For 46 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 3.2 points lower than other critics. (0-100 point scale)

Andy Seiler's Scores

  • Movies
Average review score: 56
Highest review score: 88 Face/Off
Lowest review score: 25 Held Up
Score distribution:
  1. Positive: 23 out of 46
  2. Negative: 10 out of 46
46 movie reviews
    • 82 Metascore
    • 88 Andy Seiler
    It could be argued that this movie's callousness toward human life is nihilistic and nasty. But Woo takes everything so absurdly far that audiences laugh at what horrified them moments before. [27Jun1997 Pg01.D]
    • 71 Metascore
    • 75 Andy Seiler
    Uneven, amateurish and borderline misogynistic. But it's also very funny, and it never loses its cool.
    • 59 Metascore
    • 75 Andy Seiler
    Fans will appreciate not only that the film is predictably solid and surprisingly sharp but that parts of it are just plain bad.
    • 46 Metascore
    • 75 Andy Seiler
    Thinking isn't going to do anyone a bit of good during Blue Streak. Turn off your brain instead and you might enjoy it.
    • 85 Metascore
    • 75 Andy Seiler
    The low-key approach probably gets closer to the soul of Leonard, but it lacks zip. As a result, Out of Sight sometimes runs out of gas.
    • 41 Metascore
    • 75 Andy Seiler
    All coy and fey -- and painless to digest.
    • 71 Metascore
    • 75 Andy Seiler
    By emphasizing surreal humor and fast-paced action instead, Rodriguez has crafted a prepubescent version of James Bond without aping that series' style.
    • 67 Metascore
    • 75 Andy Seiler
    The economical, fast-paced style and creepy mood are reminiscent of "The Twilight Zone."
    • 75 Metascore
    • 75 Andy Seiler
    Director Dominik Moll knows how to make a gruesome-free thriller and even manages some dark laughs as he turns the screws.
    • 52 Metascore
    • 75 Andy Seiler
    Snake Eyes sports some of the most breathtaking filmmaking of De Palma's career -- and Nicolas Cage is the one actor who cannot be upstaged by it. [18 September 1998, p. 11E]
    • 76 Metascore
    • 75 Andy Seiler
    A must-see for animation fans.
    • 49 Metascore
    • 75 Andy Seiler
    Gives new meaning to the phrase "not for the squeamish."
    • 67 Metascore
    • 63 Andy Seiler
    This surprisingly sentimental science-fiction thriller boasts enough fresh twists to satisfy time-travel junkies.
    • 36 Metascore
    • 63 Andy Seiler
    Best to wait until the movie makes it to TV - where its missteps will loom less large.
    • 46 Metascore
    • 63 Andy Seiler
    You may enjoy One Night -- but you may feel guilty about it in the morning.
    • 48 Metascore
    • 63 Andy Seiler
    The action scenes in Vertical Limit take cliffhanging to the highest peaks of excitement. It's a shame the story keeps dragging us down to sea level.
    • 31 Metascore
    • 63 Andy Seiler
    The computer animation of the monsters here is a herky-jerky cartoon blur that is anything but scary.
    • 31 Metascore
    • 63 Andy Seiler
    Robbins' performance as Winston is the best thing in the movie.
    • 36 Metascore
    • 63 Andy Seiler
    Pure nonsense is hard to sustain for an entire feature-length movie.
    • 71 Metascore
    • 63 Andy Seiler
    If Wonderland is difficult to embrace, it is easy to admire.
    • 46 Metascore
    • 63 Andy Seiler
    Far too familiar.
    • 40 Metascore
    • 63 Andy Seiler
    A curious but intriguing movie that leaves you bemused and more than a little confused.
    • 70 Metascore
    • 63 Andy Seiler
    One wishes producer Spike Lee had stepped in to give the dialogue some sass.
    • 28 Metascore
    • 50 Andy Seiler
    Pretty hard to buy into at all.
    • 22 Metascore
    • 50 Andy Seiler
    It's still the same sick story. Even the small touches seem stale.
    • 18 Metascore
    • 50 Andy Seiler
    Good spirits are worth something, and the movie has them, as well as scattershot chuckles.
    • 71 Metascore
    • 50 Andy Seiler
    Not since Demi Moore lived happily ever after in "The Scarlet Letter" has a filmmaker felt so free to fudge a famous plot.
    • 29 Metascore
    • 50 Andy Seiler
    As the couple stand on the bluffs overlooking San Francisco Bay, you may find yourself wishing Forlani would push Prinze in.
    • 37 Metascore
    • 50 Andy Seiler
    Allen Daviau's cinematography is so striking that the movie would probably play better with the sound off.
    • 25 Metascore
    • 50 Andy Seiler
    Wenders creates an imaginative, stylized cityscape, but what's missing is the compelling story that could bring the setting to life.
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