quality:correction, stylistic:style_transfer, structural:expansion
Coppola and Paramount

Before The Godfather was in production, Paramount had been going through an unsuccessful period. In addition to the failure of The Brotherhood, other recent films that were produced or co-produced by Paramount had greatly exceeded their budgets: Darling Lili, Paint Your Wagon, and Waterloo. The budget for the film was originally $2.5 million but as the book grew in popularity Coppola argued for and ultimately received a larger budget. Paramount executives wanted the movie to be set in contemporary Kansas City and shot in the studio backlot in order to cut down on costs. Coppola objected and wanted to set the movie in the same time period as the novel, the 1940s and 1950s; Coppola's reasons included Michael Corleone's spell in the wartime Marine Corps, the emergence of corporate America, and America in the years after World War II. The novel was becoming increasingly successful and so Coppola's wishes were eventually granted. The studio heads subsequently let Coppola film on location in New York City and Sicily.

Gulf+Western executive Charles Bluhdorn was frustrated with Coppola over the number of screen tests he had performed without finding a person to play the various roles. Production quickly fell behind because of Coppola's indecisiveness and conflicts with Paramount, which led to costs being around $40,000 per day. With costs rising, Paramount had the Vice President, Jack Ballard, keep a close eye on production expenses. While filming, Coppola stated that he felt he could be fired at any point as he knew Paramount executives were not happy with many of the decisions he had made. Coppola was aware that Evans had asked Elia Kazan to take over directing the film because he feared that Coppola was too inexperienced to cope with the increased size of the production. Coppola was also convinced that the film editor, Aram Avakian, and the assistant director, Steve Kestner, were conspiring to get him fired. Avakian complained to Evans that he could not edit the scenes correctly because Coppola was not shooting enough footage. Evans was satisfied with the footage being sent to the West Coast and authorized Coppola to fire them both. Coppola later explained, "Like the godfather, I fired people as a preemptory strike. The people who were angling the most to have me fired, I had fired." Brando threatened to quit if Coppola was fired.

Paramount wanted The Godfather to appeal to a wide audience and threatened Coppola with a "violence coach" to make the film more exciting. Coppola added a few more violent scenes to keep the studio happy. The scene in which Connie smashes crockery after finding out Carlo has been cheating was added for this reason.