quality:corruption, linguistic:translation, structural:summarization
Drama Mahomet

The tragedy Fanaticism, or Mahomet the Prophet (French: Le fanatisme, ou Mahomet le Prophete) was written in 1736 by Voltaire. The play is a study of religious fanaticism and self-serving manipulation. The character Muhammad orders the murder of his critics. Voltaire described the play as "written in opposition to the founder of a false and barbarous sect."

Voltaire described Muhammad as an "impostor", a "false prophet", a "fanatic" and a "hypocrite". Defending the play, Voltaire said that he "tried to show in it into what horrible excesses fanaticism, led by an impostor, can plunge weak minds". When Voltaire wrote in 1742 to César de Missy, he described Muhammad as deceitful.

In his play, Muhammad is "whatever trickery can invent that is most atrocious and whatever fanaticism can accomplish that is most horrifying. Mahomet here is nothing other than Tartuffe with armies at his command." After later having judged that he had made Muhammad in his play "somewhat nastier than he really was", Voltaire claimed that Muhammad stole the idea of an angel weighing both men and women from Zoroastrians, who are often referred to as " Magi ". Voltaire continued about Islam, saying:

Nothing is more terrible than a people who, having nothing to lose, fight in the united spirit of rapine and of religion.

In a 1745 letter recommending the play to Pope Benedict XIV, Voltaire described Muhammad as "the founder of a false and barbarous sect" and "a false prophet". Voltaire wrote: "Your holiness will pardon the liberty taken by one of the lowest of the faithful, though a zealous admirer of virtue, of submitting to the head of the true religion this performance, written in opposition to the founder of a false and barbarous sect. To whom could I with more propriety inscribe a satire on the cruelty and errors of a false prophet, than to the vicar and representative of a God of truth and mercy?" His view was modified slightly for Essai sur les Moeurs et l'Esprit des Nations, although it remained negative. In 1751, Voltaire performed his play Mohamet once again, with great success.