quality:correction, stylistic:style_transfer, structural:reformatting, linguistic:paraphrasing, information:highlighting
Literary pastiches, allusions and prototypes

The novel abounds in allusions to classical and modern literature. Virtually all of them have been noted in The Annotated Lolita, edited and annotated by Alfred Appel Jr. Many are references to Humbert's own favorite poet, Edgar Allan Poe.

Humbert's first love, Annabel Leigh, is named after the "maiden" in the poem " Annabel Lee " by Poe; this poem is alluded to many times in the novel, and its lines are borrowed to describe Humbert's love. A passage in chapter 11 reuses verbatim Poe's phrase "...by the side of my darling—my darling—my life and my bride:. In the opening of the novel, the phrase "Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied," is a pastiche of two passages of the poem, the "winged seraphs of heaven" (line 11), and "The angels, not half so happy in heaven, went envying her and me" (lines 21–22). Nabokov originally intended Lolita to be called The Kingdom by the Sea, drawing on the rhyme with Annabel Lee that was used in the first verse of Poe's work. A variant of this line is reprised in the opening of chapter one, which reads "...had I not loved, one summer, an initial girl-child. In a princedom by the sea".

Humbert Humbert's double name recalls Poe's " William Wilson ", a tale in which the main character is haunted by his doppelgänger, paralleling to the presence of Humbert's own doppelgänger, Clare Quilty. Humbert is not, however, his real name, but a chosen pseudonym. The theme of the doppelgänger also occurs in Nabokov's earlier novel, Despair.

Chapter 26 of Part One contains a parody of Joyce 's stream of consciousness.

Humbert's field of expertise is French literature (one of his jobs is writing a series of educational works that compare French writers to English writers), and as such there are several references to French literature, including the authors Gustave Flaubert, Marcel Proust, François Rabelais, Charles Baudelaire, Prosper Mérimée, Rémy Belleau, Honoré de Balzac, and Pierre de Ronsard.

Nabokov was fond of the works of Lewis Carroll, and had translated Alice in Wonderland into Russian. He even called Carroll the "first Humbert Humbert". Lolita contains a few brief allusions in the text to the Alice books, though overall Nabokov avoided direct allusions to Carroll. In her book, Tramp: The Life of Charlie Chaplin, Joyce Milton claims that a major inspiration for the novel was Charlie Chaplin 's relationship with his second wife, Lita Grey, whose real name was Lillita and is often misstated as Lolita. Graham Vickers in his book Chasing Lolita: How Popular Culture Corrupted Nabokov's Little Girl All Over Again argues that the two major real-world predecessors of Humbert are Lewis Carroll and Charlie Chaplin. Although Appel's comprehensive Annotated Lolita contains no references to Charlie Chaplin, others have picked up several oblique references to Chaplin's life in Nabokov's book. Bill Delaney notes that at the end Lolita and her husband move to the fictional Alaskan town of "Gray Star" while Chaplin's The Gold Rush, set in Alaska, was originally set to star Lita Grey. Lolita's first sexual encounter was with a boy named Charlie Holmes, whom Humbert describes as "the silent... but indefatigable Charlie". Chaplin had an artist paint Lita Grey in imitation of Joshua Reynolds 's painting The Age of Innocence. When Humbert visits Lolita in a class at her school, he notes a print of the same painting in the classroom. Delaney's article notes many other parallels as well.

The foreword refers to "the monumental decision rendered December 6, 1933 by Hon. John M. Woolsey in regard to another, considerably more outspoken book"—that is, the decision in the case United States v. One Book Called Ulysses, in which Woolsey ruled that Joyce's Ulysses was not obscene and could be sold in the United States.

In chapter 29 of Part Two, Humbert comments that Lolita looks "like Botticelli's russet Venus—the same soft nose, the same blurred beauty," referencing Sandro Botticelli 's depiction of Venus in, perhaps, The Birth of Venus or Venus and Mars.

In chapter 35 of Part Two, Humbert's " death sentence " on Quilty parodies the rhythm and use of anaphora in T. S. Eliot 's poem Ash Wednesday.

Many other references to classical and Romantic literature abound, including references to Lord Byron 's Childe Harold's Pilgrimage and to the poetry of Laurence Sterne.