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Origins

The kanji for Noh (能) means "skill", "craft", or "talent", particularly in the field of performing arts in this context. The word Noh may be used alone or with gaku (楽; entertainment, music) to form the word nōgaku. Noh is a classical tradition that is highly valued by many today. When used alone, Noh refers to the historical genre of theatre that originated from sarugaku in the mid 14th century and continues to be performed today.

One of the oldest forerunners of Noh and kyōgen is sangaku, which was introduced to Japan from China in the 8th century. At the time, the term sangaku referred to various types of performance featuring acrobats, song and dance as well as comic sketches. Its subsequent adaptation to Japanese society led to its assimilation of other traditional art forms." Various performing art elements in sangaku as well as elements of dengaku (rural celebrations performed in connection with rice planting), sarugaku (popular entertainment including acrobatics, juggling, and pantomime), shirabyōshi (traditional dances performed by female dancers in the Imperial Court in the 12th century), gagaku (music and dance performed in the Imperial Court beginning in the 7th century), and kagura (ancient Shinto dances in folk tales) evolved into Noh and kyōgen.

Studies on the genealogy of the Noh actors in 14th century indicate they were members of families specializing in the performing arts. According to legend, the Konparu School, which is considered to be the oldest tradition of Noh, was founded by Hata no Kawakatsu in the 6th century. However, the founder of the Konparu school, which is widely accepted among historians, was Bishaō Gon no Kami (Komparu Gonnokami) during Nanboku-chō period in the 14th century. According to the genealogical chart of the Konparu school, Bishaō Gon no Kami is a descendant after 53 generations of Hata no Kawakatsu. The Konparu school was descended from the sarugaku troupe which had played active roles in Kasuga-taisha and Kofuku-ji in Yamato Province.

Another theory, by Shinhachirō Matsumoto, suggests Noh originated from outcastes struggling to claim higher social status by catering to those in power, namely the new ruling samurai class of the time. The transfer of the shogunate from Kamakura to Kyoto at the beginning of Muromachi period marked the increasing power of the samurai class and strengthened the relationship between the shogunate and the court. As Noh became the shōgun ' s favorite art form, Noh was able to become a courtly art form through this newly formed relationship. In 14th century, with strong support and patronage from shōgun Ashikaga Yoshimitsu, Zeami was able to establish Noh as the most prominent theatre art form of the time.