text: We propose a novel method for the blind separation of audio signals produced by musical instruments. While the approach of applying non-negative matrix factorization (NMF) has been studied in many papers, it does not make use of the pitch-invariance that the sounds of instruments exhibit. This limitation can be overcome by using tensor factorization, in which context the use of log-frequency spectrograms was initiated, but this still requires the specific tuning of the instruments to be hard-coded into the algorithm. We develop a time-frequency representation that is both shift-invariant and frequency-aligned, with a variant that can also be used for wideband signals. Our separation algorithm exploits this shift-invariance in order to find patterns of peaks related to specific instruments, while non-linear optimization enables it to represent arbitrary frequencies and incorporate inharmonicity, and the reasonability of the representation is ensured by a sparsity condition. The relative amplitudes of the harmonics are saved in a dictionary, which is trained via a modified version of ADAM. For a realistic monaural piece with acoustic recorder and violin, we achieve qualitatively good separation with a signal-to-distortion ratio (SDR) of 12.5 dB, a signal-to-interference ratio (SIR) of 25.7 dB, and a signal-to-artifacts ratio (SAR) of 12.7 dB, averaged.
  @cite_25: A scattering transform defines a locally translation invariant representation which is stable to time-warping deformation. It extends MFCC representations by computing modulation spectrum coefficients of multiple orders, through cascades of wavelet convolutions and modulus operators. Second-order scattering coefficients characterize transient phenomena such as attacks and amplitude modulation. A frequency transposition invariant representation is obtained by applying a scattering transform along log-frequency. State-the-of-art classification results are obtained for musical genre and phone classification on GTZAN and TIMIT databases, respectively.
summary: While the constant-Q transform ensures the shift-invariance of patterns of sinusoids when varying the pitch, its transient response varies with frequency. To overcome this, the scattering transform by Andén and Mallat @cite_25 subsequently employs smoothing in the time domain.