Turns movie cliche into comedy gold
345494
Couldn't stop laughing at the funny-because-its-true observations and tongue-in-cheek advice. This books turns just about any horror movie into an unintentional comedy and makes you look around every now and then to confirm you did not end up in one of those paint-by-numbers slasher flicks.
868119
Implausibility is the hallmark of Akiva Goldsmans Winters Tale, a sappy romance, whose handsome production values and fantastical elements cant quite conceal its dime-novel origins. Set at the turn-of-the-century (the 20th Century, that is), this adaptation of the Mark Helprin novel employs generous dollops of magic realism in a vain attempt to cover a multitude of narrative sins.

Peter Lake (Colin Farrell) is a dreamy-eyed thief-with-a-heart-of-gold who makes a home for himself in the attic of Grand Central Station, rides around the city on a kind of magic horse, and, on one of his periodic burglaries, meets Beverly Penn (Jessica Brown Findlay), a poor little rich girl, who, like all good heroines of a certain era, is rapidly succumbing to consumption. Repeating to some extent his Javert bit in Les Miserables (minus, thank heavens, the singing), Russell Crowe plays Pearly Soames, a sadistic Fagin-esque figure who raised the orphaned Peter up to become a thief but who now thinks his young ex-protg has just turned into a great big softie (the fellow has somehow gotten the notion that he can steal from people without actually harming them physically) and is determined to make Lake pay for his disloyalty. Soames is so villainous, in fact, that he stops just short of twirling his mustache whenever hes about to perform one of his trademarked dastardly deeds. Turns out theres more to it, though, as we learn that Peter is the first human whos on the brink of using his miracle, (i.e., saving Beverly) which would result in...well, were never really quite sure what it would result in, but were assured it would be pretty awesome. And, oh yes, did I mention that at some point a laughable Will Smith joins the proceedings, portraying no less a figure than that old boy Lucifer, who it turns out is Soames boss, Soames himself being a demon from hell? And things just get weirder from there. In fact, I half expected the horse to let out with a Wi..i..i..i..lber at some point, but he never did.

Fast forward to the present day to find an amnesia-stricken Peter unaccountably defying the ravages of time to wander the streets of New York searching for that elusive something he knows he lost a full century ago. Yet, amidst all the soul-searching and miracle-working and New Age-philosophizing, the only thing we really want to know is why the man couldn't come up with a more stylish and flattering hairstyle after a hundred additional years on Earth.

Ah well, if this sort of thing happens to be your cup of tea, at least know that youll be rewarded with some mighty impressive visuals as well as a total saturation in period atmosphere. Youll also get to see such acting stalwarts as William Hurt, Jennifer Connelly, Graham Greene and Eva Marie Saint in supporting roles. But beyond that, I cant offer much in the way of encouragement or solace for those who insist on giving Winters Tale a try. Just know that this is a movie designed with a very specific audience in mind.
1471510
Two small time criminals escape a chain gang highway clean up crew and steal an RV, which promptly breaks down. When they are found by a small town sheriff they fear the worst, until they realize the officer, and the town, have mistaken them for the vehicle's owners; a couple (in more ways than business) of beauty pageant coordinators they have hired to turn their young ladies into the next "Little Miss Fresh Squeezed Pre-Teen." With an eye on the yearly harvest money about to hit the local bank, the escapees turn flamboyant pros to pull a flaming con.

This is an adorable, fantastic, off the wall comedy with a fruity twist to the mistaken identity theme. A phenomenal script with excellent dialogue. An absolutely outstanding cast. Steve Zahn is insane in the best possible way. Jeremy Northam is subtley superb. William H. Macy is simply brilliant. Looking to laugh to the beat of a different drummer? Visit "Happy, Texas."

Favorite Line(s): "State prisons are leakin' like a macrame diaphragm."

"Give me the meanest steak ya got rare, and I mean rare, just dehorn it, wipe its butt and send it in."
3673316
Although I hated this movie the first time I watched it, "The Big Lebowski" moved to the top of my favorite comedy list after just one more viewing.  Jeff Bridges stars as "The Dude," a hippy slacker who divides his time between getting high, drinking White Russians, and bowling in a league with his two offbeat friends, played by John Goodman and Steve Buscemi.  After The Dude gets mistaken for a wealthy cripple with the same name, he gets drawn into an elaborate kidnapping scheme, and all kinds of shananigans ensue.  While Bridges plays the loveable loser perfectly, it is the side characters who steal the show in this one.  Goodman as the Vietnam vet / Jewish convert is absolutely hilarious, as is his feeble-minded sidekick, played by Buscemi.  John Turturro, playing Jesus the pedophile bowling competitor, is brilliant as well.  You may not have loved this movie the first time you watched it, but give it another chance.  "The Big Lebowski" is a classic in my mind, and is highly recommended for anyone looking to laugh and to discover the source of so many one-liners repeated constantly by Lebowski fans.
2403577
Kevin's second movie definatley holds true to that old sophmore jinx.
  The movie is about two friends (Brodie and T.S) who are dumped by their girlfriends, and retreat to the mall to brood and try to piece themselves together. When they arrive at the mall, there is a stage being set up for T.S's ex-girlfriend's dad's game show, Truth or Date. T.S believes that his ex's father forced her to dump him (being as head strong as he is) and decides to try to sabotage the show...somehow. So, he uses two henchmen...Jay and Silent Bob, who now reside in front of the mall's pet store. Now with them trying to destroy the stage before showtime, T.S and Brodie try to get their ex's back, and after a quick visit to the local topless fortune teller (which turns out to be as funny as it is nasty and repulsive) he gets a great plan for winning her back.
  The only problem is that T.S has to face her father, who had already tried to get them arrested by planting some weed on them. As for Brodie, he has to face his ex's new boy-toy, who's in it only so that he can get some action *in a very uncomfortable place* as he puts it.
  The whole movie has but a few laughs, which involve chocolate covered pretzels, (the already mentioned) topless fortune teller, Jay and Silent Bob, and the Truth or Date gameshow being filemed live.
  I rented this movie with very high spirits, hoping it would be funny, as are all of Smith's movies, but it turned out to be one wash after another. In fact, the only real thing of comedy in this movie were the antics of Jay and Silent Bob which include trying to destroy the stage, getting stoned (at one point, TS gathers a plan, and asks Jay, You guys up for getting stoned, to which Jay replies with a laugh, Look who you're askin,) beating up the Easter Bunny, and a lot, lot more. It was especially nice to have them in the movie THAT much after only being featured in Clerks for a few brief scenes.
  There are tons of hit and miss jokes, among which, the backseat of a volkswagon being the longest.
  The stupid sound effects during the movie add nothing but a corniness that isn' common for any Smith movie (unless it is meant to be.)
  Actually, the movie was really entertaining, not as funny as Clerks, I must say, but it has that Smoth charm that kept me rewinding that tape. There are just some movies that are supposed to be funny, but actually aren't, but that doesn't take away from their entertaining qualities... look at Bill and Ted, for example.
  The movie works, overall, but is still heavily flawed, and lacks that sophisticated humor that made Clerks what it is today. Many find this movie to be boring, and I can see where they're coming from, and some say it's the best of the Jersey Trilogy, and I can get that too, but as for me, it was a pretty deacent movie. Not as man laughs, but it does entertain to some degree.
  Personally, I reccomend the othe movies first, save this for last. Or, actually, you should watch this movie second (in order, sense Kevin's movies are designed in such a way that if you watch them out of order you won't be able to understand them, because you need the other movies for the basis for many of the othe movie's plots or jokes) after Clerks, with the though that this is his worst, and if you love it, then you're bound to love his others, but if you don't, then at least you know that you've seen the worst, and it's smooth sailing from then on.
3492738
THIS MEANS WAR is entertaining, not deep, not loaded with special effects, but entertaining. Based on a story by Timothy Dowling who with Simon Kinberg and Marcus Gautesen adapted it for the screen, the film in many ways seems like a parody of several film types - chick flick, espionage capers, buddy movies, and relationship studies.  The fact that it throws these ideas all into one mixing bowl and comes out not only making sense but having fun doing so makes it well worth watching,

Two best friend CIA agents - FDR (Chris Pine) and Tuck (Tom Hardy) - find themselves in competition for the affections of the same beautiful woman, Lauren (Reese Witherspoon), an attractive but chronically unattached product testor and facilitator for focus groups whose best friend Trish (the brilliantly funny Chelsea Handler) constantly urges Lauren to date - even if on the internet. FDR and Tuck are accustomed to using whatever means necessary to complete a mission, a trait that mentality has a tendency to enter into their personal lives and when they discover Lauren's dating blog (create by Trish), they're both on it. They enter into a gentleman's agreement that stipulates they not interfere with one other, allow Lauren to choose the best man for her, and walk away from Lauren if seeing her begins to affect the men's friendship. The agreement quickly degenerates into a one-ups-man-ship contest of epic proportions thanks to the men's competitive natures and the arsenal of government resources at their disposal. Oblivious to the rivalry and the high-tech circus going on around her, Lauren desperately tries to figure out which of the two men is right for her. The behavior patterns of FDR and Tuck help make the decision - that, and the fact that Tuck has a son by a girl he cannot forget, Katie (Abigail Spencer).

This is a non-stop action film filled with moments of tenderness and hilarity and espionage tactics gone awry. The superb trio of actors is supported by Angela Bassett (don't blink or you'll miss her), Til Schweiger as the bad guy on a mission against CIA, and Rosemary Harris. In the end it is all fun and laughs and solid movie making.  Grady Harp, May 12
2597861
Okay, so this is not the greatest movie ever made.  It did not win an Academy Award.  It is not in the IMDB Top 250 (receiving a mere 4.3 rating out of 10).  Rotten Tomatoes gives it an abysmal 11%.  Most critics did not think it funny.  Maybe I'm the only guy on the planet, but I found American Carol to be hilarious.

Part of my willingness to forgive the lower-than-par production value was my sense of delight at finding someone who understands how we feel--those of us who are part of the Judeo-Christian heritage of this country.  We are increasingly marginalized by the liberal media, treated as stereotypical hypocrites by Hollywood, and snubbed in the halls of higher learning.  The fact that it came from David Zucker of Airplane fame rather than a fellow Christian makes it all the more gratifying.

The basic premise of the film is that a documentary filmmaker named Michael Malone (an obvious parody of Michael Moore) is seeking to ban the Fourth of July, while Islamic terrorists are trying to blow up Madison Square Garden.  Malone has a Dickensesque experience and is visited by three ghosts of America past--Patton, Washington and the Angel of Death.  Along the way, Zucker irrevererntly pokes fun at Islamofascism, the liberal media, liberal higher education, the ACLU and, most of all, Michael Moore (played by Kevin Farley).  Cameos by Leslie Nielsen, Kelsey Grammer, Jon Voight, James Woods, Dennis Hopper, Bill O'Reilly, and country singer Trace Adkins as the Angel of Death add to the fun.

Video and audio quality: the blu-ray transfer is fine, although this is not the kind of movie where it matters much.  If you already have the DVD, it is probably not worth upgrading.

Parental warning: While there is no sex or nudity, there are a couple of scenes that border on risque.  Another scene features zombies.  Some mild profanity.

Is this a great movie?  No.  Is it worth watching?  Yes, particularly if you would identify yourself as a conservative.  You should have some laugh-out-loud moments.
2253616
This 2009 film is a lightweight comedy.  And sometimes a lightweight comedy is just what the doctor ordered.  I smiled throughout and sometimes actually laughed out loud.  This film is funny and there's something about it which is easy to relate to.

The main character, played by Paul Rudd, is getting married.  However, he just doesn't have a male friend to be his best man.  And so he starts on a quest to look for a friend.  His adventures are hilarious as one guy after another seems wrong.  One is gay, one is too old and one is just plain mean.  And then he meets Sydney, played by Jason Segal, and the fun really starts.  Sydney is an over-the-top caricature of every clich you've ever heard about being a guy.  This is good for a lot of laughs as the Paul Rudd character learns what it is like to be a "real" man.  Naturally there is a happy conclusion.  And it is very satisfying.

Enjoy this film for what it is.  I recommend it.
3802195
Looking for that crude, raunchy, extremely funny comedy to fill the void that is your life?  Well, look no further, pard!  While I missed this in the theaters (probably because it was so unmercifully panned), I was really pleased to find out my money wasn't wasted on purchasing this DVD.

Norm MacDonald stars as Mitch Weaver, a guy who just can't seem to find his calling in life.  After losing yet another menial job, his girlfriend kicks him out, throwing all his stuff out of the apartment window into the street.  Mitch goes to stay with his best friend Sam (Artie Lange) and we soon learn that Sam's dad, played by Jack Warden, has a bad heart and unless Sam can come up with $50,000 in a relatively short amount of time, his dad will die.  Mitch agrees to help Sam, as not only is Sam his friend, but Sam's dad was like a father to Mitch while he was growing up, due to the fact that his real father wasn't around.  After some hilarious attempts to raise cash, Mitch stumbles on an idea for a business by accident.  Seems Mitch has a real flair for getting back at people who step on him, so he decides to open a revenge for hire business, Dirty Work, to help those who can't help themselves, for a fee, of course.  The scene where they're hire to deal with a noisy neighbor had my friends and I rolling on the floor.  The business isn't going well, until they get commissioned by Travis Cole (Christopher McDonald) to trash a property in order to condemn it, to which they'll get a large sum of money.  Thing is, they do the work, but find out that Cole misrepresented his reasons for wanting the property condemned, and they soon find out they made a big mistake, and now Cole stiffs them on the payment.  This sets up the ultimate revenge plan, leading to a great payoff.

Look for Chevy Chase, Don Rickles, and Gary Coleman in small but funny roles.  Also in this movie is the late Chris Farley, who is about as funny as I've ever seen him.  I was surprised to learn that this movie was directed by Bob Saget, you know, the guy from that Full House TV show?  If you liked movies like Kingpin, Dumb and Dumber, or Happy Gilmore, then you'll get a kick out of this one.
2015643
Hancock starts as a straight-up parody. Will Smith's eponymous super-anti-hero is a self-involved, alcoholic jerk who causes so much collateral property damage whenever he tries to fight crime it would be better for everyone if he just let the bad guys get away. He can't pull off the squeaky-clean public persona that his station demands, but gets a chance to turn it around when he saves the life of down on his luck publicist Jason Bateman and the movie sets to mocking the conventions of both comic books and buddy comedies. Will Smith steers his usual charisma to a slightly meaner place, Bateman does a great turn as an earnest nebbish, there are slapstick set pieces in which the hero inadvertently destroys everything in sight, and laughs ensue.

But the the movie works on another level as well, because Smith is black and Bateman is white, giving Hancock the outward form of a Magic Negro redemption story in which a preternaturally kind and sometimes even supernatural black character inexplicably devotes their entire existence to helping a white protagonist get his groove back. That more or less is the plot of the second act of the movie, except where the Magic Negro is beatific Hancock is surly, where the Magic Negro is sexless Hancock makes it with groupies, and where the Magic Negro is ultimately an uninteresting catalyst for white character development Hancock dominates the movie, and would do so on the basis of the script alone, even if he wasn't portrayed by a megawatt star like Smith. That his character plays second banana to a white schlemiel is funny both because one is a man and one is a superman, and because in other movies the same absurd dynamic is presented as natural. At no point does the movie telegraph this particular subtext, and you're free to ignore it, but it adds extra depth to everything.

Then just when you think two levels is enough for any lightweight summer action comedy, Hancock has a huge third act twist that is some ways makes it a profoundly strange movie and in other ways makes it much more like another Batman remake. For my money the ending doesn't quite work: a lot of plot has to get crammed in very quickly, and the climax takes a dark turn which is too tonally jarring given the slapstick that has come before. The last section of Hancock is about two rewrites away from being truly great, but you still admire the filmmakers' audacity. Hancock is worth checking out because it's fun, but worth watching all the way through because it's kind of weird.
3609341
A bit of bad luck at the box office prevented this movie from getting the hype it so richly deserves. Good luck finding roles into which Michael Douglas, Frances McDormand, Tobey Maguire, and Robert Downey, Jr., slip into as effortlessly and brilliantly as they do the ones in this film. With a script that neatly repackages Michael Chabon's excellent novel for the screen, Steve Kloves (lately the screenwriter for the Harry Potter series) shows where he mastered the craft of adaptation. And director Curtis Hanson follows up the tour-de-force of L.A. Confidential with this funnier, more bizarre, and ultimately more enjoyable effort.
On one level, the movie plays out like a drug-induced dream sequence; it's almost implausible that so much would happen during a single weekend. Michael Douglas loses his wife, discovers his girlfriend (McDormand) is pregnant, flees the university at which he and his girlfriend work with his darkest and most troubled student after that student kills his girlfriend's husband's dog and steals Marilyn Monroe's wedding coat, exposes that student to pot and his literary agent of ambiguous sexuality, has his car stolen, loses a 2,000 page manuscript...
Did I mention that his girlfriend is the chancellor and her husband is the chair of the department that employs Douglas?
Yet all these events--and many more--feel very real during the movie. And not in the dreamlike way that anything makes sense while you're sleeping: this movie has the feel of truth. Other reviewers have complained that it's too weird, that each character's eccentricities pile on those of the others until it passes a level of acceptability. But people have quirks; some people are pathological liars, some people just like one kind of shoe, some people can only write in a pink bathrobe. In life we take these quirks for granted in the people we know and love; in Wonder Boys a group of people are thrown together, quirks and all, by fate and common interest and the confines of a very realistic university life. The interplay of their quirks, and the way that people who come to them with sympathetic eyes quickly rally to support one another, makes for a movie that engages, entertains, and provokes thought. If that's not what you look for in a movie, look elsewhere. If it is, prepare to add a new movie to your all-time favorites list.
906116
This is one of those films that I would've likely never heard of - save for a mention on a movie board discussion. Unfortunately, the same posting also spoiled the ending. So I went into this knowing that I couldn't enjoy it as much as I would have, had I experienced it fresh.

Still, despite the spoiler, I had a pretty good time. The gross outrageousness you expect was there. Bizarre characters, wacky situations, implausible set-ups, sex, drugs (not enough in my opinion), and a crazed UFC fighter chasing the guys thru Las Vegas - all classic comedy gold being mined in 'Bachelor'. And any film with that word in its title *should* be like this.

My only serious knock was the sometimes uneven acting of the lead, Jonathan Bennett, in the role of the single guy whose buddies are sending off to the static gray life of marriage. Because I knew how this ended, it seems that Bennett knew what was going on from the get-go; often standing off in the background, emotionally disconnected, almost 'studying' his friends. He wasn't nearly as engaged as his fellow actors in the grand adventure that they were experiencing. It's a distracted performance that, thankfully, improved as the production rolled along. And by the time of the cooked-spaghetti-wrestling-shotgun-firing-female-Elvis-impersonator scene, he's fully into his role.

Predictable fare, but that's the point. I despise movies that are easy set-ups but fail to deliver. Don't you hate joke tellers who screw-up the punchline? Recently screened a movie very much in this vein, '<a data-hook="product-link-linked" class="a-link-normal" href="/Accepted/dp/B000IZJZIU/ref=cm_cr_arp_d_rvw_txt?ie=UTF8">Accepted</a>' with Justin Long. It was supposed to be what every wacky college movie is supposed to be - but wasn't. So I'm grateful that 'Bachelor' delivered what it advertised. Three stars for that alone, but its gimme gags and predictable set-ups are funny enough to warrant the rating.

Big thumbs up (no pun intended) to Lester 'Rasta' Speight - the "How could this get any worse?" jail scene had me in tears from laughing so hard! X-D
3558249
This is a by-the-books comedy about two men who, finding themselves unemployed, decide to try to hack it among the young, uber-techs vying for one of Google's coveted internships. The plot is unabashedly paint-by-numbers, with not a single cliched element unaccounted for. There is a contest between a group of underdogs and a mouthy, despicable team of cocky jerks. There is a stilted love story between a job-obsessed lady and a guy who shows her how to finally let her hair down. A fighting montage where a woman's honor has been besmirched by big-shouldered jerks. A sports montage involved Quidditch for no reason at all. There is a subplot about overcoming self-doubt in the face of overwhelming odds. A twiggy, hopeless nerd gets the girl (in defiance of all logic). The smug hipster dude learns how to soften his cool exterior. Let's not forget tons of jokes about how these forty-something fellas apparently know nothing about popular culture and computers (including, but not limited to, the X-Men, the difference between the phrases "on the line" and "on-line," and what Instagram is).

The movie is tired, and a lot of the jokes are forced. It's nearly impossible to believe that our leads are as stupid as they are sometimes presented (they don't know how a webcam works? really?), but also smart enough to pick up competitive Google programming knowledge in the course of a week or two. They clash with the youngsters in their team, but serious bonding finally happens during a drunken, irresponsible night at a strip club, a scene that seemed to have been thrown together at the last minute. Rarely, if ever, does anything happen that isn't expected by any audience member who's seen this movie before, whether it was called Animal House or Old School or Heavyweights.

Of course, Vince Vaughn and Owen Wilson are incredibly charming guys, and since they're basically playing themselves, they lighten the predictability with the sole force of their personalities. Likewise, a few cameos (especially Will Ferrel's) add a dose of freshness to the otherwise stale material. A few moments here and there keep the entire thing from feeling oppressively rote and uninspired, so the whole thing's not a total wash. But these few glimmering moments still don't provide enough shine to distract from the lackluster elements that surround them.
3725611
Much like a magic trick, this movie is very flashy, flamboyant and confident about itself. The cat-and-mouse game that happens between the different groups of characters was entertaining and the elaborate set pieces were impressive and flashy. The only thing that broke the suspension of disbelief are modern movie conventions: hip young kids are geniuses and adults are dumb, all of the handsome and beautiful actors and actresses are witty at just the right time, improbable "Hollywood hacking," etc. It felt like I was watching the execution of a math equation written by movie execs called "Clean, summer heist movie featuring stage magic." It is predictably sleek and clever, but I guess that's what one should expect from this kind of a movie. I plan on watching this with my teenage nephew in the hospital, and I KNOW he will have a blast. For what it's worth, I'm glad this exists.
3015199
One of the most hilarious movies i've ever seen.
4427858
Synopsis: a middle aged, hot-tempered, Muslim "Paki" living in London has a son who wants to get married to a sweet girl whose stepfather is a psychotic jihadist, so he has to force himself to be nice to the prick. On top of that, his mother died and while cleaning up her belongings he finds out that he was in reality an adopted child. Worse, that his parents were Jews. Holy crap! He goes to pieces, but tries to hold it together.

It's a great premise for a comedy and the film delivers, not only with the British humor, but with countless subtle and not so subtle jokes. It helps a lot to know about either of these cultures, but even so, you will miss some of the subtler jokes. My wife is a Muslim and she was laughing hysterically at some of the passages (like the scene where Leny takes him to a bar mitzvah and he's trying to pass himself off as a Jew in order to learn more about Jewish culture; a drunken Leny drags him onto the stage and forces him to make a joke and the first thing that comes out of his mouth is the automatic invocation, "In Allah's name...").

I'm buying this movie.
3838773
When you unite three hilarious leading actors, a fraternity, and Snoop Dogg, you have a guaranteed winning combination. When you put these elements together on the big screen, the result you get is the 2003 comedy film Old School.

 Director Todd Phillips, who also directed the Hangover trilogy and produced Project X, seems to have a specialty in creating carefree, feel-good movies. While this film may not be the funniest and in no way would ever be in the running for an Academy Award, I would definitely recommend this movie for people who are just looking for a good laugh.

 The film revolves around three grown men named Frank, Bernard, and Mitch (played by funnymen Will Ferrell, Vince Vaughn, & Luke Wilson respectively) who have a feeling of nostalgia for their college years as they start their own fraternity. A subplot of the film is how the guys deal with managing their lives in and out of Greek life. Over the course of the film, Dean of Students Gordon Pritchard (played by Golden Globe winner Jeremy Piven) tries to shut down the fraternity in its entirety with the help of one of the students at the university. In response, the three guys and their untraditional members of the fraternity have to complete a series of different tasks to keep their frat active.

 One of the key elements that really makes this film thrive is the chemistry between Ferrell, Vaughn, and Wilson. With the extreme level of comfort between the three on-screen, one can assume that they are good friends in real life. Their line delivery comes off well because they are able to flow off of each others wit. These three actors have been featured together in quite a few movies (Anchorman: The Legend of Ron Burgundy, Starsky and Hutch, Blades of Glory). They are a part of a group of Hollywood comedy actors that star in movies together dubbed the Frat Pack. Will Ferrell is without a doubt the highlight of this film. The scenes in the movie where he goes streaking across the town and shoots a tranquilizer dart into his neck confirms why he has been considered one of the best comedic actors of the last decade. Ferrell picks up the movie when it starts to become boring or seems like it is being dragged out. He has a natural ability to make even the slightest little things humorous with his strong physicality and tone of voice.

 Overall, this movie is fairly decent. There are moments in Old School where the scenes are very flat and there are other scenes where viewers will laugh hysterically. Some people may be a little grossed out by the amount of nudity in the film so Id say college-aged kids are the ideal audience. This film has just enough laugh out loud moments, one-liners (which youll probably be reciting to your buddies for days), and an impromptu concert by rap legend Snoop Dogg to please a majority of the viewing audience.