Scott Von Doviak

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For 7 reviews, this critic has graded:
  • 28% higher than the average critic
  • 14% same as the average critic
  • 58% lower than the average critic
On average, this critic grades 9.4 points lower than other critics. (0-100 point scale)

Scott Von Doviak's Scores

Average review score: 57
Highest review score: 75 Keith Richards: Under the Influence: Season 1
Lowest review score: 0 Olympus: Season 1
Score distribution:
  1. Positive: 4 out of 7
  2. Negative: 1 out of 7
7 tv reviews
    • 96 Metascore
    • 75 Scott Von Doviak
    Even when the spy-thriller plot gears are audibly grinding, the acting remains expertly calibrated.
    • 69 Metascore
    • 75 Scott Von Doviak
    Without giving anything away, the series has subtly tweaked King’s ending while still delivering on its emotional impact. 11.22.63 is sometimes a bumpy ride, but the destination is ultimately worth the journey.
    • tbd Metascore
    • 75 Scott Von Doviak
    That whiff of commerce would be easier to take if the new material were more compelling, but every second of screen time devoted to the crunchy, pleasant enough single “Trouble” takes away another opportunity to hear that sandpaper voice on the music that really matters. Still, there’s enough of the latter to make Under The Influence worth a watch, even if it sometimes seems that Richards will still be around a hundred years from now to tell the tales.
    • 69 Metascore
    • 67 Scott Von Doviak
    The only outside voice to place these stories in a larger context is a narrator given to portentous statements about our lives becoming gigabytes of data uploaded to the cloud. The subject matter is worthy of the docuseries treatment, but Dark Net is a shallow wade into the deep web.
    • tbd Metascore
    • 58 Scott Von Doviak
    Penn’s film is far more compelling when it sticks to the history lesson and stays out of the dump.
    • 69 Metascore
    • 50 Scott Von Doviak
    Public Morals is a handsome production that could benefit from more variety; half the scenes unfold in smoky saloons, and the washed-out cinematography favors browns and yellows to a distracting degree. Its story is engaging enough on a comfort-food level, but its themes are spoon-fed.
    • tbd Metascore
    • 0 Scott Von Doviak
    The whole production is airless and stagy; the sound design is so bad, you can hear the actors’ voices echoing off the sound stage walls. Olympus evokes the unreality of a high school play, but it isn’t going for campy laughs like the Sharknado movies.

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