Secrets of Best-Selling Self-Published Authors #12 – Rachel Abbott


Today's interview is with best-selling U.K. thriller author, Rachel Abbott. Rachel has received a lot of good press recently about her rise to the top of Amazon's best-seller lists. This from her Amazon biography: "Rachel published Only the Innocent in November 2011. It raced up the UK charts to reach the top 100 within 12 weeks and quickly hit the #1 spot in the Amazon Kindle chart (all categories) and remained there for four weeks.

Originally, Only the Innocent was a self-published title, but since the success of the early version, the novel was re-edited and the new version was launched in the US by Thomas and Mercer in paperback, audio and Kindle versions on 5th February 2013, hitting the number one spot in the Kindle Store in August 2013. Her second book, The Back Road, was also published by Thomas and Mercer.

Her third book, Sleep Tight, was published in February 2014."

Here is the interview, please make sure you check out Rachel's books and website and also subscribe (see link below) to this website to stay tuned for the next interview in the Secrets of Best-Selling Self-Published Authors interview series (next interview will be with best-selling fantasy author, Michael J Sullivan).






Do you think that your life experience has gone someway towards making you a successful author in your chosen genre?

An interesting question! I haven’t met many murderers as far as I know, but my books tend to be about the extremes of relationships – the dilemmas people face when they realize that things are not the way they thought they were. On that basis, I do think that my life experience has helped enormously. I like to people watch, and for my characters I take small personality quirks and expand them until they become threatening. Take the guy who watches his wife’s every move - he can’t take his eyes off her. What triggers would have to be pressed for this to become a dangerous obsession?



Did you try to get publishing contracts for your books early on with traditional book publishers? If so, did you have any success there or, if not, what was it that made you decide to self-publish the majority of your work?


I didn’t try very hard because I originally wrote for my own pleasure. Family members suggested I should try to find an agent, so I sent a few enquiry letters. The responses were encouraging, but nobody was actually ready to take my first book on. I didn’t do anything with it after that for quite a while, but when I saw that you could upload to the Kindle in the UK, I just thought I would give it a try – just to see what happened. I wasn’t expecting anything much at all, and so it wasn’t an active decision based on weighing up the options. It was merely the idea of ‘having a go’.



Many other successful self-published authors have established themselves and hit the best-seller lists with ‘Series Books’ – your novels follow this trend in that the lead character of Detective Inspector Tom Douglas drives the story forward with each new book. Usually, authors/publishers brand their books along the lines of “A Detective Tom Douglas Thriller” etc. You seem to have bucked this trend by not labeling your books as a series, despite their obvious connections. You have had great success with your books but I wondered why you haven’t been more obvious about calling your books a ‘series’? What are your thoughts on this and how important do you think series books are for self-published authors in establishing themselves and in regards to hitting the best-seller charts?



I love Tom Douglas, but I don’t consider my books to be principally about him. They are about the victims or the perpetrators of the crimes. Because most of my books involve murder, I usually feel the story is helped by the involvement of a policeman, and I have kept to the same character throughout. But when I think of ideas for my books, Tom doesn’t figure in the thinking. It’s the relationships and the crime that drive the books.



Having said that, I have introduced quite a bit of Tom’s personal life, and readers seem to enjoy it. And so for now I will continue to do that.



I am not sure whether it’s necessary to have a series. I think if you like an author’s writing style it doesn’t matter whether the same characters are in all of them or not. That only begins to matter if they have a developing story of their own – so the reader becomes interested in what is going to happen to them next.



Is diversification something you see as a growing necessity for contemporary self-published/indie authors, or is specialization (genre focus) more important in your opinion? If so/not please explain why.



It differs for each individual. In my case, I have an incredibly loyal band of readers who enjoy my books. If I suddenly started to write in some entirely different genre, I think they would be confused. If a writer has achieved success in a genre, it makes sense to continue writing for the same audience. But at the same time, if you enjoy the whole process of writing, you need to write from the heart and if that leads you in a different direction, you may feel you have to follow it.



You have previously written about how you go about soliciting reviews for your books. Has the way you gather reviews changed since you started publishing or is there still one method you find to be of the most use for getting good quality reviews?



There are three main sources of reviews for my books, and without a doubt the most important source is the reader – the person who has bought my book, has sat down and read it. But it takes time for those reviews to appear, and it is very useful to have some reviews available at launch. With that in mind, I use two sources – early readers and bloggers. The early readers are people who have been quite chatty about their enjoyment of my books, and I choose a small number for advance copies in return for an honest review. I also approach bloggers – I have a database of them – and ask if they would consider writing a review.



Is there any one thing that you have determined has helped you sell more books – i.e. could you outline your path to establishing your brand and your most successful sales method/s?



I am asked this question more than any other, and the truth is that the most successful sales method changes with every single book – because things move on so quickly. The most important thing is to raise awareness of your book – and you need to use whatever means you can. People say to me that Facebook and Twitter ads are a waste of time, because they cost as much as you might make on a book sale. But that is slightly missing the point. I recently ran an experiment with Twitter ads. One of my books was in a US promotion, so I ran some ads. The book rose up 300 places in the charts overnight and sales tripled. However, the number of click through on Twitter was far LESS than the increase in sales. The fact is that as the book rose up the charts with the small number of Twitter click through, it became more visible – more people became aware of it. So the majority of additional sales were from people who, until that point, hadn’t noticed the book.



Who designs your book covers and promotional material? How important do you think cover design is to a potential reader and how big a part do you think it has played in your success to date? 



My book covers are designed by a young man who used to work for me when I ran an interactive media company. I gave him his first job after university, and he’s still working for the company at a very senior level twenty years later. He’s a complete star! But he’s a very busy man, and so while he does the cover design, he no longer has time to do the promotional material. We’re currently looking for somebody to take on that task.



People often say that you don’t sell books because of the cover, but I disagree. It’s back to the awareness point. If your cover is attractive, people will notice it and begin to recognise it – and hopefully will be sufficiently interested to take a look.



In your opinion, is traditional publishing on the way out? Do you think that traditional publishing can continue to keep up with the rise of self-publishing?



I don’t think for a minute that traditional publishing is on the way out, and I would be very sad if that were the case. Traditional publishers do a great job, and when I am asked for my advice from other writers I often say that they should try traditional publishing first. Self-publishing is not going to work for everybody, and the traditional route is tried and tested.



Do you use other online publishers as an alternative to Amazon’s KDP and Createspace platforms? I.e. do you feel that it is necessary for self-published authors to use as many avenues in order to widely publicize and market their books to potential readers?


I used to make my books available on as many eBook retail sites as possible. But I now only sell on Amazon because in return for that I get better opportunities to promote my books. I don’t tend to use CreateSpace – although I have done. I now have my books professionally printed in bulk, so that I am able to distribute to bookstores.



Would you ever consider signing all your books to a traditional publishing house or will you always mange some of your titles yourself through self-publishing?


I never say never! At the moment, things are going well for me – but it is hard work. I am at my desk seven days a week, and sometimes the idea of somebody taking all of the extra stuff off my hands is very appealing.



Who knows what the future will bring? Five years ago I hadn’t published my first book, so I have no idea what the next five years will bring.



Have you ever used free book promotions? Do you think they are a worth-while marketing tool for self-published authors? If so/not – why?



I have never given my books away for free (other than to people I meet or know, of course). I haven’t found it necessary. I do know that some people have gained success that way – they have found that by giving away some of their books they build a readership who will then buy their books – but it’s not something I have ever been tempted to try.



Lots of changes have been occurring within Amazon’s KDP program/s (Select, Unlimited, Countdown etc.) over the past couple of years – do you feel that it is still possible for hard-working, self-published authors who write great stories, to become best-sellers by remaining exclusively with Amazon?



Absolutely. But it’s not necessary to remain exclusively with Amazon. There are advantages, and for the moment – for me at least – they outweigh the disadvantages. But if the story is good and captures people’s imagination, in the end it comes down to the ability to get the book noticed. And that’s the hard bit.



What would you say is the single biggest advantage of deciding to self-publish?



I suppose I would have to say it’s being my own boss. I work in conjunction with my agent who gives an amazing amount of advice based on her extensive experience. But between us we can decide not only the right schedule for publishing new titles, but also the right time to put books in promotions. We choose the cover, the title, write the blurb – and I might find it difficult to relinquish control.



I have to admit that also it is commercially very viable for me to be self-published, and at present that is attractive.




You took early retirement from a career in law and began your new career as an author. The fact that you took early retirement and moved to the Mediterranean begs the question as to whether your success has been helped by having a generous budget at your disposal to market your books. I.e. the old adage seems to apply that one has to ‘spend money to make money’ as evidenced by the likes of Mark Dawson who is quite open about spending 3-500 $/£ a day on Facebook advertising to boost his profile and his book sales. Do you think that a self-published author has to have a decent marketing budget in order to achieve success and hit the best-seller charts with the amount of competition out there currently?



It may surprise you to know that I had no marketing budget at all when I started writing. I do have now, but when I launched Only the Innocent I had just me – nobody helping me at all – a very old computer and a lot of extremely hard work. I don’t think I spent a single penny on marketing for at least a year, and now I spend very little on advertising. The majority of my marketing budget goes on people now – I have a couple of part time assistants who take away a lot of the day to day work leaving me free to write.



How important do you think social media and a strong active online presence is, to becoming a success as a self-published author?



It’s definitely one way of doing it – and the way that people seem to prefer. But there are other ways too. I have met people who have come up with totally different marketing ideas based around the content of their books. They write articles on an appropriate subject from their stories, aimed at those interested in the background to the content, rather than the genre of book, and they target clubs and groups who have similar interests. Social media is the means most often talked about, but I think self-published authors need to be open-minded about all marketing options.



Where to from here? Are you currently represented by an agent and are you working with any publishers on future projects?
I was signed by Lizzy Kremer of David Higham Associates when Only the Innocent became a best seller, and having an agent is probably the best decision I ever made. She is a huge help to me in so many ways, from editing my work to advising me on publicity, jackets, titles and generally keeping me focused.



For the moment, the plan is to remain self-published because it seems to be going well and so it’s probably best not to make too many changes. But who knows what will happen in the future.



Can you offer any advice to fellow writers if you could go back in time and “do it all over?” What’s your top tip for other indie authors?



Before you start to go down this road you need to ask yourself what success looks like to you, and then base your business plan on that. What matters most to you – number of readers, amount of money made, critical success? Once you know that, you can work out how to pursue that dream. But you need a plan. If I could do it all again I would do two things differently – I would write a marketing plan before I started, rather than two months after launch – and I would eat far fewer chocolate biscuits, the only thing that kept me going as I sat at the computer for fourteen hours a day trying to market my book!



Other than that, I wouldn’t change a thing.



Finally, thanks for sharing your thoughts on self-publishing. Where is the best place for readers to find your books?



All my books are available in both eBook and paperback from Amazon, but the printed books can be ordered from most good bookstores.



The following links go straight to your local Amazon online store.



http://mybook.to/Stranger-Child

Make sure you check out Rachel's website (and sign up for her newsletter) and connect via the links below:


Rachel Abbott's website
Rachel Abbott's blog
Twitter account #1
Twitter account #2
Facebook


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Gaze Into The Abyss: The Poetry of Jim Morrison - Now Available in Paperback and EBook

Very pleased that my latest book has just been released officially. Gaze Into The Abyss: The Poetry of Jim Morrison, is now available in Kindle and Paperback via New Street Communications. Please share with Doors and Jim Morrison fans and groups etc. Much appreciated :)


Doors Photographer & Intimate Paul Ferrara Joins Others To Praise New Study of Jim Morrison's Poetry

Creator of iconic Doors images and personal friend of Jim Morrison teams with Doors expert David Shiang and Doors biographer James Riordan to endorse William Cook's GAZE INTO THE ABYSS: THE POETRY OF JIM MORRISON

PRESS RELEASE:

NEWPORT, R.I. - Sept. 3, 2015 - PRLog -- Pop culture icon and sixties rocker Jim Morrison considered himself a poet first and foremost above all other things.

In Gaze Into the Abyss: The Poetry of Jim Morrison, William Cook brilliantly examines Morrison's written work in all its beauty and complexity, providing rich insight into Morrison's influences, themes, and poetic vision.

Iconic Doors photographer Paul Ferrara, who was also one of Morrison's best friends, says of the book: "No other rock poet went so deep into his soul. That is what separates Jim Morrison from the rest. Jim and his words were timeless and reached deep into those people who got it, turning them into worshipers. Even the new generations get it. This book by William Cook finally address the phenomena that was Jim Morrison the poet."

Ferrara is seconded by internationally-
known Doors expert David Shiang, who in his Introduction comments: "William Cook has written an admirable analysis of Jim Morrison’s poetry, taking us far beyond the sophomoric judgments of most music journalists and critics."

Finally James Riordan, author of Break on Through: The Life & Death of Jim Morrison (called the most objective and definitive Morrison biography by the New York Times Book Review), has this to say: "Gaze Into the Abyss ... offers new and valuable insights into Morrison's writing. Jim's poetic gift was often ignored and certainly not fully appreciated while he lived and I, for one, am grateful for this in-depth look."

All in all, Gaze Into the Abyss comprises a work no serious Doors or Jim Morrison fan will want to pass up.

ABOUT THE AUTHOR: William Cook lives in New Zealand and is best known as the author of critically-acclaimed macabre fiction. His books include the novel Blood Related, the short story collection Dreams of Thantos, and the poetry collection Corpus Delicti.

Gaze Into the Abyss is available in Paper ($14.99) and Kindle ($2.99) editions.

For more information visit: http://newstreetcommunications.com/new_street_literary/ga...
Contact
Monica Wister
***@newstreetcommunications.com



"No other rock poet went so deep into his soul. That is what separates Jim Morrison from the rest. Jim and his words were timeless and reached deep into those people who got it, turning them into worshipers. Even the new generations get it. This book by William Cook finally address the phenomena that was Jim Morrison the poet." - PAUL FERRARA, photographer and Doors intimate.﻿

"William Cook has written an admirable analysis of Jim Morrison’s poetry, taking us far beyond the sophomoric judgments of most music journalists and critics." - DAVID SHIANG,﻿ President at Open Sesame Marketing & Communications, also Sales & Marketing Consultant to the Big Data Consulting marketplace Experfy at the Harvard Innovation Lab, and generally recognized as the world's leading authority on Jim Morrison and The Doors.﻿

"GAZE INTO THE ABYSS ... offers new and valuable insights into Morrison's writing. Jim's poetic gift was often ignored and certainly not fully appreciated while he lived and I, for one, am grateful for this in-depth look." - JAMES RIORDAN, author of "Break on Through: The Life & Death of Jim Morrison," called the most objective and definitive Morrison biography by the New York Times Book Review.


Grab your copy now - links below

AMAZON LINKS


Jim Morrison, James Douglas Morrison, New Jim Morrison, The Doors, The American Night, Lords and New Creatures, Wilderness, Literary Criticism, New Release, New Street Communications, Ed Renehan, Paul Ferrara, James Riordan, David Shiang

Secrets of Best-Selling Self-Published Authors #11 – Ruth Ann Nordin


Today we have a very special interview with best-selling Indie author, Ruth Ann Nordin. Ruth lives in Montana with her husband and four sons. When she's not playing wife and mother, she's reading and writing. She has written over sixty books, and about fifty of those are romances. Her romances include Regencies, historical westerns, and contemporaries. To find out more about her and her books, please visit her website (link at the end of this interview). Meanwhile, grab your favorite beverage and dive into this interesting and informative interview:


Who are you and where do you come from? Do you think that your life experience has gone someway towards making you a successful author in your chosen genre?


I’m Ruth Ann Nordin, and I was born and raised in Ohio.  I’ve lived in several states since I was 18, my favorite ones being North Dakota, Alaska, and now Montana.  To a point, having moved around and checked out different areas of the United States has influenced my decision to write historical westerns, so you could say it has helped to some degree.  However, a person can live in one place their whole life and be successful.  There is no limit to the imagination.



Did you try to get publishing contracts for your books early on with traditional book publishers? If so, did you have any success there or, if not, what was it that made you decide to self-publish the majority of your work?



I did, but only because people in my writing groups said it was the only legitimate way to be a writer.  I didn’t receive rejections, per se.  I was given feedback on things to change in my stories, and I was encouraged to resubmit them.  This was with two different publishing houses.  So it wasn’t like I was submitting all over the place or submitting a lot.  I barely managed the enthusiasm to submit to them since my heart wasn’t in it.



My heart wasn’t in doing the changes they wanted, either.  The stories would significantly change, and I wouldn’t have liked them the way the publishers wanted them.  I decided to go on my own and self-publish, much to the dismay of the writers in those groups.  Some people warned me I was making a huge mistake and some refused to acknowledge any of my self-published books.  This was back in 2008-2009.  I can tell you the attitude has changed so much toward self-published authors.  Ironically, the writers who once argued with me about my choice are now self-publishing their own books.



With over fifty published works, you write mainly Historical and Contemporary Romance but also dabble in other genres. What drew you to primarily write in the Romance genre/s and why do you also write in other genres?



I love reading a wide variety of books.  The same is true for watching TV shows and movies.  Writing in other genres helps me stay creative.  If I only did romance, my work would become stale.



Is diversification something you see as a growing necessity for contemporary self-published/indie authors, or is specialization (genre focus) more important in your opinion? If so/not please explain why.



I guess it depends on whether you’re going after a trend or not.  Romance sells well regardless of trends, so it’s easier to diversify between Regencies, historical westerns, and contemporaries (the three subgenres I write in).  I remember when serials were big, and now I barely hear anything about them.  I never did serials because I like writing standalones or a series where each book can stand by itself. 



I think what might be a good strategy is to find a genre you enjoy, find out what elements are in the bestselling books in that genre, and putting those elements into your stories.  For example, when I branched out to Regencies, I read the descriptions of the top sellers in the genre and picked out things they had in common (a forced marriage, a scandal, and the hero and heroine not liking the arrangement).  I put all three into my first Regency, and it was one of my bestselling books of all time.  I created my own story using those three things.  I think that technique can be done in any genre.  You’re not writing someone else’s story.  You’re telling your own, but you’re using similar elements.



I would also make the title and cover something the readers in the genre expect.  If you do something different for the sake of being different, I don’t think that’s going to send the right message to your target audience.  The audience has learned to expect a cover to look a certain way.  As for titles, I would use something that would naturally catch the target audience’s attention.  So having a woman in a beautiful gown on the cover with a title along the lines of “Bride” or “Marriage” or “Mail Order” attract romance readers, esp. for historical westerns.  The books I use with those elements on covers and titles sell the best long-term. 



The genres I write outside of romance barely sell anything.  For experimentation, I would say go ahead and spread the net wide.  But write most books that fit within the platform you’ve built for a better chance at a sustainable income.



Most of your books have positive reviews and lots of them (reviews, that is). How do you go about soliciting reviews for your work, or is it a more organic process for you in that you put the books out there and the reviews come on their own accord? Do you have any advice for indie/self-published authors as to the best way to gain reviews?



I don’t solicit reviews unless it’s a book with my publisher.  In that case, I offer a free book in exchange for an honest review.  (I only have five books with the publisher.)



For my self-published titles, I rely on an organic process for acquiring reviews.  I don’t like asking for them because I’m so busy that I have trouble making it over to Amazon to review books.  Readers are busy, too.  Some have been burned by authors who’ve actually harassed them over a review.  I don’t want to add pressure to a reader to review my books.  I prefer it to be their idea.  Having the first in a series at free has helped to get a lot of those reviews, but mostly, it’s been time that builds up the number of them . . .




For more of this fascinating interview, please visit Self-Publishing Successfully for full transcript.


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