information:highlighting
Looting and repatriation

Since the 1970s, Nok terracotta figures have been heavily looted. Even larger-scale looting commenced in the Nok cultural area in 1994, and by 1995 two main local traders emerged. Each of the main traders could employ approximately 1,000 diggers to unearth terracottas every day. Although the majority of the terracottas were fragmented, some were intact and sellable. Because of this, hundreds of Nok Culture sites have been illegally dug in search of these terracotta sculptures. Valuable information about the Nok Culture is lost when these objects are taken from out of the ground and removed from their archaeological contexts.

In 1979, Nigeria's National Commission of Museums and Monuments Decree established the National Commission for Museums and Monuments (NCMM), which is used to manage Nigeria's cultural heritage. NCMM Decree number 77 made it illegal for anyone other than authorized personnel to buy or sell antiquities within Nigeria or export an antiquity without a permit from the NCMM. Towards the end of the 1990s the federal government of Nigeria implemented the NCMM, which initiated a series of actions to work out strategies for combating the problems of looting and to map out a plan of action. The general consensus was that laws governing antiquities and penalties for offenders needed to be strictly enforced and that all archaeological sites should be monitored. The NCMM also recommended more aggressive public enlightenment campaigns as well as a series of sensitization programs across the nation. These programs are considered a success in terms of increased awareness by law enforcement agents, as well as the Nigerian customs authorities and Interpol. However, not all of the recommendations were implemented, because the Nigerian government did not have the resources to face the large scale of some of the challenges. For example, the government did not have the resources to place monitors at all archaeological sites, and terracotta figures still slip through Nigeria's borders.

Today, the terracotta sculptures are very highly sought after on the international art market, and so artifacts continue to be dug up without documentation of the contexts in which they were buried. A lack of extensive archaeological study has also severely limited our understanding of the Nok cultures. A joint research project with Goethe University and the National Commission for Museums and Monuments conducted since 2005 showed that more than 90% of Nok Culture sites known in the research area have been illegally looted. Art historical studies carried out shows that over 1,000 Nok terracotta sculptures have been illegally excavated and smuggled into Europe, the USA, Japan, and elsewhere. In February 2013, Daily Trust reported that the Nigerian Federal Ministry of Information and National Orientation repossessed five Nok statuettes looted by a French thief in August 2010. The pieces had been seized by French customs agents and were repatriated following a Nigerian Government Directive. What further complicates the problem are the many workshops which fake Nok sculptures and then put them on the market as authentic.