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Biographies

Between 1832 and 1839, Mary Shelley wrote many biographies of notable Italian, Spanish, Portuguese, and French men and a few women for Dionysius Lardner 's Lives of the Most Eminent Literary and Scientific Men. These formed part of Lardner's Cabinet Cyclopaedia, one of the best of many such series produced in the 1820s and 1830s in response to growing middle-class demand for self-education. Until the republication of these essays in 2002, their significance within her body of work was not appreciated. In the view of literary scholar Greg Kucich, they reveal Mary Shelley's "prodigious research across several centuries and in multiple languages", her gift for biographical narrative, and her interest in the "emerging forms of feminist historiography". Shelley wrote in a biographical style popularised by the 18th-century critic Samuel Johnson in his Lives of the Poets (1779–1781), combining secondary sources, memoir and anecdote, and authorial evaluation. She records details of each writer's life and character, quotes their writing in the original as well as in translation, and ends with a critical assessment of their achievement.

For Shelley, biographical writing was supposed to, in her words, "form as it were a school in which to study the philosophy of history", and to teach "lessons". Most frequently and importantly, these lessons consisted of criticisms of male-dominated institutions such as primogeniture. Shelley emphasises domesticity, romance, family, sympathy, and compassion in the lives of her subjects. Her conviction that such forces could improve society connects her biographical approach with that of other early feminist historians such as Mary Hays and Anna Jameson. Unlike her novels, most of which had an original print run of several hundred copies, the Lives had a print run of about 4,000 for each volume: thus, according to Kucich, Mary Shelley's "use of biography to forward the social agenda of women's historiography became one of her most influential political interventions".