linguistic:paraphrasing
Reportage

On 10 August 1945, the day after the Nagasaki bombing, military photographer Yōsuke Yamahata, correspondent Higashi, and artist Yamada arrived in the city with instructions to record the destruction for propaganda purposes. Yamahata took scores of photographs, and on 21 August, they appeared in Mainichi Shimbun, a popular Japanese newspaper. After Japan's surrender and the arrival of American forces, copies of his photographs were seized amid the ensuing censorship, but some records have survived.

Leslie Nakashima, a former United Press (UP) journalist, filed the first personal account of the scene to appear in American newspapers. He observed that large numbers of survivors continued to die from what later became recognized as radiation poisoning. On 31 August, The New York Times published an abbreviated version of his 27 August UP article. Nearly all references to uranium poisoning were omitted. An editor's note was added to say that, according to American scientists, "the atomic bomb will not have any lingering after-effects."

Wilfred Burchett was also one of the first Western journalists to visit Hiroshima after the bombing. He arrived alone by train from Tokyo on 2 September, defying the traveling ban put in place on Western correspondents. Burchett's dispatch, "The Atomic Plague", was printed by the Daily Express newspaper in London on 5 September 1945. The reports from Nakashima and Burchett informed the public for the first time of the gruesome effects of radiation and nuclear fallout — radiation burns and radiation poisoning, sometimes lasting more than thirty days after the blast. Burchett especially noted that people were dying "horribly" after bleeding from orifices, and their flesh would rot away from the injection holes where vitamin A was administered, to no avail.

The New York Times then apparently reversed course and ran a front-page story by Bill Lawrence confirming the existence of a terrifying affliction in Hiroshima, where many had symptoms such as hair loss and vomiting blood before dying. Lawrence had gained access to the city as part of a press junket promoting the U.S. Army Air Force. Some reporters were horrified by the scene, however, referring to what they saw as a "death laboratory" littered with "human guinea pigs". General MacArthur found the reporting to have turned from good PR into bad PR and threatened to court martial the entire group. He withdrew Burchett's press accreditation and expelled the journalist from the occupation zones. The authorities also accused him of being under the sway of Japanese propaganda and later suppressed another story, on the Nagasaki bombing, by George Weller of the Chicago Daily News. Less than a week after his New York Times story was published, Lawrence also backtracked and dismissed the reports on radiation sickness as Japanese efforts to undermine American morale.

A member of the United States Strategic Bombing Survey, Lieutenant Daniel A. McGovern, arrived in September 1945 to document the effects of the bombing of Japan. He used a film crew to document the effects of the bombings in early 1946. The film crew shot 27,000 m (90,000 ft) of film, resulting in a three-hour documentary titled The Effects of the Atomic Bombs Against Hiroshima and Nagasaki. The documentary included images from hospitals, burned-out buildings and cars, and rows of skulls and bones on the ground. It was classified "secret" for the next 22 years. Motion picture company Nippon Eigasha started sending cameramen to Nagasaki and Hiroshima in September 1945. On 24 October 1945, a U.S. military policeman stopped a Nippon Eigasha cameraman from continuing to film in Nagasaki. All Nippon Eigasha ' s reels were confiscated by the American authorities, but they were requested by the Japanese government, and declassified. The public release of film footage of the city post-attack, and some research about the effects of the attack, was restricted during the occupation of Japan, but the Hiroshima-based magazine, Chugoku Bunka, in its first issue published on 10 March 1946, devoted itself to detailing the damage from the bombing.

The book Hiroshima, written by Pulitzer Prize winner John Hersey and originally published in article form in The New Yorker, is reported to have reached Tokyo in English by January 1947, and the translated version was released in Japan in 1949. It narrated the stories of the lives of six bomb survivors from immediately prior to, and months after, the dropping of the Little Boy bomb. Beginning in 1974, a compilation of drawings and artwork made by the survivors of the bombings began to be compiled, with completion in 1977, and under both book and exhibition format, it was titled The Unforgettable Fire.

The bombing amazed Otto Hahn and other German atomic scientists, whom the British held at Farm Hall in Operation Epsilon. Hahn stated that he had not believed an atomic weapon "would be possible for another twenty years"; Werner Heisenberg did not believe the news at first. Carl Friedrich von Weizsäcker said "I think it's dreadful of the Americans to have done it. I think it is madness on their part", but Heisenberg replied, "One could equally well say 'That's the quickest way of ending the war ' ". Hahn was grateful that the German project had not succeeded in developing "such an inhumane weapon"; Karl Wirtz observed that even if it had, "we would have obliterated London but would still not have conquered the world, and then they would have dropped them on us".

Hahn told the others, "Once I wanted to suggest that all uranium should be sunk to the bottom of the ocean". The Vatican agreed; L'Osservatore Romano expressed regret that the bomb's inventors did not destroy the weapon for the benefit of humanity. Rev. Cuthbert Thicknesse, the dean of St Albans, prohibited using St Albans Abbey for a thanksgiving service for the war's end, calling the use of atomic weapons "an act of wholesale, indiscriminate massacre". Nonetheless, news of the atomic bombing was greeted enthusiastically in the U.S.; a poll in Fortune magazine in late 1945 showed a significant minority of Americans (23 percent) wishing that more atomic bombs could have been dropped on Japan. The initial positive response was supported by the imagery presented to the public (mainly the powerful images of the mushroom cloud). During this time in America, it was a common practice for editors to keep graphic images of death out of films, magazines, and newspapers.