How was the Beaune Altarpiece or The Last Judgement painted
The Beaune Altarpiece (or The Last Judgement) is a large polyptych c. 1445–1450 altarpiece by the Early Netherlandish artist Rogier van der Weyden, painted in oil on oak panels with parts later transferred to canvas. It consists of fifteen paintings on nine panels, of which six are painted on both sides. Unusually for the period, it retains some of its original frames.

Six of the outer panels (or shutters) have hinges for folding; when closed the exterior view of saints and donors is visible. The inner panels contain scenes from the Last Judgement arranged across two registers. The large central panel spans both registers and shows Christ seated on a rainbow in judgement, while below him, the Archangel Michael holds scales to weigh souls. The lower register panels form a continuous landscape, with the panel on the far proper right showing the gates of Heaven, while the entrance to Hell is on the far proper left. Between these, the dead rise from their graves, and are depicted moving from the central panel to their final destinations after receiving judgement.
Como foi pintado o retablo de Beaune ou O Juízo Final
O retábulo de Beaune (ou O Juízo Final) é um grande polipítico de 1445-1450 do artista neerlandês Rogier van der Weyden, pintado em óleo em painéis de carvalho, com partes posteriormente transferidas para tela. Consiste de quinze pinturas em nove painéis, dos quais seis são pintados em ambos os lados. Insolitariamente para o período, ele mantém algumas de suas estruturas originais. Seis dos painéis externos (ou persianas) têm dobradiças para dobrar; quando fechado, a vista de santos e doadores é visível. Os painéis internos contêm cenas do Juízo Final dispostas em dois registros externos.