stylistic:tone
Visual arts, architecture and design

Slovenia's visual arts, architecture, and design are shaped by a number of architects, designers, painters, sculptors, photographers, graphics artists, as well as comics, illustration and conceptual artists. Two significant prestigious institutions exhibiting works of Slovene visual artists are the National Gallery of Slovenia and the Museum of Modern Art.

Modern architecture in Slovenia was introduced by Max Fabiani, and in the mid-war period, Jože Plečnik and Ivan Vurnik. In the second half of the 20th century, the national and universal style were merged by the architects Edvard Ravnikar and first generation of his students: Milan Mihelič, Stanko Kristl, Savin Sever. The next generation is mainly still active, including Marko Mušič, Vojteh Ravnikar, and Jurij Kobe. Selected works of Jože Plečnik which shaped Ljubljana during the inter-war period were inscribed on UNESCO 's list of World Heritage Sites in 2021.

A number of conceptual visual art groups formed, including OHO, Group 69, and IRWIN. Nowadays, the Slovene visual arts are diverse, based on tradition, reflect the influence of neighboring nations and are intertwined with modern European movements.

Internationally most notable Slovenian design items include the 1952 Rex chair, a Scandinavian design -inspired wooden chair, by interior designer Niko Kralj that was given in 2012 a permanent place in Designmuseum, Denmark, the largest museum of design in Scandinavia, and is included in the collection of the Museum of Modern Art MOMA in New York City, as well. An industrial design item that has changed the international ski industry is Elan SCX by Elan company.

The renewal of Slovene sculpture begun with Alojz Gangl who created sculptures for the public monuments of the Carniolan polymath Johann Weikhard von Valvasor and Valentin Vodnik, the first Slovene poet and journalist, as well as The Genius of the Theatre and other statues for the Slovenian National Opera and Ballet Theatre building. The development of sculpture after World War II was led by a number of artists, including brothers Boris and Zdenko Kalin, Jakob Savinšek stayed with figural art. Younger sculptors, for example Janez Boljka, Drago Tršar and particularly Slavko Tihec, moved towards abstract forms. Jakov Brdar and Mirsad Begić returned to human figures.

During World War II, numerous graphics were created by Božidar Jakac, who helped establish the post-war Academy of Visual Arts in Ljubljana.

In 1917 Hinko Smrekar illustrated Fran Levstik 's book about the well-known Slovene folk hero Martin Krpan. The children's books illustrators include a number of women illustrators, such as Marlenka Stupica, Marija Lucija Stupica, Ančka Gošnik Godec, Marjanca Jemec Božič, and Jelka Reichman.

Historically, painting and sculpture in Slovenia was in the late 18th and the 19th century marked by Neoclassicism (Matevž Langus), Biedermeier (Giuseppe Tominz) and Romanticism (Michael Stroy). The first art exhibition in Slovenia was organized in the late 19th century by Ivana Kobilca. Impressionist artists include Matej Sternen, Matija Jama, Rihard Jakopič, Ivan Grohar whose The Sower (Slovene: Sejalec) was depicted on the €0.05 Slovenian euro coins, and Franc Berneker, who introduced impressionism to Slovenia. Espressionist painters include Veno Pilon and Tone Kralj whose picture book, reprinted thirteen times, is now the most recognisable image of Martin Krpan. Some of the best known painters in the second half of the 20th century were Zoran Mušič, Gabrijel Stupica and Marij Pregelj.

In 1841, Janez Puhar invented a process for photography on glass, recognized on 17 June 1852 in Paris by the Académie Nationale Agricole, Manufacturière et Commerciale. Gojmir Anton Kos was a notable realist painter and photographer between First World War and WW II.