document: Man: Came back late last night, hammered. He wasn't going anywhere.
  Jack: Thank you.
  Sharon: Well, if he's in his room, then why isn't he answering his phone?
  Jack: I don't know. T-try him again.
  Sharon: Okay.
   Footsteps approaching 
  Sharon: Oh. That won't be necessary.
  Alistair: My telephone ringing at this unGodly hour? I mean, is there no respect for the stage artist anymore? We are creatures of the night.
  Jack: Listen, Othello, you blew it. What were you thinking, going back to the mansion?
  Alistair: I wanted a glimpse of fair Gloria one more time.
  Jack: Oh, I would gag, but time is a-wasting. We had a deal!
  Sharon: No one except "Fair Gloria" was supposed to see you.
  Alistair: Mm. All right, fine. I will take my salary and be on my merry way. Thank you.
  Jack: Break a leg.
  Alistair: That's all?
  Jack: That--your bar tab, room service, movies, video games?
  Sharon: Yeah, you know, you're lucky he's paying you anything at all after the stunt you pulled yesterday.
  Alistair: Madam, I was rather convincing in the role.
  Jack: You can't be serious.
  Alistair:  Sighs  all right, look, perhaps we--we could discuss this transaction over breakfast. I--I've become rather fond of their eggs benedict.
  Jack: No, no, no. No eggs benedict, no Belgian waffles, no cheap Irish whiskey. You're to get out of town now, before anyone else sees you.
  Alistair: Ta-ta. I bid you adieu.
  Jack: Good-bye and good luck.
  Sharon: Well, thank God he's not our problem anymore.
  [SCENE_BREAK]
  Jill: I just can't get over Alistair's likeness to John.
  Kay: Uncanny.
  Jill: I mean, it's like he could be his double.
  Kay: Hmm. And actually, he's falling for Gloria.
   Chuckles 
  Jill: Why would Gloria marry a man she cannot abide? I'm telling you, Katherine, she must have one doozy of a secret.
  Kay: Please understand, I am doing this because of Jabot. I mean, the last thing we need is another scandal.
  Jill: Oh, come on. You're the one who told me how bored you are ever since you quit working.
  Kay: Mm.
  Jill: Admit it, Mother, trying to figure this out is fun.
  Kay: Just remind yourself-- Gloria wants your job.
  Jill: Gloria wants Nikki's job.
  Kay: Then she's on her way to wanting your job.
  Jill: That's exactly my point. She would never admit something to me, but she just might confess it to the man who is the spitting image of her beloved late husband.
  [SCENE_BREAK]
  Gloria: Kevin, I'm gonna fill your voice mail with messages until you or your brother call me back.
  Jeff: Why so glum, Darling? Jack surrendered last night. White flags were waved. You won. The mansion is ours.
  Gloria: No thanks to you.
  Jeff: Well, you can't blame me for wanting privacy with my ravishing wife.
  Gloria: So you hire an actor to play John's ghost? That was cruel, Jeffrey.
  Jeff: Don't I get points for creativity?
  Gloria: No. He scared me and almost killed Lauren.
  Jeff: Well, the end, Darling, justifies the means. A little credo of yours, I believe. Anyway, at last, we're alone.
  Gloria: Stay away.
  Jeff: You know, how soon we forget. The lips this morning that are saying "No, no, no," last night were saying, "Yes, yes, yes."
  Gloria: Wrong, wrong, wrong.
  Jeff: Liar.
  Gloria: I was confused, but I'm over that.
  Jeff: Mm.
  Gloria: My sons have turned their back on me, and it is all your fault.
  Jeff: Um...  Laughs  if you want somebody to blame for that, you need to look in the mirror.
  [SCENE_BREAK]
  Phyllis: Like that better?
  Nick: I do like that better.
  Phyllis: Yeah, I thought you would.
  Nick: Vic! What are you doing here?
  Victoria: For you.
  Nick: For me? Did you get me a puppy?
  Phyllis:  Giggles 
  Nick: Is that what this is?
  Victoria: Open it.
  Nick: All right.
  Phyllis: Oh!
  Nick: Hey!
  Phyllis: Look at that.
  Nick: Who's that dude?
  Victoria: Oh.
  Phyllis: That is so cool.
  Nick: Thank you.
  Phyllis: We'll hang it over reception.
  Nick: I am so handsome.
  Victoria: Nick, um, I just want to let you know that I'm really proud of you. And Dad is, too, even if he won't admit it.
  Nick: Thanks.
  Phyllis: Oh, hey, hey, he almost admitted it.
  Victoria: Really? What did he say?
  Phyllis: Um... he said he wouldn't stand in Nick's way.
  Nick: Yeah, I wouldn't buy into that too much. It's the old fake jab before the right cross.
  Victoria: I don't know. I think you ought to give him a little credit. I think Dad backing down's a pretty big deal.
  Nick: Nice try.
  Phyllis: So, uh, how are you doing? Is it good to be back at work?
  Victoria: Yeah. I'm fine.
   Clears throat 
  Nick: But?
  Victoria: But nothing. Um, I'm fine.
  Nick: Nah, there's something going on. What is it? Is it Dad?
  Victoria: No, it's not Dad. It's Adam.
  Nick: Mm. Sibling rivalry going on over there?
  Victoria: Okay, listen, I try to have an open mind. Dad invites him to join the company without asking me. Fine, I'm a team player, but Adam's not. He--he wants to be a one-man show.
  Nick: Dude doesn't know who he's messing with, does he?
  Victoria: Well, he will soon, 'cause I'm not putting up with it. It's bad for business.
  [SCENE_BREAK]
  Adam: Morning, Sir.
  Victor: Adam, I thought we were beyond the "Sir" thing.
  Adam: Well, our little talk last night, that was personal. This is business.
  Victor: Aha. Well, you look sharp. My goodness.
  Adam: Thank you.
  Victor: I'm glad we talked about your mother.
  Adam: You know, I dreamed about her last night.
  Victor: You did?
  Adam: Yeah.
  Victor: Tell me about it.
  Adam: She was... well, it's kind of silly, but she was... like, she was smiling at me, radiant, bathed in light, and, um, I don't know if you believe this kind of thing, but she said she was glad that we talked.
  Victor: I'm glad to hear that, and we will talk about her again, all right?
  Adam: I'd like that.
  Victor: Now I've got to go to Los Angeles.
  Adam: What about the teleconference with Mendez?
  Victor: Don't worry about that. Neil will take care of that. And as far as the Brazilian deal is concerned, kindly have a deal memo on my desk when I get back from L.A.
  Adam: Are you looking at, uh, an acquisition there?
  Victor: No, this is personal.
  Victor:  Lowered voice  so as far as you know, um, I'm on a business trip, all right?
  [SCENE_BREAK]
  Sharon: I know how much that house means to you, Jack.
  Jack: You know what? It's a house. We'll find another house, one with a basketball court for Noah, a tennis court for me and whatever your heart desires.
  Sharon: Really? Because, I mean, if you mean that, then I'll call the realtor.
  Jack: Yeah, yeah, I mean that. We'll find something wonderful, something... something we love.
  Sharon: Something that's ours.
  Jack: Yeah.
  [SCENE_BREAK]
  Jeff: Here you go.
  Gloria: Don't need coffee. I need my sons to call me back.
  Jeff:  Chuckles  we should be celebrating. We got the house. How about breakfast in bed? You can be breakfast.  Laughs  okay, well, I mean, think about it. No more sharing the house, no more rooms off-limits.
  Gloria: No more Jack. No more Sharon. Just us.
  Jeff: Mm, and the memory of your late husband John-- his art, his books...
  Gloria: Mm-hmm. And I think that's my favorite part of all.
  Jeff: You know, that's not a very considerate way to start off a new marriage.
  Gloria: Oh, well.
  Jeff: I see. You're playing the harpy, from whom I was perfectly content to squeeze every penny. The only problem is... you're also the magnificent woman with whom I've actually fallen in love.
  [SCENE_BREAK]
  Alistair: Good morning, Ladies!
  Kay: M-Mr. Wollingford?
  Alistair: Now... we are all friends now. Please call me Alistair. And your first name is?
  Kay: Mrs. Chancellor.
  Alistair: Oh.
  Jill: Alistair, if you're ready to begin, please have a seat.
  Alistair: Ah, by all means. I am your apt and eager pupil. I shall embody John Abbott, woo fair Gloria and rescue her from this loveless marriage.
  Kay: Oh.  Chuckles 
  Jill: Now funny you should say that. Speaking of this loveless marriage, we need to find out why Gloria married Jeffrey.
  Kay: He must have something on her.
  Jill: And the question is, what?
  [SCENE_BREAK]
  Amber: One moment, please. It's about Beauty of Nature.
  Nick: Oh, okay, thanks. This is Nick. Yes, I did. Okay, we can go over that now. Um, I'm not in my office right now. Just give me a minute, okay? Thank you. That's the agency. Adam wanted to change the, uh, payment clause in the contract. So I'm on it.
  Phyllis: All right. I'll finish this and send you a draft.
  Nick: What are you really doing? Okay.
  Adam: Hi.
  Phyllis: Hey.
  Adam: Hope I'm not interrupting.
  Phyllis: Oh, no, not at all.
  Adam: I, uh, I came by to discuss some new ideas about the spokesperson...  Opens briefcase 
  Phyllis: Oh!
  Adam: For Beauty of Nature.
  Phyllis: Great. Have a seat.
  Adam: This is for you.
  Phyllis: Oh. Ah.
  Adam: Just a token of my appreciation.
  Phyllis: Ah, wow. That, um... wow.
  Adam: It reminded me of you.
  Phyllis: You know, uh, I-it's--it's very, very sweet. I-I really-- but, um, y-you kind of have to stop doing that.
  Adam: Stop what?
  Phyllis: You, uh, have to stop hitting on me.
   Clears throat 
  Adam: That's quite the ego, Phyllis.
  Phyllis: I am happily married to your brother.
  Adam: Yes, I know.
  Phyllis: And--
  Adam: And I am happy for you both. I am. You were my first friend here in Genoa City. I just wanted to do something to show my appreciation. That's all.
  Phyllis: Okay. Okay, no problem then. I guess my getting-hit-on radar is completely off, completely wrong. I'm sure I'm wrong. Uh, I apologize.
  Adam: No, you know, you're right. I should apologize. I think my style can be a little flirtatious, and, uh... it's important for you to know, though, that I didn't mean anything by it.
  Phyllis: Okay, no problem. You should get a new style, though.
  Adam: Look, since this makes you uncomfortable, I'd like to take it back.
  Phyllis: No, it's okay. No, no, no, it doesn't make me uncomfortable.
  Adam: I really--
  Phyllis: It's fine. I-I would like the gift.
  Michael: Ooh.
  Amber: Hi!
  Michael: Hey.
  Amber: Welcome to "Restless Style."
  Lauren: Thank you.
  Phyllis: Oh, wait a second.
  Michael: Wow.
  Phyllis: Excuse me. Just one moment, please. Uh, hey, Guys!
  Lauren: Hey!
  Phyllis: What do you think? What do you think?
  Lauren: Oh, it's very nice. We didn't see it with all this furniture.
  Phyllis: Yeah, right?
  Lauren: It's good.
  Michael: Are you busy?
  Phyllis: No, never too busy for you. Uh, here. Adam Wilson, uh, I would like to introduce you to Lauren Fenmore...
  Lauren: Hi.
  Phyllis: And, uh, her husband Michael Baldwin...
  Adam: Hi.
  Lauren: Nice to meet you.
  Adam: Baldwin?
  Phyllis: They're friends of mine and Nick's.
  Michael: Yeah, you're Victor's son.
  Adam: That's right, I am.
  Michael: Oh. Yes, he told me about you. Welcome to Genoa City. Um, I'm sorry about your mother.
  Adam: Thank you. Um, I should be getting back to Newman, but, uh, it was very nice meeting you both.
  Michael: Yes, yes.
  Lauren: Okay.
  Adam: We'll talk later?
  Phyllis: Yep.
  Lauren: Bye. So?
  Phyllis: So yeah, the place is great, isn't it? It's, uh, all the colors and everything, they're-- they work with my color palette. You know, of course, I did that on purpose. All right.
  Lauren: Okay, now I can say. What is--what's he like?
  Phyllis: Uh, the jury is still out.
  Lauren: Hmm.
  Phyllis: Anyway, so here it is, furniture and all.
  Michael: Mm-hmm.
  Lauren: You know what? I think you performed an interior design miracle.
  Phyllis: Thank you.
  Lauren: Lots of open space. I love it.
  Phyllis: Mm-hmm. Mm-hmm.
  Michael: There's too many distractions in here. How do you concentrate?
  Lauren: Of course, give this man a cubicle in the law library, and he's happy.
  Michael: Hey!
  Nick: Hey.
  Lauren:  Laughs  hi.
  Nick: Welcome.
  Michael: Congratulations on the new digs.
  Lauren: Yeah, it's great.
  Nick: Thank you.
  Lauren: Hey, do you have a few minutes? I want to talk to you about that column you want me to write.
  Phyllis: Oh, absolutely, absolutely.
  Michael: Oh, fashion.
  Nick: Yeah.
  Michael: I predict that hemlines will be up and necklines will be down.
  Lauren: Yeah, well, I predict you should stick to the law, Honey, okay?
  Nick: Let's go. I'll give you a tour.
  Michael: Help me.
  Lauren: Okay.
  Phyllis: Silly.
  Lauren: He is.
  Amber: Hey, Lauren, I heard you're writing a new column, huh?
  Lauren: Yeah.
  Amber: Hey, would you like to check out some of my designs? I have some pictures and stuff. Maybe you might want to write about--
  Phyllis: Hey, Amber, Amber, would you like to go answer the phones? Because that, in fact, is your job.
  Daniel: Hey, Amber.
  Amber: What?
  Daniel: You okay?
  Amber: I got passion. It's a good thing.
  [SCENE_BREAK]
  Jill: All right, John Abbott was the most brilliant businessman.
  Kay: Mm-hmm.
  Jill: He founded Jabot Cosmetics, and then he raised his three children single-handedly after his first wife left him. That was many years before I married him.
  Alistair: Hmm.
  Kay: He was warm, and he had a very generous heart. And he was engaged a long time ago, um, uh, to a woman who confessed to him that, uh, she had AIDS.
  Jill: Mm, yes.
  Kay: And--and, um, you know, in those days, that was like a death sentence. But what did John do? He proposed to her again.
  Alistair: Well, I would truly enjoy playing a man like this.
  Jill: Mm.
  Kay: Yes, but he was a very strong yet gentle kind of man. He was a friend and... a confidant.
  Jill: Mm-hmm.
  Kay: Confidant, yes.
  Jill: Mm-hmm.
  Alistair: Equal to Gloria?
  Jill: Uh...
  Kay: Well...  Chuckles  I wouldn't exactly say that, no.
  Alistair: What drew her to him? Uh, what did she find attractive about him?
  Jill: Besides his net worth?
  Kay: Oh, he adored her. He treated her like a queen.
  Jill: No, but here's the important thing-- just remember that, although she may reject you in the beginning, it doesn't matter. Don't worry about it, because that is always the first page in her playbook.
  Kay: Mm-hmm.
  Alistair: Well, I shall not be dissuaded by the task at hand.
  [SCENE_BREAK]
  Jeff: Where are you going?
  Gloria: I'm going out.
  Jeff: You can avoid the inevitable for only so long, sweet cheeks.
  Gloria: Ugh.
  Jeff: You are wildly attracted to me.
  Gloria: Am not!
  Jeff: You are, too.
   Laughs 
   Door opens 
  Gloria:  Imitates Jeff laughing 
  Jack: Are we interrupting?
  Gloria: You're trespassing. You're always interrupting, Jack. What do you want now?
  Sharon: Gloria, we just came here to pick up some boxes.
  Jack: The court has decided, despite the fact that I've lived my entire life in this house, that we are to split the furnishings. So I need you to make a list of what you want. And be reasonable. I know that's a stretch. Ashley and Traci are gonna want a few of the family heirlooms, so I'll have my attorney make a list.
  Jeff: Well, we'll leave you to it, then.  Whispers  shall we?
  Jack: This is killing me.
  [SCENE_BREAK]
  Alistair: Mmm. Delicious. Unique bouquet.
  Jill: Mm.
  Kay: My maid smuggles it from Costa Rica.
  Alistair: Uh, tell me more about Gloria.
  Jill: Oh. Um, all right. She's acquired some expensive tastes. She likes to be wined and dined.
  Alistair: Ah, I see. Well, since I'm on a limited budget, uh, you may have to help me out there.
  Jill: Oh, don't worry about that.
  Kay: Gardenias are her favorite flowers.
  Alistair: Oh! Well, then I shall shower my lady day with gardenias.
  Kay: Mm.
  Alistair:  Chuckles  shall we drink to that?
  Kay: Uh, well, you'd probably be disappointed.
  Alistair: Oh? Is it less than 30 years old?
  Jill: It's less than 30 days old. It's water.
  Alistair: Oh. Pity.
  Kay: I'm really concerned about his drinking.
  Jill: You think?
  Kay: Mm.
  [SCENE_BREAK]
  Jana: Mm.
  Gloria: Lovebirds. I hate lovebirds. I've left you at least a dozen messages, Kevin.
  Kevin: I know.
  Gloria: Guess you've been really busy, huh? I got good news. Jack finally caved. He moved out, and the mansion's ours.
  Jana: Ooh, congratulations.
  Gloria: Mm-hmm. I want to have a big party to celebrate.
  Jana:  Gasps  oh, that sounds great, doesn't it?
  Kevin: We can't make it.
  Jana: Why?
  Gloria: I haven't even said when.
  Kevin: It doesn't matter. We can't make it.
  Jana: I'm so sorry.
  [SCENE_BREAK]
  Adam: I think that she's the wrong image for Beauty of Nature's spokesperson.
  Victoria: Because I suggested her?
  Adam: Victoria, you think this is personal?
  Victoria: I'm asking.
  Adam: If anybody has a personal agenda around here--
  Victoria: You know, I've really been trying very hard to get along with you from the beginning, but you've made that impossible. You--you go behind my back. You undermine me at every turn.
  Adam: Victoria, stop. Okay? I'm sorry that you feel that way. Maybe there is a little truth to it.
  Victoria: Is that a sudden revelation?
  Adam: Victoria, please try to understand that, for me, one minute I'm an only child with a single mother... and the next minute, I have a dad and two siblings that I never knew existed.
  Victoria: I understand that that must be difficult for you, but that doesn't excuse your behavior at all.
  Adam: You know, your mother asked me if I resented the way that you and Nick were raised. That's not it. I just don't know how to fit in here exactly. I think that might be influencing the way that I'm treating you, so I'm gonna try to be more aware.
  Victoria: Thank you.
  Adam: Ah, here she is. This is our spokesperson for Beauty of Nature.
  Victoria: She's too young.
  Adam: Teens spend $10 billion annually on makeup and skin care.
  Victoria: Well, this is not our teen line.
  Adam: Well, she's an environmentalist. I mean, she snowshoes. She mountain bikes. She rock climbs. She walked the Appalachian Trail from Mount Katahdin to Harper's Ferry. This is a perfect fit.
  Victoria: Oh, yeah. Absolutely. Turn off everyone green over the age of 25. You know what? We need to make a decision on this, or we're gonna miss the "Restless Style" deadline.
  Adam: Well, then we're at an impasse.
  Victoria: We'll call Dad then.
  Adam: Uh, he's not here. He's gone at a meeting all day.
  Victoria: Well, he never mentioned that to me. Who's he meeting with?
  Adam: Look, I gotta run, but, uh, you know, let's pick up where we left off later.
  Victoria: Dad, uh, it's me. Why didn't you tell me you were gonna be out of the office today? Uh, I need to talk to you. It's important, so call me back.
  [SCENE_BREAK]
  Sharon: We'll make a new home with new memories.
  Jack: Yeah.
  [SCENE_BREAK]
  Kevin: Where did Mom go?
  Jana: She left. You were harsh with her.
  Kevin: So? You should be glad I'm doing this.
  Jana: Well, I'm not. God, I know that Gloria can be demanding and a tad dramatic... but come on, Kev. She loves you so much.
  Kevin: Yeah, well love is not a license to treat people any way you want.
  Jana: She paid for my surgery. My own bloody family didn't even step up. She wants us to have the wedding in the mansion--
  Kevin: No, no, no. We are not getting married in the mansion.
  Jana: Why?
  Kevin: Because. Because it is time to cut the strings, all right? It needs to be done.
  [SCENE_BREAK]
  Gloria: Join me for dinner at the mansion, Mikey. Let's celebrate our new ancestral home.
  Michael: No.
  Gloria: Come on. You can't stay mad forever.
  Michael: I'm not mad. I'm steadfast. I'm determined. I'm resolute.
  Gloria: You know, if you really resented me so much, why didn't you say so before?
  Michael: I tried, many times.
  Lauren: Fen loved those blocks.
  Gloria: Mm.
  Lauren: He's building a tower.
  Gloria: Nice to know my grandson still loves me. Are you two trying to cut me out of your lives?
  Michael: Oh, if you want to see us, you're welcome to visit.
  Lauren: Oh, but call first.
  Gloria: I know I've made a few mistakes.
  Lauren:  Laughs 
  Michael: A few?
  Gloria: Yeah, but it's all Jeffrey's fault.
  Michael: It's all Jeffrey's nothing. It was you.
  Gloria: I can do things differently.
  Michael: Well, Gloria, actions speak louder, so until we see some action... we are not gonna set foot in the Abbott mansion. You wanted it? It's all yours.
  [SCENE_BREAK]
  Victor: Hello.
  Sabrina: Victor. Hi.
  Victor: Hope I didn't keep you waiting.
  Sabrina: Oh, no, no. You're right on time.
  Victor: Uh-huh.
  Sabrina: I'm so happy you could come.
  Victor: So am I.
  Sabrina: So what do you think? Victor Newman, meet Jeff Koons' "Tulips."
  Victor: Well, I'll be damned. This is Jeff Koons?
  Sabrina: Yes. This is Jeff Koons.
  Victor: Mm.
  Sabrina: And this is from a series of 20 sculptures and 16 paintings to be shown all together, called "Celebration."
  Victor: I must say, the images online don't do it justice.
  Sabrina: That's exactly what I was hoping you'd say.
  Victor: You were?
  Sabrina: Mm-hmm.
  Victor: What's next?
  [Speaking French]
  Sabrina: Je vais tu montrer.
  Victor: Okay.
  Sabrina: On y va?
  Victor: On y va.
  [SCENE_BREAK]
  Nick: Okay, what if we went with designers who used, you know, like, found things-- uh, pop tops, paper, found grunge?
  Phyllis: Yeah.
  Nick: It could work, you know?
  Phyllis: Yeah, you think?
  Daniel: No, no, no. Look at that one. I mean, it's completely out of focus.
  Phyllis: I don't know. What about, Beijing, Hong Kong?
  Amber: You know what? Its artsy, and the clothes look really good.
  Phyllis: What's going on in the Far East?
  Daniel: You know, I don't know why I even--
  Nick: Well, we could do Asia, but we gotta do it street.
  Amber: You don't need to get all bent out of shape.
  Phyllis: Yeah, definitely. Definitely street. This is kind of street, don't you think?
  Daniel: You know what? Why don't you have somebody else take the photographs?
  Amber: You know what? Fine.
  Daniel: Fine.
  Amber: Fine.
  Daniel: Fine.
  Nick: What's that all about?
  Phyllis: Uh, I don't know. Do you know?
  Nick: No.
  Phyllis: Maybe it's that-- that retrograde thing.
  Nick: Ah, yes. If I believed in that, it would explain a lot.
  Phyllis: Mm-hmm. Yeah, it would explain why your brother does not have a crush on me.
  Nick:  Laughs  why would bring that up again?
  Phyllis: Um, because, you know, he came by, gave me a present. I, uh, asked him why he kept on hitting on me.
  Nick: And?
  Phyllis: Huh?
  Nick: And?
  Phyllis: And, oh, um, he said he wasn't hitting on me, that is was just a friendly gesture, you know? For being a good friend. You know... just a--
  Nick: He gave you a present?
  Phyllis: Yeah. He gave me a little gift.
  Nick: What did he give you?
  Phyllis: Uh, it was nothing. It was just innocent. It was just a little paperweight that he gave me.
  Nick: Yeah, see, I'm not-- I'm not really feeling the innocent thing.
  Phyllis: You're not?
  Nick: No.
  Phyllis: Oh. Mm. Well, I just think you're being too hard on him maybe. I think that you should just cut him a break.
  Nick: No, no, no. I've given him lots of breaks. I still think he has a crush on you.
  [SCENE_BREAK]
   Clicking telephone buttons 
  Victoria: Hi, this is Victoria. Is the jet available? My dad? Where did he go? Uh, no. Uh, thank you. I'll reschedule.
   Hangs up receiver 
  Adam: Oh, I didn't realize you were here.
  Victoria: Yeah, I'm here. What's up?
  Adam: The Brazil deal. Victor wants me to write the memo.
  Victoria: Did you copy me?
  Adam: Sure, I can.
  Victoria: No. As a rule, copy me.
  Adam: You got it.
  Victoria: So why didn't you tell me that my dad went to Los Angeles?
  Adam: Who told you?
  Victoria: Why would he tell you and not me?
  [SCENE_BREAK]
  Gloria: All freshly laundered, I see.
  Jeff: Yeah. Workout, shower...
  Gloria: Yeah.
  Jeff: Makes me frisky.
  Gloria: Ah, stop it.
  Jeff:  Laughs 
  Gloria: A cup of coffee, please. I saw Michael and Kevin again. They say they're not coming to the mansion... ever.
  Jeff: Tsk. Kevin said no to his mother? Good for him.
  Gloria: Don't you gloat. My boys can't stay angry at me.
  Jeff: Well, your "Boys" are men. Don't be so sure.
  Gloria: You know, on second thought, cancel that coffee. I don't think I like the company, but I guess I will have to see you at home.
  Jeff: Yeah, I don't think so. I'm gonna stay here a few days while I figure out what to do with you.
  Gloria: Another threat.
  Jeff: No. No threat. Let's just see if absence makes the heart grow fonder. Short of an exorcism, it just might be the cure you need.
  [SCENE_BREAK]
  Sabrina: So what do you think of the building?
  Victor: Well, I think it is very-- I mean, it's sort of interesting in its starkness.
  Sabrina: Mm-hmm.
  Victor: And the juxtaposition with the palm trees and then that stark wall... that's interesting stone. I wonder where they got that from.
  Sabrina: Mm-hmm. Mm-hmm.
  Victor: Mm.
  Sabrina: I'm happy you like it. You know, all of this collection...
  Victor: Uh-huh.
  Sabrina: Is from the vision of one single man, Mr. Broad, of course.
  Victor: Yes, I know Eli and Edy Broad.
  Sabrina: Oh, you do?
  Victor: Rather well. I've done business with him, and I must say, what he has done for the city of L.A. and for some other parts in the world is rather impressive, I have to say.
  Sabrina: But, Victor, you know what I think?
  Victor: Yeah?
  Sabrina: I really believe you can make an impact of your own.
  Victor: You mean have a building like this in Genoa City, is that it?
  Sabrina: Yes, why not? I think--
  Victor: What a legacy.
  Sabrina: It's a way to live forever.
  Victor: I see. Careful. Uh-huh. I like the contrasting colors.
  Sabrina: Mm-hmm.
  Victor: The style is sort of interesting.
  Sabrina: Yes, yes.
  Victor: I mean, I would not have thought that I would like that, but this is very impressive...
  Sabrina: It is.
  Victor: I dare say.
  Sabrina: It is very impressive.
  Victor: Those are the Hollywood Hills there, huh?
  Sabrina: Yes, yes. I'm so glad you're liking it, Victor.
  Victor: Yes.
  [SCENE_BREAK]
  Daniel: Yeah, hey, um, Marty wants you to take a look at these.
  Nick: Oh, cool. Thanks, Bud.
  Phyllis: Ahem. What is going on?
  Daniel: What's going on with what?
  Phyllis: You know what I'm talking about--you and Amber.
  Daniel: Well, to state the obvious, she's out of her mind. I mean, I say "Up." She says "Down." I say something's good. She says it sucks.
  Phyllis: Word to the wise-- mixing friendship with business is a bad idea. Not very smart.
  Daniel: Yeah, I know. I think I'm starting to regret it already.
  [SCENE_BREAK]
  Amber: Double lava java.
  Jana: My God. Really? Are you sure?
  Amber: Oh, don't worry. It's not for me. I plan to dump it on Daniel's head.
  Jana: A lover's quarrel?
  Amber: No, we are designing this ad for the magazine, and Daniel thinks he knows everything.
  Jana: You know, I've seen his photo. He's got a good eye for making clothes look really smashing, actually.
  Amber: Yeah, but the photo is not the ad. Daniel is not the market. I know what I'm doing here. When other girls were reading "Pippi Longstocking," I was reading "Vogue Italia."
  Jana: Well, then I say, "To the attack!"
  Amber: I just hate fighting with him.
  Jana: Yeah, but makeup sex is the best.
  Amber: Sex is what started all of this.
  Jana: No, destiny is what started it. Don't you ever try to defeat destiny. Amber, are you rushing off to work already?
  Amber: I've got a few minutes. Why?
  Jana: Well, um, I wanted to ask, uh, will you be my maid of honor when I get married?
  Amber: Are you kidding? I would--I would love to!
  Jana: Really?
  Amber: Yeah!
  Jana: Oh, good!
  Kevin: So she's gonna do it, huh?
  Amber: Oh, of course, I'm gonna do it. I love weddings! Oh! Let me design your wedding dress for you.
  Jana:  Gasps  really? Oh, my God! That would be excellent!
  Amber: Yeah, it-- it'll be my gift to you. Just tell me when and where.
  Jana: Oh, um, well, when-- we don't have a date yet, and where will definitely be someplace very unique.
  Kevin: An abandoned church.
  Jana: With bats in the belfry.
  Amber: I am not designing a Morticia Addams wedding dress for you.
  Lauren: Huh. A Morticia Adams wedding dress?
  Jana: Oh, hi.
  Kevin: Hey.
  Lauren: What?!
  Amber: Hey.
  Kevin: Well, we are trying to decide, uh, where to have our wedding.
  Lauren: Ah. Let me see. Let me see.
  Michael: You know, um, if you still want to have it at the mansion, I'll make an exception and go.
  Kevin: Nah. I changed my mind. If we have it there, it's gonna be all about Mom.
  Michael: I'm proud of you.
  Kevin: So you are gonna do the best man thing, right?
  Michael: I'll be honored. Okay, come here.
   Chuckles 
  Kevin:  Sighs 
  [SCENE_BREAK]
  Alistair: Mmm. Delicious!
  Jeff: Hey, Jill. Mrs. Chancellor.
  Kay: Mr. Bardwell.
  Alistair: Hello...
  Jill:  Coughs 
  Alistair: Whoever you are.
  Jill: So how's Gloria?
  Jeff: She's fine.
  Kay: Where is Gloria this morning?
  Jeff: Snuggled up in our bed. I came to work out. You know Gloria. She's allergic to sweat...
  Kay: Mm.
  Jeff: At least when she's vertical.
   Laughs 
  Kay:  Laughing 
  [SCENE_BREAK]
  Sharon: Got it? Thank you.  Sighs  okay. That's the last of the boxes.
  Jack: This may be the last time I ever see this place.
  Sharon: Is there anything I can do?
  Jack: Yeah, be my wife forever...
  Jack:  Whispers  and give me just a moment alone.
  Sharon:  Mouths word 
  [SCENE_BREAK]
  Gloria: Are you here, John? 'Cause I need you.
  Gloria:  Voice breaks  I'm so lonely.
  [SCENE_BREAK]
  Adam: Victoria, I didn't lie to you about Victor.
  Victoria: You said he had a meeting.
  Adam: He does. It just happens to be in L.A.
  Victoria: Well, why didn't you say so in the first place?
  Adam: I was ordered to secrecy.
  Victoria: He told you not to tell?
  Adam: No, not you specifically, but no one in general.
  Victoria: Maybe he went to see Ashley.
  [SCENE_BREAK]
  Victor: Well, now what do we have here?
  Sabrina: Damien Hirst.
  Victor: Mm-hmm.
  Sabrina: What do you think?
  Victor:  Chuckles  let me be kind and say that he wants to be provocative.
  Sabrina: Yes.
  Victor: Right?
  Sabrina: Absolutely.
  Victor: Mm-hmm.
  Sabrina: He's part of the young British artists' movement...
  Victor: Mm-hmm.
  Sabrina: And his work revolves mainly around death.
  Victor: Mm-hmm.
  Sabrina: Let's go see his next one.
  Victor: Yes. Is that the same artist?
  Sabrina: Yes.
  Victor: Ah. That's kind of beautiful.
  Sabrina: It is. The beauty of nature. Life and loss.
  Victor: Uh-huh.
  Sabrina: There's always a subversive, bad-boy quality about his work, which-- which I like.
  Victor: Oh, yeah. Look at that. The tearing of wings off butterflies.
  Sabrina: Mm-hmm.
  Victor: That reminds me of Victoria when she was a child. She saw a boy do that. She got so angry, she stomped on his feet.
  Sabrina:  Chuckles  sounds like Vicki.
  Victor: Mm-hmm.
  Sabrina: Hirst is a fearless artist...
  Victor: Mm-hmm.
  Sabrina: And I do think Victoria can be quite fearless.
  Victor: Oh, yes.
  Sabrina: And she can be tough when she needs to be.
  Victor: Mm-hmm.
  Sabrina: Just like her father.
  Victor: Wait a minute. Do you think I'm tough?
  Sabrina: Well, if--if tough means having the strength to go your own way and never waver, then yes...
  Victor: Mm-hmm.
  Sabrina: Absolutely. It's actually one of the things I-I most admire about you. Let's go.
  [NEXT_ON]
  David: We should do it again sometime.
  Brad: You sure that's such a good idea? You do have that gambling issue.
  Woman:  Speaking foreign language 
summary: Alistair continues to drive Jack and Sharon crazy, as he joins Kay and Jill in trying to figure out just what Jeffrey has on Glo. Jeffrey tries to get close to Glo but she refuses his advances, distraught over her strained relationship with her sons who won't back down. Jack and Sharon come back to pack up their belongings which sparks a truly emotional moment for him. When everyone leaves Glo realizes she's all alone. Adam and Victoria compete for first chair while Victor enjoys the company of Sabrina in LA. Adam flirts with Phyllis who shares this with Nick. Daniel and Amber fight while Kevin and Jana plan their upcoming nuptials. Jana asks Amber to be her maid of honor and Kevin asks Michael to be her best man.