Series Looks at Broadway as a Prism for History
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roadway!&quot; cries Adolph Green. &quot;Da da da dada doo,&quot; he says, snapping his fingers to an imaginary tune. &quot;Broadway is life!
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The drama of how Patti LuPone finally got to star as Rose in a New York production of âGypsyâ is almost a musical in itself.
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com. (New York City) Why turn one of the most successful Broadway musicals in history - seen by over 80 million people worldwide, since its debut in Londonâs West End in 1986 - into a big screen spectacle?
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âAfrican-American Lives 2,â a four-part series on PBS that begins on Wednesday night, belies its sleepy name with the poetry of history and the magic of science.
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The new movie-musical version of 'Hairspray' is bouncy enough, but the high jinks smudge an important history lesson.
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Maybe this review should start at the point when the show came alive for the first time: at the end, with the encore.
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An ambitious, if flawed, show at the National Museum of American History is billed as this country's first comprehensive exhibition of its military history.
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The West End is looking more and more like Broadway, where familiar and unchallenging work with mass appeal often tends to reign.
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NEW YORK -- The stretch of 42nd Street between Seventh and Eighth avenues is jammed shoulder to shoulder these days with office workers and tourists. Families catch a production of "Mary Poppins" at the refurbished New Amsterdam Theatre. European and Japanese visitors line up for Madame Tussauds wax...
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Merce Cunningham and colleagues have presented a retrospective series of evenings about his choreography called âHistory Matters.â
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The notorious show from London uncovers something grand within the small, squalid lives it portrays.
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Playbill - Show tunes will echo in The Museum of the City of New York Oct. 2-3 when Broadway's Judy Kaye, Daphne Rubin Vega, Jim Stanek and Simon Jones sing Taking a Chance, a revue created to celebrate the new theatre gallery at the institution.
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Several new Broadway-related Web sites have arrived with the potential and purpose of bridging the gap between the obsessed and the genuinely interested.
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Broadway inspires a morbid fascination. Ever since vaudeville went respectable, a century or so ago, everyone from social critics and city planners to choreographers and doormen has predicted the imminent
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First came the books, then the television docudramas and feature-length films. And now ÂEnron: The MusicalÂ opens Friday on a stage way, way off Broadway.
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Genre-bending, time-straddling adaptation has become an exceptionally lively art on Londonâs stages this season.
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'The History Boys,' a Tony Award-winning play, gets a literate treatment on screen.