
Posts Tagged ‘CITY LIGHTS’

Bookselling in the Eighties 1

May 8, 2011

me mid-1980sMost independent booksellers who have been in business for awhile will tell you that the 1980s was the golden age for the independent store. And it  most certainly was for the large independents that came to dominate the book business for a short period of time. There weren’t very many of us, and we came in many shapes and sizes. But the stores  had an immense influence on book publishing and  literary culture.  Along with Cody’s,  there was Powell’s Books in Portland and Tattered Cover in Denver. Both were huge stores even by today’s standards, each over 60,000 square feet. Closer to home, there was our sister store, Kepler’s in Silicon Valley, Bookshop Santa Cruz down the coast, and Book Passage in Marin.   

There were some smaller stores as well. Book Soup on the Sunset Strip in LA., Prairie Lights Bookstore in Iowa City., Left Bank Books in St. Louis, City Lights in San Francisco, The Harvard Bookstore in Cambridge, and Schwartz’s in Milwaukee (of all places).   It was difficult to pinpoint the qualities that made these stores so beloved and so important to our culture. They were all very different kinds of stores serving very different kinds of communities. That was, after all, what made independent stores so fascinating.  I suppose the only unifying principle that made these stores so important and such a pleasure to shop in was that they were all characterized by a kind of charismatic leadership by the  owners who had a passion for books. Somehow you just knew it when you walked in.

Book publishers like to classify their titles into “frontlist” and “backlist”. The frontlist is the expression used for new titles,  usually but not always in hardback, that have just been released. The backlist is what we call the  books that have been published for some time.  It is a little bit of a fuzzy line that determines when front list becomes backlist, but at some point, and certainly when it goes into paperback after a year,  the book becomes backlist.  Publishers love the backlist. Why shouldn’t they? Backlist books sell year after year with almost no cost to the publisher  for publicity and promotion. The editorial and acquisition costs have been fully amortized. The publisher need do no more than project sales into the future and schedule additional print runs. The Grapes of Wrath by John Steinbeck is backlist. Guns, Germs and Steel by Jared Diamond is backlist. Mastering The Art of French Cooking by Julia Child is backlist. But when Knopf issued a new edition of the classic cookbook to coincide with the release of the movie, Julie and Julia, it became frontlist.

In 1980 the vast number of books that we sold were from the backlist. Not just the classics and the scholarly titles, but popular fiction, books by authors like:, Frank Herbert, Margaret Atwood, Tom Robbins,  and Isabel Allende were  evergreen titles that sold year after year.

Let’s look at the bestselling titles of 1980.

FICTION 

1. The Covenant, James A. Michener

2. The Bourne Identity, Robert Ludlum

3. Rage of Angels, Sidney Sheldon

4. Princess Daisy, Judith Krantz

5. Firestarter, Stephen King

6. The Key to Rebecca, Ken Follett

7. Random Winds, Belva Plain

8. The Devil’s Alternative, Frederick Forsyth

9. The Fifth Horseman, Larry Collins and Dominique Lapierre

10. The Spike, Arnaud de Borchgrave and Robert Moss

N O N F I C T I O N

1. Crisis Investing, Douglas Casey

2. Cosmos, Carl Sagan

3. Free to Choose: A Personal Statement, Milton and Rose Friedman

4. Anatomy of an Illness as Perceived by the Patient, Norman Cousins

5. Thy Neighbor’s Wife, Gay Talese

6. The Sky’s the Limit, Dr. Wayne W. Dyer

7. The Third Wave, Alvin Toffler

8. Craig Claiborne’s Gourmet Diet, Craig Claiborne with Pierre Franey

9. Nothing Down, Robert Allen

10. Shelley: Also Known as Shirley, Shelley Winters

Compare this list to the one from 1972 [see my previous post. “How I Became a Bookseller.”]  It seems to me that the titles on this list are a lot more commercial than they were back then. This coincides with new trends in publishing. Publishers were changing from cottage industries to big business.  Big publishers were buying up smaller publishers, and big  integrated media conglomerates were buying up big publishers. And books were increasingly being marketed by mass merchants to mass audiences.

 When I bought the store in 1977, there was  a small press table at the very front of store. The titles on the table were poetry and some literary broadsides  by lesser known or local writers.   Most of them  weren’t all that good or interesting and didn’t sell very well either. But Fred Cody had a sort of sentimental attachment to the idea.  In 1980 I  moved the display of the small presses  to the middle of the store closer to the poetry section. I thought of it as a practical decision. The table was pretty prominent real estate. And it just might make sense to display books that customers actually wanted to buy.  The local poets thought otherwise. They saw it as the opening salvo of the coming kulturkämpf, a kind of Manichean battle between the forces of culture vs. the forces of Mammon. (I guess I was Mammon.) It was argued that Fred Cody would have never eliminated the small press table. Whenever I did something at the store that some group didn’t like, I always accused of betraying the memory of Fred Cody.

I countered with my own broadside. I brought up   the words of T. S. Eliot to  attempt to shame the poets for using language like a sledge-hammer. I reminded them that “between the motion and the act, between the idea and the reality, falls the shadow.”  This tempest in a teapot finally resolved itself in a meeting over some cappuccinos across the street at the Café Med. I’m not sure how it all sorted out, but I think there was some kind of compromise where I promised some displays in other areas.

The biggest book for us that year and one of the biggest books ever at the store was Cosmos by Carl Sagan. Sagan had hosted an incredibly successful PBS series on astronomy.  He was also easy to parody. People went around all year imitating him by blowing up their cheeks and then exhaling histrionically while saying : “BILLIONS of stars”. We knew that this spinoff was going to be a very big book.

I decided to take a few cues from the chains and make a huge pile of  Cosmos right at the front entrance. The chains loved these mountainous displays of a single title that seemed to mesmerize  customers as they  entered the stores. They called the merchandising principle: “pile ’em high and watch  ’em fly.”  The  Cody’s staff was  generally appalled by  the Cosmos  display and started bludgeoning me with Fred Cody again. (Fred saw the display and didn’t seem particularly concerned.)   Maybe the staff was right  though. The first day the display was up, a customer came in with his dog who promptly lifted up his leg and peed on the stack. When I tried to get the customer, a disabled man and a Cody’s regular, to tie the dog up outside, he cited chapter and verse of the legal code that gave disabled people the right to be accompanied by their dog. I lost the battle but won the war. We sold over 1000 copies of  Cosmos.

Cody’s As it Was in 1977

February 10, 2011

When I became the owner of Cody’s in 1977, it was primarily stocked paperbacks. Although the idea of a paperback bookstore was novel, paperbacks had been around for a long time, at least since the mid 19th century. The first strictly paperback  publisher was Pocket Books, founded in 1939. Its famous logo of  Gertrude the kangaroo is still on the spines of Pocket Book titles.  The company is now an imprint of Simon and Schuster.  The first title they published was Lost Horizons by James Hilton.

New paperback publishers started popping up in the 1940’s. Penguin Books, Bantam, New American Library,   and  Ballantine Books still live on today as imprints of larger houses. The  books they published were called “mass market” paperbacks. They were and continue to be rack sized books and were primarily sold outside of the traditional book channels. Mostly you found them in magazine outlets and drug stores. In the 1950s publishers started producing “trade paperback” books. These were of a larger format and were usually sold in the new paperback oriented bookstores like Cody’s and Keplers.

Before the mid-1970’s, booksellers couldn’t buy mass market books direct. They were forced to buy them from local magazine distributors with unfavorable trade terms and limited selection. A lot of these distributors were run by the mob, who kept both the bookseller and the publisher in a state of terror. Gradually publishers started showing some uncharacteristic backbone and began selling direct to booksellers. There were a number of reports of “representatives” from the magazine distributors, goons really, making personal visits to booksellers in order to discourage them from dealing directly with the publishers. But the booksellers (who were mostly small shopkeepers back then) showed their  characteristic courage and independence that continues to be their hallmark to this day. Fred Cody told the story of a visit from one of these representatives who threatened to break his knees.

Although the mass market publishers sold reprints of hardback bestsellers, they really excelled at genre fiction. That still is their long  suit today. Genre fiction is a publishing term of art for mysteries, science fiction, fantasy, westerns, thrillers and romance. A lot of the stuff was pretty cheesy. The covers in those days were wonderful —  full of babes in suggestive poses, their bodacious bodies pouring out of their skimpy clothes. Titles like Flesh Pots of Malibu. Some nice lesbian action too, mostly taking place in ladies’  prison blocks.

My favorite genre back in the 70s were the romances which we called “bodice rippers” referring to the formulaic schlock-o covers  of shirtless muscle men and swashbucklers ripping the bodices off  the swooning, usually excessively endowed, heroine. I remember every year at the booksellers convention, the romance publishers would hire big hunks, usually dressed up as pirates to promote the titles. There were also women at the booths who all looked like a cross between Scarlett O’Hara and Daisy Mae Yokum. The most popular and probably the most tasteless title in this genre was one called: Mandingo. It had a a larger than life slave with bulging muscles popping out of his tattered clothes along with the daughter of the slave master, ripped bodice and all, swooning at his feet. 

 In 1977 Cody’s was a large store for its time. It was about 8900 square feet. That’s not impressive compared to the giant superstores around the country now that are sometimes as large as 60,000 square feet. It always seemed a lot larger though. The Codys had built this structure themselves in 1963. The main room was 35 feet high with floor to ceiling windows giving it a cathedral-like feeling of space. It was filled up with funky homemade pine bookshelves sagging with spine out paperbacks. It was pretty impressive when you walked into the store. It looked like it had every book ever published.

  When I bought the store, there were only 17 employees. But that was an enormous change for me. I had previously only managed one or two people at any given time. The staff were paid $3.25 per hour. Pat Cody always said that the employees  had to settle for the psychic compensation of being surrounded by books. It was true that most of the employees were hired because they, too, had a passion for books. I was fortunate to have two managers who were experienced, competent and gifted booksellers. The general manager was Nick Setka. He was 27 years old then and did most of the buying for the store, which was perfect for his wonderful, intuitive understanding of books. Ed Manegold, then in his early 30’s, was the assistant manager. He was smart, committed,  and much more tough minded than either Nick or me.   Outside of finding the right book for a customer, buying was the only fun job in bookselling. So I tried to join in on that. Usually Nick and I would sit down together with the salesmen. Back then the sales reps were known with the rather quaint name of: “travelers.”  Nick is still in the book business. He is a manager at Book Passage in Marin County and works there with my wife, Leslie Berkler.

In 1977,  the store was organized and stocked in a way that reflected the passions of the owners, Pat and Fred.  The front table, the most prominent real estate in the store, was filled with self-published and small press  books. Fred believed in small presses with a passion. It was a kind of political position. He once made a public statement that he would stock one copy of any small press book that was offered to him.  That statement came back to haunt him, but it tells a lot about Fred’s passion as a bookseller.  I was less thrilled with the small presses. A lot of  those books seemed to be  solipsistic exercises. But still  times were different then and there really were some phenomenal small presses, many of which were located in the Bay  Area. Some of them still exist today. City Lights Books in San Francisco started its publishing arm in 1955. It most famously published Allen Ginsberg’s Howl  the following year. Over in Berkeley Phil Wood gave up his sales rep job at Penguin and decided to start publishing. His first book, Anybody’s Bike Book, inspired the name for his new publishing company, Ten Speed Press. The book went on to sell a million copies, and Ten Speed Press still exists today. In 2009  it was bought by Random House and continues to be an imprint there. Phil died in 2010 after a long bout with cancer. He was a legend and a reminder of a time when publishing was  a more personal endeavor  driven by people with a passion for books.  I admired Phil tremendously throughout his career and will miss him. I miss him a lot.

Here is a list of the bestselling titles of 1977, the year I bought Cody’s.

Fiction

1. The Silmarillion, J.R.R. Tolkien; Christopher Tolkien

2. The Thorn Birds, Colleen McCullough

3. Illusions: The Adventures of a Reluctant Messiah, Richard Bach

4. The Honourable Schoolboy, John Le Carré

5. Oliver’s Story, Erich Segal

6. Dreams Die First, Harold Robbins

7. Beggarman, Thief, Irwin Shaw

8. How To Save Your Own Life, Erica Jong

9. Delta of Venus: Erotica, Anaïs Nin

10. Daniel Martin, John Fowles

Non-fiction 

1. Roots, Alex Haley

2. Looking Out for #1, Robert Ringer

3. All Things Wise and Wonderful, James Herriot

4. Your Erroneous Zones, Dr. Wayne W. Dyer

5. The Book of Lists, David Wallechinsky, Irving Wallace, and Amy Wallace

6. The Possible Dream: A Candid Look at Amway, Charles Paul Conn

7. The Dragons of Eden: Speculations on the Evolution of Human Intelligence, Carl Sagan

8. The Second Ring of Power, Carlos Castaneda

9. The Grass ls Always Greener over the Septic Tank, Erma Bombeck

10. The Amityville Horror, Jay Anson

Not such a bad list of titles, all things considered. The really hot books at Cody’s were quite a bit different though. Yes, we sold bunches of Carlos Castaneda, Tolkien, and Alex Haley’s Roots. And even a few of the less memorable titles on the list like James Herriot, Erma Bombeck and The Thorn Birds

But Cody’s was really marching to the beat of a different drummer. We would sell hundreds, even thousands, of books like Of Grammatology by Jacques Derrida, The History of Sexuality by Michel Foucault,  Anti-Oedipus by Gilles Deleuze and Ecrits by Jacques Lacan.  (And almost anything else by French philosophers and considered “post modern”). These books were all written with such opaque jargon that they could only be understood, if at all, by those initiated into mysteries of the cult of deconstruction.   To the cognoscenti, these books were nothing less than a redefinition of philosophy and literary theory. For the rest of us, it seemed like fashionable nonsense.

 Radical politics was still a passion in those days and  was reflected in the books available in the store. Herbert Marcuse’s One Dimensional Man had inspired a generation of radical students since its publication   in 1964. Cody’s had two cases of books on “Marxism”. Aside from the collected works of the master and his major disciples, Lenin, Mao,  and Gramschi, we sold a lot of the contemporary Marxist thinkers. Perhaps the most popular of the new Marxists was Louis Althusser, another French scholar. He was considered a “structuralist” which I guess gave him a license to write the obligatory impenetrable prose. In 1980 he strangled his wife to death. But  this did not seem to have harmed his reputation as a brilliant intellectual.  His fans spent a lot of time spinning out strained arguments about why we should distinguish between the profundity of his ideas and the fact that in life he was a homicidal psychopath.  They should have just accepted it as an embarrassment and left it at that.

 Scholars and philosophers  like Jürgen Habermas, Hannah Arendt, Fernand Braudel, Claude Levi-Strauss, Jean Piaget, and Walter Benjamin sold well at Cody’s over the years. At one point, Cody’s was selling 10% of the national sales of Walter Benjamin’s classic work of literary criticism, Illuminations.

In contrast to the two cases of books on Marxism, the six cases on philosophy and the ten cases on criticism and literary theory, we only had one shelf of books on business, half of which was taken up by a single title, What Color is your Parachute?

The world changes and bookstores reflect those changes. As we moved into the 21st century, the business section had increased to about 20 cases including subsections on management, sales, real estate, and investing. Marxism became a kind of an intellectual footnote, of importance only to the history of ideas. Most of the titles in the Marxism section quietly went out of print or stopped selling. And we folded up the section and incorporated the few remaining titles into politics, history, and philosophy.

Cody’s maintained its reputation as a great venue for scholarly titles until the very end. One of the saddest moments in my career was in early 2006. Unlike most retailers who put excess inventory on sale, bookstores can return books that are no longer selling to publishers. We did this almost daily based on lists that were kicked out by the computer of titles with no sales for the previous nine months. I was pulling returns that day and noticed that on the returns  list was our last copy of Kant’s Critique of Pure Reason. I was stunned to think that I was taking the most important work of modern philosophy out of the store, but it hadn’t sold in over a year. I left it on the shelf anyway. But that was when  I realized that our time was up. Six months later we closed the Telegraph Avenue store.

How I Came to Own Cody’s Part 1

January 26, 2011

Pat and Fred Cody and Me 1977

One day in May, 1977 I drove down to Santa Cruz to visit my friend, Neal Coonerty, who owned  the remarkable, Bookshop Santa Cruz. It was a big store for its time, about 10,000 square feet. It was in a lovely brick building on the pedestrian mall downtown. It had a little cobblestone terrace in back where there was a flower stand and a cappuccino counter.   The store was  a kind of bigger version  of Eeyore’s. Well, except that it had a water bed in the middle of the store. I met Neal at a booksellers school that year. We cut up a lot and made fun of the stuffy teachers. He’s still my best friend in bookselling, and his family still owns Bookshop Santa Cruz. The water bed is gone, though.

I was crashing on Neal’s living room couch that night. Just before going to bed, Neal asked me if I was aware that Cody’s in Berkeley was for sale.  I told him that I had heard the rumor. Cody’s was, even then, a famous store, legendary really. I knew about it even  when I was an undergraduate at Brandeis University in Boston. Neal said, “why don’t you buy it?” That seemed unimaginable to me. I was only thirty, and in my mind I felt like I was still 20. When he told me what the asking price was (it was $150,000), I realized I could probably scrape up the money to buy it. It was hard to think of myself as  the owner of Cody’s.  Cody’s was a national icon and an enormously important force in bookselling. Things were smaller then. Owning Cody’s at that time was, to the book business,  a little like  owning Facebook today.

I woke up the next morning and walked out to my car accompanied by Neal. He asked, “So are you going to buy Cody’s?”  I shook my head  and drove away. I thought about it again while driving home. It was a big decision and one that would change the course of my entire adult life. So I tried to give it more thought than  the capricious decision that  I  made to quit graduate school.  So I must have thought about it for at least an hour. As soon as I got back to my house, I called up  Pat and Fred Cody and asked if we could meet. What happened next is a pretty short story. They liked me. I liked them. A month later on July 9, 1977  I was the new owner of Cody’s.

That date, July 9, had a certain inexorable destiny in the history of Cody’s. It was the date that the store was founded in 1956, and the date that I bought the store 21 years later. It was the date that Fred Cody died in 1983. We also originally planned on closing the Telegraph store forever on that date in 2006. When we realized that would be the 50th anniversary of the store’s founding, we made the decent decision to postpone the closing till the following day.

The Codys were larger than life. Fred Cody was one of the most charismatic men I ever knew. He was about 6’2″, had wavy grey hair and looked a little like Moses without the beard. He was a true intellectual. He also got into the business because he had a  passion for books. He had an advanced degree in history, just like me. And he also was just the sweetest guy you could ever imagine. I loved him. Everybody loved him. Pat Cody was great and had a passion for books too. But she brought to Cody’s complementary strengths. Where Fred was a dreamer, Pat was practical and a hardnosed business person.

Everybody thinks of Berkeley as the most radical city in America. It certainly isn’t any more, but probably was back then.  But  just like every other community, Berkeley people were resistant to   change  and wary of outsiders. And they were particularly concerned about the unknown  30 year old who was taking over their beloved bookstore. I learned that one local bookseller, after meeting me, commented disparagingly  that he hoped I had good help.  Everybody came up to me and admonished me not to change anything at Cody’s. I promised I wouldn’t. The Codys knew better. They told me that the store needed new blood and a lot change. And they were confident that I could do it.

During the month of negotiations I had with them, they wouldn’t let me come into the store and meet the staff. Finally the day before the store was to change hands, I was allowed to come in. Pat and Fred stayed around for a few days to clean up their office. Then Fred came up to me and said, “I’m going home. Call me if you need anything.” I was too young and inexperienced to realize that I was too young and inexperienced. So I just started working.   For the next 30 years anybody who disagreed with me for any reason would tell me that Fred Cody would have done things differently. They usually said that they were “close personal friends with Bill Cody”. This was always a tipoff that they that they had no idea what they were talking about.   Some of those people hadn’t even been born when Fred owned the store.  People called me “the new owner of Cody’s” for about 20 years.

 When I bought Cody’s in 1977, it was considered a “paperback bookstore.”  That was when paperback books were beginning to come out of the closet. “Trade” paperbacks weren’t all that common in bookstores  until the 1950s. Bookstores mostly catered to the carriage trade and thought that paperbacks were for riff-raff and beneath their dignity. But bookstores started cropping up that had more egalitarian sensibilities and  started specializing  in the new format. The conventional wisdom is that the first 3 stores that blazed the way for the paperback revolution were in the San Francisco Bay Area. They were Kepler’s in Palo Alto, City Lights in San Francisco, and Cody’s in Berkeley, all started in the mid 1950s; and  all catering to a clientele that was long on brains and short on cash. Each of the founders were intellectual dissenters of a sort. Roy Kepler  was a pacifist and peace activist. Fred Cody had a Ph.D but couldn’t get a job in academics because he refused to take a loyalty oath.  Lawrence Ferlinghetti, who started City Lights, was a prominent poet and deeply involved in the Beat culture of San Francisco.

National Guard Outside Cody's -1969

In the 1960s all of these stores became central players in the political unrest of the times. Fred was an early supporter of the Free Speech Movement  that galvanized radical dissent at UC in 1964.  Later Fred was an outspoken peace activist. And Cody’s became an intellectual center for left wing politics, a tradition that continued after  I took over the store. FSM leader, Mario Savio, briefly worked at Cody’s.  In the sixties, there was a lot of turbulence going on right outside the doors of the store associated with the Viet Nam War. In 1969 Governor Ronald Reagan responded to the civil unrest in Berkeley by sending in the National Guard. In justifying this exercise of  excessive force, he famously said, “If the bloodbath must come, then let’s get on with it.” 

Reagan was no Abraham Lincoln, and Telegraph Avenue was no Fort Sumter. But peace activists kept marching up and down Telegraph Avenue,  and the cops were tossing tear gas canisters around to  disperse the crowds. Cody’s would always open the doors to let in the  activists fleeing  from the cops. Fred and Pat  Cody loved to tell the story of  the time that the police threw a tear gas  grenade into the store. The employees  tossed  it back out the door. The cops tossed it in again  and then it  blew up releasing the tear gas throughout the store.  Not good.  Months later you could open some of the books and out wafted  a little of the residual gas.

There is a wonderful documentary  film about the history of Cody’s and Kepler’s . It tells the story of the stores during the sixties emphasizing how they mirrored the political activism of the times   and juxtaposes that story against the struggles that the two stores  went through during the last 10 years as we addressed the challenges we faced with the growth of corporate and Internet bookselling.  The filmmaker, Alex Beckstead, came to me  in 2005 and asked if he could follow me around in order to make this film. I said it was ok. He had hoped to make an uplifting film about how these two famous bookstores triumphed over the  mass merchants. It didn’t turn out that way at all. He ended up with a poignant documentary of Cody’s collapse.  It is called Paperback Dreams. I hate watching that movie. In my mind, it is a narrative of all the mistakes that I made during the last years of the store.  Leslie, my wife,  suffered through it as well; and says I am being too hard on myself.  And  others see it differently as well, more like a classic tragedy, a  struggle against an inexorable fate.  It has been shown on PBS in most of the major markets. The DVD is available online and at bookstores.

The Ten Best Bookstores in the World

November 17, 2010

Travel Publisher, Lonely Planet, has just issued its list of  the world’s best bookstores. The only American store on the list is City Lights of San Francisco, which also happens to be number 1 on the list. City Lights was started in 1953 and was touted as the world’s first paperback bookstore.It was founded by poet Lawrence Ferlinghetti.  In 1955 the store started a publishing company that still exists. It is most famous for its publication of the beat poets. Allen Ginsberg’s, Howl, is considered one of the  great poetic works of the western literary canon. It the 1950’s City lights was the intellectual center of the Beat Poets and the whole beat culture in San Francisco.

A little shameless self-promotion here. My last visit to City Lights was to attend  a publication party for my client, Paul Krassner, whose book, Who’s To Say What’s Obscene, was published by City Lights. (It was my first book that I represented as an agent.)

Congratulations, Lawrence and  City Lights. What an honor! You deserved it.

An Interview With Paul Krassner

July 2, 2009

 

                                                    Paul Krassner

Who's to Say What's Obscene? Order here from Book Passage

I’m especially happy to have this interview on Ask the Agent.  Who’s to Say What’s Obscene  is the first book that I have contracted as an agent that is being published. And by City Lights, the right publisher for this book. One of the things I like about my job is waking up in the morning to big surprises. So one morning I logged on to my computer. And here is an email from the guy who was one of my heroes 40 years ago. I’m not sure that I can say that the Disneyland Memorial Orgy had the same impact on my intellectual and moral development as Tolstoy or Camus, but I suppose it was right up there.

Paul is having a tour for his new book. He will be appearing at the following venues:

I hope you can be there to see him.

Andy: Well, since you have undoubtedly been asked about this in every interview for the last 40 years, could you tell us about the
Disneyland Memorial Orgy?
 
Paul: When Walt Disney died, it occurred to me that the characters created by their Intelligent Designer who were suddenly in a state of
suspended animation could be released from their decades-longinhibitions and participate in an old-fashioned Roman Orgy.

Disneyland Memorial Orgy

Disneyland Memorial Orgy

 

Andy: Looking at it now, it really doesn’t seem that shocking or obscene. Irreverent, yes. What would you do today if you were designing it that
would be different?
 
Paul: I assigned Mad magazine artist Wally Wood to draw the center spread for The Realist, my satirical magazine, and the ultimate design was
strictly his. If it were done today, I suppose that genitalia would be shown. More importantly, female characters would be more assertive.
 
Andy: Ok. So you have a new book out. It is a wonderful collection of your thoughts on humor and politics. Can you tell us some more about it?
 
Paul: “Who’s to Say What’s Obscene: Politics, Culture & Comedy in America Today” is a collection of my articles and columns over the last few
years. Things have been accelerating at such an increasing rate that I had to keep updating events until the very last minute.
 
Andy: You must have had a pretty good agent?
 
Paul: Yes, Andy had my interests at heart and consistently responded to my e-mails without delay.  The problem is, he answered questions that I never asked…and they were the wrong answers, too.

 Andy: Hey, you weren’t exactly a walk in the park, yourself, bub!

You have been involved with comedy since the Fifties. Isn’t that
right? You were a friend of Lenny Bruce. Can you say something about how humor has changed over the years?
 
Paul: Lenny was a pioneer in breaking the taboos not only in language but also comedic concepts and satirical targets, talking about teachers’
low salaries instead of spouting mother-in-law jokes. Now irreverence for its own sake tends to trivialize but that’s the risk of free speech.
 
Andy: Am I to understand that you were a classical violinist? A child prodigy even? Isn’t this a little strange.
 
Paul: It wasn’t strange to me because I wasn’t aware of any options. At the age of six I became the youngest concert artist in any field ever to
perform at Carnegie Hall. But, though I displayed an advanced technique for playing the violin, my true passion was to make people
laugh.
 
Andy: Do you still play the violin with virtuosity? Who is your favorite classical composer?
 
Paul: I was relieved to quit playing the violin when my teacher died. My musical tastes are eclectic, and I like rock’n’roll better than
classical music, although when I accompanied Groucho Marx on his first and only LSD trip, I really appreciated the Bach Cantata #7.
 
 
Andy: How did you get Arianna Huffington to write an introduction to the book?
 
Paul: She’s a friend, and I’m a contributor to Huffington Post, so I simply asked her and she came through. You can google my home page on
paulkrassner.com and click on her foreword.

 
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publisher: Common Crawl
description: Wide crawl of the web for January 2020
operator: Common Crawl Admin (info@commoncrawl.org)
hostname: ip-10-67-67-163.ec2.internal
software: Apache Nutch 1.16 (modified, https://github.com/commoncrawl/nutch/)
robots: checked via crawler-commons 1.1-SNAPSHOT (https://github.com/crawler-commons/crawler-commons)
format: WARC File Format 1.1
conformsTo: http://iipc.github.io/warc-specifications/specifications/warc-format/warc-1.1/