quality:correction
Art

Iran has one of the richest art heritages in history and been strong in many media including architecture, painting, literature, music, metalworking, stonemasonry, weaving, calligraphy and sculpture. At different times, influences from neighbouring civilizations have been important, and latterly Persian art gave and received major influences as part of the wider styles of Islamic art.

From the Achaemenid Empire of 550–330 BC, the courts of successive dynasties led the style of Persian art, and court-sponsored art left many of the most impressive pieces that remain. The Islamic style of dense decoration, geometrically laid out, developed in Iran into an elegant and harmonious style, combining motifs derived from plants with Chinese motifs such as the cloud-band, and often animals represented at a smaller scale. During the Safavid Empire in the 16th century, this style was used across a variety of media, and diffused from the court artists of the king, most being painters.

By the time of the Sasanians, Iranian art had a renaissance. During the Middle Ages, Sasanian art played a prominent role in the formation of European and Asian mediaeval art. The Safavid era is known as the Golden Age of Iranian art. Safavid art exerted noticeable influences upon the Ottomans, the Mughals, and the Deccans, and was influential through its fashion and garden architecture on 11th–17th-century Europe.

Iran's contemporary art traces its origins to Kamal-ol-molk, a prominent realist painter at the court of the Qajar Empire who affected the norms of painting and adopted a naturalistic style that would compete with photographic works. A new Iranian school of fine art was established by him in 1928, and was followed by the so-called "coffeehouse" style of painting. Iran's avant-garde modernists emerged by the arrival of new western influences during World War II. The contemporary art scene originates in the late 1940s, and Tehran's first modern art gallery, Apadana, was opened in 1949 by Mahmud Javadipur, Hosein Kazemi, and Hushang Ajudani. The new movements received official encouragement by the 1950s, which led to the emergence of artists such as Marcos Grigorian.