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The Godfather Part II (1974)

Coppola shot The Godfather Part II in parallel to The Conversation. It was the last major American motion picture to be filmed in Technicolor. George Lucas commented on the film after its five-hour-long preview, telling Coppola, "You have two films. Take one away, it doesn't work," referring to the movie's portrayal of two parallel storylines, one of a young Vito Corleone and the other of his son Michael. In the director's commentary on the DVD edition of the film (released in 2002), Coppola states that this film was the first major motion picture to use "Part II" in its title. Paramount was initially opposed to his decision to name the movie The Godfather Part II. According to Coppola, the studio's objection stemmed from the belief that audiences would be reluctant to see a film with such a title, as the audience would supposedly believe that, having already seen The Godfather, there was little reason to see an addition to the original film. However, the success of The Godfather Part II began the Hollywood tradition of numbered sequels. The movie was released in 1974 and went on to receive tremendous critical acclaim, with many deeming it superior to its predecessor. It was nominated for 11 Academy Awards and received six Oscars, including three for Coppola: Best Picture, Best Adapted Screenplay, and Best Director.

The Godfather Part II is ranked as the No. 1 greatest movie of all time in TV Guide ' s "50 Best Movies of All Time" and is ranked at No. 7 on Entertainment Weekly ' s list of the "100 Greatest Movies of All Time". The film is also featured on movie critic Leonard Maltin 's list of the "100 Must-See Films of the 20th Century" as well as Roger Ebert's "Great Movies" list. It was also featured on Sight & Sound ' s list of the ten greatest films of all time in 2002, ranking at No. 4.

Coppola was the third director to have two nominations for Best Picture in the same year. Victor Fleming was the first in 1939 with Gone with the Wind and The Wizard of Oz; Alfred Hitchcock repeated the feat the next year with Foreign Correspondent and Rebecca. Since Coppola, two other directors have done the same: Herbert Ross in 1977 with The Goodbye Girl and The Turning Point, and Steven Soderbergh in 2000 with Erin Brockovich and Traffic. Coppola, however, is the only one to have produced the pictures nominated.