Movie Review | 'License to Wed': Ready to Put This Union Asunder
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If the beloved with whom you see âLicense to Wedâ canât stop talking about how great it was, you might want to cancel the nuptials.
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Couched in a familiar language of hope and redemption, âTyler Perryâs Why Did I Get Married?â benefits from one of the strongest casts of Tyler Perryâs career.
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Couples who had to wait to hear if their marriage was legal after a licensing blunder are to receive compensation.
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Written and directed by Andrew Bujalski, this wonderful independent film wonÂt save or change your life, but it may make your heart swell. Its aim is modest and true.
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To the Islamic militant underworld it may be a match made in heaven, but from Washington&#39;s point of view it&#39;s a marriage of evil.
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In a city where "I do" often turns into "I want out," a fair for those wanting to untie the knot seemed a sure hit.
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After Khel, which he directed for Suniel Shetty three years ago, thereÂs plenty of  ÂconfusionÂ in director Yusuf KhanÂs mind and life. And why not? ThatÂs the title of YusufÂs next film.
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'The Wedding Date' suffers from a lack of chemistry.
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â27 Dressesâ makes the point that modern American weddings are all pretty much alike. The same could be said about modern American romantic comedies.
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Prithviraj's new film is like a telly soap. It could have been a good film if it had been well-edited.
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Lifetimeâs two-hour movie is an uneasy combination of crime thriller, romantic melodrama and snuff film that doesnât ask us to suspend our disbelief so much as overcome our gag reflex.
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Here's how bad "License to Wed" is: Even the outtakes at the end are lame.
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LOS ANGELES  - Cupid has a soft spot for Hollywood this year. Four movies, led by the sci-fi thriller "Jumper," will get an early start on the Presidents Day holiday weekend by opening Thursday for Valentine's Day.
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The beautifully acted ensemble film âThe Witnessesâ sidesteps most of its opportunities for high drama, political sermonizing and the jerking of tears.
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Life & style: Once marriage was portrayed as 'legalised prostitution'. This week it was presented as a cure for society's problems. Which is true? Decca Aitkenhead reports.
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It may be a bit, um, premature to say so, but Judd Apatowâs âKnocked Upâ strikes me as an instant classic, a comedy that captures the sexual confusion and moral ambivalence of our moment.
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In nearly a dozen states yesterday, voters sent the loud, clear message that they think marriage should be reserved for unions between a man and a woman.