text: The 3D shapes of faces are well known to be discriminative. Yet despite this, they are rarely used for face recognition and always under controlled viewing conditions. We claim that this is a symptom of a serious but often overlooked problem with existing methods for single view 3D face reconstruction: when applied "in the wild", their 3D estimates are either unstable and change for different photos of the same subject or they are over-regularized and generic. In response, we describe a robust method for regressing discriminative 3D morphable face models (3DMM). We use a convolutional neural network (CNN) to regress 3DMM shape and texture parameters directly from an input photo. We overcome the shortage of training data required for this purpose by offering a method for generating huge numbers of labeled examples. The 3D estimates produced by our CNN surpass state of the art accuracy on the MICC data set. Coupled with a 3D-3D face matching pipeline, we show the first competitive face recognition results on the LFW, YTF and IJB-A benchmarks using 3D face shapes as representations, rather than the opaque deep feature vectors used by other modern systems.
  @cite_33: We present an approach that takes a single video of a person’s face and reconstructs a high detail 3D shape for each video frame. We target videos taken under uncontrolled and uncalibrated imaging conditions, such as youtube videos of celebrities. In the heart of this work is a new dense 3D flow estimation method coupled with shape from shading. Unlike related works we do not assume availability of a blend shape model, nor require the person to participate in a training capturing process. Instead we leverage the large amounts of photos that are available per individual in personal or internet photo collections. We show results for a variety of video sequences that include various lighting conditions, head poses, and facial expressions.
  @cite_6: Given a photo collection of “unconstrained” face images of one individual captured under a variety of unknown pose, expression, and illumination conditions, this paper presents a method for reconstructing a 3D face surface model of the individual along with albedo information. Unlike prior work on face reconstruction that requires large photo collections, we formulate an approach to adapt to photo collections with a high diversity in both the number of images and the image quality. To achieve this, we incorporate prior knowledge about face shape by fitting a 3D morphable model to form a personalized template, following by using a novel photometric stereo formulation to complete the fine details, under a coarse-to-fine scheme. Our scheme incorporates a structural similarity-based local selection step to help identify a common expression for reconstruction while discarding occluded portions of faces. The evaluation of reconstruction performance is through a novel quality measure, in the absence of ground truth 3D scans. Superior large-scale experimental results are reported on synthetic, Internet, and personal photo collections.
  @cite_24: This paper presents an algorithm for unconstrained 3D face reconstruction. The input to our algorithm is an “unconstrained” collection of face images captured under a diverse variation of poses, expressions, and illuminations, without meta data about cameras or timing. The output of our algorithm is a true 3D face surface model represented as a watertight triangulated surface with albedo data or texture information. 3D face reconstruction from a collection of unconstrained 2D images is a long-standing computer vision problem. Motivated by the success of the state-of-the-art method, we developed a novel photometric stereo-based method with two distinct novelties. First, working with a true 3D model allows us to enjoy the benefits of using images from all possible poses, including profiles. Second, by leveraging emerging face alignment techniques and our novel normal field-based Laplace editing, a combination of landmark constraints and photometric stereo-based normals drives our surface reconstruction. Given large photo collections and a ground truth 3D surface, we demonstrate the effectiveness and strength of our algorithm both qualitatively and quantitatively.
  @cite_34: Automated 3D reconstruction of faces from images is challenging if the image material is difficult in terms of pose, lighting, occlusions and facial expressions, and if the initial 2D feature positions are inaccurate or unreliable. We propose a method that reconstructs individual 3D shapes from multiple single images of one person, judges their quality and then combines the best of all results. This is done separately for different regions of the face. The core element of this algorithm and the focus of our paper is a quality measure that judges a reconstruction without information about the true shape. We evaluate different quality measures, develop a method for combining results, and present a complete processing pipeline for automated reconstruction.
  @cite_17: 3D face reconstruction from Internet photos has recently produced exciting results. A person’s face, e.g., Tom Hanks, can be modeled and animated in 3D from a completely uncalibrated photo collection. Most methods, however, focus solely on face area and mask out the rest of the head. This paper proposes that head modeling from the Internet is a problem we can solve. We target reconstruction of the rough shape of the head. Our method is to gradually “grow” the head mesh starting from the frontal face and extending to the rest of views using photometric stereo constraints. We call our method boundary-value growing algorithm. Results on photos of celebrities downloaded from the Internet are presented.
summary: Over the years, many attempts were made to estimate the 3D surface of a face appearing in a single view. Before listing them, it is important to mention recent multi image methods which use image sets for reconstruction (e.g., @cite_17 @cite_34 @cite_24 @cite_6 @cite_33 ). Although these methods produce accurate 3D reconstructions, they require many images from multiple sources to produce a single 3D face shape whereas we reconstruct faces from single images.