Brian Miller Movie Reviews & Previews - Rotten Tomatoes

Brian Miller

Brian Miller
Tomatometer-approved critic

Movie Reviews Only

Rating T-Meter Title | Year Review
87% Gone Girl (2014) Gone Girl is all about manipulation -- Fincher's stock in trade, really, which helps make the film such cynical, mean-spirited fun.‐ Seattle Weekly
Read More | Posted Nov 9, 2016
90% Wild (2014) Wild is both tremendously appealing and inescapably sappy.‐ Seattle Weekly
Read More | Posted Apr 26, 2016
98% Mustang (2015) In many regions of the globe, Ergüven reminds us, this is how young women are still being treated as chattel.‐ Seattle Weekly
Read More | Posted Dec 23, 2015
88% The Big Short (2015) Unusually and admirably for a professional funnyman, McKay ends his film not with a punchline, but with a punch to the gut.‐ Seattle Weekly
Read More | Posted Dec 23, 2015
59% Joy (2015) I prefer the mess of Joy's first half, and that's where Russell and his fine cast -- including Bradley Cooper, Robert De Niro, Diane Ladd, Édgar Ramírez, Isabella Rossellini, and Virginia Madsen -- do their best work.‐ Seattle Weekly
Read More | Posted Dec 23, 2015
93% Star Wars: Episode VII - The Force Awakens (2015) A worthy successor.‐ Seattle Weekly
Read More | Posted Dec 17, 2015
72% Youth (2015) The trite, disappointing Youth, like its two heroes, never steps outside the spa's nostalgic comforts. Even its final concert scene, presented as a triumph, feels like a retreat into familiar flattery and self-regard.‐ Seattle Weekly
Read More | Posted Dec 17, 2015
42% In the Heart of the Sea (2015) Unusually for Howard, one of our finest old-school Hollywood craftsmen, Heart is a very meta account, constantly reassuring and validating itself.‐ Seattle Weekly
Read More | Posted Dec 9, 2015
81% Chi-Raq (2015) Chi-Raq is rude and raunchy, consistently less amusing than it thinks it is, and thickly sliced with a very dull knife. Yet if not the breakthrough that Do the Right Thing was in '89 (though there are echoes), it's still fundamentally on-point.‐ Seattle Weekly
Read More | Posted Dec 2, 2015
61% Legend (2015) Once you realize how routine Legend is, especially compared to 1990's The Krays, the main pleasure lies in watching Hardy. And, boy, is he watchable.‐ Seattle Weekly
Read More | Posted Nov 25, 2015
97% Brooklyn (2015) In the end, of course, Ronan completely owns this movie.‐ Seattle Weekly
Read More | Posted Nov 18, 2015
73% Trumbo (2015) Though there's much to admire in the dull, dutiful Trumbo, there's little to entertain.‐ Seattle Weekly
Read More | Posted Nov 18, 2015
66% The Night Before (2015) It's not a good movie, but what do we really expect from a Seth Rogen vehicle at this time of year?‐ Seattle Weekly
Read More | Posted Nov 18, 2015
79% Star Wars: Episode III - Revenge of the Sith (2005) Part III is much better than I and II. We should be grateful for that.‐ Seattle Weekly
Read More | Posted Nov 16, 2015
47% Viva la libertà (2014) Viva la Libertà offers a tame political fantasia where more lacerating laughs are needed.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
73% Inherent Vice (2015) Anderson's loosest, most purely enjoyable film to date.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
38% Before I Disappear (2014) Christensen can't settle on a satisfactory tone-mawkish one moment, menacing the next... His movie is so vehement about Richie's redemption that even its bumpy detours are dully predictable.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
95% She's Beautiful When She's Angry (2014) The film becomes a tedious procession of laudable figures recalling a noble cause; then it gets mired in the dull factionalism of race, sexual orientation, and class within the movement.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
97% Mr. Turner (2014) Thanks to Spall's marvelous, gruntingly animalistic performance, Pope's eye, and Leigh's deep methodology, Mr. Turner gives us an immersion if not an understanding of the gnomic artist. ‐ Seattle Weekly
Read More | Posted Nov 12, 2015
75% Match (2015) Match swiftly dwindles into the most middlebrow kind of theater. Accusations are hurled, apologies are tendered, grudges are nursed and dismissed, and everyone learns valuable lessons.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
61% Maps to the Stars (2015) We watch to see the worst in Maps, it's revealed, and absolutely nothing about it is surprising. (Even the ghosts are predictable.) Also, unforgivable in the inside-Hollywood canon, Wagner can't craft dialogue or be funny to save his life.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
86% Wild Canaries (2015) Married filmmakers Takal and Levine have an easy rapport, and they elicit likable performances from all their cast. (Even the villains are hard to hate.)‐ Seattle Weekly
Read More | Posted Nov 12, 2015
No Score Yet Big In Japan (2015) Certainly Big in Japan has its promotional aspect, but few films (or bands) manage the trick of both wanting to be liked and actually being likable.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
78% Queen and Country (2015) It's a pleasant, nostalgic movie that didn't need to be made (a memoir written, maybe), chiefly because he has nothing new to say about the postwar era.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
91% Metalhead (2015) By turns scathing, wounded, and contrite, the actress conveys an atonal, akimbo soulfulness that, yes, marks her as a true daughter of the Land of Björk.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
95% '71 (2015) '71 doesn't pretend that better times are near (Bloody Sunday is just a year ahead), though it does finally proffer a few shreds of humanity against a future we know will be terribly bleak.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
84% Merchants Of Doubt (2015) Based on the 2010 book by Naomi Oreskes and Erik M. Conway, the film lays out a convincing, follow-the-money trail from the tobacco industry's postwar efforts to prevent (or forestall) government regulation to a profitable lobbying specialty today.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
88% Kumiko, the Treasure Hunter (2015) It's a very composed and controlled picture, with a heroine who believes she's on the cusp of something transformative, even cosmic.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
17% The Gunman (2015) As ever, Penn is the grim, humorless professional, squinting out each line like a kidney stone. ‐ Seattle Weekly
Read More | Posted Nov 12, 2015
95% The Salt of the Earth (2015) Salt of the Earth is a self-serving and very family-sanctioned project, though not quite a chore to watch. ‐ Seattle Weekly
Read More | Posted Nov 12, 2015
19% October Gale (2015) October Gale is a pleasant place to visit, though a dull, predictable movie to watch.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
50% Like Sunday, Like Rain (2015) The same listless scenes play over and over (park, restaurant, cello, etc.), with odd editing lurches between them. ‐ Seattle Weekly
Read More | Posted Nov 12, 2015
98% Kurt Cobain: Montage Of Heck (2015) Morgen has made a fittingly unruly patchwork distillation of a messy, self-destructive life. Romanticism and myth have been cast aside. A tidy documentary would only be possible about a less talented, less tormented artist.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
47% Adult Beginners (2015) Kroll's basic task here is fairly lazy and certainly unoriginal.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
89% Clouds of Sils Maria (2015) Though Clouds has a few welcome laughs (digs at vampire and comic-book movies, Binoche even doing a spit-take!), it's a film about time and a woman's passages through time. Each age forces a different role-Sigrid or Helena-despite her wishes.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
47% 5 Flights Up (2015) Completely reliant on the warmth and goodwill generated by its stars (rather than, say, its writing), this AARP-oriented dramedy strikes all the familiar chords.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
37% Beyond The Reach (2015) Gordon Gekko in the desert Southwest. There's really no other way to describe this sparse but ultimately rather silly B-movie thriller.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
93% The Hunting Ground (2015) It's not the numbers here you'll remember, of course, but the stories. A montage of students relating how they called their parents, post-rape, is the saddest thing you'll see on screen this year.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
92% Black Souls (2015) In a certain kind of Italian mob picture, you expect blood feuds, family feasts, and generational conflict. Certainly Francesco Munzi's adaptation of a popular crime novel has all that, but it's more family drama than shoot-'em-up. ‐ Seattle Weekly
Read More | Posted Nov 12, 2015
56% Set Fire To The Stars (2015) Set Fire belongs to a genre that might be called Close Encounters With Greatness. They're not biopics, but glancing views by nobodies in a position to observe the backstage workings of genius. It's a formula, and Set Fire never gets beyond that formula.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
96% Jafar Panahi's Taxi (2015) Taxi is perhaps the most ingeniously optimistic movie I've seen this year. It also reminds me of the current Room, another instance of extreme captivity where the only response is imagination. Both films make our world a bigger place.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
94% East Side Sushi (2015) So while it's entirely predictable, full of follow-your-dreams sentiment, Anthony Lucero's sincere little indie does provide an exemplary heroine.‐ Seattle Weekly
Read More | Posted Nov 12, 2015
72% Suffragette (2015) This dull, uplifting classroom movie makes [Mulligan's character] more the victim than inspiring example.‐ Seattle Weekly
Read More | Posted Nov 4, 2015
63% Spectre (2015) For depth, these films only require inherited tradition, and that is what keeps the world's most successful movie franchise moving toward its sixth decade. But next time, please: less typing, less remembering, and more running toward the future.‐ Seattle Weekly
Read More | Posted Nov 4, 2015
94% Room (2015) Hollywood insists on healing and closure, but Room is more interested in the wonder of childhood, regardless of circumstances.‐ Seattle Weekly
Read More | Posted Oct 29, 2015
34% Our Brand is Crisis (2015) The War Room made the same points two decades ago, only more entertainingly.‐ Seattle Weekly
Read More | Posted Oct 29, 2015
62% Truth (2015) While I want to sympathize and cluck my tongue at the degradation of my trade, that's not the same thing as a compelling movie.‐ Seattle Weekly
Read More | Posted Oct 29, 2015
82% Victoria (2015) The nonstop filming device becomes the movie's engine, its source of momentum. Victoria's uncertainty about the night's outcome is ours, too.‐ Seattle Weekly
Read More | Posted Oct 15, 2015
86% Steve Jobs (2015) [Jobs'] essential mantra: Love my products, not me. But this shiny, mediocre movie only succeeds in proving the wisdom of Pepsi-to-Apple CEO John Sculley (Jeff Daniels): Nothing sells like sugar.‐ Seattle Weekly
Read More | Posted Oct 15, 2015
92% 99 Homes (2015) As was the case with so many houses sold before 2008, 99 Homes presents well, but you soon start to notice the structural defects.‐ Seattle Weekly
Read More | Posted Oct 7, 2015
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