structural:summarization
Recording

Kind of Blue was recorded on three-track tape in two sessions at Columbia Records ' 30th Street Studio in New York City. On March 2, 1959, the tracks " So What ", " Freddie Freeloader ", and " Blue in Green " were recorded for side one of the original LP, and on April 22 the tracks " All Blues " and "Flamenco Sketches" were recorded, making up side two.

As was Davis's penchant, he called for almost no rehearsal and the musicians had little idea what they were to record. As described in the original liner notes by pianist Bill Evans, Davis had only given the band sketches of scales and melody lines on which to improvise. Once the musicians were assembled, Davis gave brief instructions for each piece and then set to taping the sextet in studio. While the results were impressive with so little preparation, the persistent legend that the entire album was recorded in one pass is untrue. Only "Flamenco Sketches" yielded a complete take on the first try. That take, which is not the master, was added to the 1997 CD reissue of the album as a bonus track. The five master takes issued were the only other complete takes; an insert for the ending to "Freddie Freeloader" was recorded, but was not used for release or on the issues of Kind of Blue prior to the 1997 reissue.

Pianist Wynton Kelly may not have been happy to see the man he replaced, Bill Evans, back in his old seat. Perhaps to assuage the pianist's feelings, Davis had Kelly play instead of Evans on the album's most blues -oriented number, "Freddie Freeloader." The live album Miles Davis at Newport 1958 documents the sextet during Evans's tenure; however, it is in a hard bop style, rather than the modal approach of Kind of Blue. The more ruminative side of Evans's playing while he was a member of the band can best be heard on his lengthy solo on " My Funny Valentine " from Jazz at the Plaza Vol. I.