what is the difference between itype and 600 film?
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The important difference between 600 and i-Type film is the absence of a battery inside the film cartridge. This means that i-Type film will not work with vintage Polaroid cameras. New Polaroid cameras have a built-in rechargeable battery, so they don't need a battery to power the camera.
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The resolution in even point-and-shoot cameras, which is often 12 to 20 megapixels is high enough resolution for large prints. Digital cameras also have the advantage of being able to change film speeds between individual photographs. The cameras are generally lighter weight than film cameras.
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This means that the films shown in iSense can be much more varied than those in IMAX. ... IMAX Digital, with two 2K projectors, creates an image at a percieved 2.9K, not 4K. This means that, in theory, iSense will have a better picture quality at a constant 4K.
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Truprint don't appear to do films anymore. I use local ASDA who do cheap film processing and a scan to CD on the hour service in store. Quality is not that good unless your exposure was perfect.
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Medium format is any camera format that makes use of the 120 film size or utilizes a digital imaging sensor that mimics that size. This format captures images that are slightly smaller than the large format film size (102x127mm) but are much bigger than those taken using full-frame sensors or 135 film.
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High ISO Film – It is suggested that you hand check film OVER 800 ISO. Meaning that 800 ISO film (particularly Portra 800) can go through the x-ray at TSA. 3200 speed film should be hand checked by TSA. Again, just like the instant film, have it out of the box and wrapper.
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Film usually comes in 12, 24 and 36 exposures per rolls. Occasionally you can get more, e.g. once I got 26 shots out of a 24-shot roll, since film manufacturers will usually include about 3 extra frames worth of film in a roll to compensate for the fact that most cameras will load and wind differently.
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265 is a newer and more efficient format, which has the result of you being able to squeeze more footage onto your card. While the Hero 5 Black manages 240fps shooting at 720p, and 120fps capture at 1080p, the Hero 6 Black and Hero 7 Black are capable of 240fps at 1080p resolution.
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Set the Film ISO ISO is the film sensitivity. It's a number, more common ISOs are 100 and 400. The higher the ISO, the higher the film sensitivity and the larger the film-grain size. ... New automatic cameras should be able to read the barcode on the film canister and know the ISO.
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i-Type film is a new generation of instant film, optimized for i-Type cameras like the OneStep 2. That means you get the best photos possible with your OneStep 2, as crisp, clear and colorful as every photo should be.
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The film is thicker and more durable than tint. Also since it needs to cover larger surfaces, the manufacturing process has to handle creating wider, longer rolls, all adding to the cost of the film.
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The sensor: The most obvious difference between film and digital is the sensor used to take the photo. With film cameras a film sensitive to light is placed behind the lens. ... With digital cameras a fixed electronic sensor (sometimes known as CCD) is situated behind the lens.
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Key Differences The Pro 2 2000 has 2 cleaning modes (Daily Clean & Sensitive) compared to the 1 mode (Daily Clean) on the Pro 600. The Pro 2 2000 has a more powerful motor. ... The Pro 2 2000 comes in Blue/White or Pink/White whilst the Pro 600 comes in a Pale Blue/White. The Pro 600 is the cheaper of the two.
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['Class 2 – 2MB/s (minimum recording speed),', 'Class 4 – 4MB/s,', 'Class 6 – 6MB/s,', 'Class 10 – 10MB/s.']
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Fuji instant film is unfortunately incompatible with Polaroid cameras. Fortunately Polaroid 600 film is now available again.
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But feature films are shot on 35mm, and they shoot way more than just two hours of footage. With digital filmmaking, the preferred media is SD cards, which in theory can be used endlessly over and over again in different projects.
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With 24p content, the film has to be scanned or the digital video has to be modified to look right on TV. That's because 24 frames don't fit evenly into those 60 fields. With 30p content, the frames can be interlaced to create a 60i stream or displayed twice each to achieve the 60-fields-per-second rate.