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Color order systems

Historical perspectives on color order systems ("catalogs" of color) that were proposed in the 18th and 19th centuries describe them as using red, yellow, and blue pigments as chromatic primaries. Tobias Mayer (a German mathematician, physicist, and astronomer) described a triangular bipyramid with red, yellow and blue at the 3 vertices in the same plane, white at the top vertex, and black and the bottom vertex in a public lecture in 1758. There are 11 planes of colors between the white and black vertices inside the triangular bipyramid. Mayer did not seem to distinguish between colored light and colorant though he used vermilion, orpiment (King’s yellow), and Bergblau (azurite) in partially complete colorings of planes in his solid. Johann Heinrich Lambert (a Swiss mathematician, physicist, and astronomer) proposed a triangular pyramid with gamboge, carmine, and Prussian blue as primaries and only white at the top vertex (since Lambert could produce a mixture that was sufficiently black with those pigments). Lambert's work on this system was published in 1772. Philipp Otto Runge (the Romantic German painter) firmly believed in the theory of red, yellow and blue as the primary colors (again without distinguishing light color and colorant). His color sphere was ultimately described in an essay titled Farben-Kugel (color ball) published by Goethe in 1810. His spherical model of colors equally spaced red, yellow, and blue longitudinally with orange, green, and violet between them, and white and black at opposite poles.