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Month: November 2019

Read My Shorts

At the urging of friends who generally know what they’re talking about, I’ve decided to put a few short stories up on the site. I was originally a little hesitant, as they’re not as polished as Jackrabbit or some of my longer or more recent pieces.

The first is The Bounce, which was inspired by a coffee kiosk I would pass every morning on my way to work. The draw of the place is that the baristas were clad in skimpy bikinis and lingerie. I always wondered what sort of weird customer interactions went on there, as well as how cold it got in the winter. (They have an awesome heater.)

Also up is Cruising with Melvin and the Furb which is largely based on something that happened in college. It’s basically a standard dumbass-fraternity-boys-on-drugs story, but it’s got a couple of chuckles out of it. The guys from Beta-Beta sure thought it was funny.

There will be more as I dust them off and/or write them.

Go to Short Stories

Going Through Channels

The purpose of this blog is two-fold: 1) provide me a forum in which I can piss and moan, and 2) provide some advice so that others may not have to piss and moan as much as I. Also, I guess – 1.5) provide s repository of useful information for myself that I can use as a reference, as my memory is like a cloth bag full of water.

One piece of advice that I deliberately blew off in the runup to the release of Jackrabbit is thus: plan your book release. Give it at least three months, and preferably more. I didn’t do this for a couple of reasons. The first was that I realized late in the game that I was coming up on the 85th anniversary of the event that was a major plot point in the book, so I rushed to get the book out on that date. The other reason is that I am a lazy bastard, and really didn’t want to think about marketing and promotion ahead of time.

Well, live and learn. If I ever do it again (and I probably will), I’ll spend more time planning how, where and under what circumstances I will release the book.

One of the more interesting lessons learned has to do with the distribution channels through which the book is distributed. Based on my overall need to rush to get the book out, coupled with my inherent laziness, I decided to go with Amazon KDP for the complete publishing service. This saved a fair amount of up-front decision-making, but it did cause some problems later on. So far, the biggest of these is that many indie bookstores hate Amazon with a passion and will not carry self-published books produced through Amazon KDP – an issue I groused about in a previous post.

When I was bandying with a representative from one of those stores, he suggested that I create an account with IngramSpark to contend with the anti-Amazon bias. The issue with that is that I’d already sold my soul to Amazon and signed up for their Expanded Distribution option. This nominally provided more outlets for potential sales – allegedly large booksellers and libraries. Of course, as with most anything in American consumer culture, Some Restrictions Apply. In this case, that meant that I wouldn’t be able to use IngramSpark to distribute the book to finicky indie stores.

This begs the question: what the hell is IngramSpark anyway? IngramSpark is a subdivision of the massive Ingram Content Group, which is a huge book distributor and publishing service provider (whatever the hell that means).

Here’s the interesting part: by signing up for Amazon’s Expnded Distribution option, I’m actually having some books distributed through Ingram anyway. I found this out recently in my ongoing struggle to get Jackrabbit some shelf space in local indie bookstore behemoth Powell’s Books (as I griped about here and here). I looked into the possibility of ditching Expanded Distribution and signing up for IngramSpark, but the whole thing smacked of effort. It’s possible, apparently, but there was a whole rigamarole about relisting the ISBN number and so forth, and I don’t really see how it would necessarily boost my sales at this point. Perhaps I’m wrong, and I’m definitely lazy. I did, however, find a good article about why self-published authors should use both:

This has gotten wordy/whiny enough, so I am just going to sum up the important things I think I’ve learned so far:

  • Always Buy Your Own ISBN Numbers – This is one of the few things I got right out of the gate. Amazon KDP and other services will give you free ISBN numbers, be then they own your ass. The Bowker’s monopoly on ISBN number sales in North America results in a scammy pricing structure, but it beats the restrictions that come with a “free” number.
  • Use Amazon KDP for Early Production – You don’t have to shell out at all, meaning you can tweak the design, upload revisions to your heart’s content, and get it OCD-perfect before you shell out a dime. The author copies are more reasonably priced, as well.
  • Don’t Sign Up for Amazon; Expanded Distribution; Get an Ingram Spark Account – IngramSpark will get your books to bookstores and libraries that hate Amazon with a passion and won’t buy books from them. There are also more printing options, including more paper choices and hardback versions (Amazon KDP is paperback-only). To be fair, the Expanded Distribution network might slip a few copies to self-same Amazon-haters, but IngramSpark is probably better.
  • Amazon’s KDP Select Ain’t All That and a Bag of Chips – KDP Select is a program that offers expanded worldwide distribution for your eBook, as well as periodic special offers you can make on your book.  However, KDP Select restricts your ability to sell your eBook through other channels (WordSmash, Draft2Digital, etc.) The offers are restricted to a handful of days within a 90-day window, so not so hotso. I’d advise going with the other ePublishers.

There: all of my recent kvetching boiled down into four pithy bullet points. My next novel is gonna go so smooooooooooth!
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