Dance Review | Martha Graham Dance Company : Tracing, and Sometimes Reinterpreting, a Pioneerâs Bold Steps
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It seems entirely blasphemous to open a review of Americaâs oldest dance company by commenting on something other than the choreography.
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While Moscow's historic Bolshoi Theater gets a makeover, its eponymous ballet company steps out of the wings and back into the spotlight, thanks to a daring new boss
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The company has transcended the trauma of its founderÂs death and has forged into the future with a strong roster of dancers and a steady touring schedule.
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By IRIS FANGER  Modern dance choreographer, scientist, and explorer of the space we inhabit, Elizabeth Streb is a descendant from Icarus in the long line of humans who have wanted to fly.
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For a new evening of work, the choreographer Colleen Thomas struck out on her own to produce a pair of dances vastly different in tone but similar in their adherence to binding structure and exacting details.
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To experience a single Merce Cunningham dance "event" is to plunge into the whole of Mr. Cunningham's choreographic world.
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Aspiring young dancers face the moment of truth at the nationÂs premier dance academy.
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No major choreographer has yet emerged from Greece, but thereâs a reasonably active contemporary dance scene here.
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Southwest Washington is an antique vision of the future. It's mid-century's idea of "progress," a never-to-be-repeated experiment in bulldozing shabby if genuine neighborhoods and replacing them with chilly high-rise modernity. To this day it struggles to present much sense of life or soul.
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At the opening of New YorkÂs ÂSteve Reich @ 70Â festivities, the lively energy and a propulsive beat of Mr. ReichÂs music helped propel dancers and inspire choreographers.
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James Kudelkaâs âCinderella,â on show this week at the Metropolitan Opera House with American Ballet Theater, would be a good idea for a ballet.
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Choreographers Bosco-Caesar are going the international way.
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From downtown to Brooklyn and beyond, dance is evolving into a myriad of hybrids, as seen in recent performances.
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Diana Vishneva, a principal dancer with the Kirov Ballet and American Ballet Theater, is widely acknowledged as one of the worldâs great ballerinas.
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A select group of New York artists this year brought vibrant dance from a multitude of generations.
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At the Ivy Leagues, dance is not often taken seriously as an academic discipline. Two professors are working to change that.
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The enterprising Zellerbach Hall at the University of California, Berkeley, is presenting a season in which three of Americaâs foremost companies are  each presenting programs of post-1950 choreography, and each showing one or more works by Twyla Tharp.