stylistic:tone, linguistic:voice_change, structural:reformatting
Myth, romanticism and popular culture

Harold Mattingly called Zenobia "one of the most romantic figures in history". According to Southern, "The real Zenobia is elusive, perhaps ultimately unattainable, and novelists, playwrights and historians alike can absorb the available evidence, but still need to indulge in varied degrees of speculation."

She has been the subject of romantic and ideologically-driven biographies by ancient and modern writers. The Augustan History is the clearest example of an ideological account of Zenobia's life, and its author acknowledged that it was written to criticize the emperor Gallienus. According to the Augustan History, Gallienus was weak because he allowed a woman to rule part of the empire and Zenobia was a more able sovereign than the emperor. The narrative changed as the Augustan History moved on to the life of Claudius Gothicus, a lauded and victorious emperor, with the author characterizing Zenobia's protection of the eastern frontier as a wise delegation of power by Claudius. When the Augustan History reached the biography of Aurelian, the author's view of Zenobia changed dramatically; the queen is depicted as a guilty, insolent, proud coward; her wisdom was discredited and her actions deemed the result of manipulation by advisers.

Zenobia's "staunch" beauty was emphasized by the author of the Augustan History, who ascribed to her feminine timidity and inconsistency (the reasons for her alleged betrayal of her advisers to save herself). The queen's sex posed a dilemma for the Augustan History since it cast a shadow on Aurelian's victory. Its author ascribed many masculine traits to Zenobia to make Aurelian a conquering hero who suppressed a dangerous Amazon queen. According to the Augustan History, Zenobia had a clear, manly voice, dressed as an emperor (rather than an empress), rode horseback, was attended by eunuchs instead of ladies-in-waiting, marched with her army, drank with her generals, was careful with money (contrary to the stereotypical spending habits of her sex) and pursued masculine hobbies such as hunting. Giovanni Boccaccio wrote a fanciful 14th-century account of the queen in which she is a tomboy in childhood who preferred wrestling with boys, wandering in the forests and killing goats to playing like a young girl. Zenobia's chastity was a theme of these romanticized accounts; according to the Augustan History, she disdained sexual intercourse and allowed Odaenathus into her bed only for conception. Her reputed chastity impressed some male historians; Edward Gibbon wrote that Zenobia surpassed Cleopatra in chastity and valor. According to Boccaccio, Zenobia safeguarded her virginity when she wrestled with boys as a child.

Seventeenth-century visitors to Palmyra rekindled the Western world's romantic interest in Zenobia. This interest peaked during the mid-nineteenth century, when Lady Hester Stanhope visited Palmyra and wrote that its people treated her like the queen; she was reportedly greeted with singing and dancing, and Bedouin warriors stood on the city's columns. A procession ended with a mock coronation of Stanhope under the arch of Palmyra as "queen of the desert". William Ware, fascinated by Zenobia, wrote a fanciful account of her life. Twentieth-century novelists and playwrights, such as Haley Elizabeth Garwood and Nick Dear, also wrote about the queen.