Dance: Spare Spaces, Bare Bulbs, Wonderful Works
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A number of recent pieces showed how dance can powerfully focus attention on the essentials: the body, movement, human existence in a mysterious and unknowable world.
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âCaught,â a short work for one dancer and one heck of a strobe effect, is featured in both programs of Parsons Danceâs current stint at the Joyce Theater, which covers 20 years of company repertory.
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Full Circleâs âInnaviews,â performed on Thursday at Dance Theater Workshop, is more of a Valentineâs Day show than a Christmastime event.
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Come and meet those dancing feet, up on 42nd Street &#151; but only in nightspots with special licenses.
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Eduardo Vilaro is certainly good at one thing; his well-trained dancers are naturally theatrical and able to flesh out their technique with a sweet, unalloyed enthusiasm.
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Arts & entertainment: Visionary choreographer Mark Morris used to think Mozart and dance didn't mix. Not any more, finds Judith Mackrell.
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A new exhibition takes a close look at the dÃ©cor behind the dances of Merce Cunningham.
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Juilliard School's dance division presented four robust premieres by Janis Brenner, Susan Marshall, Ronald K. Brown and Robert Battle on Saturday.
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Their first hit was a rap song. Their shows featured a dancing dwarf and a painter.
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Ice Theater  wants to elevate ice dance to an art form, but you canât do that if you donât sink into skatingâs particulars.
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The enterprising Zellerbach Hall at the University of California, Berkeley, is presenting a season in which three of Americaâs foremost companies are  each presenting programs of post-1950 choreography, and each showing one or more works by Twyla Tharp.
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Choreographers Bosco-Caesar are going the international way.
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A close look at American Ballet Theaterâs flashy production of âSwan Lakeâ tells you a lot about its spring season.
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On Thursday, a program called â60s Snapshotsâ looked back on that era in dance with short commissioned works by four choreographers, performed in and around the South Plaza.
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Fancy rolling up the aisle in a Rolls-Royce? Maybe it's time to skip off in a pink ballet shoe?
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At the opening of New YorkÂs ÂSteve Reich @ 70Â festivities, the lively energy and a propulsive beat of Mr. ReichÂs music helped propel dancers and inspire choreographers.
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Can modern dance survive and develop, many wondered early on, without a core syllabus like balletâs? The same question might be asked of Butoh.