Rowan Atkinson shines in English black comedy
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"Keeping Mum" takes the  position that a family in crisis does not need a Dr.
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Adam Bockâs new play provides a nifty hour and change of light comedy that bleeds into dark finger-wagging.
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Anurag Basu's latest film is a well cast, crisply made film that entertains perhaps more than it intended to.
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A U.S. comedy about the stress of  meeting in-laws for the first time has opened in the number one  spot on the British film charts.
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Danteâs âDivine Comedy,â now playing as an opera, with a monsignor as director.
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A play performed in Czech prisons has inmates laughing bitterly over some accused who they believe were treated leniently
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Rowan Atkinson launches a campaign against a Government bill on religious hatred.
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Eddie Murphy comedy Norbit goes straight to the top of the UK box office chart in its first week.
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Funnyman Jack Black has another reason to smile.
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The season of laughter is upon us again. And this time thereÂs no holding back the outpouring of humour even if the comedies get a raw deal at the boxoffice.
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Little Britain and The Office will be among shows battling for honours at Wednesday's British Comedy Awards.
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The verdict is out: Gurinder Chadha's Bride & Prejudice has taken a flying start in U.K., faring much better than the two major Hollywood openers .
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After winning an excellence award at the New York International Fringe Festival, Bert V. Royal's parody of the Peanuts gang has made a rapid transfer to the SoHo Playhouse.
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Alberto Lattuadaâs incomparable, half-forgotten 1962 crime comedy-travelogue is at once a giddy mixture of farce, satire and opera buffa.
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Dir: Gurinder Chadha. UK-India-US. 2004 111mins. Bollywood spectacle and British comedy of manners collide head on in Gurinder Chadha's Bride And Prejudice, an entertaining if wildly uneven updating of Jane ...
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Patrick Stewart is in the midst of a third act in his unlikely career that brings him full circle: back to England and back to the Shakespeare of his youth.
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The approach of having a speaking cast and a signing cast on the stage simultaneously may not be best for Nick Grossoâs absurdist British comedy.