which one for paintball- Midland AVPH3 Transparent Security Headsets with PTT/VOX - Pair or Midland AVPH8 Acoustic Throat Mic for GMRS Radios with PT
884590
We found the throat mike worked better for us as the standard mike and earpiece was not secure in place; may need to hold it in place with tape or something. The throat mike does not work well unless it is positioned correctly. It also does not work well on persons thick around the neck (well fed).
884591
I would probably go for the standard mike attached to the earpiece with the proviso that it may be necessary to secure the mike/earpiece in place. Note: the shaft holding the mike is quite short so some could find it did not hold the mike close enough to the mouth for clear sound.The only clear answer is to try it (the one you assess may be best for your application) and see if it works for you.
771154
I bought a $60 or $70 audio-technica shotgun mic from full compass (fullcompass.com). The mic itself is great (very directional, good sound quality). Shotgun mics are the kind the pros use on a boom pole, but you can use it however you want. The only thing is that my SR1 creates a noticeable buzzing noise in the audio whenever it's recording. Some other people have the same problem. I'm waiting on that firmware update from sony to see if it helps. Just keep this in mind before you go spending a lot of money on a mic.
1354604
I did a quick research of the Spektrum DX8 and can not find information indicating that it is compatible with the Tactic receiver which is in the Beaver Select. With the DX8 it would probably be wise to purchase a 6-channel Spektrum receiver.
2248447
I believe the only difference is the range and the quality of the transmitter and receivers. Both have 800 selectable channels ranging from 610MHZ to 680MHZ. So s long as the mikes transmit in that range they should work.
1972353
I used a Rode Videomic Pro, Rode NTG-3 and Audio Technica ATR3350. There are no issues with any of them when used together
272658
I'd be careful about answering whether it works "well" with any radio. My experience using it with a Midland GTX5000 was that it did work but 'd rate it as marginal. Receiving volume is not as loud as it should be regardless of where the radio volume control is set. If there is background noise it is hard to hear - just my opinion. I have used other radios with hand mics and have had excellent reception. This remote mic may be very specific to the radio it works best with. I can't say which radio that is. I would not buy one again without knowing which radio it is designed for. All 2 pin hand mics are not equal.
2208708
I have set up a Google Groups for the Acoustic Research version of the Infinite Radio (Audiovox owns both RCA and AR brands):http://groups.google.com/group/acoustic-research-arirc200-internet-radio
2131195
Don't know for sure what your Midland has, but my midland's in the past used a 4 pin just like these come with. (just look at the plug on the side of the radio and count the pins were the mic plugs in)
597560
No, this is mainly designed for Rode's Shotgun mics like the NTG-1, 2, or 3. Rode makes a different windscreen for the VMP that you can find with a quick search.
1449349
There are two hand held mics and two transmitters each with a lavalier microphone and a headset micrphone. You can choose which you want to use. We ordered the separate mini headsets that are less noticeable than the ones that come with it. We also ordered an additional handheld to use instead of one of the transmitters when we need a third handheld. Just program it to the same receiver channel.
696476
Check out the two Rode models. They make one for about $150.00 and a stereo mic for $250 that can also be used as a stand alone shotgun mic or attached to a boom. They both look good but the more expensive model looks absolutely fantastic. I haven't bought either one of these yet so I can't vouch for their quality but they both get very good reviews.
1226001
Not sure but my talkabouts are about 10 years old but have a vox option and they work fine. You have to drag out the first word to activate but work great for bike riding where it's tough to be next to each other most of the ride. My wife and I almost always use them when we ride together.
1253130
I did not see your entire msg. Sorry. The Compilot must be matched to your Phonak Hearing aids, but not the Remote Mic. Hope this helps.
363829
I own a Shure shotgun, not this particular one, but mine: Shure VP83 LensHopper Camera-Mounted Condenser Microphoneis always in sync with the camera - no sync problems in post. So, I have to assume the the mike you're asking about will sync just fine.Good Luck.
1187265
I agree with G. Gephart on the On Stage-420. I have purchased three of them for podcast cohosts using either an ATR2100 or an AT2005 and they all work like a charm. Also a slimmer On Stage model, the MY325 will work with the ATR2100/AT2005/Samson Q2U microphones but it won't give as good of noise reduction as the MY-420.
1761618
Since I have both and tried them out, they are the same thing (regarding the sound quality). the only difference as you said is the mic.
1197115
For recording live music, I have used an external Zoom recorder which then fed the audio input of the GH3. Because the Zoom's levels were already hot, I had to turn down the sensitivity of the GH3 audio ins and also cut the output of the Zoom otherwise a nasty limiter effect from the GH3 would engage. With the GH3, be careful not to record too hot even with the on-board mics which are just OK. I also used a Stereo Video Mic Pro from Rode but did not use the +20 db setting as it would have been too hot. Bottom line, GH3 has plenty of it's own preamp gain so if using external mics, be careful of overloading your levels and turn down the GH3's sensitivity. For recording live music, I have used an external Zoom recorder which then fed the audio input of the GH3. Because the Zoom's levels were already hot, I had to turn down the sensitivity of the GH3 audio ins and also cut the output of the Zoom otherwise a nasty limiter effect from the GH3 would engage. With the GH3, be careful not to record too hot even with the on-board mics which are just OK. I also used a Stereo Video Mic Pro from Rode but did not use the +20 db setting as it would have been too hot. Bottom line, GH3 has plenty of it's own preamp gain so if using external mics, be careful... » Read More For recording live music, I have used an external Zoom recorder which then fed the audio input of the GH3. Because the Zoom's levels were already hot, I had to turn down the sensitivity of the GH3 audio ins and also cut the output of the Zoom otherwise a nasty limiter effect from the GH3 would engage. With the GH3, be careful not to record too hot even with the on-board mics which are just OK. I also used a Stereo Video Mic Pro from Rode but did not use the +20 db setting as it would have been too hot. Bottom line, GH3 has plenty of it's own preamp gain so if using external mics, be careful of overloading your levels and turn down the GH3's sensitivity. « Show Less