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Thomas W. Davis III, A Former POW Looks Back Manuscript

  • TxAM-CRS 105
  • Collection
  • Undated

The Thomas W. Davis III manuscript of A Former POW Looks Back chronicles Davis' World War II experience as an American battery commander on Corregidor Island and as a prisoner of war held by the Japanese. The manuscript includes his observations of life as an Army junior officer, and American military preparedness before the Japanese attack at Pearl Harbor and the military's initial war mobilization in the Philippines. It also contains a vivid account of the fighting on Corregidor before American forces stationed there surrendered to the Japanese in 1942 and the dismal conditions prisoners of war faced. Davis provides several anecdotes about how soldiers dealt with the war and being held as prisoners. He describes in detail the conditions of Japanese POW camps including the lack of food and water, the bad sanitary conditions, the many diseases afflicting prisoners, camp routines, and the Japanese treatment of their prisoners.

The manuscript is typed with handwritten corrections and contains several original black and white, and color photographs and illustrations in excellent condition.

Davis, Thomas

Association of Former Students (AFS) Proclamations

  • US TxAM-C 116
  • Collection

This collection contains proclamations issued by The Association of Former Students in recognition of the outstanding contributions of Texas A&M former students.

The Association of Former Students

Margaret Lips van Bavel Papers on Boonville

  • US TxAM-C 1286
  • Collection
  • 1937-1987

This collection contains the Boone and Bryan family history in a compilation of biographies, clippings, and photocopies from books and newspapers, and other topics on the history of Boonville, TX. Also included are land acre maps of the town of Boonville and several genealogies including the genealogy of the Harvey Mitchell family.

van Bavel, Margaretha H. M.

Ava Johnson Cox Collection

  • TxAM-CRS 1509
  • Collection
  • 1973-1992

This collection consists of various correspondence, photographs, short handwritten manuscripts, and oral history communications with transcripts describing Ava Johnson's life, and work as a women cattle ranger in Texas.

The collection was compiled by Cynthia Ott, who interviewed Ava Johnson Cox with the intent of publishing a history of early 20th-century life in what is known as the Hill Country of Texas (highlighting Blanco, Gillespie, and Hays counties).

Cox, Ava Johnson

Harriette Andreadis Women's Studies Research Collection and Personal Archive

  • US TxAM-C 1528
  • Collection

This collection includes Dr. Andreadis' research files, library, journals, writings, correspondence, and manuscript materials which were collected during her 40 years as a member of the faculty of Texas A&M. Dr. Harriette Andreadis retired in the Spring of 2014 donating her materials well as several personal items to Cushing Memorial Library & Archives.

Andreadis, Harriette

E. B. Long Papers

  • TxAM-CRS 157
  • Collection
  • 1949-1981

This collection consists of personal correspondence, manuscripts by Long and others, articles, booklets, essays, clippings, photocopies, research notes, maps, brochures, and photographs. The papers reflect Long's successful career as a Civil War historian and are in very good condition for the most part.

While most of the materials in this collection are dated in the twentieth century, there are several original Civil War documents of the nineteenth century. Of further interest are the drafts of Allan Nevins's Ordeal of the Union, which were edited by E. B. Long, and the nine long index boxes of Long's research notes on the Civil War.

The papers have been divided into the following categories: personal correspondence, manuscripts by Long, manuscripts by others, general files covering a wide range of subjects, drafts of Allan Nevins' Ordeal of the Union, research notes on the Civil War, index card files of articles, and miscellaneous volumes of clippings. The correspondence is arranged both chronologically for general correspondence and alphabetically for correspondence with specific individuals, resulting in some overlapping of dates. Correspondents include Bruce Catton, the Civil War Round Table, Doubleday and Company, Allan Nevins, Lowell Reedinbaugh, and John Y. Simon. Other materials in the collection are arranged either chronologically or alphabetically depending on the nature of the information.

Long, E.B., 1919-1981

Rudyard Kipling Collection

  • TxAM-CRS 161
  • Collection
  • 1882-1982

This collection, compiled by Professor A. W. Yeats, contains numerous letters handwritten by Kipling, copies of Kipling letters, letters written by his sister Alice Fleming discussing her childhood with Kipling, and correspondence from Kipling's wife Caroline and daughter Elsie.

Included in the collection are many original newspaper clippings, poems, short stories, photos, drawings, . articles, a publishing contract, lists of various Kipling collections, material regarding the Kipling Society and the Last Will and Testaments of Rudyard Kipling, his wife Caroline and his sister Alice Fleming.

The collection, through a large display of original and reproduced letters, gives a peek at the kind of everyday tasks that Rudyard, as a famous author, and his wife Caroline had to contend with. Through its many newspaper clippings and articles written about him, the collection shows how eminent Rudyard Kipling was as a writer both in the 19th and the 20th centuries. It also serves as an introduction to the Kipling Society, its founding and difficulties therein, as well as the struggles legal and otherwise that surrounded Kipling's work during his life, continuing many years after his death. The collection contains interesting facts about the Kipling family, including some light genealogy, the places they lived and visited, and the people they knew.

There are some thirty-six Rudyard Kipling autograph pieces, all of which are letters excluding a few poems and miscellaneous items. The collection contains many original letters of Alice Fleming, Caroline Kipling, Elsie (Kipling) Bambridge, J.H.C. Brooking, A. W. Yeats and various others as well as many copies of letters from other Kipling collections throughout the country. In addition to any personal correspondence, there are many letters and notes, several minutes, member lists and other paraphernalia of the Kipling Society founded by J.H.C. Brooking in 1926 [?]. There is an assortment of page-proofs, galleys, original drafts, and copies of Kipling's poems, short stories, and manuscripts, along with a wide range of newspaper clippings dealing with all aspects of Kipling's life and influences on society. In addition, the collection has several original and copied catalogs from bookseller's and auction houses holding Kipling material.

Along with the letters, clippings, and many books in the Rudyard Kipling Collection at Texas A&M University, the collection contains items such as an autograph copy of "The Foreloper" framed with an illustration by an unidentified artist, the manuscript for "The Maltese Cat," and the ledger book of Mr. T.E. Elwell, an early member of the Kipling Society, who made many notes and collected numerous clippings towards a Kipling bibliography.

Kipling, Rudyard

Jack T. Kent Radio Script Collection

  • US TxAM-C 185
  • Collection

These papers consist of radio lectures on radio station 1620 WTAW-AM in College Station, Texas between 1945 and 1950. The lectures were given by Jack T. Kent, Albert Edward Finlay, W. E. Ross, Roger Valentine McGee, Walter Lee Porter, and James Wendell Ross focusing on mathematics, mathematicians and the solar system.

Kent, Jack T.

JeFF Stumpo - Javashock Collection

  • TxAM-CRS 188
  • Collection
  • 1998-2008; Undated

The collection covers the personal, academic, and professional life of Jeff Stumpo and his founding of the Java Shock slam poetry event held initially in College Station, but now based in Bryan, TX.

Stumpo, Jeff

John Q. Anderson Papers

  • TxAM-CRS 19
  • Collection
  • 1953-1966

This collection consists of term papers, course handouts, folklore fieldnotes, news clippings, a report, a document, maps, photographs, materials about folksingers, pamphlets on wildlife, materials about vaudeville and North Carolina, the information given to Dr. Anderson on Texas, correspondence, and information on The Texas Folklore Society and The John A. Lomax Folklore Society.

The majority of the material is from Dr. John Q. Anderson's students at Texas A&M. Dr. Anderson assigned his students to write term papers on folklore from many locales, including Texas. Because Dr. Anderson felt that some of these student papers were so exceptional, he collected, edited, and had them published in a book he titled, Texas Lore: A Collection of Student Papers on Texas Folklore. As additional information on some of the term papers, some of the students gave Dr. Anderson information on North Carolina, and Billy Arlington and Co. Dr. Anderson also requested that his students collect information on folklore by interviewing people and recording this information in fieldnotes. The information was gathered and is represented in the collection on topics including folk medicine, games, children's lore, folk beliefs, folk sayings, proverbs, rhymes, riddles, tree and plant lore, and Aggie lore.

Along with interviews and fieldnotes contributed by the students, many news clippings were collected, mostly relating to Texas and pertaining to people, places, folk medicine, folk singers, folk games, folklore book reviews, anthropology, superstitions, magic, and etymology. Also present is one document on folk medicine, an article on folksinger Joan Baez, a few articles on certain Texas counties, and special editions of some Texas newspapers.

Other materials include correspondence between Dr. John Q. Anderson and the Texas Folklore Society or the John A. Lomax Society, and with people interested in folklore. There is also information about meetings and conferences to be held by the Texas Folklore Society, including a program that Dr. Anderson sponsored at Texas A&M for the John A. Lomax Society.

Anderson, John Q.

Mildred Watkins Mears Papers

  • US TxAM-C 192
  • Collection
  • 1946-1963

This collection consists of some correspondence, a significant number of mostly typed manuscript drafts, both published and unpublished, and a printer's galley for her book, Coryell County Scrapbook, published in 1963 by Texian Press of Waco, Texas. Also present are a few newspaper clippings, as well as handwritten and typed research notes for her published book.

The manuscript drafts reveal an engaging blend of scholarship, personal recollection, and anecdotal history chronicling the development of Coryell county from when the area was part of Coahuila, Mexico, through to its formal organization as a county in the state of Texas in 1854. Included is an account of the growth of Fort Hood as a military base in the early 1960s.

Stories are cited from early twentieth-century newspapers recounting Indian skirmishes with pioneering settlers, deeds of cattle rustlers and trail drivers, as well as events surrounding prohibition and various political rivalries. The early days of Fort Gates, now Gatesville, and the later development of Camp Hood, now Fort Hood, one of the nation's largest military installations, are described. Statistical tables and records present expenditures for, and descriptions of, buildings, jails, courthouses, prominent homes, banks, and businesses in Coryell county.

Interspersed among the political and economic accounts of the county's progress are more personal stories of weddings, births, parties, church events, legendary horses, dogs, local heroes, and even the county's centennial celebration in 1954. Mears' relatively unadorned narrative describes in some detail the increasing social, economic, and political prosperity and influence, as well as the setbacks, of Coryell County. Mears' work brings to life frontier Texas culture during the late nineteenth and early to mid-twentieth century.

Mears, Mildred Watkins

Grace Paley Collection

  • TxAM-CRS 196
  • Collection

This collection contains three published editions (First English, Second English & Second American) of The Little Disturbances of Man (1960-1969), Plaey's first book.  A published and a uncorrected proof copy of Enormous Changes (1975), two published editions of Leaning Forward (1985), two proof copies of Later the Same Day (1985), all books by Grace Paley, several autographed.

Also included are several political leaflets and fliers (1967-1982) autographed and annotated by Paley, as well as three limited edition posters (1982, 1985), typescripts and manuscripts of early drafts, a speech (1970) and an article (1972), several of which are autographed or annotated -- all by Paley, plus a copy of What did you learn in school today... a 1977 Peace Calendar - with a forward by Paley (Paley's personal copy).

Paley, Grace, 1922

William Clark Manuscript

  • TxAM-CRS 214
  • Collection
  • 1857

This collection consists of Clark's original, handwritten manuscript of "A Trip Across the Plains in 1857" which was published in "The Iowa Journal of History and Politics" as an article, and a xerox copy of a handwritten transcription of the manuscript, due to its age.

Charles Criner Papers and Art Collection

  • TxAM-CRS 228
  • Collection
  • 1960-2009

This collection documents Criner's professional and personal life as an artist and educator. The collection includes correspondence, original works of art, prints, drawings, exhibition photos, postcards, writings, photographs, publicity, news clippings, interviews with Criner, and thank you letters and cards from students and visitors who have been taught the art of printmaking and provided tours of the Museum of Printing History in Houston by Criner. The collection includes a number of Criner's prints and copies of his art reproduced as advertisements, exhibits, and prints. Of particular note are the significant examples of Criner’s various cartoons, Johnny Jones, The Job Crowd, The Dogs, and a few others. These were all produced from his stint in the Army, his work with the Houston Post, Houston Chronicle, HUD, and his collaboration with William Henry Hygh. 

A listing of Criner’s artwork and cartoons is included at the end of the finding guide. The collection includes examples of each of these works either in print, photos, or exhibit material.

Criner, Charles

William A. Owens Papers, Part One

  • TxAM-CRS 23
  • Collection
  • 1922-1979

This collection contains papers documenting Owens' teaching and writing career from 1928 to 1979. Items of special interest in the collection include lyrics to many folksongs and recordings made by Owens in the 1930s and 1940s of folksingers as well as recorded readings of Robert Frost, interviews of early oil pioneers of Texas, legal papers for Owens vs. Fawcett Publications, Inc. and David Holland concerning True magazine's plagiarism of Slave Mutiny, and letters of Roy Bedichek, J. Frank Dobie, Walter Prescott Webb, and Mody C. Boatright.

The correspondence is further separated into three areas: personal correspondence; correspondence with Owens' literary agent, Maurice Crain; and correspondence regarding Owens' books. Some overlapping exists between these areas. In the personal correspondence section, letters discussing Owens' books are largely from friends and fans and are nontechnical in nature. The correspondence with Maurice Crain concerns the publication procedures and business aspect of his writings while the boxes of letters specifically concerning the books deal primarily with the writing and development of the books.

The personal correspondence is arranged chronologically from 1932 to 1975. The letters are concerned with associations and societies to which Owens belonged; speaking engagements by Owens; programs in which he was involved; awards presented to Owens; and Owens' teaching career which includes letters to Owens as Director of Folk Festivals at the University of Texas, as an instructor at Texas A&M University, and as Professor and Dean of Summer Sessions at Columbia University. Other letters concern Owens' service as an Intelligence Officer in World War II and his early work with folksongs. In addition to correspondence from Owens' family and friends, there are letters congratulating Owens on his publications and requesting his literary advice. Of special interest are letters from famous persons such as Grant Wood, Eleanor Roosevelt, Harry Truman, and Nelson Rockefeller.

Correspondence with Maurice Crain contains letters from 1950 to 1959. The letters discuss publication and promotional plans for Owens' books and short stories. Other subject areas include foreign and domestic contracts for publication, royalty statements, and motion picture plans for several books.

The correspondence concerning books is arranged in chronological order based on the year of the book's publication. Included are letters regarding contracts with publishers, royalty statements, motion picture rights, and lectures on the books. Numerous letters discuss Owens' research and recordings of folksongs for Texas Folk Songs. Additional correspondence with Mrs. Walter B. Sharp, Dudley Sharp, and other oil pioneers refers to the Oral History of Texas Oil Pioneers.

Material concerning Owens' books includes background material, book reviews, typescripts, drafts, and in most cases galley proofs and page proofs. The boxes are arranged chronologically according to the publication date from the earliest to the last. However, the revised edition of Texas Folk Songs which was published in 1976 is included with the papers of the 1950 edition. Labels that Owens used on the papers, such as the numbers of a draft, have been retained, and where there was no designation of a draft number, the typescript is merely labeled typescript, early draft, or manuscript. The papers include both photocopies and ribbon copies and duplicates of typescripts. Typescript and manuscript are used interchangeably as labels.

The evolution of each of Owens' books can be seen through the background material and copies of drafts. In the first folders are Owens' research material and notes, book reviews, advertisements, and other information pertaining to the book in subject matter. Copies of typescripts, from the earliest to the final edited manuscript are next with the last folders containing galley proofs and page proofs. Through the revisions and changes made by Owens in each subsequent draft, the progressive development of notes and a rough outline into a complete and polished publication is revealed. Papers of major interest include a copy of Owens' doctoral dissertation on folksongs for the State University of Iowa (June 1941) with Texas Folk Songs material, the legal papers from the Owens vs. Fawcett Publications, Inc. and David Holland concerning Slave Mutiny, interviews of oil pioneers of Texas with material for Oral History of Texas Oil Pioneers and Walter B. Sharp biography, and the correspondence of Dobie, Bedichek, and Webb revealing their ideas about many varied subjects included with Three Friends material.

Other writings by Owens comprise the next section of the collection. Articles and short stories are filed alphabetically. Book reviews are grouped together in one folder. Speeches are filed last and are labeled with the title or meeting at which they were given and the date if known. Typescripts exist of most of the articles and short stories, and duplicate copies are retained. Some of these writings occur in their published version and are labeled with the title and date of the magazine in which they were printed. The dates of the other stories and articles are unknown. The subjects of Owens' stories and articles cover a wide range of subjects and span the entirety of his writing career. Published excerpts from his books such as This Stubborn Soil and Tales From the Derrick Floor are included in this group as well.

The personal data concerning Owens contains biographical information such as vitae, resumes, publications concerning programs and lectures in which he participated, and material relating to his teaching career. Additional material documents his years at Columbia University and awards presented to him. Newspaper articles and photographs from 1940 to 1974 concern Owens' many interests and involvement in programs as well as his books and teaching career.

The next boxes in the collection contain miscellaneous material kept by Owens. Many oil history photographs and newspapers articles relating to subjects in which Owens was interested are included. Articles by other authors, some signed by the author and some written by friends of Owens, along with magazines and publications collected by Owens are filed in this section. The miscellaneous publications are divided into three categories: literary publications, college publications, and remaining miscellaneous publications. These deal with a wide variety of subjects in which Owens was apparently interested.

The remaining three boxes contain aluminum discs of recordings made by Owens of various folksingers and country people of the South. Note cards listing titles numbered to correspond with the records are filed with the discs. Owens also made recordings of readings by Robert Frost in 1939, and these provide a valuable addition to the collection.

Copies of Owens' books are shelved with the boxed papers. Oversize items including an advertisement for Three Friends: Bedichek, Dobie, Webb, color prints of the Apollo 11 Lunar Mission, and maps and genealogies for A Fair and Happy Land are housed separately in oversize flat storage.

Owens, William A., 1905-1990

Texas A&M Race and Ethnic Studies Institute (RESI) Archives

  • TxAM-CRS 232
  • Collection
  • 1991-1998; 2003-2005

The archives consist of photographs, publications, correspondence, and reports on the early history of RESI under the directions of its first two directors, Dr. Gail E. Thomas (1991-98) and Dr. Mitchell F. Rice (1999-2004). The institute was founded in 1991 and established to highlight Texas A&M University's strengths and academic leadership in research relating to the study of race and ethnicity and their various dimensions (e.g., intersections with class, gender, and sexuality; past, present, and future relevance to issues of education, immigration, politics, culture, and health).

Race and Ethnic Studies Institute

William A. Owens Papers, Part Two

  • TxAM-CRS 24
  • Collection
  • 1940-1980

This collection supplements Part One of William A. Owens, in that it emphasizes the years from 1972 to 1980, yet also contains correspondence written prior to 1972. Therefore, it adds much to the first collection.

The collection is divided into seven categories. These are: Personal correspondence 1940-1980 (Series. 1-3), which also includes some printed reviews of Owens' books; Transcripts of the tapes containing the "Oral History of Texas Oil Pioneers" (Series. 4); Research materials, manuscripts and drafts for unpublished books written by Owens (Series. 5-8); Shorter works by Owens (Series. 9); Works written by other authors (Series. 10), and; Miscellaneous materials and drafts collected by Owens (Series. 11-13). Of special interest in this collection is correspondence concerned with Owens' books, letters from World War II, and the various drafts of books by Owens which have not been published.

Owens' personal correspondence files are further divided into three more specific categories. The first covers primarily the period 1972-1980 but also includes papers dating from prior to this period. This correspondence is broken down alphabetically according to a key word in the subject, name, company, or book. Within the letter grouping the papers are filed chronologically. The undated material follows the last dated papers. The compilers of the collection attempted as much as possible to keep the material grouped as Owens himself had had it arranged. This material contains correspondence with friends and fans on the writing and publication of his books, with organizations Owens participated in, on awards won by Owens, about folk songs, on the writing of other authors, and other various topics. To be especially noted about the dramatizations of This Stubborn Soil.

The second division of personal correspondence primarily covers 1940-1965. These letters are broken down by their subject matter and then arranged chronologically. The subjects covered are Owens war letters and letters with Annie Laurie Williams, who was Owens' literary agent.

The third division of the correspondence files covers Owens' tour with the National Humanities Series in 1972 and 1973. The production was entitled "Frontiers: Settling a Nation," and consisted of Owens and a folksinger. The papers include correspondence concerning the itineraries, reviews, and other matters of the tour. The first nine boxes hold this personal correspondence.

Also included in the correspondence files are the printed reviews of books authored by Owens. They are predominantly newspaper reviews although some were printed in journals and magazines. The reviews are broken down by title and arranged chronologically.

Filling the next seven boxes are the transcripts of the "Oral History of Texas Oil Pioneers" tapes. These are filed by the number of the tape. There are transcripts from 218 tapes.

The manuscripts of books written by Owens since 1975 compose the next category of the collection. The five titles of the books are Caves of Arayat, Running in Place, Japanese Soldiers in World War II, Not So Far Away, Not So Long Ago, Special Agent 2142, and the second edition of Texas Folk Songs. Of these books, only Texas Folk Songs, 2nd edition, has been published (1976). The first three works concern World War II, and the fourth is the third volume of Owens' autobiography. There are many drafts of each book, some having different titles. The drafts are filed from earliest to latest. Some of the drafts were not identified and have been filed as accurately as possible. The labels of the drafts include the number of the draft, whether it is typescript or a copy, and whether or not it contains written notes. The labels "manuscript" and "typescript" were used interchangeably.

One may find it interesting to examine the various drafts and trace the development of the books. Not So Far Away, Not So Long Ago, for example, has thirteen drafts and four different titles. The drafts are in good condition and are usually complete.

There are also numerous shorter works written by Owens. These are predominantly articles, essays, and short stories. Most of them appear in printed form, but some were never published. Of interest in an essay written for a Bicentennial essay contest which Owens subsequently used for a lecture.

This collection also contains three boxes of short works by other writers. These include histories of World War II operations in which Owens participated, articles on folklore and ethnic groups, and other topics which interested Owens. There are many works that were sent to Owens by students and friends for him to critique. Of special interest are two biographies of Owens and short stories by J. Frank Dobie.

The final category of the boxed papers contain miscellaneous material collected by Owens which includes magazines, pamphlets, and other material.

Separated from the collection is sixty books which Owens included in the collection. Most pertain to fields which Owens researched such as folksongs, ethnic groups in Texas, history of the oil industry, and others.

Also separated, are oversized materials such as Owens' Bachelor of Arts and Master of Arts diplomas from Southern Methodist University, two large prints of an oil gusher, four parts of a copy of an old map of Virginia, and a copy of an 1898 map of Jefferson County, Texas.

Owens, William A., 1905-1990

William A. Owens Papers, Part Three

  • TxAM-CRS 26
  • Collection
  • 1964-1988

This collection contains the third part of William A. Owens' materials deposited in the Cushing Archives. Materials consist of personal correspondence, from 1964 through 1988, essays, manuscripts, photographs, research for books, and articles.

Included within the series are short stories and articles such as "This Stubborn Soil", "Wildcatter", "Look to the River", "Tell Me a Story", "Sing Me a Song", "Historic Texas", "Eye Deep in Hell", and work by other authors; Cleaver and Witherspoon family genealogy; letters of Roy Bedichek; "Three Friends"; videotapes of Owens's work; and photographs.

Owens, William A., 1905-1990

Imamu Amiri Baraka Collection

  • US TxAM-C 298
  • Collection

This collection contains over 100 items, primarily books that are cataloged and available via the Libcat system. The manuscript and drawings are also cataloged and available via the Libcat system.

Baraka, Amiri, 1934-2014

Yates Stirling Jr. Diary of the Commander of the U.S.S. Von Steuben Manuscript

  • US TxAM-C 318
  • Collection
  • 1918-1928

This collection includes the manuscript diaries of the commander of the U.S.S. Von Steuben, 317 pages.12 mo (6X4 inches), original calf, worn; a few minor creases and tears, lacking the last 7 leaves (not part of diary proper).  Vp, January 1 to September 7, 1918; April 8 to June 21, 1919; and circa 1928. There are two bound diary volumes and one typescript entitled "Battle Between the U.S.S. Von Steuben and German Submarine", June 18, 1818.

Sterling, Yates Jr., 1872-1948

Samuel Erson Asbury Papers

  • TxAM-CRS 33
  • Collection
  • 1872-1960

The Samuel Erson Asbury Papers consist of research materials, correspondence, mainly original contemporary letters and copies of the older historical correspondence, Asbury's writings and copies of state and national documents, held in eight boxes and one map case drawer occupying approximately twelve linear feet of shelf space. Asbury's broad range of interests is reflected in the variety of topics contained in these papers. Foremost among them are the files of correspondence, historical documents, articles and research notes concerning various aspects of Texas history.

Also included in the Asbury papers are articles, short stories, essays, plays, poetry, and a Texas Revolution opera written by Asbury; research notes and correspondence on the cultivation of roses and the growing of plants without soil; articles written about Asbury; correspondence with family members; general correspondence; and photographs of Asbury, his family and friends, and North Carolina A & M College.

Asbury, Samuel E. (Samuel Erson), 1872-1962

Francis C. Turner Collection

  • TxAM-CRS 38
  • Collection
  • 1929-1997

This collection represents 68 years of materials authored or collected by Turner. Series 1. through Series 4. include highway engineering reports written for the Bureau of Public Roads, Clay Committee papers dating from the 1950s hearings on the development of a national interstate highway program, and speeches, publications, correspondence, and research notes generated by his career as a federal highway official. The aforementioned inscribed copy of A More Beautiful America by Lyndon Baines Johnson is is included in this material.

Upon his retirement, Turner became a transportation consultant, advising local, national, and international agencies, associations, and companies on transportation issues. The bulk of these post-retirement and consulting materials are found in Series 5 through Series 9. These materials include maps, photographs, research notes and manuscript drafts for a three-year study he and Harmer E. Davis conducted for the International Road Federation. The study, published in 1977 and titled A Comparative Analysis of Urban Transportation Requirements, compares transportation needs in urban areas in fourteen countries, including the United States.

Another large portion of the papers found in Series 7. contains papers related to Turner's membership in various associations. Throughout his lifetime Turner remained devoted to groups such as the Highway Users Federation and the American Association of State Highway Officials. Correspondence, speeches, and conference notes related to these associations reflect his continued involvement in the transportation field almost until the year of his death.

The collection also includes correspondence, transcripts, and drafts of several reports recording the history of the interstate highway, a subject for which Turner was a popular informant. The most extensive project is a study by the Public Works Historical Society, commissioned by the American Public Works Association and the American Association of State Highway Transportation Officials.

Turner, Francis, 1908-1999

Roger Asselineau Walt Whitman Collection

  • TxAM-CRS 94
  • Collection
  • 1842-2002; Undated

This consists, aside from the group of 900 or so monographs collected by Asselineau, chiefly of correspondence, accompanied by handwritten drafts of reviews written in ink or pencil by Asselineau on slips of paper, apparently placed in the relevant book on his shelf as a file. The correspondence and draft of reviews are often associated with clippings, photographs or snapshots, offprints, programs, newsletters, and a few postcards.

Most of these manuscript materials were found in the process of cataloging the monograph collection, apparently filed by Asselineau in volumes of his monograph collection, usually related to the author of the book into which he inserted the materials over a period of years. A title page of the relevant book into which the manuscript materials were found inserted is now clipped to the materials in the collection folder and the call number of the book written on the photocopied title page in pencil. Also present are musical scores of adaptations of Whitman's poetry, and quite a few copies of the Walt Whitman Circle quarterly newsletter, published by composer and Whitman enthusiast, Robert Strassburg.

Series 1 includes notable correspondents such as Gay Wilson Allen, V. K. Chari, Betsy Erkkila, Ed Folsom, Donald D. Kummings, Jerome Loving, Robert Strassburg, and Leandro Wolfson.

Series 2 consists of a bound manuscript book entitled "Walt Whitman on Burns and a Portrait Gallery of Walt Whitman". The book measures 21 cm by 13 cm and is bound in green half-calf with marbled boards. According to a letter pasted into the book, it was apparently purchased by Roger Asselineau on August 20, 1942, from Alfred F. Goldsmith of New York, NY. Twenty-seven leaves of the manuscript book are filled with mostly photographic portraits of Walt Whitman, a few obviously cut from published works, and one leaf containing a section from a page of a handwritten manuscript in pencil and ink, labeled "Rough draft of a page in 'Robert Burns as poet and person' in November Boughs (p. 61)." Twenty other leaves of the book are left blank.

Series 3 consists of four folders with programs, offprints, and newspaper clippings collected by Asselineau. Contains manuscripts with commentary and suggestions (1856-2000), programs, announcements and catalogs (1963-2000), and clippings collected (1962-1992) regarding the life of Walt Whitman, his writings, collections, and offprints.

Series 4 contains over 900 monographs collected by Asselineau, these materials are cataloged separately in the Library of Congress classification and housed in the Cushing repository stacks as part of the Lit/Whitman collection. These monographs include first editions of Walt Whitman's works, particularly Leaves of Grass, many translations of the poem into an incredible variety of languages, biographies, and other scholarly works. The breadth of Asselineau's scholarly activity and acquaintance is well represented by the amount of correspondence and other memorabilia which was found inserted into these volumes.

Asselineau, Roger

Ellen Schulz Quillin Manuscripts

  • US TxAM-C 95
  • Collection
  • 1928-1964

This collection contains two manuscripts written by Ellen D. Schulz Quillin. The first, "Texas Wild Flowers. a Popular Account of the Common Wild Flowers of Texas.", was published in 1928 by Laidlaw Brothers (Chicago, IL), and the second, "Texas Cacti: A Popular and Scientific Account of the Cacti Native to Texas", was published in 1930 by the Texas Academy of Science and written with Robert Runyon.

The manuscript for "Texas Wild Flowers. a Popular Account of the Common Wild Flowers of Texas." consists of two bound volumes, typed with handwritten edits and notes, and both contain a title page handwritten in graphite, dated and initialed by Ellen (December 23, 1955). The inscription in Part I reads, "Original Texas Wild Flowers manuscript. Of no value to anyone else. Kept for reference to revision, if I should get to it". and in Part II, the inscription slightly changes with the last sentence reading "Kept for reference in case of revision".

The first volume, Part I (pages 1-337), has a second note by Ellen handwritten in ink, dated October 20, 1963, in which she talks about the book being published, the revisions she wanted to make after it becoming know the book was out of bring in 1959 [Part 2 state 1939], and never got around to due to her work in writing "History of the Museum" in 5 volumes and resigning in 1960.

The second volume, Part II (pages 338-640), also has a handwritten ink note from October 20, 1963, however, the inscription reads "Presented to Peggy C. Owens, College Station, Texas to use in any way she can as Texas Wildflowers has not been replaced since it became out of print in 1939 [Part I states 1959] - used copies are generally not available - and the last used copy I saw advertised in a California catalogue was $27.50 - a prohibitive price".

The second manuscript in this collection, "Texas Cacti: A Popular and Scientific Account of the Cacti Native to Texas", is held within a Weston Paper box with an address label for Mrs. Peggy C. Owens affixed to the outside. The manuscript itself is bound, typed with handwritten edits and notes, and original photographs (95 pages total). Also found within are a few publications that were used for reference.

Contained within the front cover are four documents, two are keys for illustrations, one for illustrations from "Succulents" by van Laren from paintings made in Amsterdam by Messrs. C. Rol, J. Voerman and H. Rol, and the second unidentified. The third is an announcement for the release of "Texas Wild Flowers: A Popular Account of the Common Wild Flowers of Texas by Ellen D. Schulz Quillin, M. S." with an overall description of the book, an excerpt from the book on the origin of Texas bluebonnets and two reprints from Texas newspapers of articles announcing Ellen's new book in June and July of 1928. The fourth document is a note handwritten in ink, originally paper clipped to the front cover, dated April 21, 1964, reading "To Peggy Owens - One of my most Precious possessions. Ellen S. Quillin". Also noted in graphite below the original note is "send vols 1 & 2" by Ellen, May 12, 1964. On the first page in the top right corner is another handwritten note in ink by Ellen dating April 21, 1964, "To Peggy Owens - Compliments of the author".

Quillin, Ellen Schulz, 1892-1970

George R.R. Martin Collection

  • US TxAM-C C000004
  • Collection

This collection consists of the personal papers, manuscripts, memorabilia, and other associational material of science fiction and fantasy author George R.R. Martin.

Martin, George R.R.

Chad Oliver Collection

  • TxAM-CRS C000008
  • Collection

This collection consists of Oliver's manuscripts, notes, and correspondence, published books, magazine appearances, books collecting his stories, foreign-language editions, clippings, and other related material. Chronologically, the collection ranges from the mid-1950s through the mid-1990s.

Oliver, Chad, 1928-1993

Guy Lillian Southern Fandom Press Alliance Collection

  • TxAM-CRS C000009
  • Collection
  • 1961-2018

The Southern Fandom Press Alliance (SFPA) is a regional amateur press association (APA) generally based in the Southern United States, but with notable membership from other regions.  SFPA was formed in 1961, with Bill Jennings serving as the first Official Editor.  The first mailing was in September 1961, consisting of 76 pages of contributions.  The APA grew in both members and page count, with a record 100th mailing that contained over 1400 pages.  Guy Lillian served the APA as the Official Editor for a number of years. (C000009)

The collection also includes various mailings from the Los Angeles Science Fantasy Society (LASFS) APA, which first began publication in 1976 and was still being published as of 2013.

Finally, there are some additional fanzines in the collection, published independently of SFPA or LASFS.

Lillian, Guy

Anthony Burgess Collection

  • TxAM-CRS C000010
  • Collection
  • 1976-1979

The Burgess Collection consists of the first draft of the unpublished novel Puma, written in 1976 as a film treatment that was never made into a film. The novel is accompanied by a letter of explanation from Brian Kirby to Jim O'Roark, February 7, 1979.

Portions of the novel, which was pitched as an update of the classic film When Worlds Collide and which would have told the story of a planet [named "Puma"] hurtling towards Earth, was later adapted by Burgess into his 1982 novel The End of the World News.

Burgess, Anthony, 1917-1993

Alex Haley Collection

  • US TxAM-C C000012
  • Collection
  • 1949-1965, 1967, 1991

This collection consists of one box of material that includes heavily edited and complete manuscript pages from the Autobiography of Malcolm X, his writings on Mahalia Jackson, Wilma Rudolph, the story Queenie, a follow-up to Roots, and other writings. Also included are his notes regarding the re-run of the mini-series Roots. He mentions a meeting he had with Warren Beatty where they discussed Roots. The notes are titled "Re: Roots Re-Run for TV Guide. Between the Covers acquired the collection from a bookseller who bought it directly from the estate of Virginia Hannon. A group of early letters from Alex Haley it's seven letters sent between 1949-1954 (one from 1967) to close family friend, Virginia Hannon. The letters present Haley, then a journalist in the Coast Guard, trying to get his writing career started and relating thoughts about his working habits, carious siblings, and plans for the future. All letters are written light, optimistic, and sometimes flirtatious style. Accompanying them are several related photographs, including one of Hannon in uniform, and a copy of Haley's posthumous novel Queen inscribed to her by his brother, George.

The July 2015 addendum includes an archive of seven Typed Letters Signed from Alex Haley sent between 1949-1954 (with one from 1967) to a close family friend, along with related photographs and the first edition of Queen Inscribed by his brother George Haley. The letters are overall near fine with typical folds from being mailing and light toning, with their original mailing envelopes that show wear including are nick, tears, and chip, but all are present; the photos are fine. The book is fine in a fine dustwrapper.

The letters, which are signed both as "Alex" and "Palmer," his middle name, were written to Virginia Hannon, a woman who taught Alex Haley French at Alcorn College before he left to join the Coast Guard. The letters begin after he's become a journalist writing for Coast Guard Magazine, and it seems, after an absence from Hannon. The letters are very familiar and playful with references to her French class, updates on his brothers George and Julius, and although married, some flirtatious comments about her breasts, "they were not as you say, spinsterly," and his faraway demeanor in class, "believe me, love, I was not, when you observed me, thinking about any damned touchdowns." There is also lots of talk about Haley's writing career. The early letters from 1949 included his thoughts on his drive to be a writer: "I'm trying pretty hard and have thus far had some minor successes," as well as his bad habits: "I'm essentially lazy, but I love to write once I get started." It's during an extended hospital stay for the treatment of a pilonidal cyst in 1953 that he seems to really make headway: "I never had so much time on end to write in my life. I have to stand up to type, to be sure, but - boy, am I turning out the words! Things I've wanted to work on for ages." In a letter the next year he excitedly describes what was his first big career break: "The prime accomplishment to date, a milestone in my life, I guess, was the sale two weeks ago, of 'The Harlem that Nobody Knows,' a 4,000-word piece, to Reader's Digest ... As a result, I, last week, got taken in the stable of Ruth Aley, probably one of the top 5 literary agents in the country. I am working like a bastard, to put it bluntly." The job led to a series of articles in the magazine and an assignment with Playboy interviewing many of the most important African-Americans of the day. The final letter from 1967 takes the form of two short but sweet holograph notes to Hannon written on the margins of a form letter and a photocopied travel article. They show a busy, successful writer still trying to keep in touch with an old friend.

The letters are accompanied by a black and white photograph of a young Hannon in a military uniform (possibly Red Cross), along with two later color photos of George with Wynelle [Hannon's sister] and George with President Bill Clinton. Plus, there is a copy of Haley's book Queen, published posthumously, and warmly Inscribed by George: "To my dear sister, Virginia Rose Hannon With love, respect and appreciation Your brother George Haley - and all the rest of the Haley Family 12 June 1993." An interesting and intimate collection of early correspondence from one of the most influential African-American writers of the 20th Century.

Haley, Alex

Charles Levy Civil Rights Collection

  • US TxAM-C C000013
  • Collection
  • 1863-1975

This collection contains nearly 1000 items related to the civil rights movement from 1955-1975. The early part of this collection (1955-67) formed the basic research for Levy's book Voluntary Servitude, Whites in the Negro Movement, (New York: Appleton-Century, 1968). The collection includes hundreds of pages of writings, publications, bulletins, internal memos, broadsides, hand-printed magazines, etc. Prominent figures of the civil rights and revolutionary movements, organizations, and committees are covered in the collection. The collection also includes two photographs of President Lyndon B. Johnson signing the 1964 Civil Rights Act with Rev. Martin L. King, Jr. and other luminaries of the civil rights movement.

Edward Everett Papers

  • US TxAM-C C000024
  • Collection
  • 1846-1906

This collection dating from 1846 to 1906 (bulk: 1846-1847) consists chiefly of handwritten letters, journal entries, a memoir, a proof copy of a report from the U. S. Secretary of War on Army operations in Texas and on the Rio Grande during the Mexican War (1846-1848), as well as plans, maps and nine hand-colored copies of lithographic engravings drawn by Everett, which vividly chronicle southwest Texas cultural as well as military history during the late1840s.

Series 1, Letters (1847-1863), mainly handwritten in ink by Edward Everett to his brother, Samuel W. Everett, from 1846-1847, while Everett was serving in San Antonio de Bexar with the U. S. Army during the Mexican War. A few letters from other correspondents pertain to Everett's disability and eventual official discharge from the Army. Three letters written in the period 1852-1863 are about business or from family members.

Series 2, Journal and Memoir (1846-1899) contains three sets of journal entries for Sept. 1846-Jan. 1847. All are handwritten in ink on loose sheets of paper. The memoir, also handwritten in ink, on machine-ruled paper measuring about 8 x 5 inches, covers the years 1846-1848, with additional material added and dated, on at least one page, with 1899. This memoir is edited in pencil by Everett, evidently for publication, since one note suggests that the memoir was donated in 1899 to the Quincy Historical Society, later known as The Illinois Historical Society. The memoir was actually published, at least part, or possibly all of it, under the title "Military Experience," in Transactions of the Illinois Historical Society for 1905.

Series 3, Engravings, Maps, and Plans (ca. 1846-1849) includes nine copies of lithographed illustrations drawn by Edward Everett and engraved by C. B Graham Lithographers in Washington, D.C. The engravings were to be published in a report on U.S. Army operations in Texas during the Mexican War. A proof copy of this 67-page report, titled Report of the Secretary of War, communicating ... the Operations of the Army of the United States in Texas and the Adjacent Mexican states on the Rio Grande (31st Congress, 1st Session, Senate. Executive Document 32), published in 1850, is annotated throughout by Everett in pencil. For this publication Everett was at least responsible for eight illustrations: seven engravings of the San Antonio de Bexar area, including the Alamo church, as well as locations in Mexico; a plan of the ruined Alamo as it was in 1846, before being renovated according to Everett's direction, as a U. S. Army supply depot and workshops.

Engravings include nine copies of the lithographed prints. Notations made in ink on the separate prints, and on p. [4] of the proof copy of the published government report, indicate that: illustrations numbered for publication 2, 3-6 were engraved from original drawings made by Everett; those numbered 1, 7-8 were engraved from drawings made by Everett based on pencil sketches by other individuals, particularly no. 1 titled "Watch Tower Near Monclova," which was drawn by Everett from a sketch by Lieutenant McDowell of the U.S. Army.

Everett's proofs of the lithographic prints have all been exquisitely hand-tinted, in contrast to the severe black-and-white reproductions in the printed report. Of the nine hand-colored prints, two are duplicates of two illustrations, one titled "Church Near Monclova," and the other "Watch Tower Near Monclova." These identical prints are each hand-colored in two versions, apparently to represent the depicted buildings' appearances during the daytime, as well as at dusk or sunset.

Maps include one copy of a published map, possibly also by Everett, though it has been attributed to Josiah Gregg, which also appeared in the 1850 Army Operations report, titled "Map Showing the Route of the Arkansas Regiment from Shreveport La. to San Antonio de Bexar Texas," which is annotated with a penciled in route drawn from San Antonio to Austin, and a town location labeled "New Braunsfels." Also included are two manuscript versions of a map by Edward Everett, one copy titled "Plan of the Vicinity of Austin and San Antonio, Texas."

Plans are represented by two copies of an illustration drawn by Everett for the 1849 Army operations report showing plans of the Alamo before the renovation, titled "Plans of the Ruins of the Alamo near San Antonio De Bexar, 1846." Also present is one manuscript plan, titled "Plan of San Antonio de Bexar, Texas, 1848," which is labeled as "Drawn from recollection by E. E." The legend states that locations number 1-5 on the plan show, for instance, the spot near the Plaza in town where Everett received his disabling gunshot wound in the leg, the Hospital where he convalesced, and the Quartermaster's Office, to which he was assigned to work after being declared disabled from active service in the field.

A handwritten loose-leaf page kept with the proof copy of the report is titled "Index to Col. Hughes Report," and lists subject divisions and page numbers, though these divisions are not present in the published report by Hughes.

Thus Everett's accounts of frontline actions in the Mexican War mainly rely on reports from occasional volunteer soldiers or scouts, or Mexican nationals, returning back to Texas from the front lines of battle in Mexico. As much as he is able, however, Everett produces very detailed accounts of the various battles and skirmishes in and around the Texas-Mexico border, including battles at Monterrey, Saltillo, San Luis, Camargo, Buena Vista, Vera Cruz, and Tampico, recording a large number of casualties on both sides.

Of particular interest is Everett's extensive first-hand description of the ruins of the Alamo, and how it was converted for U.S. Army use as a military headquarters, according to plans drawn up by Everett. He deplores the vandalism already wreaked by relic seekers and stressed the respect shown to the mission church by the U. S. Army restorers, who refused to plunder it for building stone but instead merely cleaned away the debris. In the process, skeletons were uncovered, which Everett assumes to be from the time of the siege and Battle of the Alamo in 1836. Everett's accounts of frontier life in the rather rambunctious confines of San Antonio, complete with ambushes, shootouts, rough and ready court trials, and various local characters are often riveting.

Everett also pictures the moods and attitudes of the soldiers toward a variety of issues. Everett describes their arduous marches, unsavory living conditions, often dire medical care, and the cruel climate tormenting them. Having been left behind in San Antonio with all the stores rejected by the army, which had proceeded on into Mexico, Everett's men were faced with nursing broken down mules and horses back to usefulness, salvaging wagon parts from several damaged ones to make a serviceable one, and generally, trying to make do with what could be had in the vicinity, or easily transported from the Quartermaster at New Orleans.

According to Everett, communications on the Texas frontier often proceeded through "solitary express riders." He describes Mexican culture co-existing with "the Indians" and their horse-stealing. He also gives an excellent but pejorative account of the Texas Rangers and their activities, calling them desperados. Everett describes Mexican Generals Santa Anna, Torrejón, and Woll, the exceedingly unpopular U. S. Army Colonel Churchill, officers George W. Hughes, 1st Lieutenant W. B. Franklin, 2nd Lieutenant F. T. Bryan, General Zachary Taylor ("Old Rough and Ready"), General Winfield Scott, and General James Morgan, Captain J. H. Prentiss, Brigadier General John E. Wool, Major General Worth, Captain James Harvey Ralston, Captain L. Sitgreaves, as well as Edward Everett's own two brothers Charles Everett and Samuel W. Everett (Sam).

Full of absorbing narrative and elusive details often lost in larger historical works, the content of Everett's narratives and letters may be summed up in his own words from the handwritten memoir: "Mine is not a tale of battles, or of the movements of great armies, but the details will show some of the hardships and vicissitudes of a soldier's life, the exposure to which causes a greater sacrifice of life than that ensuing from wounds of death received from the enemy."

Everett, Edward

Kate Adele Hill (TAEX) Papers

  • TxAM-CRS C000025
  • Collection
  • 1930-1965

This collection contains the personal papers of Kate Adele Hill during her time as an employee of the Texas Agricultural Extension Service. Included are correspondence, speeches, clippings, articles, photos about extension work, pioneer women in Texas, demonstration work, and agriculture.

Robert W. Smith Martial Arts Collection

  • TxAM-CRS C000026
  • Collection
  • 1930-2012

This collection includes the major focus of RWS's research in the 1950s and early 1960s, while Mr. Smith's publication projects span the early 1970s to 2000. His writings as John F. Gibley are thought to be a composite of his friends Jon Bluming and Donn F. Draeger. There are several boxes of papers, notes, manuscripts, books, photographs, historic 16 mm movie film, videotapes, and personal correspondence (covering six decades). Some of the prominent correspondence, writings, and photographs include noted science fiction author Ray Bradbury, martial artist Jon Bluming, Donn F. Draeger, writer Kay Boyle, British novelist and literary critic Sir Victor Sawdon Pritchett (VS Pritchett), writer and critic John Sanford (aka Julian Shapiro) and many more. He also offered a critical eye on American culture that is reflected in his reviews, articles, and papers he wrote and collected. Researchers will find substantial scientific articles on how the brain, mind and body work.

Smith, Robert W., 1926-

Samuel R. Delany Collection

  • US TxAM-C C000033
  • Collection
  • 1968-1979

This collection consists of materials relating to two of Samuel R. Delany's more famous novels. Materials include two typescripts of his 1973 novel Equinox (originally published as The Tides of Lust), and the corrected galley proofs of Triton (1976).

Also included is the typescript of Delany's 1979 memoir Heavenly Breakfast.

The manuscripts all contain holograph corrections and revisions by Delany.  There is also a note contextualizing the manuscript on the first page of each item.

Delany, Samuel

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