why are we creative hermann vaske film?
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As part of a personal quest, for over 30 years director Hermann Vaske filmed the world's most intriguing artists and thinkers, including over 50 luminaries, among them Academy Award and Nobel Prize winners, from the fields of visual art, music, acting, philosophy, politics, science, posing the question: “Why are you ...
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During production, the producer's job is to make sure the film stays on schedule and under budget. They will always be in contact with directors and other key creative team members. For various reasons, producers cannot always personally supervise all parts of their production.
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['Deemphasized plot & dialogue was often improvised.', 'Jump cuts rather than continuity editing.', 'Location shooting.', 'Handheld cameras.', 'Long takes.', "Direct sound & available light (live recordings, often didn't adjust light)"]
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Propaganda was deployed to encourage people to economise on travel, save waste paper, and to obey rationing. The propaganda film They Also Serve dealt with housewives' conservation efforts. People were also called to "make do" so that raw materials would be available for the war effort.
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Hollywood has not- by any stretch of the imagination- run out of new ideas for movies. New, original ideas come out much more often than the sequels and blockbusters. ... The problem is Hollywood knows they will make more money off of those huge films so they advertise those huge films. It's a business decision.
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Lansing – das fiktive Serien-Dorf in Dachau Das Filmdorf befindet sich im Münchner Vorort Dachau auf einem ehemaligen Industriegelände, das erst für Dahoam is Dahoam zum Drehort umfunktioniert wurde. Zwar können Sie jederzeit zum Filmgelände fahren, viel sehen werden Sie in der Regel allerdings nicht.
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I've just learned that you can combine puzzles, that have the same die cut, to make really awesome pieces of art. It had never occurred to me that manufacturers of mass-produced puzzles cut different puzzles of theirs in the same way, making the pieces interchangeable.
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They are so good because they are creative, original and new. The style of the stories are also fairy tale-like. The world building also has a lot to do with their successes. Take world in spirited away for example.
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4K is Great for Backing Up Your Film. Playing your film on the big screen or at film festivals require huge formats like Digital Cinema Package or Blu-ray which requires higher resolutions.
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['Character narration.', 'Soundtrack or music overlay.', 'Sound effects outside of the film-world.']
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commercial cinema is often made on formulaic lines with certain tropes like comedian, a villain, a romantic subplot, song and dance elements etc. art house cinema are more rooted more character oriented and don't fall into hero villain trope often. even their songs are not set pieces but rather a part of narrative.
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Uncut Gems' Howard Ratner isn't a real person, but he is lightly inspired by a real guy. Directors Josh and Benny Safdie, who wrote the film with Ronald Bronstein, were inspired by stories they'd heard about New York City's Diamond District from their father, who worked in the area when they were kids.
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Montages help to cut time down, and one way to do that is to combine storylines in your film. So, instead of giving each storyline its own independent sequence which could be minutes long, you can cut them together to create a sequence that only lasts seconds.
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In this TED talk, Sir Ken Robinson discusses how human creativity is being suffocated by education systems and societal expectations. He explains that because our society stigmatizes mistakes, we become less willing and less able to produce original content, in fear of failure and nonacceptance.
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So to sum up, Editing is an art form because you are creating something that only existed in your mind and bringing it to life on the screen. It is also a craft because theoretically you are not changing the physical structure, or data to create.
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It eventually started looking like a pretty impressive 2D film. But then the animators went one step further to create a film that looked like this. Suddenly the characters looked three-dimensional. But unlike most animated movies these days, the characters in "Klaus" aren't CGI and can't even be considered 3D.
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Conrad Veidt inspired the creation of The Joker While his origins are a source of debate, it is agreed that the villain was inspired by the look and performance of a forgotten film star, Germany's Conrad Veidt, in a 1928 film adaptation of Victor Hugo's The Man Who Laughs.