linguistic:translation, structural:summarization
Art

After the reunification of Egypt in the Middle Kingdom, the kings of the Eleventh and Twelfth Dynasties were able to turn their focus back to art. In the Eleventh Dynasty, the kings had their monuments made in a style influenced by the Memphite models of the Fifth and early Sixth Dynasties. During this time, the pre-unification Theban relief style all but disappeared. These changes had an ideological purpose, as the Eleventh Dynasty kings were establishing a centralized state after the First Intermediate Period, and returning to the political ideals of the Old Kingdom. In the early Twelfth Dynasty, the artwork had a uniformity of style due to the influence of the royal workshops. It was at this point that the quality of artistic production for the elite members of society reached a high point that was never surpassed, although it was equaled in other periods. Egypt prospered in the late Twelfth Dynasty, and this was reflected in the quality of the materials used for royal and private monuments.

The kings of the Twelfth Dynasty were buried in pyramid complexes based on those of the Fifth and Sixth Dynasties. In the Old Kingdom, these were made of stone bricks, but the Middle Kingdom kings chose to have theirs made of mud bricks and finished with a casing of Tura limestone. Private tombs, such as those found in Thebes, usually consisted of a long passage cut into rock, with a small chamber at the end. These tended to have little or no decoration. Stone box sarcophagi with both flat and vaulted lids were manufactured in the Middle Kingdom, as a continuation of the Old Kingdom tradition. The motifs on these were more varied and of higher artistic quality than that of any sarcophagi produced before and after the Middle Kingdom. Additionally, funerary stelae developed in regard to images and iconography. They continued to show the deceased seated in front of a table of offerings, and began to include the deceased's wife and other family members.

Towards the end of the Middle Kingdom, there was a change to the art pieces placed in non-royal tombs. The amount of wooden tomb models decreased drastically, and they were replaced by small faience models of food. Magic wands and rods, models of protective animals, and fertility figures began to be buried with the dead. Additionally, the number of statues and funerary stelae increased, but their quality decreased. In the late Twelfth Dynasty, coffins with interior decorations became rare, and the decorations on the outside became more elaborate. The rishi -coffin made its first appearance during this time. Made of wood or cartonnage, the coffin was in the shape of a body wrapped in linen, wearing a beaded collar and a funerary mask.

There were also changes to the art form of stelae in the Middle Kingdom. During this time, round-topped stelae developed out of the rectangular form of previous periods. Many examples of both of these types come from this period; excavation at Abydos yielded over 2000 private stelae, ranging from excellent works to crude objects, although very few belonged to the elite. Additionally, classic royal commemorative stelae were first found in this period. These took the form of round-topped stelae, and they were used to mark boundaries. For example, Senusret III used them to mark the boundary between Egypt and Nubia. Because of the prosperity of this period, the lower elite were able to commission statues and stelae for themselves, although these were of poorer artistic quality. Those who commissioned non-royal stelae had the ultimate goal of eternal existence. This goal was communicated with the specific placement of information on the stone slabs similar to royal stelae (the owner's image, offering formula, inscriptions of names, lineage and titles).