text: Existing techniques for dynamic scene reconstruction from multiple wide-baseline cameras primarily focus on reconstruction in controlled environments, with fixed calibrated cameras and strong prior constraints. This paper introduces a general approach to obtain a 4D representation of complex dynamic scenes from multi-view wide-baseline static or moving cameras without prior knowledge of the scene structure, appearance, or illumination. Contributions of the work are: An automatic method for initial coarse reconstruction to initialize joint estimation; Sparse-to-dense temporal correspondence integrated with joint multi-view segmentation and reconstruction to introduce temporal coherence; and a general robust approach for joint segmentation refinement and dense reconstruction of dynamic scenes by introducing shape constraint. Comparison with state-of-the-art approaches on a variety of complex indoor and outdoor scenes, demonstrates improved accuracy in both multi-view segmentation and dense reconstruction. This paper demonstrates unsupervised reconstruction of complete temporally coherent 4D scene models with improved non-rigid object segmentation and shape reconstruction and its application to free-viewpoint rendering and virtual reality.
  @cite_52: We introduce a geometry-driven approach for real-time 3D reconstruction of deforming surfaces from a single RGB-D stream without any templates or shape priors. To this end, we tackle the problem of non-rigid registration by level set evolution without explicit correspondence search. Given a pair of signed distance fields (SDFs) representing the shapes of interest, we estimate a dense deformation field that aligns them. It is defined as a displacement vector field of the same resolution as the SDFs and is determined iteratively via variational minimization. To ensure it generates plausible shapes, we propose a novel regularizer that imposes local rigidity by requiring the deformation to be a smooth and approximately Killing vector field, i.e. generating nearly isometric motions. Moreover, we enforce that the level set property of unity gradient magnitude is preserved over iterations. As a result, KillingFusion reliably reconstructs objects that are undergoing topological changes and fast inter-frame motion. In addition to incrementally building a model from scratch, our system can also deform complete surfaces. We demonstrate these capabilities on several public datasets and introduce our own sequences that permit both qualitative and quantitative comparison to related approaches.
  @cite_31: We present an algorithm designed for navigating around a performance that was filmed as a "casual" multi-view video collection: real-world footage captured on hand held cameras by a few audience members. The objective is to easily navigate in 3D, generating a video-based rendering (VBR) of a performance filmed with widely separated cameras. Casually filmed events are especially challenging because they yield footage with complicated backgrounds and camera motion. Such challenging conditions preclude the use of most algorithms that depend on correlation-based stereo or 3D shape-from-silhouettes. Our algorithm builds on the concepts developed for the exploration of photo-collections of empty scenes. Interactive performer-specific view-interpolation is now possible through innovations in interactive rendering and offline-matting relating to i) modeling the foreground subject as video-sprites on billboards, ii) modeling the background geometry with adaptive view-dependent textures, and iii) view interpolation that follows a performer. The billboards are embedded in a simple but realistic reconstruction of the environment. The reconstructed environment provides very effective visual cues for spatial navigation as the user transitions between viewpoints. The prototype is tested on footage from several challenging events, and demonstrates the editorial utility of the whole system and the particular value of our new inter-billboard optimization.
  @cite_34: Dynamic scene modeling is a challenging problem in computer vision. Many techniques have been developed in the past to address such a problem but most of them focus on achieving accurate reconstructions in controlled environments, where the background and the lighting are known and the cameras are fixed and calibrated. Recent approaches have relaxed these requirements by applying these techniques to outdoor scenarios. The problem however becomes even harder when the cameras are allowed to move during the recording since no background color model can be easily inferred. In this paper we propose a new approach to model dynamic scenes captured in outdoor environments with moving cameras. A probabilistic framework is proposed to deal with such a scenario and to provide a volumetric reconstruction of all the dynamic elements of the scene. The proposed algorithm was tested on a publicly available dataset filmed outdoors with six moving cameras. A quantitative evaluation of the method was also performed on synthetic data. The obtained results demonstrated the effectiveness of the approach considering the complexity of the problem.
  @cite_51: 3D Reconstruction of dynamic fluid surfaces is an open and challenging problem in computer vision. Unlike previous approaches that reconstruct each surface point independently and often return noisy depth maps, we propose a novel global optimization-based approach that recovers both depths and normals of all 3D points simultaneously. Using the traditional refraction stereo setup, we capture the wavy appearance of a pre-generated random pattern, and then estimate the correspondences between the captured images and the known background by tracking the pattern. Assuming that the light is refracted only once through the fluid interface, we minimize an objective function that incorporates both the cross-view normal consistency constraint and the single-view normal consistency constraints. The key idea is that the normals required for light refraction based on Snells law from one view should agree with not only the ones from the second view, but also the ones estimated from local 3D geometry. Moreover, an effective reconstruction error metric is designed for estimating the refractive index of the fluid. We report experimental results on both synthetic and real data demonstrating that the proposed approach is accurate and shows superiority over the conventional stereo-based method.
  @cite_11: Reflectance and shape are two important components in visually perceiving the real world. Inferring the reflectance and shape of an object through cameras is a fundamental research topic in the field of computer vision. While three-dimensional shape recovery is pervasive with varieties of approaches and practical applications, reflectance recovery has only emerged recently. Reflectance recovery is a challenging task that is usually conducted in controlled environments, such as a laboratory environment with a special apparatus. However, it is desirable that the reflectance be recovered in the field with a handy camera so that reflectance can be jointly recovered with the shape. To that end, we present a solution that simultaneously recovers the reflectance and shape (i.e., dense depth and normal maps) of an object under natural illumination with commercially available handy cameras. We employ a light field camera to capture one light field image of the object, and a 360-degree camera to capture the illumination. The proposed method provides positive results in both simulation and real-world experiments.
summary: A recent work proposed reconstruction of dynamic fluids @cite_51 for static cameras. Another work used RGB-D cameras to obtain reconstruction of non-rigid surfaces @cite_52 . Pioneering research in general dynamic scene reconstruction from multiple handheld wide-baseline cameras @cite_31 @cite_34 exploited prior reconstruction of the background scene to allow dynamic foreground segmentation and reconstruction. Recent work @cite_11 estimates shape of dynamic objects from handheld cameras exploiting GANs. However these approaches either work for static indoor scenes or exploit strong prior assumptions such as silhouette information, known background or scene structure. Also all these approaches give per frame reconstruction leading to temporally incoherent geometries. Our aim is to perform temporally coherent dense reconstruction of unknown dynamic non-rigid scenes automatically without strong priors or limitations on scene structure.