint of literature".

Kafka has been cited as an influence on the Swedish writer Stig Dagerman, and the Japanese writer Haruki Murakami, who paid homage to Kafka in his novel Kafka on the Shore with the namesake protagonist.

In 1999 a committee of 99 authors, scholars, and literary critics ranked Der Process and Das Schloss the second and ninth most significant German-language novels of the 20th century. Harold Bloom said "when he is most himself, Kafka gives us a continuous inventiveness and originality that rivals Dante and truly challenges Proust and Joyce as that of the dominant Western author of our century". Sandbank argues that despite Kafka's pervasiveness, his enigmatic style has yet to be emulated. Neil Christian Pages, a professor of German Studies and Comparative Literature at Binghamton University who specialises in Kafka's works, says Kafka's influence transcends literature and literary scholarship; it impacts visual arts, music, and popular culture. Harry Steinhauer, a professor of German and Jewish literature, says that Kafka "has made a more powerful impact on literate society than any other writer of the twentieth century". Brod said that the 20th century will one day be known as the "century of Kafka".

Michel-André Bossy writes that Kafka created a rigidly inflexible and sterile bureaucratic universe. Kafka wrote in an aloof manner full of legal and scientific terms. Yet his serious universe also had insightful humour, all highlighting the "irrationality at the roots of a supposedly rational world". His characters are trapped, confused, full of guilt, frustrated, and lacking understanding of their surreal world. Much post-Kafka fiction, especially science fiction, follows the themes and precepts of Kafka's universe. This can be seen in the works of authors such as George Orwell and Ray Bradbury.

The following are examples of works across a range of dramatic, literary, and musical genres that demonstrate the extent of Kafka's cultural influence: