Question: What is the Vietnamese word for both blue and green?

Answer: xanh

In some languages, including old Chinese, Thai, old Japanese, and Vietnamese, the same word can mean either blue or green. The Chinese character 青 (pronounced qīng in Mandarin, ao in Japanese, and thanh in Sino-Vietnamese) has a meaning that covers both blue and green; blue and green are traditionally considered shades of "青". In more contemporary terms, they are 藍 (lán, in Mandarin) and 綠 (lǜ, in Mandarin) respectively. Japanese also has two terms that refer specifically to the color green, 緑 (midori, which is derived from the classical Japanese descriptive verb midoru "to be in leaf, to flourish" in reference to trees) and グリーン (guriin, which is derived from the English word "green"). However, in Japan, although the traffic lights have the same colors that other countries have, the green light is described using the same word as for blue, "aoi", because green is considered a shade of aoi; similarly, green variants of certain fruits and vegetables such as green apples, green shiso (as opposed to red apples and red shiso) will be described with the word "aoi". <hl> Vietnamese uses a single word for both blue and green, xanh , with variants such as xanh da trời (azure, lit. <hl> "sky blue"), lam (blue), and lục (green; also xanh lá cây, lit. "leaf green").

In some languages, including old Chinese, Thai, old Japanese, and Vietnamese, the same word can mean either blue or green. The Chinese character 青 (pronounced qīng in Mandarin, ao in Japanese, and thanh in Sino-Vietnamese) has a meaning that covers both blue and green; blue and green are traditionally considered shades of "青". In more contemporary terms, they are 藍 (lán, in Mandarin) and 綠 (lǜ, in Mandarin) respectively. Japanese also has two terms that refer specifically to the color green, 緑 (midori, which is derived from the classical Japanese descriptive verb midoru "to be in leaf, to flourish" in reference to trees) and グリーン (guriin, which is derived from the English word "green"). However, in Japan, although the traffic lights have the same colors that other countries have, the green light is described using the same word as for blue, "aoi", because green is considered a shade of aoi; similarly, green variants of certain fruits and vegetables such as green apples, green shiso (as opposed to red apples and red shiso) will be described with the word "aoi". Vietnamese uses a single word for both blue and green, <hl> xanh <hl>, with variants such as xanh da trời (azure, lit. "sky blue"), lam (blue), and lục (green; also xanh lá cây, lit. "leaf green").

Vietnamese uses a single word for both blue and green, <hl> xanh <hl> , with variants such as xanh da trời (azure, lit.

question: What is the Vietnamese word for both blue and green?, context: In some languages, including old Chinese, Thai, old Japanese, and Vietnamese, the same word can mean either blue or green. The Chinese character 青 (pronounced qīng in Mandarin, ao in Japanese, and thanh in Sino-Vietnamese) has a meaning that covers both blue and green; blue and green are traditionally considered shades of "青". In more contemporary terms, they are 藍 (lán, in Mandarin) and 綠 (lǜ, in Mandarin) respectively. Japanese also has two terms that refer specifically to the color green, 緑 (midori, which is derived from the classical Japanese descriptive verb midoru "to be in leaf, to flourish" in reference to trees) and グリーン (guriin, which is derived from the English word "green"). However, in Japan, although the traffic lights have the same colors that other countries have, the green light is described using the same word as for blue, "aoi", because green is considered a shade of aoi; similarly, green variants of certain fruits and vegetables such as green apples, green shiso (as opposed to red apples and red shiso) will be described with the word "aoi". Vietnamese uses a single word for both blue and green, xanh, with variants such as xanh da trời (azure, lit. "sky blue"), lam (blue), and lục (green; also xanh lá cây, lit. "leaf green").


Question: What are the colors of traffic lights in Japan?

Answer: the same colors that other countries have

In some languages, including old Chinese, Thai, old Japanese, and Vietnamese, the same word can mean either blue or green. The Chinese character 青 (pronounced qīng in Mandarin, ao in Japanese, and thanh in Sino-Vietnamese) has a meaning that covers both blue and green; blue and green are traditionally considered shades of "青". In more contemporary terms, they are 藍 (lán, in Mandarin) and 綠 (lǜ, in Mandarin) respectively. Japanese also has two terms that refer specifically to the color green, 緑 (midori, which is derived from the classical Japanese descriptive verb midoru "to be in leaf, to flourish" in reference to trees) and グリーン (guriin, which is derived from the English word "green"). <hl> However, in Japan, although the traffic lights have the same colors that other countries have , the green light is described using the same word as for blue, "aoi", because green is considered a shade of aoi; similarly, green variants of certain fruits and vegetables such as green apples, green shiso (as opposed to red apples and red shiso) will be described with the word "aoi". <hl> Vietnamese uses a single word for both blue and green, xanh, with variants such as xanh da trời (azure, lit. "sky blue"), lam (blue), and lục (green; also xanh lá cây, lit. "leaf green").

In some languages, including old Chinese, Thai, old Japanese, and Vietnamese, the same word can mean either blue or green. The Chinese character 青 (pronounced qīng in Mandarin, ao in Japanese, and thanh in Sino-Vietnamese) has a meaning that covers both blue and green; blue and green are traditionally considered shades of "青". In more contemporary terms, they are 藍 (lán, in Mandarin) and 綠 (lǜ, in Mandarin) respectively. Japanese also has two terms that refer specifically to the color green, 緑 (midori, which is derived from the classical Japanese descriptive verb midoru "to be in leaf, to flourish" in reference to trees) and グリーン (guriin, which is derived from the English word "green"). However, in Japan, although the traffic lights have <hl> the same colors that other countries have <hl>, the green light is described using the same word as for blue, "aoi", because green is considered a shade of aoi; similarly, green variants of certain fruits and vegetables such as green apples, green shiso (as opposed to red apples and red shiso) will be described with the word "aoi". Vietnamese uses a single word for both blue and green, xanh, with variants such as xanh da trời (azure, lit. "sky blue"), lam (blue), and lục (green; also xanh lá cây, lit. "leaf green").

However, in Japan, although the traffic lights have <hl> the same colors that other countries have <hl> , the green light is described using the same word as for blue, "aoi", because green is considered a shade of aoi; similarly, green variants of certain fruits and vegetables such as green apples, green shiso (as opposed to red apples and red shiso) will be described with the word "aoi".

question: What are the colors of traffic lights in Japan?, context: In some languages, including old Chinese, Thai, old Japanese, and Vietnamese, the same word can mean either blue or green. The Chinese character 青 (pronounced qīng in Mandarin, ao in Japanese, and thanh in Sino-Vietnamese) has a meaning that covers both blue and green; blue and green are traditionally considered shades of "青". In more contemporary terms, they are 藍 (lán, in Mandarin) and 綠 (lǜ, in Mandarin) respectively. Japanese also has two terms that refer specifically to the color green, 緑 (midori, which is derived from the classical Japanese descriptive verb midoru "to be in leaf, to flourish" in reference to trees) and グリーン (guriin, which is derived from the English word "green"). However, in Japan, although the traffic lights have the same colors that other countries have, the green light is described using the same word as for blue, "aoi", because green is considered a shade of aoi; similarly, green variants of certain fruits and vegetables such as green apples, green shiso (as opposed to red apples and red shiso) will be described with the word "aoi". Vietnamese uses a single word for both blue and green, xanh, with variants such as xanh da trời (azure, lit. "sky blue"), lam (blue), and lục (green; also xanh lá cây, lit. "leaf green").


Question: In which language does the word for "green" also mean "rank" and "smelly"?

Answer: Thai

"Green" in modern European languages corresponds to about 520–570 nm, but many historical and non-European languages make other choices, e.g. using a term for the range of ca. 450–530 nm ("blue/green") and another for ca. 530–590 nm ("green/yellow").[citation needed] In the comparative study of color terms in the world's languages, green is only found as a separate category in languages with the fully developed range of six colors (white, black, red, green, yellow, and blue), or more rarely in systems with five colors (white, red, yellow, green, and black/blue). (See distinction of green from blue) These languages have introduced supplementary vocabulary to denote "green", but these terms are recognizable as recent adoptions that are not in origin color terms (much like the English adjective orange being in origin not a color term but the name of a fruit). <hl> Thus, the Thai word เขียว besides meaning "green" also means "rank" and "smelly" and holds other unpleasant associations. <hl>

"Green" in modern European languages corresponds to about 520–570 nm, but many historical and non-European languages make other choices, e.g. using a term for the range of ca. 450–530 nm ("blue/green") and another for ca. 530–590 nm ("green/yellow").[citation needed] In the comparative study of color terms in the world's languages, green is only found as a separate category in languages with the fully developed range of six colors (white, black, red, green, yellow, and blue), or more rarely in systems with five colors (white, red, yellow, green, and black/blue). (See distinction of green from blue) These languages have introduced supplementary vocabulary to denote "green", but these terms are recognizable as recent adoptions that are not in origin color terms (much like the English adjective orange being in origin not a color term but the name of a fruit). Thus, the <hl> Thai <hl> word เขียว besides meaning "green" also means "rank" and "smelly" and holds other unpleasant associations.

question: In which language does the word for "green" also mean "rank" and "smelly"?, context: "Green" in modern European languages corresponds to about 520–570 nm, but many historical and non-European languages make other choices, e.g. using a term for the range of ca. 450–530 nm ("blue/green") and another for ca. 530–590 nm ("green/yellow").[citation needed] In the comparative study of color terms in the world's languages, green is only found as a separate category in languages with the fully developed range of six colors (white, black, red, green, yellow, and blue), or more rarely in systems with five colors (white, red, yellow, green, and black/blue). (See distinction of green from blue) These languages have introduced supplementary vocabulary to denote "green", but these terms are recognizable as recent adoptions that are not in origin color terms (much like the English adjective orange being in origin not a color term but the name of a fruit). Thus, the Thai word เขียว besides meaning "green" also means "rank" and "smelly" and holds other unpleasant associations.


Question: In what range does the color green fall in modern European languages?

Answer: 520–570 nm

<hl> "Green" in modern European languages corresponds to about 520–570 nm , but many historical and non-European languages make other choices, e.g. using a term for the range of ca. <hl> 450–530 nm ("blue/green") and another for ca. 530–590 nm ("green/yellow").[citation needed] In the comparative study of color terms in the world's languages, green is only found as a separate category in languages with the fully developed range of six colors (white, black, red, green, yellow, and blue), or more rarely in systems with five colors (white, red, yellow, green, and black/blue). (See distinction of green from blue) These languages have introduced supplementary vocabulary to denote "green", but these terms are recognizable as recent adoptions that are not in origin color terms (much like the English adjective orange being in origin not a color term but the name of a fruit). Thus, the Thai word เขียว besides meaning "green" also means "rank" and "smelly" and holds other unpleasant associations.

"Green" in modern European languages corresponds to about <hl> 520–570 nm <hl>, but many historical and non-European languages make other choices, e.g. using a term for the range of ca. 450–530 nm ("blue/green") and another for ca. 530–590 nm ("green/yellow").[citation needed] In the comparative study of color terms in the world's languages, green is only found as a separate category in languages with the fully developed range of six colors (white, black, red, green, yellow, and blue), or more rarely in systems with five colors (white, red, yellow, green, and black/blue). (See distinction of green from blue) These languages have introduced supplementary vocabulary to denote "green", but these terms are recognizable as recent adoptions that are not in origin color terms (much like the English adjective orange being in origin not a color term but the name of a fruit). Thus, the Thai word เขียว besides meaning "green" also means "rank" and "smelly" and holds other unpleasant associations.

"Green" in modern European languages corresponds to about <hl> 520–570 nm <hl> , but many historical and non-European languages make other choices, e.g. using a term for the range of ca.

question: In what range does the color green fall in modern European languages?, context: "Green" in modern European languages corresponds to about 520–570 nm, but many historical and non-European languages make other choices, e.g. using a term for the range of ca. 450–530 nm ("blue/green") and another for ca. 530–590 nm ("green/yellow").[citation needed] In the comparative study of color terms in the world's languages, green is only found as a separate category in languages with the fully developed range of six colors (white, black, red, green, yellow, and blue), or more rarely in systems with five colors (white, red, yellow, green, and black/blue). (See distinction of green from blue) These languages have introduced supplementary vocabulary to denote "green", but these terms are recognizable as recent adoptions that are not in origin color terms (much like the English adjective orange being in origin not a color term but the name of a fruit). Thus, the Thai word เขียว besides meaning "green" also means "rank" and "smelly" and holds other unpleasant associations.


Question: What is the origin of the word "orange"?

Answer: the name of a fruit

"Green" in modern European languages corresponds to about 520–570 nm, but many historical and non-European languages make other choices, e.g. using a term for the range of ca. 450–530 nm ("blue/green") and another for ca. 530–590 nm ("green/yellow").[citation needed] In the comparative study of color terms in the world's languages, green is only found as a separate category in languages with the fully developed range of six colors (white, black, red, green, yellow, and blue), or more rarely in systems with five colors (white, red, yellow, green, and black/blue). (See distinction of green from blue) <hl> These languages have introduced supplementary vocabulary to denote "green", but these terms are recognizable as recent adoptions that are not in origin color terms (much like the English adjective orange being in origin not a color term but the name of a fruit ). <hl> Thus, the Thai word เขียว besides meaning "green" also means "rank" and "smelly" and holds other unpleasant associations.

"Green" in modern European languages corresponds to about 520–570 nm, but many historical and non-European languages make other choices, e.g. using a term for the range of ca. 450–530 nm ("blue/green") and another for ca. 530–590 nm ("green/yellow").[citation needed] In the comparative study of color terms in the world's languages, green is only found as a separate category in languages with the fully developed range of six colors (white, black, red, green, yellow, and blue), or more rarely in systems with five colors (white, red, yellow, green, and black/blue). (See distinction of green from blue) These languages have introduced supplementary vocabulary to denote "green", but these terms are recognizable as recent adoptions that are not in origin color terms (much like the English adjective orange being in origin not a color term but <hl> the name of a fruit <hl>). Thus, the Thai word เขียว besides meaning "green" also means "rank" and "smelly" and holds other unpleasant associations.

These languages have introduced supplementary vocabulary to denote "green", but these terms are recognizable as recent adoptions that are not in origin color terms (much like the English adjective orange being in origin not a color term but <hl> the name of a fruit <hl> ).

question: What is the origin of the word "orange"?, context: "Green" in modern European languages corresponds to about 520–570 nm, but many historical and non-European languages make other choices, e.g. using a term for the range of ca. 450–530 nm ("blue/green") and another for ca. 530–590 nm ("green/yellow").[citation needed] In the comparative study of color terms in the world's languages, green is only found as a separate category in languages with the fully developed range of six colors (white, black, red, green, yellow, and blue), or more rarely in systems with five colors (white, red, yellow, green, and black/blue). (See distinction of green from blue) These languages have introduced supplementary vocabulary to denote "green", but these terms are recognizable as recent adoptions that are not in origin color terms (much like the English adjective orange being in origin not a color term but the name of a fruit). Thus, the Thai word เขียว besides meaning "green" also means "rank" and "smelly" and holds other unpleasant associations.


Question: In which color system is green created by combining yellow and blue?

Answer: subtractive

<hl> In the subtractive color system, used in painting and color printing, green is created by a combination of yellow and blue, or yellow and cyan; in the RGB color model, used on television and computer screens, it is one of the additive primary colors, along with red and blue, which are mixed in different combinations to create all other colors. <hl> On the HSV color wheel, also known as the RGB color wheel, the complement of green is magenta; that is, a color corresponding to an equal mixture of red and blue light (one of the purples). On a traditional color wheel, based on subtractive color, the complementary color to green is considered to be red.

In the <hl> subtractive <hl> color system, used in painting and color printing, green is created by a combination of yellow and blue, or yellow and cyan; in the RGB color model, used on television and computer screens, it is one of the additive primary colors, along with red and blue, which are mixed in different combinations to create all other colors. On the HSV color wheel, also known as the RGB color wheel, the complement of green is magenta; that is, a color corresponding to an equal mixture of red and blue light (one of the purples). On a traditional color wheel, based on subtractive color, the complementary color to green is considered to be red.

question: In which color system is green created by combining yellow and blue?, context: In the subtractive color system, used in painting and color printing, green is created by a combination of yellow and blue, or yellow and cyan; in the RGB color model, used on television and computer screens, it is one of the additive primary colors, along with red and blue, which are mixed in different combinations to create all other colors. On the HSV color wheel, also known as the RGB color wheel, the complement of green is magenta; that is, a color corresponding to an equal mixture of red and blue light (one of the purples). On a traditional color wheel, based on subtractive color, the complementary color to green is considered to be red.


Question: In which color model is green one of the additive primary colors?

Answer: RGB

<hl> In the subtractive color system, used in painting and color printing, green is created by a combination of yellow and blue, or yellow and cyan; in the RGB color model, used on television and computer screens, it is one of the additive primary colors, along with red and blue, which are mixed in different combinations to create all other colors. <hl> On the HSV color wheel, also known as the RGB color wheel, the complement of green is magenta; that is, a color corresponding to an equal mixture of red and blue light (one of the purples). On a traditional color wheel, based on subtractive color, the complementary color to green is considered to be red.

In the subtractive color system, used in painting and color printing, green is created by a combination of yellow and blue, or yellow and cyan; in the <hl> RGB <hl> color model, used on television and computer screens, it is one of the additive primary colors, along with red and blue, which are mixed in different combinations to create all other colors. On the HSV color wheel, also known as the RGB color wheel, the complement of green is magenta; that is, a color corresponding to an equal mixture of red and blue light (one of the purples). On a traditional color wheel, based on subtractive color, the complementary color to green is considered to be red.

question: In which color model is green one of the additive primary colors?, context: In the subtractive color system, used in painting and color printing, green is created by a combination of yellow and blue, or yellow and cyan; in the RGB color model, used on television and computer screens, it is one of the additive primary colors, along with red and blue, which are mixed in different combinations to create all other colors. On the HSV color wheel, also known as the RGB color wheel, the complement of green is magenta; that is, a color corresponding to an equal mixture of red and blue light (one of the purples). On a traditional color wheel, based on subtractive color, the complementary color to green is considered to be red.


Question: What is the complement of green on the HSV color wheel?

Answer: magenta

In the subtractive color system, used in painting and color printing, green is created by a combination of yellow and blue, or yellow and cyan; in the RGB color model, used on television and computer screens, it is one of the additive primary colors, along with red and blue, which are mixed in different combinations to create all other colors. <hl> On the HSV color wheel, also known as the RGB color wheel, the complement of green is magenta ; that is, a color corresponding to an equal mixture of red and blue light (one of the purples). <hl> On a traditional color wheel, based on subtractive color, the complementary color to green is considered to be red.

In the subtractive color system, used in painting and color printing, green is created by a combination of yellow and blue, or yellow and cyan; in the RGB color model, used on television and computer screens, it is one of the additive primary colors, along with red and blue, which are mixed in different combinations to create all other colors. On the HSV color wheel, also known as the RGB color wheel, the complement of green is <hl> magenta <hl>; that is, a color corresponding to an equal mixture of red and blue light (one of the purples). On a traditional color wheel, based on subtractive color, the complementary color to green is considered to be red.

On the HSV color wheel, also known as the RGB color wheel, the complement of green is <hl> magenta <hl> ; that is, a color corresponding to an equal mixture of red and blue light (one of the purples).

question: What is the complement of green on the HSV color wheel?, context: In the subtractive color system, used in painting and color printing, green is created by a combination of yellow and blue, or yellow and cyan; in the RGB color model, used on television and computer screens, it is one of the additive primary colors, along with red and blue, which are mixed in different combinations to create all other colors. On the HSV color wheel, also known as the RGB color wheel, the complement of green is magenta; that is, a color corresponding to an equal mixture of red and blue light (one of the purples). On a traditional color wheel, based on subtractive color, the complementary color to green is considered to be red.


Question: What is the complement of green on the traditional color wheel?

Answer: red

<hl> In the subtractive color system, used in painting and color printing, green is created by a combination of yellow and blue, or yellow and cyan; in the RGB color model, used on television and computer screens, it is one of the additive primary colors, along with red and blue, which are mixed in different combinations to create all other colors. <hl> On the HSV color wheel, also known as the RGB color wheel, the complement of green is magenta; that is, a color corresponding to an equal mixture of red and blue light (one of the purples). On a traditional color wheel, based on subtractive color, the complementary color to green is considered to be red.

In the subtractive color system, used in painting and color printing, green is created by a combination of yellow and blue, or yellow and cyan; in the RGB color model, used on television and computer screens, it is one of the additive primary colors, along with <hl> red <hl> and blue, which are mixed in different combinations to create all other colors. On the HSV color wheel, also known as the RGB color wheel, the complement of green is magenta; that is, a color corresponding to an equal mixture of red and blue light (one of the purples). On a traditional color wheel, based on subtractive color, the complementary color to green is considered to be red.

question: What is the complement of green on the traditional color wheel?, context: In the subtractive color system, used in painting and color printing, green is created by a combination of yellow and blue, or yellow and cyan; in the RGB color model, used on television and computer screens, it is one of the additive primary colors, along with red and blue, which are mixed in different combinations to create all other colors. On the HSV color wheel, also known as the RGB color wheel, the complement of green is magenta; that is, a color corresponding to an equal mixture of red and blue light (one of the purples). On a traditional color wheel, based on subtractive color, the complementary color to green is considered to be red.


Question: What is produced on a computer display when light from the green primary is mixed with some light from the blue primary?

Answer: A unique green

In additive color devices such as computer displays and televisions, one of the primary light sources is typically a narrow-spectrum yellowish-green of dominant wavelength ~550 nm; this "green" primary is combined with an orangish-red "red" primary and a purplish-blue "blue" primary to produce any color in between – the RGB color model. <hl> A unique green (green appearing neither yellowish nor bluish) is produced on such a device by mixing light from the green primary with some light from the blue primary. <hl>

In additive color devices such as computer displays and televisions, one of the primary light sources is typically a narrow-spectrum yellowish-green of dominant wavelength ~550 nm; this "green" primary is combined with an orangish-red "red" primary and a purplish-blue "blue" primary to produce any color in between – the RGB color model. <hl> A unique green <hl> (green appearing neither yellowish nor bluish) is produced on such a device by mixing light from the green primary with some light from the blue primary.

question: What is produced on a computer display when light from the green primary is mixed with some light from the blue primary?, context: In additive color devices such as computer displays and televisions, one of the primary light sources is typically a narrow-spectrum yellowish-green of dominant wavelength ~550 nm; this "green" primary is combined with an orangish-red "red" primary and a purplish-blue "blue" primary to produce any color in between – the RGB color model. A unique green (green appearing neither yellowish nor bluish) is produced on such a device by mixing light from the green primary with some light from the blue primary.


Question: At what wavelength is green on computer displays?

Answer: ~550 nm

<hl> In additive color devices such as computer displays and televisions, one of the primary light sources is typically a narrow-spectrum yellowish-green of dominant wavelength ~550 nm ; this "green" primary is combined with an orangish-red "red" primary and a purplish-blue "blue" primary to produce any color in between – the RGB color model. <hl> A unique green (green appearing neither yellowish nor bluish) is produced on such a device by mixing light from the green primary with some light from the blue primary.

In additive color devices such as computer displays and televisions, one of the primary light sources is typically a narrow-spectrum yellowish-green of dominant wavelength <hl> ~550 nm <hl>; this "green" primary is combined with an orangish-red "red" primary and a purplish-blue "blue" primary to produce any color in between – the RGB color model. A unique green (green appearing neither yellowish nor bluish) is produced on such a device by mixing light from the green primary with some light from the blue primary.

In additive color devices such as computer displays and televisions, one of the primary light sources is typically a narrow-spectrum yellowish-green of dominant wavelength <hl> ~550 nm <hl> ; this "green" primary is combined with an orangish-red "red" primary and a purplish-blue "blue" primary to produce any color in between – the RGB color model.

question: At what wavelength is green on computer displays?, context: In additive color devices such as computer displays and televisions, one of the primary light sources is typically a narrow-spectrum yellowish-green of dominant wavelength ~550 nm; this "green" primary is combined with an orangish-red "red" primary and a purplish-blue "blue" primary to produce any color in between – the RGB color model. A unique green (green appearing neither yellowish nor bluish) is produced on such a device by mixing light from the green primary with some light from the blue primary.


Question: What type of color devices are computer displays and televisions?

Answer: additive

<hl> In additive color devices such as computer displays and televisions, one of the primary light sources is typically a narrow-spectrum yellowish-green of dominant wavelength ~550 nm; this "green" primary is combined with an orangish-red "red" primary and a purplish-blue "blue" primary to produce any color in between – the RGB color model. <hl> A unique green (green appearing neither yellowish nor bluish) is produced on such a device by mixing light from the green primary with some light from the blue primary.

In <hl> additive <hl> color devices such as computer displays and televisions, one of the primary light sources is typically a narrow-spectrum yellowish-green of dominant wavelength ~550 nm; this "green" primary is combined with an orangish-red "red" primary and a purplish-blue "blue" primary to produce any color in between – the RGB color model. A unique green (green appearing neither yellowish nor bluish) is produced on such a device by mixing light from the green primary with some light from the blue primary.

question: What type of color devices are computer displays and televisions?, context: In additive color devices such as computer displays and televisions, one of the primary light sources is typically a narrow-spectrum yellowish-green of dominant wavelength ~550 nm; this "green" primary is combined with an orangish-red "red" primary and a purplish-blue "blue" primary to produce any color in between – the RGB color model. A unique green (green appearing neither yellowish nor bluish) is produced on such a device by mixing light from the green primary with some light from the blue primary.


Question: Which color of lasers are widely available to the general public?

Answer: green

<hl> Lasers emitting in the green part of the spectrum are widely available to the general public in a wide range of output powers. <hl> Green laser pointers outputting at 532 nm (563.5 THz) are relatively inexpensive compared to other wavelengths of the same power, and are very popular due to their good beam quality and very high apparent brightness. The most common green lasers use diode pumped solid state (DPSS) technology to create the green light. An infrared laser diode at 808 nm is used to pump a crystal of neodymium-doped yttrium vanadium oxide (Nd:YVO4) or neodymium-doped yttrium aluminium garnet (Nd:YAG) and induces it to emit 281.76 THz (1064 nm). This deeper infrared light is then passed through another crystal containing potassium, titanium and phosphorus (KTP), whose non-linear properties generate light at a frequency that is twice that of the incident beam (563.5 THz); in this case corresponding to the wavelength of 532 nm ("green"). Other green wavelengths are also available using DPSS technology ranging from 501 nm to 543 nm. Green wavelengths are also available from gas lasers, including the helium–neon laser (543 nm), the Argon-ion laser (514 nm) and the Krypton-ion laser (521 nm and 531 nm), as well as liquid dye lasers. Green lasers have a wide variety of applications, including pointing, illumination, surgery, laser light shows, spectroscopy, interferometry, fluorescence, holography, machine vision, non-lethal weapons and bird control.

Lasers emitting in the <hl> green <hl> part of the spectrum are widely available to the general public in a wide range of output powers. Green laser pointers outputting at 532 nm (563.5 THz) are relatively inexpensive compared to other wavelengths of the same power, and are very popular due to their good beam quality and very high apparent brightness. The most common green lasers use diode pumped solid state (DPSS) technology to create the green light. An infrared laser diode at 808 nm is used to pump a crystal of neodymium-doped yttrium vanadium oxide (Nd:YVO4) or neodymium-doped yttrium aluminium garnet (Nd:YAG) and induces it to emit 281.76 THz (1064 nm). This deeper infrared light is then passed through another crystal containing potassium, titanium and phosphorus (KTP), whose non-linear properties generate light at a frequency that is twice that of the incident beam (563.5 THz); in this case corresponding to the wavelength of 532 nm ("green"). Other green wavelengths are also available using DPSS technology ranging from 501 nm to 543 nm. Green wavelengths are also available from gas lasers, including the helium–neon laser (543 nm), the Argon-ion laser (514 nm) and the Krypton-ion laser (521 nm and 531 nm), as well as liquid dye lasers. Green lasers have a wide variety of applications, including pointing, illumination, surgery, laser light shows, spectroscopy, interferometry, fluorescence, holography, machine vision, non-lethal weapons and bird control.

question: Which color of lasers are widely available to the general public?, context: Lasers emitting in the green part of the spectrum are widely available to the general public in a wide range of output powers. Green laser pointers outputting at 532 nm (563.5 THz) are relatively inexpensive compared to other wavelengths of the same power, and are very popular due to their good beam quality and very high apparent brightness. The most common green lasers use diode pumped solid state (DPSS) technology to create the green light. An infrared laser diode at 808 nm is used to pump a crystal of neodymium-doped yttrium vanadium oxide (Nd:YVO4) or neodymium-doped yttrium aluminium garnet (Nd:YAG) and induces it to emit 281.76 THz (1064 nm). This deeper infrared light is then passed through another crystal containing potassium, titanium and phosphorus (KTP), whose non-linear properties generate light at a frequency that is twice that of the incident beam (563.5 THz); in this case corresponding to the wavelength of 532 nm ("green"). Other green wavelengths are also available using DPSS technology ranging from 501 nm to 543 nm. Green wavelengths are also available from gas lasers, including the helium–neon laser (543 nm), the Argon-ion laser (514 nm) and the Krypton-ion laser (521 nm and 531 nm), as well as liquid dye lasers. Green lasers have a wide variety of applications, including pointing, illumination, surgery, laser light shows, spectroscopy, interferometry, fluorescence, holography, machine vision, non-lethal weapons and bird control.


Question: What is the wavelength of inexpensive green lasers?

Answer: 532 nm

Lasers emitting in the green part of the spectrum are widely available to the general public in a wide range of output powers. <hl> Green laser pointers outputting at 532 nm (563.5 THz) are relatively inexpensive compared to other wavelengths of the same power, and are very popular due to their good beam quality and very high apparent brightness. <hl> The most common green lasers use diode pumped solid state (DPSS) technology to create the green light. An infrared laser diode at 808 nm is used to pump a crystal of neodymium-doped yttrium vanadium oxide (Nd:YVO4) or neodymium-doped yttrium aluminium garnet (Nd:YAG) and induces it to emit 281.76 THz (1064 nm). This deeper infrared light is then passed through another crystal containing potassium, titanium and phosphorus (KTP), whose non-linear properties generate light at a frequency that is twice that of the incident beam (563.5 THz); in this case corresponding to the wavelength of 532 nm ("green"). Other green wavelengths are also available using DPSS technology ranging from 501 nm to 543 nm. Green wavelengths are also available from gas lasers, including the helium–neon laser (543 nm), the Argon-ion laser (514 nm) and the Krypton-ion laser (521 nm and 531 nm), as well as liquid dye lasers. Green lasers have a wide variety of applications, including pointing, illumination, surgery, laser light shows, spectroscopy, interferometry, fluorescence, holography, machine vision, non-lethal weapons and bird control.

Lasers emitting in the green part of the spectrum are widely available to the general public in a wide range of output powers. Green laser pointers outputting at <hl> 532 nm <hl> (563.5 THz) are relatively inexpensive compared to other wavelengths of the same power, and are very popular due to their good beam quality and very high apparent brightness. The most common green lasers use diode pumped solid state (DPSS) technology to create the green light. An infrared laser diode at 808 nm is used to pump a crystal of neodymium-doped yttrium vanadium oxide (Nd:YVO4) or neodymium-doped yttrium aluminium garnet (Nd:YAG) and induces it to emit 281.76 THz (1064 nm). This deeper infrared light is then passed through another crystal containing potassium, titanium and phosphorus (KTP), whose non-linear properties generate light at a frequency that is twice that of the incident beam (563.5 THz); in this case corresponding to the wavelength of 532 nm ("green"). Other green wavelengths are also available using DPSS technology ranging from 501 nm to 543 nm. Green wavelengths are also available from gas lasers, including the helium–neon laser (543 nm), the Argon-ion laser (514 nm) and the Krypton-ion laser (521 nm and 531 nm), as well as liquid dye lasers. Green lasers have a wide variety of applications, including pointing, illumination, surgery, laser light shows, spectroscopy, interferometry, fluorescence, holography, machine vision, non-lethal weapons and bird control.

question: What is the wavelength of inexpensive green lasers?, context: Lasers emitting in the green part of the spectrum are widely available to the general public in a wide range of output powers. Green laser pointers outputting at 532 nm (563.5 THz) are relatively inexpensive compared to other wavelengths of the same power, and are very popular due to their good beam quality and very high apparent brightness. The most common green lasers use diode pumped solid state (DPSS) technology to create the green light. An infrared laser diode at 808 nm is used to pump a crystal of neodymium-doped yttrium vanadium oxide (Nd:YVO4) or neodymium-doped yttrium aluminium garnet (Nd:YAG) and induces it to emit 281.76 THz (1064 nm). This deeper infrared light is then passed through another crystal containing potassium, titanium and phosphorus (KTP), whose non-linear properties generate light at a frequency that is twice that of the incident beam (563.5 THz); in this case corresponding to the wavelength of 532 nm ("green"). Other green wavelengths are also available using DPSS technology ranging from 501 nm to 543 nm. Green wavelengths are also available from gas lasers, including the helium–neon laser (543 nm), the Argon-ion laser (514 nm) and the Krypton-ion laser (521 nm and 531 nm), as well as liquid dye lasers. Green lasers have a wide variety of applications, including pointing, illumination, surgery, laser light shows, spectroscopy, interferometry, fluorescence, holography, machine vision, non-lethal weapons and bird control.


Question: What type of technology is used in the most common green lasers?

Answer: diode pumped solid state

Lasers emitting in the green part of the spectrum are widely available to the general public in a wide range of output powers. Green laser pointers outputting at 532 nm (563.5 THz) are relatively inexpensive compared to other wavelengths of the same power, and are very popular due to their good beam quality and very high apparent brightness. <hl> The most common green lasers use diode pumped solid state (DPSS) technology to create the green light. <hl> An infrared laser diode at 808 nm is used to pump a crystal of neodymium-doped yttrium vanadium oxide (Nd:YVO4) or neodymium-doped yttrium aluminium garnet (Nd:YAG) and induces it to emit 281.76 THz (1064 nm). This deeper infrared light is then passed through another crystal containing potassium, titanium and phosphorus (KTP), whose non-linear properties generate light at a frequency that is twice that of the incident beam (563.5 THz); in this case corresponding to the wavelength of 532 nm ("green"). Other green wavelengths are also available using DPSS technology ranging from 501 nm to 543 nm. Green wavelengths are also available from gas lasers, including the helium–neon laser (543 nm), the Argon-ion laser (514 nm) and the Krypton-ion laser (521 nm and 531 nm), as well as liquid dye lasers. Green lasers have a wide variety of applications, including pointing, illumination, surgery, laser light shows, spectroscopy, interferometry, fluorescence, holography, machine vision, non-lethal weapons and bird control.

Lasers emitting in the green part of the spectrum are widely available to the general public in a wide range of output powers. Green laser pointers outputting at 532 nm (563.5 THz) are relatively inexpensive compared to other wavelengths of the same power, and are very popular due to their good beam quality and very high apparent brightness. The most common green lasers use <hl> diode pumped solid state <hl> (DPSS) technology to create the green light. An infrared laser diode at 808 nm is used to pump a crystal of neodymium-doped yttrium vanadium oxide (Nd:YVO4) or neodymium-doped yttrium aluminium garnet (Nd:YAG) and induces it to emit 281.76 THz (1064 nm). This deeper infrared light is then passed through another crystal containing potassium, titanium and phosphorus (KTP), whose non-linear properties generate light at a frequency that is twice that of the incident beam (563.5 THz); in this case corresponding to the wavelength of 532 nm ("green"). Other green wavelengths are also available using DPSS technology ranging from 501 nm to 543 nm. Green wavelengths are also available from gas lasers, including the helium–neon laser (543 nm), the Argon-ion laser (514 nm) and the Krypton-ion laser (521 nm and 531 nm), as well as liquid dye lasers. Green lasers have a wide variety of applications, including pointing, illumination, surgery, laser light shows, spectroscopy, interferometry, fluorescence, holography, machine vision, non-lethal weapons and bird control.

question: What type of technology is used in the most common green lasers?, context: Lasers emitting in the green part of the spectrum are widely available to the general public in a wide range of output powers. Green laser pointers outputting at 532 nm (563.5 THz) are relatively inexpensive compared to other wavelengths of the same power, and are very popular due to their good beam quality and very high apparent brightness. The most common green lasers use diode pumped solid state (DPSS) technology to create the green light. An infrared laser diode at 808 nm is used to pump a crystal of neodymium-doped yttrium vanadium oxide (Nd:YVO4) or neodymium-doped yttrium aluminium garnet (Nd:YAG) and induces it to emit 281.76 THz (1064 nm). This deeper infrared light is then passed through another crystal containing potassium, titanium and phosphorus (KTP), whose non-linear properties generate light at a frequency that is twice that of the incident beam (563.5 THz); in this case corresponding to the wavelength of 532 nm ("green"). Other green wavelengths are also available using DPSS technology ranging from 501 nm to 543 nm. Green wavelengths are also available from gas lasers, including the helium–neon laser (543 nm), the Argon-ion laser (514 nm) and the Krypton-ion laser (521 nm and 531 nm), as well as liquid dye lasers. Green lasers have a wide variety of applications, including pointing, illumination, surgery, laser light shows, spectroscopy, interferometry, fluorescence, holography, machine vision, non-lethal weapons and bird control.


Question: What is the range of green wavelengths available when using DPSS technology?

Answer: 501 nm to 543 nm

Lasers emitting in the green part of the spectrum are widely available to the general public in a wide range of output powers. Green laser pointers outputting at 532 nm (563.5 THz) are relatively inexpensive compared to other wavelengths of the same power, and are very popular due to their good beam quality and very high apparent brightness. The most common green lasers use diode pumped solid state (DPSS) technology to create the green light. An infrared laser diode at 808 nm is used to pump a crystal of neodymium-doped yttrium vanadium oxide (Nd:YVO4) or neodymium-doped yttrium aluminium garnet (Nd:YAG) and induces it to emit 281.76 THz (1064 nm). This deeper infrared light is then passed through another crystal containing potassium, titanium and phosphorus (KTP), whose non-linear properties generate light at a frequency that is twice that of the incident beam (563.5 THz); in this case corresponding to the wavelength of 532 nm ("green"). <hl> Other green wavelengths are also available using DPSS technology ranging from 501 nm to 543 nm . <hl> Green wavelengths are also available from gas lasers, including the helium–neon laser (543 nm), the Argon-ion laser (514 nm) and the Krypton-ion laser (521 nm and 531 nm), as well as liquid dye lasers. Green lasers have a wide variety of applications, including pointing, illumination, surgery, laser light shows, spectroscopy, interferometry, fluorescence, holography, machine vision, non-lethal weapons and bird control.

Lasers emitting in the green part of the spectrum are widely available to the general public in a wide range of output powers. Green laser pointers outputting at 532 nm (563.5 THz) are relatively inexpensive compared to other wavelengths of the same power, and are very popular due to their good beam quality and very high apparent brightness. The most common green lasers use diode pumped solid state (DPSS) technology to create the green light. An infrared laser diode at 808 nm is used to pump a crystal of neodymium-doped yttrium vanadium oxide (Nd:YVO4) or neodymium-doped yttrium aluminium garnet (Nd:YAG) and induces it to emit 281.76 THz (1064 nm). This deeper infrared light is then passed through another crystal containing potassium, titanium and phosphorus (KTP), whose non-linear properties generate light at a frequency that is twice that of the incident beam (563.5 THz); in this case corresponding to the wavelength of 532 nm ("green"). Other green wavelengths are also available using DPSS technology ranging from <hl> 501 nm to 543 nm <hl>. Green wavelengths are also available from gas lasers, including the helium–neon laser (543 nm), the Argon-ion laser (514 nm) and the Krypton-ion laser (521 nm and 531 nm), as well as liquid dye lasers. Green lasers have a wide variety of applications, including pointing, illumination, surgery, laser light shows, spectroscopy, interferometry, fluorescence, holography, machine vision, non-lethal weapons and bird control.

Other green wavelengths are also available using DPSS technology ranging from <hl> 501 nm to 543 nm <hl> .

question: What is the range of green wavelengths available when using DPSS technology?, context: Lasers emitting in the green part of the spectrum are widely available to the general public in a wide range of output powers. Green laser pointers outputting at 532 nm (563.5 THz) are relatively inexpensive compared to other wavelengths of the same power, and are very popular due to their good beam quality and very high apparent brightness. The most common green lasers use diode pumped solid state (DPSS) technology to create the green light. An infrared laser diode at 808 nm is used to pump a crystal of neodymium-doped yttrium vanadium oxide (Nd:YVO4) or neodymium-doped yttrium aluminium garnet (Nd:YAG) and induces it to emit 281.76 THz (1064 nm). This deeper infrared light is then passed through another crystal containing potassium, titanium and phosphorus (KTP), whose non-linear properties generate light at a frequency that is twice that of the incident beam (563.5 THz); in this case corresponding to the wavelength of 532 nm ("green"). Other green wavelengths are also available using DPSS technology ranging from 501 nm to 543 nm. Green wavelengths are also available from gas lasers, including the helium–neon laser (543 nm), the Argon-ion laser (514 nm) and the Krypton-ion laser (521 nm and 531 nm), as well as liquid dye lasers. Green lasers have a wide variety of applications, including pointing, illumination, surgery, laser light shows, spectroscopy, interferometry, fluorescence, holography, machine vision, non-lethal weapons and bird control.


Question: What do pigments do with the color green?

Answer: reflect

Many minerals provide pigments which have been used in green paints and dyes over the centuries. <hl> Pigments, in this case, are minerals which reflect the color green, rather that emitting it through luminescent or phosphorescent qualities. <hl> The large number of green pigments makes it impossible to mention them all. Among the more notable green minerals, however is the emerald, which is colored green by trace amounts of chromium and sometimes vanadium. Chromium(III) oxide (Cr2O3), is called chrome green, also called viridian or institutional green when used as a pigment. For many years, the source of amazonite's color was a mystery. Widely thought to have been due to copper because copper compounds often have blue and green colors, the blue-green color is likely to be derived from small quantities of lead and water in the feldspar. Copper is the source of the green color in malachite pigments, chemically known as basic copper(II) carbonate.

Many minerals provide pigments which have been used in green paints and dyes over the centuries. Pigments, in this case, are minerals which <hl> reflect <hl> the color green, rather that emitting it through luminescent or phosphorescent qualities. The large number of green pigments makes it impossible to mention them all. Among the more notable green minerals, however is the emerald, which is colored green by trace amounts of chromium and sometimes vanadium. Chromium(III) oxide (Cr2O3), is called chrome green, also called viridian or institutional green when used as a pigment. For many years, the source of amazonite's color was a mystery. Widely thought to have been due to copper because copper compounds often have blue and green colors, the blue-green color is likely to be derived from small quantities of lead and water in the feldspar. Copper is the source of the green color in malachite pigments, chemically known as basic copper(II) carbonate.

question: What do pigments do with the color green?, context: Many minerals provide pigments which have been used in green paints and dyes over the centuries. Pigments, in this case, are minerals which reflect the color green, rather that emitting it through luminescent or phosphorescent qualities. The large number of green pigments makes it impossible to mention them all. Among the more notable green minerals, however is the emerald, which is colored green by trace amounts of chromium and sometimes vanadium. Chromium(III) oxide (Cr2O3), is called chrome green, also called viridian or institutional green when used as a pigment. For many years, the source of amazonite's color was a mystery. Widely thought to have been due to copper because copper compounds often have blue and green colors, the blue-green color is likely to be derived from small quantities of lead and water in the feldspar. Copper is the source of the green color in malachite pigments, chemically known as basic copper(II) carbonate.


Question: What are green paints and dyes usually made of?

Answer: minerals

<hl> Many minerals provide pigments which have been used in green paints and dyes over the centuries. <hl> Pigments, in this case, are minerals which reflect the color green, rather that emitting it through luminescent or phosphorescent qualities. The large number of green pigments makes it impossible to mention them all. Among the more notable green minerals, however is the emerald, which is colored green by trace amounts of chromium and sometimes vanadium. Chromium(III) oxide (Cr2O3), is called chrome green, also called viridian or institutional green when used as a pigment. For many years, the source of amazonite's color was a mystery. Widely thought to have been due to copper because copper compounds often have blue and green colors, the blue-green color is likely to be derived from small quantities of lead and water in the feldspar. Copper is the source of the green color in malachite pigments, chemically known as basic copper(II) carbonate.

Many <hl> minerals <hl> provide pigments which have been used in green paints and dyes over the centuries. Pigments, in this case, are minerals which reflect the color green, rather that emitting it through luminescent or phosphorescent qualities. The large number of green pigments makes it impossible to mention them all. Among the more notable green minerals, however is the emerald, which is colored green by trace amounts of chromium and sometimes vanadium. Chromium(III) oxide (Cr2O3), is called chrome green, also called viridian or institutional green when used as a pigment. For many years, the source of amazonite's color was a mystery. Widely thought to have been due to copper because copper compounds often have blue and green colors, the blue-green color is likely to be derived from small quantities of lead and water in the feldspar. Copper is the source of the green color in malachite pigments, chemically known as basic copper(II) carbonate.

question: What are green paints and dyes usually made of?, context: Many minerals provide pigments which have been used in green paints and dyes over the centuries. Pigments, in this case, are minerals which reflect the color green, rather that emitting it through luminescent or phosphorescent qualities. The large number of green pigments makes it impossible to mention them all. Among the more notable green minerals, however is the emerald, which is colored green by trace amounts of chromium and sometimes vanadium. Chromium(III) oxide (Cr2O3), is called chrome green, also called viridian or institutional green when used as a pigment. For many years, the source of amazonite's color was a mystery. Widely thought to have been due to copper because copper compounds often have blue and green colors, the blue-green color is likely to be derived from small quantities of lead and water in the feldspar. Copper is the source of the green color in malachite pigments, chemically known as basic copper(II) carbonate.


Question: What is the main chemical that causes emeralds to be green?

Answer: chromium

Many minerals provide pigments which have been used in green paints and dyes over the centuries. Pigments, in this case, are minerals which reflect the color green, rather that emitting it through luminescent or phosphorescent qualities. The large number of green pigments makes it impossible to mention them all. <hl> Among the more notable green minerals, however is the emerald, which is colored green by trace amounts of chromium and sometimes vanadium. <hl> Chromium(III) oxide (Cr2O3), is called chrome green, also called viridian or institutional green when used as a pigment. For many years, the source of amazonite's color was a mystery. Widely thought to have been due to copper because copper compounds often have blue and green colors, the blue-green color is likely to be derived from small quantities of lead and water in the feldspar. Copper is the source of the green color in malachite pigments, chemically known as basic copper(II) carbonate.

Many minerals provide pigments which have been used in green paints and dyes over the centuries. Pigments, in this case, are minerals which reflect the color green, rather that emitting it through luminescent or phosphorescent qualities. The large number of green pigments makes it impossible to mention them all. Among the more notable green minerals, however is the emerald, which is colored green by trace amounts of <hl> chromium <hl> and sometimes vanadium. Chromium(III) oxide (Cr2O3), is called chrome green, also called viridian or institutional green when used as a pigment. For many years, the source of amazonite's color was a mystery. Widely thought to have been due to copper because copper compounds often have blue and green colors, the blue-green color is likely to be derived from small quantities of lead and water in the feldspar. Copper is the source of the green color in malachite pigments, chemically known as basic copper(II) carbonate.

question: What is the main chemical that causes emeralds to be green?, context: Many minerals provide pigments which have been used in green paints and dyes over the centuries. Pigments, in this case, are minerals which reflect the color green, rather that emitting it through luminescent or phosphorescent qualities. The large number of green pigments makes it impossible to mention them all. Among the more notable green minerals, however is the emerald, which is colored green by trace amounts of chromium and sometimes vanadium. Chromium(III) oxide (Cr2O3), is called chrome green, also called viridian or institutional green when used as a pigment. For many years, the source of amazonite's color was a mystery. Widely thought to have been due to copper because copper compounds often have blue and green colors, the blue-green color is likely to be derived from small quantities of lead and water in the feldspar. Copper is the source of the green color in malachite pigments, chemically known as basic copper(II) carbonate.


Question: What is the source of the green color in malachite pigments?

Answer: Copper

Many minerals provide pigments which have been used in green paints and dyes over the centuries. Pigments, in this case, are minerals which reflect the color green, rather that emitting it through luminescent or phosphorescent qualities. The large number of green pigments makes it impossible to mention them all. Among the more notable green minerals, however is the emerald, which is colored green by trace amounts of chromium and sometimes vanadium. Chromium(III) oxide (Cr2O3), is called chrome green, also called viridian or institutional green when used as a pigment. For many years, the source of amazonite's color was a mystery. Widely thought to have been due to copper because copper compounds often have blue and green colors, the blue-green color is likely to be derived from small quantities of lead and water in the feldspar. <hl> Copper is the source of the green color in malachite pigments, chemically known as basic copper(II) carbonate. <hl>

Many minerals provide pigments which have been used in green paints and dyes over the centuries. Pigments, in this case, are minerals which reflect the color green, rather that emitting it through luminescent or phosphorescent qualities. The large number of green pigments makes it impossible to mention them all. Among the more notable green minerals, however is the emerald, which is colored green by trace amounts of chromium and sometimes vanadium. Chromium(III) oxide (Cr2O3), is called chrome green, also called viridian or institutional green when used as a pigment. For many years, the source of amazonite's color was a mystery. Widely thought to have been due to copper because copper compounds often have blue and green colors, the blue-green color is likely to be derived from small quantities of lead and water in the feldspar. <hl> Copper <hl> is the source of the green color in malachite pigments, chemically known as basic copper(II) carbonate.

question: What is the source of the green color in malachite pigments?, context: Many minerals provide pigments which have been used in green paints and dyes over the centuries. Pigments, in this case, are minerals which reflect the color green, rather that emitting it through luminescent or phosphorescent qualities. The large number of green pigments makes it impossible to mention them all. Among the more notable green minerals, however is the emerald, which is colored green by trace amounts of chromium and sometimes vanadium. Chromium(III) oxide (Cr2O3), is called chrome green, also called viridian or institutional green when used as a pigment. For many years, the source of amazonite's color was a mystery. Widely thought to have been due to copper because copper compounds often have blue and green colors, the blue-green color is likely to be derived from small quantities of lead and water in the feldspar. Copper is the source of the green color in malachite pigments, chemically known as basic copper(II) carbonate.


Question: What is the source of amazonite's color?

Answer: small quantities of lead and water in the feldspar

Many minerals provide pigments which have been used in green paints and dyes over the centuries. Pigments, in this case, are minerals which reflect the color green, rather that emitting it through luminescent or phosphorescent qualities. The large number of green pigments makes it impossible to mention them all. Among the more notable green minerals, however is the emerald, which is colored green by trace amounts of chromium and sometimes vanadium. Chromium(III) oxide (Cr2O3), is called chrome green, also called viridian or institutional green when used as a pigment. For many years, the source of amazonite's color was a mystery. <hl> Widely thought to have been due to copper because copper compounds often have blue and green colors, the blue-green color is likely to be derived from small quantities of lead and water in the feldspar . <hl> Copper is the source of the green color in malachite pigments, chemically known as basic copper(II) carbonate.

Many minerals provide pigments which have been used in green paints and dyes over the centuries. Pigments, in this case, are minerals which reflect the color green, rather that emitting it through luminescent or phosphorescent qualities. The large number of green pigments makes it impossible to mention them all. Among the more notable green minerals, however is the emerald, which is colored green by trace amounts of chromium and sometimes vanadium. Chromium(III) oxide (Cr2O3), is called chrome green, also called viridian or institutional green when used as a pigment. For many years, the source of amazonite's color was a mystery. Widely thought to have been due to copper because copper compounds often have blue and green colors, the blue-green color is likely to be derived from <hl> small quantities of lead and water in the feldspar <hl>. Copper is the source of the green color in malachite pigments, chemically known as basic copper(II) carbonate.

Widely thought to have been due to copper because copper compounds often have blue and green colors, the blue-green color is likely to be derived from <hl> small quantities of lead and water in the feldspar <hl> .

question: What is the source of amazonite's color?, context: Many minerals provide pigments which have been used in green paints and dyes over the centuries. Pigments, in this case, are minerals which reflect the color green, rather that emitting it through luminescent or phosphorescent qualities. The large number of green pigments makes it impossible to mention them all. Among the more notable green minerals, however is the emerald, which is colored green by trace amounts of chromium and sometimes vanadium. Chromium(III) oxide (Cr2O3), is called chrome green, also called viridian or institutional green when used as a pigment. For many years, the source of amazonite's color was a mystery. Widely thought to have been due to copper because copper compounds often have blue and green colors, the blue-green color is likely to be derived from small quantities of lead and water in the feldspar. Copper is the source of the green color in malachite pigments, chemically known as basic copper(II) carbonate.


Question: What is made by placing a plate of blade of copper, brass, or bronze into vat of fermenting wine for several weeks, then scraping off and drying the green powder?

Answer: Verdigris

<hl> Verdigris is made by placing a plate or blade of copper, brass or bronze, slightly warmed, into a vat of fermenting wine, leaving it there for several weeks, and then scraping off and drying the green powder that forms on the metal. <hl> The process of making verdigris was described in ancient times by Pliny. It was used by the Romans in the murals of Pompeii, and in Celtic medieval manuscripts as early as the 5th century AD. It produced a blue-green which no other pigment could imitate, but it had drawbacks; it was unstable, it could not resist dampness, it did not mix well with other colors, it could ruin other colors with which it came into contact., and it was toxic. Leonardo da Vinci, in his treatise on painting, warned artists not to use it. It was widely used in miniature paintings in Europe and Persia in the 16th and 17th centuries. Its use largely ended in the late 19th century, when it was replaced by the safer and more stable chrome green. Viridian, also called chrome green, is a pigment made with chromium oxide dihydrate, was patented in 1859. It became popular with painters, since, unlike other synthetic greens, it was stable and not toxic. Vincent van Gogh used it, along with Prussian blue, to create a dark blue sky with a greenish tint in his painting Cafe terrace at night.

<hl> Verdigris <hl> is made by placing a plate or blade of copper, brass or bronze, slightly warmed, into a vat of fermenting wine, leaving it there for several weeks, and then scraping off and drying the green powder that forms on the metal. The process of making verdigris was described in ancient times by Pliny. It was used by the Romans in the murals of Pompeii, and in Celtic medieval manuscripts as early as the 5th century AD. It produced a blue-green which no other pigment could imitate, but it had drawbacks; it was unstable, it could not resist dampness, it did not mix well with other colors, it could ruin other colors with which it came into contact., and it was toxic. Leonardo da Vinci, in his treatise on painting, warned artists not to use it. It was widely used in miniature paintings in Europe and Persia in the 16th and 17th centuries. Its use largely ended in the late 19th century, when it was replaced by the safer and more stable chrome green. Viridian, also called chrome green, is a pigment made with chromium oxide dihydrate, was patented in 1859. It became popular with painters, since, unlike other synthetic greens, it was stable and not toxic. Vincent van Gogh used it, along with Prussian blue, to create a dark blue sky with a greenish tint in his painting Cafe terrace at night.

question: What is made by placing a plate of blade of copper, brass, or bronze into vat of fermenting wine for several weeks, then scraping off and drying the green powder?, context: Verdigris is made by placing a plate or blade of copper, brass or bronze, slightly warmed, into a vat of fermenting wine, leaving it there for several weeks, and then scraping off and drying the green powder that forms on the metal. The process of making verdigris was described in ancient times by Pliny. It was used by the Romans in the murals of Pompeii, and in Celtic medieval manuscripts as early as the 5th century AD. It produced a blue-green which no other pigment could imitate, but it had drawbacks; it was unstable, it could not resist dampness, it did not mix well with other colors, it could ruin other colors with which it came into contact., and it was toxic. Leonardo da Vinci, in his treatise on painting, warned artists not to use it. It was widely used in miniature paintings in Europe and Persia in the 16th and 17th centuries. Its use largely ended in the late 19th century, when it was replaced by the safer and more stable chrome green. Viridian, also called chrome green, is a pigment made with chromium oxide dihydrate, was patented in 1859. It became popular with painters, since, unlike other synthetic greens, it was stable and not toxic. Vincent van Gogh used it, along with Prussian blue, to create a dark blue sky with a greenish tint in his painting Cafe terrace at night.


Question: Who described the process of making verdigris in ancient times?

Answer: Pliny

Verdigris is made by placing a plate or blade of copper, brass or bronze, slightly warmed, into a vat of fermenting wine, leaving it there for several weeks, and then scraping off and drying the green powder that forms on the metal. <hl> The process of making verdigris was described in ancient times by Pliny . <hl> It was used by the Romans in the murals of Pompeii, and in Celtic medieval manuscripts as early as the 5th century AD. It produced a blue-green which no other pigment could imitate, but it had drawbacks; it was unstable, it could not resist dampness, it did not mix well with other colors, it could ruin other colors with which it came into contact., and it was toxic. Leonardo da Vinci, in his treatise on painting, warned artists not to use it. It was widely used in miniature paintings in Europe and Persia in the 16th and 17th centuries. Its use largely ended in the late 19th century, when it was replaced by the safer and more stable chrome green. Viridian, also called chrome green, is a pigment made with chromium oxide dihydrate, was patented in 1859. It became popular with painters, since, unlike other synthetic greens, it was stable and not toxic. Vincent van Gogh used it, along with Prussian blue, to create a dark blue sky with a greenish tint in his painting Cafe terrace at night.

Verdigris is made by placing a plate or blade of copper, brass or bronze, slightly warmed, into a vat of fermenting wine, leaving it there for several weeks, and then scraping off and drying the green powder that forms on the metal. The process of making verdigris was described in ancient times by <hl> Pliny <hl>. It was used by the Romans in the murals of Pompeii, and in Celtic medieval manuscripts as early as the 5th century AD. It produced a blue-green which no other pigment could imitate, but it had drawbacks; it was unstable, it could not resist dampness, it did not mix well with other colors, it could ruin other colors with which it came into contact., and it was toxic. Leonardo da Vinci, in his treatise on painting, warned artists not to use it. It was widely used in miniature paintings in Europe and Persia in the 16th and 17th centuries. Its use largely ended in the late 19th century, when it was replaced by the safer and more stable chrome green. Viridian, also called chrome green, is a pigment made with chromium oxide dihydrate, was patented in 1859. It became popular with painters, since, unlike other synthetic greens, it was stable and not toxic. Vincent van Gogh used it, along with Prussian blue, to create a dark blue sky with a greenish tint in his painting Cafe terrace at night.

The process of making verdigris was described in ancient times by <hl> Pliny <hl> .

question: Who described the process of making verdigris in ancient times?, context: Verdigris is made by placing a plate or blade of copper, brass or bronze, slightly warmed, into a vat of fermenting wine, leaving it there for several weeks, and then scraping off and drying the green powder that forms on the metal. The process of making verdigris was described in ancient times by Pliny. It was used by the Romans in the murals of Pompeii, and in Celtic medieval manuscripts as early as the 5th century AD. It produced a blue-green which no other pigment could imitate, but it had drawbacks; it was unstable, it could not resist dampness, it did not mix well with other colors, it could ruin other colors with which it came into contact., and it was toxic. Leonardo da Vinci, in his treatise on painting, warned artists not to use it. It was widely used in miniature paintings in Europe and Persia in the 16th and 17th centuries. Its use largely ended in the late 19th century, when it was replaced by the safer and more stable chrome green. Viridian, also called chrome green, is a pigment made with chromium oxide dihydrate, was patented in 1859. It became popular with painters, since, unlike other synthetic greens, it was stable and not toxic. Vincent van Gogh used it, along with Prussian blue, to create a dark blue sky with a greenish tint in his painting Cafe terrace at night.


Question: In what city did the Romans use verdigris in murals?

Answer: Pompeii

Verdigris is made by placing a plate or blade of copper, brass or bronze, slightly warmed, into a vat of fermenting wine, leaving it there for several weeks, and then scraping off and drying the green powder that forms on the metal. The process of making verdigris was described in ancient times by Pliny. <hl> It was used by the Romans in the murals of Pompeii , and in Celtic medieval manuscripts as early as the 5th century AD. <hl> It produced a blue-green which no other pigment could imitate, but it had drawbacks; it was unstable, it could not resist dampness, it did not mix well with other colors, it could ruin other colors with which it came into contact., and it was toxic. Leonardo da Vinci, in his treatise on painting, warned artists not to use it. It was widely used in miniature paintings in Europe and Persia in the 16th and 17th centuries. Its use largely ended in the late 19th century, when it was replaced by the safer and more stable chrome green. Viridian, also called chrome green, is a pigment made with chromium oxide dihydrate, was patented in 1859. It became popular with painters, since, unlike other synthetic greens, it was stable and not toxic. Vincent van Gogh used it, along with Prussian blue, to create a dark blue sky with a greenish tint in his painting Cafe terrace at night.

Verdigris is made by placing a plate or blade of copper, brass or bronze, slightly warmed, into a vat of fermenting wine, leaving it there for several weeks, and then scraping off and drying the green powder that forms on the metal. The process of making verdigris was described in ancient times by Pliny. It was used by the Romans in the murals of <hl> Pompeii <hl>, and in Celtic medieval manuscripts as early as the 5th century AD. It produced a blue-green which no other pigment could imitate, but it had drawbacks; it was unstable, it could not resist dampness, it did not mix well with other colors, it could ruin other colors with which it came into contact., and it was toxic. Leonardo da Vinci, in his treatise on painting, warned artists not to use it. It was widely used in miniature paintings in Europe and Persia in the 16th and 17th centuries. Its use largely ended in the late 19th century, when it was replaced by the safer and more stable chrome green. Viridian, also called chrome green, is a pigment made with chromium oxide dihydrate, was patented in 1859. It became popular with painters, since, unlike other synthetic greens, it was stable and not toxic. Vincent van Gogh used it, along with Prussian blue, to create a dark blue sky with a greenish tint in his painting Cafe terrace at night.

It was used by the Romans in the murals of <hl> Pompeii <hl> , and in Celtic medieval manuscripts as early as the 5th century AD.

question: In what city did the Romans use verdigris in murals?, context: Verdigris is made by placing a plate or blade of copper, brass or bronze, slightly warmed, into a vat of fermenting wine, leaving it there for several weeks, and then scraping off and drying the green powder that forms on the metal. The process of making verdigris was described in ancient times by Pliny. It was used by the Romans in the murals of Pompeii, and in Celtic medieval manuscripts as early as the 5th century AD. It produced a blue-green which no other pigment could imitate, but it had drawbacks; it was unstable, it could not resist dampness, it did not mix well with other colors, it could ruin other colors with which it came into contact., and it was toxic. Leonardo da Vinci, in his treatise on painting, warned artists not to use it. It was widely used in miniature paintings in Europe and Persia in the 16th and 17th centuries. Its use largely ended in the late 19th century, when it was replaced by the safer and more stable chrome green. Viridian, also called chrome green, is a pigment made with chromium oxide dihydrate, was patented in 1859. It became popular with painters, since, unlike other synthetic greens, it was stable and not toxic. Vincent van Gogh used it, along with Prussian blue, to create a dark blue sky with a greenish tint in his painting Cafe terrace at night.


Question: What would verdigris do to other colors that it came in contact with?

Answer: ruin

Verdigris is made by placing a plate or blade of copper, brass or bronze, slightly warmed, into a vat of fermenting wine, leaving it there for several weeks, and then scraping off and drying the green powder that forms on the metal. The process of making verdigris was described in ancient times by Pliny. It was used by the Romans in the murals of Pompeii, and in Celtic medieval manuscripts as early as the 5th century AD. <hl> It produced a blue-green which no other pigment could imitate, but it had drawbacks; it was unstable, it could not resist dampness, it did not mix well with other colors, it could ruin other colors with which it came into contact., and it was toxic. <hl> Leonardo da Vinci, in his treatise on painting, warned artists not to use it. It was widely used in miniature paintings in Europe and Persia in the 16th and 17th centuries. Its use largely ended in the late 19th century, when it was replaced by the safer and more stable chrome green. Viridian, also called chrome green, is a pigment made with chromium oxide dihydrate, was patented in 1859. It became popular with painters, since, unlike other synthetic greens, it was stable and not toxic. Vincent van Gogh used it, along with Prussian blue, to create a dark blue sky with a greenish tint in his painting Cafe terrace at night.

Verdigris is made by placing a plate or blade of copper, brass or bronze, slightly warmed, into a vat of fermenting wine, leaving it there for several weeks, and then scraping off and drying the green powder that forms on the metal. The process of making verdigris was described in ancient times by Pliny. It was used by the Romans in the murals of Pompeii, and in Celtic medieval manuscripts as early as the 5th century AD. It produced a blue-green which no other pigment could imitate, but it had drawbacks; it was unstable, it could not resist dampness, it did not mix well with other colors, it could <hl> ruin <hl> other colors with which it came into contact., and it was toxic. Leonardo da Vinci, in his treatise on painting, warned artists not to use it. It was widely used in miniature paintings in Europe and Persia in the 16th and 17th centuries. Its use largely ended in the late 19th century, when it was replaced by the safer and more stable chrome green. Viridian, also called chrome green, is a pigment made with chromium oxide dihydrate, was patented in 1859. It became popular with painters, since, unlike other synthetic greens, it was stable and not toxic. Vincent van Gogh used it, along with Prussian blue, to create a dark blue sky with a greenish tint in his painting Cafe terrace at night.

question: What would verdigris do to other colors that it came in contact with?, context: Verdigris is made by placing a plate or blade of copper, brass or bronze, slightly warmed, into a vat of fermenting wine, leaving it there for several weeks, and then scraping off and drying the green powder that forms on the metal. The process of making verdigris was described in ancient times by Pliny. It was used by the Romans in the murals of Pompeii, and in Celtic medieval manuscripts as early as the 5th century AD. It produced a blue-green which no other pigment could imitate, but it had drawbacks; it was unstable, it could not resist dampness, it did not mix well with other colors, it could ruin other colors with which it came into contact., and it was toxic. Leonardo da Vinci, in his treatise on painting, warned artists not to use it. It was widely used in miniature paintings in Europe and Persia in the 16th and 17th centuries. Its use largely ended in the late 19th century, when it was replaced by the safer and more stable chrome green. Viridian, also called chrome green, is a pigment made with chromium oxide dihydrate, was patented in 1859. It became popular with painters, since, unlike other synthetic greens, it was stable and not toxic. Vincent van Gogh used it, along with Prussian blue, to create a dark blue sky with a greenish tint in his painting Cafe terrace at night.


Question: Which famous artist warned other artists not to use verdigris?

Answer: Leonardo da Vinci

Verdigris is made by placing a plate or blade of copper, brass or bronze, slightly warmed, into a vat of fermenting wine, leaving it there for several weeks, and then scraping off and drying the green powder that forms on the metal. The process of making verdigris was described in ancient times by Pliny. It was used by the Romans in the murals of Pompeii, and in Celtic medieval manuscripts as early as the 5th century AD. It produced a blue-green which no other pigment could imitate, but it had drawbacks; it was unstable, it could not resist dampness, it did not mix well with other colors, it could ruin other colors with which it came into contact., and it was toxic. <hl> Leonardo da Vinci , in his treatise on painting, warned artists not to use it. <hl> It was widely used in miniature paintings in Europe and Persia in the 16th and 17th centuries. Its use largely ended in the late 19th century, when it was replaced by the safer and more stable chrome green. Viridian, also called chrome green, is a pigment made with chromium oxide dihydrate, was patented in 1859. It became popular with painters, since, unlike other synthetic greens, it was stable and not toxic. Vincent van Gogh used it, along with Prussian blue, to create a dark blue sky with a greenish tint in his painting Cafe terrace at night.

Verdigris is made by placing a plate or blade of copper, brass or bronze, slightly warmed, into a vat of fermenting wine, leaving it there for several weeks, and then scraping off and drying the green powder that forms on the metal. The process of making verdigris was described in ancient times by Pliny. It was used by the Romans in the murals of Pompeii, and in Celtic medieval manuscripts as early as the 5th century AD. It produced a blue-green which no other pigment could imitate, but it had drawbacks; it was unstable, it could not resist dampness, it did not mix well with other colors, it could ruin other colors with which it came into contact., and it was toxic. <hl> Leonardo da Vinci <hl>, in his treatise on painting, warned artists not to use it. It was widely used in miniature paintings in Europe and Persia in the 16th and 17th centuries. Its use largely ended in the late 19th century, when it was replaced by the safer and more stable chrome green. Viridian, also called chrome green, is a pigment made with chromium oxide dihydrate, was patented in 1859. It became popular with painters, since, unlike other synthetic greens, it was stable and not toxic. Vincent van Gogh used it, along with Prussian blue, to create a dark blue sky with a greenish tint in his painting Cafe terrace at night.

<hl> Leonardo da Vinci <hl> , in his treatise on painting, warned artists not to use it.

question: Which famous artist warned other artists not to use verdigris?, context: Verdigris is made by placing a plate or blade of copper, brass or bronze, slightly warmed, into a vat of fermenting wine, leaving it there for several weeks, and then scraping off and drying the green powder that forms on the metal. The process of making verdigris was described in ancient times by Pliny. It was used by the Romans in the murals of Pompeii, and in Celtic medieval manuscripts as early as the 5th century AD. It produced a blue-green which no other pigment could imitate, but it had drawbacks; it was unstable, it could not resist dampness, it did not mix well with other colors, it could ruin other colors with which it came into contact., and it was toxic. Leonardo da Vinci, in his treatise on painting, warned artists not to use it. It was widely used in miniature paintings in Europe and Persia in the 16th and 17th centuries. Its use largely ended in the late 19th century, when it was replaced by the safer and more stable chrome green. Viridian, also called chrome green, is a pigment made with chromium oxide dihydrate, was patented in 1859. It became popular with painters, since, unlike other synthetic greens, it was stable and not toxic. Vincent van Gogh used it, along with Prussian blue, to create a dark blue sky with a greenish tint in his painting Cafe terrace at night.


Question: Which green food coloring is known to cause hyperactivity, asthma, urticaria, and insomnia?

Answer: Green S (E142)

There is no natural source for green food colorings which has been approved by the US Food and Drug Administration. Chlorophyll, the E numbers E140 and E141, is the most common green chemical found in nature, and only allowed in certain medicines and cosmetic materials. Quinoline Yellow (E104) is a commonly used coloring in the United Kingdom but is banned in Australia, Japan, Norway and the United States. <hl> Green S (E142) is prohibited in many countries, for it is known to cause hyperactivity, asthma, urticaria, and insomnia. <hl>

There is no natural source for green food colorings which has been approved by the US Food and Drug Administration. Chlorophyll, the E numbers E140 and E141, is the most common green chemical found in nature, and only allowed in certain medicines and cosmetic materials. Quinoline Yellow (E104) is a commonly used coloring in the United Kingdom but is banned in Australia, Japan, Norway and the United States. <hl> Green S (E142) <hl> is prohibited in many countries, for it is known to cause hyperactivity, asthma, urticaria, and insomnia.

question: Which green food coloring is known to cause hyperactivity, asthma, urticaria, and insomnia?, context: There is no natural source for green food colorings which has been approved by the US Food and Drug Administration. Chlorophyll, the E numbers E140 and E141, is the most common green chemical found in nature, and only allowed in certain medicines and cosmetic materials. Quinoline Yellow (E104) is a commonly used coloring in the United Kingdom but is banned in Australia, Japan, Norway and the United States. Green S (E142) is prohibited in many countries, for it is known to cause hyperactivity, asthma, urticaria, and insomnia.


Question: What is a commonly used food coloring in the United Kingdom that is banned in Australia, Japan, Norway, and the United States?

Answer: Quinoline Yellow

There is no natural source for green food colorings which has been approved by the US Food and Drug Administration. Chlorophyll, the E numbers E140 and E141, is the most common green chemical found in nature, and only allowed in certain medicines and cosmetic materials. <hl> Quinoline Yellow (E104) is a commonly used coloring in the United Kingdom but is banned in Australia, Japan, Norway and the United States. <hl> Green S (E142) is prohibited in many countries, for it is known to cause hyperactivity, asthma, urticaria, and insomnia.

There is no natural source for green food colorings which has been approved by the US Food and Drug Administration. Chlorophyll, the E numbers E140 and E141, is the most common green chemical found in nature, and only allowed in certain medicines and cosmetic materials. <hl> Quinoline Yellow <hl> (E104) is a commonly used coloring in the United Kingdom but is banned in Australia, Japan, Norway and the United States. Green S (E142) is prohibited in many countries, for it is known to cause hyperactivity, asthma, urticaria, and insomnia.

question: What is a commonly used food coloring in the United Kingdom that is banned in Australia, Japan, Norway, and the United States?, context: There is no natural source for green food colorings which has been approved by the US Food and Drug Administration. Chlorophyll, the E numbers E140 and E141, is the most common green chemical found in nature, and only allowed in certain medicines and cosmetic materials. Quinoline Yellow (E104) is a commonly used coloring in the United Kingdom but is banned in Australia, Japan, Norway and the United States. Green S (E142) is prohibited in many countries, for it is known to cause hyperactivity, asthma, urticaria, and insomnia.


Question: What is the most common green chemical found in nature?

Answer: Chlorophyll

There is no natural source for green food colorings which has been approved by the US Food and Drug Administration. <hl> Chlorophyll , the E numbers E140 and E141, is the most common green chemical found in nature, and only allowed in certain medicines and cosmetic materials. <hl> Quinoline Yellow (E104) is a commonly used coloring in the United Kingdom but is banned in Australia, Japan, Norway and the United States. Green S (E142) is prohibited in many countries, for it is known to cause hyperactivity, asthma, urticaria, and insomnia.

There is no natural source for green food colorings which has been approved by the US Food and Drug Administration. <hl> Chlorophyll <hl>, the E numbers E140 and E141, is the most common green chemical found in nature, and only allowed in certain medicines and cosmetic materials. Quinoline Yellow (E104) is a commonly used coloring in the United Kingdom but is banned in Australia, Japan, Norway and the United States. Green S (E142) is prohibited in many countries, for it is known to cause hyperactivity, asthma, urticaria, and insomnia.

<hl> Chlorophyll <hl> , the E numbers E140 and E141, is the most common green chemical found in nature, and only allowed in certain medicines and cosmetic materials.

question: What is the most common green chemical found in nature?, context: There is no natural source for green food colorings which has been approved by the US Food and Drug Administration. Chlorophyll, the E numbers E140 and E141, is the most common green chemical found in nature, and only allowed in certain medicines and cosmetic materials. Quinoline Yellow (E104) is a commonly used coloring in the United Kingdom but is banned in Australia, Japan, Norway and the United States. Green S (E142) is prohibited in many countries, for it is known to cause hyperactivity, asthma, urticaria, and insomnia.


Question: How do fireworks create green sparks?

Answer: barium salts

<hl> To create green sparks, fireworks use barium salts , such as barium chlorate, barium nitrate crystals, or barium chloride, also used for green fireplace logs. <hl> Copper salts typically burn blue, but cupric chloride (also known as "campfire blue") can also produce green flames. Green pyrotechnic flares can use a mix ratio 75:25 of boron and potassium nitrate. Smoke can be turned green by a mixture: solvent yellow 33, solvent green 3, lactose, magnesium carbonate plus sodium carbonate added to potassium chlorate.

To create green sparks, fireworks use <hl> barium salts <hl>, such as barium chlorate, barium nitrate crystals, or barium chloride, also used for green fireplace logs. Copper salts typically burn blue, but cupric chloride (also known as "campfire blue") can also produce green flames. Green pyrotechnic flares can use a mix ratio 75:25 of boron and potassium nitrate. Smoke can be turned green by a mixture: solvent yellow 33, solvent green 3, lactose, magnesium carbonate plus sodium carbonate added to potassium chlorate.

To create green sparks, fireworks use <hl> barium salts <hl> , such as barium chlorate, barium nitrate crystals, or barium chloride, also used for green fireplace logs.

question: How do fireworks create green sparks?, context: To create green sparks, fireworks use barium salts, such as barium chlorate, barium nitrate crystals, or barium chloride, also used for green fireplace logs. Copper salts typically burn blue, but cupric chloride (also known as "campfire blue") can also produce green flames. Green pyrotechnic flares can use a mix ratio 75:25 of boron and potassium nitrate. Smoke can be turned green by a mixture: solvent yellow 33, solvent green 3, lactose, magnesium carbonate plus sodium carbonate added to potassium chlorate.


Question: Which copper salt can produce green glames?

Answer: cupric chloride

To create green sparks, fireworks use barium salts, such as barium chlorate, barium nitrate crystals, or barium chloride, also used for green fireplace logs. <hl> Copper salts typically burn blue, but cupric chloride (also known as "campfire blue") can also produce green flames. <hl> Green pyrotechnic flares can use a mix ratio 75:25 of boron and potassium nitrate. Smoke can be turned green by a mixture: solvent yellow 33, solvent green 3, lactose, magnesium carbonate plus sodium carbonate added to potassium chlorate.

To create green sparks, fireworks use barium salts, such as barium chlorate, barium nitrate crystals, or barium chloride, also used for green fireplace logs. Copper salts typically burn blue, but <hl> cupric chloride <hl> (also known as "campfire blue") can also produce green flames. Green pyrotechnic flares can use a mix ratio 75:25 of boron and potassium nitrate. Smoke can be turned green by a mixture: solvent yellow 33, solvent green 3, lactose, magnesium carbonate plus sodium carbonate added to potassium chlorate.

question: Which copper salt can produce green glames?, context: To create green sparks, fireworks use barium salts, such as barium chlorate, barium nitrate crystals, or barium chloride, also used for green fireplace logs. Copper salts typically burn blue, but cupric chloride (also known as "campfire blue") can also produce green flames. Green pyrotechnic flares can use a mix ratio 75:25 of boron and potassium nitrate. Smoke can be turned green by a mixture: solvent yellow 33, solvent green 3, lactose, magnesium carbonate plus sodium carbonate added to potassium chlorate.


Question: What is the ratio of boron to potassium nitrate in green pyrotechnic flares?

Answer: 75:25

To create green sparks, fireworks use barium salts, such as barium chlorate, barium nitrate crystals, or barium chloride, also used for green fireplace logs. Copper salts typically burn blue, but cupric chloride (also known as "campfire blue") can also produce green flames. <hl> Green pyrotechnic flares can use a mix ratio 75:25 of boron and potassium nitrate. <hl> Smoke can be turned green by a mixture: solvent yellow 33, solvent green 3, lactose, magnesium carbonate plus sodium carbonate added to potassium chlorate.

To create green sparks, fireworks use barium salts, such as barium chlorate, barium nitrate crystals, or barium chloride, also used for green fireplace logs. Copper salts typically burn blue, but cupric chloride (also known as "campfire blue") can also produce green flames. Green pyrotechnic flares can use a mix ratio <hl> 75:25 <hl> of boron and potassium nitrate. Smoke can be turned green by a mixture: solvent yellow 33, solvent green 3, lactose, magnesium carbonate plus sodium carbonate added to potassium chlorate.

question: What is the ratio of boron to potassium nitrate in green pyrotechnic flares?, context: To create green sparks, fireworks use barium salts, such as barium chlorate, barium nitrate crystals, or barium chloride, also used for green fireplace logs. Copper salts typically burn blue, but cupric chloride (also known as "campfire blue") can also produce green flames. Green pyrotechnic flares can use a mix ratio 75:25 of boron and potassium nitrate. Smoke can be turned green by a mixture: solvent yellow 33, solvent green 3, lactose, magnesium carbonate plus sodium carbonate added to potassium chlorate.