Music Review: Organ-Driven, With Unexpected Stops
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The promise of Crescent Boogaloo, a small coterie of all-stars at the Jazz Standard, announces itself up front.
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The pianist has become famous for high invention at low volume, which was difficult to showcase against a drummer from a much busier and louder aesthetic universe.
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There's a war brewing in the music world. And it's a war that can only do good.
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New P2P software lets musicians collaborate in real-time on the web without the familiar digital hiccups of the past. By Mike Kobrin.
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A look at three GUI front-ends for the LilyPond music notation software.
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With the hundreds of albums released this year, finding ten that rose to the top was surprisingly difficult Â few were special enough to merit repeat listens, let alone remain in your brain long after the CD stops playing.
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New music is always plentiful in New York, if you look beyond the New York Philharmonic and the two big opera companies. But even that qualification may change soon.
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Radiohead hasn't lost the ability to surprise, as anyone in the record industry can attest this week. But the most surprising aspect of the band's new album isn't its novel business model - it's the music.
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Last.fm has been a popular Internet music player, despite rarely playing exactly the music you want.
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Guy Maddinâs âBrand Upon the Brain!â is a baroque entertainment with one foot in silent cinema and the other gingerly toeing the sound waves.
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Hereâs a measure of how healthy new music is in New York these days: In a city with roughly a gazillion new-music groups, a new one made its debut on Monday evening at Mannes College the New School for Music, and the schoolâs auditorium was packed.
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ItÂs not often that the background score of a film makes a lasting impact on music listeners of this country.
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The Orpheus Chamber Orchestraâs first concert of the season at Carnegie Hall on Tuesday was a solid if commonplace program that danced around late Romanticism  and the first rumblings of modernism.
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Pierre-Laurent Aimardâs piano recital on Monday at Zankel Hall was a carefully planned, illuminating program that included the surprise premiere of âCatÃ©naires,â a new work by Elliott Carter.
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The Steinway & Sons Model-D ups the ante on audio reproduction in the digital age.
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Reviews of works performed by Robert Weirich, Andrew Rangell and Lisa Bielawa.
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For all of the talk of him playing weird music, Peel played Status Quo&#39;s &quot;Whatever you want&quot; the other week. He played music as it actually is: an unholy mess, a mixture of old and new, some bands having sold