Robert Horton
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For 189 reviews, this critic has graded:
  • 38% higher than the average critic
  • 2% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 6.9 points lower than other critics. (0-100 point scale)

Robert Horton's Scores

  • Movies
  • TV
Average review score: 52
Highest review score: 100 The People vs. Larry Flynt
Lowest review score: 0 Tomcats
Score distribution:
  1. Positive: 63 out of 189
  2. Negative: 39 out of 189
189 movie reviews
    • 50 Metascore
    • 50 Robert Horton
    The movie itself gets scattered.
    • 58 Metascore
    • 50 Robert Horton
    A collection of movie situations, recognizable from the films of Coppola and Scorsese, with a less obvious debt to Kazan.
    • 52 Metascore
    • 50 Robert Horton
    There's no way out of the excruciating melodrama, and the film withers in its trap.
    • 37 Metascore
    • 50 Robert Horton
    A pleasant surprise that The Crew offers up the charms it does.
    • 44 Metascore
    • 50 Robert Horton
    Not a crowd-pleasing, or even audience-oriented, movie; it's a two-hour-plus mood piece.
    • 47 Metascore
    • 50 Robert Horton
    The result is fantasy that wafts away.
    • 53 Metascore
    • 50 Robert Horton
    Does a lot of little stuff right, and it sparkles at times.
    • 27 Metascore
    • 50 Robert Horton
    This lightweight concoction can't justify a trip out to the multiplex, unless you're a girl between the ages of 12 and 17, but it does provide a launching pad for a group of attractive people.
    • 42 Metascore
    • 50 Robert Horton
    As executive producer of the film, he (Freeman) clearly sees something in Alex Cross, a man much more interesting than the cheesy plot surrounding him.
    • 33 Metascore
    • 50 Robert Horton
    Beginnings don't come much more lurid than this, and the rest of End of Days never quite reaches this level of flat-out wildness again.
    • 50 Metascore
    • 50 Robert Horton
    Eventually fizzles out badly.
    • Film.com
    • 34 Metascore
    • 50 Robert Horton
    For a good 40 minutes or so in the middle of this movie, De Palma is in his element.
    • 54 Metascore
    • 50 Robert Horton
    The story of Groove... provides an ingratiating road map to a cultural phenomenon. Just make sure you drink lots of water while you're there.
    • 45 Metascore
    • 50 Robert Horton
    Sometimes star power alone can keep you from walking out of a movie, and this is one of those times.
    • 62 Metascore
    • 50 Robert Horton
    This director's (Winterbottom) reach is impressive, but this time it doesn't quite grasp.
    • 56 Metascore
    • 50 Robert Horton
    Feels more like a backyard relaxation than a movie.
    • 43 Metascore
    • 50 Robert Horton
    It all coalesces in a TV-level pleasantness, which isn't quite enough to fill a big screen.
    • 38 Metascore
    • 50 Robert Horton
    Sandler repeats his sweet-souled doofus routine, with nerdy Patricia Arquette as the object of his affections.
    • 72 Metascore
    • 50 Robert Horton
    Go
    When the writing is good, Go is good, and when the writing is flat, things fall apart.
    • Film.com
    • 39 Metascore
    • 50 Robert Horton
    It's all safe and sane and bland.
    • Film.com
    • 40 Metascore
    • 50 Robert Horton
    Spacey and company deserve better.
    • 56 Metascore
    • 50 Robert Horton
    This mild but amusing comedy wasn't written by Levinson, and the accents may be different, but the feel is similar.
    • 49 Metascore
    • 50 Robert Horton
    These film-making provocateurs are divided between sweet and sour, between the romance of classic screwball comedy and Mad magazine on acid.
    • 48 Metascore
    • 50 Robert Horton
    Destined to be remembered not for its laugh-per-minute ratio, but for breaking a barrier of crudeness in mainstream movies.
    • 56 Metascore
    • 50 Robert Horton
    A truly stunning technical experiment.
    • 52 Metascore
    • 50 Robert Horton
    Enough pep in this picture to make it rise above teen-movie expectations.
    • 73 Metascore
    • 50 Robert Horton
    There is a point in the movie when this mayhem crosses the line from wildly imaginative to downright insufferable.
    • 23 Metascore
    • 40 Robert Horton
    Beautiful is a mess, but not without interest.
    • 47 Metascore
    • 40 Robert Horton
    The brainchild of English director Ben Hopkins, who takes his time getting going. Too much time, really, as the first hour passes rather antsily, without quite achieving forward motion.
    • 29 Metascore
    • 40 Robert Horton
    Not terribly enjoyable to watch.

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