chunk: Arnold begins interrogating Furtwängler, asking why he didn't leave Germany in 1933 like so many other musicians? Why he played for Hitler's birthday? Why he played at a Nazi rally? And why his recording of Anton Bruckner's 7th Symphony was used on the radio after Hitler's death? Arnold gets a second violinist to tell him about Furtwängler's womanizing and the conductor's professional jealousy of Herbert von Karajan.
  In a sub plot, Arnold is assisted by a young Jewish lieutenant from the Big Red One. The young officer begins to have sympathy for the conductor as well as for the young German girl who works as a clerk in their office. This causes friction between Arnold and his job investigating former suspected Nazis.