Master Portraitist, Writ Large Himself
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âChuck Close,â about the painter, photographer and printmaker by the documentary filmmaker Marion Cajori, truly excels in its depiction of the physical process of making art.
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Another Trump masters the art of self-promotion. That includes those pinup shots.
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Richard Tuttle, whose work can often fit in a palm, is trying the other extreme: his first public art project is a 90-by-150-feet mural.
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The photographers are going, some of the really big ones, at least the ones who defined a world as it is seen and imagined by those of us with too many magazine subscriptions.
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The photo editors of the new book In Focus: National Geographic Greatest Portraits share their thoughts on what makes a great portrait and offer advice for aspiring photographers. Interview and photo gallery.
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Mr. Jenney is a painter of remarkable technical skills whose feeling for color, texture and form can stand up to the best of the American landscapists that he has studied over the years.
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One art lover in Sweden paid 1,000 times over the starting bid for a painting billed as the work of a student of Peter Paul Rubens after learning the Flemish baroque master may have painted it himself.
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Seitz,  the Swiss camera manufacturer, releases a panaoramic powerhouse for serious photogs. In Gear Factor.
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The creator of Photoshop, Acrobat and Creative Suite continues to impress.
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John Cerney has chosen to display his works of giant plywood people in the fields of Monterey County, Calif., using the expanse of sky and miles of crops as his canvas.
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The popular show at the National Gallery in London stresses the artist's formative years, when he was known for his propriety and charm.
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âChuck Close,â about the painter, photographer and printmaker by the documentary filmmaker Marion Cajori, truly excels is in its depiction of the physical process of making art.
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John Evans has documented his life and the East Village in 10,000 daily collages, a year's worth of which have been published in a new book.
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Reporter Alexander Gelfand has his likeness immortalized with new 3-D printing technology. Photographs by Ryan Brenizer.
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Yefim Bronfman juggles the demands of a busy career.
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A commercial photographer and train buffâs works seem at once folksy and uncanny, with phallic monsters of industrial dynamism racing through benign, Norman Rockwell-esque visions of semirural America.
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In âDead Certainâ Robert Draper draws a detailed portrait, based on six hourlong interviews with the notoriously press-wary president and interviews with some 200 other sources, including Laura Bush and Vice President Dick Cheney.