text: Automatic photo adjustment is to mimic the photo retouching style of professional photographers and automatically adjust photos to the learned style. There have been many attempts to model the tone and the color adjustment globally with low-level color statistics. Also, spatially varying photo adjustment methods have been studied by exploiting high-level features and semantic label maps. Those methods are semantics-aware since the color mapping is dependent on the high-level semantic context. However, their performance is limited to the pre-computed hand-crafted features and it is hard to reflect user's preference to the adjustment. In this paper, we propose a deep neural network that models the semantics-aware photo adjustment. The proposed network exploits bilinear models that are the multiplicative interaction of the color and the contexual features. As the contextual features we propose the semantic adjustment map, which discovers the inherent photo retouching presets that are applied according to the scene context. The proposed method is trained using a robust loss with a scene parsing task. The experimental results show that the proposed method outperforms the existing method both quantitatively and qualitatively. The proposed method also provides users a way to retouch the photo by their own likings by giving customized adjustment maps.
  @cite_0: Given a grayscale photograph as input, this paper attacks the problem of hallucinating a plausible color version of the photograph. This problem is clearly underconstrained, so previous approaches have either relied on significant user interaction or resulted in desaturated colorizations. We propose a fully automatic approach that produces vibrant and realistic colorizations. We embrace the underlying uncertainty of the problem by posing it as a classification task and use class-rebalancing at training time to increase the diversity of colors in the result. The system is implemented as a feed-forward pass in a CNN at test time and is trained on over a million color images. We evaluate our algorithm using a “colorization Turing test,” asking human participants to choose between a generated and ground truth color image. Our method successfully fools humans on 32 of the trials, significantly higher than previous methods. Moreover, we show that colorization can be a powerful pretext task for self-supervised feature learning, acting as a cross-channel encoder. This approach results in state-of-the-art performance on several feature learning benchmarks.
  @cite_18: Skies are common backgrounds in photos but are often less interesting due to the time of photographing. Professional photographers correct this by using sophisticated tools with painstaking efforts that are beyond the command of ordinary users. In this work, we propose an automatic background replacement algorithm that can generate realistic, artifact-free images with a diverse styles of skies. The key idea of our algorithm is to utilize visual semantics to guide the entire process including sky segmentation, search and replacement. First we train a deep convolutional neural network for semantic scene parsing, which is used as visual prior to segment sky regions in a coarse-to-fine manner. Second, in order to find proper skies for replacement, we propose a data-driven sky search scheme based on semantic layout of the input image. Finally, to re-compose the stylized sky with the original foreground naturally, an appearance transfer method is developed to match statistics locally and semantically. We show that the proposed algorithm can automatically generate a set of visually pleasing results. In addition, we demonstrate the effectiveness of the proposed algorithm with extensive user studies.
  @cite_6: We develop a fully automatic image colorization system. Our approach leverages recent advances in deep networks, exploiting both low-level and semantic representations. As many scene elements naturally appear according to multimodal color distributions, we train our model to predict per-pixel color histograms. This intermediate output can be used to automatically generate a color image, or further manipulated prior to image formation. On both fully and partially automatic colorization tasks, we outperform existing methods. We also explore colorization as a vehicle for self-supervised visual representation learning.
  @cite_11: Compositing is one of the most common operations in photo editing. To generate realistic composites, the appearances of foreground and background need to be adjusted to make them compatible. Previous approaches to harmonize composites have focused on learning statistical relationships between hand-crafted appearance features of the foreground and background, which is unreliable especially when the contents in the two layers are vastly different. In this work, we propose an end-to-end deep convolutional neural network for image harmonization, which can capture both the context and semantic information of the composite images during harmonization. We also introduce an efficient way to collect large-scale and high-quality training data that can facilitate the training process. Experiments on the synthesized dataset and real composite images show that the proposed network outperforms previous state-of-the-art methods.
summary: Our method is also related to various deep learning based semantics-aware image processing methods. Tsai al @cite_18 used a scene parsing deep network to localize a sky region and transfer a different style of sky from external images. @cite_11 , the authors propose a DNN for image harmonization, which is an encoder-to-decoder network to exploit high-level contextual features. The DNN is jointly trained with a scene parsing task to improve the training. In contrast to @cite_11 , our method does not rely on the segmentation mask and rather finds the inherent segmentation masks from the data. Deep learning based colorization methods @cite_0 @cite_6 are also related to our work in that the methods make use of rich contextual features of CNNs to estimate the color of a pixel according to the scene context. Unlike those methods, we do not reconstruct missing color channels, and the color mapping of pixels is consistent in a semantic region.