Joho the Blog » berkman

January 16, 2014

CityCodesAndOrdinances.xml

A friend is looking into the best way for a city to publish its codes and ordinances to make them searchable and reusable. What are the best schemas or ontologies to use?

I work in a law school library so you might think I’d know. Nope. So I asked a well-informed mailing list. Here’s what they have suggested, more or less in their own words:


Any other suggestions?

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August 7, 2013

Radio Berkman is a Top 9 tech podcast, according to Verge

I’m a little bit proud that Radio Berkman is on The Verge’s list of top 9 technology podcasts.

Radio Berkman is produced by Daniel Dennis Jones (twitter: blanket) who does a fabulous job and deserves the credit for this. The podcasts are generally 20-30 mins, although they go longer when it makes sense to. Generally they are interviews with people passing through the Center. (I am the interviewer in many of them.)

Yay for Radio Berkman!

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April 2, 2013

[berkman] Anil Dash on “The Web We Lost”

Anil Dash is giving a Berkman lunchtime talk, titled “The Web We Lost.” He begins by pointing out that the title of his talk implies a commonality that at least once was.

NOTE: Live-blogging. Getting things wrong. Missing points. Omitting key information. Introducing artificial choppiness. Over-emphasizing small matters. Paraphrasing badly. Not running a spellpchecker. Mangling other people’s ideas and words. You are warned, people.

[Light editing on April 3 2013.]

Anil puts up an icon that is a symbol of privately-owned public spaces in New York City. Businesses create these spaces in order to be allowed to build buildings taller than the zoning requirements allow. These are sorta kinda like parks but are not. E.g., Occupy isn’t in Zuccotti Park any more because the space is a privately-own public space, not a park. “We need to understand the distinction” between the spaces we think are public and the ones that are privately owned.

We find out about these when we transgress rules. We expect to be able to transgress in public spaces, but in these privately-owned spaces we cannot. E.g., Improv Everywhere needs to operate anonymously to perform in these spaces. Anil asks us to imagine “a secretive, private ivy league club.” He is the son of immigrants and didn’t go to college. “A space even as welcoming as this one [Harvard Berkman] can seem intimidating.” E.g., Facebook was built as a private club. It welcomes everyone now, but it still doesn’t feel like it’s ours. It’s very hard for a business to get much past its origins.

One result of online privately-owned public spaces is “the wholesale destruction of your wedding photos.” When people lose them in a fire, they are distraught because those photos cannot be replaced. Yet everyday we hear about a startup that “succeeds” by selling out, and then destroying the content that they’d gathered. We’ve all gotten the emails that say: “Good news! 1. We’re getting rich. 2. You’re not. 3. We’re deleting your wedding photos.” They can do this because of the terms of service that none of us read but that give them carte blanche. We tend to look at this as simply the cost of doing business with the site.

But don’t see it that way, Anil urges. “This is actually a battle” against the values of the early Web. In the mid to late 1990s, the social Web arose. There was a time when it was meaningful thing to say that you’re a blogger. It was distinctive. Now being introduced as a blogger “is a little bit like being introduced as an emailer.” “No one’s a Facebooker.” The idea that there was a culture with shared values has been dismantled.

He challenges himself to substantiate this:

“We have a lot of software that forbids journalism.” He refers to the IoS [iphone operating system] Terms of Service for app developers that includes text that says, literally: “If you want to criticize a religion, write a book.” You can distribute that book through the Apple bookstore, but Apple doesn’t want you writing apps that criticize religion. Apple enforces an anti-journalism rule, banning an app that shows where drone strikes have been.

Less visibly, the laws is being bent “to make our controlling our data illegal.” All the social networks operate as common carriers — neutral substrates — except when it comes to monetizing. The boundaries are unclear: I can sing “Happy Birthday” to a child at home, and I can do it over FaceTime, but I can’t put it up at YouTube [because of copyright]. It’s very open-ended and difficult to figure. “Now we have the industry that creates the social network implicitly interested in getting involved in how IP laws evolve.” When the Google home page encourages visitors to call their senators against SOPA/PIPA, we have what those of us against Citizens United oppose: we’re asking a big company to encourage people to act politically in a particular way. At the same time, we’re letting these companies capture our words and works and put them under IP law.

A decade ago, metadata was all the rage among the geeks. You could tag, geo-tag, or machine-tag Flickr photos. Flickr is from the old community. That’s why you can still do Creative Commons searches at Flickr. But you can’t on Instagram. They don’t care about metadata. From an end-user point of view, RSS is out of favor. The new companies are not investing in creating metadata to make their work discoverable and shareable.

At the old Suck.com, hovering on a link would reveal a punchline. Now, with the introduction of Adlinks and AdSense, Google transformed links from the informative and aesthetic, to an economic tool for search engine optimization (SEO). Within less than 6 months, linkspam was spawned. Today Facebook’s EdgeRank is based on the idea that “Likes” are an expression of your intent, which determines how FB charges for ads. We’ll see like-spammers and all the rest we saw with links. “These gestural things that were editorial or indicators of intent get corrupted right away.” There are still little islands, but for the most part these gestures that used to be about me telling you that I like your work are becoming economic actions.

Anil says that a while ago when people clicked on a link from Facebook to his blog, FB popped up a warning notice saying that it might be dangerous to go there. “The assumption is that my site is less trustworthy than theirs. Let’s say that’s true. Let’s say I’m trying to steal all your privacy and they’re not.” [audience laughs] He has FB comments on his site. To get this FB has to validate your page. “I explicitly opted in to the Facebook ecology” in part to prove he’s a moderate and in part as a convenience to his readers. At the same time, FB was letting the Washington Post and The Guardian publish within the FB walls, and FB never gave that warning when you clicked on their links. A friend at FB told Anil that the popup was a bug, which might be. But that means “in the best case, we’re stuck fixing their bugs on our budgets.” (The worst case is that FB is trying to shunt traffic away from other sites.)

And this is true for all things that compete with the Web. The ideas locked into apps won’t survive the company’s acquisition, but this is true when we change devices as well. “Content tied to devices dies when those devices become obsolete.” We have “given up on standard formats.” “Those of us who cared about this stuff…have lost,” overall. Very few apps support standard formats, with jpg and html as exceptions. Likes and follows, etc., all use undocumented proprietary formats. The most dramatic shift: we’ve lost the expectation that they would be interoperable. The Web was built out of interoperability. “This went away with almost no public discourse about the implications of it.”

The most important implication of all this comes when thinking about the Web as a public space. When the President goes on FB, we think about it as a public space, but it’s not, and dissent and transgression are not permitted. “Terms of Service and IP trump the Constitution.” E.g., every single message you put on FB during the election FB could have transformed into its opposite, and FB would be within its ToS rights. After Hurricane Sandy, public relief officials were broadcasting messages only through FB. “You had to be locked into FB to see where public relief was happening. A striking change.”

What’s most at risk are the words of everyday people. “It’s never the Pharaoh’s words that are lost to history.” Very few people opt out of FB. Anil is still on FB because he doesn’t want to lose contact with his in-laws. [See Dan Gillmor's talk last week.) Without these privately-owned public spaces, Anil wouldn't have been invited to Harvard; it's how he made his name.

"The main reason this shift happened in the social web is the arrogance of the people who cared about the social web in the early days...We did sincerely care about enabling all these positive things. But the way we went about it was so arrogant that Mark Zuckerberg's vision seemed more appealing, which is appalling." An Ivy League kid's software designed for a privileged, exclusive elite turned out to be more appealing than what folks like Anil were building. "If we had been listening more, and a little more open in self-criticism, it would have been very valuable."

There was a lot of triumphalism after PIPA/SOPA went down, but it took a huge amount of hyperbole: "Hollywood wants to destroy the First Amendment, etc." It worked once but it doesn't scale. The willingness to pat ourselves on our back uncritically led us to vilify people who support creative industries. That comes from the arrogance that they're dinosaurs, etc. People should see us being publicly critical of ourselves. For something to seem less inclusive than FB or Apple — incredibly arrogant, non-egalitarian cultures — that's something we should look at very self-critically.

Some of us want to say "But it's only some of the Web." We built the Web for pages, but increasingly we're moving from pages to streams (most recently-updated on top, generally), on our phones but also on bigger screens. Sites that were pages have become streams. E.g., YouTube and Yahoo. These streams feel like apps, not pages. Our arrogance keeps us thinking that the Web is still about pages. Nope. The percentage of time we spend online looking at streams is rapidly increasing. It is already dominant. This is important because these streams are controlled access. The host controls how we experience the content. "This is part of how they're controlling the conversation." No Open Web advocate has created a stream that's anywhere near as popular as the sites we're going to. The geeks tend to fight the last battle. "Let's make an open source version of the current thing." Instead, geeks need to think about creating a new kind of stream. People never switch to more open apps. (Anil says Firefox was an exception.)

So, what do we do? Social technologies follow patterns. It's cyclical. (E.g., "mainframes being rebranded as The Cloud.") Google is doing just about everything Microsoft was doing in the late 1990s. We should expect a reaction against their overreach. With Microsoft, "policy really worked." The Consent Decree made IE an afterthought for developers. Public policy can be an important of this change. "There's no question" that policy over social software is coming.

Also, some "apps want to do the right thing." Anil's ThinkUp demonstrates this. We need to be making apps that people actually want, not ones that are just open. "Are you being more attentive to what users want than Mark Zuckerberg is?" We need to shepherd and coach the apps that want to do the right thing. We count on 23 yr olds to do this, but they were in 5th grade when the environment was open. It's very hard to learn the history of the personal software industry and how it impacted culture. "What happened in the desktop office suite wars ?" [Ah, memories!] We should be learning from such things.

And we can learn things from our own data. “It’s much easier for me to check my heart-rate than how often I’m reading Twitter.”

Fortunately, there are still institutions that care about a healthy Web. At one point there was a conflict between federal law and Terms of Service: the White House was archiving coments on its FB wall, whereas FB said you couldn’t archive for more than 24 hrs.

We should remember that ToS isn’t law. Geeks will hack software but treat ToS as sacred. Our culture is negatively impacted by ToS and we should reclaim our agency over them. “We should think about how to organize action around specific clauses in ToS.” In fact, “people have already chosen a path of civil disobedience.” E.g., search YouTube for “no infringement intended.” “It’s like poetry.” They’re saying “I’m not trying to step on your toes, but the world needs to see this.” “I’m so inspired by this.” If millions of teenagers assembled to engage in civil disobedience, we’d be amazed. They do on line. They feel they need to transgress because of a creative urge, or because it’s speech with a friend not an act of publishing. “That’s the opportunity. That’s the exciting part. People are doing this every single day.

[I couldn't capture the excellent Q&A because I was running the microphone around.]

 


The video of the talk will be posted here.

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March 28, 2013

[berkman] Dan Gillmor on living off the privacy grid

Dan Gillmor is giving a Berkman lunchtime talk about his Permission Taken project. Dan, who has been very influential on my understanding of tech and has become a treasured friend, is going to talk about what we can do to live in an open Internet. He begins by pointing to Jonathan Zittrain’s The Future of the Internet and Rebecca MacKinnon’s Consent of the Networked [two hugely important books].

NOTE: Live-blogging. Getting things wrong. Missing points. Omitting key information. Introducing artificial choppiness. Over-emphasizing small matters. Paraphrasing badly. Not running a spellpchecker. Mangling other people’s ideas and words. You are warned, people.

He says that the intersection of convenience and freedom is narrowing. He goes through a “parade of horribles” [which I cannot keep up with]. He pauses on Loic Le Meur’s [twitter:loic] tweet: “A friend working for Facebook: ‘we’re like electricity.’” If that’s the case, Dan says, we should maybe even think about regulation, although he’s not a big fan of regulation. He goes through a long list of what apps ask permission to do on your mobile. His example is Skype. It’s a long list. Bruce Schneier says when it comes to security, we’re heading toward feudalism. Also, he says, Skype won’t deny it has a backdoor. “You should assume they do,” he says. The lock-in is getting tighter and tighter.

We do this for convenience. “I use a Kindle.” It makes him uncomfortable but it’s so hard to avoid lock-in and privacy risks. The fight against SOPA/PIPA was a good point. “But keep in mind that the copyright cartel is a well-funded smart group of people who never quit.” He says that we certainly need better laws, rules, and policies. “That’s crucial.” But his question this afternoon is what we as individuals can do. Today he’s going to focus on security countermeasures, although they’re not enough. His project â?? which might become a book â?? will begin simply, because it’s aimed at the broad swath of people who are not particularly technically literate.

“Full disk encryption should be the default. It’s not. Microsoft charges extra for it. Mac makes it pretty easy. So does Ubuntu.”

Disable intrusive browser extensions.

Root your phone. That’s not perfect. E.g., it makes you vulnerable to some attacks. But the tradeoff is that you now control your phone.

Dan blocks apps from particular permissions. Sometimes that keeps the app from working. “I accept that.” This is a counter to vendors insisting that you give them all the rights.

Use Tor [The Onion Router], even though “I assume some of the exit nodes” being run by the CIA. Tor, he explains, is a way of browsing the Web with some reasonable likelihood your ISP doesn’t know what you’re actually looking at, and what you’re looking at doesn’t know where you’re coming from.” This he says is important for whistleblowers, etc.

When loyalty cards came out, he and his friend used to randomly swap them to make the data useless. The last time he got one, he filled in his address as 1600 Pennsylvania Ave., and the guy in the store said, “It’s amazing how many people live there.” If you use a false address with a card, it may not work. If you do it on line, you’re committing a felony under the Computer Fraud and Abuse Act. The revisions are going in the wrong direction. “This is terrifying…We have to do something collectively.”

Pick your platform carefully. “I was the biggest Apple person around…I was a Mac bigot for years.” At prss events, he’d be the only person (beside John Markoff) to have a Mac. Many things happened, including Apple suing websites wanting to do journalism about Apple. Their “control freakery” and arrogance with the iPhone was worse. “Now that everyone except me at a press event has a Mac, I get worried.” Now the Mac is taking on the restrictions of the iPhone operating system (IOS). “I want to do what I want with my own computer.” All computer makers are moving to devices that you can’t even open them. “Everyone wants to be Apple.”

Own your own domain. Why are journalists putting their work on Facebook or other people’s platforms? Because it brings distribution and attention. “We do these things on ‘free’ platforms at their sufferance.” “We all should have a place on the Web that is owned by us,” even if we don’t do most of our work there. Dan is going to require students to get their own domain name.

Dan says his book/project is going to present a gradient of actions. At the further end, there’s Linux. Dan switched last year and has found it almost painless. “No one should have to use the command line if they don’t want to,” and Linux isn’t perfect about that yet. “Even there it’s improving.” He says all the major distributions are pretty. He uses Ubuntu. “Even there there’s some control-freakery going on.” Dan says he tried Linux every year for 10 years, and how he finds it “ready for prime time.” He says some control features being introduced to Windows, for reasonable reasons, is making life harder for Linux users. [I'm not sure what he's referring to.]

Dan says the lockdown is caused by self-interest, not good vs. evil. He hopes that we can start to make the overlap of convenient and freedom larger and larger.

Q&A

Q: If you should have your own domain, you should also do your own hosting, run your own Apache server, etc.

A: You can’t be independent of all external services unless you really want that. There’s a continuum here. My hosting is done by someone I know personally. We really need systematic and universal encryption in the cloud, so whoever is storing your stuff can’t muck with it unless you give them permission. That raises legal questions for them.

Q: I really like what you’re saying. I’m not a specialist and it sounds like a conversation among a very small number of people who are refined specialists in this area. How do you get this out and more accessible? Could this be included in basic literacy in our public schools? On the other hand, I worry there’s a kind of individualism: You know how to do it, so you get to do it, but the rest don’t. How do we build a default position for people who can’t manage this for themselves.

A: Yes, I worry that this for geeks. But I’m not aiming this project at geeks. It’s more aimed at my students, who have grown up thinking Facebook is the Internet and that the MacBook Air gives them complete freedom [when in fact it can't be opened and modified]. The early chapters will be on what you can do whatever it is that use. It won’t solve the problem, but it will help. And then take people up a ramp to get them as far as they’re comfortable doing. In really clear language, I hope. And it’d be a fine idea to make this part of digital literacy education. I’m a huge fan of CodeAcademy; Douglas Rushkoff wrote a wonderful book called “Program or Be Programmed,” and I think it does help to know some of this. [See Diana Kimball's Berkman Talk on coding as a liberal art.] It’s not going to be in big demand any time soon. But I hope people can see what’s at risk, what they’re losing, and also what they gain by being locked down.

Q: Do you think freedom and convenience will grow further apart? What are the major factors?

A: Overall, the bad direction is still gaining. That’s why I’m doing this. I don’t think people are generally aware of the issues. It’ll help if we can get word out about what’s at risk and what the choices are. If people are aware of the issues and are fine with giving up their freedom, that’s their choice. We’ve been trading convenience of the illusion of security. “We put our hands up in scanners as if we’re being frisked.” There’s more money and power on the control side. Every major institution is aligned on the same side of this: recentralizing the technology that promised radical decentralization. That’s a problem. I’m going to try to convince people to use tech that doesn’t do that, and to push for better policies, but …

Q: What exactly are you concerned about? I feel free to do anything I want on the Internet. Maybe the govt is managing me. Marketers definitely are. I worry about hackers stealing my identity. But what are the risks?

A: “I think a society that is under pervasive surveillance is a deadened society in the long run.” It’s bad for us “in every way that I can imagine” except for the possibility that can stop a certain amount of crime. “But in dictatorships, the chief criminals are the govt and the police, so it doesn’t solve the problem.” The FBI wants a backdoor into every technology. If they get one, it will be used by bad people. This stuff doesn’t stay secret forever. The more you harden the defenses, the more room there is for really bad actors to get in. Those are some of the main reasons.

Q: How can Tor can help whistleblowers? Do you have other advice for journalists?

A: I have a chapter in a book that’s coming out about journalists and closed platforms. Journalists need to learn about security right away because they’re putting the lives of their sources at risk. The Committee to Protect Journalists has done important work on helping journalists understand the risks and mitigate them. It’s a crucial issue that hasn’t gotten enough attention inside the craft. although I had my PGP signature at the bottom of my column for 6 years and got 2 emails that used it, one of which said he just wanted to know if it worked. Also, you should be aware that you can’t anticipate every risk. E.g., if the US govt wants to find out what I’m talking about online, they’ll figure out a way to do it. They could break into my house and put up cameras. But like the better deadbolt lock stopping amateur criminals, better security measures will discourage some intrusions. When I do my online banking, I do it from a virtual machine that I use only for that; it has never gone anywhere else on the Internet. I don’t think that’s totally paranoid. There are still risks.

Q: The Supreme Court just affirmed first sale of materials manufactured outside of the US. Late stage capitalism want to literally own their markets, offline as well as online. How much of that wider context do you want to get into?

A: If the Court hadn’t affirmed first sale, every media producer would have moved all their production facilities offshore so that we wouldn’t be able to resell it. These days we buy licenses, not goods. Increasingly, physical goods will have software components. That’s an opportunity for the control crowd to keep you from owning anything you buy. In Massachusetts, the car repair shops got a ballot measure saying they get access to the software in cars; that was marvelous. BTW, I’m making common cause with some friends on the Right. Some of the more far-seeing people on the Right are way ahead in thinking about this. E.g., Derek Khanna. I will be an ally of anybody.

Q: [harry lewis] Great project. Here’s your problem: What are you worried about? This is a different sort of surveillance society. This is the opposite of the Panopticon where everyone knows they’re being spied upon. People won;t be motivated until there are breeches. The incentive of the surveillors is to do it as unobtrusively as possible. You’ll never know why your life insurance premium is $100 higher than my. You want ever see the data paths that led to that, because the surveillance will be happening at a level that will be ompletely invisible to the individual. It’ll be hard to wake people up. “A surveillance society is a deadened society” only if people know they’re being surveilled.

A: If they don’t see a consequence, then they won’t act. If the govt a generation ago had told you that you will henceforth carry a tracking device so we can where you are at any time, there would have been an uproar. But we did it voluntarily [holding up a mobile phone]. The cell tower has to know where you are, but I’d like to find a way to spoof everything else for everyone else. (You should assume your email is being read on your employer’s server, Dan says.)

Q: I worry about creating a privacy of the elite that only a small segment can access. That creates a dangerous scenario. Should there be govt regulations to make sure we’re all operating with the same levels of privacy?

A: It’s an important point. The govt rules won’t be the ones you want. We need to create a market-based solutions. Markets work better than advice or edicts.

Q: But hasn’t the market spoken, and it’s the iPhone?

A: The iPhone has important security features. But people aren’t scared enough to create a market.

A: The ACLU should be advised on how to create pamphlets that will reach people.

A: So much of hacker culture and open source culture are based on things being difficult. Many of the privacy tools work but are too hard to use. There is a distinct lack of design, and we don’t see poorly designed things as legitimate. And that’s a fairly easy thing to fix. A: Yes.

Q: Younger people don’t seem to care about privacy. Is there a generational shift?

A: There are two possibilities for the future. My hope is that we’ll all start cutting each other more slack; everyone will recognize that we all did unbelievably stupid, even possibly criminal things, in our 20s. I still do plenty of stupid things. But it worries me that cultures sometimes grow less tolerant. This could be catastrophic, if the country goes toward the Right.

A: There are tools to make it easy to do this. E.g., CryptoParty.org, the Pirate Party. And are there alternatives to social media that are ready for prime time?

A: Still pretty geeky, but it’s a wonderful start. But many of the tools cost money.

Q: Any thoughts about ways to use govt and corporate interests to promote your goals. E.g., protect the children.

A: I’ll rename this Protect the Children and then everyone will do what I want :) Overall, the problem is that power is shifting, pulling back into the center. This has long term negative consequences. But speculating on what the consequences will be is never as effective as showing what’s going wrong now. I want the power to be distributed. “I’m pretty worried, although I’m a relentless optimist.” “I’m a resister.”

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February 5, 2013

[berkman] Diana Kimball: Coding as a Liberal Art

Diana Kimball [twitter:dianakimball] is giving a Berkman lunchtime talk on coding as a liberal art. She’s a Berkman Fellow and at the Harvard Business School. (Here are some of her posts on this topic.)

NOTE: Live-blogging. Getting things wrong. Missing points. Omitting key information. Introducing artificial choppiness. Over-emphasizing small matters. Paraphrasing badly. Not running a spellpchecker. Mangling other people’s ideas and words. You are warned, people.

She says that she’s loved computers since she was a kid. But when she went to Harvard as an undergrad she decided to study history, in part because there’s a natural specialization that happens in college: the students who come in as coders are fantastic at coding, whereas Diana had greater strengths as a writer of prose. She found HTML and programming intimidating. But in her third year, she got interested in coding and Internet culture. She was one of the founders of ROFLcon [yay!]. She got hired by Microsoft after college, as a technical product manager with the Powerpoint team in Silicon Valley. “This was culture shock in the best possible way.”

When she graduated in 2009, she and some friends started found the SnarkMarket blog that considers what the new liberal arts might be (inspired by Kottke). She wrote an essay that’s a proposal for coding and decoding. She reads it. (It’s short.) An excerpt:

Coding and Decoding is about all modes of communication, and all are in its view. But it is built with particular attention to the future, and what that future will be like. Technological experts can seem like magicians, conjuring effects wordlessly. By approaching that magic as a collection of component parts instead of an indivisible miracle, we can learn to see through these sleights of typing hands. In seeing through, we will learn to perform them ourselves; and think, as magicians, about the worlds we will build.

Language, now, is about more than communication. It is the architecture behind much of what we experience. Understanding that architecture will allow us to experience more.

Her boyfriend taught her how to code. They spent a lot of time on it. “He picked up on something I’d said and took it seriously.” After two years at Microsoft, she was enthusiastic, but still a beginner. It wasn’t until she started at Harvard Business School that coding really took off for her. The entrepreneurial atmosphere encouraged her to just do it. Plus, she was more of a geek than most of the other students. “This was great for my identity, and for my confidence.” She also found it a social refuge. “It takes a lot of time to get over the hump.” She refers to Ellen Ullman’s “Close to the Machine” that talks about the utility of being arrogant enough to obsess over a project, cycling back to humility.

She decided to code up her own site for a project for school, even though the team had been given the money to hire devs for the task. Last fall she took the famous CS50 course [Harry Lewis, who created the course in about 1981, is sitting next to me.] CS50 teaches C, targeted at people who are either taking only that one class, or are going to take many more. For her final project, she did a project that used multiple APIs that she was very proud of. She’s also proud of her Ruby projects folder. Each project is something she was trying to teach herself. She’s more proud of the list than the finished products.

“Learning to code means reclaiming patience and persistence and making them your stubborn own.” [nice]

Ideally, everyone should be exposed to programming, starting at 5 yrs old, or even earlier, Diana says. Seymore Papert’s “Mind-Storms” has greatly influenced her thinking about how coding fits into education and citizenship. At a university, it ought to be taken as a liberal art. She quotes Wikipedia’s definition. And if “grammar, rhetoric, and logic were the core of the liberal arts,” then that’s sound like coding. [Hmm.] What the law was to the liberal arts, programming ought to be, i.e., that which you try if you don’t know what else to do with your liberal arts degree.

Why isn’t it seen that way? When computer scientists teach you, they teach they way they learned: at school. But many of the best programmers are self-taught. CS50 does give a variety of assignments, but it’d be better if students solved their own problems much earlier.

But the number one problem is the academic attitude, she says. Students get fixated on the grade, even when it doesn’t matter. Coding is critical for children because debugging is part of it, as Papert says. But grades are based on the endpoints. Coding is much more like life: You’re never done, you can always make it better.

Diana has a proposal. Suppose coding classes were taught like creative writing workshops. Take it whenever you’re ready. Taught by hackers, esepcially autodidacts. It’d vary in substance — algorithms, apis, etc. — and you’d get to choose. You’d get to see something on screen that you’d never seen before And you’d be evaluated on ingenuity and persistence, rather than only on how well your code runs.

She says what her syllabus would look like:

“Coding should be taught in the same breath as expository writing… Everyone deserves to be exposed to it.” She’s not sure if it should be required.

She quotes Papert: “…the most powerful idea of all is the idea of powerful ideas.” There’s no better example of this, she says, than open source software. And David Foster Wallace’s commencement address: “Learning how to think really means learning to exercise some control over how and what you think…If you cannot exercise this sort of choice in adult life, you will be totally hosed.” Diana says that’s her. She was wrapped up in writing from an early age. She has a running internal commentary. [Join the club!] Coding swaps in a different monologue, one in which she’s inventing thing. That’s the greatest gift: her internal monologue is much more useful and interesting. “If you wanted to be a novelist in 1900, you’d want to be a programmer today.” The experience of creating something that people use is so motivating.

Q&A

Q: Would you be willing to webcast yourself programming and let people join in? I do this all the time when at hackathons. I think, OMG, there must be 10,000 kids in India who want to be here. And so here they are. “Hackers at Berkeley” does this really well.

A: That’s awesome. I want more people to have more access to that experience of sharing.

Q: Are you familiar with RailsBridge — non-computer scientists who are teaching themselves how to code via weekend workshops.

A: RailsBridge is extraordinary. It’s great to see this happening outside of the university context.

A: [me] Great talk, and I’m a humanities major who spends most of his hobby time programming. But aren’t you recommending the thing that you happen to love? And programming as opposed to traditional logic is an arbitrary set of rules…

Q: Yes, but it would be really useful if more people loved it. We could frame it in a way that is exciting for humanities majors. I’m proposing an idea rather than making an airtight argument. “You’re basically right but I don’t really care” (she says laughing :).

Q: I like your idea of teaching it like a writers workshop so that it doesn’t turn into just another course. But I’m not sure that colleges are the best at doing that.

A: not everyone loves programming.

Q: [harry lewis] I take responsibility for eliminating the Harvard requirement for a programming course. Also, take a look at code.org. Third, the academic world treats computer science the way it does because of our disciplinary specialization. That label — computer science — came about in the context of fields like political science, and arose when computers were used not for posting web sites but for putting people on the Moon where a bug could kill someone. The fact that CompSci exists in academic departments will make it very difficult for your vision of computing to exist, just as creative writing is often an uneasy fit into English curricula.

A: That’s very fair. I know it’d be hard. RIT has separate depts for CompSci and coding.

Q: There’s an emergent exploration of coding in Arts schools, with a much more nimble, plug and play approach, very similar to the one you describe. My question: What do the liberal arts have to offer coding? Much of coding is quite new, e.g., open source. These could be understood within a historical context. Maybe these need to be nurtured, explored, broken. Does seeing coding as a liberal art have something to offer sw development?

A: ITP is maybe the best example of artists working with coders. Liberal Arts can teach programmers so much!

Q: Can we celebrate failure? That’d be a crucial part of any coding workshop.

A: Yes! Maybe “find the most interesting bug” and reward introspection about where you’ve gone wrong. But it’s hard in a class like CS50 where you’re evaluating results.

Q: This is known as egoless programming. It’s 40 years old, from Weinberger [no relation].

Q: You’re making a deeper point, which is not just about coding. The important thing is not the knowledge you get, but the way you get there. Being self-reflective about you came about how you learn. You can do this with code but with anything.

A: You’re so right. Introspection about the meta-level of learning is not naturally part of a course. But Ruby is an introspective language: you can ask any object what it is, and it will tell you. This is a great mirror for trying to know yourself better.

Q: What would you pick to teach?

A: I love Ruby. It would be a good choice because there’s a supportive community so students can learn on their own afterwards, and it’s an introspective language. And the lack of ornament in Ruby (no curly braces and little punctuation) makes it much more like English. The logic is much more visible. (My preference is Sinatra, not Rails.)

Q: What sort of time commitment the average person would have to put in to have a basic grasp of a programming language? Adults vs. children learning it?

A: I’d love to see research on this. [Audience: Rottmeyers, CMU (?)] A friend of mine reported he spent 20 hours. The learning curve is very halting at first. It’s hard to teach yourself. It helps to have a supportive in-person environment. CS50 is a 10-20 hour commitment/week and who has that sort of time except for fulltime students? To teach yourself, start out a few hours a time.

Q: How about where the MOOCs are going? Can you do a massively online course in compSci that would capture some of what you’re talking about?

A: The field is so focused on efficiency that MOOCs seem like an obvious idea. I think that a small workshop is the right way to start. CS50 requires so much fear of failure and resilience that it wouldn’t have been a good way for me to start. At CS50, you can’t let others read your code.

Q: We shouldn’t put together Computer Science and programming. Programming is just a layer of expression on top of computer science. You don’t need compSci to become a programmer. And the Net is the new computer; we’re gluing together services from across the Net. That will change how people think about programming because eveyrone will be able to do it. The first language everyone should learn is ifttt.com

Q: I’m a NY Times journalist. I love languages. And I love the analogy you draw. I’m 30. Do you think coding is really essential? Would it open my eyes as a journalist?

A: It’s never too late. If you keep asking the question, you should probably do it. You don’t have to be good at it to get a lot out of it. It’s so cool that your children are learning multiple languages including coding. Learn alongside them.

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January 29, 2013

[berkman] “LOIC [low-orbit ion cannon] will tear us apart”: The impact of tool desiogn and media portrayals in the success of activist DDOS attacks

Molly Sauter [twitter:oddletters] (from Berkman and the Center for Civic Media at MIT) is giving a lunchtime Berkman talk. She’s going to focus on Operation Payback, the Dec. 2010 action by Anonymous against those financial services that cut off Wikileaks after Wikileaks made available a massive leak of State Dept. cables. Operation Avenge Assange tried to bring down the sites of those services. Molly sees this as an evolution in media activism, expanding on the use of DDOS tactics by groups in the 1990s; [DDOS = distributed denial of service: flooding a site beyond its capacity to respond, and doing so from multiple sites.]

NOTE: Live-blogging. Getting things wrong. Missing points. Omitting key information. Introducing artificial choppiness. Over-emphasizing small matters. Paraphrasing badly. Not running a spellpchecker. Mangling other people’s ideas and words. You are warned, people.

Molly begins with a simple explanation of DDOS. The flooding can come from a single computer (unlikely), via a volunteer botnet, or botnets that infect other computers; the botnets communicate with a central computer, pounding on the target until it can’t handle the traffic.

Old school activists think of DDOS as a form of censorship, and thus it is not acceptable. For many digitally-enabled activists (e.g., Electronic Disturbance Theater) DDOS is a form of disobedience. For EDT, DDOS is an auxiliary form of activism: “DDOS is something you do when you’re out on the streets so your computer can be at home protesting.” DDOS is sometimes seen as a type of sit-in, although Molly thinks this is inapt. For some, DDOS is a direct form of protest, and in others, it’s an indirect and symbolic action. Anonymous melds these approaches: influence via technology + influence via media + direct action disruption.

Electronic Disturbance Theater [EDT] used Flood Net, a tool that “hurls bits” but that also lets you send a message to show up in the target computer’s error log. Cleverly, if your issue is human rights, the log might read “Human rights is not found on this server.” But, Molly says, these logs are only read by the admin, so it’s really a way for the activist to yell something for the sake of yelling. The EDT restricted targets of Flood Net and set scheduled times. EDT open sourced it in 1999. The language on the Floor Net site is comprehensible only to people who already know about the issues, e.g., Mexican Neo-Liberalism. It is intimidating for those outside of the circle. It is also very tied to a view of activism that ties actions to individuals â?? anonymous individuals, but using Flood Net requires the action of a person.

LOIC — low orbit ion cannon— was developed maybe around 2006, and forked in 2008. By Dec. 2010, versions could run on just about anything — Windows, Mac, on mobiles, within a browser… Molly goes through the differences in the different versions of it. They let you type in a URL, set some options that are set to defaults, and then you press a button. Done! (LOIC is the boss weapon from the game Command & Conquer). The button you press in the abatishchev version is labeled “IMMA CHARGIN MAH LAZER,” a popular meme. It has the same messaging functionality as Flood Net. The default message derives from a 4chan bestiality rape meme that Molly urges us not to google. This version “is focused on the 4chan Anonymous culture set.”

She then compares this to the NewEraCracker version. Very similar. Same “Imma chargin mah lazer” meme, but the rape meme is gone. Instead, it says “u done goofed,” the popular Jessi Slaughter meme. Jessie pissed off Anonymous, so Anonymous sent lots of pizza to her house. Her father posted a defensive video that wasn’t very smart about the Net, which got widely distributed, and which contained the line “you done goofed.” This message is more confrontational than the other version which the recipient would be unlikely to understand at all. This version of LOIC also has a “fucking hive mind mode” that lets you automate the process entirely by plugging it into an IRC server to use volunteer computers [I think].

These tools, especially the second, created a community of activists, especially in hive mind mode. There are many LOIC tutorial videos on YouTube. This reaches out to new people to join, unlike EDT’s use of language that appeals only to those already in the know. Because anyone can use it, it helps Anonymous become a community of trust.

Anonymous has also pushed DDOS as a media manipulation tactic, and used media for recruitment. Molly doesn’t know if it was a conscious decision, but DDOS ended up as a recruitment tactic.

During the four days of Operation Payback, the media coverage was very confused. For example the media weren’t sure that DDOS is illegal. (It is.) Even Gizmodo got wrong how risky DDOS is for the attacker; it wrongly claimed that the target’s log files don’t record the incoming connections during DDOS. Experienced users know to anonymize their packets, but those who came in new and used this easy-to-use tool often did not protect themselves. The Paypal 16 now under indictment were caught because PayPal stored the top 1000 IP addresses. Much of the coverage just quoted Anonymous at length. “Anonymous is a very horizontal org and there’s no press person to talk to,” but, Molly says, there was a “press IRC channel” but the media didn’t know how to use it. Some mainstream articles linked to download sites for LOIC, which may have encouraged people to download it without understanding the legality of using it.

Conclusions: “Operation Payback’s success was due to a confluence of tech, community, and news media factors. Anonymous’ use of DDOS represent an innovation in participant population and tool design. And Anonymous pushes the reframing of DDOS as a tool of media manipulation and biographical impact [how the participants think about themselves], not direct action.”

Q&A

Q: Is the paypal list public?

A: Nope.

Q: Can you bring your research up to date?

A: I’m writing my thesis now. So, no.

Q: How does being identified play into the historical mindset?

A: I got into this topic because I wanted to do my thesis on activism and anonymity. Anonymous challenges the assumption that if you’re anonymous, you’re not serious about your activism. The cultural preference for identified activism comes from the 1960s civil disobedience movement, which in turns comes from Thoreau: you break the law and accept punishment for it. But that privileges those who won’t lose their house and their family if arrested. This puts activism on the shoulders of a particular class. Anonymous disagrees. It says you can engage in civil disobedience without personal consequence.

Q: The Federalist Papers were anonymous because it implicitly was saying that the ideas are important enough not to need names attached. Anonymous not only escapes punishment, it makes it effortless â?? the amount of effort you put in is indistinguishable from that of someone whose computer was infected by a bot.

A: This is the slacktivism argument. Slacktivism challenges the expectations about what activism does. One version says you’re supposed to change something or have a solution. But slacktivism (or clicktivism) is valuable for the biographical impact.

A: Studies have looked into whether eating organic food affects your self image so that you do more, or that you merely congratulate yourself.

A: The ladder of engagement says that the big step is getting on the first rung. My view of slacktivism is that it’s widened that run. Pressing the LOIC button gets people started, and I’m in favor of people starting somewhere, when it is in a considered and useful way.

Q: How about The Jester?

A: He’s an Army veteran who explicitly aligns his morals with pro-US, anti-jihadist, anti-Anonymous DDOS. He claims to be working by himself. I don’t think his actions are ethical because they’re about silencing content. [Molly tells us that she has a presentation on DDOS ethics.]

Q: Why is “fuckng hive mind mode” a community? People are donating bandwidth. But the manual mode, where people actively decide to participate in something, is much more like people being in a community. The participants in FHHM don’t necessarily view themselves as joining in a community, although the federal govt is claiming that they are.

A: I agree. My point with FHHM was that it opens up ways of accessing that community in ways that were not possible before.

Q: LOIC is hosted at github and sourceforge, and tutorials at YouTube. Any attempts to remove?

A: LOIC and tools like it are listed as “stress-testing” tools. And it can be used that way if you aim it at your own server. It’s like a head shop selling a pipe for tobacco. During the four days of the operation, Twitter did try to shut down the Anonymous twitter account.

Q: You seem to be saying that Anonymous is becoming more respectful, shifting out of the “otherized” world of 4chan. Is there quantitative data supporting this?

A: Biella Coleman has done the most research on this. That’s where I’ve gotten my data.

Q: How many people participated?

A: It’s been downloaded hundreds of thousands of times.

Q: When an org provides a press contact, a journalist can always orient around that, bounce off of it. But Anonymous doesn’t work that way. How does Anonymous’ play affect coverage?

A: The media doesn’t know how to deal with orgs like Anon and Occupy. They just speak with random people, none of who speak for the org (because no one does). The opening of the press IRC channel was great, for those who found it. It let the press engage at length. But Anon is usefully weird, and thus hard for the media.

Q: [me] So, will LOIC tear us apart? Civil disobedients accept consequences in part to raise the bar so that people don’t too easily break the law. LOIC lowers that bar. If Anon were attacking services that you like, would you be as sanguine?

LOIC isn’t much used now because it’s dangerous, and there are new tools. It’s hard to take down a site.

Q: As the tools get better?

A: Permanent arms race.

Q: Arrest of Sabu?

A: It won’t kill Anonymous.

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December 3, 2012

Hollywood and Web

The video from the November 19 Berkman discussion of the intersection of Hollywood and the Web is now up.

Here’s the panel discussion before screening of We Made This Movie, with Rob Burnett (the movie’s co-writer/director) [twitter:robburnett1], Elaine McMillion, and me, moderated by Jonathan Zittrain.

After the film I led a Q&A with Rob:

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July 31, 2012

[berkman] Brad Abruzzi on being an indie author

TITLE: [berkman] Brad Abruzzi on authorship and publishing
BODY:

Brad Abruzzi, author of the NJ Famous Turnpike Witch, a novel I really liked, is talking about the trajectory of authorship, at a Berkman lunch.

NOTE: Live-blogging. Getting things wrong. Missing points. Omitting key information. Introducing artificial choppiness. Over-emphasizing small matters. Paraphrasing badly. Not running a spellpchecker. Mangling other people’s ideas and words. You are warned, people.

Brad says that he’s not a success story. If you want to know how to make millions, thousands, or even hundreds, you should write a book about how to write succcessful books. Or vampires, he says. Instead, he’s going to give us thoughts about authorship and publishing.

He says he was in his first year at law school, interested in the history of literature. He wrote a note titled “Exploitative publishers, untrustworthy systems, and the dream of a digital revolution for artists. ” It was based on Marxist historical theory and sketched three phases:


1. Feudal: pre-modern, from antiquity to production publishing. It relied upon patrons who offered a living wage, and could bring interest and favor to the works. In return, the author might offer a celebration of the patron in the work. Or, Virgil who established the lineage of Emperor Augustus all the way back to the gods. Or dedicate the work. Brad points to Sterne’s dedication in Tristram Shandy. But this arrangement produces resentment: the authors feel they are the creators, but the patrons take some of the glory. (He reads a scathing letter to Chesterfield from Samuel Johnson in response to a request for a dedication, who lived on the cusp of Phase 2.)


2. The industrialization of publishing. It put the means of reproduction (Marxist pun intended by Brad) into the hands of the publishers. Thus, authors were once again dependent. This is because there’s always a super-abundance of manuscripts trying to get into the market. This selection process has of course become highly professional. “The problem is that we didn’t choose these people to be the gatekeepers…Ultimately their responsibility is to their shareholders.” This works better than the Feudal system, but the criterion is what an editor thinks will sell. (Brad points out that his work was rejected by publishers.) “The superabundance problem persists.” There are now two barriers of entry to works of fiction: Works have to come from literary agent before publishers will consider them. “If you want to be a writer, you’ll probably be better off writing for yourself and buying scratch tickets, because you won’t be as frustrated when the scratch ticket tells you that you’ve lost.”


So, he asks, is there any hope for someone like him, who thinks his works are good but who cannot get a publisher to publish them? Yes, he says, digital publishing is the hope. “We can make our works directly available to readers. We don’t need publishers any more.”


But, readers rely on publishers to winnow away at the super-abundance of manuscripts. Without publishers, “we move the slush pile to around the ankles of readers.” “We can create a ground-based, critical reader culture” in which people can publish their own reviews, accrue authority, etc. “Amazon does this a bit of course…but we can be more substantive than that.” “Everyone has the means of reproduction. So, hooray.”


So, why did it take him 11 years to publish his own work? “I’ve got all sorts of excuses…but the truth is that traditional publishing offered a better prospect for me.” First, digital reading hasn’t been as appealing. That’s obviously beginning to change. Second, publishers put their chosen works on the fast track. If you can get two people to like your work — agent and publisher — you can cut to the front of the line. So, he tried for ten years to sell his books. His agent was very good at getting flattering rejection letters from publishers. His first novel, In Defense of Cactus Kelly in the late ’90s, didn’t get a publisher. He blogged the second book — NJFTPW — and added popup multimedia. But no one came.


Time passed. Self-publishing became a more promising prospects because of the emergence of digital marketplaces where people can find what they want to read. At certain point, he decided to just publish NJTPW. He uploaded it, pressed the buttons about royalty schemes, and it’s up on Amazon. “But then there’s the super-abundance problem.”


The book is currently at #164,296 at Amazon. A couple of days ago, it was over #300,000. “It doesn’t take much to bump up your book.” “If you can use social media to overthrow an Egyptian dictator, you can probably get people to buy my book,” Brad says, adding “These are probably at comparable levels of difficulty.” He has a handful of followers at Twitter. He’s posted some ads at Facebook, and has 421 Likes. “But Likes on FB don’t translate to sales and reading of your book. Maybe they translate at a 1% rate.” Brad isn’t willing to conclude anything about the effectiveness of social media, since he is “ham-handed” in its use.


He shows his sales from the last month on Kindle, which was his worst week: 4. But in the three days he had a promo offering it for free, he had 350 downloads. The promotions get you channeled into Kindle’s promotions. During the promo, he was in the top 20 for literary fiction, along with public domain classics. He thinks he did that well in part because he has all 5-star reviews [one of which is mine].


This gets him thinking about the reader-based review culture. People do write blog posts about books, some on book sites. “Even the reviewing culture suffers from the super-abundance problem. If you want a good book blogger to review you book, you have to pitch them.” The Kirkus Indie program wants $425 to review your book. “I stand here fairly clueless…but hopeful in a general sense that we’re on the cusp of creating a situation in which publishers are not the final answer….Readers need to believe that books that are not traditionally published can still be a good book. Readers need to look outside the walled garden.” “Writers need to trust that readers will do these things.” If so, those who own printing presses won’t get decide what we get to read.

Q&A


Q: How did you pick Kindle, and not Nook, etc.?


A: It was my choice for an initial platform. You can participate in Amazon’s free promos if you commit to exclusivity to Kindle Select for 90 days. It also lets your books be lent for free to Kindle Prime program. You get paid pro rata for those loans. I am thinking about printing on demand.


Q: In the spiritual self-help area, a lot of people promote their books via their blogs. They refer to one another mutually.


A: I experimented with posting at FB under the name of the Turnpike Witch, trying to get this character communicating with people.


Q: I appreciate your intersection of analysis and emotional experience. What you say about publishing is the same as in music. And Louis C.K. And Patton Oswald a couple of days ago gave a keynote called “A Letter to Gatekeepers,” saying that if they continue to think narrowly, they’ll kill their industry. Also, on FB you can pay to promote your post. Finally, people want to participate in things that other people are participating in. That can work for us or against us in the attention economy. Finally finally, a combination of all three of your phases: fan-funding, kickstarter.com, etc. This gets people in as patrons, and then they evangelize for you.


A: Publishers encourage you in their rejections not as a tactic to maintain hegemony, but because they’re being polite. BTW, my agent left the biz, and went back to school in anthropology.


Q: What about copyright? People can disseminate it without your knowledge. We’re looking at self-publishing because the royalties are better, but are you protected?


A: I’d take the trade in a minute. It’s not a coincidence that the first copyrights were given first to the publishers (“stationers privileges”). They wanted to avoid undercutting each other, and the Crown wanted to keep an eye on what was being published. The copyright concerns come first and foremost from publishers…


Q: Creative people are concerned also.


A: I won’t say categorically they’re not. But many of us would put it out for free, since I’m not depending on my books to make a living.


Q: [doc searls] Cluetrain is free online but still sells well. But, Brad, why not just make it freely available in an open format, and put out a tip jar? How comfortable to do you feel inside the silo that is Amazon?


A: I’m trying to understand how useful it is to have Amazon. It might be a deal with the devil.


Q: [me] How many of you here in the audience are going to buy the book? [About 5 hands go up.] Why not?


Answers: It’s not on Nook. …I’ve got too much to read…I don’t know enough about it…


Q: Publishers play an important curatorial function. I’d love to circumvent it because they look for a formula. But putting it on line isn’t enough. Where is the inter-connect?


Q: I edit an online literary magazine. Finding folks who are already reading at open mics, making a connection is great. We have gatekeepers of a sort, but they’re made up of writers and readers already in the community. Also, there are independent publishers who are not motivated by profit. Getting the novel excerpted in a journal like ours helps. Also: BestIndieLitNewEngland.org There’s something inbetween self-publishing as an individual and commercial success. There are communities.


A: Yes, my social media work was aimed at reating a community.
ti


Q: Have you tried open mic readings? Or do you need to be a published author?


A: One of the reason I write is because I do it better than I speak. A judge once told me to find a job where I write things to people, rather than talking to them, I elected to take it as a compliment. I still see myself as someone who’ll put something out and broadcast it, stand behind it. T’hat’s not getting me to where I need to be. I thought maybe I’d get NJFTPW out of the way so I could write the next thing to submit to a conventional publisher. Now I’m not sure. I’m trying throwing our more content.


Q: Your expectations of traditional publishers are overstated. Publishers often do nothing but print. Also, digital publishing has taken us to a place as bad as traditional publishing. Charlie Stross (sf writer, former sw guy) has an excellent analysis of what Amazon is doing to the market. Single publisher, single format, own their own hardware.


A: Traditional publishing has worked wonderfully for us. People can make a living as a writer. The Amazon issue is a trade-off, which I re-examine all the time. People complain that there’s too much junk at Amazon., e.g. people re-selling Wikipedia content. Rather than putting in a spam button, let people write reviews.


Q: I’m writing a book for a publisher. Even with a publisher, it’s up to the author to build a market. I’m writing a memoir of my father, a queer poet, self-published before the digital age. It was all shoe leather: printing stuff up, going to bookstores, doing readings. It was about finding community, promoting writers like himself, and putting out ideas.


A: Copyright is an incentive for people to do something creative, but I don’t think it’s anything close to the whole ball of wax. E.g., I enjoy communicating to myself — re-reading something I wrote when younger. But, more important, I want to communicate something.


Q: My new startup is trying to enable readers as reviewers. Our tech helps lend credibility to reviews. Self-publishing has grown 400% since 2010, approaching a $4B market. Your 2001 article described the problem perfectly.


Q: I’m intrigued by the two sides of your personality: button-down and creative. This book is very readable. Could you get a celebrity do the reading?


A: I think a lot of this has to do with authority. People with broader authority can move copies.

TAGS: -berkman

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June 15, 2012

Interop: The podcast

My Radio Berkman interview of John Palfrey and Urs Gasser about their suprisingly wide-ranging book Interop is now up, as is the video of their Berkman book talk…

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June 4, 2012

Remixing the President

Aaron Shaw has a very interesting post on what sure looks like contradictory instructions from the White House about whether we’re free to remix photos that have been released under a maximally permissive U.S. Government license. Aaron checked in with a Berkman mailing list where two theories are floated: It’s due to a PR reflex, or it’s an attempt to impose a contractual limitation on the work. There have been lots of other attempts to impose such limitations on reuse, so that “august” works don’t end up being repurposed by hate groups and pornographers; I don’t know if such limitations have any legal bite.

Dan Jones places himself clearly on the side of remixing. Here’s the White House original:

And here’s Dan’s gentle remix:

Bring it, Holder! :)

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