They're Not Another Pearl Jam Rip Off
932454
By 1999 Creed had quietly sold upwards of 4 million copies of its debut album My Own Prison while getting little respect. They were all ready outselling Korn and Limp Bizkit when they absolutely exploded onto the charts with their 2nd album Human Clay. They also prove they aren't Pearl Jam imitators and our a great band in their own right. This album once again features roaring guitars, smashing drums and passionate vocals. Creed proved they are a great band with this album and not a flash in the pan. If you like hard rock you will love this album.
1. Are You Ready. 9/10 Great album opener. Sets the tone for the journey Creed is about to take us on.
2. What If. 10/10 Very angry song and very well done. Overall the best song on the album.
3. Beautiful. 9/10 About how beauty is skin deep, I really like the guitars on this one.
4. Say I. 9/10 Another stand out track. Everything is good about this one.
5. Wrong Way. 9/10 I like the drumming on this one.
6. Faceless Man. 9/10 Starts off softer than explosive chorus's take over.
7. Never Die. 10/10 One of the best songs. I love the lyrics, the guitars and drums really go well together.
8. With Arms Wide Open. 10/10 Big radio hit about Scott learning he will be a father. Perfection.
9. Higher. 10/10 Even bigger hit. Don't let it get to you that it was somewhat overplayed, it is a great song.
10. Wash Away Those Tears. 9/10 Another great song that masters the soft/hard dynamics wonderfully well.
11. Inside Us All. 9/10 Really inspirational album closer.
Overall a great rocking album with no weak spots. If you can see these guys live cause they know how to play and put on a great show. This album deservingly put them on top of the rock world. Get this album and all of their others.
3124579
As many are aware, Pearl Jam has done on this tour what they have done the last time around - record every concert and let the public consume it as they choose.  Brilliant slap in the face to bootleggers while giving the fan what they want: a souvenier from the show they saw (or 12).
This time, however, they have limited the purchase of these shows to fan club members via their website (tenclub.net).  They have selected only a few of these recorded shows for mass distribution and with this show, they selected one of the better ones, albeit definitely the longest!  This is three discs of unabashed PJ doing what they do best, at a venue that suits them perfectly - a college campus.  Early in the show the audience is warned (to their delight) that as this is the last show on this particular leg of the tour, this will be the longest concert in Pearl Jam history.  At 36 songs, it is!
Tirelessly, they churn through some hits and some not so hits which, in the end, provides a pretty solid mix of the catalog.  Personal favorites are the great opener, Release, MFC, Animal, Black, I Am Mine and two great Lennon covers: You've Got To Hide Your Love Away and Gimme Some Truth.  Other covers include an average Fortunate Son, Leaving Here and Neil's Rockin' In The Free World.
Great rock and roll show by one of the greatest live bands around.  Wish I was there.
3087268
"No Code" has been reviled by many people, but when I picked the album up and listened, I found that many of the bad comments I had read were unfounded. "All a bunch of filler" said one review-well, let me tell you, this album is anything BUT filler. Every song is another experimental soundscape that transports you to a different part in the Pearl Jam universe. Definitely Pearl Jam's most difficult and far-reaching record, "No Code" is one of the most rewarding albums to have in your collection because it takes some effort, and many listens, to appreciate its full power. A few standouts: "Sometimes" is a daring low-key number with a trancendental side where singer Eddie Vedder bravely lets his voice go slightly out of key numerous times. "Hail, Hail" and "Habit" are classic rockers that will have you swaying and head-bobbing. "Red Mosquito" has a definite Niel Young sound to it, "In My Tree" and "Off He Goes" are beautiful slower numbers. One of my favorites is "Mankind", which is sung by Stone Gossard and is the single most accessible and poppy tune on this album and probably the most pop-inflected thing Pearl Jam has ever done. This song just adds to the album's aura of challenge because it comes between the dirge-like "Present Tense" and the free-verse experiment of "I'm Open". All in all, "No Code" might not be Pearl Jam's best album (I'm convinced that that place will always be reserved for all eternity by the brilliant power of "Ten"), but it is probably their most rewarding. If you have only room in your collection for a few Pearl Jam records, make sure "No Code" is one of them.
870101
After having heard one of their songs on vh. 1, I ordered the CD. This band's music is probably classified as folk rock but I wouldn't pigeonhole them. The lyrics and the instruments they've chosen in making their music is something you want to listen to over and over. They aren't mainstream and that's what makes them unique and a completely enjoyable listening experience!
2835799
Pearl Jam was definitely the best rock band to come from the 90's.  I like bands like Nirvana and the Stone Temple Pilots, I mean they're O.K., but I don't think they're nearly as good as Pearl Jam.  Pearl Jam stays true to their classic rock influence, and adds some grungy, darker songwriting, which I really like.  The album starts off a little slowly, and you might get impatient with the beginning of "Once", but once the music kicks in, it starts to rock.  "Even Flow", "Alive", and "Jeremy" were the big hits, and they are all great(especially "Alive" - great guitar solo!) but I disagree that they are the only good songs on the album.  "Black" is a slower and beautiful song.  "Why Go?" is another hard rocking, darker song, with another great guitar solo.  Mike McCready is an extremely talented guitarist, and he shines on this album.  You can really hear his classic rock influence.  Another thing that is great about this album is the lyrics.  Eddie Vedder can tell stories better than anyone, and if you've seen the video for "Jeremy" you'll know what I mean.  Well, I can't say much more about this album.  I think even if you are a fan of only classic rock, you will still enjoy it.  If you're a fan of hard rock in general, you'll love it!
4344657
This doesn't seem like the Indigo Girls most cohesive disc but I still enjoy it. Even on their less than stellar efforts, they still are stretching their boundaries. I appreciate that each album is unique and not just a rehash of Closer To Fine.
4164438
These guys are not Bob Marley, but they do reveal the
quality and durability of Marley's timelss works...
Highlights include I Shot The Sherriff, Jammin,
No Woman No Cry...
4496691
Don't believe all of the hype surrounding the Hives. They're good, yes, but they're not anything brand new. The Hives merely put out a sound that had not been heard in the mainstream scene, and for this I am thankful. At a mere 28 minutes, Veni Vidi Vicious is extremely refreshing. Loud, if not grating at times, but it's nice to listen to something slightly different. Granted, there are hundreds of bands thrown into the "garage rock" label at this point, but the Hives possess a certain sound that makes them stand out. Perhaps it's Pelle Almqvist's shriek. Or the speed of the songs. The rapidness of each track off of Veni Vidi Vicious makes you wonder what you just listened to. I remember buying this for about 17 dollars when I was 13 and thinking I was completely ripped off when I found out it was under 30 minutes long. I soon realized that 28 minutes or not, it was worth the cash.
It's not worth all of the praise, but it's definitely worth the purchase.
1353312
Under the radar no more, Pearl Jam is back! Back to the basics on this self-titled album. The Life Wasted, World Wide Suicide, Comatose, Severed Hand, Marker in the Sand is a 1-2-3-4-5 punch that rivals any of their previous records. Parachutes is a melodic tune that will grow on you and Unemployable is a great pop song. Gone is an incredible mid tempo rocker with some great lyrics. Big Wave and Army Reserve are upbeat rockers with great song writing and great musicianship again. The last two songs may be two of their best ever, Come Back left me with tears after the first listen and Inside Job is another one for the record books.

I am a Pearl Jam fanatic but this effort will satisfy not only the diehards but also attract the casual PJ fan and newbies as well. Honestly, there is not a bad song on the album and anyone with any interest in Pearl Jam or even good Rock N Roll will love this album. 5 stars!
1401173
There has been plenty for Pearl Jam to write songs about since their 2000 release "Binaural".  Commentary on the questionable Bush presidency, September 11, and losing 9 fans at a concert in Roskilde are all easily recognizable in Eddie Vedder's lyrics throughout "Riot Act".
However, what might be an anticipated downer of an album is actually infused with plenty of things to smile about.  Not only does the band share songwriting responsibilities once again, including a grinding guitar fest from drummer Matt Cameron called "You Are",  but they've continued to expand their lineup, adding keyboards to some tracks from Vedder's island pal Boom Gaspar.
Perhaps more surprising is that while many of the 15 tracks feature heavy riffs reminscient of the start of 1994's "Vitalogy", the lyrics somehow find a glimmer of hope amidst all of the turmoil that the band sees in their collective worlds.  Not only does the word "love" appear 20 times in the lyric booklet, but Vedder shows the wisdom that comes with age and rock and roll longevity with lines like "No matter how cold the winter / there's a springtime ahead."  Perhaps in another 10 years we'll be hearing similar things from Staind or Creed.  I for one won't hold my breath.
One note: Republicans might wanna skip this album and buy the new Christina Aguilera instead.  Something tells me you'd be happier that way.
2497477
This is a really good album and seems to be a bit different then the rest. In no way is that bad. Like all great bands, these guys don't seem to be interested in repeating themselves. That being said they do have a very unique sound and are able to keep listeners aware that they do have something that defiantly makes them them.
984315
I use to pay $40 for live music bootleg CDs as a youth in the early 90's.  But thanks to Pearl Jam's innovative effort to release all their concerts as live CDs for a regular price; today paying a sale price of $25 or so for an excellent PJ Bootleg may seem on the high side.  But the LIVE Boston "bootleg" CD from April 12, 1994 is worth every penny if you buy this 3 disc Deluxe Edition package just for it.

The Remastered Vs. and Vitalogy CDs (w/ bonus tracks) sound even better than their originals, except I like the original version of "whipping" better.  vs. bonus track "hold on" (demo) is an acoustic gem w/ just voice and guitar.  If your old CDs are scratched, or perhaps you've never given these classic albums a thorough listen, then this 3 disc package is for you.  Buy it, listen to it, you'll be pleased.
811957
I often hear people say that No Code is one of Pearl Jam's "weakest" albums. Although it doesn't have the slamming rhythm of "Animal" or some of the tracks off of Vitalogy, it offers a  variety of great tracks.
"Hail, Hail" and "Habit"  for instance, measures up with any of Pearl Jam's harder songs. And  although "Lukin" is terribly short, the same can be said for it.  However, the typical Pearl Jam rhythm is softened to offer a entertaining  change of pace and an often inspiring message. Tracks like "In my  Tree" and "Red Mosquito" retain their catchy lyrics and  melody, while offering a softer feel, in case you've been headbanging too  much. And if you want to hear an atypical Pearl Jam song, listen to  "Mankind." Written by Stone Gossard, it sounds almost reminiscent  of pop music.
It took me a good year to get hooked on No Code, but once  I listened to it enough it really grew on me. Now I think No Code is  perhaps one of Pearl Jam's best albums. I'm very upset that none of the  songs on this album form Pearl Jam's radio staple. If you are looking for  an alternative to the often hard-hitting PJ stuff, you can find a great  blend of music in No Code.
3731171
I have a lot of respect for the guys of Pearl Jam releasing all of these live shows officially, mistakes and all. But there in lies the charm of the discs. It feels like you're there. This one is no exception, featuring loads of great songs spanning the two discs, including past hits like Even Flow, Alive and Black. And some of the bands newer material. I'd definatly recommened this to any intrested Pearl Jam fan.
2792906
These days it seems like when people talk about punk-pop, all sights turn to Fall Out Boy. While that foursome is a good band in their own right, what's unfortunate is that people are overlooking other great bands like the Click Five. They deliver their fair share of good stuff on their full-length debut, Greetings From Imrie House.

First, I'd like to respond to a reviewer that wondered why there are so many negative reviews for this album. It's because there are a lot of people that believe that punk-pop is not only not real punk; it's not even real music, thus you have a lot of one-star reviews that tell us to listen to Black Sabbath and the Sex Pistols instead (why else do you think the first post in the respective forums for this album, Fall Out Boy's album, and the All-American Rejects' album are exactly the same?). But if you can take the music for what it is, it's quite good.

One thing I've noticed over time is that when an artist releases a single that becomes a modest hit, as much as I like it, what I end up enjoying more is the following single that DOESN'T become a hit (with 3 Doors Down, I liked "When I'm Gone" but I LOVED "The Road I'm On"; with Foo Fighters, I like "Best of You" but I love "DOA"). In this case, while "Just the Girl" is a decent song, I cannot -- repeat, CANNOT -- get enough of "Catch Your Wave". But songs like "Say Goodnight" and "I'll Take My Chances" are also good.

Speaking of "I'll Take My Chances", that is one of the songs that some may consider would cause the band to lose a little credibility, because both that song and "Just the Girl" were written by Fountains of Wayne frontman Adam Schlesinger (but in the long run I guess it doesn't matter because more people bought this album than bought Welcome Interstate Managers). Also, the band's cover of Thompson Twins' "Lies" doesn't help or hurt the album.

Though the songwriting can get a little average at times, as evidenced by "Pop Princess" and "Resign", Greetings From Imrie House is an above-average album that you shouldn't mind having in your collection.

Anthony Rupert

P.S. In response to another reviewer, there's no cover of Tiffany's "I Think We're Alone Now" on here.
1331228
I had the pleasure of seeing these guys live, and before they strap on their guitars, it just seems like this would be another simple rock show. Until they break out with "Breathe" as their opening song.  BOOM!  This guys play a show better than what you think it's gonna be.  You won't  be able to mosh or anything at their shows, but you can have DAMN good time  just listening to them play live.  As for just the album itself, songs such  as "Cowboy Hat" and "Leader of Men" give you that Alice  In Chains/Matchbox 20 feel.  Good, laid back rock album!  And a VERY  powerful vocalist.  Just so you know, the lead singer told me that  "Leader of Men" is about KILLER MUSHROOMS. Well, I'm not into  drugs or anything, but it seems these guys love a good joint every now and  then; but you can't bash 'em for that.  Check out "The State",  and just sit back and enjoy its melodic presence.
2374022
I have to put out a disclaimer first, I gave this album 4 out of 5 stars only b/c it has yet to grow on me. Each Pearl Jam album that I listen to grows on me; so in about 3-4 months, I will probably change the rating to 5 stars.
In short regarding this album, it is a finely crafted piece of work (Although I think "Binaural" was slightly better). What I woule more like to comment on is Pearl Jam, the band. Personally I think that Pearl Jam will enter to the Annals of music as has the Beatles, the Rolling Stones, and other icons of modern music. I am exhausted on listening to everyone's comments about how their music is no longer like "Ten", as if that were a horrible thing to be. What this means is that the band has matured and streamlined their music into their own genre, alternative or grunge could no longer define this kind of music. Pearl Jam's music will endure and my grandkids will probably be commenting on this music years from now and will wonder what it was like to see them in concert, as I do with bands like Led Zepplin now. Keep up the fine work gentlemen.