Question: What was popular for terraces where there was enough space?

Answer: A curving crescent

Town terraced houses for all social classes remained resolutely tall and narrow, each dwelling occupying the whole height of the building. This contrasted with well-off continental dwellings, which had already begun to be formed of wide apartments occupying only one or two floors of a building; such arrangements were only typical in England when housing groups of batchelors, as in Oxbridge colleges, the lawyers in the Inns of Court or The Albany after it was converted in 1802. In the period in question, only in Edinburgh were working-class purpose-built tenements common, though lodgers were common in other cities. <hl> A curving crescent , often looking out at gardens or a park, was popular for terraces where space allowed. <hl> In early and central schemes of development, plots were sold and built on individually, though there was often an attempt to enforce some uniformity, but as development reached further out schemes were increasingly built as a uniform scheme and then sold.

Town terraced houses for all social classes remained resolutely tall and narrow, each dwelling occupying the whole height of the building. This contrasted with well-off continental dwellings, which had already begun to be formed of wide apartments occupying only one or two floors of a building; such arrangements were only typical in England when housing groups of batchelors, as in Oxbridge colleges, the lawyers in the Inns of Court or The Albany after it was converted in 1802. In the period in question, only in Edinburgh were working-class purpose-built tenements common, though lodgers were common in other cities. <hl> A curving crescent <hl>, often looking out at gardens or a park, was popular for terraces where space allowed. In early and central schemes of development, plots were sold and built on individually, though there was often an attempt to enforce some uniformity, but as development reached further out schemes were increasingly built as a uniform scheme and then sold.

<hl> A curving crescent <hl> , often looking out at gardens or a park, was popular for terraces where space allowed.

question: What was popular for terraces where there was enough space?, context: Town terraced houses for all social classes remained resolutely tall and narrow, each dwelling occupying the whole height of the building. This contrasted with well-off continental dwellings, which had already begun to be formed of wide apartments occupying only one or two floors of a building; such arrangements were only typical in England when housing groups of batchelors, as in Oxbridge colleges, the lawyers in the Inns of Court or The Albany after it was converted in 1802. In the period in question, only in Edinburgh were working-class purpose-built tenements common, though lodgers were common in other cities. A curving crescent, often looking out at gardens or a park, was popular for terraces where space allowed. In early and central schemes of development, plots were sold and built on individually, though there was often an attempt to enforce some uniformity, but as development reached further out schemes were increasingly built as a uniform scheme and then sold.


Question: What cities contest to being the original home of the semi?

Answer: Blackheath, Chalk Farm and St John's Wood

The late Georgian period saw the birth of the semi-detached house, planned systematically, as a suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. <hl> Blackheath, Chalk Farm and St John's Wood are among the areas contesting being the original home of the semi. <hl> Sir John Summerson gave primacy to the Eyre Estate of St John's Wood. A plan for this exists dated 1794, where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind". In fact the French Wars put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect".

The late Georgian period saw the birth of the semi-detached house, planned systematically, as a suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. <hl> Blackheath, Chalk Farm and St John's Wood <hl> are among the areas contesting being the original home of the semi. Sir John Summerson gave primacy to the Eyre Estate of St John's Wood. A plan for this exists dated 1794, where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind". In fact the French Wars put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect".

question: What cities contest to being the original home of the semi?, context: The late Georgian period saw the birth of the semi-detached house, planned systematically, as a suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. Blackheath, Chalk Farm and St John's Wood are among the areas contesting being the original home of the semi. Sir John Summerson gave primacy to the Eyre Estate of St John's Wood. A plan for this exists dated 1794, where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind". In fact the French Wars put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect".


Question: A plan for a semi-detached houses was dated for what year?

Answer: 1794

The late Georgian period saw the birth of the semi-detached house, planned systematically, as a suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. Blackheath, Chalk Farm and St John's Wood are among the areas contesting being the original home of the semi. Sir John Summerson gave primacy to the Eyre Estate of St John's Wood. <hl> A plan for this exists dated 1794 , where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind". <hl> In fact the French Wars put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect".

The late Georgian period saw the birth of the semi-detached house, planned systematically, as a suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. Blackheath, Chalk Farm and St John's Wood are among the areas contesting being the original home of the semi. Sir John Summerson gave primacy to the Eyre Estate of St John's Wood. A plan for this exists dated <hl> 1794 <hl>, where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind". In fact the French Wars put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect".

A plan for this exists dated <hl> 1794 <hl> , where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind".

question: A plan for a semi-detached houses was dated for what year?, context: The late Georgian period saw the birth of the semi-detached house, planned systematically, as a suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. Blackheath, Chalk Farm and St John's Wood are among the areas contesting being the original home of the semi. Sir John Summerson gave primacy to the Eyre Estate of St John's Wood. A plan for this exists dated 1794, where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind". In fact the French Wars put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect".


Question: Who conferred primacy to the Eyre Estate of St John's Wood?

Answer: Sir John Summerson

The late Georgian period saw the birth of the semi-detached house, planned systematically, as a suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. Blackheath, Chalk Farm and St John's Wood are among the areas contesting being the original home of the semi. <hl> Sir John Summerson gave primacy to the Eyre Estate of St John's Wood. <hl> A plan for this exists dated 1794, where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind". In fact the French Wars put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect".

The late Georgian period saw the birth of the semi-detached house, planned systematically, as a suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. Blackheath, Chalk Farm and St John's Wood are among the areas contesting being the original home of the semi. <hl> Sir John Summerson <hl> gave primacy to the Eyre Estate of St John's Wood. A plan for this exists dated 1794, where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind". In fact the French Wars put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect".

question: Who conferred primacy to the Eyre Estate of St John's Wood?, context: The late Georgian period saw the birth of the semi-detached house, planned systematically, as a suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. Blackheath, Chalk Farm and St John's Wood are among the areas contesting being the original home of the semi. Sir John Summerson gave primacy to the Eyre Estate of St John's Wood. A plan for this exists dated 1794, where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind". In fact the French Wars put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect".


Question: What put an end to the scheme of semi-detached houses?

Answer: the French Wars

The late Georgian period saw the birth of the semi-detached house, planned systematically, as a suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. Blackheath, Chalk Farm and St John's Wood are among the areas contesting being the original home of the semi. Sir John Summerson gave primacy to the Eyre Estate of St John's Wood. A plan for this exists dated 1794, where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind". <hl> In fact the French Wars put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect". <hl>

The late Georgian period saw the birth of the semi-detached house, planned systematically, as a suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. Blackheath, Chalk Farm and St John's Wood are among the areas contesting being the original home of the semi. Sir John Summerson gave primacy to the Eyre Estate of St John's Wood. A plan for this exists dated 1794, where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind". In fact <hl> the French Wars <hl> put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect".

question: What put an end to the scheme of semi-detached houses?, context: The late Georgian period saw the birth of the semi-detached house, planned systematically, as a suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. Blackheath, Chalk Farm and St John's Wood are among the areas contesting being the original home of the semi. Sir John Summerson gave primacy to the Eyre Estate of St John's Wood. A plan for this exists dated 1794, where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind". In fact the French Wars put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect".


Question: What act spurred to building of new churches in Britain?

Answer: Church Building Act of 1818

<hl> Until the Church Building Act of 1818 , the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. <hl> Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous.

Until the <hl> Church Building Act of 1818 <hl>, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous.

Until the <hl> Church Building Act of 1818 <hl> , the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased.

question: What act spurred to building of new churches in Britain?, context: Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous.


Question: What were Anglican churches internally designed for?

Answer: maximum audibility, and visibility

Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. <hl> Anglican churches that were built were designed internally to allow maximum audibility, and visibility , for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. <hl> Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous.

Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow <hl> maximum audibility, and visibility <hl>, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous.

Anglican churches that were built were designed internally to allow <hl> maximum audibility, and visibility <hl> , for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles.

question: What were Anglican churches internally designed for?, context: Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous.


Question: The later years of the period saw the demand for which places of worship increase?

Answer: Non-conformist and Roman Catholic

<hl> Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. <hl> Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous.

Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for <hl> Non-conformist and Roman Catholic <hl> places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous.

question: The later years of the period saw the demand for which places of worship increase?, context: Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous.


Question: What were common in new churches?

Answer: Galleries

Galleries were common in new churches.

Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. <hl> Galleries were common in new churches. <hl> Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous.

Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. <hl> Galleries <hl> were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous.

question: What were common in new churches?, context: Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous.


Question: Churches filled up with monuments to what?

Answer: monuments to the prosperous

Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. <hl> Decoration inside was very limited, but churches filled up with monuments to the prosperous . <hl>

Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with <hl> monuments to the prosperous <hl>.

Decoration inside was very limited, but churches filled up with <hl> monuments to the prosperous <hl> .

question: Churches filled up with monuments to what?, context: Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous.


Question: Somerset House was designed by whom?

Answer: Sir William Chambers

Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget. <hl> Somerset House in London, designed by Sir William Chambers in 1776 for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. <hl> Barracks and other less prestigious buildings could be as functional as the mills and factories that were growing increasingly large by the end of the period. But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention", rather than having their design left to the lesser class of "surveyors".

Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget. Somerset House in London, designed by <hl> Sir William Chambers <hl> in 1776 for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. Barracks and other less prestigious buildings could be as functional as the mills and factories that were growing increasingly large by the end of the period. But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention", rather than having their design left to the lesser class of "surveyors".

question: Somerset House was designed by whom?, context: Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget. Somerset House in London, designed by Sir William Chambers in 1776 for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. Barracks and other less prestigious buildings could be as functional as the mills and factories that were growing increasingly large by the end of the period. But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention", rather than having their design left to the lesser class of "surveyors".


Question: In what year was Somerset House designed?

Answer: 1776

Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget. <hl> Somerset House in London, designed by Sir William Chambers in 1776 for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. <hl> Barracks and other less prestigious buildings could be as functional as the mills and factories that were growing increasingly large by the end of the period. But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention", rather than having their design left to the lesser class of "surveyors".

Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget. Somerset House in London, designed by Sir William Chambers in <hl> 1776 <hl> for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. Barracks and other less prestigious buildings could be as functional as the mills and factories that were growing increasingly large by the end of the period. But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention", rather than having their design left to the lesser class of "surveyors".

question: In what year was Somerset House designed?, context: Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget. Somerset House in London, designed by Sir William Chambers in 1776 for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. Barracks and other less prestigious buildings could be as functional as the mills and factories that were growing increasingly large by the end of the period. But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention", rather than having their design left to the lesser class of "surveyors".


Question: Commercial projects in the late period tended to be "architectural" in what way?

Answer: "architectural in intention"

Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget. Somerset House in London, designed by Sir William Chambers in 1776 for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. Barracks and other less prestigious buildings could be as functional as the mills and factories that were growing increasingly large by the end of the period. <hl> But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention" , rather than having their design left to the lesser class of "surveyors". <hl>

Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget. Somerset House in London, designed by Sir William Chambers in 1776 for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. Barracks and other less prestigious buildings could be as functional as the mills and factories that were growing increasingly large by the end of the period. But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become <hl> "architectural in intention" <hl>, rather than having their design left to the lesser class of "surveyors".

But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become <hl> "architectural in intention" <hl> , rather than having their design left to the lesser class of "surveyors".

question: Commercial projects in the late period tended to be "architectural" in what way?, context: Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget. Somerset House in London, designed by Sir William Chambers in 1776 for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. Barracks and other less prestigious buildings could be as functional as the mills and factories that were growing increasingly large by the end of the period. But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention", rather than having their design left to the lesser class of "surveyors".


Question: What was considered a lesser class of designers?

Answer: surveyors

Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget. Somerset House in London, designed by Sir William Chambers in 1776 for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. Barracks and other less prestigious buildings could be as functional as the mills and factories that were growing increasingly large by the end of the period. <hl> But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention", rather than having their design left to the lesser class of " surveyors ". <hl>

Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget. Somerset House in London, designed by Sir William Chambers in 1776 for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. Barracks and other less prestigious buildings could be as functional as the mills and factories that were growing increasingly large by the end of the period. But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention", rather than having their design left to the lesser class of "<hl> surveyors <hl>".

But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention", rather than having their design left to the lesser class of " <hl> surveyors <hl> ".

question: What was considered a lesser class of designers?, context: Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget. Somerset House in London, designed by Sir William Chambers in 1776 for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. Barracks and other less prestigious buildings could be as functional as the mills and factories that were growing increasingly large by the end of the period. But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention", rather than having their design left to the lesser class of "surveyors".


Question: American buildings in the Georgian period were frequently constructed of which materials?

Answer: wood with clapboards

Georgian architecture was widely disseminated in the English colonies during the Georgian era. <hl> American buildings of the Georgian period were very often constructed of wood with clapboards ; even columns were made of timber, framed up, and turned on an over-sized lathe. <hl> At the start of the period the difficulties of obtaining and transporting brick or stone made them a common alternative only in the larger cities, or where they were obtainable locally. Dartmouth College, Harvard University, and the College of William and Mary, offer leading examples of Georgian architecture in the Americas.

Georgian architecture was widely disseminated in the English colonies during the Georgian era. American buildings of the Georgian period were very often constructed of <hl> wood with clapboards <hl>; even columns were made of timber, framed up, and turned on an over-sized lathe. At the start of the period the difficulties of obtaining and transporting brick or stone made them a common alternative only in the larger cities, or where they were obtainable locally. Dartmouth College, Harvard University, and the College of William and Mary, offer leading examples of Georgian architecture in the Americas.

American buildings of the Georgian period were very often constructed of <hl> wood with clapboards <hl> ; even columns were made of timber, framed up, and turned on an over-sized lathe.

question: American buildings in the Georgian period were frequently constructed of which materials?, context: Georgian architecture was widely disseminated in the English colonies during the Georgian era. American buildings of the Georgian period were very often constructed of wood with clapboards; even columns were made of timber, framed up, and turned on an over-sized lathe. At the start of the period the difficulties of obtaining and transporting brick or stone made them a common alternative only in the larger cities, or where they were obtainable locally. Dartmouth College, Harvard University, and the College of William and Mary, offer leading examples of Georgian architecture in the Americas.


Question: What was difficult to obtain and transport during the Georgian period?

Answer: brick or stone

Georgian architecture was widely disseminated in the English colonies during the Georgian era. American buildings of the Georgian period were very often constructed of wood with clapboards; even columns were made of timber, framed up, and turned on an over-sized lathe. <hl> At the start of the period the difficulties of obtaining and transporting brick or stone made them a common alternative only in the larger cities, or where they were obtainable locally. <hl> Dartmouth College, Harvard University, and the College of William and Mary, offer leading examples of Georgian architecture in the Americas.

Georgian architecture was widely disseminated in the English colonies during the Georgian era. American buildings of the Georgian period were very often constructed of wood with clapboards; even columns were made of timber, framed up, and turned on an over-sized lathe. At the start of the period the difficulties of obtaining and transporting <hl> brick or stone <hl> made them a common alternative only in the larger cities, or where they were obtainable locally. Dartmouth College, Harvard University, and the College of William and Mary, offer leading examples of Georgian architecture in the Americas.

question: What was difficult to obtain and transport during the Georgian period?, context: Georgian architecture was widely disseminated in the English colonies during the Georgian era. American buildings of the Georgian period were very often constructed of wood with clapboards; even columns were made of timber, framed up, and turned on an over-sized lathe. At the start of the period the difficulties of obtaining and transporting brick or stone made them a common alternative only in the larger cities, or where they were obtainable locally. Dartmouth College, Harvard University, and the College of William and Mary, offer leading examples of Georgian architecture in the Americas.


Question: Which colleges are considered examples of Georgian architecture in America?

Answer: Dartmouth College, Harvard University, and the College of William and Mary

Georgian architecture was widely disseminated in the English colonies during the Georgian era. American buildings of the Georgian period were very often constructed of wood with clapboards; even columns were made of timber, framed up, and turned on an over-sized lathe. At the start of the period the difficulties of obtaining and transporting brick or stone made them a common alternative only in the larger cities, or where they were obtainable locally. <hl> Dartmouth College, Harvard University, and the College of William and Mary , offer leading examples of Georgian architecture in the Americas. <hl>

Georgian architecture was widely disseminated in the English colonies during the Georgian era. American buildings of the Georgian period were very often constructed of wood with clapboards; even columns were made of timber, framed up, and turned on an over-sized lathe. At the start of the period the difficulties of obtaining and transporting brick or stone made them a common alternative only in the larger cities, or where they were obtainable locally. <hl> Dartmouth College, Harvard University, and the College of William and Mary <hl>, offer leading examples of Georgian architecture in the Americas.

<hl> Dartmouth College, Harvard University, and the College of William and Mary <hl> , offer leading examples of Georgian architecture in the Americas.

question: Which colleges are considered examples of Georgian architecture in America?, context: Georgian architecture was widely disseminated in the English colonies during the Georgian era. American buildings of the Georgian period were very often constructed of wood with clapboards; even columns were made of timber, framed up, and turned on an over-sized lathe. At the start of the period the difficulties of obtaining and transporting brick or stone made them a common alternative only in the larger cities, or where they were obtainable locally. Dartmouth College, Harvard University, and the College of William and Mary, offer leading examples of Georgian architecture in the Americas.


Question: What style did was little represented in British colonies?

Answer: Baroque

<hl> Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. <hl> Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture").

Unlike the <hl> Baroque <hl> style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture").

question: What style did was little represented in British colonies?, context: Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture").


Question: Baroque style was mostly used for which buildings?

Answer: palaces and churches

<hl> Unlike the Baroque style that it replaced, which was mostly used for palaces and churches , and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. <hl> Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture").

Unlike the Baroque style that it replaced, which was mostly used for <hl> palaces and churches <hl>, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture").

Unlike the Baroque style that it replaced, which was mostly used for <hl> palaces and churches <hl> , and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes.

question: Baroque style was mostly used for which buildings?, context: Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture").


Question: What is considered to be the best remaining example of a house from the Georgian period and style?

Answer: Hammond-Harwood House

Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. <hl> Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture"). <hl>

Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine <hl> Hammond-Harwood House <hl> (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture").

question: What is considered to be the best remaining example of a house from the Georgian period and style?, context: Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture").


Question: What year was the Hammond-Harwood House built?

Answer: 1774

Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. <hl> Perhaps the best remaining house is the pristine Hammond-Harwood House ( 1774 ) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture"). <hl>

Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine Hammond-Harwood House (<hl> 1774 <hl>) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture").

Perhaps the best remaining house is the pristine Hammond-Harwood House ( <hl> 1774 <hl> ) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture").

question: What year was the Hammond-Harwood House built?, context: Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture").


Question: What building did William Buckland model the Hammon-Harwood House?

Answer: Villa Pisani at Montagnana, Italy

Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. <hl> Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture"). <hl>

Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the <hl> Villa Pisani at Montagnana, Italy <hl> as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture").

question: What building did William Buckland model the Hammon-Harwood House?, context: Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture").


Question: What year did Georgian architecture begin to be abandoned?

Answer: 1840

<hl> After about 1840 , Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival, that had originated in the Georgian period, developed and contested in Victorian architecture, and in the case of Gothic became better researched, and closer to their originals. <hl> Neoclassical architecture remained popular, and was the opponent of Gothic in the Battle of the Styles of the early Victorian period. In the United States the Federalist Style contained many elements of Georgian style, but incorporated revolutionary symbols.

After about <hl> 1840 <hl>, Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival, that had originated in the Georgian period, developed and contested in Victorian architecture, and in the case of Gothic became better researched, and closer to their originals. Neoclassical architecture remained popular, and was the opponent of Gothic in the Battle of the Styles of the early Victorian period. In the United States the Federalist Style contained many elements of Georgian style, but incorporated revolutionary symbols.

After about <hl> 1840 <hl> , Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival, that had originated in the Georgian period, developed and contested in Victorian architecture, and in the case of Gothic became better researched, and closer to their originals.

question: What year did Georgian architecture begin to be abandoned?, context: After about 1840, Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival, that had originated in the Georgian period, developed and contested in Victorian architecture, and in the case of Gothic became better researched, and closer to their originals. Neoclassical architecture remained popular, and was the opponent of Gothic in the Battle of the Styles of the early Victorian period. In the United States the Federalist Style contained many elements of Georgian style, but incorporated revolutionary symbols.


Question: What was the rivalry between Gothic Revival and Neoclassical referred to as?

Answer: the Battle of the Styles

After about 1840, Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival, that had originated in the Georgian period, developed and contested in Victorian architecture, and in the case of Gothic became better researched, and closer to their originals. <hl> Neoclassical architecture remained popular, and was the opponent of Gothic in the Battle of the Styles of the early Victorian period. <hl> In the United States the Federalist Style contained many elements of Georgian style, but incorporated revolutionary symbols.

After about 1840, Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival, that had originated in the Georgian period, developed and contested in Victorian architecture, and in the case of Gothic became better researched, and closer to their originals. Neoclassical architecture remained popular, and was the opponent of Gothic in <hl> the Battle of the Styles <hl> of the early Victorian period. In the United States the Federalist Style contained many elements of Georgian style, but incorporated revolutionary symbols.

question: What was the rivalry between Gothic Revival and Neoclassical referred to as?, context: After about 1840, Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival, that had originated in the Georgian period, developed and contested in Victorian architecture, and in the case of Gothic became better researched, and closer to their originals. Neoclassical architecture remained popular, and was the opponent of Gothic in the Battle of the Styles of the early Victorian period. In the United States the Federalist Style contained many elements of Georgian style, but incorporated revolutionary symbols.


Question: When was the Battle of the Styles contested?

Answer: early Victorian period

After about 1840, Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival, that had originated in the Georgian period, developed and contested in Victorian architecture, and in the case of Gothic became better researched, and closer to their originals. <hl> Neoclassical architecture remained popular, and was the opponent of Gothic in the Battle of the Styles of the early Victorian period . <hl> In the United States the Federalist Style contained many elements of Georgian style, but incorporated revolutionary symbols.

After about 1840, Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival, that had originated in the Georgian period, developed and contested in Victorian architecture, and in the case of Gothic became better researched, and closer to their originals. Neoclassical architecture remained popular, and was the opponent of Gothic in the Battle of the Styles of the <hl> early Victorian period <hl>. In the United States the Federalist Style contained many elements of Georgian style, but incorporated revolutionary symbols.

Neoclassical architecture remained popular, and was the opponent of Gothic in the Battle of the Styles of the <hl> early Victorian period <hl> .

question: When was the Battle of the Styles contested?, context: After about 1840, Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival, that had originated in the Georgian period, developed and contested in Victorian architecture, and in the case of Gothic became better researched, and closer to their originals. Neoclassical architecture remained popular, and was the opponent of Gothic in the Battle of the Styles of the early Victorian period. In the United States the Federalist Style contained many elements of Georgian style, but incorporated revolutionary symbols.


Question: What style from the United States used many elements of Georgian style but with revolutionary symbols?

Answer: Federalist Style

After about 1840, Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival, that had originated in the Georgian period, developed and contested in Victorian architecture, and in the case of Gothic became better researched, and closer to their originals. Neoclassical architecture remained popular, and was the opponent of Gothic in the Battle of the Styles of the early Victorian period. <hl> In the United States the Federalist Style contained many elements of Georgian style, but incorporated revolutionary symbols. <hl>

After about 1840, Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival, that had originated in the Georgian period, developed and contested in Victorian architecture, and in the case of Gothic became better researched, and closer to their originals. Neoclassical architecture remained popular, and was the opponent of Gothic in the Battle of the Styles of the early Victorian period. In the United States the <hl> Federalist Style <hl> contained many elements of Georgian style, but incorporated revolutionary symbols.

question: What style from the United States used many elements of Georgian style but with revolutionary symbols?, context: After about 1840, Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival, that had originated in the Georgian period, developed and contested in Victorian architecture, and in the case of Gothic became better researched, and closer to their originals. Neoclassical architecture remained popular, and was the opponent of Gothic in the Battle of the Styles of the early Victorian period. In the United States the Federalist Style contained many elements of Georgian style, but incorporated revolutionary symbols.


Question: What was the revival of Georgian style in twentieth century United States called?

Answer: Colonial Revival

<hl> In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the Colonial Revival . <hl> In Canada the United Empire Loyalists embraced Georgian architecture as a sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century. The Grange, for example, a manor built in Toronto, was built in 1817. In Montreal, English born architect John Ostell worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal.

In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the <hl> Colonial Revival <hl>. In Canada the United Empire Loyalists embraced Georgian architecture as a sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century. The Grange, for example, a manor built in Toronto, was built in 1817. In Montreal, English born architect John Ostell worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal.

In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the <hl> Colonial Revival <hl> .

question: What was the revival of Georgian style in twentieth century United States called?, context: In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the Colonial Revival. In Canada the United Empire Loyalists embraced Georgian architecture as a sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century. The Grange, for example, a manor built in Toronto, was built in 1817. In Montreal, English born architect John Ostell worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal.


Question: Which Canadian group embraced Georgian architecture as a sign of fealty to Britain?

Answer: United Empire Loyalists

In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the Colonial Revival. <hl> In Canada the United Empire Loyalists embraced Georgian architecture as a sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century. <hl> The Grange, for example, a manor built in Toronto, was built in 1817. In Montreal, English born architect John Ostell worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal.

In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the Colonial Revival. In Canada the <hl> United Empire Loyalists <hl> embraced Georgian architecture as a sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century. The Grange, for example, a manor built in Toronto, was built in 1817. In Montreal, English born architect John Ostell worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal.

question: Which Canadian group embraced Georgian architecture as a sign of fealty to Britain?, context: In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the Colonial Revival. In Canada the United Empire Loyalists embraced Georgian architecture as a sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century. The Grange, for example, a manor built in Toronto, was built in 1817. In Montreal, English born architect John Ostell worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal.


Question: What English born architect designed the Old Montreal Custom House?

Answer: John Ostell

In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the Colonial Revival. In Canada the United Empire Loyalists embraced Georgian architecture as a sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century. The Grange, for example, a manor built in Toronto, was built in 1817. <hl> In Montreal, English born architect John Ostell worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal. <hl>

In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the Colonial Revival. In Canada the United Empire Loyalists embraced Georgian architecture as a sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century. The Grange, for example, a manor built in Toronto, was built in 1817. In Montreal, English born architect <hl> John Ostell <hl> worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal.

question: What English born architect designed the Old Montreal Custom House?, context: In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the Colonial Revival. In Canada the United Empire Loyalists embraced Georgian architecture as a sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century. The Grange, for example, a manor built in Toronto, was built in 1817. In Montreal, English born architect John Ostell worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal.


Question: What Toronto building was built in 1817?

Answer: The Grange

In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the Colonial Revival. In Canada the United Empire Loyalists embraced Georgian architecture as a sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century. <hl> The Grange , for example, a manor built in Toronto, was built in 1817. <hl> In Montreal, English born architect John Ostell worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal.

In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the Colonial Revival. In Canada the United Empire Loyalists embraced Georgian architecture as a sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century. <hl> The Grange <hl>, for example, a manor built in Toronto, was built in 1817. In Montreal, English born architect John Ostell worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal.

<hl> The Grange <hl> , for example, a manor built in Toronto, was built in 1817.

question: What Toronto building was built in 1817?, context: In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the Colonial Revival. In Canada the United Empire Loyalists embraced Georgian architecture as a sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century. The Grange, for example, a manor built in Toronto, was built in 1817. In Montreal, English born architect John Ostell worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal.


Question: The British revival of Georgian architecture in the 20th century is generally referred to as?

Answer: Neo-Georgian

<hl> The revived Georgian style that emerged in Britain at the beginning of the 20th century is usually referred to as Neo-Georgian ; the work of Edwin Lutyens includes many examples. <hl> Versions of the Neo-Georgian style were commonly used in Britain for certain types of urban architecture until the late 1950s, Bradshaw Gass & Hope's Police Headquarters in Salford of 1958 being a good example. In both the United States and Britain, the Georgian style is still employed by architects like Quinlan Terry Julian Bicknell and Fairfax and Sammons for private residences.

The revived Georgian style that emerged in Britain at the beginning of the 20th century is usually referred to as <hl> Neo-Georgian <hl>; the work of Edwin Lutyens includes many examples. Versions of the Neo-Georgian style were commonly used in Britain for certain types of urban architecture until the late 1950s, Bradshaw Gass & Hope's Police Headquarters in Salford of 1958 being a good example. In both the United States and Britain, the Georgian style is still employed by architects like Quinlan Terry Julian Bicknell and Fairfax and Sammons for private residences.

The revived Georgian style that emerged in Britain at the beginning of the 20th century is usually referred to as <hl> Neo-Georgian <hl> ; the work of Edwin Lutyens includes many examples.

question: The British revival of Georgian architecture in the 20th century is generally referred to as?, context: The revived Georgian style that emerged in Britain at the beginning of the 20th century is usually referred to as Neo-Georgian; the work of Edwin Lutyens includes many examples. Versions of the Neo-Georgian style were commonly used in Britain for certain types of urban architecture until the late 1950s, Bradshaw Gass & Hope's Police Headquarters in Salford of 1958 being a good example. In both the United States and Britain, the Georgian style is still employed by architects like Quinlan Terry Julian Bicknell and Fairfax and Sammons for private residences.


Question: Which police headquarters was constructed in 1958?

Answer: Bradshaw Gass & Hope's Police Headquarters

The revived Georgian style that emerged in Britain at the beginning of the 20th century is usually referred to as Neo-Georgian; the work of Edwin Lutyens includes many examples. <hl> Versions of the Neo-Georgian style were commonly used in Britain for certain types of urban architecture until the late 1950s, Bradshaw Gass & Hope's Police Headquarters in Salford of 1958 being a good example. <hl> In both the United States and Britain, the Georgian style is still employed by architects like Quinlan Terry Julian Bicknell and Fairfax and Sammons for private residences.

The revived Georgian style that emerged in Britain at the beginning of the 20th century is usually referred to as Neo-Georgian; the work of Edwin Lutyens includes many examples. Versions of the Neo-Georgian style were commonly used in Britain for certain types of urban architecture until the late 1950s, <hl> Bradshaw Gass & Hope's Police Headquarters <hl> in Salford of 1958 being a good example. In both the United States and Britain, the Georgian style is still employed by architects like Quinlan Terry Julian Bicknell and Fairfax and Sammons for private residences.

question: Which police headquarters was constructed in 1958?, context: The revived Georgian style that emerged in Britain at the beginning of the 20th century is usually referred to as Neo-Georgian; the work of Edwin Lutyens includes many examples. Versions of the Neo-Georgian style were commonly used in Britain for certain types of urban architecture until the late 1950s, Bradshaw Gass & Hope's Police Headquarters in Salford of 1958 being a good example. In both the United States and Britain, the Georgian style is still employed by architects like Quinlan Terry Julian Bicknell and Fairfax and Sammons for private residences.


Question: Which architects in the US and Britain still employ the Georgian style for private residences?

Answer: Quinlan Terry Julian Bicknell and Fairfax and Sammons

The revived Georgian style that emerged in Britain at the beginning of the 20th century is usually referred to as Neo-Georgian; the work of Edwin Lutyens includes many examples. Versions of the Neo-Georgian style were commonly used in Britain for certain types of urban architecture until the late 1950s, Bradshaw Gass & Hope's Police Headquarters in Salford of 1958 being a good example. <hl> In both the United States and Britain, the Georgian style is still employed by architects like Quinlan Terry Julian Bicknell and Fairfax and Sammons for private residences. <hl>

The revived Georgian style that emerged in Britain at the beginning of the 20th century is usually referred to as Neo-Georgian; the work of Edwin Lutyens includes many examples. Versions of the Neo-Georgian style were commonly used in Britain for certain types of urban architecture until the late 1950s, Bradshaw Gass & Hope's Police Headquarters in Salford of 1958 being a good example. In both the United States and Britain, the Georgian style is still employed by architects like <hl> Quinlan Terry Julian Bicknell and Fairfax and Sammons <hl> for private residences.

question: Which architects in the US and Britain still employ the Georgian style for private residences?, context: The revived Georgian style that emerged in Britain at the beginning of the 20th century is usually referred to as Neo-Georgian; the work of Edwin Lutyens includes many examples. Versions of the Neo-Georgian style were commonly used in Britain for certain types of urban architecture until the late 1950s, Bradshaw Gass & Hope's Police Headquarters in Salford of 1958 being a good example. In both the United States and Britain, the Georgian style is still employed by architects like Quinlan Terry Julian Bicknell and Fairfax and Sammons for private residences.


Question: Neo-Georgain style was common in Britain until the end of which decade?

Answer: 1950s

The revived Georgian style that emerged in Britain at the beginning of the 20th century is usually referred to as Neo-Georgian; the work of Edwin Lutyens includes many examples. <hl> Versions of the Neo-Georgian style were commonly used in Britain for certain types of urban architecture until the late 1950s , Bradshaw Gass & Hope's Police Headquarters in Salford of 1958 being a good example. <hl> In both the United States and Britain, the Georgian style is still employed by architects like Quinlan Terry Julian Bicknell and Fairfax and Sammons for private residences.

The revived Georgian style that emerged in Britain at the beginning of the 20th century is usually referred to as Neo-Georgian; the work of Edwin Lutyens includes many examples. Versions of the Neo-Georgian style were commonly used in Britain for certain types of urban architecture until the late <hl> 1950s <hl>, Bradshaw Gass & Hope's Police Headquarters in Salford of 1958 being a good example. In both the United States and Britain, the Georgian style is still employed by architects like Quinlan Terry Julian Bicknell and Fairfax and Sammons for private residences.

Versions of the Neo-Georgian style were commonly used in Britain for certain types of urban architecture until the late <hl> 1950s <hl> , Bradshaw Gass & Hope's Police Headquarters in Salford of 1958 being a good example.

question: Neo-Georgain style was common in Britain until the end of which decade?, context: The revived Georgian style that emerged in Britain at the beginning of the 20th century is usually referred to as Neo-Georgian; the work of Edwin Lutyens includes many examples. Versions of the Neo-Georgian style were commonly used in Britain for certain types of urban architecture until the late 1950s, Bradshaw Gass & Hope's Police Headquarters in Salford of 1958 being a good example. In both the United States and Britain, the Georgian style is still employed by architects like Quinlan Terry Julian Bicknell and Fairfax and Sammons for private residences.


Question: How did the republic of liberia begin?

Answer: as a settlement of the American Colonization Society (ACS)

<hl> The Republic of Liberia, beginning as a settlement of the American Colonization Society (ACS) , declared its independence on July 26, 1847. <hl> The United States did not recognize Liberia's independence until during the American Civil War on February 5, 1862. Between January 7, 1822 and the American Civil War, more than 15,000 freed and free-born Black Americans from United States and 3,198 Afro-Caribbeans relocated to the settlement. The Black American settlers carried their culture with them to Liberia. The Liberian constitution and flag were modeled after the United States. In January 3, 1848 Joseph Jenkins Roberts, a wealthy free-born Black American from Virginia who settled in Liberia, was elected as Liberia's first president after the people proclaimed independence.

The Republic of Liberia, beginning <hl> as a settlement of the American Colonization Society (ACS) <hl>, declared its independence on July 26, 1847. The United States did not recognize Liberia's independence until during the American Civil War on February 5, 1862. Between January 7, 1822 and the American Civil War, more than 15,000 freed and free-born Black Americans from United States and 3,198 Afro-Caribbeans relocated to the settlement. The Black American settlers carried their culture with them to Liberia. The Liberian constitution and flag were modeled after the United States. In January 3, 1848 Joseph Jenkins Roberts, a wealthy free-born Black American from Virginia who settled in Liberia, was elected as Liberia's first president after the people proclaimed independence.

The Republic of Liberia, beginning <hl> as a settlement of the American Colonization Society (ACS) <hl> , declared its independence on July 26, 1847.

question: How did the republic of liberia begin?, context: The Republic of Liberia, beginning as a settlement of the American Colonization Society (ACS), declared its independence on July 26, 1847. The United States did not recognize Liberia's independence until during the American Civil War on February 5, 1862. Between January 7, 1822 and the American Civil War, more than 15,000 freed and free-born Black Americans from United States and 3,198 Afro-Caribbeans relocated to the settlement. The Black American settlers carried their culture with them to Liberia. The Liberian constitution and flag were modeled after the United States. In January 3, 1848 Joseph Jenkins Roberts, a wealthy free-born Black American from Virginia who settled in Liberia, was elected as Liberia's first president after the people proclaimed independence.


Question: When did the Republic of Liberia declare it's independence?

Answer: July 26, 1847

<hl> The Republic of Liberia, beginning as a settlement of the American Colonization Society (ACS), declared its independence on July 26, 1847 . <hl> The United States did not recognize Liberia's independence until during the American Civil War on February 5, 1862. Between January 7, 1822 and the American Civil War, more than 15,000 freed and free-born Black Americans from United States and 3,198 Afro-Caribbeans relocated to the settlement. The Black American settlers carried their culture with them to Liberia. The Liberian constitution and flag were modeled after the United States. In January 3, 1848 Joseph Jenkins Roberts, a wealthy free-born Black American from Virginia who settled in Liberia, was elected as Liberia's first president after the people proclaimed independence.

The Republic of Liberia, beginning as a settlement of the American Colonization Society (ACS), declared its independence on <hl> July 26, 1847 <hl>. The United States did not recognize Liberia's independence until during the American Civil War on February 5, 1862. Between January 7, 1822 and the American Civil War, more than 15,000 freed and free-born Black Americans from United States and 3,198 Afro-Caribbeans relocated to the settlement. The Black American settlers carried their culture with them to Liberia. The Liberian constitution and flag were modeled after the United States. In January 3, 1848 Joseph Jenkins Roberts, a wealthy free-born Black American from Virginia who settled in Liberia, was elected as Liberia's first president after the people proclaimed independence.

The Republic of Liberia, beginning as a settlement of the American Colonization Society (ACS), declared its independence on <hl> July 26, 1847 <hl> .

question: When did the Republic of Liberia declare it's independence?, context: The Republic of Liberia, beginning as a settlement of the American Colonization Society (ACS), declared its independence on July 26, 1847. The United States did not recognize Liberia's independence until during the American Civil War on February 5, 1862. Between January 7, 1822 and the American Civil War, more than 15,000 freed and free-born Black Americans from United States and 3,198 Afro-Caribbeans relocated to the settlement. The Black American settlers carried their culture with them to Liberia. The Liberian constitution and flag were modeled after the United States. In January 3, 1848 Joseph Jenkins Roberts, a wealthy free-born Black American from Virginia who settled in Liberia, was elected as Liberia's first president after the people proclaimed independence.


Question: When did the united states recognize the republic of Liberia's independence?

Answer: February 5, 1862. Between January 7, 182

The Republic of Liberia, beginning as a settlement of the American Colonization Society (ACS), declared its independence on July 26, 1847. <hl> The United States did not recognize Liberia's independence until during the American Civil War on February 5, 1862. Between January 7, 182 2 and the American Civil War, more than 15,000 freed and free-born Black Americans from United States and 3,198 Afro-Caribbeans relocated to the settlement. <hl> The Black American settlers carried their culture with them to Liberia. The Liberian constitution and flag were modeled after the United States. In January 3, 1848 Joseph Jenkins Roberts, a wealthy free-born Black American from Virginia who settled in Liberia, was elected as Liberia's first president after the people proclaimed independence.

The Republic of Liberia, beginning as a settlement of the American Colonization Society (ACS), declared its independence on July 26, 1847. The United States did not recognize Liberia's independence until during the American Civil War on <hl> February 5, 1862. Between January 7, 182 <hl>2 and the American Civil War, more than 15,000 freed and free-born Black Americans from United States and 3,198 Afro-Caribbeans relocated to the settlement. The Black American settlers carried their culture with them to Liberia. The Liberian constitution and flag were modeled after the United States. In January 3, 1848 Joseph Jenkins Roberts, a wealthy free-born Black American from Virginia who settled in Liberia, was elected as Liberia's first president after the people proclaimed independence.

The United States did not recognize Liberia's independence until during the American Civil War on <hl> February 5, 1862. Between January 7, 182 <hl> 2 and the American Civil War, more than 15,000 freed and free-born Black Americans from United States and 3,198 Afro-Caribbeans relocated to the settlement.

question: When did the united states recognize the republic of Liberia's independence?, context: The Republic of Liberia, beginning as a settlement of the American Colonization Society (ACS), declared its independence on July 26, 1847. The United States did not recognize Liberia's independence until during the American Civil War on February 5, 1862. Between January 7, 1822 and the American Civil War, more than 15,000 freed and free-born Black Americans from United States and 3,198 Afro-Caribbeans relocated to the settlement. The Black American settlers carried their culture with them to Liberia. The Liberian constitution and flag were modeled after the United States. In January 3, 1848 Joseph Jenkins Roberts, a wealthy free-born Black American from Virginia who settled in Liberia, was elected as Liberia's first president after the people proclaimed independence.


Question: How many slaves were freed in the american civil war?

Answer: more than 15,000

The Republic of Liberia, beginning as a settlement of the American Colonization Society (ACS), declared its independence on July 26, 1847. The United States did not recognize Liberia's independence until during the American Civil War on February 5, 1862. <hl> Between January 7, 1822 and the American Civil War, more than 15,000 freed and free-born Black Americans from United States and 3,198 Afro-Caribbeans relocated to the settlement. <hl> The Black American settlers carried their culture with them to Liberia. The Liberian constitution and flag were modeled after the United States. In January 3, 1848 Joseph Jenkins Roberts, a wealthy free-born Black American from Virginia who settled in Liberia, was elected as Liberia's first president after the people proclaimed independence.

The Republic of Liberia, beginning as a settlement of the American Colonization Society (ACS), declared its independence on July 26, 1847. The United States did not recognize Liberia's independence until during the American Civil War on February 5, 1862. Between January 7, 1822 and the American Civil War, <hl> more than 15,000 <hl> freed and free-born Black Americans from United States and 3,198 Afro-Caribbeans relocated to the settlement. The Black American settlers carried their culture with them to Liberia. The Liberian constitution and flag were modeled after the United States. In January 3, 1848 Joseph Jenkins Roberts, a wealthy free-born Black American from Virginia who settled in Liberia, was elected as Liberia's first president after the people proclaimed independence.

question: How many slaves were freed in the american civil war?, context: The Republic of Liberia, beginning as a settlement of the American Colonization Society (ACS), declared its independence on July 26, 1847. The United States did not recognize Liberia's independence until during the American Civil War on February 5, 1862. Between January 7, 1822 and the American Civil War, more than 15,000 freed and free-born Black Americans from United States and 3,198 Afro-Caribbeans relocated to the settlement. The Black American settlers carried their culture with them to Liberia. The Liberian constitution and flag were modeled after the United States. In January 3, 1848 Joseph Jenkins Roberts, a wealthy free-born Black American from Virginia who settled in Liberia, was elected as Liberia's first president after the people proclaimed independence.


Question: What was the Liberian flag and constitution modeled after?

Answer: the United States

The Republic of Liberia, beginning as a settlement of the American Colonization Society (ACS), declared its independence on July 26, 1847. The United States did not recognize Liberia's independence until during the American Civil War on February 5, 1862. Between January 7, 1822 and the American Civil War, more than 15,000 freed and free-born Black Americans from United States and 3,198 Afro-Caribbeans relocated to the settlement. The Black American settlers carried their culture with them to Liberia. <hl> The Liberian constitution and flag were modeled after the United States . <hl> In January 3, 1848 Joseph Jenkins Roberts, a wealthy free-born Black American from Virginia who settled in Liberia, was elected as Liberia's first president after the people proclaimed independence.

The Republic of Liberia, beginning as a settlement of the American Colonization Society (ACS), declared its independence on July 26, 1847. The United States did not recognize Liberia's independence until during the American Civil War on February 5, 1862. Between January 7, 1822 and the American Civil War, more than 15,000 freed and free-born Black Americans from United States and 3,198 Afro-Caribbeans relocated to the settlement. The Black American settlers carried their culture with them to Liberia. The Liberian constitution and flag were modeled after <hl> the United States <hl>. In January 3, 1848 Joseph Jenkins Roberts, a wealthy free-born Black American from Virginia who settled in Liberia, was elected as Liberia's first president after the people proclaimed independence.

The Liberian constitution and flag were modeled after <hl> the United States <hl> .

question: What was the Liberian flag and constitution modeled after?, context: The Republic of Liberia, beginning as a settlement of the American Colonization Society (ACS), declared its independence on July 26, 1847. The United States did not recognize Liberia's independence until during the American Civil War on February 5, 1862. Between January 7, 1822 and the American Civil War, more than 15,000 freed and free-born Black Americans from United States and 3,198 Afro-Caribbeans relocated to the settlement. The Black American settlers carried their culture with them to Liberia. The Liberian constitution and flag were modeled after the United States. In January 3, 1848 Joseph Jenkins Roberts, a wealthy free-born Black American from Virginia who settled in Liberia, was elected as Liberia's first president after the people proclaimed independence.