structural:scholar_edition, linguistic:translation
Spanish–American War

The Morning Journal's daily circulation routinely climbed above the 1 million mark after the sinking of the Maine and U.S. entry into the Spanish–American War, a war that some called The Journal ' s War, due to the paper's immense influence in provoking American outrage against Spain. Much of the coverage leading up to the war, beginning with the outbreak of the Cuban Revolution in 1895, was tainted by rumor, propaganda, and sensationalism, with the "yellow" papers regarded as the worst offenders. The Journal and other New York newspapers were so one-sided and full of errors in their reporting that coverage of the Cuban crisis and the ensuing Spanish–American War is often cited as one of the most significant milestones in the rise of yellow journalism 's hold over the mainstream media. Huge headlines in the Journal assigned blame for the Maine's destruction on sabotage, which was based on no evidence. This reporting stoked outrage and indignation against Spain among the paper's readers in New York.

The Journal's crusade against Spanish rule in Cuba was not due to mere jingoism, although "the democratic ideals and humanitarianism that inspired their coverage are largely lost to history," as are their "heroic efforts to find the truth on the island under unusually difficult circumstances." The Journal's journalistic activism in support of the Cuban rebels, rather, was centered around Hearst's political and business ambitions.

Perhaps the best known myth in American journalism is the claim, without any contemporary evidence, that the illustrator Frederic Remington, sent by Hearst to Cuba to cover the Cuban War of Independence, cabled Hearst to tell him all was quiet in Cuba. Hearst, in this canard, is said to have responded, "Please remain. You furnish the pictures and I'll furnish the war."

Hearst was personally dedicated to the cause of the Cuban rebels, and the Journal did some of the most important and courageous reporting on the conflict—as well as some of the most sensationalized. Their stories on the Cuban rebellion and Spain's atrocities on the island—many of which turned out to be untrue —were motivated primarily by Hearst's outrage at Spain's brutal policies on the island. These had resulted in the deaths of hundreds of thousands of innocent Cubans. The most well-known story involved the imprisonment and escape of Cuban prisoner Evangelina Cisneros.

While Hearst and the yellow press did not directly cause America's war with Spain, they inflamed public opinion in New York City to a fever pitch. New York's elites read other papers, such as the Times and Sun, which were far more restrained. The Journal and the World were local papers oriented to a very large working class audience in New York City. They were not among the top ten sources of news in papers in other cities, and their stories did not make a splash outside New York City. Outrage across the country came from evidence of what Spain was doing in Cuba, a major influence in the decision by Congress to declare war.According to a 21st-century historian, war was declared by Congress because public opinion was sickened by the bloodshed, and because leaders like McKinley realized that Spain had lost control of Cuba. These factors weighed more on the president's mind than the melodramas in the New York Journal.

Hearst sailed to Cuba with a small army of Journal reporters to cover the Spanish–American War; they brought along portable printing equipment, which was used to print a single-edition newspaper in Cuba after the fighting had ended. Two of the Journal's correspondents, James Creelman and Edward Marshall, were wounded in the fighting. A leader of the Cuban rebels, Gen. Calixto García, gave Hearst a Cuban flag that had been riddled with bullets as a gift, in appreciation of Hearst's major role in Cuba's liberation.