information:highlighting, structural:scholar_edition, information:classification, quality:corruption
Types of causality

Herodotus attributes cause to both divine and human agents. These are not perceived as mutually exclusive, but rather mutually interconnected. This is true of Greek thinking in general, at least from Homer onward. Gould notes that invoking the supernatural in order to explain an event does not answer the question "why did this happen?" but rather "why did this happen to me?" By way of example, faulty craftsmanship is the human cause for a house collapsing. However, divine will is the reason that the house collapses at the particular moment when I am inside. It was the will of the gods that the house collapsed while a particular individual was within it, whereas it was the cause of man that the house had a weak structure and was prone to falling.

Some authors, including Geoffrey de Ste-Croix and Mabel Lang, have argued that Fate, or the belief that "this is how it had to be," is Herodotus's ultimate understanding of causality. Herodotus's explanation that an event "was going to happen" maps well on to Aristotelean and Homeric means of expression. The idea of "it was going to happen" reveals a "tragic discovery" associated with fifth-century drama. This tragic discovery can be seen in Homer's Iliad as well.

John Gould argues that Herodotus should be understood as falling in a long line of story-tellers, rather than thinking of his means of explanation as a "philosophy of history" or "simple causality." Thus, according to Gould, Herodotus's means of explanation is a mode of story-telling and narration that has been passed down from generations prior:

Herodotus' sense of what was 'going to happen' is not the language of one who holds a theory of historical necessity, who sees the whole of human experience as constrained by inevitability and without room for human choice or human responsibility, diminished and belittled by forces too large for comprehension or resistance; it is rather the traditional language of a teller of tales whose tale is structured by his awareness of the shape it must have and who presents human experience on the model of the narrative patterns that are built into his stories; the narrative impulse itself, the impulse towards 'closure' and the sense of an ending, is retrojected to become 'explanation'.