quality:corruption
Music

The Indigenous musical styles of Venezuela are exemplified by groups like Un Solo Pueblo and Serenata Guayanesa. The national musical instrument is the cuatro. Traditional musical styles and songs mainly emerged in and around the llanos region, including "Alma llanera" (by Pedro Elías Gutiérrez and Rafael Bolívar Coronado), "Florentino y el diablo" (by Alberto Arvelo Torrealba), "Concierto en la llanura" by Juan Vicente Torrealba, and "Caballo viejo" (by Simón Díaz).

The Zulian gaita is also a very popular genre, generally performed during Christmas. The national dance is the joropo. Venezuela has always been a melting pot of cultures and this can be seen in the richness and variety of its musical styles and dances: calipso, bambuco, fulía, cantos de pilado de maíz, cantos de lavanderas, sebucán, and maremare. Teresa Carreño was a world-famous 19th century piano virtuoso. Recently, great classical music performances have come out of Venezuela. The Simón Bolívar Youth Orchestra has hosted a number of excellent concerts in many European concert halls, most notably at the 2007 London Proms, and has received several honors. The orchestra is the pinnacle of El Sistema, a publicly financed, voluntary music education program now being emulated in other countries.

In the early 21st century, a movement known as "Movida Acústica Urbana" featured musicians trying to save some national traditions, creating their own original songs but using traditional instruments. Some groups following this movement are Tambor Urbano, Los Sinverguenzas, C4Trío, and Orozco Jam.

Afro-Venezuelan musical traditions are most intimately related to the festivals of the "black folk saints" San Juan and St. Benedict the Moor. Specific songs are related to the different stages of their festivals and processions, when the saints start their yearly " paseo" – stroll – through the community.