linguistic:translation
Neo-Mannerism

In the 20th century, the rise of Neo-Mannerism stemmed from artist Ernie Barnes. The style was heavily influenced by both the Jewish Community, as well as the African-American Community, leading to "The Beauty of the Ghetto" exhibition between 1972 and 1979. The Exhibition toured major American cities, and was hosted by dignitaries, professional athletes, and celebrities. When the exhibition was on view in 1974 at the Museum of African Art in Washington, D.C., Rep. John Conyers stressed the important positive message of the exhibit in the Congressional Record.

The style of Neo-Mannerism, as developed by Barnes, includes subjects with elongated limbs and bodies, as well as exaggerated movement. Another common theme was closed eyes of the subjects, as a visual representation of "how blind we are to one another's humanity". "We look upon each other and decide immediately: This person is black, so he must be... This person lives in poverty, so he must be...".