stylistic:tone
Cultural characteristics

The Ancestral Puebloan culture is perhaps best known for the stone and earth dwellings its people built along cliff walls, particularly during the Pueblo II and Pueblo III eras, from about 900 to 1350 CE in total. The best-preserved examples of the stone dwellings are now protected within United States' national parks, such as Navajo National Monument, Chaco Culture National Historical Park, Mesa Verde National Park, Canyons of the Ancients National Monument, Aztec Ruins National Monument, Bandelier National Monument, Hovenweep National Monument, and Canyon de Chelly National Monument.

These villages, called pueblos by Spanish colonists, were accessible only by rope or through rock climbing. These astonishing building achievements had modest beginnings. The first Ancestral Puebloan homes and villages were based on the pit-house, a common feature in the Basketmaker periods.

Ancestral Puebloans are also known for their pottery. Local plainware pottery used for cooking or storage was unpainted gray, either smooth or textured. Pottery used for more formal purposes was often more richly adorned. In the northern portion of the Ancestral Pueblo lands, from about 500 to 1300 CE, the pottery styles commonly had black-painted designs on white or light gray backgrounds. Decoration is characterized by fine hatching, and contrasting colors are produced by the use of mineral-based paint on a chalky background. South of the Anasazi territory, in Mogollon settlements, pottery was more often hand-coiled, scraped, and polished, with red to brown coloring.

Certain tall cylinders were likely ceremonial vessels, while narrow-necked jars, called ollas, were often used for liquids. Pottery from the southern regions of Ancestral Pueblo lands has bold, black-line decoration and the use of carbon-based colorants. In northern New Mexico, the local black-on-white pottery tradition, the Rio Grande white wares, continued well after 1300 CE.

Changes in pottery composition, structure, and decoration are signals of social change in the archaeological record. This is particularly true as the peoples of the American Southwest began to leave their historic homes and migrate south. According to archaeologists Patricia Crown and Steadman Upham, the appearance of the bright colors on Salado Polychromes in the 14th century may reflect religious or political alliances on a regional level. Late 14th- and 15th-century pottery from central Arizona, widely traded in the region, has colors and designs which may derive from earlier ware by both Ancestral Pueblo and Mogollon peoples.

The Ancestral Puebloans also excelled at rock art, which included carved petroglyphs and painted pictographs. Ancestral Pueblo peoples painted Barrier Canyon Style pictographs in locations where the images were protected from the sun yet visible to the public. Designs include human-like forms. The so-called "Holy Ghost panel" in the Horseshoe Canyon is considered to be one of the earliest uses of graphical perspective where the largest figure appears to take on a three-dimensional representation.

Recent archaeological evidence has established that in at least one great house, Pueblo Bonito, the elite family whose burials associate them with the site practiced matrilineal succession. Room 33 in Pueblo Bonito, the richest burial ever excavated in the Southwest, served as a crypt for one powerful lineage, traced through the female line, for approximately 330 years. While other Ancestral Pueblo burials have not yet been subjected to the same archaeogenomic testing, the survival of matrilineal descent among contemporary Pueblo peoples suggests that this may have been a widespread practice among Ancestral Puebloans.