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Art and design

The Birmingham School of landscape artists emerged with Daniel Bond in the 1760s and was to last into the mid 19th century. Its most important figure was David Cox, whose later works make him an important precursor of impressionism. The influence of the Royal Birmingham Society of Artists and the Birmingham School of Art made Birmingham an important centre of Victorian art, particularly within the Pre-Raphaelite and Arts and Crafts movements. Major figures included the Pre-Raphaelite and symbolist Edward Burne-Jones; Walter Langley, the first of the Newlyn School painters; and Joseph Southall, leader of the group of artists and craftsmen known as the Birmingham Group.

The Birmingham Surrealists were among the "harbingers of surrealism" in Britain in the 1930s and the movement's most active members in the 1940s, while more abstract artists associated with the city included Lee Bank -born David Bomberg and CoBrA member William Gear. Birmingham artists were prominent in several post-war developments in art: Peter Phillips was among the central figures in the birth of Pop Art; John Salt was the only major European figure among the pioneers of photo-realism; and the BLK Art Group used painting, collage and multimedia to examine the politics and culture of Black British identity. Contemporary artists from the city include the Turner Prize winner Gillian Wearing and the Turner Prize shortlisted artists Richard Billingham, John Walker, Roger Hiorns, and conceptual artist Pogus Caesar whose work has been acquired by the Victoria and Albert Museum, National Portrait Gallery, Wolverhampton Art Gallery and Birmingham Museum & Art Gallery.

Birmingham's role as a manufacturing and printing centre has supported strong local traditions of graphic design and product design. Iconic works by Birmingham designers include the Baskerville font, Ruskin Pottery, the Acme Thunderer whistle, the Art Deco branding of the Odeon Cinemas and the Mini.