linguistic:paraphrasing, structural:reformatting
Heine in Nazi Germany

Heine's writings were abhorred by the Nazis and one of their political mouthpieces, the Völkischer Beobachter, made noteworthy efforts to attack him. Within the pantheon of the "Jewish cultural intelligentsia" chosen for anti-Semitic demonization, perhaps nobody was the recipient of more National Socialist vitriol than Heinrich Heine. When a memorial to Heine was completed in 1926, the paper lamented that Hamburg had erected a "Jewish Monument to Heine and Damascus...one in which Alljuda ruled!". Editors for the Völkischer Beobachter referred to Heine's writing as degenerate on multiple occasions as did Alfred Rosenberg. Correspondingly, as part of the effort to dismiss and hide Jewish contribution to German art and culture, all Heine monuments were removed or destroyed during Nazi Germany and Heine's books were suppressed and, from 1940 on, banned. The popularity of many songs to Heine's lyrics represented a problem for the policy of silencing and proposals such as bans or rewriting the lyrics were discussed. However, in contrast to an often-made claim, there is no evidence that poems such as " Die Lorelei " were included in anthologies as written by an "unknown author".