stylistic:tone, information:extraction
Style

Tarantino's films often feature graphic violence, a tendency which has sometimes been criticized. Reservoir Dogs was initially denied United Kingdom certification because of his use of torture as entertainment. Tarantino has frequently defended his use of violence, saying that "violence is so good. It affects audiences in a big way". When questioned in an interview for Kill Bill: Volume 1 why his movies contained so much graphic violence, he responded, "Because it's so much fun!" The number of expletives and deaths in Tarantino's films were measured by analytics website FiveThirtyEight. In the examples given by the site, " Reservoir Dogs features 'just' 10 on-screen deaths, but 421 profanities. Django Unchained, on the other hand, has 'just' 262 profanities but 47 deaths." He often blends aesthetic elements, in tribute to his favorite films and filmmakers. In Kill Bill, he melds comic strip formulas and visuals within a live action film sequence, in some cases by the literal use of cartoon or anime images.

Tarantino has also occasionally used a non-linear story structure in his films, most notably with Pulp Fiction. He has also used the style in Reservoir Dogs, Kill Bill, and The Hateful Eight. Tarantino's script for True Romance was originally told in a non-linear style, before director Tony Scott decided to use a more linear approach. Critics have since referred to the use of this shifting timeline in films as the "Tarantino Effect". Actor Steve Buscemi has described Tarantino's novel style of filmmaking as "bursting with energy" and "focused". According to Tarantino, a hallmark of all his movies is that there is a different sense of humor in each one, which prompts the viewer to laugh at scenes that are not funny. However, he insists that his films are dramas, not comedies.

Tarantino's use of dialogue is noted for its mundane conversations with popular culture references. For example, when Jules and Vincent in Pulp Fiction are driving to a hit, they talk about Vincent's trip to Europe, discussing the differences in countries such as a McDonald's " Quarter Pounder with Cheese" being called a "Royale with Cheese" in France because of the metric system. In the opening scene to Reservoir Dogs, Mr. Brown (played by Tarantino) interprets the meaning of Madonna 's song " Like a Virgin ". In Jackie Brown, Jackie and Max chat over a cup of coffee while listening to a vinyl record by the Delfonics ' " Didn't I (Blow Your Mind This Time) ".

Tarantino has said that his films take place in one of two cinematic universes, one being the more realistically grounded world of films like Reservoir Dogs and Pulp Fiction, and the other being a meta-fictional narrative which Tarantino says represents the kind of films the characters in his main cinematic universe would watch, which separates films such as From Dusk till Dawn and Kill Bill from Tarantino's primary narrative. He also creates his own products and brands that he uses in his films to varying degrees. His own fictional brands, including " Acuña Boys Tex-Mex Food", "Big Kahuna Burger", "G.O. Juice", "Jack Rabbit Slim's", "K-Billy", "Red Apple cigarettes", "Tenku Brand Beer" and "Teriyaki Donut", replace the use of product placement, sometimes to a humorous extent. Tarantino is also known for his choice of music in his films, including soundtracks that often use songs from the 1960s and 70s. In 2011, he was recognized at the 16th Critics' Choice Awards with the inaugural Music+Film Award.

A recurring image in his films are scenes where women's bare feet feature prominently. When asked about foot fetishism, Tarantino responded, "I don't take it seriously. There's a lot of feet in a lot of good directors' movies. That's just good direction. Like, before me, the person foot fetishism was defined by was Luis Buñuel, another film director. And Alfred Hitchcock was accused of it and Sofia Coppola has been accused of it."

Tarantino has stated in many interviews that his writing process is like writing a novel before formatting it into a script, saying that this creates the blueprint of the film and makes the film feel like literature. About his writing process he told website The Talks, "My head is a sponge. I listen to what everyone says, I watch little idiosyncratic behavior, people tell me a joke and I remember it. People tell me an interesting story in their life and I remember it.... when I go and write my new characters, my pen is like an antenna, it gets that information, and all of a sudden these characters come out more or less fully formed. I don't write their dialogue, I get them talking to each other."