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WHO WANTS CANDIED HAWBERRIES?

A heartwarming story with a bit of mystery, available in both English and Chinese.

In winter, an old man enters Cat’s Eye Hutong (alleyway or lane) with his bicycle, fitted with a rack filled with candied hawberry skewers, a Chinese treat.

He hopes to sell all so that he can buy medicine but first puts down a box of fish scraps in the snow. He calls for customers, but none appear. The charming, naïve watercolor-and–colored-pencil paintings begin to fill with feline images built into the architecture. Then a small child wearing a white medical mask (sometimes worn to prevent the spread of germs) buys a stick of hawberries, but as she walks off, the man notices a white tail peeking from her coat. Other young, masked buyers appear; all have tails, and one’s mask has slipped, exposing whiskers. Finally, a human girl buys the last stick, and when the old man asks her about the kids with tails, she informs him that only “Kitties have tails” but points up to cats on the rooftops all eating the red hawberry sticks. Careful readers will remember the fish left “as usual.” This book publishes simultaneously with an edition in Simplified Chinese, which features simplified characters and transliterated text in a small font directly above the characters. Backmatter includes a glossary keyed to intermediate-level readers, three-to-a-page thumbnails of the illustrations with English text, and note with cultural background (sadly missing in the English-only edition); further Chinese learning materials are available on the publisher’s website.

A heartwarming story with a bit of mystery, available in both English and Chinese. (Picture book. 6-8)

Pub Date: Dec. 1, 2016

ISBN: 978-1-945-29519-5

Page Count: 36

Publisher: Candied Plums

Review Posted Online: Nov. 1, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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WAITING IS NOT EASY!

From the Elephant & Piggie series

A lesson that never grows old, enacted with verve by two favorite friends

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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FIELD TRIP TO THE MOON

A close encounter of the best kind.

Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.

While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.

A close encounter of the best kind. (Picture book. 6-8)

Pub Date: May 14, 2019

ISBN: 978-0-8234-4253-9

Page Count: 40

Publisher: Margaret Ferguson/Holiday House

Review Posted Online: Feb. 5, 2019

Kirkus Reviews Issue: March 1, 2019

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