Phenomenally uplifting rock & roll
590966
Beautiful, intense and deeply mooving, 'Secret World Live' is one of the greatest concert DVDs ever. Before seeing this DVD, I only knew Peter Gabriel as that somewhat odd guy who used to be with Genesis. This concert blows far beyond what most shows even try for. The music is great, the images are beautiful, and the staging for the show is quite unusual. This disk has awsome sound with DTS and Dolby Digital, as well as some interesting  extras. This is a DVD you will want to play and play and play...
1278077
doves prove themselves to be one of the best bands ever with this album.  Beautiful & meaningful.  Seems like they are playing from MY heart.  The album lacks a song like There Goes The Fear, but makes up for it with a completely solid flow throughout.  Kingdom of Rust is definitely doves at the top of their game.

The album begins by lifting you up with the atmospheric Jetstream, carries you through the "Kingdom" & "Hill"s with "Spellbound" "Compulsion", and smoothly sets you back down with the unpretencious and inspirational Brain Damage/Eclipse-esque "Lifelines".  Absolutely wonderful.  Although I know they hate to be compared with Pink Floyd, this is definitely doves' Darkside of the Moon.

I have listened to this album probably 100 times since receiving it.  doves are the best rock band out there today, & one of the best ever.
1282357
Vivid, powerful, emotional, intelligent, poignant rock n' roll. I could on and on about this gift from the gods called "Bury the Hatchet", by far The Cranberries finest album yet. But I won't. Words, simple words  cannot decribe in detail the impact of the incredible music on this album.  Apparently I'm the only person on earth who absolutely loved "To the  Faithfull Departed", and the important messages it tries to deliver,  and I never thought they would top that one. Wrong. "Bury the  Hatchet" is remarkable. The crisp, jangely guitars on "Animal  Instinct", the magnificent vocal harmonies on "Loud and  Clear", the ripping and tearing riffs of "Promises", this  album is an absolute blue print for perfect rock music. God bless Dolores  O'Riorden, whose voice gets better every album. Noel and Mike Hogan for  those heartbeat basslines and shimmering guitar licks, and Fergal Lawler  for giving Larry Mullen Jr. a run for his money.
1127618
Well, this electric band has certainly hit the jackpot with this fine, fine album. The thrill of listening to good old-fashioned classic rock just went to my head. A huge grin on my face!! :-). "Good Thin in A Bad Thing" has a catchy chorus that invites everyone to sing along. A rather romantic song in Mario Casella's gruff-smooth voice sounds fabulous. "My Better Half" will definitely be a track I would play to my wife! :-). The guitar is fantastic.... Classic romance! "Fast Lane to Hell" with its superlative drums and slide guitar is an addictive song. In "Paradise in Texas" with the slow, wondrous tones of the guitar and a groove to match is a song for those quiet evenings...loved the poignant lyrics too :-). "Wonderful Day to Be Alive" is a song bursting with optimism and the joy of life :-). This wonderfully produced album has some very, very memorable songs written and sung brilliantly and accompanied by a fantastic display of awesome talent by the guitar, drums and percussion. This is surely a keeper :-) :-) :-)
3967167
I can't even describe how much I love The Joy Formidable.  I've seen them 4 times in concert and have met them in person 3 out of those 4 times.  They are indescribably nice and welcoming to their fans.

Their music is amazing...rocking one song and tugging at every heartstring on the next track.  Ritzy's voice is amazing, diverse and overall beautiful.  The drummer rocks and plays up the whole "I'm in a band and I'm a freaking awesome rock star" to the hilt.  He is fun and funky and outgoing!

Just listen to some of their sample songs or better yet check them out on youtube for entire songs.  Get their full CDs.  They are both amazing~  Wolf's Law and The Big Roar.

The song "I don't want to see you like this" is amazing and beautiful.  Ritzy wrote it about her Grandmother who was dying.  I think of my Grandmother every time I hear this song.  She had dementia and it was extremely hard to see her as just a shell of a who she was before the illness set in.

Sad songs, bad ass rocking songs...it's all on these discs!
4349990
Sherman Downey's music is uplifting, melodic, and foot taping.  I would think comparisons to Jack Johnson and Ben Harper are in order but for me this album is miles ahead of both those artists.  Downey's band are amazing musicians and each song has a special something that makes it stand out. One moment you'll hear  yodeling, followed by a song with a syncopated background harmony, and then another will blow your mind with a certain phrase in the lyrics. My favorite is the song "All that you Hate" but really this work is a cohesive record that should be listened to on a Sunday Morning with the windows and your heart open. Downey is definitely an undiscovered Newfoundland resource.
92143
In the world of what people call "progressive rock" of the early 1970s, this is probably one of the least pretenious and all around glorious albums of that period.  With the band in a hurry to make an album to cover Mr. Wakeman's instrument expenses, the album would almost seem like a sure fire flop, one that, in the hands of almost any other band, would be dismissed almost immediately.  Yet, with the help of the radio-friendly "Roundabout", and I use that term loosely, since it would definitely be radio-unfriendly in this day, the album is one of the finest masterworks of the 1970s.  Far from being the ancient, old coots of rock Punk would surely label them as, this album "rocks out" as well as any, yet explores the limits of standard rock better than most.

While I never would consider it as progressive as anything bands the like of the Mahavishu put out, it's still just as pleasing for the musically minded, or those who just enjoy pure song-craft.  With only three full-length tunes (in the Yes sense of full-length) under the album's belt, they had to fill the album with solo attempts, and it worked out beautifully.

After Roundabout, you get Wakeman's wonderful Can and Brahms, and while I've heard people point out it's basically just Rick showing off the fact that he knows classical, the way he styles it fits in very well with the rest of the album and almost seems playful to me... much more than just a mere workout.  We Have Heaven is a great follow-up, featuring Mr. Anderson using the best instrument he has, his voice.  With simple background instrumentation, he really makes his voice sound like Heaven, making him a close runner up in the best voice in art-rock, right behind Peter Gabriel.

The second full-length song, South Side of the Sky, explodes with a tremendous sound, thanks in no small part to Chris Squire's booming bass and the wonderful fret work of Steve Howe.  And let's not forget the memorable vocals by Jon Anderson.  Five Per Cent For Nothing is Steve Howe's solo workout, but once again, is much more than that.  A nice interplay with the bass makes it more than filler.  Long Distance Runaround is the only other song I've ever heard on the radio from this album, and is great in that no one instrument sticks out, and grooves deliciously.

To round out the album, you have the Fish, which is Chris Squire's bass workout, which, to me, is probably the only weak album on the track, and not really all that memorable in my eyes.

But that's okay, because you get the beautiful Steve Howe solo acoustic guitar solo in Mood for a Day, to lead up in to what I consider the best song ever performed:  Heart of the Sunrise.  There is no way for me to adequately describe this song without doing it some kind of injustice.  All I have to say is listen to it.  The beautiful atmosphere of Wakeman's synth, the pulsating bass work of Squire, and amazing guitar work of Steve Howe, and of course, the most intoxicating vocals of Jon Anderson really put this song above all the rest.  I never tire of any second of its 11 minute duration.

While I'll always think Close to the Edge edge's out this album in terms of consistency and granduer, this ranks up there with the greatest ever.
1263197
This cd was fabulous. My favorite song was the fourth (the title of the cd). The band and players really bring expression to the music. The band puts their heart and soul into their music and they really rock. I especially like the bass guitar player, Randi. His body language while playing displays how he feels intune with the music. Craig is a great vocalist and the other members are fantastic. The drummer just needs to bring a little more maturity to doing his part.

Even though there are only eight (8) songs on the cd I cannot wait to hear there future recordings.
2104848
This is the some of most amazing and fulfilling music ever. The sound enters your ears, then massive amounts of endorphins flow throughout your body continuously through every second as you listen to this  album.
  When the album ends, you play it again, and again feeding your craving, beneficial addiction.
  There are some strong influences from the greats, of the great at their best:{( Yes, Genesis) of which they are easily on a par with.}
  Their style is uniquely satisfying. The arrangements are stellar and very moving

 Johannes Luley's  guitar has much of a Howe/Hackett magic. An
  incredible driving force.

 Tom Lynham `s  Banks/Wakeman-ish style keyboards are perfection in
  tone attack, texture with awe-inspiring hooks.

Ryan Downe's  vocals are heavenly passion, moving in such an
  interesting and complementary melody. He also does a
  great job on bass with the classic Prog tone.
  (Squire/Geddy/Rutherford)..

Matt Swindells `s  drums are solid throughout the odd times with
  excellent placement of accents and fill.

 The interaction of all the musicians parts together form the perfection.  I hear they are already working on a second album presently.  Prog is very much alive. This new Prog band  has a masterpiece on it's first outing. Really looking forward to the next.  With sincere enthusiasm,  kazthebassman
1454785
For a very long time, I had given up on finding/loving any new bands. I grew up loving and worshiping Rock N ROll, but was fortunate to be exposed to Classical, Jazz, Opera and Show Tunes at an early age. I'd like to think, having been a musician most of my life, having worked in the record industry for a number of years, and having a broad range of musical exposure that I am able to at least recognize a quality band, and moreover quality music, when I hear it. I remember "discovering" Queen and The Who and Pink Floyd and Led Zeppelin like it was yesterday, and all these decades later, their music still gives me a thrill. However, for about the past 12-15 years, other than Elliot Smith, no musician really grabbed my attention in any meaningful, lasting way like these now-classic bands had. I was really down on the state of rock/pop music in general, until my brother sent me some songs from this weird-sounding group by the name of Pugwash. Weird-sounding in name only- let me assure you, their music is amongst the finest crafted, finest written, most melodic and most well-played pop music I have heard in decades. Their influences number The Beach Boys, The Kinks, ELO, The Who, XTC, and of course the Fab Four, but they make these styles uniquely their own. "Apples" for instance- such a brilliant pop number, and you'll swear it's so good, you MUST have heard it before, years ago; and yet it is so fresh that it STILL makes me bounce up and down in my car when it comes on my radio. "Take Me Away"- the opening tune, and for good reason - it hits you with amazingly great, jingly guitar from maestro Tosh Flood and would be a tune that any of their influencers would have been happy to claim for their own. "Be My Friend Awhile" and "Nice to Be Nice" both have great messages, and while completely different songs, they both give you some insight into the positivity of this band, even after lead Pugger (singer, song-writer, rhythm guitarist) Thomas Walsh has been crafting amazing tunes for years without receiving NEARLY the recognition level (not to mention accolades, commercial success and $$ that comes with it)- that is, up until this compilation was released. Timed to coincide with their first American tour last year, this album is a great primer for all that is great about Pugwash. You WOULD, however, be doing yourself a great disservice if you simply stopped at this album. Let it be your introduction, soak the greatness of it in, and marvel at one of THE best rhythm sections of any band today (Shaun McGee on bass, Joe Fitzgerald on drums). But do NOT stop there- grab their entire back catalog- because you will NOT be sorry!!!!! And then, on September 4th, grab a copy of their brilliant new record, Play This Intimately (as if among friends) because it will be THE best release of 2015!!!!! Now stop reading this- go buy "Rose In A Garden of Weeds"- NOW!!!!
2978410
I bought this album virtually unlistened-to on the recommendation of a friend with similar taste, and I've listened to it at least twice a day every day since.  It's deliciously upbeat, with soaring vocal melodies backed richly layered guitars with just the right touch of melancholy reminiscent of The Cure at their most lighthearted (think Just Like Heaven or In-Between Days).

A wonderful journey - every single track is a gem.  Really.  You won't be sorry.
1955448
In 1968 "Super Session" helped take rock & roll to a whole new level. It pushed the envelope passed the 2 and 3 minute danceable pop songs, creating a longer more progressive rock pallet, paying more attention to technical and subtle aspects of the music. The three musicians that created the super group, Al Kooper (piano/organ/ondioline/vocals/guitars - Blood Sweat & Tears), Mike Bloomfield (guitar - Bob Dylan's "Highway 61 Revisited", Electric Flag), and Stephen Stills (guitar - Crosby, Stills Nash [& Young], Buffalo Springfield), were all "on hiatus" from their most recent engagements. The three of them never actually played "together", instead it was split into sets of Kooper/Bloomfield and the other by Kooper/Stills. The band was backed by a powerful rhythm section as well, Harvey Brooks (bass - Miles Davis, Bob Dylan's "Highway 61 Revisited") and Eddie Hoh (drums - The Monkees) as well as Barry Goldberg (electric piano - Mitch Ryder & the Detroit Wheels, Electric Flag).

The heavy Electric Chicago blues works beautifully on the Kooper/Bloomfield originals, "Albert's Shuffle", "Stop", and "Man's Temptation". The arrangements are precise, fluid and melodic. Kooper's organ solos provide a groovy melodic edge to the music. "Man's Temptation" is a very soulful number, reminiscent of Blood, Sweat & Tears. The 9 minute trippy waltz of "His Holy Modal Majesty" features the longest jam on the Kooper/Bloomfield side. The track also features Koopers electric keyboard-manipulated ondioline, sounding kind of like a tenor sax, although very unique.

Due to health issues, Bloomfield was unable to finish the recording of "Super Session". This is where Steven Stills came in. He's first heard on a rendition of Bob Dylan's "It Takes a Lot to Laugh, It Takes a Train to Cry". Still's biggest highlight on the album and a personal favorite of mine is "Season of the Witch". This 11 minute epic song displays the boiling chemistry Kooper and Stills have working together, offering inspired interaction between the two. "You Don't Love Me" allows Stills to play some heavy amplified distorted lead guitar, sounding a bit like Jimi Hendrix.

This is one of those albums that age very well. Upon my first listen roughly a year ago, I was blown away at how fresh it sounded after all these years. It is unlike anything I've ever heard, offering influence in a big way to the Electric Chicago blues and rock and roll movement. I am very pleased to say that the remastered version of this album, done by Al Kooper himself, sounds awesome, loud and clear. That's something that fans of the original vinyl release will be anxious to snatch up.
3378085
It's totally amazing and breath taking. It pulls you in and plays with your emotion. You feel everything from sorrow to humour to happiness. The Corrs have definetally grown and in my opinion, they've grown into an amazing band (even more than b4). There is certainly more drums and beat but it also incorporates the fiddle and tin whistle to make this wonderful sound like no other. Miracle is absolutely charming, and won't fail to make you smile and feel all warm inside. Time enough for tears has amazing vocals (done in one take). Humdrum incorporates humour through, satire and irony. Angel and Goodbye will play with your heart strings. Silver strand is totally brilliant and uplifting, Long night will become a classic (like runaway did) and Even If will make you feel totally cheered up. Borrowed heaven is very philosophical with great lyrics and Confidence for quiet will make you feel liberated. Borrowed Heaven is definetally a roller coaster ride and one that everyone should experience. Give it a chance and you'll love it. So what are you sitting there for? Start clicking and BUY it. You certainly won't regret it.
3941491
It's good to hear great rock music again & Frank Stallone delievered the goods to the 10th power.  Flourishing harmonies, great hooks, & impeccible musicanship make this CD a home run.  "Winter White"  has the Beatle-esque flavor while "Twist Shout" brings memories  of a great "Cheap Trick" track.  This CD has it all, covering a  wide range of rock influences and proving you don't need to re-invent the  wheel to produce a fantastic rock CD. Run, don't walk to pick this one up  if you are a fan of great, timeless rock and roll.
3325143
Danny's band is simply straight up good times Rock & Roll. Very refreshing from today's over produced music. I high recommend this CD! It rocks!!!
4344967
I heard a preview of this CD and after the first 30 seconds I had to buy it. Excellent and uplifting melodic rock that makes you feel energized.
992643
Once again, The Killers would rock the music charts when they released this dazzling
  well-performed CD in 2008 that combine their world class rock and roll artistry with head
  spinning electronic music, which despite some mixed reviews, it had manage to become
  hit for the band.  With the brief elements of rock and roll, techno, dance-pop, exhilarating
  solos and Brendan Flowers' unique songwriting, Day & Age gives a type of exciting and
  upbeat rock CD that provides something special to offer, but never disappoints.  Backed
  by track set starting with the opening track Losing Touch, it contains a slick round of hits
  or songs about determination, reality and diverse melodies, such as Human, Spacemen,
  Joy Ride, I Can't Stay, Neon Tiger and The World We Live IN.  What you even got from
  Day & Age is a set of bonus tracks like the high-rocking Tidal Wave, A Crippling Blow as
  well as Forget What I Said, where it gives this album the finishing touch it truly deserves.
  So `Goodnight and Travel Well when you enjoy this special well-deserved favourite.
Note: Make sure that you "Rip" the bonus tracks Tidal Wave, A Crippling Blow, Forget
What I Said and Human!, because they add the finishing touch to the album's complete
version.