structural:summarization, quality:corruption, structural:expansion
Pseudonyms

In 1993, during negotiations regarding the release of The Gold Experience, a legal battle ensued between Warner Bros. and Prince over the artistic and financial control of his musical output. During the lawsuit, Prince appeared in public with the word "slave" written on his cheek. He explained that he had changed his name to an unpronounceable symbol to emancipate himself from his contract with Warner Bros., and that he had done it out of frustration because he felt his own name now belonged to the company.

Prince sometimes used pseudonyms to separate himself from the music he had written, produced or recorded, and at one point stated that his ownership and achievement were strengthened by the act of giving away ideas. Pseudonyms he adopted, at various times, include: Jamie Starr and The Starr Company (for the songs he wrote for the Time and many other artists from 1981 to 1984), Joey Coco (for many unreleased Prince songs in the late 1980s, as well as songs written for Sheena Easton and Kenny Rogers), Alexander Nevermind (for writing the song " Sugar Walls " (1984) by Sheena Easton), and Christopher (used for his songwriting credit of "Manic Monday" (1986) for the Bangles).