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Architectural style

Said to "defy categorisation", Gehry's work reflects a spirit of experimentation coupled with a respect for the demands of professional practice, and has remained largely unaligned with broader stylistic tendencies or movements. With his earliest educational influences rooted in modernism, Gehry's work has sought to escape modernist stylistic tropes while remaining interested in some of its underlying transformative agendas. Continually working between given circumstances and unanticipated materializations, he has been assessed as someone who "made us produce buildings that are fun, sculpturally exciting, good experiences", although his approach may become "less relevant as pressure mounts to do more with less".

Gehry's style at times seems unfinished or even crude, but his work is consistent with the California " funk " art movement of the 1960s and early 1970s, which featured the use of inexpensive found objects and nontraditional media such as clay to make serious art. His works always have at least some element of deconstructivism; he has been called "the apostle of chain-link fencing and corrugated metal siding". However, a retrospective exhibit at New York's Whitney Museum in 1988 revealed that he is also a sophisticated classical artist who knows European art history and contemporary sculpture and painting.