text: We present SfSNet, an end-to-end learning framework for producing an accurate decomposition of an unconstrained human face image into shape, reflectance and illuminance. SfSNet is designed to reflect a physical lambertian rendering model. SfSNet learns from a mixture of labeled synthetic and unlabeled real world images. This allows the network to capture low frequency variations from synthetic and high frequency details from real images through the photometric reconstruction loss. SfSNet consists of a new decomposition architecture with residual blocks that learns a complete separation of albedo and normal. This is used along with the original image to predict lighting. SfSNet produces significantly better quantitative and qualitative results than state-of-the-art methods for inverse rendering and independent normal and illumination estimation.
  @cite_14: 
  @cite_4: Intrinsic decomposition from a single image is a highly challenging task, due to its inherent ambiguity and the scarcity of training data. In contrast to traditional fully supervised learning approaches, in this paper we propose learning intrinsic image decomposition by explaining the input image. Our model, the Rendered Intrinsics Network (RIN), joins together an image decomposition pipeline, which predicts reflectance, shape, and lighting conditions given a single image, with a recombination function, a learned shading model used to recompose the original input based off of intrinsic image predictions. Our network can then use unsupervised reconstruction error as an additional signal to improve its intermediate representations. This allows large-scale unlabeled data to be useful during training, and also enables transferring learned knowledge to images of unseen object categories, lighting conditions, and shapes. Extensive experiments demonstrate that our method performs well on both intrinsic image decomposition and knowledge transfer.
  @cite_9: Visual perception is a challenging problem in part due to illumination variations. A possible solution is to first estimate an illumination invariant representation before using it for recognition. The object albedo and surface normals are examples of such representations. In this paper, we introduce a multilayer generative model where the latent variables include the albedo, surface normals, and the light source. Combining Deep Belief Nets with the Lambertian reectance assumption, our model can learn good priors over the albedo from 2D images. Illumination variations can be explained by changing only the lighting latent variable in our model. By transferring learned knowledge from similar objects, albedo and surface normals estimation from a single image is possible in our model. Experiments demonstrate that our model is able to generalize as well as improve over standard baselines in one-shot face recognition.
  @cite_1: Traditional face editing methods often require a number of sophisticated and task specific algorithms to be applied one after the other &#x2014; a process that is tedious, fragile, and computationally intensive. In this paper, we propose an end-to-end generative adversarial network that infers a face-specific disentangled representation of intrinsic face properties, including shape (i.e. normals), albedo, and lighting, and an alpha matte. We show that this network can be trained on in-the-wild images by incorporating an in-network physically-based image formation module and appropriate loss functions. Our disentangling latent representation allows for semantically relevant edits, where one aspect of facial appearance can be manipulated while keeping orthogonal properties fixed, and we demonstrate its use for a number of facial editing applications.
  @cite_24: Intrinsic image decomposition separates an image into a reflectance layer and a shading layer. Automatic intrinsic image decomposition remains a significant challenge, particularly for real-world scenes. Advances on this longstanding problem have been spurred by public datasets of ground truth data, such as the MIT Intrinsic Images dataset. However, the difficulty of acquiring ground truth data has meant that such datasets cover a small range of materials and objects. In contrast, real-world scenes contain a rich range of shapes and materials, lit by complex illumination. In this paper we introduce Intrinsic Images in the Wild, a large-scale, public dataset for evaluating intrinsic image decompositions of indoor scenes. We create this benchmark through millions of crowdsourced annotations of relative comparisons of material properties at pairs of points in each scene. Crowdsourcing enables a scalable approach to acquiring a large database, and uses the ability of humans to judge material comparisons, despite variations in illumination. Given our database, we develop a dense CRF-based intrinsic image algorithm for images in the wild that outperforms a range of state-of-the-art intrinsic image algorithms. Intrinsic image decomposition remains a challenging problem; we release our code and database publicly to support future research on this problem, available online at http: intrinsic.cs.cornell.edu .
  @cite_31: We introduce a new approach to intrinsic image decomposition, the task of decomposing a single image into albedo and shading components. Our strategy, which we term direct intrinsics, is to learn a convolutional neural network (CNN) that directly predicts output albedo and shading channels from an input RGB image patch. Direct intrinsics is a departure from classical techniques for intrinsic image decomposition, which typically rely on physically-motivated priors and graph-based inference algorithms. The large-scale synthetic ground-truth of the MPI Sintel dataset plays the key role in training direct intrinsics. We demonstrate results on both the synthetic images of Sintel and the real images of the classic MIT intrinsic image dataset. On Sintel, direct intrinsics, using only RGB input, outperforms all prior work, including methods that rely on RGB+Depth input. Direct intrinsics also generalizes across modalities, our Sintel-trained CNN produces quite reasonable decompositions on the real images of the MIT dataset. Our results indicate that the marriage of CNNs with synthetic training data may be a powerful new technique for tackling classic problems in computer vision.
  @cite_10: This paper presents the Deep Convolution Inverse Graphics Network (DC-IGN), a model that aims to learn an interpretable representation of images, disentangled with respect to three-dimensional scene structure and viewing transformations such as depth rotations and lighting variations. The DC-IGN model is composed of multiple layers of convolution and de-convolution operators and is trained using the Stochastic Gradient Variational Bayes (SGVB) algorithm [10]. We propose a training procedure to encourage neurons in the graphics code layer to represent a specific transformation (e.g. pose or light). Given a single input image, our model can generate new images of the same object with variations in pose and lighting. We present qualitative and quantitative tests of the model's efficacy at learning a 3D rendering engine for varied object classes including faces and chairs.
  @cite_11: In this work we propose a novel model-based deep convolutional autoencoder that addresses the highly challenging problem of reconstructing a 3D human face from a single in-the-wild color image. To this end, we combine a convolutional encoder network with an expert-designed generative model that serves as decoder. The core innovation is the differentiable parametric decoder that encapsulates image formation analytically based on a generative model. Our decoder takes as input a code vector with exactly defined semantic meaning that encodes detailed face pose, shape, expression, skin reflectance and scene illumination. Due to this new way of combining CNN-based with model-based face reconstruction, the CNN-based encoder learns to extract semantically meaningful parameters from a single monocular input image. For the first time, a CNN encoder and an expert-designed generative model can be trained end-to-end in an unsupervised manner, which renders training on very large (unlabeled) real world data feasible. The obtained reconstructions compare favorably to current state-of-the-art approaches in terms of quality and richness of representation.
summary: In recent years, researchers have focused on data driven approaches for learning priors rather than hand-designing them for the purpose of inverse rendering. Attempts at learning such priors were presented in @cite_9 using Deep Belief Nets and in @cite_10 using a convolutional encoder-decoder based network. However these early works were limited in their performance on real world unconstrained faces. Recent work from Shu al @cite_1 aims to find a meaningful latent space for normals, albedo and lighting to facilitate various editing of faces. Tewari al @cite_11 solves this facial disentanglement problem by fitting a 3DMM for shape and reflectance and regressing illumination coefficients. Both @cite_1 @cite_11 learn directly from real world faces by using convolutional encoder-decoder based architectures. Decompositions produced by @cite_1 are often not realistic; and @cite_11 only captures low frequency variations. In contrast, our method learns from a mixture of labeled synthetic and unlabeled real world faces using a novel decomposition architecture. Although our work concentrates on decomposing faces, the problem of inverse rendering for generic objects in a learning based framework has also gained attention in recent years @cite_24 @cite_31 @cite_14 @cite_4 .