Robert W. Woodruff Library - rare books http://web.library.emory.edu/taxonomy/term/35/0 en The Extraordinary World of MARBL: An Excerpt from John Steinbeck's Cannery Row http://web.library.emory.edu/blog/extraordinary-world-marbl-excerpt-john-steinbecks-cannery-row <p><img src="http://web.library.emory.edu/sites/web.library.emory.edu/files/52weeks_logo4.jpg" alt="The Extraordinary World of MARBL Logo" style="margin-left: 8px; margin-right: 8px; float: left;" border="0" height="175" width="175" />The <a title="Manuscript, Archives and Rare Book Library" rel="external" href="http://marbl.library.emory.edu" target="_blank">Manuscript, Archives and Rare Book Library</a> is a place of discovery. All are welcome to visit and explore our unique holdings, whether as a researcher or an observer. The breadth and depth of our collections are vast, and it is nearly impossible to investigate every nook and cranny. We invite you this year, through our <a title="The MARBL Blog" rel="external" href="http://marbl.library.emory.edu/blog" target="_blank">blog</a>, to tour some of those places you didn't know existed, and get acquainted with collections you might not have previously explored. Check back in with us weekly over the course of 2013 as we offer you a delightful look into some of the favorite, but perhaps lesser-known, corners of our collections. These pieces are visually interesting, come attached with fascinating stories, and are often 3D objects you might not have realized are part of what makes up <a title="The Extraordinary World of MARBL" rel="internal" href="http://web.library.emory.edu/blog/tag/tags/extraordinary-world-marbl">The Extraordinary World of MARBL.</a></p> <p><!--break--><!--break--></p><p><img src="/sites/web.library.emory.edu/files/52_cannerrow_closed.jpg" alt="An Excerpt from John Steinbeck's Cannery Row Closed" style="display: block; margin-left: auto; margin-right: auto;" border="0" height="299" width="450" /></p> <p style="text-align: center;"><img src="/sites/web.library.emory.edu/files/52_canneryrow_open2.jpg" alt="An Excerpt from John Steinbeck's Cannery Row Opened" style="display: block; margin-left: auto; margin-right: auto;" border="0" height="305" width="450" /><br /><span class="caption-in-table">An Excerpt from John Steinbeck's Cannery Row by Peter and Donna Thomas<br />(Photo of Opened Can by Peter Thomas)</span></p> <p style="text-align: left;"><span class="caption-in-table">﻿</span>The book—or rather, the first paragraph—is finally out of the can! Book artists, <a title="Website of Peter and Donna Thomas" href="http://www2.cruzio.com/~peteranddonna/index.htm">Peter and Donna Thomas</a> visited the <a title="Robert W. Woodruff Library" href="http://web.library.emory.edu/">Woodruff Library</a> on March 3, 2013, and in a public ceremony, opened their miniature edition of <a title="Press Release about Opening Cannery Row" href="https://web.library.emory.edu/news-events/announcements/cannery-row-tin-opening">Cannery Row</a>. The can and the book's galvanized steel covers are not "just beautiful containers of information"-- as Peter Thomas has described some historical book structures, but are instead, part of a consummate integration of form and content in which the can, the text, the watercolors, and the hand-made paper are equally important elements. Thomas explains: "Being a book artist is more than just making books: it is living and breathing them. It's about becoming so involved with the subject matter that the physical attributes of the book reveal themselves. It's about listening to the materials invoke the proper text. It's about loving those materials and knowing them so well that we feel their desire to be used in the book we are making." You can view the book, now in its opened form, in the <a title="Manuscript, Archives and Rare Book Library" href="http://marbl.library.emory.edu">Manuscript, Archives and Rare Book Library</a>.<span class="caption-in-table"></span></p> <p style="text-align: left;"><br /><em>by Julie Newton, Conservator, Emory University Libraries</em></p> <p style="text-align: right;">&nbsp;<a class="addthis_button" style="text-decoration: none;" rel="external" href="http://www.addthis.com/bookmark.php" target="_blank"><img src="http://s7.addthis.com/static/btn/sm-plus.gif" alt="Share" style="border: 0; vertical-align: middle;" border="0" height="16" width="16" /> Share</a></p> <p style="text-align: left;"><span class="caption-in-table">&nbsp;</span></p> rare books the extraordinary world of MARBL MARBL Mon, 04 Mar 2013 15:31:33 +0000 sjlogue 1991 at http://web.library.emory.edu Hidden Histories in LGBT Inscriptions http://web.library.emory.edu/blog/hidden-histories-lgbt-inscriptions <fieldset class="fieldgroup group-blog-content"><div class="field field-type-text field-field-top-photo-blog"> <div class="field-items"> <div class="field-item odd"> <p style="text-align: center;"><img src="/sites/web.library.emory.edu/files/inscription_martin.jpg" alt="Del Martin Inscription" style="border: 0;" border="0" /></p> <p style="text-align: center;"><span class="caption-in-table">Inscription in Del Martin's "Lesbian/Woman"</span></p> <hr /> <p style="text-align: right;">&nbsp;<a class="addthis_button" style="text-decoration: none;" href="http://www.addthis.com/bookmark.php"><img src="http://s7.addthis.com/static/btn/sm-plus.gif" alt="Share" style="border: 0; vertical-align: middle;" border="0" height="16" width="16" /> Share</a></p> <p style="text-align: right;"> <!--break--><!--break--></p> <div class="mceTmpl"> <div class="pull-quote-box-right"> <p style="text-align: left;"><strong style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 16px;">Related Story:</strong></p> <p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 16px;"><a title="LGBT Blog Posts" href="http://web.library.emory.edu/blog/tag/tags/lgbt">LGBT Blog Posts</a></p> <p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 16px;"><strong>Related Links:&nbsp;</strong></p> <p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 16px;"><a title="LGBT Research Guide" href="http://guides.main.library.emory.edu/content.php?pid=104423&amp;sid=785625">LGBT Research Guide</a></p> <p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 16px;"><a title="MARBL Facebook Page" href="http://www.facebook.com/emorymarbl"><img src="/sites/web.library.emory.edu/files/facebook.jpg" style="border: 0; float: left;" border="0" height="20" width="20" /></a><a title="Emory Libraries Twitter page" href="http://www.twitter.com/EmoryLibraries"><img src="/sites/web.library.emory.edu/files/twitter.jpg" style="border: 0; float: left;" border="0" height="20" width="20" /></a>&nbsp;<sup>Join the discussion</sup></p> </div> </div> <p style="text-align: left;">One of the most exciting things about working in <a title="Manuscript, Archives and Rare Book Library" href="http://marbl.library.emory.edu">MARBL</a>, is the unexpected surprises that accompany archival materials. I was most recently surprised by the inscriptions I came across while surveying some of the rare books that comprise <a title="LGBT Research Guide" href="http://guides.main.library.emory.edu/content.php?pid=104423&amp;sid=785625">MARBL's LGBT collections</a>.<br /> <br />MARBL holds many book titles that earn their status as "rare" due to their having one or more of the following qualities: being a first edition or limited printing, being formerly owned and/or annotated by a historically significant figure (such as a writer, activist, scholar), or being inscribed by the author. This information is generally accessible through <a title="discoverE" href="http://discovere.emory.edu">discoverE</a>, where researchers can view the details that qualify a book as rare and determine whether it is a book they would like to consult (as opposed to a copy held in General Collections). The status of "inscribed" only tells researchers that a book was, at minimum, signed by the author or another person involved in the publication process. Inscriptions can, of course, be longer notes that take on a variety of forms. <br /><br />Here is a brief survey of some of the inscriptions that I have found: <br /><br />Comprising part of the library of the Atlanta Lesbian Feminist Alliance (ALFA), Lillian Smith's <em>One Hour</em> (1959, first edition) has an inscription dated August 15, 1965. Smith writes, "For Paula (the second) as a memento of your visit with us in the mountains. Affectionately, Lillian Smith." At first glance, this inscription is a sweet and simple note. Another look at the inscription gestures to Smith's life as a lesbian in the American South. Due to the political climate in which she lived, Lillian Smith and her life-partner, Paula Snelling, lived the majority of their life closeted. This inscription "for Paula" indicates the significance of Paula Snelling who was undoubtedly a more primary "Paula" in Smith's life. It witnesses the relationship of Lillian and Paula, and how they opened their mountain home to other writers and activists.&nbsp;</p> <p style="text-align: left;">&nbsp; <br /><img src="/sites/web.library.emory.edu/files/inscription_smith.jpg" alt="Lillian Smith Inscription" style="display: block; margin-left: auto; margin-right: auto;" border="0" height="268" width="450" /></p> <p style="text-align: center;"><span class="caption-in-table">Inscription from Lillian Smith's "One Hour"</span></p> <p style="text-align: left;">Also part of the ALFA library, Del Martin and Phyllis Lyon's <em>Lesbian/Woman</em> (1972, first edition) contains the inscription "For our Atlanta Lesbian Sisters- With thanks and appreciation for all you are doing to free our sisters- Love to you all, Del Martin" Martin's inscription, dated April 20, 1977, is a simple note that acknowledges solidarity in the gay and women's liberation movements. As founding members of the Daughters of Bilitis, a lesbian social and activist organization formed in 1955 in San Francisco, Del Martin's inscription documents the need for continued work to end discrimination against lesbians. (shown above)</p> <p><img src="/sites/web.library.emory.edu/files/inscription_gysin.jpg" alt="Gysin Inscription" style="display: block; margin-left: auto; margin-right: auto;" border="0" height="334" width="422" /></p> <p style="text-align: center;"><span class="caption-in-table">Brion Gysin inscription in "A Problem in Greek Ethics"</span></p> <p style="text-align: left;">MARBL's copy of the book A<em> Problem in Greek Ethics: Being An Inquiry into the Phenomenon of Sexual Inversion</em> by J.A. Symonds offers a haunting example of an inscription that documents how inscriptions can serve multiple purposes. The book was privately printed for the AEOПAГITIГA Society in 1908. Somehow, the already rare book made its way into the social circle of W. H. Auden and his contemporary, Brion Gysin. The inscription, written by Gysin, is a short story of how the book came into his possession. Gysin writes, "This book was picked off the Christmas tree for me by Wystan Auden to whose house I was brought as an unexpected guest on Christmas Eve 1946. "Is it all right?" [Auden] asked Peter Walsh who had brought me. "We're off to mass now; to do our duties and then back to the jollities." At this point I left with an odd woman named Emily Tompkins Fairelly, a worshipper of the feet, who had to see if her baby was well. I believe that later, she threw it or dropped it out a window, possibly a coward." The inscription is followed by Gysin's signature of ownership. Gysin's "note to self" is no longer a private memory, but has become part of the public history of the literary circles in which writers such as Auden and Gysin participated. More specifically, Gysin's inscription documents how a small group of gay writers spent their Christmas in 1946—not with relatives or children, but with another kind of family, a family that was literary, gay, and welcoming of like-minded strangers such as Gysin. &nbsp;<br /><br />In addition to these books, MARBL is home to many more books whose inscriptions gesture toward histories that can only be understood by piecing together fragments of the materials they left behind. Some of these fragments are accessible through public history resources such as local libraries and online encyclopedias, such as Wikipedia. Other fragments are accessible through MARBL that preserve additional manuscript and archive materials contextualizing the significance of these inscriptions. Complementing these incriptions, MARBL houses some of the personal papers of <a title="Brion Gysin Finding Aid" href="http://pid.emory.edu/ark:/25593/8zcnz">Brion Gysin</a>, the library of <a title="W.H. Auden Finding Aid" href="http://pid.emory.edu/ark:/25593/8xxxn">W. H. Auden</a>, the library of the Atlanta Lesbian Feminist Alliance, and many other collections that tell the stories of LGBT life in the 20th and 21st centuries. <br /><br />In the spirit of public history and democratic access, MARBL is committed to keeping our doors open to any interested researcher, regardless of institutional or national affiliation. While no appointment is necessary to work with MARBL materials, we encourage researchers to contact <a title="Contact MARBL" href="mailto: marbl@emory.edu">Research Services</a> so we can have materials ready upon your arrival, offer resources for additional materials related to your interests, and otherwise support your visit.</p> </div> </div> </div> </fieldset> <div class="field field-type-text field-field-author"> <div class="field-items"> <div class="field-item odd"> <div class="field-label-inline-first"> Authored By:&nbsp;</div> <p><em>Kelly Ball, Emory PhD Candidate in Women's, Gender and Sexuality Studies. Ball works with Randy Gue, Curator of Modern Political and Historical Collections, on the development of LGBT collections at MARBL.</em></p> </div> </div> </div> inscriptions lgbt rare books MARBL Thu, 28 Feb 2013 22:13:03 +0000 sjlogue 1988 at http://web.library.emory.edu The Extraordinary World of MARBL: Brian Dettmer http://web.library.emory.edu/blog/extraordinary-world-marbl-brian-dettmer <p><img src="/sites/web.library.emory.edu/files/52weeks_logo4.jpg" alt="The Extraordinary World of MARBL Logo" style="margin-left: 8px; margin-right: 8px; float: left;" border="0" height="175" width="175" />The <a title="Manuscript, Archives and Rare Book Library" href="http://marbl.library.emory.edu">Manuscript, Archives and Rare Book Library</a> is a place of discovery. All are welcome to visit and explore our unique holdings, whether as a researcher or an observer. The breadth and depth of our collections are vast, and it is nearly impossible to investigate every nook and cranny. We invite you this year, through our <a title="The MARBL Blog" href="http://marbl.library.emory.edu/blog">blog</a>, to tour some of those places you didn't know existed, and get acquainted with collections you might not have previously explored. Check back in with us weekly over the course of 2013 as we offer you a delightful look into some of the favorite, but perhaps lesser-known, corners of our collections. These pieces are visually interesting, come attached with fascinating stories, and are often 3D objects you might not have realized are part of what makes up <a title="The Extraordinary World of MARBL" href="http://web.library.emory.edu/blog/tag/tags/extraordinary-world-marbl">The Extraordinary World of MARBL.</a></p> <!--break--><!--break--><p></p> <hr /> <p style="text-align: center;"><img src="/sites/web.library.emory.edu/files/52_dettmer.jpg" alt="Brian Dettmer Art Piece" style="display: block; margin-left: auto; margin-right: auto;" border="0" height="510" width="440" /><br /><span style="color: #666666;"><span style="font-size: 11px; line-height: 14.300000190734863px;"><em>We Kill One, by Brian Dettmer</em></span></span></p> <p>When is a book not a book? When it's turned into a piece of art by Atlanta-based artist <a title="Brian Dettmer Website" href="http://briandettmer.com">Brian Dettmer</a>. MARBL recently acquired the artwork pictured here. Dettmer makes intricate sculptures from old, discarded books by removing the core of the volume and then creating collages of text and images from fragments of the removed pages. As well as single books, as in our example, Dettmer also creates larger works from multiple encyclopedia volumes and paperbacks.To be truly appreciated, his works must be seen in person and an exhibition of a number of his works can be seen for a few more days at <a title="MOCA GA" href="http://www.mocaga.org/">Atlanta's Museum of Contemporary Art of Georgia (MOCA GA)</a> with the exhibition ending on Saturday, January 5.</p> <p style="text-align: left;"><em>by David Faulds, Rare Book Librarian, MARBL</em></p> <p style="text-align: right;">&nbsp;<a class="addthis_button" style="text-decoration: none;" href="http://www.addthis.com/bookmark.php"><img src="http://s7.addthis.com/static/btn/sm-plus.gif" alt="Share" style="border: 0; vertical-align: middle;" border="0" height="16" width="16" /> Share</a></p> rare books the extraordinary world of MARBL MARBL Wed, 02 Jan 2013 21:28:02 +0000 sjlogue 1895 at http://web.library.emory.edu The Art of Bookbinding http://web.library.emory.edu/blog/art-bookbinding <fieldset class="fieldgroup group-blog-content"><div class="field field-type-text field-field-top-photo-blog"> <div class="field-items"> <div class="field-item odd"> <p style="text-align: center;"><img src="/sites/web.library.emory.edu/files/mearne_theatre.jpg" border="0" alt="Mearne Binding" style="border: 0;" /></p> <p style="text-align: center;"><span class="caption-in-table">Theatre, Maurice Maeterlinck, 1901-1902,<br />modern morocco binding with delicate color detailing</span></p> <hr /> <p style="text-align: right;">&nbsp;<a class="addthis_button" style="text-decoration: none;" href="http://www.addthis.com/bookmark.php"><img src="http://s7.addthis.com/static/btn/sm-plus.gif" border="0" alt="Share" width="16" height="16" style="border: 0; vertical-align: middle;" /> Share</a></p> <div class="mceTmpl"> <div class="pull-quote-box-right"> <p style="text-align: left;"><strong style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 16px;">Related Entries:</strong></p> <p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 16px;"><a title="Rare Books Blog Entries" href="http://web.library.emory.edu/blog/tag/tags/rare-books">Rare Books in <br />MARBL's Blog</a></p> <p><br /><br /> </p><p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 16px;"><a title="MARBL Facebook Page" href="http://www.facebook.com/emorymarbl"><img src="/sites/web.library.emory.edu/files/facebook.jpg" border="0" width="20" height="20" style="border: 0; float: left;" /></a><a title="Emory Libraries Twitter page" href="http://www.twitter.com/EmoryLibraries"><img src="/sites/web.library.emory.edu/files/twitter.jpg" border="0" width="20" height="20" style="border: 0; float: left;" /></a>&nbsp;<sup>Join the discussion</sup></p> </div> </div> <p>Today we take for granted that if we purchase a book it will come with a protective paper or cloth binding but this has not always been the case. The concept of the publisher printing and binding a book is a relatively recent phenomenon, dating from the first half of the 18th century. Before the Industrial Revolution books were made entirely by hand, from the paper production to the typesetting to the binding.</p> <p><br /><br /><img src="/sites/web.library.emory.edu/files/mearne_kildarii.jpg" border="0" width="144" height="250" style="display: block; margin-left: auto; margin-right: auto;" /></p> <p style="text-align: center;"><span class="caption-in-table">Sanctorum Kalendarii Romani, Christophe Plantin, printer, 1580,<br />fanfare binding, a distinctive style that was the height <br />of fashion in 1580</span></p> <p>Generally each part of the production was performed by a separate business but, in contrast to today, the binding took place after it had been purchased by the consumer. The bookseller sold the books in a crude protective paper cover with the expectation that the consumer would have the volume bound to their taste and budget. This explains why you can take six examples of a 17th century work and find they are all bound in different materials and different styles. Cheaper bindings would have paper covers or use cheap leather such as sheep. The brown leather binding we’re familiar seeing on rare books is calf while the most expensive bindings would use goat skin, commonly known as morocco. Morocco has an attractive grain and takes color well. More expensive bindings could also be extravagantly decorated with gold tooling.</p> <p><img src="/sites/web.library.emory.edu/files/mearne_contentment.jpg" border="0" width="218" height="350" style="display: block; margin-left: auto; margin-right: auto;" /></p> <p style="text-align: center;"><span class="caption-in-table">The Art of Contentment, Richard Allestree, 1675, <br />English binding from the 17th century with <br />distinctive "drawer handle" tooling</span></p> </div> </div> </div> </fieldset> <div class="field field-type-text field-field-author"> <div class="field-items"> <div class="field-item odd"> <div class="field-label-inline-first"> Authored By:&nbsp;</div> <p><em>David Faulds, Rare Book Librarian, <a title="David Faulds' Email Address" href="mailto: dfaulds@emory.edu">dfaulds@emory.edu</a></em></p> </div> </div> </div> bookbinding rare books MARBL Wed, 21 Nov 2012 19:23:37 +0000 sjlogue 1840 at http://web.library.emory.edu Atlas of the Diseases of the Skin...in a Box http://web.library.emory.edu/blog/atlas-diseases-skinin-box <fieldset class="fieldgroup group-blog-content"><div class="field field-type-text field-field-top-photo-blog"> <div class="field-items"> <div class="field-item odd"> <p style="text-align: center;"><img src="/sites/web.library.emory.edu/files/skindiseases_cover.jpg" alt="Atlas of the Diseases of the Skin" style="border: 1px solid black;" height="213" width="450" border="0" /></p> <hr /> <p style="text-align: right;">&nbsp;<a class="addthis_button" style="text-decoration: none;" href="http://www.addthis.com/bookmark.php"><img src="http://s7.addthis.com/static/btn/sm-plus.gif" alt="Share" style="border: 0; vertical-align: middle;" height="16" width="16" border="0" /> Share<br /></a></p> <!--break--><!--break--> <div class="mceTmpl"> <div class="pull-quote-box-right"><strong>Related Links:&nbsp;</strong><br /> <p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 16px;"><a title="Rare Books at MARBL" href="http://marbl.library.emory.edu/collection-overview/rare-books"><br />Rare Books</a></p> <p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 16px;"><a title="Visit MARBL" href="http://marbl.library.emory.edu/visit-marbl">Visit MARBL</a></p> <p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 16px;"><a title="MARBL Facebook Page" href="http://www.facebook.com/emorymarbl"><img src="/sites/web.library.emory.edu/files/facebook.jpg" style="border: 0; float: left;" height="20" width="20" border="0" /></a><a title="Emory Libraries on Twitter" href="http://www.twitter.com/EmoryLibraries"><img src="/sites/web.library.emory.edu/files/twitter.jpg" style="border: 0; float: left;" height="20" width="20" border="0" /></a>&nbsp;<sup>Join the discussion</sup></p> </div> </div> <p><a title="Manuscript, Archives and Rare Book Library" href="http://marbl.library.emory.edu">MARBL</a> was fortunate to recently receive a fascinating and rather gruesome gift in the form of the <em>Atlas of the Diseases of the Skin</em> by H. Radcliffe Crocker, published in Edinburgh in 1896. This large format work is lavishly illustrated with color depictions of many stomach-turning skin diseases.</p> <p style="text-align: center;"><img src="/sites/web.library.emory.edu/files/skindiseases_warts.jpg" alt="Atlas of the Diseases of the Skin: Warts" style="border: 1px solid black;" height="188" width="250" border="0" /><span class="caption-in-table"><br /><br />Warts, Atlas of the Diseases of the Skin, 1896<br /></span></p> <p>Before the ability to reproduce color photographs scientific atlases such as this were used as reference books for the education of physicians. MARBL’s copy is particularly special due to its condition and housing. Initially the work does not look like a book at all as it is housed in a very large and heavy wooden box. Opening the box reveals not the expected two bound volumes but the work as it was originally issued in 16 parts each bound in a cheap paper cover. Copies in original parts like this are rare as they were meant to be bound together in two volumes once the set was complete. Title pages for both volumes were included in the final part. The reason why the original owner, a Dr. Webb Fowler of Coventry, England, had an expensive box fabricated rather than having them bound is unknown but he undoubtedly wanted to protect the substantial investment the set represented.</p> <p style="text-align: center;"><img src="/sites/web.library.emory.edu/files/skindiseases_boxoutside2.jpg" alt="Atlas of the Diseases of the Skin: Outside Box" style="border: 1px solid black; display: block; margin-left: auto; margin-right: auto;" height="150" width="201" border="0" /><span class="caption-in-table"><br />Outside of Box Holding the <br />Atlas of the Diseases of the Skin, 1896</span></p> <p style="text-align: center;"><img src="/sites/web.library.emory.edu/files/skindiseases_box.jpg" alt="Atlas of the Diseases of the Skin: Inside Box" style="vertical-align: middle; border: 1px solid black;" height="145" width="201" border="0" /></p> <p style="text-align: center;"><span class="caption-in-table">Inside of Box Holding the <br />Atlas of the Diseases of the Skin, 1896</span></p> <p>At one guinea or 21 shillings each, the entire set cost sixteen guineas or over £6,000 in today’s money, based on comparing average earnings. This work also represents a limitation of digitized images of books- it would be hard to digitally capture the splendid wooden box!</p> </div> </div> </div> </fieldset> <div class="field field-type-text field-field-author"> <div class="field-items"> <div class="field-item odd"> <div class="field-label-inline-first"> Authored By:&nbsp;</div> <p><em>David Faulds, Rare Book Librarian, <a href="mailto:dfaulds@emory.edu">dfaulds@emory.edu</a></em></p> </div> </div> </div> atlas of the diseases of the skin medical rare books MARBL Wed, 08 Aug 2012 19:36:29 +0000 sjlogue 1662 at http://web.library.emory.edu
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