Major Studios Use These for a Reason
357222
I connected these to a quad microphone cable and attained clean sound with zero distortion or hum. They fit and hold securely with any connection I've used. Spend the extra couple dollars as these are cleaner and more corrosion resistant. I now know why these are the studio standard.
2234681
These headphones are a fantastic value. The utility of not having a wire or having to take your phone out of your pocket is a huge plus in the gym. It is in the other use cases that require audio sync where these headphones fall short. Basically any activity that requires synchronization with on-screen visuals just does not work with these headphones. I'll run through my list:

Video:
Audio falls out of sync giving you that bad lip-sync effect.

Games:
Sound effects happen after on-screen taps. Action games that require perfect timing related to audio cues may be unplayable.

Music Production:
Impossible. You can't play along to any beat because the sound doesn't play until a few milliseconds after you press the button.

So, if you *just* want to listen to music, these headphones are ok. For other activities that require audio syncing you should look for another solution.
1167881
These are great for general use or studio work. I have compared these to a lot of headphones. There are other good choices but these are great! Get them you won't be dissapointed. I gave 5 stars because the price is great too.
1359531
With the SD card and mobile app control, these network cameras can put up a lot of content. The video quality is high enough to the point where I can do some filming out of these perspectives, although the movie wouldn't be very eye-catching since I have it looking across an office desk.
978649
Great quality prints. I love the B movies as much as Oscar winners. Keep 'em coming WB. My disclaimer: Heed the warning concerning DVD-R discs and be sure they will work for you. They need to be handled very carefully and returned to the case immediately after viewing or they will scratch.
3344023
These stickers and signs are professional and quality liking. Using these in conjunction with cameras will provide a great deterrent to would be thieves. Protect yourself and your business from thefts and liabilities.
700884
For people doing lighting/photography setups, these are very handy, with the appropriate other accessories (Manfrotto Magic Arm, for example) you can how a camera, lights, light modifier and other stuff onto a number of things (tripod legs, light stands, table tops). These are very strong and are a must for anybody doing studio photography.
4819171
These work very well and have come in handy quite often.
4088823
They do work great, but too me are rather expensive.  If you are drift diving or there is a current where you will be diving it will often times flip down the other filter and if you don't recognize will screw up the color being too dark to see what you are filming.
1161199
Blackhawk Films has moved distribution over to Flicker Alley and this new HD transfer shows much improvement over the pervious, still good, Image DVD.

To understand this presentation, I will give a brief history lesson. In the 1920's 35mm was on Nitrate film but 16mm was on safety film.
Universal Pictures fortunately saw a value in the secondary markets and created a 16mm home movie division called "Universal Show At Home".  These 16mm safety films were created directly from the 35mm Nitrate Negatives. The original tints from the 35mm theatrical run were also used in these early 16mm home movie prints. The print for this Blu-ray was manufactured in 1926.
Sadly when Sound Films over-threw Silent Films Universal, as well as many other studios, saw no value in their library of silent Nitrate films and had them destroyed. Many films that had not made it to the home movie market were lost.

The only surviving materials for this title are the 16mm tinted prints.

THE VIDEO QUALITY:  While 16mm is not as sharp as 35mm, with the proper scanning it can give a very good Blu-ray image. And here it does.  This is the best quality 16mm HD scan I have seen.  Many times I felt I was watching a 35mm print.  Since these early 16mm prints were made directly from the 35mm Nitrate Negative they are much sharper than the conventional 16mm prints that were made for Television (TV prints were made from 16mm safety negatives).  It is apparent that by 1926 the original 35mm Nitrate negatives had suffered some wear in their brief 3 years of existence.  Small white negative scratches & blemishes can be seen in many scenes.  These were already in the negative in 1926, Flicker Alley's Press Release claims that "Visible Wear in the source material is diminished with a moderate amount of digital restoration."  The film does not look like it was attacked by DNR, so their moderate amount keeps the details in the image.
The Image is quite stable with few jumps & sways. I imagine some image stabilization was used.
The sharpness varies. Outdoor shots look quite sharp like a 35mm print would be.  But indoor shots tend to be a little softer.  That is the nature of the original 16mm film print.  I doubt we will see anything better until a lost 35mm print is uncovered.

THE AUDIO QUALITY:  This is a modern soundtrack, not a vintage Victor recording (there was non for this film) so it sounds crisp & clear.  The score was arranged by Donald Hunsberger, conducted by Robert Israel, and the orchestra was recorded in the Czech Republic.  It seems a but too happy and not representative of what most audiences would have heard in 1923.

THE BONUS MATERIAL: Most of the bonus material from Blackhawk's old DVD distributed by Image Entertainment has been carried over here.  All are in standard definition except the photo gallery which has been re-scanned in "Dynamic HD".  The 20 page souvenir program is a digital reproduction on the disc.

Missing from the previous DVD are the 3-D original stills!  I will have to keep my old DVD just for these.

THE MOVIE:  This Lon Chaney version is still THE best movie version of this story.  And it is the film that put Universal up with the other major studios.  This was officially a "Universal Super-Jewel" picture, which meant that Universal spent a lot on the production for a quality movie.  Sure the acting in silent films tends to be over-done, expressions fill in for the missing sound, but Lon Chaney IS the best hunchback.

Until a 35mm nitrate print turns up, or technology develops to remove white negative wear without compromising the details in the picture, this is the best there is!
978264
I am using these to help create training videos. I think I may have sold two sets of these as people inquired about them after seeing them in use.
2510117
I use them for applying to the processors of the two hdmi splitters I own. As these units often get hot and burn out, I have yet to have either of my splitters die on me.
1716541
If you film with others and end up mixing lenses, using these can be extremely useful. You will know which caps are yours and which lenses are yours. Bright enough to notice. I'm not sure about the weird design etched onto the face but not a deal breaker. Very useful and well made.
4040123
Anyone who has spent a day in the audio production or engineering industry has very likely seen these on someones head. They were my first "real" set of headphones, and although a bit of perhaps marketing genius over actual fact putting "professional" predominantly on the sides, they have become as beloved (slightly quirky) a standard as the Shure SM-57 microphone. They are far from the generally preferred boring "flat" frequency response, adding mid depth and a bit of shine to the high frequencies. Maybe too much? If anything the lows and low mids seem a tad rolled off...ultimately trading true accuracy for a pleasing overall sound that covers a wide range of music and reference. They are also not pro studio cans in a traditional sense, allowing for some sound leak to the user and the outside world. Easy test for this, a pro set of studio cans will not dislodge and/or fly off your head so easily if you shake or turn it quickly...these will. It's the ear pads...they always seem thin. In fact I've completely worn through two sets of replacements, on my third now. Funny how I am leading with these gripes on a five star review?  Less gripes, more just things to note aside, being an audio production and sound design engineer of over 25 years, I own 2000 dollar each reference monitors and headphones 3 times the price. Yet, I always have a pair of the old Sony Pros handy. I've grown up with these and can find a good mix based on this anytime. Bottom line, they just sound good to most people, the sound of consumer stereo speakers on your head basically. They have an inherently low fatigue response quality to them that's ideal for long listening and reference. For flatter better bass on a reasonable budget that isolate very well...there's the Sennheiser HD 280 Pro.
1291782
They do the job. If you have a lot of money invested in your reels why not protect it in every way you can?
3677693
You can spend a lot of money on these at a camera store. These ones sold on amazon are cheap and work great. Also they look more professional than a DIY one.
3864526
I've been using this microphone for years.  I have two of them, actually.  I didn't buy them as a matched pair, so one is a bit brighter sounding than the other.  That can be an advantage, as I use the darker mic for overly bright sound sources, and vice-versa.  I've used these mics with good results in my project studio, on vocals, guitars, and hand percussion, and actually earned a major film festival award for music I created in that studio.  I think the mics sound particularly good on female voices (as a number of reviewers have noted).  The figure-of-eight pattern offers the flattest response curve, and I almost always use that for vocals.  (The cardioid and omni pattern give more treble/upper mids boost--useful for some applications, but a little harsh on my voice.)

Bottom line: This is a well-made, versatile microphone that will do pretty much anything you ask of it.