text: Existing techniques for dynamic scene reconstruction from multiple wide-baseline cameras primarily focus on reconstruction in controlled environments, with fixed calibrated cameras and strong prior constraints. This paper introduces a general approach to obtain a 4D representation of complex dynamic scenes from multi-view wide-baseline static or moving cameras without prior knowledge of the scene structure, appearance, or illumination. Contributions of the work are: An automatic method for initial coarse reconstruction to initialize joint estimation; Sparse-to-dense temporal correspondence integrated with joint multi-view segmentation and reconstruction to introduce temporal coherence; and a general robust approach for joint segmentation refinement and dense reconstruction of dynamic scenes by introducing shape constraint. Comparison with state-of-the-art approaches on a variety of complex indoor and outdoor scenes, demonstrates improved accuracy in both multi-view segmentation and dense reconstruction. This paper demonstrates unsupervised reconstruction of complete temporally coherent 4D scene models with improved non-rigid object segmentation and shape reconstruction and its application to free-viewpoint rendering and virtual reality.
  @cite_30: Current state-of-the-art image-based scene reconstruction techniques are capable of generating high-fidelity 3D models when used under controlled capture conditions. However, they are often inadequate when used in more challenging environments such as sports scenes with moving cameras. Algorithms must be able to cope with relatively large calibration and segmentation errors as well as input images separated by a wide-baseline and possibly captured at different resolutions. In this paper, we propose a technique which, under these challenging conditions, is able to efficiently compute a high-quality scene representation via graph-cut optimisation of an energy function combining multiple image cues with strong priors. Robustness is achieved by jointly optimising scene segmentation and multiple view reconstruction in a view-dependent manner with respect to each input camera. Joint optimisation prevents propagation of errors from segmentation to reconstruction as is often the case with sequential approaches. View-dependent processing increases tolerance to errors in through-the-lens calibration compared to global approaches. We evaluate our technique in the case of challenging outdoor sports scenes captured with manually operated broadcast cameras as well as several indoor scenes with natural background. A comprehensive experimental evaluation including qualitative and quantitative results demonstrates the accuracy of the technique for high quality segmentation and reconstruction and its suitability for free-viewpoint video under these difficult conditions.
  @cite_38: In this paper, we present a new framework for three-dimensional (3D) reconstruction of multiple rigid objects from dynamic scenes. Conventional 3D reconstruction from multiple views is applicable to static scenes, in which the configuration of objects is fixed while the images are taken. In our framework, we aim to reconstruct the 3D models of multiple objects in a more general setting where the configuration of the objects varies among views. We solve this problem by object-centered decomposition of the dynamic scenes using unsupervised co-recognition approach. Unlike conventional motion segmentation algorithms that require small motion assumption between consecutive views, co-recognition method provides reliable accurate correspondences of a same object among unordered and wide-baseline views. In order to segment each object region, we benefit from the 3D sparse points obtained from the structure-from-motion. These points are reliable and serve as automatic seed points for a seeded-segmentation algorithm. Experiments on various real challenging image sequences demonstrate the effectiveness of our approach, especially in the presence of abrupt independent motions of objects.
  @cite_60: We propose an algorithm for automatically obtaining a segmentation of a rigid object in a sequence of images that are calibrated for camera pose and intrinsic parameters. Until recently, the best segmentation results have been obtained by interactive methods that require manual labelling of image regions. Our method requires no user input but instead relies on the camera fixating on the object of interest during the sequence. We begin by learning a model of the object's colour, from the image pixels around the fixation points. We then extract image edges and combine these with the object colour information in a volumetric binary MRF model. The globally optimal segmentation of 3D space is obtained by a graph-cut optimisation. From this segmentation an improved colour model is extracted and the whole process is iterated until convergence. Our first finding is that the fixation constraint, which requires that the object of interest is more or less central in the image, is enough to determine what to segment and initialise an automatic segmentation process. Second, we find that by performing a single segmentation in 3D, we implicitly exploit a 3D rigidity constraint, expressed as silhouette coherency, which significantly improves silhouette quality over independent 2D segmentations. We demonstrate the validity of our approach by providing segmentation results on real sequences.
  @cite_1: 
  @cite_40: Both image segmentation and dense 3D modeling from images represent an intrinsically ill-posed problem. Strong regularizers are therefore required to constrain the solutions from being 'too noisy'. Unfortunately, these priors generally yield overly smooth reconstructions and or segmentations in certain regions whereas they fail in other areas to constrain the solution sufficiently. In this paper we argue that image segmentation and dense 3D reconstruction contribute valuable information to each other's task. As a consequence, we propose a rigorous mathematical framework to formulate and solve a joint segmentation and dense reconstruction problem. Image segmentations provide geometric cues about which surface orientations are more likely to appear at a certain location in space whereas a dense 3D reconstruction yields a suitable regularization for the segmentation problem by lifting the labeling from 2D images to 3D space. We show how appearance-based cues and 3D surface orientation priors can be learned from training data and subsequently used for class-specific regularization. Experimental results on several real data sets highlight the advantages of our joint formulation.
  @cite_50: When trying to extract 3D scene information and camera motion from an image sequence alone, it is often necessary to cope with independently moving objects. Recent research has unveiled some of the mathematical foundations of the problem, but a general and practical algorithm, which can handle long, realistic sequences, is still missing. In this paper, we identify the necessary parts of such an algorithm, highlight both unexplored theoretical issues and practical challenges, and propose solutions. Theoretical issues include proper handling of different situations, in which the number of independent motions changes: objects can enter the scene, objects previously moving together can split and follow independent trajectories, or independently moving objects can merge into one common motion. We derive model scoring criteria to handle these changes in the number of segments. A further theoretical issue is the resolution of the relative scale ambiguity between such changes. Practical issues include robust 3D reconstruction of freely moving foreground objects, which often have few and short feature tracks. The proposed framework simultaneously tracks features, groups them into rigidly moving segments, and reconstructs all segments in 3D. Such an online approach, as opposed to batch processing techniques, which first track features, and then perform segmentation and reconstruction, is vital in order to handle small foreground objects.
  @cite_13: This paper formulates and solves a new variant of the stereo correspondence problem: simultaneously recovering the disparities, true colors, and opacities of visible surface elements. This problem arises in newer applications of stereo reconstruction, such as view interpolation and the layering of real imagery with synthetic graphics for special effects and virtual studio applications. While this problem is intrinsically more difficult than traditional stereo correspondence, where only the disparities are being recovered, it provides a principled way of dealing with commonly occurring problems such as occlusions and the handling of mixed (foreground background) pixels near depth discontinuities. It also provides a novel means for separating foreground and background objects (matting), without the use of a special blue screen. We formulate the problem as the recovery of colors and opacities in a generalized 3-D (x, y, d) disparity space, and solve the problem using a combination of initial evidence aggregation followed by iterative energy minimization.
summary: Joint segmentation and reconstruction methods incorporate estimation of segmentation or matting with reconstruction to provide a combined solution. Joint refinement avoids the propagation of errors between the two stages thereby making the solution more robust. Also, cues from segmentation and reconstruction can be combined efficiently to achieve more accurate results. The first multi-view joint estimation system was proposed by @cite_13 which used iterative gradient descent to perform an energy minimization. A number of approaches were introduced for joint formulation in static scenes and one recent work used training data to classify the segments @cite_40 . The focus shifted to joint segmentation and reconstruction for rigid objects in indoor and outdoor environments. These approaches used a variety of techniques such as patch-based refinement @cite_38 @cite_50 and fixating cameras on the object of interest @cite_60 for reconstructing rigid objects in the scene. However, these are either limited to static scenes @cite_40 @cite_1 or process each frame independently thereby failing to enforce temporal consistency @cite_60 @cite_30 .