Consistent Dubstep Song
358397
Drop the Bass (by Alexis Phade and William Burstedt) is a 'softer' dubstep song that I'm sure anybody that appreciates eletronica can use as an entry song towards dubstep in it's entirety without going through the Skrillex route. This is not the most original song but the beat and segments are consistent throughout the song for you to get a feel for it. Dubstep is not for everybody, but for those who enjoy it, buy this track (if you pirate it, please buy it to support the artist). It's sound stupid to recommend entry songs into genres but this is one to get you into the feel of what a dubstep song is like.
4214695
This single is different from her other stuff, but that's okay. The first track is very fast pace and fun. The dub version is more like a dance mix or something like that. The third version is as close as this song will ever get to being a ballad, or even a slow pace song. The music video is very unique, but is still fun.
1079117
All remixes and cover artists, but good beats that blend to keep you going for a long run
4909688
refreshing song with steady beats at the perfect length.  Totally pump it up while driving and even at the gym!
55264
Great track, not-too-bad remixes. STARS rightly made Dubstar almost famous, even though this period was inundated with female-fronted trip-pop groups. Motiv 8 get the feet moving with a HI-NRG mix, though it pitches the vocals up a wee bit too much. Xpress 2 go for a deeper dub treatment that jettisons the vocals for filtered textures. I could see it working on the floor; at 9+ minutes, however, it'd be a good idea to use segments rather than the whole thing. Way Out West turn in a club version that doesn't do much for me. The giggling sample and the crowd noises seem out of place, and they show none of their own versatility or talent.
3406129
Being a Six Degrees junkie, I picked this up cheap at a used CD store and got my money's worth.  A couple of the tracks are too repetitive for my taste (Tracks 3 and 5), but the wonderful Dzihan and Kamien are represented with two slamming cuts.  The At Jazz Remix of their classic "After" is made for trance heaven, and this is the only place you can get their song "B-Movie," which has a wicked bass line and slamming groove.  This song could fill a dance floor in a heartbeat, and justifies the purchase price.  Tracks 7, 8, and 9 were more for chilling, not for dancing, but there are a few cuts here that will get your next party off to a great start!
4446773
This is a great CD. The bass is really slick in this, as with everything else. I replay this back-to-back often.
1565356
Solid effort at a remix album, but the sequencing is wonky. I like Kelly Clarkson, and am also a fan of dance music. A few of the remixes on here are a little too into the dubstep cookie cutter mold that is currently popular in electrronic music (well popular to other people), but there are several melodic pop/house/dance remixes of cuts from her most recent album. I also enjoy the intimate versions of Piece By Piece & Tightrope. If I were in charge though, I would have sequenced the album differently and kept the slower songs at the end (and heck - I would have added a few more live versions - why keep it at only 10 tracks!?). All in all, worth the low price tag for a few more tracks for my iPod when I go to the gym!

I should also note that all included remixes are "radio edit" length (3-4 minutes) which most casual dance fans appreciate versus extended length remixes of 5 minutes or more that include instrumental intro and outros for club DJ's.
2027290
I listen to this and its still stuck in my head for 3 weeks already. Constant sound track internally uploaded
4640752
There's just enough reggae beat on this album to keep me interested. Occasionally a song lapses into a bit too much rap style, but I can overlook that because most of the others are worth hearing over again.
2511066
If the preview appeals to you at all, see if you can hunt it down on Youtube. It's of the class of song that a 30 second clip cannot do it justice because it does not constantly repeat itself.
79288
I'm picky about the  beats/instrumentals I listen to. I disapprove of most... This is a track I could bump in the ride on repeat. Tight, loud bass with crisp highs. Not too complicated but not too simple with some tastefully added background vocal samples mixed in here & there.
473970
Zero One produces pretty trippy ambient electronica with an addictive beat. The music reminds me of electronic music from Germany and France in the seventies, like Kraftwerk, Harmonia, T. Dream, Jean Michel Jarre. I was sold immediately when I tried the audio samples on the Web.
At first at I played this CD everyday. But after a while this music starts to wear out. I still like it, but the music gives away its surprise too easily and most of the numbers sound too much the same. It is great music for on the radio or in your car, but it is a little but too superfluous to be a real classic.
1497298
Skrillex is starting to gradually make a name for himself in the wider music world.  If you haven't heard his remix of La Roux's "In For the Kill" you may as well check that out on youtube.  Anyway, Scary Monsters and Nice Sprites is more of an EP than a full album, which is not a complaint, its just what it is; 3 of the tracks here are remixes of other tracks already on the disc/album.
Quite frankly, I feel that dubstep is the sound of the next decade. Its hip hop, its dub, its trance, its even got tinges of metal and there's always room for random samples.  It sounds like transformers humping on oxycontin.

The title track is still my favorite, though Kill Everybody is enjoyable when you're not kind of scratching your head over the little "doll voice" in the chorus(it reminds me of Daft Punk's Technologic).  This is one of the best 'gettin' out of work on a friday' albums. Drop a tune in, slam the volume and rock out on your way home or out to a club or whenever. The synths and melodies balance out the distortion and drops mixing into a very aggressive but fun sound that no one else is doing right now.
966560
Not the greatest remix but it does give a constant beat and somewhat new take on this classic house song.  I was a fan of the original song when it first came out and when i saw this, thought "wow, I haven't heard that song in ages.  Maybe they redid it well."  Alas, it is redone, but doesn't recreate the vibe one gets from the original.  Sometimes songs get remixed just for the sake of remixing.  This is one of those times.  Not bad, but doesn't stand out either.
1422560
One song, The Pines "Cold", bears any resemblance to Afterhours 1 and 2.  It's a great song.  Great.  These mixes are good for discovering artists you might not otherwise hear so I'll be checking out The Pines.

Afterhours 3 was ok but that bizarro trippy spookiness that made the first two such standouts was gone.  Afterhours 4 was not trippy either but contained a handful of good tracks.  This one is just club tunes, upbeat, electro techno all the way.

Don't get me wrong, there are some good songs to be found here (though there is a lot of fodder here as well...).  It just lacks the continuity and trippy mood of the first two sets.

After hours?  Nah.  This is middle of the night club stuff.  Unless Afterhours is no longer associated with coming down after a night out but is associated with a banging beat for banging, well, you know...then maybe the title works.  If you like that kind of thing, you might like it, but if you're looking for Afterhours 1 and 2, this isn't it.
581987
So I heard this on Soma. Fm and I absolutely tried to find more of their music. I found this one haunting actually which is unusual for dubstep. I mean you have the deep bass dungeon stuff but this was fantastic and the wub wub wub was great! Put my two sets of Pro Studio Mach II's through their paces and that makes me smile.