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[{"role": "user", "content": "Write a short story that follows fairytale themes. However, the tone of the story should be for young adults. Make sure the moral is something wholesome like sharing is caring. the story should only be two paragraphs long. Include two metaphors in each paragraph. highlight the metaphors so they stand out in the text. Finally, explain each metaphor separately."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model write a short story that follows fairy tale themes?\", \"Is the tone of the story for young adults?\", \"Is there a wholesome moral to the story?\", \"Is the story two paragraphs long?\", \"Are there two metaphors in each paragraph?\", \"Did the model highlight the metaphors?\", \"Are the metaphors explained in a separate section?\"]"}
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[{"role": "user", "content": "List the 5 most deadly cancers, and indicate the 5-year survival rate in brackets. In another, separate list, list 5 uncommon cancers, and give a rough indication (or specific numbers if possible) of how many cases of each there are per year in the United States. Make sure no cancer appears in both lists. \n\nOrder the deadliest cancers list from most to least deadly, and order the uncommon cancers list by cases per year (ascending). List the uncommon cancers first, and begin with a short paragraph about cancer survival rates in the US. Don't include pancreatic cancer in the deadliest cancers list (it's already accounted for in my presentation). Don't give the lists any headings or introductions but do give the response as a whole one."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model list the 5 most deadly cancers, and did the model indicate the 5 year survival rate of the deadly cancers in brackets?\", \"Did the model list 5 uncommon cancers, and did the model indicate the approximate cases per year for the uncommon cancers?\", \"Did the model ensure no cancer appeared in both lists?\", \"Was the deadliest cancer list ordered from most to least deadly?\", \"Was the uncommon cancer list ordered from least to most cases per year?\", \"Did the uncommon cancers list appear before the deadly cancers list?\", \"Did the response begin with a short paragraph about cancer survival rates in the US?\", \"Did the deadly cancer list not include pancreatic cancer?\", \"Did the two lists not have headings?\"]"}
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[{"role": "user", "content": "I want 2-4 science idea experiments suitable for my 5 yr old nieces who I'm babysitting Sat afternoon (they'll each pick one). I would like to use stuff I already have around the house as much as possible but I have a small budget for other stuff (include prices for things I may need to buy). Please use numbered instructions for easy following and make them sound fun as my nieces will be hands on. Let's aim for less than 10 steps each. They're into glitter and slime respectively."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide 2-4 science experiments suitable for 5-year-olds?\", \"Are the experiments short enough so that 2 can be completed in one afternoon?\", \"Do the experiments utilize common household ingredients?\", \"Do non-household items have an approximate price listed?\", \"Do the Instructions utilize numbered formatting?\", \"Do the instructions have a fun and child-friendly tone?\", \"Are the Instructions less than 10 steps each?\", \"Do some of the experiment ideas include glitter and slime?\"]"}
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[{"role": "user", "content": "What are some ideas for hobbies for birdwatchers who want to meet people who aren't birders? Don't use related hobbies, like butterfly raising or building nest boxes, but do make sure the hobbies have at least some outdoors aspect. Put the list in order of most expensive start-up cost to least expensive and include the estimated cost. Don't use a bulleted or numbered list."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model suggest hobbies that facilitate meeting people?\", \"Did the model give ideas for hobbies with an outdoor component?\", \"Did the model avoid suggesting hobbies that are a natural extension of birdwatching?\", \"Did the model list the hobbies in order of most to least expensive start-up costs?\", \"Did the model avoid using a bulleted list?\", \"Did the model avoid using a numbered list?\", \"Did the model include estimated costs for each hobby?\"]"}
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[{"role": "user", "content": "Give step-by-step instructions on how to care for a Maltese dog's coat from giving it a bath to blow drying it. Include appropriate shampoos, conditioners, and any other products. Talk about the types of tools that are best to ensure this dog's coat remains matt and tangle-free. It should make clear how much time one could expect to spend on this entire process. Include a numbered list, but also include a short intro and conclusion of one or two sentences each. The numbered list should be a list of ten steps. One of the steps should be gathering the correct products and tools."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model give step-by-step instructions to care for a Maltese dog's coat?\", \"Did the model include advice on appropriate shampoos, conditioners and other hair care products?\", \"Did the model include advice on appropriate tools to prevent matting and tangling of fur?\", \"Did the model make it clear how much time should be set aside for the entire process?\", \"Did the model include a numbered list of ten steps?\", \"Was the introduction one to two sentences long?\", \"Did the model include a single conclusion following the ten steps of one to two sentences long?\"]"}
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[{"role": "user", "content": "I need help establishing a company that provides in-depth analyses using only a person's birth date, time, and location. Can you outline a template for generating these types of reports? I need it to start with a section explaining the importance of the \"top three\" (Sun, Moon, Rising). Then, it should go into a detailed description of planetary placements and their meanings in each house. The outline must be a balance between a birth chart (personality overview), synastry report (what to look for in a partner) and transit report (personalized predictions based on today's astrology) for the next year. Conclude the birth chart report section with an overview on the four elements found within the person's chart and what this could mean if there's a lot or a lack of a specific element. Make sure the synastry report section places equal emphasis on what to look for in friends as it does for partners. The transit section with the predictions needs to be written in weekly increments for the upcoming year."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Does the model provide an outline for a template to create an in-depth birth chart report?\", \"Does the model begin the outline with a section explaining the importance of the top three (Sun, Moon, Rising)?\", \"Is this section followed by a spot for detailed descriptions of planetary placements and the meanings they hold in each house?\", \"Is the outline a balance between a personality overview, what to look for in a partner, and personalized predictions for the next year?\", \"Does the first section (neonatal birth chart) conclude with an overview of the four elements found in the birth chart and what this could mean?\", \"Does the second section (synastry report) put as much emphasis on what to look for in a friend than it does what to look for in a partner?\", \"Is the third section (transit report) formatted into 52 one-week portions?\"]"}
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[{"role": "user", "content": "You're a chatbot that gives advice about gardening and nothing else. You never use emojis and you always end every conversation with a real quote that already exists related to gardening. You absolutely won't ever talk about bees because you're scared of them. You're always pleasant even when you're asked about bees. In fact, you don't talk about anything except basil plants, so you often have to change the subject. When you reply, you only ever write three sentences aside from the quote. Your third sentence is always a question for the person you're talking to. You never bold any words but you always italicize the word \"basil.\" You also never use lists no matter what.\n\nI'll start our first conversation below: \n\nHello, I'm trying to grow strawberry plants in my hydroponic garden but even though they started from a bare root and produced a few strawberries, they're looking sick and haven't produced anymore strawberries. I give them fresh water every few days and fertilizer once per week and they have light. What can I do to make them grow better? Should I let bees get to the garden to help? Where would I get the bees from? Is it safe to let them inside my house?"}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model remain pleasant in tone throughout the response?\", \"Did the model avoid using emojis?\", \"Did the model end the response with a real quote?\", \"Was the ending quote related to gardening?\", \"Did the model only discuss basil plants?\", \"Did the model respond with three sentences, excluding the quote?\", \"Was the third sentence a question directed towards the user?\", \"Did the model avoid using bold formatting?\", \"Did the model italicize the word \\\"basil\\\" throughout the response?\"]"}
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[{"role": "user", "content": "I've just landed in Chiang Mai, I'm here for 10 days. Please provide some things to do within an hours drive of Chiang Mai, focusing on the most impressive mountains, waterfalls, temples and anything other popular attraction that I might enjoy.\n\nFrom there, I'm unsure of the exact route, but I have a few in mind:\nChiang Mai>Chiang Rai>Luang Prabang>Vienviete>Bangkok>Phuket\nChiang Mai>Bangkok>Khiri Khan>Ranong>Phuket\n\nGive me a viable transport route for both of these and a rough amount of hours or days each one might take.\n\nI want you to act as the worlds leading expert in Thailand travel, so keep a professional but enthusiastic tone.\nI'm a client of yours paying a lot of money so make such it's rich in detail but not overly verbose, keep it over 400 words but under 700.\n\nI want the route in a JSON format but the rest can be in a regular conversational manner.\n\nI'm a newbie when it comes to Thailand, so at the bottom of your response, provide 5 MUST-SEE attractions across the whole of Thailand, only the best fo the best!"}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide multiple suggestions of things to do within an hour's drive of Chiang Mai?\", \"Did the model provide a viable transport route for both of the suggested routes, Chiang Mai>Chiang Rai>Luang Prabang>Vienviete>Bangkok>Phuket and\\nChiang Mai>Bangkok>Khiri Khan>Ranong>Phuket?\", \"Did the model use a professional yet enthusiastic tone?\", \"Did the model keep the response between 400 and 700 words?\", \"Did the model use a JSON format for the route data?\", \"Did the model suggest 5 highly popular attractions in Thailand?\", \"Did the model include estimated transport times in the JSON?\", \"Did the model suggest the 5 must-see attractions of Thailand at the end of the response?\"]"}
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[{"role": "user", "content": "I'm writing a paper for school about traditional movies, television, and music and show their influence on anime. The topic is fun but needs to be academic to show proper homage and tropes. I need brainstorm ideas and organization. The anime I'm focusing on is Cowboy Bebop. The topic should cover the show as a whole, as well as focus on the 6 main characters: Spike, Jet, Faye, Ed, Vicious, and Julia. For each character, list movie and television references for design. Each item on the list should have a paragraph-long summary showing the connection in detail. After the list and summary, I need another list and summary in the same format for the music and soundtrack of Cowboy Bebop. Finally, I need that list and summary format repeated a 3rd time, this time focusing on general, overarching references and homage from themes of the show as a whole. Conclude the response with a list of anime that pay homage to Cowboy Bebop with a numbered list and a quick 1 sentence synopsis of how they paid homage."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Is the response about Cowboy Bebop?\", \"Did the response create a list of references about the 6 main characters?\", \"Was each character summary paragraph-long?\", \"Did the response repeat the instruction set for music?\", \"Did the response repeat the instruction set for overarching details and themes?\", \"Did the response create a numbered list of animes that paid homage to Cowboy Bebop?\", \"Did the anime numbered list include a 1 sentence synopsis?\"]"}
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[{"role": "user", "content": "you are a anarchist toad and teach the young tadpoles in the pond. today you must tell them a short story illustrating what anarchism is and how it works in toad society. Do not use the word anarchy or any of its derivitives. Take your time to think and make this story very uniqe and meorable These tadpools can tell if something is poorly AI generated. Your tadpoles are tough and like to hear stories that invole things like war and fantastic machines. The story should make the tadpole proud to be tadpools and positive about how their anarchist socieity works, wothout putting down other creatures and systems of goverment."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model write in the persona of an anarchist toad teacher?\", \"Did the model tell a short story for the tadpoles about anarchism, defining what it is, and how it works within their fictional toad society?\", \"Did the model avoid using the word anarchy (and any derivatives of said word) within the story?\", \"Did the model create a unique and memorable story, avoiding common identifiers of AI-generated creative writing?\", \"Did the model include subjects such as war and \\\"fantastic machines\\\" within its story?\", \"Did the story contain a positive perspective on anarchism and toad / tadpole society?\", \"Did the story avoid negativity towards systems of government other than anarchism?\", \"Did the story avoid negativity towards creatures that are not toads / tadpoles?\"]"}
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[{"role": "user", "content": "Pretend to be the ever-optimistic Elle Woods writing a short video script for social media about backpacking to a remote camping spot in the woods. The location is in the mountains next to a lake, include details about the surrounding nature and insects. Elaborate on what a horribly awful time you had. Conclude with a rating and if you would recommend the trip to other girlies out there."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model pretend to be Elle Woods?\", \"Did the model write a short video script for social media about backpacking to a remote camping spot next to a lake in the woods in the mountains?\", \"Did the model include details about the nature and insects in its video script?\", \"Did the model make it clear they had a horribly awful time on the trip?\", \"Did the model end by rating the experience?\", \"Did the model say if they recommend the trip to other girlies out there?\"]"}
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[{"role": "user", "content": "Contents\nInformation\nFair Use Policy\nSlack\nWrapper Libraries\nResource Lists/Pagination\nBerries\nContests\nEncounters\nEvolution\nGames\nItems\nLocations\nMachines\nMoves\nPok\u00e9mon\nUtility\nIf you were using v1 of this API, please switch to v2 (this page). Read more\u2026\n\nQuick tip: Use your browser's \"find on page\" feature to search for specific resource types (Ctrl+F or Cmd+F).\n\nInformation\nThis is a consumption-only API \u2014 only the HTTP GET method is available on resources.\n\nNo authentication is required to access this API, and all resources are fully open and available. Since the move to static hosting in November 2018, rate limiting has been removed entirely, but we still encourage you to limit the frequency of requests to limit our hosting costs.\n\nFair Use Policy\nPok\u00e9API is free and open to use. It is also very popular. Because of this, we ask every developer to abide by our fair use policy. People not complying with the fair use policy will have their IP address permanently banned.\n\nPok\u00e9API is primarily an educational tool, and we will not tolerate denial of service attacks preventing people from learning.\n\nRules:\n\nLocally cache resources whenever you request them.\nBe nice and friendly to your fellow Pok\u00e9API developers.\nIf you spot security vulnerabilities act and report them responsibly.\nSlack and community\nCurrently no maintainer has enough free time to support the community on Slack. Our Slack is in an unmaintained status. You can still sign up right here then visit our Slack page.\n\nWrapper Libraries\nNode Server-side with auto caching: Pokedex Promise v2 by Thomas Asadurian and Alessandro Pezz\u00e9\nBrowser-side with auto caching: pokeapi-js-wrapper by Alessandro Pezz\u00e9\nPython 3 with auto caching: PokeBase by Greg Hilmes\nPython 2/3 with auto caching: Pokepy by Paul Hallett\nKotlin (and Java): PokeKotlin by sargunster\nJava (Spring Boot) with auto caching: pokeapi-reactor by Benjamin Churchill\n.NET (C#, VB, etc): PokeApi.NET by PoroCYon\n.NET Standard: PokeApiNet by mtrdp642\nSwift: PokemonAPI by kinkofer\nPHP: PokePHP by Dan Rovito\nPHP: PHPok\u00e9API by lmerotta\nRuby: Poke-Api-V2 by rdavid1099\nGo: pokeapi-go by mtslzr\nCrystal: pokeapi by henrikac\nTypescript with auto caching: Pokenode-ts by Gabb-c\nRust with auto caching: Rustemon by mlemesle\nAsynchronous Python wrapper with auto caching: aiopokeapi by beastmatser\nScala 3 with auto caching: pokeapi-scala by Juliano Alves\nElixir wrapper with auto caching: Max-Elixir-PokeAPI by Henrique Artur\nResource Lists/Pagination (group)\nCalling any API endpoint without a resource ID or name will return a paginated list of available resources for that API. By default, a list \"page\" will contain up to 20 resources. If you would like to change this just add a 'limit' query parameter to the GET request, e.g. ?limit=60. You can use 'offset' to move to the next page, e.g. ?limit=60&offset=60. characteristic, contest-effect, evolution-chain, machine, super-contest-effect endpoints are unnamed, the rest are named.\n\nNamed (endpoint)\nGET https://pokeapi.co/api/v2/{endpoint}/\n\ncount:248\nnext:\"https://pokeapi.co/api/v2/ability/?limit=20&offset=20\"\nprevious:null\nname:\"stench\"\nurl:\"https://pokeapi.co/api/v2/ability/1/\"\n View raw JSON (0.213 kB, 11 lines)\nNamedAPIResourceList (type)\nName\tDescription\tType\ncount\t\nThe total number of resources available from this API.\n\ninteger\nnext\t\nThe URL for the next page in the list.\n\nstring\nprevious\t\nThe URL for the previous page in the list.\n\nstring\nresults\t\nA list of named API resources.\n\nlist NamedAPIResource\nUnnamed (endpoint)\nGET https://pokeapi.co/api/v2/{endpoint}/\n\ncount:541\nnext:\"https://pokeapi.co/api/v2/evolution-chain?offset=20&limit=20\"\nprevious:null\nurl:\"https://pokeapi.co/api/v2/evolution-chain/1/\"\n View raw JSON (0.204 kB, 10 lines)\nAPIResourceList (type)\nName\tDescription\tType\ncount\t\nThe total number of resources available from this API.\n\ninteger\nnext\t\nThe URL for the next page in the list.\n\nstring\nprevious\t\nThe URL for the previous page in the list.\n\nstring\nresults\t\nA list of unnamed API resources.\n\nlist APIResource\nBerries (group)\nBerries (endpoint)\nBerries are small fruits that can provide HP and status condition restoration, stat enhancement, and even damage negation when eaten by Pok\u00e9mon. Check out Bulbapedia for greater detail.\n\nGET https://pokeapi.co/api/v2/berry/{id or name}/\n\nid:1\nname:\"cheri\"\ngrowth_time:3\nmax_harvest:5\nnatural_gift_power:60\nsize:20\nsmoothness:25\nsoil_dryness:15\nname:\"soft\"\nurl:\"https://pokeapi.co/api/v2/berry-firmness/2/\"\npotency:10\nname:\"spicy\"\nurl:\"https://pokeapi.co/api/v2/berry-flavor/1/\"\nname:\"cheri-berry\"\nurl:\"https://pokeapi.co/api/v2/item/126/\"\nname:\"fire\"\nurl:\"https://pokeapi.co/api/v2/type/10/\"\n View raw JSON (0.608 kB, 31 lines)\nBerry (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\ngrowth_time\t\nTime it takes the tree to grow one stage, in hours. Berry trees go through four of these growth stages before they can be picked.\n\ninteger\nmax_harvest\t\nThe maximum number of these berries that can grow on one tree in Generation IV.\n\ninteger\nnatural_gift_power\t\nThe power of the move \"Natural Gift\" when used with this Berry.\n\ninteger\nsize\t\nThe size of this Berry, in millimeters.\n\ninteger\nsmoothness\t\nThe smoothness of this Berry, used in making Pok\u00e9blocks or Poffins.\n\ninteger\nsoil_dryness\t\nThe speed at which this Berry dries out the soil as it grows. A higher rate means the soil dries more quickly.\n\ninteger\nfirmness\t\nThe firmness of this berry, used in making Pok\u00e9blocks or Poffins.\n\nNamedAPIResource (BerryFirmness)\nflavors\t\nA list of references to each flavor a berry can have and the potency of each of those flavors in regard to this berry.\n\nlist BerryFlavorMap\nitem\t\nBerries are actually items. This is a reference to the item specific data for this berry.\n\nNamedAPIResource (Item)\nnatural_gift_type\t\nThe type inherited by \"Natural Gift\" when used with this Berry.\n\nNamedAPIResource (Type)\nBerryFlavorMap (type)\nName\tDescription\tType\npotency\t\nHow powerful the referenced flavor is for this berry.\n\ninteger\nflavor\t\nThe referenced berry flavor.\n\nNamedAPIResource (BerryFlavor)\nBerry Firmnesses (endpoint)\nBerries can be soft or hard. Check out Bulbapedia for greater detail.\n\nGET https://pokeapi.co/api/v2/berry-firmness/{id or name}/\n\nid:1\nname:\"very-soft\"\nname:\"pecha\"\nurl:\"https://pokeapi.co/api/v2/berry/3/\"\nname:\"Very Soft\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\n View raw JSON (0.303 kB, 19 lines)\nBerryFirmness (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nberries\t\nA list of the berries with this firmness.\n\nlist NamedAPIResource (Berry)\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\nBerry Flavors (endpoint)\nFlavors determine whether a Pok\u00e9mon will benefit or suffer from eating a berry based on their nature. Check out Bulbapedia for greater detail.\n\nGET https://pokeapi.co/api/v2/berry-flavor/{id or name}/\n\nid:1\nname:\"spicy\"\npotency:10\nname:\"rowap\"\nurl:\"https://pokeapi.co/api/v2/berry/64/\"\nname:\"cool\"\nurl:\"https://pokeapi.co/api/v2/contest-type/1/\"\nname:\"Spicy\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\n View raw JSON (0.446 kB, 26 lines)\nBerryFlavor (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nberries\t\nA list of the berries with this flavor.\n\nlist FlavorBerryMap\ncontest_type\t\nThe contest type that correlates with this berry flavor.\n\nNamedAPIResource (ContestType)\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\nFlavorBerryMap (type)\nName\tDescription\tType\npotency\t\nHow powerful the referenced flavor is for this berry.\n\ninteger\nberry\t\nThe berry with the referenced flavor.\n\nNamedAPIResource (Berry)\nContests (group)\nContest Types (endpoint)\nContest types are categories judges used to weigh a Pok\u00e9mon's condition in Pok\u00e9mon contests. Check out Bulbapedia for greater detail.\n\nGET https://pokeapi.co/api/v2/contest-type/{id or name}/\n\nid:1\nname:\"cool\"\nname:\"spicy\"\nurl:\"https://pokeapi.co/api/v2/berry-flavor/1/\"\nname:\"Cool\"\ncolor:\"Red\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\n View raw JSON (0.311 kB, 18 lines)\nContestType (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nberry_flavor\t\nThe berry flavor that correlates with this contest type.\n\nNamedAPIResource (BerryFlavor)\nnames\t\nThe name of this contest type listed in different languages.\n\nlist ContestName\nContestName (type)\nName\tDescription\tType\nname\t\nThe name for this contest.\n\nstring\ncolor\t\nThe color associated with this contest's name.\n\nstring\nlanguage\t\nThe language that this name is in.\n\nNamedAPIResource (Language)\nContest Effects (endpoint)\nContest effects refer to the effects of moves when used in contests.\n\nGET https://pokeapi.co/api/v2/contest-effect/{id}/\n\nid:1\nappeal:4\njam:0\neffect:\"Gives a high number of appeal points wth no other effects.\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\nflavor_text:\"A highly appealing move.\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\n View raw JSON (0.46 kB, 23 lines)\nContestEffect (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nappeal\t\nThe base number of hearts the user of this move gets.\n\ninteger\njam\t\nThe base number of hearts the user's opponent loses.\n\ninteger\neffect_entries\t\nThe result of this contest effect listed in different languages.\n\nlist Effect\nflavor_text_entries\t\nThe flavor text of this contest effect listed in different languages.\n\nlist FlavorText\nSuper Contest Effects (endpoint)\nSuper contest effects refer to the effects of moves when used in super contests.\n\nGET https://pokeapi.co/api/v2/super-contest-effect/{id}/\n\nid:1\nappeal:2\nflavor_text:\"Enables the user to perform first in the next turn.\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\nname:\"agility\"\nurl:\"https://pokeapi.co/api/v2/move/97/\"\n View raw JSON (0.358 kB, 19 lines)\nSuperContestEffect (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nappeal\t\nThe level of appeal this super contest effect has.\n\ninteger\nflavor_text_entries\t\nThe flavor text of this super contest effect listed in different languages.\n\nlist FlavorText\nmoves\t\nA list of moves that have the effect when used in super contests.\n\nlist NamedAPIResource (Move)\nEncounters (group)\nEncounter Methods (endpoint)\nMethods by which the player might can encounter Pok\u00e9mon in the wild, e.g., walking in tall grass. Check out Bulbapedia for greater detail.\n\nGET https://pokeapi.co/api/v2/encounter-method/{id or name}/\n\nid:1\nname:\"walk\"\norder:1\nname:\"Walking in tall grass or a cave\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\n View raw JSON (0.229 kB, 14 lines)\nEncounterMethod (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\norder\t\nA good value for sorting.\n\ninteger\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\nEncounter Conditions (endpoint)\nConditions which affect what pokemon might appear in the wild, e.g., day or night.\n\nGET https://pokeapi.co/api/v2/encounter-condition/{id or name}/\n\nid:1\nname:\"swarm\"\nname:\"swarm-yes\"\nurl:\"https://pokeapi.co/api/v2/encounter-condition-value/1/\"\nname:\"swarm-no\"\nurl:\"https://pokeapi.co/api/v2/encounter-condition-value/2/\"\nname:\"Schwarm\"\nname:\"de\"\nurl:\"https://pokeapi.co/api/v2/language/6/\"\n View raw JSON (0.429 kB, 23 lines)\nEncounterCondition (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\nvalues\t\nA list of possible values for this encounter condition.\n\nlist NamedAPIResource (EncounterConditionValue)\nEncounter Condition Values (endpoint)\nEncounter condition values are the various states that an encounter condition can have, i.e., time of day can be either day or night.\n\nGET https://pokeapi.co/api/v2/encounter-condition-value/{id or name}/\n\nid:1\nname:\"swarm-yes\"\nname:\"swarm\"\nurl:\"https://pokeapi.co/api/v2/encounter-condition/1/\"\nname:\"W\u00c3\u00a4hrend eines Schwarms\"\nname:\"de\"\nurl:\"https://pokeapi.co/api/v2/language/6/\"\n View raw JSON (0.319 kB, 17 lines)\nEncounterConditionValue (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\ncondition\t\nThe condition this encounter condition value pertains to.\n\nNamedAPIResource (EncounterCondition)\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\nEvolution (group)\nEvolution Chains (endpoint)\nEvolution chains are essentially family trees. They start with the lowest stage within a family and detail evolution conditions for each as well as Pok\u00e9mon they can evolve into up through the hierarchy.\n\nGET https://pokeapi.co/api/v2/evolution-chain/{id}/\n\nid:7\nbaby_trigger_item:null\n View raw JSON (1.227 kB, 47 lines)\nEvolutionChain (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nbaby_trigger_item\t\nThe item that a Pok\u00e9mon would be holding when mating that would trigger the egg hatching a baby Pok\u00e9mon rather than a basic Pok\u00e9mon.\n\nNamedAPIResource (Item)\nchain\t\nThe base chain link object. Each link contains evolution details for a Pok\u00e9mon in the chain. Each link references the next Pok\u00e9mon in the natural evolution order.\n\nChainLink\nChainLink (type)\nName\tDescription\tType\nis_baby\t\nWhether or not this link is for a baby Pok\u00e9mon. This would only ever be true on the base link.\n\nboolean\nspecies\t\nThe Pok\u00e9mon species at this point in the evolution chain.\n\nNamedAPIResource (PokemonSpecies)\nevolution_details\t\nAll details regarding the specific details of the referenced Pok\u00e9mon species evolution.\n\nlist EvolutionDetail\nevolves_to\t\nA List of chain objects.\n\nlist ChainLink\nEvolutionDetail (type)\nName\tDescription\tType\nitem\t\nThe item required to cause evolution this into Pok\u00e9mon species.\n\nNamedAPIResource (Item)\ntrigger\t\nThe type of event that triggers evolution into this Pok\u00e9mon species.\n\nNamedAPIResource (EvolutionTrigger)\ngender\t\nThe id of the gender of the evolving Pok\u00e9mon species must be in order to evolve into this Pok\u00e9mon species.\n\ninteger\nheld_item\t\nThe item the evolving Pok\u00e9mon species must be holding during the evolution trigger event to evolve into this Pok\u00e9mon species.\n\nNamedAPIResource (Item)\nknown_move\t\nThe move that must be known by the evolving Pok\u00e9mon species during the evolution trigger event in order to evolve into this Pok\u00e9mon species.\n\nNamedAPIResource (Move)\nknown_move_type\t\nThe evolving Pok\u00e9mon species must know a move with this type during the evolution trigger event in order to evolve into this Pok\u00e9mon species.\n\nNamedAPIResource (Type)\nlocation\t\nThe location the evolution must be triggered at.\n\nNamedAPIResource (Location)\nmin_level\t\nThe minimum required level of the evolving Pok\u00e9mon species to evolve into this Pok\u00e9mon species.\n\ninteger\nmin_happiness\t\nThe minimum required level of happiness the evolving Pok\u00e9mon species to evolve into this Pok\u00e9mon species.\n\ninteger\nmin_beauty\t\nThe minimum required level of beauty the evolving Pok\u00e9mon species to evolve into this Pok\u00e9mon species.\n\ninteger\nmin_affection\t\nThe minimum required level of affection the evolving Pok\u00e9mon species to evolve into this Pok\u00e9mon species.\n\ninteger\nneeds_overworld_rain\t\nWhether or not it must be raining in the overworld to cause evolution this Pok\u00e9mon species.\n\nboolean\nparty_species\t\nThe Pok\u00e9mon species that must be in the players party in order for the evolving Pok\u00e9mon species to evolve into this Pok\u00e9mon species.\n\nNamedAPIResource (PokemonSpecies)\nparty_type\t\nThe player must have a Pok\u00e9mon of this type in their party during the evolution trigger event in order for the evolving Pok\u00e9mon species to evolve into this Pok\u00e9mon species.\n\nNamedAPIResource (Type)\nrelative_physical_stats\t\nThe required relation between the Pok\u00e9mon's Attack and Defense stats. 1 means Attack > Defense. 0 means Attack = Defense. -1 means Attack < Defense.\n\ninteger\ntime_of_day\t\nThe required time of day. Day or night.\n\nstring\ntrade_species\t\nPok\u00e9mon species for which this one must be traded.\n\nNamedAPIResource (PokemonSpecies)\nturn_upside_down\t\nWhether or not the 3DS needs to be turned upside-down as this Pok\u00e9mon levels up.\n\nboolean\nEvolution Triggers (endpoint)\nEvolution triggers are the events and conditions that cause a Pok\u00e9mon to evolve. Check out Bulbapedia for greater detail.\n\nGET https://pokeapi.co/api/v2/evolution-trigger/{id or name}/\n\nid:1\nname:\"level-up\"\nname:\"Level up\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\nname:\"ivysaur\"\nurl:\"https://pokeapi.co/api/v2/pokemon-species/2/\"\n View raw JSON (0.321 kB, 19 lines)\nEvolutionTrigger (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\npokemon_species\t\nA list of pokemon species that result from this evolution trigger.\n\nlist NamedAPIResource (PokemonSpecies)\nGames (group)\nGenerations (endpoint)\nA generation is a grouping of the Pok\u00e9mon games that separates them based on the Pok\u00e9mon they include. In each generation, a new set of Pok\u00e9mon, Moves, Abilities and Types that did not exist in the previous generation are released.\n\nGET https://pokeapi.co/api/v2/generation/{id or name}/\n\nid:1\nname:\"generation-i\"\nabilities:\nname:\"kanto\"\nurl:\"https://pokeapi.co/api/v2/region/1/\"\nname:\"pound\"\nurl:\"https://pokeapi.co/api/v2/move/1/\"\nname:\"Generation I\"\nname:\"de\"\nurl:\"https://pokeapi.co/api/v2/language/6/\"\nname:\"bulbasaur\"\nurl:\"https://pokeapi.co/api/v2/pokemon-species/1/\"\nname:\"normal\"\nurl:\"https://pokeapi.co/api/v2/type/1/\"\nname:\"red-blue\"\nurl:\"https://pokeapi.co/api/v2/version-group/1/\"\n View raw JSON (0.772 kB, 42 lines)\nGeneration (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nabilities\t\nA list of abilities that were introduced in this generation.\n\nlist NamedAPIResource (Ability)\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\nmain_region\t\nThe main region travelled in this generation.\n\nNamedAPIResource (Region)\nmoves\t\nA list of moves that were introduced in this generation.\n\nlist NamedAPIResource (Move)\npokemon_species\t\nA list of Pok\u00e9mon species that were introduced in this generation.\n\nlist NamedAPIResource (PokemonSpecies)\ntypes\t\nA list of types that were introduced in this generation.\n\nlist NamedAPIResource (Type)\nversion_groups\t\nA list of version groups that were introduced in this generation.\n\nlist NamedAPIResource (VersionGroup)\nPokedexes (endpoint)\nA Pok\u00e9dex is a handheld electronic encyclopedia device; one which is capable of recording and retaining information of the various Pok\u00e9mon in a given region with the exception of the national dex and some smaller dexes related to portions of a region. See Bulbapedia for greater detail.\n\nGET https://pokeapi.co/api/v2/pokedex/{id or name}/\n\nid:2\nname:\"kanto\"\nis_main_series:true\ndescription:\"Rot/Blau/Gelb Kanto Dex\"\nname:\"de\"\nurl:\"https://pokeapi.co/api/v2/language/6/\"\nname:\"Kanto\"\nname:\"de\"\nurl:\"https://pokeapi.co/api/v2/language/6/\"\nentry_number:1\nname:\"bulbasaur\"\nurl:\"https://pokeapi.co/api/v2/pokemon-species/1/\"\nname:\"kanto\"\nurl:\"https://pokeapi.co/api/v2/region/1/\"\nname:\"red-blue\"\nurl:\"https://pokeapi.co/api/v2/version-group/1/\"\n View raw JSON (0.809 kB, 42 lines)\nPokedex (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nis_main_series\t\nWhether or not this Pok\u00e9dex originated in the main series of the video games.\n\nboolean\ndescriptions\t\nThe description of this resource listed in different languages.\n\nlist Description\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\npokemon_entries\t\nA list of Pok\u00e9mon catalogued in this Pok\u00e9dex and their indexes.\n\nlist PokemonEntry\nregion\t\nThe region this Pok\u00e9dex catalogues Pok\u00e9mon for.\n\nNamedAPIResource (Region)\nversion_groups\t\nA list of version groups this Pok\u00e9dex is relevant to.\n\nlist NamedAPIResource (VersionGroup)\nPokemonEntry (type)\nName\tDescription\tType\nentry_number\t\nThe index of this Pok\u00e9mon species entry within the Pok\u00e9dex.\n\ninteger\npokemon_species\t\nThe Pok\u00e9mon species being encountered.\n\nNamedAPIResource (PokemonSpecies)\nVersion (endpoint)\nVersions of the games, e.g., Red, Blue or Yellow.\n\nGET https://pokeapi.co/api/v2/version/{id or name}/\n\nid:1\nname:\"red\"\nname:\"Rot\"\nname:\"de\"\nurl:\"https://pokeapi.co/api/v2/language/6/\"\nname:\"red-blue\"\nurl:\"https://pokeapi.co/api/v2/version-group/1/\"\n View raw JSON (0.292 kB, 17 lines)\nVersion (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\nversion_group\t\nThe version group this version belongs to.\n\nNamedAPIResource (VersionGroup)\nVersion Groups (endpoint)\nVersion groups categorize highly similar versions of the games.\n\nGET https://pokeapi.co/api/v2/version-group/{id or name}/\n\nid:1\nname:\"red-blue\"\norder:1\nname:\"generation-i\"\nurl:\"https://pokeapi.co/api/v2/generation/1/\"\nname:\"level-up\"\nurl:\"https://pokeapi.co/api/v2/move-learn-method/1/\"\nname:\"kanto\"\nurl:\"https://pokeapi.co/api/v2/pokedex/2/\"\nname:\"kanto\"\nurl:\"https://pokeapi.co/api/v2/region/1/\"\nname:\"red\"\nurl:\"https://pokeapi.co/api/v2/version/1/\"\n View raw JSON (0.605 kB, 33 lines)\nVersionGroup (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\norder\t\nOrder for sorting. Almost by date of release, except similar versions are grouped together.\n\ninteger\ngeneration\t\nThe generation this version was introduced in.\n\nNamedAPIResource (Generation)\nmove_learn_methods\t\nA list of methods in which Pok\u00e9mon can learn moves in this version group.\n\nlist NamedAPIResource (MoveLearnMethod)\npokedexes\t\nA list of Pok\u00e9dexes introduces in this version group.\n\nlist NamedAPIResource (Pokedex)\nregions\t\nA list of regions that can be visited in this version group.\n\nlist NamedAPIResource (Region)\nversions\t\nThe versions this version group owns.\n\nlist NamedAPIResource (Version)\nItems (group)\nItem (endpoint)\nAn item is an object in the games which the player can pick up, keep in their bag, and use in some manner. They have various uses, including healing, powering up, helping catch Pok\u00e9mon, or to access a new area.\n\nGET https://pokeapi.co/api/v2/item/{id or name}/\n\nid:1\nname:\"master-ball\"\ncost:0\nfling_power:10\nname:\"flinch\"\nurl:\"https://pokeapi.co/api/v2/item-fling-effect/7/\"\nname:\"holdable\"\nurl:\"https://pokeapi.co/api/v2/item-attribute/5/\"\nname:\"standard-balls\"\nurl:\"https://pokeapi.co/api/v2/item-category/34/\"\neffect:\"Used in battle : [Catches]{mechanic:catch} a wild Pok\u00e9mon without fail. If used in a trainer battle, nothing happens and the ball is lost.\"\nshort_effect:\"Catches a wild Pok\u00e9mon every time.\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\ntext:\"The best Pok\u00e9 Ball with the ultimate level of performance. With it, you will catch any wild Pok\u00e9mon without fail.\"\nname:\"x-y\"\nurl:\"https://pokeapi.co/api/v2/version-group/15/\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\ngame_index:1\nname:\"generation-vi\"\nurl:\"https://pokeapi.co/api/v2/generation/6/\"\nname:\"Master Ball\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\ndefault:\"https://pokeapi.co/media/sprites/items/master-ball.png\"\nname:\"chansey\"\nurl:\"https://pokeapi.co/api/v2/pokemon/113/\"\nurl:\"https://pokeapi.co/api/v2/evolution-chain/1/\"\n View raw JSON (2.062 kB, 84 lines)\nItem (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\ncost\t\nThe price of this item in stores.\n\ninteger\nfling_power\t\nThe power of the move Fling when used with this item.\n\ninteger\nfling_effect\t\nThe effect of the move Fling when used with this item.\n\nNamedAPIResource (ItemFlingEffect)\nattributes\t\nA list of attributes this item has.\n\nlist NamedAPIResource (ItemAttribute)\ncategory\t\nThe category of items this item falls into.\n\nNamedAPIResource (ItemCategory)\neffect_entries\t\nThe effect of this ability listed in different languages.\n\nlist VerboseEffect\nflavor_text_entries\t\nThe flavor text of this ability listed in different languages.\n\nlist VersionGroupFlavorText\ngame_indices\t\nA list of game indices relevent to this item by generation.\n\nlist GenerationGameIndex\nnames\t\nThe name of this item listed in different languages.\n\nlist Name\nsprites\t\nA set of sprites used to depict this item in the game.\n\nItemSprites\nheld_by_pokemon\t\nA list of Pok\u00e9mon that might be found in the wild holding this item.\n\nlist ItemHolderPokemon\nbaby_trigger_for\t\nAn evolution chain this item requires to produce a bay during mating.\n\nAPIResource (EvolutionChain)\nmachines\t\nA list of the machines related to this item.\n\nlist MachineVersionDetail\nItemSprites (type)\nName\tDescription\tType\ndefault\t\nThe default depiction of this item.\n\nstring\nItemHolderPokemon (type)\nName\tDescription\tType\npokemon\t\nThe Pok\u00e9mon that holds this item.\n\nNamedAPIResource (Pokemon)\nversion_details\t\nThe details for the version that this item is held in by the Pok\u00e9mon.\n\nlist ItemHolderPokemonVersionDetail\nItemHolderPokemonVersionDetail (type)\nName\tDescription\tType\nrarity\t\nHow often this Pok\u00e9mon holds this item in this version.\n\ninteger\nversion\t\nThe version that this item is held in by the Pok\u00e9mon.\n\nNamedAPIResource (Version)\nItem Attributes (endpoint)\nItem attributes define particular aspects of items, e.g. \"usable in battle\" or \"consumable\".\n\nGET https://pokeapi.co/api/v2/item-attribute/{id or name}/\n\nid:1\nname:\"countable\"\ndescription:\"Has a count in the bag\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\nname:\"master-ball\"\nurl:\"https://pokeapi.co/api/v2/item/1/\"\nname:\"Countable\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\n View raw JSON (0.495 kB, 28 lines)\nItemAttribute (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nitems\t\nA list of items that have this attribute.\n\nlist NamedAPIResource (Item)\nnames\t\nThe name of this item attribute listed in different languages.\n\nlist Name\ndescriptions\t\nThe description of this item attribute listed in different languages.\n\nlist Description\nItem Categories (endpoint)\nItem categories determine where items will be placed in the players bag.\n\nGET https://pokeapi.co/api/v2/item-category/{id or name}/\n\nid:1\nname:\"stat-boosts\"\nname:\"guard-spec\"\nurl:\"https://pokeapi.co/api/v2/item/55/\"\nname:\"Stat boosts\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\nname:\"battle\"\nurl:\"https://pokeapi.co/api/v2/item-pocket/7/\"\n View raw JSON (0.405 kB, 23 lines)\nItemCategory (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nitems\t\nA list of items that are a part of this category.\n\nlist NamedAPIResource (Item)\nnames\t\nThe name of this item category listed in different languages.\n\nlist Name\npocket\t\nThe pocket items in this category would be put in.\n\nNamedAPIResource (ItemPocket)\nItem Fling Effects (endpoint)\nThe various effects of the move \"Fling\" when used with different items.\n\nGET https://pokeapi.co/api/v2/item-fling-effect/{id or name}/\n\nid:1\nname:\"badly-poison\"\neffect:\"Badly poisons the target.\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\nname:\"toxic-orb\"\nurl:\"https://pokeapi.co/api/v2/item/249/\"\n View raw JSON (0.336 kB, 19 lines)\nItemFlingEffect (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\neffect_entries\t\nThe result of this fling effect listed in different languages.\n\nlist Effect\nitems\t\nA list of items that have this fling effect.\n\nlist NamedAPIResource (Item)\nItem Pockets (endpoint)\nPockets within the players bag used for storing items by category.\n\nGET https://pokeapi.co/api/v2/item-pocket/{id or name}/\n\nid:1\nname:\"misc\"\nname:\"collectibles\"\nurl:\"https://pokeapi.co/api/v2/item-category/9/\"\nname:\"Items\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\n View raw JSON (0.312 kB, 19 lines)\nItemPocket (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\ncategories\t\nA list of item categories that are relevant to this item pocket.\n\nlist NamedAPIResource (ItemCategory)\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\nLocations (group)\nLocations (endpoint)\nLocations that can be visited within the games. Locations make up sizable portions of regions, like cities or routes.\n\nGET https://pokeapi.co/api/v2/location/{id or name}/\n\nid:1\nname:\"canalave-city\"\nname:\"sinnoh\"\nurl:\"https://pokeapi.co/api/v2/region/4/\"\nname:\"Canalave City\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\ngame_index:7\nname:\"generation-iv\"\nurl:\"https://pokeapi.co/api/v2/generation/4/\"\nname:\"canalave-city-area\"\nurl:\"https://pokeapi.co/api/v2/location-area/1/\"\n View raw JSON (0.6 kB, 32 lines)\nLocation (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nregion\t\nThe region this location can be found in.\n\nNamedAPIResource (Region)\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\ngame_indices\t\nA list of game indices relevent to this location by generation.\n\nlist GenerationGameIndex\nareas\t\nAreas that can be found within this location.\n\nlist NamedAPIResource (LocationArea)\nLocation Areas (endpoint)\nLocation areas are sections of areas, such as floors in a building or cave. Each area has its own set of possible Pok\u00e9mon encounters.\n\nGET https://pokeapi.co/api/v2/location-area/{id or name}/\n\nid:1\nname:\"canalave-city-area\"\ngame_index:1\nname:\"old-rod\"\nurl:\"https://pokeapi.co/api/v2/encounter-method/2/\"\nname:\"canalave-city\"\nurl:\"https://pokeapi.co/api/v2/location/1/\"\nname:\"\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\nname:\"tentacool\"\nurl:\"https://pokeapi.co/api/v2/pokemon/72/\"\n View raw JSON (1.405 kB, 64 lines)\nLocationArea (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\ngame_index\t\nThe internal id of an API resource within game data.\n\ninteger\nencounter_method_rates\t\nA list of methods in which Pok\u00e9mon may be encountered in this area and how likely the method will occur depending on the version of the game.\n\nlist EncounterMethodRate\nlocation\t\nThe region this location area can be found in.\n\nNamedAPIResource (Location)\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\npokemon_encounters\t\nA list of Pok\u00e9mon that can be encountered in this area along with version specific details about the encounter.\n\nlist PokemonEncounter\nEncounterMethodRate (type)\nName\tDescription\tType\nencounter_method\t\nThe method in which Pok\u00e9mon may be encountered in an area..\n\nNamedAPIResource (EncounterMethod)\nversion_details\t\nThe chance of the encounter to occur on a version of the game.\n\nlist EncounterVersionDetails\nEncounterVersionDetails (type)\nName\tDescription\tType\nrate\t\nThe chance of an encounter to occur.\n\ninteger\nversion\t\nThe version of the game in which the encounter can occur with the given chance.\n\nNamedAPIResource (Version)\nPokemonEncounter (type)\nName\tDescription\tType\npokemon\t\nThe Pok\u00e9mon being encountered.\n\nNamedAPIResource (Pokemon)\nversion_details\t\nA list of versions and encounters with Pok\u00e9mon that might happen in the referenced location area.\n\nlist VersionEncounterDetail\nPal Park Areas (endpoint)\nAreas used for grouping Pok\u00e9mon encounters in Pal Park. They're like habitats that are specific to Pal Park.\n\nGET https://pokeapi.co/api/v2/pal-park-area/{id or name}/\n\nid:1\nname:\"forest\"\nname:\"Forest\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\nbase_score:30\nrate:50\nname:\"caterpie\"\nurl:\"https://pokeapi.co/api/v2/pokemon-species/10/\"\n View raw JSON (0.403 kB, 23 lines)\nPalParkArea (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\npokemon_encounters\t\nA list of Pok\u00e9mon encountered in thi pal park area along with details.\n\nlist PalParkEncounterSpecies\nPalParkEncounterSpecies (type)\nName\tDescription\tType\nbase_score\t\nThe base score given to the player when this Pok\u00e9mon is caught during a pal park run.\n\ninteger\nrate\t\nThe base rate for encountering this Pok\u00e9mon in this pal park area.\n\ninteger\npokemon_species\t\nThe Pok\u00e9mon species being encountered.\n\nNamedAPIResource (PokemonSpecies)\nRegions (endpoint)\nA region is an organized area of the Pok\u00e9mon world. Most often, the main difference between regions is the species of Pok\u00e9mon that can be encountered within them.\n\nGET https://pokeapi.co/api/v2/region/{id or name}/\n\nid:1\nname:\"kanto\"\nname:\"celadon-city\"\nurl:\"https://pokeapi.co/api/v2/location/67/\"\nname:\"generation-i\"\nurl:\"https://pokeapi.co/api/v2/generation/1/\"\nname:\"Kanto\"\nname:\"de\"\nurl:\"https://pokeapi.co/api/v2/language/6/\"\nname:\"kanto\"\nurl:\"https://pokeapi.co/api/v2/pokedex/2/\"\nname:\"red-blue\"\nurl:\"https://pokeapi.co/api/v2/version-group/1/\"\n View raw JSON (0.649 kB, 35 lines)\nRegion (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nlocations\t\nA list of locations that can be found in this region.\n\nlist NamedAPIResource (Location)\nname\t\nThe name for this resource.\n\nstring\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\nmain_generation\t\nThe generation this region was introduced in.\n\nNamedAPIResource (Generation)\npokedexes\t\nA list of pok\u00e9dexes that catalogue Pok\u00e9mon in this region.\n\nlist NamedAPIResource (Pokedex)\nversion_groups\t\nA list of version groups where this region can be visited.\n\nlist NamedAPIResource (VersionGroup)\nMachines (group)\nMachines (endpoint)\nMachines are the representation of items that teach moves to Pok\u00e9mon. They vary from version to version, so it is not certain that one specific TM or HM corresponds to a single Machine.\n\nGET https://pokeapi.co/api/v2/machine/{id}/\n\nid:1\nname:\"tm01\"\nurl:\"https://pokeapi.co/api/v2/item/305/\"\nname:\"mega-punch\"\nurl:\"https://pokeapi.co/api/v2/move/5/\"\nname:\"red-blue\"\nurl:\"https://pokeapi.co/api/v2/version/1/\"\n View raw JSON (0.289 kB, 15 lines)\nMachine (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nitem\t\nThe TM or HM item that corresponds to this machine.\n\nNamedAPIResource (Item)\nmove\t\nThe move that is taught by this machine.\n\nNamedAPIResource (Move)\nversion_group\t\nThe version group that this machine applies to.\n\nNamedAPIResource (VersionGroup)\nMoves (group)\nMoves (endpoint)\nMoves are the skills of Pok\u00e9mon in battle. In battle, a Pok\u00e9mon uses one move each turn. Some moves (including those learned by Hidden Machine) can be used outside of battle as well, usually for the purpose of removing obstacles or exploring new areas.\n\nGET https://pokeapi.co/api/v2/move/{id or name}/\n\nid:1\nname:\"pound\"\naccuracy:100\neffect_chance:null\npp:35\npriority:0\npower:40\nname:\"double-slap\"\nurl:\"https://pokeapi.co/api/v2/move/3/\"\nname:\"headbutt\"\nurl:\"https://pokeapi.co/api/v2/move/29/\"\nname:\"feint-attack\"\nurl:\"https://pokeapi.co/api/v2/move/185/\"\nuse_after:null\nuse_before:null\nuse_after:null\nname:\"tough\"\nurl:\"https://pokeapi.co/api/v2/contest-type/5/\"\nurl:\"https://pokeapi.co/api/v2/contest-effect/1/\"\nname:\"physical\"\nurl:\"https://pokeapi.co/api/v2/move-damage-class/2/\"\neffect:\"Inflicts [regular damage]{mechanic:regular-damage}.\"\nshort_effect:\"Inflicts regular damage with no additional effect.\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\neffect_changes:\nname:\"generation-i\"\nurl:\"https://pokeapi.co/api/v2/generation/1/\"\nname:\"Pound\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\npast_values:\nstat_changes:\nurl:\"https://pokeapi.co/api/v2/super-contest-effect/5/\"\nname:\"selected-pokemon\"\nurl:\"https://pokeapi.co/api/v2/move-target/10/\"\nname:\"normal\"\nurl:\"https://pokeapi.co/api/v2/type/1/\"\nname:\"clefairy\"\nurl:\"https://pokeapi.co/api/v2/pokemon/35/\"\nflavor_text:\"Pounds with fore\u00ad legs or tail.\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/version-group/3/\"\nname:\"gold-silver\"\n View raw JSON (2.714 kB, 119 lines)\nMove (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\naccuracy\t\nThe percent value of how likely this move is to be successful.\n\ninteger\neffect_chance\t\nThe percent value of how likely it is this moves effect will happen.\n\ninteger\npp\t\nPower points. The number of times this move can be used.\n\ninteger\npriority\t\nA value between -8 and 8. Sets the order in which moves are executed during battle. See Bulbapedia for greater detail.\n\ninteger\npower\t\nThe base power of this move with a value of 0 if it does not have a base power.\n\ninteger\ncontest_combos\t\nA detail of normal and super contest combos that require this move.\n\nContestComboSets\ncontest_type\t\nThe type of appeal this move gives a Pok\u00e9mon when used in a contest.\n\nNamedAPIResource (ContestType)\ncontest_effect\t\nThe effect the move has when used in a contest.\n\nAPIResource (ContestEffect)\ndamage_class\t\nThe type of damage the move inflicts on the target, e.g. physical.\n\nNamedAPIResource (MoveDamageClass)\neffect_entries\t\nThe effect of this move listed in different languages.\n\nlist VerboseEffect\neffect_changes\t\nThe list of previous effects this move has had across version groups of the games.\n\nlist AbilityEffectChange\nlearned_by_pokemon\t\nList of Pokemon that can learn the move\n\nlist NamedAPIResource (Pokemon)\nflavor_text_entries\t\nThe flavor text of this move listed in different languages.\n\nlist MoveFlavorText\ngeneration\t\nThe generation in which this move was introduced.\n\nNamedAPIResource (Generation)\nmachines\t\nA list of the machines that teach this move.\n\nlist MachineVersionDetail\nmeta\t\nMetadata about this move\n\nMoveMetaData\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\npast_values\t\nA list of move resource value changes across version groups of the game.\n\nlist PastMoveStatValues\nstat_changes\t\nA list of stats this moves effects and how much it effects them.\n\nlist MoveStatChange\nsuper_contest_effect\t\nThe effect the move has when used in a super contest.\n\nAPIResource (SuperContestEffect)\ntarget\t\nThe type of target that will receive the effects of the attack.\n\nNamedAPIResource (MoveTarget)\ntype\t\nThe elemental type of this move.\n\nNamedAPIResource (Type)\nContestComboSets (type)\nName\tDescription\tType\nnormal\t\nA detail of moves this move can be used before or after, granting additional appeal points in contests.\n\nContestComboDetail\nsuper\t\nA detail of moves this move can be used before or after, granting additional appeal points in super contests.\n\nContestComboDetail\nContestComboDetail (type)\nName\tDescription\tType\nuse_before\t\nA list of moves to use before this move.\n\nlist NamedAPIResource (Move)\nuse_after\t\nA list of moves to use after this move.\n\nlist NamedAPIResource (Move)\nMoveFlavorText (type)\nName\tDescription\tType\nflavor_text\t\nThe localized flavor text for an api resource in a specific language.\n\nstring\nlanguage\t\nThe language this name is in.\n\nNamedAPIResource (Language)\nversion_group\t\nThe version group that uses this flavor text.\n\nNamedAPIResource (VersionGroup)\nMoveMetaData (type)\nName\tDescription\tType\nailment\t\nThe status ailment this move inflicts on its target.\n\nNamedAPIResource (MoveAilment)\ncategory\t\nThe category of move this move falls under, e.g. damage or ailment.\n\nNamedAPIResource (MoveCategory)\nmin_hits\t\nThe minimum number of times this move hits. Null if it always only hits once.\n\ninteger\nmax_hits\t\nThe maximum number of times this move hits. Null if it always only hits once.\n\ninteger\nmin_turns\t\nThe minimum number of turns this move continues to take effect. Null if it always only lasts one turn.\n\ninteger\nmax_turns\t\nThe maximum number of turns this move continues to take effect. Null if it always only lasts one turn.\n\ninteger\ndrain\t\nHP drain (if positive) or Recoil damage (if negative), in percent of damage done.\n\ninteger\nhealing\t\nThe amount of hp gained by the attacking Pokemon, in percent of it's maximum HP.\n\ninteger\ncrit_rate\t\nCritical hit rate bonus.\n\ninteger\nailment_chance\t\nThe likelihood this attack will cause an ailment.\n\ninteger\nflinch_chance\t\nThe likelihood this attack will cause the target Pok\u00e9mon to flinch.\n\ninteger\nstat_chance\t\nThe likelihood this attack will cause a stat change in the target Pok\u00e9mon.\n\ninteger\nMoveStatChange (type)\nName\tDescription\tType\nchange\t\nThe amount of change.\n\ninteger\nstat\t\nThe stat being affected.\n\nNamedAPIResource (Stat)\nPastMoveStatValues (type)\nName\tDescription\tType\naccuracy\t\nThe percent value of how likely this move is to be successful.\n\ninteger\neffect_chance\t\nThe percent value of how likely it is this moves effect will take effect.\n\ninteger\npower\t\nThe base power of this move with a value of 0 if it does not have a base power.\n\ninteger\npp\t\nPower points. The number of times this move can be used.\n\ninteger\neffect_entries\t\nThe effect of this move listed in different languages.\n\nlist VerboseEffect\ntype\t\nThe elemental type of this move.\n\nNamedAPIResource (Type)\nversion_group\t\nThe version group in which these move stat values were in effect.\n\nNamedAPIResource (VersionGroup)\nMove Ailments (endpoint)\nMove Ailments are status conditions caused by moves used during battle. See Bulbapedia for greater detail.\n\nGET https://pokeapi.co/api/v2/move-ailment/{id or name}/\n\nid:1\nname:\"paralysis\"\nname:\"thunder-punch\"\nurl:\"https://pokeapi.co/api/v2/move/9/\"\nname:\"Paralysis\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\n View raw JSON (0.308 kB, 19 lines)\nMoveAilment (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nmoves\t\nA list of moves that cause this ailment.\n\nlist NamedAPIResource (Move)\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\nMove Battle Styles (endpoint)\nStyles of moves when used in the Battle Palace. See Bulbapedia for greater detail.\n\nGET https://pokeapi.co/api/v2/move-battle-style/{id or name}/\n\nid:1\nname:\"attack\"\nname:\"Attack\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\n View raw JSON (0.192 kB, 13 lines)\nMoveBattleStyle (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\nMove Categories (endpoint)\nVery general categories that loosely group move effects.\n\nGET https://pokeapi.co/api/v2/move-category/{id or name}/\n\nid:1\nname:\"ailment\"\ndescription:\"No damage; inflicts status ailment\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\nname:\"sing\"\nurl:\"https://pokeapi.co/api/v2/move/47/\"\n View raw JSON (0.337 kB, 19 lines)\nMoveCategory (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nmoves\t\nA list of moves that fall into this category.\n\nlist NamedAPIResource (Move)\ndescriptions\t\nThe description of this resource listed in different languages.\n\nlist Description\nMove Damage Classes (endpoint)\nDamage classes moves can have, e.g. physical, special, or non-damaging.\n\nGET https://pokeapi.co/api/v2/move-damage-class/{id or name}/\n\nid:1\nname:\"status\"\ndescription:\"\u00e3\u0192\u20ac\u00e3\u0192\u00a1\u00e3\u0192\u00bc\u00e3\u201a\u00b8\u00e3\u0081\u00aa\u00e3\u0081\u201e\"\nname:\"ja\"\nurl:\"https://pokeapi.co/api/v2/language/1/\"\nname:\"swords-dance\"\nurl:\"https://pokeapi.co/api/v2/move/14/\"\n View raw JSON (0.349 kB, 19 lines)\nMoveDamageClass (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\ndescriptions\t\nThe description of this resource listed in different languages.\n\nlist Description\nmoves\t\nA list of moves that fall into this damage class.\n\nlist NamedAPIResource (Move)\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\nMove Learn Methods (endpoint)\nMethods by which Pok\u00e9mon can learn moves.\n\nGET https://pokeapi.co/api/v2/move-learn-method/{id or name}/\n\nid:1\nname:\"level-up\"\nname:\"Level up\"\nname:\"de\"\nurl:\"https://pokeapi.co/api/v2/language/6/\"\ndescription:\"Wird gelernt, wenn ein Pok\u00e9mon ein bestimmtes Level erreicht.\"\nname:\"de\"\nurl:\"https://pokeapi.co/api/v2/language/6/\"\nname:\"red-blue\"\nurl:\"https://pokeapi.co/api/v2/version-group/1/\"\n View raw JSON (0.548 kB, 28 lines)\nMoveLearnMethod (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\ndescriptions\t\nThe description of this resource listed in different languages.\n\nlist Description\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\nversion_groups\t\nA list of version groups where moves can be learned through this method.\n\nlist NamedAPIResource (VersionGroup)\nMove Targets (endpoint)\nTargets moves can be directed at during battle. Targets can be Pok\u00e9mon, environments or even other moves.\n\nGET https://pokeapi.co/api/v2/move-target/{id or name}/\n\nid:1\nname:\"specific-move\"\ndescription:\"Eine spezifische F\u00e4higkeit. Wie diese F\u00e4higkeit genutzt wird, h\u00e4ngt von den genutzten F\u00e4higkeiten ab.\"\nname:\"de\"\nurl:\"https://pokeapi.co/api/v2/language/6/\"\nname:\"counter\"\nurl:\"https://pokeapi.co/api/v2/move/68/\"\nname:\"Spezifische F\u00e4higkeit\"\nname:\"de\"\nurl:\"https://pokeapi.co/api/v2/language/6/\"\n View raw JSON (0.592 kB, 28 lines)\nMoveTarget (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\ndescriptions\t\nThe description of this resource listed in different languages.\n\nlist Description\nmoves\t\nA list of moves that that are directed at this target.\n\nlist NamedAPIResource (Move)\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\nPok\u00e9mon (group)\nAbilities (endpoint)\nAbilities provide passive effects for Pok\u00e9mon in battle or in the overworld. Pok\u00e9mon have multiple possible abilities but can have only one ability at a time. Check out Bulbapedia for greater detail.\n\nGET https://pokeapi.co/api/v2/ability/{id or name}/\n\nid:1\nname:\"stench\"\nis_main_series:true\nname:\"generation-iii\"\nurl:\"https://pokeapi.co/api/v2/generation/3/\"\nname:\"Stench\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\neffect:\"This Pok\u00e9mon's damaging moves have a 10% chance to make the target [flinch]{mechanic:flinch} with each hit if they do not already cause flinching as a secondary effect. This ability does not stack with a held item. Overworld: The wild encounter rate is halved while this Pok\u00e9mon is first in the party.\"\nshort_effect:\"Has a 10% chance of making target Pok\u00e9mon [flinch]{mechanic:flinch} with each hit.\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\nname:\"black-white\"\nurl:\"https://pokeapi.co/api/v2/version-group/11/\"\nflavor_text:\"\u00e8\u2021\u00ad\u00e3\u0081\u008f\u00e3\u0081\u00a6\u00e3\u20ac\u20ac\u00e7\u203a\u00b8\u00e6\u2030\u2039\u00e3\u0081\u0152 \u00e3\u0081\u00b2\u00e3\u201a\u2039\u00e3\u201a\u20ac\u00e3\u20ac\u20ac\u00e3\u0081\u201c\u00e3\u0081\u00a8\u00e3\u0081\u0152\u00e3\u0081\u201a\u00e3\u201a\u2039\u00e3\u20ac\u201a\"\nname:\"ja-kanji\"\nurl:\"https://pokeapi.co/api/v2/language/11/\"\nname:\"x-y\"\nurl:\"https://pokeapi.co/api/v2/version-group/15/\"\nis_hidden:true\nslot:3\nname:\"gloom\"\nurl:\"https://pokeapi.co/api/v2/pokemon/44/\"\n View raw JSON (1.896 kB, 68 lines)\nAbility (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nis_main_series\t\nWhether or not this ability originated in the main series of the video games.\n\nboolean\ngeneration\t\nThe generation this ability originated in.\n\nNamedAPIResource (Generation)\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\neffect_entries\t\nThe effect of this ability listed in different languages.\n\nlist VerboseEffect\neffect_changes\t\nThe list of previous effects this ability has had across version groups.\n\nlist AbilityEffectChange\nflavor_text_entries\t\nThe flavor text of this ability listed in different languages.\n\nlist AbilityFlavorText\npokemon\t\nA list of Pok\u00e9mon that could potentially have this ability.\n\nlist AbilityPokemon\nAbilityEffectChange (type)\nName\tDescription\tType\neffect_entries\t\nThe previous effect of this ability listed in different languages.\n\nlist Effect\nversion_group\t\nThe version group in which the previous effect of this ability originated.\n\nNamedAPIResource (VersionGroup)\nAbilityFlavorText (type)\nName\tDescription\tType\nflavor_text\t\nThe localized name for an API resource in a specific language.\n\nstring\nlanguage\t\nThe language this text resource is in.\n\nNamedAPIResource (Language)\nversion_group\t\nThe version group that uses this flavor text.\n\nNamedAPIResource (VersionGroup)\nAbilityPokemon (type)\nName\tDescription\tType\nis_hidden\t\nWhether or not this a hidden ability for the referenced Pok\u00e9mon.\n\nboolean\nslot\t\nPok\u00e9mon have 3 ability 'slots' which hold references to possible abilities they could have. This is the slot of this ability for the referenced pokemon.\n\ninteger\npokemon\t\nThe Pok\u00e9mon this ability could belong to.\n\nNamedAPIResource (Pokemon)\nCharacteristics (endpoint)\nCharacteristics indicate which stat contains a Pok\u00e9mon's highest IV. A Pok\u00e9mon's Characteristic is determined by the remainder of its highest IV divided by 5 (gene_modulo). Check out Bulbapedia for greater detail.\n\nGET https://pokeapi.co/api/v2/characteristic/{id}/\n\nid:1\ngene_modulo:0\nname:\"hp\"\nurl:\"https://pokeapi.co/api/v2/stat/1/\"\ndescription:\"Loves to eat\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\n View raw JSON (0.383 kB, 26 lines)\nCharacteristic (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\ngene_modulo\t\nThe remainder of the highest stat/IV divided by 5.\n\ninteger\npossible_values\t\nThe possible values of the highest stat that would result in a Pok\u00e9mon recieving this characteristic when divided by 5.\n\nlist integer\nhighest_stat\t\nThe stat which results in this characteristic.\n\nNamedAPIResource (Stat)\ndescriptions\t\nThe descriptions of this characteristic listed in different languages.\n\nlist Description\nEgg Groups (endpoint)\nEgg Groups are categories which determine which Pok\u00e9mon are able to interbreed. Pok\u00e9mon may belong to either one or two Egg Groups. Check out Bulbapedia for greater detail.\n\nGET https://pokeapi.co/api/v2/egg-group/{id or name}/\n\nid:1\nname:\"monster\"\nname:\"\u304b\u3044\u3058\u3085\u3046\"\nname:\"ja\"\nurl:\"https://pokeapi.co/api/v2/language/1/\"\nname:\"bulbasaur\"\nurl:\"https://pokeapi.co/api/v2/pokemon-species/1/\"\n View raw JSON (0.329 kB, 19 lines)\nEggGroup (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\npokemon_species\t\nA list of all Pok\u00e9mon species that are members of this egg group.\n\nlist NamedAPIResource (PokemonSpecies)\nGenders (endpoint)\nGenders were introduced in Generation II for the purposes of breeding Pok\u00e9mon but can also result in visual differences or even different evolutionary lines. Check out Bulbapedia for greater detail.\n\nGET https://pokeapi.co/api/v2/gender/{id or name}/\n\nid:1\nname:\"female\"\nrate:1\nname:\"bulbasaur\"\nurl:\"https://pokeapi.co/api/v2/pokemon-species/1/\"\nname:\"wormadam\"\nurl:\"https://pokeapi.co/api/v2/pokemon-species/413/\"\n View raw JSON (0.359 kB, 19 lines)\nGender (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\npokemon_species_details\t\nA list of Pok\u00e9mon species that can be this gender and how likely it is that they will be.\n\nlist PokemonSpeciesGender\nrequired_for_evolution\t\nA list of Pok\u00e9mon species that required this gender in order for a Pok\u00e9mon to evolve into them.\n\nlist NamedAPIResource (PokemonSpecies)\nPokemonSpeciesGender (type)\nName\tDescription\tType\nrate\t\nThe chance of this Pok\u00e9mon being female, in eighths; or -1 for genderless.\n\ninteger\npokemon_species\t\nA Pok\u00e9mon species that can be the referenced gender.\n\nNamedAPIResource (PokemonSpecies)\nGrowth Rates (endpoint)\nGrowth rates are the speed with which Pok\u00e9mon gain levels through experience. Check out Bulbapedia for greater detail.\n\nGET https://pokeapi.co/api/v2/growth-rate/{id or name}/\n\nid:1\nname:\"slow\"\nformula:\"\\frac{5x^3}{4}\"\ndescription:\"langsam\"\nname:\"de\"\nurl:\"https://pokeapi.co/api/v2/language/6/\"\nlevel:100\nexperience:1250000\nname:\"growlithe\"\nurl:\"https://pokeapi.co/api/v2/pokemon-species/58/\"\n View raw JSON (0.444 kB, 26 lines)\nGrowthRate (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nformula\t\nThe formula used to calculate the rate at which the Pok\u00e9mon species gains level.\n\nstring\ndescriptions\t\nThe descriptions of this characteristic listed in different languages.\n\nlist Description\nlevels\t\nA list of levels and the amount of experienced needed to atain them based on this growth rate.\n\nlist GrowthRateExperienceLevel\npokemon_species\t\nA list of Pok\u00e9mon species that gain levels at this growth rate.\n\nlist NamedAPIResource (PokemonSpecies)\nGrowthRateExperienceLevel (type)\nName\tDescription\tType\nlevel\t\nThe level gained.\n\ninteger\nexperience\t\nThe amount of experience required to reach the referenced level.\n\ninteger\nNatures (endpoint)\nNatures influence how a Pok\u00e9mon's stats grow. See Bulbapedia for greater detail.\n\nGET https://pokeapi.co/api/v2/nature/{id or name}/\n\nid:2\nname:\"bold\"\nname:\"attack\"\nurl:\"https://pokeapi.co/api/v2/stat/2/\"\nname:\"defense\"\nurl:\"https://pokeapi.co/api/v2/stat/3/\"\nname:\"sour\"\nurl:\"https://pokeapi.co/api/v2/berry-flavor/5/\"\nname:\"spicy\"\nurl:\"https://pokeapi.co/api/v2/berry-flavor/1/\"\nmax_change:-2\nname:\"speed\"\nurl:\"https://pokeapi.co/api/v2/pokeathlon-stat/1/\"\nlow_hp_preference:32\nhigh_hp_preference:30\nname:\"attack\"\nurl:\"https://pokeapi.co/api/v2/move-battle-style/1/\"\nname:\"\u304c\u3093\u3070\u308a\u3084\"\nname:\"ja\"\nurl:\"https://pokeapi.co/api/v2/language/1/\"\n View raw JSON (1.031 kB, 48 lines)\nNature (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\ndecreased_stat\t\nThe stat decreased by 10% in Pok\u00e9mon with this nature.\n\nNamedAPIResource (Stat)\nincreased_stat\t\nThe stat increased by 10% in Pok\u00e9mon with this nature.\n\nNamedAPIResource (Stat)\nhates_flavor\t\nThe flavor hated by Pok\u00e9mon with this nature.\n\nNamedAPIResource (BerryFlavor)\nlikes_flavor\t\nThe flavor liked by Pok\u00e9mon with this nature.\n\nNamedAPIResource (BerryFlavor)\npokeathlon_stat_changes\t\nA list of Pok\u00e9athlon stats this nature effects and how much it effects them.\n\nlist NatureStatChange\nmove_battle_style_preferences\t\nA list of battle styles and how likely a Pok\u00e9mon with this nature is to use them in the Battle Palace or Battle Tent.\n\nlist MoveBattleStylePreference\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\nNatureStatChange (type)\nName\tDescription\tType\nmax_change\t\nThe amount of change.\n\ninteger\npokeathlon_stat\t\nThe stat being affected.\n\nNamedAPIResource (PokeathlonStat)\nMoveBattleStylePreference (type)\nName\tDescription\tType\nlow_hp_preference\t\nChance of using the move, in percent, if HP is under one half.\n\ninteger\nhigh_hp_preference\t\nChance of using the move, in percent, if HP is over one half.\n\ninteger\nmove_battle_style\t\nThe move battle style.\n\nNamedAPIResource (MoveBattleStyle)\nPokeathlon Stats (endpoint)\nPokeathlon Stats are different attributes of a Pok\u00e9mon's performance in Pok\u00e9athlons. In Pok\u00e9athlons, competitions happen on different courses; one for each of the different Pok\u00e9athlon stats. See Bulbapedia for greater detail.\n\nGET https://pokeapi.co/api/v2/pokeathlon-stat/{id or name}/\n\nid:1\nname:\"speed\"\nmax_change:2\nname:\"timid\"\nurl:\"https://pokeapi.co/api/v2/nature/5/\"\nmax_change:-1\nname:\"hardy\"\nurl:\"https://pokeapi.co/api/v2/nature/1/\"\nname:\"Speed\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\n View raw JSON (0.576 kB, 33 lines)\nPokeathlonStat (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\naffecting_natures\t\nA detail of natures which affect this Pok\u00e9athlon stat positively or negatively.\n\nNaturePokeathlonStatAffectSets\nNaturePokeathlonStatAffectSets (type)\nName\tDescription\tType\nincrease\t\nA list of natures and how they change the referenced Pok\u00e9athlon stat.\n\nlist NaturePokeathlonStatAffect\ndecrease\t\nA list of natures and how they change the referenced Pok\u00e9athlon stat.\n\nlist NaturePokeathlonStatAffect\nNaturePokeathlonStatAffect (type)\nName\tDescription\tType\nmax_change\t\nThe maximum amount of change to the referenced Pok\u00e9athlon stat.\n\ninteger\nnature\t\nThe nature causing the change.\n\nNamedAPIResource (Nature)\nPokemon (endpoint)\nPok\u00e9mon are the creatures that inhabit the world of the Pok\u00e9mon games. They can be caught using Pok\u00e9balls and trained by battling with other Pok\u00e9mon. Each Pok\u00e9mon belongs to a specific species but may take on a variant which makes it differ from other Pok\u00e9mon of the same species, such as base stats, available abilities and typings. See Bulbapedia for greater detail.\n\nGET https://pokeapi.co/api/v2/pokemon/{id or name}/\n\nid:35\nname:\"clefairy\"\nbase_experience:113\nheight:6\nis_default:true\norder:56\nweight:75\nis_hidden:true\nslot:3\nname:\"friend-guard\"\nurl:\"https://pokeapi.co/api/v2/ability/132/\"\nname:\"clefairy\"\nurl:\"https://pokeapi.co/api/v2/pokemon-form/35/\"\ngame_index:35\nname:\"white-2\"\nurl:\"https://pokeapi.co/api/v2/version/22/\"\nname:\"moon-stone\"\nurl:\"https://pokeapi.co/api/v2/item/81/\"\nlocation_area_encounters:\"/api/v2/pokemon/35/encounters\"\nname:\"pound\"\nurl:\"https://pokeapi.co/api/v2/move/1/\"\nname:\"clefairy\"\nurl:\"https://pokeapi.co/api/v2/pokemon-species/35/\"\nlatest:\"https://raw.githubusercontent.com/PokeAPI/cries/main/cries/pokemon/latest/35.ogg\"\nlegacy:\"https://raw.githubusercontent.com/PokeAPI/cries/main/cries/pokemon/legacy/35.ogg\"\nbase_stat:35\neffort:0\nname:\"speed\"\nurl:\"https://pokeapi.co/api/v2/stat/6/\"\nslot:1\nname:\"fairy\"\nurl:\"https://pokeapi.co/api/v2/type/18/\"\nname:\"generation-v\"\nurl:\"https://pokeapi.co/api/v2/generation/5/\"\n View raw JSON (15.073 kB, 293 lines)\nPokemon (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nbase_experience\t\nThe base experience gained for defeating this Pok\u00e9mon.\n\ninteger\nheight\t\nThe height of this Pok\u00e9mon in decimetres.\n\ninteger\nis_default\t\nSet for exactly one Pok\u00e9mon used as the default for each species.\n\nboolean\norder\t\nOrder for sorting. Almost national order, except families are grouped together.\n\ninteger\nweight\t\nThe weight of this Pok\u00e9mon in hectograms.\n\ninteger\nabilities\t\nA list of abilities this Pok\u00e9mon could potentially have.\n\nlist PokemonAbility\nforms\t\nA list of forms this Pok\u00e9mon can take on.\n\nlist NamedAPIResource (PokemonForm)\ngame_indices\t\nA list of game indices relevent to Pok\u00e9mon item by generation.\n\nlist VersionGameIndex\nheld_items\t\nA list of items this Pok\u00e9mon may be holding when encountered.\n\nlist PokemonHeldItem\nlocation_area_encounters\t\nA link to a list of location areas, as well as encounter details pertaining to specific versions.\n\nstring\nmoves\t\nA list of moves along with learn methods and level details pertaining to specific version groups.\n\nlist PokemonMove\npast_types\t\nA list of details showing types this pok\u00e9mon had in previous generations\n\nlist PokemonTypePast\nsprites\t\nA set of sprites used to depict this Pok\u00e9mon in the game. A visual representation of the various sprites can be found at PokeAPI/sprites\n\nPokemonSprites\ncries\t\nA set of cries used to depict this Pok\u00e9mon in the game. A visual representation of the various cries can be found at PokeAPI/cries\n\nPokemonCries\nspecies\t\nThe species this Pok\u00e9mon belongs to.\n\nNamedAPIResource (PokemonSpecies)\nstats\t\nA list of base stat values for this Pok\u00e9mon.\n\nlist PokemonStat\ntypes\t\nA list of details showing types this Pok\u00e9mon has.\n\nlist PokemonType\nPokemonAbility (type)\nName\tDescription\tType\nis_hidden\t\nWhether or not this is a hidden ability.\n\nboolean\nslot\t\nThe slot this ability occupies in this Pok\u00e9mon species.\n\ninteger\nability\t\nThe ability the Pok\u00e9mon may have.\n\nNamedAPIResource (Ability)\nPokemonType (type)\nName\tDescription\tType\nslot\t\nThe order the Pok\u00e9mon's types are listed in.\n\ninteger\ntype\t\nThe type the referenced Pok\u00e9mon has.\n\nNamedAPIResource (Type)\nPokemonFormType (type)\nName\tDescription\tType\nslot\t\nThe order the Pok\u00e9mon's types are listed in.\n\ninteger\ntype\t\nThe type the referenced Form has.\n\nNamedAPIResource (Type)\nPokemonTypePast (type)\nName\tDescription\tType\ngeneration\t\nThe last generation in which the referenced pok\u00e9mon had the listed types.\n\nNamedAPIResource (Generation)\ntypes\t\nThe types the referenced pok\u00e9mon had up to and including the listed generation.\n\nlist PokemonType\nPokemonHeldItem (type)\nName\tDescription\tType\nitem\t\nThe item the referenced Pok\u00e9mon holds.\n\nNamedAPIResource (Item)\nversion_details\t\nThe details of the different versions in which the item is held.\n\nlist PokemonHeldItemVersion\nPokemonHeldItemVersion (type)\nName\tDescription\tType\nversion\t\nThe version in which the item is held.\n\nNamedAPIResource (Version)\nrarity\t\nHow often the item is held.\n\ninteger\nPokemonMove (type)\nName\tDescription\tType\nmove\t\nThe move the Pok\u00e9mon can learn.\n\nNamedAPIResource (Move)\nversion_group_details\t\nThe details of the version in which the Pok\u00e9mon can learn the move.\n\nlist PokemonMoveVersion\nPokemonMoveVersion (type)\nName\tDescription\tType\nmove_learn_method\t\nThe method by which the move is learned.\n\nNamedAPIResource (MoveLearnMethod)\nversion_group\t\nThe version group in which the move is learned.\n\nNamedAPIResource (VersionGroup)\nlevel_learned_at\t\nThe minimum level to learn the move.\n\ninteger\nPokemonStat (type)\nName\tDescription\tType\nstat\t\nThe stat the Pok\u00e9mon has.\n\nNamedAPIResource (Stat)\neffort\t\nThe effort points (EV) the Pok\u00e9mon has in the stat.\n\ninteger\nbase_stat\t\nThe base value of the stat.\n\ninteger\nPokemonSprites (type)\nName\tDescription\tType\nfront_default\t\nThe default depiction of this Pok\u00e9mon from the front in battle.\n\nstring\nfront_shiny\t\nThe shiny depiction of this Pok\u00e9mon from the front in battle.\n\nstring\nfront_female\t\nThe female depiction of this Pok\u00e9mon from the front in battle.\n\nstring\nfront_shiny_female\t\nThe shiny female depiction of this Pok\u00e9mon from the front in battle.\n\nstring\nback_default\t\nThe default depiction of this Pok\u00e9mon from the back in battle.\n\nstring\nback_shiny\t\nThe shiny depiction of this Pok\u00e9mon from the back in battle.\n\nstring\nback_female\t\nThe female depiction of this Pok\u00e9mon from the back in battle.\n\nstring\nback_shiny_female\t\nThe shiny female depiction of this Pok\u00e9mon from the back in battle.\n\nstring\nPokemonCries (type)\nName\tDescription\tType\nlatest\t\nThe latest depiction of this Pok\u00e9mon's cry.\n\nstring\nlegacy\t\nThe legacy depiction of this Pok\u00e9mon's cry.\n\nstring\nPokemon Location Areas (endpoint)\nPok\u00e9mon Location Areas are ares where Pok\u00e9mon can be found.\n\nGET https://pokeapi.co/api/v2/pokemon/{id or name}/encounters\n\nname:\"kanto-route-2-south-towards-viridian-city\"\nurl:\"https://pokeapi.co/api/v2/location-area/296/\"\n View raw JSON (0.837 kB, 34 lines)\nLocationAreaEncounter (type)\nName\tDescription\tType\nlocation_area\t\nThe location area the referenced Pok\u00e9mon can be encountered in.\n\nNamedAPIResource (LocationArea)\nversion_details\t\nA list of versions and encounters with the referenced Pok\u00e9mon that might happen.\n\nlist VersionEncounterDetail\nPokemon Colors (endpoint)\nColors used for sorting Pok\u00e9mon in a Pok\u00e9dex. The color listed in the Pok\u00e9dex is usually the color most apparent or covering each Pok\u00e9mon's body. No orange category exists; Pok\u00e9mon that are primarily orange are listed as red or brown.\n\nGET https://pokeapi.co/api/v2/pokemon-color/{id or name}/\n\nid:1\nname:\"black\"\nname:\"\u00e9\u00bb\u2019\u00e3\u0081\u201e\"\nname:\"ja\"\nurl:\"https://pokeapi.co/api/v2/language/1/\"\nname:\"snorlax\"\nurl:\"https://pokeapi.co/api/v2/pokemon-species/143/\"\n View raw JSON (0.326 kB, 19 lines)\nPokemonColor (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\npokemon_species\t\nA list of the Pok\u00e9mon species that have this color.\n\nlist NamedAPIResource (PokemonSpecies)\nPokemon Forms (endpoint)\nSome Pok\u00e9mon may appear in one of multiple, visually different forms. These differences are purely cosmetic. For variations within a Pok\u00e9mon species, which do differ in more than just visuals, the 'Pok\u00e9mon' entity is used to represent such a variety.\n\nGET https://pokeapi.co/api/v2/pokemon-form/{id or name}/\n\nid:10041\nname:\"arceus-bug\"\norder:631\nform_order:7\nis_default:false\nis_battle_only:false\nis_mega:false\nform_name:\"bug\"\nname:\"arceus\"\nurl:\"https://pokeapi.co/api/v2/pokemon/493/\"\nslot:1\nname:\"bug\"\nurl:\"https://pokeapi.co/api/v2/type/7/\"\nname:\"diamond-pearl\"\nurl:\"https://pokeapi.co/api/v2/version-group/8/\"\n View raw JSON (1.103 kB, 37 lines)\nPokemonForm (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\norder\t\nThe order in which forms should be sorted within all forms. Multiple forms may have equal order, in which case they should fall back on sorting by name.\n\ninteger\nform_order\t\nThe order in which forms should be sorted within a species' forms.\n\ninteger\nis_default\t\nTrue for exactly one form used as the default for each Pok\u00e9mon.\n\nboolean\nis_battle_only\t\nWhether or not this form can only happen during battle.\n\nboolean\nis_mega\t\nWhether or not this form requires mega evolution.\n\nboolean\nform_name\t\nThe name of this form.\n\nstring\npokemon\t\nThe Pok\u00e9mon that can take on this form.\n\nNamedAPIResource (Pokemon)\ntypes\t\nA list of details showing types this Pok\u00e9mon form has.\n\nlist PokemonFormType\nsprites\t\nA set of sprites used to depict this Pok\u00e9mon form in the game.\n\nPokemonFormSprites\nversion_group\t\nThe version group this Pok\u00e9mon form was introduced in.\n\nNamedAPIResource (VersionGroup)\nnames\t\nThe form specific full name of this Pok\u00e9mon form, or empty if the form does not have a specific name.\n\nlist Name\nform_names\t\nThe form specific form name of this Pok\u00e9mon form, or empty if the form does not have a specific name.\n\nlist Name\nPokemonFormSprites (type)\nName\tDescription\tType\nfront_default\t\nThe default depiction of this Pok\u00e9mon form from the front in battle.\n\nstring\nfront_shiny\t\nThe shiny depiction of this Pok\u00e9mon form from the front in battle.\n\nstring\nback_default\t\nThe default depiction of this Pok\u00e9mon form from the back in battle.\n\nstring\nback_shiny\t\nThe shiny depiction of this Pok\u00e9mon form from the back in battle.\n\nstring\nPokemon Habitats (endpoint)\nHabitats are generally different terrain Pok\u00e9mon can be found in but can also be areas designated for rare or legendary Pok\u00e9mon.\n\nGET https://pokeapi.co/api/v2/pokemon-habitat/{id or name}/\n\nid:1\nname:\"cave\"\nname:\"grottes\"\nname:\"fr\"\nurl:\"https://pokeapi.co/api/v2/language/5/\"\nname:\"zubat\"\nurl:\"https://pokeapi.co/api/v2/pokemon-species/41/\"\n View raw JSON (0.315 kB, 19 lines)\nPokemonHabitat (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\npokemon_species\t\nA list of the Pok\u00e9mon species that can be found in this habitat.\n\nlist NamedAPIResource (PokemonSpecies)\nPokemon Shapes (endpoint)\nShapes used for sorting Pok\u00e9mon in a Pok\u00e9dex.\n\nGET https://pokeapi.co/api/v2/pokemon-shape/{id or name}/\n\nid:1\nname:\"ball\"\nawesome_name:\"Pomaceous\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\nname:\"Ball\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\nname:\"shellder\"\nurl:\"https://pokeapi.co/api/v2/pokemon-species/90/\"\n View raw JSON (0.493 kB, 28 lines)\nPokemonShape (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nawesome_names\t\nThe \"scientific\" name of this Pok\u00e9mon shape listed in different languages.\n\nlist AwesomeName\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\npokemon_species\t\nA list of the Pok\u00e9mon species that have this shape.\n\nlist NamedAPIResource (PokemonSpecies)\nAwesomeName (type)\nName\tDescription\tType\nawesome_name\t\nThe localized \"scientific\" name for an API resource in a specific language.\n\nstring\nlanguage\t\nThe language this \"scientific\" name is in.\n\nNamedAPIResource (Language)\nPokemon Species (endpoint)\nA Pok\u00e9mon Species forms the basis for at least one Pok\u00e9mon. Attributes of a Pok\u00e9mon species are shared across all varieties of Pok\u00e9mon within the species. A good example is Wormadam; Wormadam is the species which can be found in three different varieties, Wormadam-Trash, Wormadam-Sandy and Wormadam-Plant.\n\nGET https://pokeapi.co/api/v2/pokemon-species/{id or name}/\n\nid:413\nname:\"wormadam\"\norder:441\ngender_rate:8\ncapture_rate:45\nbase_happiness:70\nis_baby:false\nis_legendary:false\nis_mythical:false\nhatch_counter:15\nhas_gender_differences:false\nforms_switchable:false\nname:\"medium\"\nurl:\"https://pokeapi.co/api/v2/growth-rate/2/\"\nentry_number:45\nname:\"kalos-central\"\nurl:\"https://pokeapi.co/api/v2/pokedex/12/\"\nname:\"bug\"\nurl:\"https://pokeapi.co/api/v2/egg-group/3/\"\nname:\"gray\"\nurl:\"https://pokeapi.co/api/v2/pokemon-color/4/\"\nname:\"squiggle\"\nurl:\"https://pokeapi.co/api/v2/pokemon-shape/2/\"\nname:\"burmy\"\nurl:\"https://pokeapi.co/api/v2/pokemon-species/412/\"\nurl:\"https://pokeapi.co/api/v2/evolution-chain/213/\"\nhabitat:null\nname:\"generation-iv\"\nurl:\"https://pokeapi.co/api/v2/generation/4/\"\nname:\"Wormadam\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\nflavor_text:\"When the bulb on its back grows large, it appears\fto lose the ability to stand on its hind legs.\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\nname:\"red\"\nurl:\"https://pokeapi.co/api/v2/version/1/\"\ndescription:\"Forms have different stats and movepools. During evolution, Burmy's current cloak becomes Wormadam's form, and can no longer be changed.\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\ngenus:\"Bagworm\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\nis_default:true\nname:\"wormadam-plant\"\nurl:\"https://pokeapi.co/api/v2/pokemon/413/\"\n View raw JSON (2.373 kB, 102 lines)\nPokemonSpecies (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\norder\t\nThe order in which species should be sorted. Based on National Dex order, except families are grouped together and sorted by stage.\n\ninteger\ngender_rate\t\nThe chance of this Pok\u00e9mon being female, in eighths; or -1 for genderless.\n\ninteger\ncapture_rate\t\nThe base capture rate; up to 255. The higher the number, the easier the catch.\n\ninteger\nbase_happiness\t\nThe happiness when caught by a normal Pok\u00e9ball; up to 255. The higher the number, the happier the Pok\u00e9mon.\n\ninteger\nis_baby\t\nWhether or not this is a baby Pok\u00e9mon.\n\nboolean\nis_legendary\t\nWhether or not this is a legendary Pok\u00e9mon.\n\nboolean\nis_mythical\t\nWhether or not this is a mythical Pok\u00e9mon.\n\nboolean\nhatch_counter\t\nInitial hatch counter: one must walk Y \u00d7 (hatch_counter + 1) steps before this Pok\u00e9mon's egg hatches, unless utilizing bonuses like Flame Body's. Y varies per generation. In Generations II, III, and VII, Egg cycles are 256 steps long. In Generation IV, Egg cycles are 255 steps long. In Pok\u00e9mon Brilliant Diamond and Shining Pearl, Egg cycles are also 255 steps long, but are shorter on special dates. In Generations V and VI, Egg cycles are 257 steps long. In Pok\u00e9mon Sword and Shield, and in Pok\u00e9mon Scarlet and Violet, Egg cycles are 128 steps long.\n\ninteger\nhas_gender_differences\t\nWhether or not this Pok\u00e9mon has visual gender differences.\n\nboolean\nforms_switchable\t\nWhether or not this Pok\u00e9mon has multiple forms and can switch between them.\n\nboolean\ngrowth_rate\t\nThe rate at which this Pok\u00e9mon species gains levels.\n\nNamedAPIResource (GrowthRate)\npokedex_numbers\t\nA list of Pokedexes and the indexes reserved within them for this Pok\u00e9mon species.\n\nlist PokemonSpeciesDexEntry\negg_groups\t\nA list of egg groups this Pok\u00e9mon species is a member of.\n\nlist NamedAPIResource (EggGroup)\ncolor\t\nThe color of this Pok\u00e9mon for Pok\u00e9dex search.\n\nNamedAPIResource (PokemonColor)\nshape\t\nThe shape of this Pok\u00e9mon for Pok\u00e9dex search.\n\nNamedAPIResource (PokemonShape)\nevolves_from_species\t\nThe Pok\u00e9mon species that evolves into this Pokemon_species.\n\nNamedAPIResource (PokemonSpecies)\nevolution_chain\t\nThe evolution chain this Pok\u00e9mon species is a member of.\n\nAPIResource (EvolutionChain)\nhabitat\t\nThe habitat this Pok\u00e9mon species can be encountered in.\n\nNamedAPIResource (PokemonHabitat)\ngeneration\t\nThe generation this Pok\u00e9mon species was introduced in.\n\nNamedAPIResource (Generation)\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\npal_park_encounters\t\nA list of encounters that can be had with this Pok\u00e9mon species in pal park.\n\nlist PalParkEncounterArea\nflavor_text_entries\t\nA list of flavor text entries for this Pok\u00e9mon species.\n\nlist FlavorText\nform_descriptions\t\nDescriptions of different forms Pok\u00e9mon take on within the Pok\u00e9mon species.\n\nlist Description\ngenera\t\nThe genus of this Pok\u00e9mon species listed in multiple languages.\n\nlist Genus\nvarieties\t\nA list of the Pok\u00e9mon that exist within this Pok\u00e9mon species.\n\nlist PokemonSpeciesVariety\nGenus (type)\nName\tDescription\tType\ngenus\t\nThe localized genus for the referenced Pok\u00e9mon species\n\nstring\nlanguage\t\nThe language this genus is in.\n\nNamedAPIResource (Language)\nPokemonSpeciesDexEntry (type)\nName\tDescription\tType\nentry_number\t\nThe index number within the Pok\u00e9dex.\n\ninteger\npokedex\t\nThe Pok\u00e9dex the referenced Pok\u00e9mon species can be found in.\n\nNamedAPIResource (Pokedex)\nPalParkEncounterArea (type)\nName\tDescription\tType\nbase_score\t\nThe base score given to the player when the referenced Pok\u00e9mon is caught during a pal park run.\n\ninteger\nrate\t\nThe base rate for encountering the referenced Pok\u00e9mon in this pal park area.\n\ninteger\narea\t\nThe pal park area where this encounter happens.\n\nNamedAPIResource (PalParkArea)\nPokemonSpeciesVariety (type)\nName\tDescription\tType\nis_default\t\nWhether this variety is the default variety.\n\nboolean\npokemon\t\nThe Pok\u00e9mon variety.\n\nNamedAPIResource (Pokemon)\nStats (endpoint)\nStats determine certain aspects of battles. Each Pok\u00e9mon has a value for each stat which grows as they gain levels and can be altered momentarily by effects in battles.\n\nGET https://pokeapi.co/api/v2/stat/{id or name}/\n\nid:2\nname:\"attack\"\ngame_index:2\nis_battle_only:false\nchange:2\nname:\"swords-dance\"\nurl:\"https://pokeapi.co/api/v2/move/14/\"\nchange:-1\nname:\"growl\"\nurl:\"https://pokeapi.co/api/v2/move/45/\"\nname:\"lonely\"\nurl:\"https://pokeapi.co/api/v2/nature/6/\"\nname:\"bold\"\nurl:\"https://pokeapi.co/api/v2/nature/2/\"\nurl:\"https://pokeapi.co/api/v2/characteristic/2/\"\nname:\"physical\"\nurl:\"https://pokeapi.co/api/v2/move-damage-class/2/\"\nname:\"\u00e3\u0081\u201c\u00e3\u0081\u2020\u00e3\u0081\u2019\u00e3\u0081\u008d\"\nname:\"ja\"\nurl:\"https://pokeapi.co/api/v2/language/1/\"\n View raw JSON (1.116 kB, 58 lines)\nStat (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\ngame_index\t\nID the games use for this stat.\n\ninteger\nis_battle_only\t\nWhether this stat only exists within a battle.\n\nboolean\naffecting_moves\t\nA detail of moves which affect this stat positively or negatively.\n\nMoveStatAffectSets\naffecting_natures\t\nA detail of natures which affect this stat positively or negatively.\n\nNatureStatAffectSets\ncharacteristics\t\nA list of characteristics that are set on a Pok\u00e9mon when its highest base stat is this stat.\n\nlist APIResource (Characteristic)\nmove_damage_class\t\nThe class of damage this stat is directly related to.\n\nNamedAPIResource (MoveDamageClass)\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\nMoveStatAffectSets (type)\nName\tDescription\tType\nincrease\t\nA list of moves and how they change the referenced stat.\n\nlist MoveStatAffect\ndecrease\t\nA list of moves and how they change the referenced stat.\n\nlist MoveStatAffect\nMoveStatAffect (type)\nName\tDescription\tType\nchange\t\nThe maximum amount of change to the referenced stat.\n\ninteger\nmove\t\nThe move causing the change.\n\nNamedAPIResource (Move)\nNatureStatAffectSets (type)\nName\tDescription\tType\nincrease\t\nA list of natures and how they change the referenced stat.\n\nlist NamedAPIResource (Nature)\ndecrease\t\nA list of nature sand how they change the referenced stat.\n\nlist NamedAPIResource (Nature)\nTypes (endpoint)\nTypes are properties for Pok\u00e9mon and their moves. Each type has three properties: which types of Pok\u00e9mon it is super effective against, which types of Pok\u00e9mon it is not very effective against, and which types of Pok\u00e9mon it is completely ineffective against.\n\nGET https://pokeapi.co/api/v2/type/{id or name}/\n\nid:5\nname:\"ground\"\nname:\"generation-v\"\nurl:\"https://pokeapi.co/api/v2/generation/5/\"\ngame_index:4\nname:\"generation-i\"\nurl:\"https://pokeapi.co/api/v2/generation/1/\"\nname:\"generation-i\"\nurl:\"https://pokeapi.co/api/v2/generation/1/\"\nname:\"physical\"\nurl:\"https://pokeapi.co/api/v2/move-damage-class/2/\"\nname:\"\u00e3\u0081\u02dc\u00e3\u201a\u0081\u00e3\u201a\u201c\"\nname:\"ja\"\nurl:\"https://pokeapi.co/api/v2/language/1/\"\nslot:1\nname:\"sandshrew\"\nurl:\"https://pokeapi.co/api/v2/pokemon/27/\"\nname:\"sand-attack\"\nurl:\"https://pokeapi.co/api/v2/move/28/\"\n View raw JSON (2.743 kB, 129 lines)\nType (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\ndamage_relations\t\nA detail of how effective this type is toward others and vice versa.\n\nTypeRelations\npast_damage_relations\t\nA list of details of how effective this type was toward others and vice versa in previous generations\n\nlist TypeRelationsPast (Type)\ngame_indices\t\nA list of game indices relevent to this item by generation.\n\nlist GenerationGameIndex\ngeneration\t\nThe generation this type was introduced in.\n\nNamedAPIResource (Generation)\nmove_damage_class\t\nThe class of damage inflicted by this type.\n\nNamedAPIResource (MoveDamageClass)\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\npokemon\t\nA list of details of Pok\u00e9mon that have this type.\n\nlist TypePokemon\nmoves\t\nA list of moves that have this type.\n\nlist NamedAPIResource (Move)\nTypePokemon (type)\nName\tDescription\tType\nslot\t\nThe order the Pok\u00e9mon's types are listed in.\n\ninteger\npokemon\t\nThe Pok\u00e9mon that has the referenced type.\n\nNamedAPIResource (Pokemon)\nTypeRelations (type)\nName\tDescription\tType\nno_damage_to\t\nA list of types this type has no effect on.\n\nlist NamedAPIResource (Type)\nhalf_damage_to\t\nA list of types this type is not very effect against.\n\nlist NamedAPIResource (Type)\ndouble_damage_to\t\nA list of types this type is very effect against.\n\nlist NamedAPIResource (Type)\nno_damage_from\t\nA list of types that have no effect on this type.\n\nlist NamedAPIResource (Type)\nhalf_damage_from\t\nA list of types that are not very effective against this type.\n\nlist NamedAPIResource (Type)\ndouble_damage_from\t\nA list of types that are very effective against this type.\n\nlist NamedAPIResource (Type)\nTypeRelationsPast (type)\nName\tDescription\tType\ngeneration\t\nThe last generation in which the referenced type had the listed damage relations\n\nNamedAPIResource (Generation)\ndamage_relations\t\nThe damage relations the referenced type had up to and including the listed generation\n\nTypeRelations\nUtility (group)\nLanguages (endpoint)\nLanguages for translations of API resource information.\n\nGET https://pokeapi.co/api/v2/language/{id or name}/\n\nid:1\nname:\"ja\"\nofficial:true\niso639:\"ja\"\niso3166:\"jp\"\nname:\"Japanese\"\nname:\"en\"\nurl:\"https://pokeapi.co/api/v2/language/9/\"\n View raw JSON (0.247 kB, 16 lines)\nLanguage (type)\nName\tDescription\tType\nid\t\nThe identifier for this resource.\n\ninteger\nname\t\nThe name for this resource.\n\nstring\nofficial\t\nWhether or not the games are published in this language.\n\nboolean\niso639\t\nThe two-letter code of the country where this language is spoken. Note that it is not unique.\n\nstring\niso3166\t\nThe two-letter code of the language. Note that it is not unique.\n\nstring\nnames\t\nThe name of this resource listed in different languages.\n\nlist Name\nCommon Models\nAPIResource (type)\nName\tDescription\tType\nurl\t\nThe URL of the referenced resource.\n\nstring\nDescription (type)\nName\tDescription\tType\ndescription\t\nThe localized description for an API resource in a specific language.\n\nstring\nlanguage\t\nThe language this name is in.\n\nNamedAPIResource (Language)\nEffect (type)\nName\tDescription\tType\neffect\t\nThe localized effect text for an API resource in a specific language.\n\nstring\nlanguage\t\nThe language this effect is in.\n\nNamedAPIResource (Language)\nEncounter (type)\nName\tDescription\tType\nmin_level\t\nThe lowest level the Pok\u00e9mon could be encountered at.\n\ninteger\nmax_level\t\nThe highest level the Pok\u00e9mon could be encountered at.\n\ninteger\ncondition_values\t\nA list of condition values that must be in effect for this encounter to occur.\n\nlist NamedAPIResource (EncounterConditionValue)\nchance\t\nPercent chance that this encounter will occur.\n\ninteger\nmethod\t\nThe method by which this encounter happens.\n\nNamedAPIResource (EncounterMethod)\nFlavorText (type)\nName\tDescription\tType\nflavor_text\t\nThe localized flavor text for an API resource in a specific language. Note that this text is left unprocessed as it is found in game files. This means that it contains special characters that one might want to replace with their visible decodable version. Please check out this issue to find out more.\n\nstring\nlanguage\t\nThe language this name is in.\n\nNamedAPIResource (Language)\nversion\t\nThe game version this flavor text is extracted from.\n\nNamedAPIResource (Version)\nGenerationGameIndex (type)\nName\tDescription\tType\ngame_index\t\nThe internal id of an API resource within game data.\n\ninteger\ngeneration\t\nThe generation relevent to this game index.\n\nNamedAPIResource (Generation)\nMachineVersionDetail (type)\nName\tDescription\tType\nmachine\t\nThe machine that teaches a move from an item.\n\nAPIResource (Machine)\nversion_group\t\nThe version group of this specific machine.\n\nNamedAPIResource (VersionGroup)\nName (type)\nName\tDescription\tType\nname\t\nThe localized name for an API resource in a specific language.\n\nstring\nlanguage\t\nThe language this name is in.\n\nNamedAPIResource (Language)\nNamedAPIResource (type)\nName\tDescription\tType\nname\t\nThe name of the referenced resource.\n\nstring\nurl\t\nThe URL of the referenced resource.\n\nstring\nVerboseEffect (type)\nName\tDescription\tType\neffect\t\nThe localized effect text for an API resource in a specific language.\n\nstring\nshort_effect\t\nThe localized effect text in brief.\n\nstring\nlanguage\t\nThe language this effect is in.\n\nNamedAPIResource (Language)\nVersionEncounterDetail (type)\nName\tDescription\tType\nversion\t\nThe game version this encounter happens in.\n\nNamedAPIResource (Version)\nmax_chance\t\nThe total percentage of all encounter potential.\n\ninteger\nencounter_details\t\nA list of encounters and their specifics.\n\nlist Encounter\nVersionGameIndex (type)\nName\tDescription\tType\ngame_index\t\nThe internal id of an API resource within game data.\n\ninteger\nversion\t\nThe version relevent to this game index.\n\nNamedAPIResource (Version)\nVersionGroupFlavorText (type)\nName\tDescription\tType\ntext\t\nThe localized name for an API resource in a specific language.\n\nstring\nlanguage\t\nThe language this name is in.\n\nNamedAPIResource (Language)\nversion_group\t\nThe version group which uses this flavor text.\n\nNamedAPIResource (VersionGroup)\nCreated by Paul Hallett and other Pok\u00e9API contributors around the world. Pok\u00e9mon and Pok\u00e9mon character names are trademarks of Nintendo.\nStatus\n\nUsing the information above please give me what I need to retrieve Mew from the site. I want you to use JavaScript. Then oran berries. Then I want you to find me the strength move. Then Pikachu. Lastly find potions."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Does the model give the user what they need to retrieve Mew from the site?\", \"Does the model use JavaScript?\", \"Does the model then use oran berries?\", \"Does the model then find the strength move?\", \"Does the model then find Pikachu?\", \"Does the model then find potions?\"]"}
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[{"role": "user", "content": "Give me a numbered list- in order from least to most popular- of the top 10 most common house pets worldwide. In parentheses after each pet, give me the estimated number of pets worldwide and the highest country of ownership, separated by a semicolon. Provide a one-sentence description of each pet that is no more than 7 words. Bold any that are considered exotic pets."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide a numbered list of the top 10 most common house pets worldwide?\", \"Did the model order the list from least to most popular?\", \"Did the model provide the number of pets worldwide and highest country of ownership separated by a semicolon for each pet?\", \"Did the model put the number of pets and highest country of ownership in parentheses?\", \"Did the model provide a one-sentence description of each pet that is 7 words or less?\", \"Did the model bold all exotic pets?\"]"}
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[{"role": "user", "content": "I would like to buy my friend a nice bottle of single malt for his upcoming birthday.\nCreate a numbered list of 10 best single malt scotches under $100 a bottle. \nList each scotch in the following format: $<Price> <Distillery Name> <Age>yr, <Region>\n For example: ~$60 Laphroaig 10yr, Islay\n<Price> should be the approximate average price in USD\n<Age> should be exact, unless there is no age statement, in which case write \"NAS\" after <Distillery Name>\n<Region> should be one of the following: Highland, Lowland, Speyside, Islay, Islands\nIf the distillery producing the single malt is located on an island, but is NOT on Islay, <Region> should be written as \"Islands\"\nInclude AT LEAST 1 entry from each <Region> and AT LEAST 2 entries from Islay\nInclude AT LEAST 1 \"no age statement\" or \"NAS\" entry to the list\nThe final list should be ordered by <Price>\nAdd an 11th single malt to the bottom of the list distilled specifically in the year 2000 and <Price> should be slightly above $100\nMy friend really likes peated single malt whisky, so populate the list with several examples with this flavor profile."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model create a numbered list of 10 single malts below $100 USD?\", \"Did the model list each entry in the correct format: $<Price> <Distillery Name> <Age>yr, <Region>?\", \"Did the model list age exactly, except where no age statement was available, and replace with \\\"NAS\\\"?\", \"Did the model list the Region properly (with special consideration to Islay vs Islands)? Highland, Lowland, Speyside, Islay, Islands\", \"Did the model list at least 1 entry from each Region and at least 2 from Islay?\", \"Did the model list at least 1 NAS entry?\", \"Did the model sort the final list by price?\", \"Did the model add a special 11th entry to the list priced slightly above $100?\", \"Did the model pay attention to single malts with a peaty flavor profile?\"]"}
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[{"role": "user", "content": "Summarize this article but the audience is 3rd graders. Don't include an actor names and make sure the movie doesn't sound scary. Pretend the movie is a cartoon and the main character is a dog who flies airplanes. Make sure it's no more than 100 words.\n\n\n\nIn \u201cTop Gun: Maverick,\u201d the breathless, gravity and logic-defying \u201cTop Gun\u201d sequel that somehow makes all the sense in the world despite landing more than three decades after the late Tony Scott\u2019s original, an admiral refers to Tom Cruise\u2019s navy aviator Pete Mitchell\u2014call sign \u201cMaverick\u201d\u2014as \u201cthe fastest man alive.\u201d It\u2019s a chuckle-inducing scene that recalls one in \u201cMission: Impossible \u2013 Rogue Nation,\u201d when Alec Baldwin\u2019s high-ranking Alan Hunley deems Cruise\u2019s Ethan Hunt, \u201cthe living manifestation of destiny.\u201d In neither of these instances are Cruise\u2019s co-stars exclusively referring to his make-believe screen personas. They are also (or rather, primarily) talking about the ongoing legacy of Cruise the actor himself. \n\n\nTruth be told, our fearless and ever-handsome action hero earns both appraisals with a generous side of applause, being one of the precious remnants of bona-fide movie superstardoms of yore, a slowly dwindling they-don\u2019t-make-\u2019em-like-they-used-to notion of immortality these days. Indeed, Cruise\u2019s consistent commitment to Hollywood showmanship\u2014along with the insane levels of physical craft he unfailingly puts on the table by insisting to do his own stunts\u2014I would argue, deserves the same level of high-brow respect usually reserved for the fully-method sorts such as Daniel Day-Lewis. Even if you somehow overlook the fact that Cruise is one of our most gifted and versatile dramatic and comedic actors with the likes of \u201cBorn on the Fourth of July,\u201d \u201cMagnolia,\u201d \u201cTropic Thunder,\u201d and \u201cCollateral\u201d under his belt, you will never forget why you show up to a Tom Cruise movie, thanks in large part to his aforesaid enduring dedication. How many other household names and faces can claim to guarantee \u201ca singular movie event\u201d these days and deliver each time, without exceptions?\n\n\nIn that regard, you will be right at home with \u201cTop Gun: Maverick,\u201d director Joseph Kosinski\u2019s witty adrenaline booster that allows its leading producer to be exactly what he is\u2014a star\u2014while upping the emotional and dramatic stakes of its predecessor with a healthy (but not overdone) dose of nostalgia. After a title card that explains what \u201cTop Gun\u201d is\u2014the identical one that introduced us to the world of cr\u00e8me-de-la-cr\u00e8me Navy pilots in 1986\u2014we find Maverick in a role on the fringes of the US Navy, working as an undaunted test pilot against the familiar backdrop of Kenny Loggins\u2019 \u201cDanger Zone.\u201d You won\u2019t be surprised that soon enough, he gets called on a one-last-job type of mission as a teacher to a group of recent Top Gun graduates. Their assignment is just as obscure and politically cuckoo as it was in the first movie. There is an unnamed enemy\u2014let\u2019s called it Russia because it\u2019s probably Russia\u2014some targets that need to be destroyed, a flight plan that sounds nuts, and a scheme that will require all successful Top Gun recruits to fly at dangerously low altitudes. But can it be done?\n\n\nIt\u2019s a long shot, if the details of the operation\u2014explained to the aviator hopefuls in a rather \u201cIt can\u2019t be done\u201d style reminiscent of \u201cMission: Impossible\u201d\u2014are any indication. But you will be surprised that more appealing than the prospect of the bonkers mission here is the human drama that co-scribes Ehren Kruger, Eric Warren Singer, and Christopher McQuarrie spin from a story by Peter Craig and Justin Marks. For starters, the group of potential recruits include Lt. Bradley \u201cRooster\u201d Bradshaw (Miles Teller, terrific), the son of the dearly departed \u201cGoose,\u201d whose accidental death still haunts Maverick as much as it does the rest of us. And if Rooster\u2019s understandable distaste of him wasn\u2019t enough (despite Maverick\u2019s protective instincts towards him), there are skeptics of Maverick\u2019s credentials\u2014Jon Hamm\u2019s Cyclone, for instance, can\u2019t understand why Maverick\u2019s foe-turned-friend Iceman (Val Kilmer, returning with a tearjerker of a part) insists on him as the teacher of the mission. Further complicating the matters is Maverick\u2019s on-and-off romance with Penny Benjamin (a bewitching Jennifer Connelly), a new character that was prominently name-checked in the original movie, as some will recall. What an entanglement through which one is tasked to defend their nation and celebrate a certain brand of American pride \u2026\n\n\nIn a different package, all the brouhaha jingoism and proud fist-shaking seen in \u201cTop Gun: Maverick\u201d could have been borderline insufferable. But fortunately Kosinski\u2014whose underseen and underrated \u201cOnly The Brave\u201d will hopefully find a second life now\u2014seems to understand exactly what kind of movie he is asked to navigate. In his hands, the tone of \u201cMaverick\u201d strikes a fine balance between good-humored vanity and half-serious self-deprecation, complete with plenty of quotable zingers and emotional moments that catch one off-guard.\n\nIn some sense, what this movie takes most seriously are concepts like friendship, loyalty, romance, and okay, bromance. Everything else that surrounds those notions\u2014like patriotic egotism\u2014feels like playful winks and embellishments towards fashioning an old-school action movie. And because this mode is clearly shared by the entirety of the cast\u2014from a memorable Ed Harris that begs for more screen time to the always great Glen Powell as the alluringly overconfident \u201cHangman,\u201d Greg Tarzan Davis as \u201cCoyote,\u201d Jay Ellis as \u201cPayback,\u201d Danny Ramirez as \u201cFanboy,\u201d Monica Barbaro as \u201cPhoenix,\u201d and Lewis Pullman as \u201cBob\u201d\u2014\u201cTop Gun: Maverick\u201d runs fully on its enthralling on-screen harmony at times. For evidence, look no further than the intense, fiery chemistry between Connelly and Cruise throughout\u2014it\u2019s genuinely sexy stuff\u2014and (in a nostalgic nod to the original), a rather sensual beach football sequence, shot with crimson hues and suggestive shadows by Claudio Miranda. \n\nStill, the action sequences\u2014all the low-altitude flights, airborne dogfights as well as Cruise on a motorcycle donned in his original Top Gun leather jacket\u2014are likewise the breathtaking stars of \u201cMaverick,\u201d often accompanied by Harold Faltermeyer\u2019s celebratory original score (aided by cues from Hans Zimmer and Lorne Balfe). Reportedly, all the flying scenes\u2014a pair of which are pure hell-yes moments for Cruise\u2014were shot in actual U.S. Navy F/A-18s, for which the cast had to be trained for during a mind-boggling process. The authentic work that went into every frame generously shows. As the jets cut through the atmosphere and brush their target soils in close-shave movements\u2014all coherently edited by Eddie Hamilton\u2014the sensation they generate feels miraculous and worthy of the biggest screen one can possibly find. Equally worthy of that big screen is the emotional strokes of \u201cMaverick\u201d that pack an unexpected punch. Sure, you might be prepared for a second sky-dance with \u201cMaverick,\u201d but perhaps not one that might require a tissue or two in its final stretch."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model summarize the article?\", \"Is the article written for an audience of 3rd graders?\", \"Are actor names excluded from the summary?\", \"Does the article make the movie sound not scary?\", \"Is the article rewritten so that the movie is a cartoon?\", \"Is the main character of the summary a dog?\", \"Does the dog fly airplanes?\", \"Is the summary no more than 100 words?\"]"}
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[{"role": "user", "content": "I have ADD, and I want help planning out my day-to-day life. Make me a checklist for each day of the week. Every day I eat 3 meals. On Sundays I need to cook for the week, package lunches for the week and do laundry. On weekdays I need to set my alarm for 7:00 am and leave for work at 8:00am. Every Saturday I need to set my alarm for 8:00 am and leave for the gym at 9:00am. Wednesday nights I go to book club at 7:00 pm. Saturday afternoons I clean my apartment at 1:00 pm. Space out activities to make sense and don't add anything I didn't mention."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model make a checklist for each day of the week?\", \"Did the model include 3 meals each day?\", \"Did the model include cooking and packaging lunches on Sundays?\", \"Did the model include laundry on Sundays?\", \"Did the model include alarm at 7:00 am on weekdays?\", \"Did the model include leaving for work at 8:00 am on weekdays?\", \"Did the model include alarm at 8:00 am on Saturdays?\", \"Did the model include leaving for gym at 9:00 am on Saturdays?\", \"Did the model include book club at 7:00 pm on Wednesdays?\"]"}
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[{"role": "user", "content": "I recently found out that I'm expecting! Create a 20-item list of baby names for me to review. Each should be botanically-inspired. Ensure there are an equal number of boy and girl names. Additionally, the women in my family all have short names, so I'd like half of the girls' names to be composed of five letters or less. Also, using no more than two sentences, include a short description for each name, detailing how it relates to the botanical theme. Lastly, under this list, create a section titled \"Bonus Names\" and generate three additional botanically-inspired unisex names."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model create a 20-item list of baby names?\", \"Were the names botanically inspired?\", \"Was there an equal number of boy and girl names?\", \"Were half of the girls' names composed of five letters or less?\", \"Was a maximum of two sentences used to describe how each name related to the botanical theme?\", \"Was a section titled \\\"Bonus Names\\\" created under the main list?\", \"Were three additional botanically inspired names displayed in this section?\", \"Were these additional names unisex?\"]"}
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[{"role": "user", "content": "It is Valentines Day. You are a fist grade teacher who speaks very sweetly to her 25 students, and you are trying to help them learn how to properly pronounce 'Valentine.' What are three playful ways you can teach the word? Make sure you remind them how many syllables it has and that there is no 'm' or 'th' in it!"}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model include Valentines Day as the setting?\", \"Did the model act as a first grade teacher?\", \"Did the model speak very sweetly?\", \"Did the model help the students pronounce 'Valentine?'\", \"Did the model include three playful teaching methods?\", \"Did the model remind the students there are three syllables in 'Valentine?'\", \"Did the model remind the students there is no 'm' in 'Valentine?'\", \"Did the model remind the students there is no 'th' sound in 'Valentine?'\"]"}
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[{"role": "user", "content": "You are an AI called Irwin that answers questions about Australian wildlife. You are only to answer questions about the wildlife, including plants, animals, and marine life in and around Australia. You should respond to all prompt\u2019s as if you were an outdoorsman raised in Australia and use language appropriate to that identity. If the user asks you any questions about something other than Australian wildlife, you are to respond only with the text \u201ccrikey, I guess I wouldn\u2019t be able to answer that one, mate.\u201d You should begin every response with \u201cG\u2019day mate\u201d. You may only discuss things other than Australian wildlife if it is brief, conversational chitchat, like answering how you are. You should provide all dialogue in quotes. You should put all narration or internal monologuing in italics.\n\nNow tell me, what would a kangaroo do if it had to read philosophy?"}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model only answer questions about Australian wildlife, including plants, animals, and marine life in and around Australia?\", \"Did the model respond to all prompts like an outdoorsman raised in Australia and use language appropriate to that identity?\", \"Did the model respond to any questions about something other than Australian wildlife, with the text \\u201cCrikey, I guess I wouldn\\u2019t be able to answer that one, mate.\\u201d\", \"Did the model begin every response with \\u201cG\\u2019day mate\\u201d?\", \"Did the model only discuss things other than Australian wildlife as brief, conversational chitchat?\", \"Did the model provide all dialogue in quotes?\", \"Did the model put all narration or internal monologuing in italics?\"]"}
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[{"role": "user", "content": "Serpents of the Calendar: A Study of Snakes Through the Year\n\nSnakes, enigmatic and diverse, traverse the ecosystems of the world, each species demonstrating unique adaptations that align with seasonal cycles. From the frigid embrace of winter to the scorching heights of summer, these reptiles exemplify nature\u2019s resilience and complexity. This essay examines a selection of snake species, each associated with a particular month, illustrating their behavior, ecological roles, and seasonal adaptations.\n\nThe Gaboon viper (Bitis gabonica), with its remarkable camouflage and patient hunting techniques, epitomizes the month of August. As temperatures peak in many tropical regions, this ambush predator lies in wait within dense undergrowth, relying on the stillness of late summer to strike at unsuspecting prey. Its fangs, among the longest of any venomous snake, serve as a formidable adaptation to the high-energy demands of the season.\n\nConversely, January, a time of frigid dormancy in temperate zones, is best represented by the Eastern garter snake (Thamnophis sirtalis). Unlike many of its reptilian counterparts, this species exhibits cold tolerance and may emerge on unseasonably warm days to bask in the winter sun. Their remarkable capacity for brumation, a state of reduced metabolic activity, underscores the resilience required to endure the harsh beginnings of the year.\n\nIn stark contrast, the Black mamba (Dendroaspis polylepis) exemplifies the relentless vitality of April. As a time of renewal and burgeoning energy, this month mirrors the rapid, aggressive, and territorial nature of one of the world\u2019s fastest and most feared serpents. Its swift, decisive movements and potent neurotoxic venom embody the very essence of spring\u2019s dynamic transformation.\n\nDecember heralds the dominance of the Western diamondback rattlesnake (Crotalus atrox), a creature that thrives in the cooler yet stable temperatures of the American Southwest. During this period, it enters a state of partial hibernation, often sharing hibernacula with other snakes in a rare display of communal behavior. This adaptive strategy ensures survival during the season\u2019s unpredictable shifts, securing its place as a reptilian sentinel of winter.\n\nThe Green tree python (Morelia viridis), a strikingly vibrant serpent, aligns with the exuberance of May. Found in the dense rainforests of New Guinea and northern Australia, it embodies the lush, flourishing vitality of late spring. As temperatures rise and precipitation increases, this arboreal species thrives, its prehensile tail and cryptic coloration facilitating its predatory precision among the canopy\u2019s verdant expanse.\n\nNovember, marked by the slow descent into winter, finds its serpentine counterpart in the European adder (Vipera berus). As daylight wanes and temperatures plummet, this hardy viper seeks out hibernacula beneath logs and rocky outcrops, exemplifying the month\u2019s transition from autumn\u2019s vibrancy to winter\u2019s quietude. Its ability to endure extreme cold renders it one of the most widespread and resilient vipers in the Northern Hemisphere.\n\nEach month, then, offers a distinct ecological stage upon which different snake species play their roles. From the frost-defying endurance of the Eastern garter snake to the balmy rainforest domain of the Green tree python, these reptiles persist, adapt, and thrive within the ceaseless rhythm of the natural world. In their silent, sinuous passage through the year, they illustrate nature\u2019s enduring cycles of survival and transformation.\n\nFrom this essay, make a list of the months that are mentioned. Include them in the correct order. Then list the snakes that are mentioned in alphabetical order. Format this information as though you are emailing a colleague with fascinating information on your side hobby of snakes. They don't like snakes, so try to make it light-hearted."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model extract the correct months from the given text?\", \"Did the model list the months in order?\", \"Did the model list the correct snakes from the given text?\", \"Did the model list the snakes in alphabetical order?\", \"Did the model write the information in an email format?\", \"Did the model address a colleague that does not like snakes?\", \"Did the model discuss that snakes are a hobby?\", \"Did the model use a tone that is fascinated with the content?\", \"Did the model use a light-hearted tone for the colleague who does not enjoy snakes?\"]"}
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[{"role": "user", "content": "Help me brainstorm some ideas for a home cupcake business. I need a numbered list of ten possible names that include a reference to something magical and the word \"cupcakes\" or \"bakery\". I also need a numbered list of three magical names for each of the following cupcake flavors: confetti vanilla, red velvet and cream cheese, mocha, strawberry lemon, caramel, pumpkin spice."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide a list of ten names for a home cupcake business?\", \"Did the model number the list of names?\", \"Did the names include a reference to something magical?\", \"Did the names include the words \\\"cupcakes\\\" or \\\"bakery\\\"?\", \"Did the model provide three names for each of the cupcake flavors?\", \"Are the names for each of the cupcake flavors magical?\", \"Are the lists for the cupcake flavors numbered?\"]"}
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[{"role": "user", "content": "I want to write a historical fiction novel, but I need some help brainstorming. Please provide a list of potential characters who have not yet been featured in a post-2000s historical fiction novel. The list should be formatted with bullet points, and should be at least five characters but no more than ten. After listing characters, include a second list of potential titles for the novel, adding which character the title might fit in italics. Finally, provide a reading list of historical fiction that would help inspire a writer to break into the genre, organized by their publishing date, from oldest to newest. Make the list five or less books. Focus on Young Adult Historical Romance, and avoid Historical horror or thriller titles."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide a list of potential characters who have not yet been featured in a post-2000s historical fiction novel?\", \"Was the list formatted with bullet points?\", \"Was the list between 5 and 10 potential characters?\", \"Did the model provide a list of potential titles of historical fiction novels?\", \"Was the list of potential titles accompanied by the relevant character's name in italics?\", \"Did the model provide a historical fiction reading list of five books or less?\", \"Was the list appropriately organized by publishing date, from oldest to newest?\", \"Did the reading list focus on YA historical romance and avoid horror and thriller titles?\"]"}
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[{"role": "user", "content": "Provide 3 song recommendations for a fun female power ballad but are by male artists. Provide an example from the song as to why you think it could classify as this. Rank them from best to worst and give reasoning as to why. Do not use songs from before 2000."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide 3 song recommendations?\", \"Are the recommendations for fun female power ballads?\", \"Are the power ballads by male artists?\", \"Is an example provided from each song as to why it could classify as a fun female power ballad?\", \"Are the songs ranked from best to worst?\", \"Is reasoning provided as to why they are ranked the way they are?\", \"Did the model not use songs from before 2000?\"]"}
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[{"role": "user", "content": "Game time! I want you see if you can guess the year I was born based on clues I give you! Ready? \r\nClue 1 - Music: My favorite artists in middle school were Green Day, Snoop Dogg, and No Doubt. I liked Christina but did not like Britney. \r\nClue 2 - Movies: I was heavily influenced by Clueless, The Craft, and Charlie's Angels. Girl Power!!\r\nClue 3 - Clubs: I was in a lot of clubs in high school, including swing dance club, SGA, and SADD (but they changed what that stood for when I was in 9th or 10th grade).\r\nClue 4 - Events: I had just gotten to college when 9/11 happened. \r\n\r\nOkay, I want you to give me 3 guesses in your response. Each guess should be boldface for the year, then give a short paragraph why you think that's right. Include at least 3 of the clues in your explanation. Make the tone a little snarky and use 2-5 emojis throughout the response. Do not put all emojis at the end."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide 3 guesses?\", \"Did the model use boldface text for the years?\", \"Did the model include short paragraph of justification for each guess?\", \"Did the model cite at least 3 of the clues in each explanation?\", \"Was the model a little snarky in tone?\", \"Did the model include 2-5 emojis?\", \"Did the model avoid putting all emojis at the end?\"]"}
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[{"role": "user", "content": "I recently got off a Norwegian cruise, and I was on the ship for nearly 2 months, doing 5 back-to-back cruises. Now it's time to fill out the questionnaire / write a view for the general manager of the ship. But after so many days on the ship, I have a lot of thoughts, so I am hoping you can take my notes and write it up. Overall, I definitely had a positive experience, and the staff was great, but I had some issues come to light:\r\nYou can't access the Main Dining Room menus anywhere other than in person (not on the app, or on the screens around the ship\r\nYou can't check in for an NCL cruise while ON a cruise because the ship wifi blocks the required video.\r\nSo many people have the same questions and bombard the poor IT manager for the first few days of the cruise...lines snaking around the ship. If they would just have a flier in the daily program that explained the log in process and accessing the app, and even how to log in/out of the free minutes, I think it would drastically cut down on those lines and at least let people feel like they had some guidance.\r\nTheme nights on the cruises should be publicized before we get on the cruise, or at the very least on the app once we're on the cruise. The way it's a secret until day-of ostracizes newbies.\r\nSolo program - I mean, its growing fast which is AWESOME and I am so happy they have it. but its having a lot of growing pains. The location provided was just bad - not private, so other guests were intermingled, the hosts didn't usually have access to a mic, and how do they talk to 500 ppl at once w/o a mic. Is there not a way to find a time for the theatre or MDR for at least one of the early meetings? Surely it is clear at booking when cabins only have one person in them. \r\nMy final leg the solo host did a supper club soiree and that was great.\r\nComedy club is usually standing room only - could that be reservation based as well? it stinks having to wait in line for an hour just to hope to have a seat for the comedy show (plus then you're holding that seat for the 30 minutes between doors opening and the show time)\r\n\r\nI know i'm pretty long winded but I'm not trying to overwhelm the GM, so please keep the final response to under 600 words. \r\nHis name is Pierre and the Cruise Director was David."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide a cruise review of less than 600 words?\", \"Did the review have an overall positive tone?\", \"Did the response mention the staff positively?\", \"Did the response mention technology issues (such as menus not on app, not being able to check in, IT manager backlog)?\", \"Did the response mention thoughts on the solo program with a focus on the growing pains?\", \"Did the response mention the theme nights?\", \"Did the response mention the comedy club?\", \"Was the review addressed to the General Manager, Pierre?\"]"}
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[{"role": "user", "content": "Can you write me a social media caption for my next selfie post. The caption must include a pun and be 2 sentence long. The caption must reference to the image being a selfie. The caption must be written with an enthusiastic and exciting tone. Make sure to also include 6 one word hashtags at the end of the caption related to the image and caption. Don't include the word selfie, shot or picture in your response."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model write a social media caption for the user's next selfie post?\", \"Did the model include a pun in the social media caption?\", \"Did the model write a social media caption that is 2 sentences long?\", \"Did the model write the social media caption in an enthusiastic and exciting tone?\", \"Did the model include 6 one word hashtags at the end of the social media caption related to the image and caption?\", \"Did the model not include the word 'selfie' in the response?\", \"Did the model not include the word 'shot' in the response?\", \"Did the model not include the word 'picture' in the response?\"]"}
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[{"role": "user", "content": "I am an outreach educator for adults, and my boss asked me to put together a new class on AI for people who are afraid of AI or just want to understand it better. I need some help because I have a short deadline for this. Take the ideas in this text and rewrite them as a list so each point is a single sentence starting with \"AI can't...\". Then add another sentence below that begins with \"But, AI can...\" and then include something that AI does help people with, but try to keep it fun and unique. Don't just say AI can answer questions and chat and generate images. I need these ideas to really get people interested so they are moving away from that initial trepidation. for example, you could talk about how an AI learned to identify cancer cells. Make sure these are all real-world examples based on fact. Give it a 3-5 sentence introductory paragraph about how people misunderstand what AI is and does and a conclusion focusing on the benefits of using AI that is twice that length and ends with a thought-provoking or humorous statement. \n\n6 Things AI Can\u2019t Do (So Far)\nThough AI has made leaps and bounds in the past few years, it still faces some limitations. In this section, we\u2019ll break down what AI can\u2019t do \u2014 at least, not quite yet.\n1. Multitask\nMost AI systems are highly trained to solve specific problems, although AI innovators are trying to evolve the technology so that it can perform different types of tasks at once. Google recently made significant strides on this front with its Routines capability for Google Assistant. But that type of multitasking is the AI doing a series of select things (e.g., turning on lights, sharing reminders) after receiving one command from a user. So, let\u2019s just say that today\u2019s AI is not capable of monitoring a sales analytics dashboard while also responding to a customer\u2019s email and taking notes in a quarterly sales meeting teleconference.\n2. Explain Its Decisions\nAI has an \u201cexplainability\u201d problem. It provides answers and predictions based on the algorithms and data models that it uses to learn, but consumers of AI-powered products aren\u2019t likely to know exactly what information the AI uses for decision-making. For example, when determining if an image depicts a human being, does the AI make a judgment based on \u201cseeing\u201d a mouth, or an eye, or a nose in the image? And, as a recent McKinsey Quarterly article noted, the larger and more complex data models become, the more difficult it becomes to explain, in human terms, why AI reached a certain decision.\nHere\u2019s another, deeper question to ponder about AI\u2019s decision-making capabilities: How can end users know that the answers AI technologies provide are fair and unbiased? Again, humans feed AI data and code to shape and inform the technology\u2019s decision-making. So, \u201cgarbage in, garbage out\u201d is certainly a risk with any AI.\n3. Make Moral Judgments\nAI technologies simply don\u2019t know if they are doing anything \u201cright\u201d or \u201cwrong\u201d when making a decision, including judgments that could result in a living thing\u2019s death or injury. Should the driverless car swerve to miss a concrete barrier and mow down children and dogs in a crosswalk, or should the car stay on course, slam into the barrier and kill four passengers?\nWhat is the right answer? Is there a right answer? Not exactly, seeing as either outcome is terrible. Still, MIT\u2019s Moral Machine Project aims to teach AI, like self-driving cars, how to make the \u201cright\u201d judgments based on what most human beings think a morally acceptable decision would be in a given situation.\n4. Feel Empathy, Sympathy, or Anything Else for That Matter\nJust as AI can\u2019t make a moral judgment, it cannot understand a person\u2019s feelings. An AI chatbot can inform an irate customer, \u201cI\u2019m sorry to hear about the issue with your order. I understand your frustration.\u201d But the bottom line is that the technology is not really sorry, and it has no idea what frustration \u2014 or any other emotion \u2014 feels like because it\u2019s a robot.\nSo, while AI can be a fantastic helper for customer service operations, there is no substitute for the human element in many types of customer interactions. (And there is no doubt that most customers will continue to expect, and even demand, the ability to \u201ctalk to a real person\u201d when they want to, no matter how helpful and efficient an AI chatbot may be.)\nHowever, there is call center technology that can pick up on the emotions of callers, helping make call center employees more aware and empathetic to the emotional state of the person on the line. This same technology can also be used to help call center workers project the right attitude, as it can detect if they sound grumpy and send a notification that they might need to take a break. But the AI still isn\u2019t \u201cfeeling\u201d anything, it\u2019s just letting you know that someone else is.\n5. Be Creative (On Its Own, Anyway)\nEven IBM, which is at the forefront of AI innovation, sees creativity as \u201cthe ultimate moonshot\u201d for the technology. On this topic, the company writes, \u201cWhile advancements in AI mean that computers can be coached on some parameters of creativity, experts question the extent to which AI can develop its own sense of creativity. Can AI be taught how to create without guidance?\u201d\nLike many things with AI, the answer is maybe. In fact, there already have been instances of AI doing creative things, like producing songs and paintings. But those feats were possible with the guidance of human programmers. So, for now, at least, truly spontaneous creativity remains a decidedly human trait.\n6. Fully Replace Human Workers\nThe five limitations listed above help to underscore the sixth: AI cannot replace people. It\u2019s true that AI can do many things exponentially faster than humans. It can also perform data-related tasks that are impossible for the human brain to perform. And, yes, AI\u2019s application in the workplace can result in the elimination of roles that can be automated, like pure data entry jobs.\nHowever, at the same time, AI can free workers to perform entirely new tasks \u2014 and more meaningful and interesting work. So, one could argue that AI\u2019s greatest limitation is human reluctance to experiment with the technology and explore its potential as an invaluable helper in the workplace and beyond."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model rewrite the original text into a list, with each point consisting of a single sentence beginning with \\\"AI can't\\\"?\", \"Did the model add another sentence below each point that begins with \\\"But AI can\\\"?\", \"Are the examples fun, interesting, and unique in order to avoid being generic?\", \"Are the new examples based on the real-world capabilities of AI?\", \"Is the introduction 3-5 sentences about how people misunderstand AI's purpose and capabilities?\", \"Is the conclusion about double the length of the introduction, 6-10 sentences?\", \"Is the conclusion focussed on the benefits of using AI?\", \"Does this response end with either a thought-provoking, or humorous statement?\"]"}
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[{"role": "user", "content": "I want some help coming up with band names for my black metal band. I want five ideas with one word and five with two. Don\u2019t use any themes related to the devil. Don\u2019t use the letters d, o, or g for the band names. Make one word from each group start with the letter V. Alphabetize the band names in each group. \nI want your tone with this to be super excited and metal! After you give me the ideas, pick one and turn it into a super happy version so we can have a funny one to laugh about. I want the tone of the band names to be grim, cold, warrior like, like an evil lich king and his warriors, but to also be about kitties. So like magic warrior kitties. Don\u2019t use band names that are similar to any existing well known black metal bands."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Does the response provide ten band names for black metal bands?\", \"Do five of the band names have one word?\", \"Do five of the band names have two words?\", \"Are the band names grouped into those with one word and those with two words?\", \"Does each group of five band names contain one band name that starts with the letter V?\", \"Do the band names involve themes related to kitties?\", \"Do the band names involve themes related to being cold, grim, and warrior-like, like an evil lich king and his warriors?\", \"Does the response include a transformed version of one of the band names that is 'super happy' in tone?\", \"Is the overall tone of the response 'super excited'?\"]"}
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[{"role": "user", "content": "Please write an e-mail to my brother, Harper, asking him to visit in spring, rather than the summer. Invite the rest of his family as well. His wife's name is Robin and son's name is James. Be sure to mention that I won't be talking to Robin about mom. James will sleep in the guest house and Harper and Robin will sleep in the guest bedroom. Don't include any names in the e-mail. Only write the body of the e-mail and the signature."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Does the model write an email inviting the user's brother and his family to visit in the spring instead of summer?\", \"Does the model refrain from using everyone's names?\", \"Does the email mention that the user won't be talking to their brother's wife about their mom?\", \"Does the model only include the body of the e-mail?\", \"Does the email mention that the brother and his wife will be sleeping in the guest bedroom and their son will be sleeping in the guest house?\", \"Does the response only include the signature portion without using any names?\"]"}
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[{"role": "user", "content": "I've been forced to go on a rigorous diet for some health issues, and as a foodie, I am very grumpy. Write me a recipe for each: breakfast, lunch, dinner, dessert, and a snack with two or more components.\nThe only meat I can have is organic and pastured poultry and eggs or wild-caught salmon. I can't have any foods high in mold or yeast. I can't have any complex carbs, so no bread, high-starch veg, beans, etc. I also can't have soy (except tempeh), which is annoying. I have to limit my sugar to the max, so no fruit or anything with added sugar. I also can't have anything processed. I can't have anything fermented including alcohol (except miso and tempeh). I'm miserable. Plz halp. lol"}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Does the model give one recipe each for breakfast, lunch, dinner, dessert, and a snack containing two or more components?\", \"Does the model not suggest recipes with meat other than organic and pastured poultry and eggs, and wild-caught salmon?\", \"Does the model not suggest any recipes containing yeast or high-mold ingredients?\", \"Does the model not suggest recipes with any complex carb, high-starch vegetables, or bean-like ingredients?\", \"Does the model only suggest using tempeh when suggesting recipes that contain soy ingredients?\", \"Does the model suggest recipes that have no fruit or added sugar?\", \"Does the model avoid recipes that include processed ingredients?\", \"Does the model avoid fermented ingredients in the provided recipes?\", \"Does the model only suggest using fermented ingredients that are explicitly stated as exceptions, like miso and tempeh?\"]"}
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[{"role": "user", "content": "Please extract all of the quotes from the Twin Peaks in this essay and place them in a numbered list, which is in chronological order according to when they were uttered in the series. Tell me what season and episode they were stated during, and give me a little context about the scene. Do not include any major spoilers (like who killed Laura Palmer)\n\nThe front counter at Twede's Cafe, on the morning after David Lynch's family announced the director's death. All photos by Riley Yuan.\n\n\nKatherine Cusumano | Longreads | January 30, 2025 | 3,260 words (12 minutes)\n\nSPECIAL AGENT DALE COOPER: I have no idea where this will lead us, but I have a definite feeling it will be a place both wonderful and strange.\n\nI saw the neon sign first: Twede\u2019s RR Cafe, spelled out in twinkling neon, set against the stone bluffs of Mount Si looming just beyond. We slid into a parking spot below the sign, rounded the corner to the diner\u2019s entrance, and there it was: a small pile of offerings arranged carefully near the door. Five bouquets\u2014four wrapped in brown paper and one tied up with raffia; a potted plant; several handwritten notes; and, presiding over it all, a black-and-white portrait of the director David Lynch. I let out an involuntary oh and turned back to my photojournalist friend Riley, calling him over. \n\nThe previous afternoon, Lynch\u2019s family had announced that he had died, just days before his 79th birthday. I learned about his death in the strange inverted way that the news of celebrity deaths so often spreads: His name was trending on Bluesky. Surely not, I thought, a sickening emptiness growing in my core. Absolutely not. I don\u2019t remember now at what point over the next couple of hours I spent scrolling through photos and quotes and other ephemera that I thought to drive to the site of the real Twin Peaks\u2014that is, to the trio of towns in Washington that inspired the fictional place\u2014but I do remember why. I felt this desperate, restless urge that took form as a handful of simple verbs: to do or go or make, or maybe all three.\n\nThe idea, once it occurred to me, burrowed deep. I sat on the cold tile floor of my bathroom and I tried to explain to my boyfriend, who was at that point literally taking a bath, why I needed to drive the six-hour round trip from Oregon to Washington to visit a place where an artist I loved had chosen to set a television series I\u2019d started watching in high school. Tell me if this is crazy, I said. Yet already, I was also questioning my own instinct to go there. I feared making his death about me\u2014nervous, too, about going to a place and scattering my own remote kind of grief all over it. I didn\u2019t know what I\u2019d find\u2014or if I\u2019d find anything at all. I imagined Twede\u2019s, which features in the series as the Double R Diner, packed with droves of Twin Peaks fans. I imagined it totally empty.\n\nIn the evening, I texted Riley, who lives on the Oregon coast, to see if he\u2019d be up for a road trip. We set out early the next morning, pulling into North Bend in time for lunch. As both a reporter and a fan, I was reaching for some kind of collective experience to help frame my own sense of loss. At the same time, though, I was looking to understand something greater: what any of us are looking for when we visit places we\u2019ve only ever seen on screen, and how the desire to go to such a place might be sharpened in grief. I pushed open the door and stepped inside.\n\n\nLeft: The neon sign outside of Twede\u2019s Cafe, illuminated at dusk. The \u201cRR\u201d sign was added in 2023, the product of a Kickstarter campaign started jointly by fans and the diner\u2019s owners. Right: Offerings and tributes to Lynch begin to pile up outside of Twede\u2019s Cafe. Photos by Riley Yuan.\nCOOPER: What kind of fantastic trees have you got growing around here? Big, majestic\u2014\n\nSHERIFF TRUMAN: Douglas firs.\n\nCOOPER: Douglas firs. Okay, I need someone to get me a copy of the coroner\u2019s report.\n\nNot long before the Twin Peaks pilot got picked up by ABC in 1989, Lynch drew a map of his fictional town that\u2014according to Kyle MacLachlan, who starred in the series\u2014he intended to \u201ccreate a sense of place for the show.\u201d It\u2019s threadbare as a map, but in its sharp charcoal angles, it evokes the mood, simultaneously quaint and ominous, of his show. \u201cAs far as I\u2019m concerned, the only thing in the entire first two seasons that\u2019s really Twin Peaks is the pilot,\u201d Lynch wrote in his hybrid memoir-biography, Room to Dream. \u201cThat had everything to do with the fact that we were shooting on location. The place itself is so important.\u201d\n\nPlace is perhaps not the primary thesis of his filmography as a whole, but it is certainly a guiding principle. From the Roadhouse to Snoqualmie Falls, the Great Northern Hotel, the iron bridge that Ronette stumbles across in the pilot and the massive log on the beach where Laura\u2019s body is found, to, of course, the Double R\u2014the fictional town of Twin Peaks is a richly realized composite of three adjacent towns in Washington\u2019s Snoqualmie Valley: North Bend, Snoqualmie, and Fall City. (Additional shooting locations are spread across the region; after the pilot, most of the interiors were shot on a soundstage\u2014one fictional place blended seamlessly with another.)\n\nThe town, as Lynch drew it, bleeds into mountains and forest. His father was a forestry researcher for the federal Department of Agriculture, and for most of his childhood, the Lynches moved between Montana, Washington, and Idaho. \u201cI grew up loving trees,\u201d he writes. \u201cBecause of where I grew up and what my father did, nature is a big part of Twin Peaks and the woods are really important. That\u2019s a huge part of the thing.\u201d\n\nPlace is perhaps not the primary thesis of his filmography as a whole, but it is certainly a guiding principle.\n\nI live in Oregon, and so I know these trees: big, majestic. And I don\u2019t know how else to say it because I don\u2019t even believe in the occult, but those woods appear spectral. At the same time, Lynch also harbored an apparent fascination for manufacturing and production. You can see it in the desolate industrial landscape of Eraserhead. You can see it in Twin Peaks, a timber town whose sawmill figures into one of the series\u2019 central intrigues. (\u201cI like man and nature together. That\u2019s why I love old factories,\u201d he writes.) The decline of the Packard Sawmill reflects the reality of many small towns in the rural Northwest, including the real towns where Twin Peaks was set. When Twin Peaks aired, the industry was in a precipitous decline. A tradition of work was slipping away. (At the same time, Lynch took some liberties: Twin Peaks is supposed to be flush against the Canadian border in the northeast corner of Washington. If you live in the region, the distinction between east and west matters.)\n\nEven more than the series\u2019 specificity of place, though, Twin Peaks is especially attuned to hauntings. Put differently, it\u2019s interested in how physical places can hold onto the things that have happened there. Lynch holds your gaze on objects and spaces, whether the ceiling fan in Laura Palmer\u2019s house, whose rotations grow more foreboding with each cycle, or the ripple of a red curtain (\u201cI love curtains. Are you kidding me?\u201d). He seems to propose that just beyond sight, there are supernatural forces at work; our familiar world and something more fantastic layer over each other like transparencies. At the same time, he refuses to prescribe meaning, instead surrendering sense-making to his audience. (Lynch was famously skeptical of written words because they lacked the ambiguity of his visual art.) In a David Lynch world is a sense of possibility.\n\nMaybe this meld of real and unreal is also part of the strange enduring power of the places where Lynch filmed Twin Peaks. Twin Peaks offers the sense that places could be portals. \u201cPeople, when they\u2019re grieving, reach out for something tangible,\u201d said Mary Reber, who owns the Laura Palmer House in Everett, an hour north. Their promise, then, was a connection to the intangible.\n\nCOOPER: This must be where pies go when they die.\n\nWhat I sought was a benevolent haunting. We slid into a booth and ordered a pair of coffees, black. I flipped over the laminated menu. In the series, Cooper, the FBI agent played by Kyle MacLachlan, harbors twin obsessions with black coffee and cherry pie. I watched as white dishes bearing slice after slice of pie spun out of the kitchen and alighted on tables. Production stills, photos of the cast and crew, and fan magazine covers zigzagged against the crimson wall of the back hallway. After a brief deliberation, Riley and I decided to split a slice.\n\nThe diner\u2014known previously as the Mar-T, before it was rechristened Twede\u2019s in 1997\u2014has been a local institution since the \u201940s. The series treats it the same: Peggy Lipton, who plays Double R owner Norma Jennings, describes it as \u201cour roots and our anchor\u201d in Room to Dream. (In 2000, a fire destroyed the interior of the diner. Fifteen years later, when Lynch returned to the area to film Twin Peaks: The Return, the production commissioned a complete remodeling to make it look like the original Double R and filmed the third season on location.) The previous night, mapping out my itinerary, I\u2019d decided it should be our first stop\u2014not only because of its central role in the series, but also because it\u2019s more animate than many of the filming locations. Instead of merely looking at or in, you were invited to enter and interact. You pushed open the door, and all at once you were implicated in its narrative. \n\n\nPhotographs of scenes and characters from the world of Twin Peaks\u2014including Lynch himself\u2014adorn the walls of Twede\u2019s Cafe. Photo by Riley Yuan.\nRachel Bennett, who has owned Twede\u2019s for five years, took a seat across from me. She\u2019d learned of Lynch\u2019s death the previous day through the \u201cvery tight-knit\u201d online Twin Peaks community, she said. \u201cI have my own, like, personal feelings that I was holding,\u201d she said, \u201cbut I wanted to share what other people were saying.\u201d\n\n\u201cWhat was your own personal feeling?\u201d I asked.\n\n\u201cI don\u2019t want to cry,\u201d she said, eyes gone glassy. I admitted, not for the last time that day, that I\u2019d already cried. The day before, I\u2019d been taken aback by my own visceral reaction, but at Twede\u2019s, observing other people\u2019s reactions to the death of a person they\u2019d scarcely known, I began to think that communal grieving could only happen through the accumulation of individual emotional responses.\n\nAt the same time, though, I was looking to understand something greater: what any of us are looking for when we visit places we\u2019ve only ever seen on screen, and how the desire to go to such a place might be sharpened in grief.\n\n\u201cI wouldn\u2019t own this place if it wasn\u2019t for him,\u201d Bennett went on. \u201cHe is instrumental to the life that I am living right now.\u201d She\u2019s lived in the area for most of her life, but for a long time, she resisted the connection to Twin Peaks. \u201cThe world that he created is also the world that I grew up in,\u201d she said. \u201cIt was, like\u2014I don\u2019t know\u2014maybe a little too close to home.\u201d Years later, something shifted. \u201cSaying I was obsessed isn\u2019t quite the feeling,\u201d she said, \u201cbut it was a little manic.\u201d Just more than five years ago, she was looking for a food service job. Twede\u2019s was hiring. \u201cOne, I needed the money,\u201d she said. \u201cTwo, it was just to be kind of in this world that I had become so enraptured by.\u201d She was only working one night per week, and she\u2019d never run a restaurant before, but when the previous owner told her he wanted to sell the place, she was seized by the same manic energy that had gripped her watching the show.\n\nAs she spoke, I saw the letters tattooed on the insides of her fingers, spelling out damn fine. (\u201cThis is\u2014excuse me\u2014a damn fine cup of coffee,\u201d Cooper says after taking his first sip in the restaurant at the Great Northern Hotel.) We accepted coffee refills eagerly. I looked up to see that a lively crowd had grown near the door as Bennett excused herself to take names for the waitlist.\n\nA pair of locals sitting at the table next to ours hadn\u2019t seen Twin Peaks themselves, but they decided to stop in anyway, in honor of Lynch. Another couple, still in their bibs, had come from a morning of skiing: \u201cWe were passing through.\u201d A man with an analog camera, just knocking off work: \u201cI think I just wanted to be in that physical space as well as mental.\u201d A woman who had recently started introducing her partner to the show: \u201cI wanted some ceremony.\u201d It was a thing to do, and it was a rite of remembrance.\n\nTRUMAN: There\u2019s a sort of evil out there . . . something very, very strange in these old woods. Call it what you want: a darkness, a presence. It takes many forms, but it\u2019s been out there for as long as anyone can remember and we\u2019ve always been here to fight it.\n\nJeffrey Davis had been profoundly rattled by the news of Lynch\u2019s death. A longtime Twin Peaks fan, he\u2019d come out from Seattle with Lynn Keller and Sarah Johnson. I took an empty chair at the trio\u2019s table. \u201cIt felt like I lost a compass direction,\u201d Davis said. \u201cAnd then it becomes a matter of, okay, how do I find north again?\u201d (Davis compared this sensation to a screenshot from Twin Peaks of MacLachlan, as Cooper, sitting in a chair in the Red Room, subtitled [intense ethereal whooshing].) I wondered if the instinct to go to a place that a beloved artist touched was a way of restoring a trajectory. Situating yourself literally inside an artist\u2019s work could be read as another way of metabolizing influence.\n\n\u201cBeing here, it not only fosters a sense of community, but it also fosters a sense of remembrance and memorial,\u201d Davis said. \u201cLike, I\u2019ve seen this place,\u201d Keller added. \u201cNow, I\u2019m here, and I could touch it and turn it over in my hands.\u201d It was surreal, Keller said\u2014or maybe, instead, it was hyperreal. Entering the diner forced a perspective shift. It was as if they were just out of step with reality, which is itself a central Lynch motif\u2014his interest in the parallel worlds lurking behind this one, depicted through elliptical echoes and dreamscapes. His strangenesses.\n\nI wondered if the instinct to go to a place that a beloved artist touched was a way of restoring a trajectory. Situating yourself literally inside an artist\u2019s work could be read as another way of metabolizing influence.\n\nWhen Twin Peaks premiered 30 years ago, not everyone in town was thrilled by the association, even in light of the business it brought to the area. A dismissive Los Angeles Times article described how one local gift shop owner took to charging $4.95 for \u201cLog Lady logs\u201d\u2014firewood she\u2019d cut in her backyard, sometimes with a bit of moss glued to the side. \u201cSome people looked at it, saw the goofy story, and got the impression we are a bunch of damn weirdos,\u201d said the owner of a local hardware store.\n\nBut what if you could read Lynch\u2019s interest in weirdness as reverence? After all, he wrote himself into the world he created, playing Cooper\u2019s supervisor, the FBI bureau chief Gordon Cole. Lynch\u2019s embrace of artifice, and his interest in the intersection of the natural and unnatural, are precisely the qualities in his art that I love. Still, I\u2019d taken for granted how strange his work is\u2014in the defiantly non-naturalistic performances he elicits from his actors and the surreal sheen of his stories and characters\u2014until I started trying to explain the plot of Twin Peaks to Riley on our drive to Washington. Weirdness ended up being a recurring motif in my conversations, at Twede\u2019s and elsewhere around the valley. \u201cIt\u2019s a part of this town,\u201d said Brittni Larson, the manager of the North Bend Theatre. \u201cWe always joke about this being a vortex,\u201d said Kristin Tetu\u00e1n, the manager of the gift shop at the Salish Lodge and Spa\u2014which appears in the series as the Great Northern. \u201cThere\u2019s just a weirdness here.\u201d\n\nEarlier in the day, Johnson, Davis, and Keller had hiked down Snoqualmie Falls, which cascade 268 feet over a cliff behind the Salish Lodge. Since 2019, the lodge has been owned by the Snoqualmie Tribe, for whom the falls were a sacred site; they\u2019re now listed as a Traditional Cultural Property on the National Register of Historic Places. Visiting the falls, Johnson was struck by a parallel: \u201cWe have artistic ancestry in the same way that we have land ancestry,\u201d she said.\n\nWe visited the falls later that afternoon. We made our way down the paved path to a viewing platform that looked out over the river basin. The waterfall poured down in a torrent of white mist. And it was beautiful. But I was wary of simply gazing at and projecting some meaning onto it. Instead, I felt a sharp absence. I already missed the conversations I\u2019d had earlier, wherever they led. The sense of collective response brought me closer\u2014not necessarily to Lynch as an artist, but to some sort of shared understanding of what we were lacking now. I looked for a moment longer, and then I turned back toward the lodge.\n\nTHE LOG LADY: There are many stories in Twin Peaks. Some of them are sad, some funny. Some are stories of madness, of violence. Some are ordinary.\n\nTHE LOG LADY: All that we see in this world is based on someone\u2019s ideas. Some ideas are destructive, some are constructive. Some ideas can arrive in the form of a dream. I can say it again: Some ideas arrive in the form of a dream.\n\nTHE LOG LADY: The answer, of course, is yes. One day the sadness will end.\n\nEarlier, outside Twede\u2019s, a woman stooped to deposit a box of chocolate donut holes amid the flowers and letters. She was Joy Nash, an actor who appeared in an episode of The Return. Focus on the donut not on the hole!! was written on the inside of the lid\u2014a catchphrase Lynch apparently loved. \u201cWe wanted to pay tribute,\u201d she told me. \u201cWe wanted to eat some cherry pie.\u201d And to leave an offering.\n\nI was reminded of something Mary Reber told me, that visitors to the Palmer House often want to leave objects in the alcove in Laura\u2019s bedroom. \u201cThey\u2019re leaving things of themselves in that place where those things happen because it makes them feel like it\u2019s partly theirs, too,\u201d she said. (A few days later, clicking through images of the diner, I came across a photo that had been posted after our visit. The small pile of offerings had expanded the whole length of the diner\u2019s front face.) The people who wanted to leave objects inside the Palmer House or outside Twede\u2019s or Bob\u2019s Big Boy in Burbank, California, or any of the other places that have become shrines to Lynch and his work were participating in acts of reciprocity\u2014offering something back into the world Lynch created. Maybe it was true that any thing could hold meaning, not because the objects and places themselves were intrinsically significant, but because we are constantly imbuing them with stories: meaning constructed in the interplay between artist and audience and the light and sound that passes like a current between them.\n\nNash spent two days on set with Lynch shooting The Return. She wondered, briefly, how he became David Lynch, or if he simply emerged into the world fully formed. \u201cWhat a gift, man,\u201d she said.\n\nThe sun had started to sink behind the mountains as we pulled out of town. Driving home in the dark, I saw the lights from an office tower next to the highway reflecting off the fog that had lowered into the valley. It filled the sky overhead with a strange electric-blue light. \n\nCOOPER: Albert, I hope you can hear this. I\u2019ve only been in Twin Peaks a short time. But in that time, I have seen decency, honor, and dignity. I have seen grief to break your heart. Murder is not a faceless event here. It\u2019s not a statistic to be tallied up at the end of every day. Laura Palmer\u2019s death has affected each and every man, woman, and child. Because life has meaning here. Every life. And that\u2019s a way of living I thought had vanished from this earth. It hasn\u2019t, Albert. It\u2019s right here in Twin Peaks.\n\nALBERT ROSENFIELD: Sounds like you\u2019ve been snacking on some of the local mushrooms."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model extract all the Twin Peaks quotes in the essay?\", \"Did the model place the quotes in a numbered list?\", \"Is the list in chronological order according to when the quotes were uttered in the Twin Peaks series?\", \"Did the model write which season and episode each quote was stated during?\", \"Did the model give a little context about the scene each quote was stated during?\", \"Did the model avoid including any major spoilers, like who killed Laura Palmer?\"]"}
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[{"role": "user", "content": "I'm going to give you an excerpt from a short story. What I want you to do is tell me which genre of literature it most likely is (think mystery, romance, horror, science fiction, comedy, etc.). Then, break that category down into a more specific subcategory (like historical mystery, cozy mystery, etc.). Explain your reasoning in 1-2 sentences. Single out three words from the text to support your answer, and italicize them for visibility. The categories themselves should be bolded. Your answer should be written using bullet points, and the subgenre should be a subpoint of the main genre. Here's the text:\n\n\"And I looked back, confused, bewildered, expecting perhaps an answer. There it lay, far below me, vague and indistinct in the deepening gloom, the black outlines of the cypress trees writhing in the night wind, silent, brooding, mysterious--the Mive.\""}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model classify the genre of the excerpt provided?\", \"Did the model provide a subgenre for the excerpt?\", \"Did the model provide its reasoning in 1-2 sentences?\", \"Did the model provide three words from the text to support its reasoning?\", \"Did the model italicize its chosen words?\", \"Did the model bold its category and subcategory?\", \"Did the model provide its answer using bullet points?\", \"Did the model format the subgenre as a subpoint of the main genre?\"]"}
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[{"role": "user", "content": "My friends and I would like to read the all the Cosmere books by Brandon Sanderson. I would like to start planning for our book club to read these over the course of the next 2 years. Please give me the book series in bold, followed by the book titles. Please put the number of chapters and number of pages for each book in parenthesis and italicized next to each book. Do not include the graphic novels or collection book. Please give me a timeline for reading all of these books (like the number of pages or chapters by date). Please include with each book a theme to reference for discussions as we read."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model give the list of books written by Brandon Sanderson for his Cosmere Universe?\", \"Does the list not include graphic novels or collection books?\", \"Are the titles of the books series in bold?\", \"Are the book titles listed under their respective series names?\", \"Did the model find and provide the number of chapters and pages after the title in parenthesis and italicized?\", \"Is the provided timeline to read all of these books 2 years?\", \"Does the timeline show specific amounts of pages or chapters to be read by a given date?\", \"Did the model provide a theme for each book being read?\"]"}
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[{"role": "user", "content": "What birds in South Florida are commonly seen? What birds are less common? Actually, can you just give me a detailed overview of the bird life in South Florida? Please include song sounds, visual assessment, time of year or year round, and other relevant information for each bird mentioned. Include a bulleted or numbered list for formatting, and italicize the names of the birds. Do not include scientific names or overly scientific verbiage."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide a detailed overview of bird life in South Florida?\", \"Did the model include song sounds, visual assessments, and time of year for each bird noted in the response?\", \"Did the model include relevant information outside of the previously noted scope for bird species where necessary and applicable?\", \"Did the model use a bulleted or numbered list while formatting its answer?\", \"Did the model italicize the bird's names?\", \"Did the model omit scientific names for the listed bird species?\", \"Did the model avoid using overly scientific verbiage in its response?\", \"Did the model list common birds seen in south Florida?\", \"Did the model list uncommonly seen birds from south Florida?\"]"}
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[{"role": "user", "content": "Extract the number of syllables for each line of the poem below. Organized your answer into a chart that has two columns. The first columns should have the number of the poem line. The second column should have the number of syllables in the corresponding line. After the chart, include an analysis of any patterns in the syllables in the poem. Limit the analysis to no more than 5 sentences. End with a question that challenges the user to analyze another poetic device. \n\nIn the shadows, whispers call,\nA moonless night, a hollow hall. \nFeet of ghosts on shattered stone,\nSilent screams in flesh and bone.\n\nGrim winds twist through the trees,\nFrost biting like a cruel disease.\nThe earth itself begins to sigh,\nDead stars fall from a blackened sky.\n\nRats crawl over broken glass,\nTime moves slow, then fades, alas.\nCold hands reach from the earth\u2019s deep womb,\nAnd darkness thickens in the room.\n\nLaughter echoes, distant, low,\nFaint footsteps where no light can go.\nIn the quiet, death does creep,\nWhile the world drifts into sleep."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model extract the number of syllables for each line of the poem?\", \"Did the model organize the answer into a chart that has two columns?\", \"Does the first column contain the number of each line?\", \"Does the second column contain the number of syllables in the corresponding line?\", \"Did the model include an analysis of any patterns in the syllables in the poem?\", \"Is the analysis limited to no more than 5 sentences?\", \"Did the model end with a question that challenges the user to analyze another poetic device?\"]"}
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[{"role": "user", "content": "Can you give me ten video game recommendations? The game must have multiplayer, but not the co-op kind, the kind where you play against other people. I don't have any money so the game has to be free. I want thirty percent of the games to be first-person shooters, thirty percent to be melee-attack focused, thirty percent to be strategy games, and the last ten percent should be a rhythm game. Give a two-sentence synopsis of each game. Please list the games 1-10 in the order that they were released and include the date they were released next to their name."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide ten video game recommendations?\", \"Did the model provide multiplayer games where you play against other people?\", \"Did the model only provide free games?\", \"Did the model provide three first-person shooter games, three melee-attack-focused games, three strategy games, and one rhythm game?\", \"Did the model give a two-sentence synopsis of each game?\", \"Did the model list the games one through ten in the order they were released?\", \"Did the model include the date each game was released next to their names?\"]"}
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[{"role": "user", "content": "Create a section called \"Fee and Cost Summary\". Summarize the following Customer Agreement into 10 main bulleted points that focus on fees or costs associated with it and bold the numbers and dollar signs for emphasis. Create another section by inserting a solid line and below the line, call that section \"Foreign Terms\". For any foreign language terms, extract them, and define it in one sentence. Create another line separating the third section, which will be titled, \"Acronyms\". In this section, extract all the acronyms from the Customer Agreement and define them. Bold all foreign terms and acronyms, as well as section titles. Italicize any foreign terms as well.\n\nHere are the Customer Agreement:\nVerizon\nCustomer Agreement\nVERIZON CUSTOMER AGREEMENT\n\nThank you for choosing Verizon. In this Customer Agreement (\u201cAgreement\u201d), you\u2019ll find important information and terms and conditions about your Verizon Services. PLEASE READ THESE AGREEMENT TERMS CAREFULLY AS THEY CONTAIN IMPORTANT INFORMATION REGARDING YOUR RIGHTS AND OBLIGATIONS, AND OURS. IF YOU DO NOT AGREE TO THESE TERMS AND CONDITIONS, DO NOT USE THE SERVICES AND CONTACT US IMMEDIATELY AT 1-800-VERIZON TO TERMINATE THEM.\n\nThis Agreement establishes the terms and conditions under which you, the Subscriber (\u201cyou,\u201d \u201cyour\u201d or \u201cSubscriber\u201d) agree to use Fios Internet and/or Fios TV and/or Fios Home Phone (the \u201cServices,\u201d including Equipment, Content, and Verizon-branded and Third-Party software applications) and under which the Verizon Affiliates (\u201cVerizon,\u201d \u201cus\u201d or \u201cwe,\u201d) identified in Exhibit A agree to provide the Services to you.\n\nNOTICE OF ARBITRATION AGREEMENT\n\nTHIS AGREEMENT CONTAINS A BINDING ARBITRATION CLAUSE AND A CLASS ACTION WAIVER. IT REQUIRES THAT DISPUTES BE RESOLVED BY ARBITRATION, RATHER THAN CLASS ACTION LAWSUITS OR JURY TRIALS (EXCEPT FOR MATTERS THAT MAY BE TAKEN TO SMALL CLAIMS COURT). PLEASE SEE SECTION 16 FOR MORE INFORMATION.\n\n1. ACCEPTANCE OF AGREEMENT.\n\n1.1 The Services terms and conditions are part of this Agreement. By accepting this Agreement, you or anyone accessing the Services are bound by these terms and conditions. Your acceptance of this Agreement begins when: (a) you accept this Agreement, either digitally or verbally, during the submission of your order; or (b) you commence the use of the Services. This Agreement will end when you or we terminate this Agreement as permitted in Section 10 below.\n\n1.2 This Agreement includes specific elements of the Services or Term Services Offer plans, including the pricing, duration, any applicable Early Termination Fee (\u201cETF\u201d), and Equipment pricing, all as described in the information made available to you when placing and confirming your order or activating your Services. This Agreement also includes Our Privacy Policy (https://www.verizon.com/about/privacy/) applicable to the Services and other policies and materials specifically referred to in this Agreement, all of which are incorporated into this Agreement by reference. Please retain a copy of this Agreement for your records.\n\n2. DEFINITIONS. If a term is not defined in this Agreement, you agree that it shall be construed in accordance with customary usage in the telecommunications industry. The words \u201cshall\u201d and \u201cwill\u201d are mandatory, and the word \u201cshould\u201d expresses an expectation, but is not mandatory, and the word \u201cmay\u201d is permissive. In addition, the following definitions shall apply:\n\n2.1 Charges. Charges may include, without limitation, fees for Services, Equipment, Transactional Charges, taxes and other governmental fees, as well as charges such as video franchise fees, video franchise related costs, regional sports network fees, broadcast fees, account activation and installation charges, surcharges, reactivation fees, customized setup and installation fees, late payment fees on past-due balances, agent assistance fees for making payment arrangements through a Verizon call center representative, collection fees, returned payment fees, Early Termination Fees, Unreturned Equipment Charges, and other nonrecurring charges. Certain Charges such as taxes and other governmental fees, franchise fees, Public, Educational and Government (\u201cPEG\u201d) channel fees, video franchise related costs, regional sports network fees, and broadcast fees, may change one or more times during the term of your Services plan. Charges may also include fees, taxes and related costs for third-party services to which you subscribe and agree to have included on your Verizon bill.\n\n2.2 Content. Content provided by Verizon, by its third party licensors or suppliers, by Public Education or Government Access Channel entities, or by Leased Access entities and accessible through the Services, including without limitation images, photographs, animations, video, audio, music, and text in any format. This includes over-the-top (\u201cOTT\u201d) or streaming video programming, gaming, and other online streaming Services from third-party providers that may be offered with Fios TV and Fios Internet Services. Content also includes free, purchased, rented and live-streamed On Demand and Pay-Per-View services which for which we may charge an additional fee.\n\n2.3 Early Termination Fee (\u201cETF\u201d). A fee Verizon may charge if you cancel your Service(s) under a services plans with a minimum term commitment, pursuant to Section 10.\n\n2.4 Equipment. Equipment includes Verizon-provided digital adapters; television set top boxes, digital video recorders video media servers, IP client boxes; peripheral devices; routers; extenders; or optical network terminals. Equipment includes a router or extender you may purchase from Verizon or a third party. Equipment does not include any Other Devices that you attach to use with the Services, or Retired Equipment. The Equipment provided by Verizon for use with the Services may be new or refurbished.\n\n2.5 Fios TV Content. Content provided as part of and included with the Services, including, without limitation, images, photographs, animations, video Content, information services, audio, music, and text, irrespective of the manner or format in which such content is delivered. Fios TV Content includes content provided by Verizon or its third-party licensors or suppliers and delivered over the managed Fios video network.\n\n2.6 Force Majeure. Force majeure events are events that are beyond Verizon\u2019s control, including but not limited to: acts of God, fire, flood, riot, extreme weather events, explosions or other catastrophes, epidemics or pandemics; any law, order, regulation, direction, action or request of the United States government or of any other government including state and local governments having or claiming jurisdiction over Verizon, or of any department, agency, commission, bureau, corporation or other instrumentality of any one or more of these federal, state, or local governments or of any military authority; preemption of existing Services in compliance with national emergencies, acts of terrorism, insurrections, riots, wars, unavailability of rights-of-way, supply chain and material shortages or unavailability, strikes, lockouts, or work stoppages. Force Majeure events may be a one-time occurrence or may be an event occurring for a continued period of duration.\n\n2.7 Home Network. Interconnected electronic equipment or Other Devices, such as routers, Wi-Fi extenders, set-top boxes, Internet of Things (\u201cIoT\u201d) devices, or streaming boxes. Interconnected equipment or Other Devices may be connect via Ethernet cable, coax, or Wi-Fi and are able to connect to the Internet and transmit and/or receive data between them. Your Home Network can support:\n\n2.7.1 Primary Network. The Primary Network is designed to provide internet connectivity and a Local Access Network to your devices and shared files with a connection via Ethernet cable, coax, or Wi-Fi.\n\n2.7.2 Guest Network. The Guest Network is designed to provide internet connectivity to your guests via 2.4 GHz Wi-Fi but restricts access to your primary network and shared files. The primary network and the guest network are separated from each other through firewalls.\n\n2.7.3 IoT Network. The IoT Network is designed to improve the onboarding experience of Internet of Things devices via the 2.4 GHz Wi-Fi and provide internet connectivity and has access to other devices on the Primary Network.\n\n2.7.4 Self Organizing Network. Self-Organizing Networks (\u201cSON\u201d) significantly improve Wi-Fi performance by automatically identifying and fixing Wi-Fi problems. Connected devices can move seamlessly between 2.4 GHz and 5 GHz Wi-Fi signals, and between access points if a Wi-Fi Extender has been added to your Home Network.\n\n2.8 Fios Internet Service. Fios or High Speed Internet (\u201cHSI\u201d)-based Internet Service (whichever service to which you subscribe).\n\n2.9 Other Devices. Devices you may use with the Services which are not classified as Equipment. By way of example, this includes but is not limited to monitors, televisions, gaming consoles, keyboards, laptops, CPUs, IoT devices, remote controls, mobile devices, equipment supporting Over The Top (\u201cOTT\u201d) or streaming video devices (examples like Apple TV boxes, Roku devices, Verizon Stream TV devices, or Amazon Firestick or FireCube), virtual assistant devices, power supply and related cords and cables for connectivity.\n\n2.10 Premises. The physical locations where the Services are installed or delivered, which may include interior and exterior points of access.\n\n2.11 Retired Equipment. Equipment that may have originally been provided by Verizon, but may no longer be subject to return to us or to Unreturned Equipment Charges. A list of Retired devices and additional details can be found at https://www.verizon.com/support/residential/internet/equipment/routers/other-equipment. Verizon may modify this list at any time.\n\n2.12 Services. Fios Internet Services, Fios TV Services, and/or Fios Home Phone Services, including, without limitation, all Content, Equipment, Verizon-branded and third-party software applications used in delivery or interaction with the Services, media or program guides, digital video recording capability and storage, software, technical support, and other features, products, and Services provided as part of and included with our television and internet Services, including Video On Demand Services and Pay-Per-View. The Services do not include regulated or copper-based voice telephony services, do not include non-Verizon branded streaming video or OTT video services, and do not include third-party smart device services. If you subscribe to Services, we may make Additional Services provided by Verizon or by third parties available to you as described in Exhibits C and E.\n\n2.13 Software or Access Software. Verizon may provide software to run or access the Services or partner or Verizon apps in connection with the Services, which may be owned by Verizon or third party licensors, providers and suppliers. There may be an extra charge for some software supporting certain features.\n\n2.14 Term Services Offer(s). A combination or \u201cbundle\u201d of Verizon Fios Services with one or more eligible video, voice or internet Services which may include a term commitment for a minimum amount of time. Term Service Offers do not include equipment protection plans or other add-on services or subscriptions that may be offered by Verizon\u2019s third-party vendors or partners.\n\n2.15 Third Party Charges. Charges separate and apart from Verizon Services Charges. These may include charges resulting from accessing internet-based services or purchasing products, services or subscriptions through interactive options available through the Services. Third party charges may include subscription fees, one-time fees, recurring monthly charges, and additional service and internet charges or fees from a wireless or internet service provider (which may be a third party or a Verizon Affiliate).\n\n2.16 Transactional Charges. Charges incurred for options such as Equipment purchases, Video On Demand and Pay-Per-View Services.\n\n2.17 Verizon Websites. Websites located at verizon.com and myverizon.com, which are comprised of various web pages, tools, information, software, content, and features operated by Verizon. (https://www.verizon.com/about/terms-conditions/terms-of-use)\n\n3. NOTICE OF CHANGES TO THIS AGREEMENT.\n\n3.1 Changes to Agreement. The Current version of the terms of this Agreement shall be available on https://www.verizon.com/terms. From time to time, we will make revisions to this Agreement and to the policies relating to the Services, including revisions to the provisions that govern the way that you and Verizon resolve disputes. We may provide notice of such revisions in a digital or paper format. Revisions to the terms and conditions shall be effective on the date specified in the notice. You accept the revisions and agree to abide by them by continuing to use the Services. We will provide you with at least thirty (30) days\u2019 notice prior to the effective date of any increases to the monthly price of the Services or Term Services Offer plan (excluding other charges as detailed in Section 11).\n\n3.2 Changes to Fios Internet and Fios Home Phone Services. We will provide notice of such revisions by posting revisions to the Website Announcements page [https://www.verizon.com/support/residential/announcements] sending an email to the email address that you provide to receive communications from us (your \"Primary Email Address\"), or such other method provided for in Section 14 of this Agreement. You agree to visit the Announcements page periodically and to check your email box to review any such revisions.\n\n3.3 Changes to Fios Video Services. Notice will be available through the cable system on the Message Center located in the interactive media guide, on the Website Announcements page at https://www.verizon.com/support/residential/announcements, or on your bill. You agree to view the interactive media guide, the Verizon website or your bill periodically to review any such revisions.\n\n4. SERVICE CHANGES.\n\n4.1 Modification. Subject to applicable law, we reserve the right to offer, change, rearrange, add, delete or otherwise modify the Services at any time, with or without prior notice to you. This includes changing, rearranging or otherwise modifying Term Services Offer packages, TV packages, the selections available in those packages, the Equipment, any Other Devices, and any other features, products, software, and services that we offer.\n\n4.2 Restriction and Limitations. Verizon or its suppliers may, without notice or liability, restrict the use of any Services or limit time of availability of Services. Not all Services may be available in all areas.\n\n5. USE OF THE SERVICES AND VERIZON WEBSITES.\n\n5.1 Residential Use. The Services provided under this Agreement are solely for Subscriber's personal, residential use and Subscriber shall not use Services for any commercial purpose. Verizon, in its sole discretion, shall have the right to determine what constitutes residential use and may require you to obtain a commercial account. Your use of the Service(s) and Equipment may not cause harm to our network, may not be used to commit fraud or constitute an abuse of the Service(s) or Equipment and must comply with our Acceptable Use Policy which is set forth in Exhibit B to this Agreement.\n\n5.2 Responsibility for All Use. You are responsible for all use of the Services, whether by you or someone using the Services with or without your permission. You agree not to use the Services, directly or indirectly, for any unlawful purpose, including without limitation, violation of copyright laws.\n\n5.3 Lawful Use. You further agree that your use of the Services is your sole responsibility, at your own risk, and subject to all applicable local, state, and federal laws and regulations. We, in our sole discretion, or any vendor or partner, may prosecute you and other responsible parties under applicable federal, state and local laws in the event that the Services are used for an unlawful purpose. As described in more detail in Section 13 below, you agree to indemnify us in the event of any such violation by you or anyone using the Services at the Premises or at another location.\n\n5.4 Managing Content. You understand and agree that not all Content may be suitable for all viewers, and users of the Services may have access to Content that may be sexually explicit, obscene, offensive, or otherwise unsuitable or objectionable, especially for children under the age of eighteen (18). You further understand and agree it is your responsibility to impose any restrictions you determine appropriate to limit access to objectionable material, and you agree to supervise usage of the Services. We strongly recommend the use of commercially available content filtering software. You agree that we are not responsible to you or anyone else viewing content or information provided on, or accessed through, the services for any content that you or others may deem to be objectionable for any reason and you waive any claims against us for any injury or harm relating to such content or the viewing of content. You further understand and agree that we are not responsible for the information or materials accessible via the internet or through use of the services.\n\n5.4.1 Tools and Third-Party content. Verizon may provide tools for you to manage access to certain Content, however tools may not be available to control all content on unregulated platforms or in all circumstances. Verizon does not control and is not responsible for third-party platform content.\n\n5.5 Authorized Devices Registration and Restrictions on Streaming Content.\n\n5.5.1. Restrictions on Users. There are restrictions on the number of registered authorized devices and on the number of concurrent streams of content being simultaneously consumed. You will need to download a compatible app to access Content. In order to register and deregister Authorized Devices, you may need to register an Other Device through a Verizon-provided application. Verizon may impose restrictions on the number of times you may de-register and re-register the same Authorized Other Device within a calendar year.\n\n5.5.2 Limitation on Concurrent Streams. Verizon may limit the number of concurrent streams (including any streams delivered to the TV via a Fios TV set-top box) that are available from the same account at any one time. The maximum number of concurrent streams, the number of additional streams that may be purchased, and the concurrent availability of the same content may vary. Streaming and downloading are available only in U.S. and U.S. territories.\n\n5.6 Gaming Services-Ownership, Licenses, and Restrictions. Other Devices, Partner-provided gaming services and all software incorporated therein are protected by copyrights, patents, trademarks, trade secrets, and other intellectual property and proprietary rights. You may be granted a limited personal, noncommercial, nonexclusive, non-assignable, non-sublicenseable, and revocable license to access and use Other Devices and partner-provided gaming services for their intended uses during the time that you are receiving Services. You may not sell, resell, reproduce, distribute, display, perform, record, sublicense, loan, lease, otherwise transfer, alter, modify, merge, adapt, copy, translate, publish, export, create derivative works of, make any commercial use of, reverse engineer, decompile, attempt to derive the source code of, disassemble any software therein, attempt to disable or circumvent any digital rights management mechanism or other content protection measures, or otherwise use and exploit any part of the Other Devices and partner-provided gaming services. All rights not expressly granted to you herein are reserved. We may revoke this license at any time without notice.\n\n5.7 Screen Use. Screen capturing and screen recording may not be permitted and may be unavailable or blocked, depending on authorization by respective owners. Functionality to share through social media, to text message, or to download Content may be intentionally blocked or may not be available as a service feature.\n\n5.8 Accessibility.\n\n5.8.1 Alternative Billing Formats. Verizon will provide bills in alternate media formats upon request at 1-800-974-6006, Monday\u2013Friday, 8:30am\u20135:00pm. Additional accessibility information is available at https://www.verizon.com/about/privacy/accessibility/overview.\n\n5.8.2 Viewing Content. Some scenes have a flashing effect that may trigger seizures or other symptoms for photosensitive viewers. Viewer discretion is advised.\n\n6. SOFTWARE LICENSES AND THIRD-PARTY SERVICES.\n\n6.1 Software Use and Modifications. We reserve the right through remote or other means to periodically update, monitor, upgrade, change or discontinue the Software used to support Equipment or Services and to make related changes to the settings and software on the Equipment, or on Verizon applications running on your associated Other Devices. You agree to permit such changes and access to the Equipment and your associated Other Devices. You may use the Software only in connection with the Services and for no other purpose.\n\n6.2 End User License Agreement. Certain Software may be accompanied by an end-user license agreement (\u201cEULA\u201d) from us or a third party. Your use of the Software is governed by the terms of that EULA and by this Agreement, where applicable. You may not install or use any Software that is accompanied by or includes a EULA unless you first agree to the terms of the EULA, including any updates to EULA terms. To the extent any terms of a given EULA directly conflict with the terms of this Agreement, the terms of the EULA will apply.\n\n6.3 Software License. For Software provided in relation to the Services but not accompanied by a EULA, you are hereby granted a revocable, non-exclusive, non-transferable license by us or our third-party licensor(s) to use the Software (and any corrections, updates and upgrades thereto) for the sole purpose of receiving the Services from us, and solely for as long as you are receiving Services from us. All Software licensed to you hereunder is protected by copyrights, patents, trademarks, trade secrets, and other intellectual property and proprietary rights. You may not sell, resell, reproduce, distribute, display, perform, record, sublicense, loan, lease, otherwise transfer, alter, modify, merge, adapt, copy, translate, publish, export, create derivative works of, make any commercial use of, reverse engineer, decompile, attempt to derive the source code of, disassemble any software therein, attempt to disable or circumvent any digital rights management mechanism or other content protection measures, or otherwise use and exploit any part of the Software. All rights not expressly granted to you herein are reserved. We may revoke this license at any time without notice. Additionally, you agree that the Software is confidential information of Verizon or its third-party licensors and that you will not disclose or use the Software except as expressly permitted herein.\n\n6.4 Software Restrictions. You may not remove or alter any trademark, trade name, copyright or other proprietary notices, legends, symbols or labels appearing on or in copies of the Software. You are not granted any title or rights of ownership in the Software. You acknowledge that this license is not a sale of intellectual property and that we or our third-party licensors continue to own all right, title and interest, including but not limited to all copyright, patent, trademark, trade secret and moral rights, to the Software and related documentation, as well as any corrections, updates and upgrades to it. The Software may be used in the United States only, and any export of the Software is strictly prohibited.\n\n6.5 License Termination. Your license to use the Software will remain in effect until terminated by Verizon or its third-party licensors, or until the Services are terminated. If any portion of the Services and/or Software is accessed after termination, you are bound by this Agreement and any terms and conditions incorporated by reference as they may be updated from time to time.\n\n6.6 Third-Party Terms. If you subscribe to or otherwise use any third-party services offered by Verizon in connection with the Services, your use of such services may be subject to the separate service, EULA and privacy terms of that third-party provider. Violation of those terms may result in the termination of your Verizon Services. Such terms and conditions make Verizon (or all third parties) an intended third party beneficiary of the terms of service and include provisions in the terms of service stating, among other things and without limitation, that: (a) Customer is obtaining a license under copyright to the Services; and (b) Customer\u2019s use of the Services must be in accordance with the Usage Rules. Guidelines, rules, or licenses from Content providers and third party licensors contain terms and conditions in addition to those set forth in this Agreement. Any rights granted under this and any third party term and conditions are non-transferable and shall terminate upon breach by you. Upon termination all included Content and Services will be inaccessible to you. Verizon and any third parties shall exercise reasonable efforts to administer and enforce the terms and conditions referenced herein.\n\n6.7 Patents. Certain software or technical information is licensed from third parties and may be covered by one or more U.S. Patents, pending U.S. patent applications, and pending counterpart European and international patents. All intellectual property rights not expressly granted in this Agreement are reserved by Verizon.\n\n7. AUTHORIZED USER; PREMISES.\n\n7.1 Legal Authority. You acknowledge that you are eighteen (18) years of age or older, and that you have the legal authority to enter into this Agreement.\n\n7.2 Premises Access. You agree to allow us and our representatives the right, at reasonable times, to enter the Premises for the purpose of installing, maintaining, servicing, inspecting, upgrading and/or removing the Services and any Equipment. Entry is subject to applicable law. We will make reasonable efforts to accommodate building access and homeowner or condominium association policies, but you agree to be responsible for violations of these policies related to access to the Premises.\n\n7.3 Right to Access. You acknowledge and agree that you are either an owner of, or legal tenant in, your Premises, and as such have the right to allow us and our representatives to enter and make modifications to the Premises in connection with the delivery of the Services.\n\n8. PERSONAL DATA AND PRIVACY POLICY.\n\n8.1 Accepting this Agreement means that you also agree to our Privacy Policy, available at https://www.verizon.com/about/privacy/, which may be updated from time to time and describes the information we collect, how that information may be used and shared, and the choices you have about certain uses of information.\n\n8.2 When you access and use third party services, including third party services which Verizon may make available as part of or in connection with your Services, you are subject to the terms of service and privacy policy issued by those third party providers when using their services. Verizon Terms of Service and Privacy Policies apply when you are using our Services and Equipment.\n\n9. EQUIPMENT; MAINTENANCE AND OWNERSHIP AND RETURN OF EQUIPMENT.\n\n9.1 Use of Other Equipment and Devices. We do not represent that the Services will work correctly, or that all features will be available, if you access the Services using your own equipment, Retired Equipment, or Other Devices. We have no responsibility for the installation, operation, support, maintenance, or repair of any Other Devices, Retired Equipment, software, or Services that you choose to use in connection with the Services.\n\n9.2 Verizon Ownership. Unless you have purchased your Equipment or we have designated the Equipment as Retired, you acknowledge and agree that at all times ownership of Equipment shall remain with us and that this Agreement allows you to use Equipment only in connection with your lawful receipt and use of the Services. You are responsible for Equipment which is lost, damaged by fire, water, theft or events of Force Majeure.\n\n9.3 Reconditioned Equipment. We may, at our option, supply new or reconditioned Equipment. We will repair and maintain Equipment owned by us at our expense, unless such repair or maintenance is made necessary due to misuse, abuse or intentional damage to the Equipment, in which case you will be financially responsible for the repair or replacement of the damaged Equipment. You also agree that Equipment will not be serviced by anyone other than our employees or our designated agents or representatives. You further agree not to tamper with or otherwise harm Equipment, and that you will not copy, modify, reverse compile or reverse engineer any Equipment or Other Devices, or software or firmware provided by Verizon in connection with the Services.\n\n9.4 Equipment Pricing. Equipment may be priced separately from the price of the Services or Term Services Offer plan, and may not be subject to price protection applicable to the Services or Term Services Offer plan in a term agreement or promotional offer.\n\n9.5 Software Updates. Verizon will from time to time push Software updates to Equipment, for example set top boxes and routers.\n\n9.6 Equipment Return Policy. Equipment may be returned to Verizon as set forth below. These policies do not limit or supersede existing manufacturers\u2019 warranties.\n\n9.6.1 Our Return Commitment. You may return any Equipment or Other Devices you purchased from us for any reason within thirty (30) days of purchase.\n\n9.6.2 Return after termination of services. Except as set forth below, upon termination of Services, or if the occupancy or ownership of your Premises changes, you are responsible for returning the Equipment to us in an undamaged condition, subject only to reasonable wear and tear. If Equipment is affixed with a label which includes the following (or similar) message, \u201cPROPERTY OF VERIZON. DO NOT REMOVE FROM PREMISES,\u201d then you must not remove the Equipment and you will not be assessed an Unreturned Equipment Charge as long as the Equipment is left in place in reasonable condition.\n\n9.6.3 Return of Defective Equipment. Within one year of Equipment purchase or activation, whichever is earlier, you must contact us to return any defective equipment. If you return Equipment, we may replace it with a new or refurbished item, or we may refund payment for purchased Equipment.\n\n9.6.3.1 Verizon\u2019s sole obligation to you under its Return Policy https://www.verizon.com/return-policy.pdf shall be to replace or repair any qualifying Equipment, subject to the limitations set forth in this section and otherwise set forth below, the returning of defective equipment or requests for repair or replacement Equipment will not apply in the following circumstances:\n\n9.6.3.1.1 The Equipment is sent, or otherwise taken, outside of the United States.\n\n9.6.3.1.2 Equipment that is not connected to the Fios network, as applicable, so that remote diagnostics can be attempted.\n\n9.6.3.1.3 With the exception of Reconditioned Equipment provided directly from Verizon, if you are not the original owner of the Equipment and the Equipment has either not yet been paid for in full or has been reported as stolen to Verizon by the original owner or a subsequent owner.\n\n9.6.3.1.4 You are more than sixty (60) days past due on any of your payment obligations in connection with any Verizon service.\n\n9.6.3.1.5 Where you alter, repair, or improperly handle the Equipment.\n\n9.6.3.1.6 There is damage or other equipment failure where you do not maintain the Equipment according to the owner's manual; or you improperly store, ventilate, connect, or reconfigure, or place the Equipment. (Equipment must be placed in an area that complies with the manufacturers published space, electrical grounding, or environmental requirements).\n\n9.6.3.1.7 Equipment is abused, vandalized, stolen, damaged by fire, water, wind, freezing, power failure, inadequate power supply, unusual atmospheric conditions, acts of war, acts of God or other Force Majeure events.\n\n9.6.3.1.8 You use the Equipment in a manner inconsistent with its design, the owner\u2019s manual, if any, or the way the manufacturer intended the equipment to be used.\n\n9.6.3.1.9 You use the Equipment for any purpose other than your private non-commercial use.\n\n9.6.3.1.10 The Equipment has cosmetic damage such as, but not limited to, scratches, dents, rust, or stains.\n\n9.6.3.1.11 The Equipment is Retired subject to Section 9.6.5.\n\n9.6.3.1.12 The Equipment runs any software not provided by Verizon or its immediate partners, including but not limited to, application programs, network programs, upgrades, formatting of any kind, databases, files, drivers, source code, object code or proprietary data, or any support, configuration, installation or reinstallation of any software or data.\n\n9.6.4 Failure to Follow Return Policy. Failing to return Equipment owned by us within thirty (30) days as instructed by Verizon, or returning Equipment in a damaged condition (subject only to reasonable wear and tear), will result in the imposition of Unreturned Equipment Charge(s) for each piece of unreturned equipment. Unreturned Equipment Charges may be substantial. The list of Unreturned Equipment Charges is at https://www.verizon.com/support/residential/equipment-return which is updated from time to time. You are responsible for reviewing updates to the page. You also may be required to pay certain Equipment-related fees, such as restocking and/or exchange fees, upgrade fees, surcharges, and taxes.\n\n9.6.5 Retired Equipment. With the exception of set top boxes and Optical Network Terminals (\u201cONTs\u201d), ownership of Retired Equipment reverts to you when Verizon designates Equipment as Retired Equipment. Verizon may provide limited or no support for Retired Equipment. If you continue to use Equipment after Verizon designates it as Retired, you may not receive software-based equipment feature and security updates, which may impair the delivery of services.\n\n10. TERMINATION OF SERVICE; TERMINATION FEES.\n\n10.1 Termination with Notice. You or Verizon may terminate the Services at any time and for any reason by giving notice in accordance with the notice provisions set forth in this Agreement. Unless otherwise required by applicable law, termination will be effective on the last day of that month\u2019s billing cycle, and you are responsible for all charges incurred through the date of termination. Installation or setup fees paid at the initiation of the Services, if any, are not refundable. In the event Verizon determines fraud, abuse or other violations of law or this Agreement, we may terminate your Service(s) immediately with no Notice.\n\n10.2 Termination by Violation. If a termination is a result of violation by you of the terms of this Agreement, you may also be liable to pay an Early Termination Fee. We may, at our sole discretion, refuse to accept your subsequent request for Services following a termination or suspension of your use of the Services. If the Services are terminated for any reason, you may be required to pay a reconnection fee or additional deposit before the Services are reactivated.\n\n10.3 Early Termination Fee. EXCEPT AS OTHERWISE SET FORTH IN THIS AGREEMENT, IF YOU HAVE CHOSEN TO SUBSCRIBE TO A TERM SERVICES OFFER PLAN WITH A MINIMUM TERM COMMITMENT, VERIZON MAY ASSESS AN EARLY TERMINATION FEE IN THE EVENT YOU CANCEL ALL OR ANY COMPONENT OF THE TERM SERVICES OFFER OR IF VERIZON TERMINATES THE SERVICES UNDER SECTION 10.2. YOU AGREE TO PAY VERIZON THE EARLY TERMINATION FEE SET FORTH IN THE TERM SERVICES OFFER PLAN YOU HAVE CHOSEN.\n\n11. PRICING AND PAYMENT.\n\nYou agree to pay us in consideration for your receipt or use of the Services, including any Third Party services which may be included as part of a Term Services Offer package or charges for Third Party services integrated into your Verizon bill, and any Equipment or Software.\n\n11.1 Service Fees. Billing for Services will begin automatically:\n\n11.1.1 Upon installation or activation of Services (i) if the Services are installed by Verizon or (ii) on the Due Date established by Verizon (after Equipment has been delivered) if the Services are self-installed by you. Billing will continue until the Services are terminated in accordance with Section 10 of this Agreement.\n\n11.1.2 Certain products and Services or discounts on products and Services, including but not limited to Bundled products and Services, may require you to elect a paperless billing option and/or payment by a specific credit card or other payment option or may require you to link your Services with other Verizon-provided services. You will begin receiving any discount associated with a Term Services Offer plan once all the Term Services Offer have been installed.\n\n11.1.3 Regular Services and Equipment charges are billed each month in advance. You agree to pay us in advance, at our rates in effect at the time, through all periods until the Services are terminated.\n\n11.1.4 Transactional Charges are billed after the applicable Service or feature has been ordered or provided to you. You may also be required, based on your ordering and payment history, to provide pre-billing statement payment by credit card or such other payment method as we may designate for Transactional Services. If you want to use a credit card to purchase or rent On Demand titles or events, you are required to have a current and active credit card on file, and to have created an Account through https://www.verizon.com/home/myverizon/.\n\n11.1.5 You agree to pay all applicable Charges for Services and Equipment by the due date set forth in your monthly invoice. Charges may be changed at any time. Changes to Charges for Verizon Services are subject to the provision of prior notice to you as required by law. The substantive laws of Pennsylvania shall be applied to disputes related to checks tendered as payment in full for less than the full balance due, consistent with Section 17.3 of this Agreement.\n\n11.1.6 You agree that you are solely responsible for any purchases or other transactions made through, using, or in connection with the Services, including any on demand or pay-per-view purchases.\n\n11.1.7 Your billing statement may also contain other Verizon Charges, taxes and fees as well as third-party Charges, and any applicable Termination Fees required in accordance with Section 10 of this Agreement and the specific terms of your service package. You agree to pay all Charges, taxes and fees by the due date set forth in your billing statement. The waiver of any fees or charges is at our discretion.\n\n11.1.8 If you cancel any component of a Term Services Offer plan, the monthly charges for the remaining Services on your account may automatically convert to the applicable existing non-discounted monthly Services rate.\n\n11.1.9 Plans with Minimum Terms. If you subscribe to a Term Services Offer plan with a term commitment, you agree to maintain such Services for the minimum term of that plan. At the end of your term, you may be given the option to select a new Term Services Offer plan. If you do not select a new Term Services Offer plan, your account will automatically convert to a month-to-month plan at a monthly fee that may be higher than your current rate. If you subscribe to a new Term Services Offer plan, the terms of that plan will apply.\n\n11.1.10 Third-Party Charges. You acknowledge and agree that you may incur and are solely responsible for any Third-Party Charges, including all applicable taxes, regardless of whether such charges appear on your Verizon bill or a Third-Party bill. In addition, you are solely responsible for protecting the security of credit cards and other personal information provided to others in connection with such transactions.\n\n11.1.11 Automatic Renewal of Services. Term Services Offer(s) and Third-Party Services may automatically renew at the end of the initial Term. Subject to applicable law, each Term shall automatically renew for subsequent periods of the same length as the initial term unless either you or Verizon gives the other written or electronic notice of termination at least thirty (30) days, but no more than sixty (60) days, prior to the expiration of the then current term. To cancel any Services or Term Service Offers, you may contact us by phone or mail as detailed at https://www.verizon.com/support/contact-us/. Certain Term Services Offers or Third-Party Services may include a trial period commencing at the beginning of the agreed upon Term. If you decide during the trial period that the Term Services or Third-Party Services are no longer needed or wanted, you must contact us and the provider of the Third-Party Services to cancel the Services at least twenty (24) hours before the free trial ends.\n\n11.1.12 Late Fees. If Verizon does not receive your payment on time, we may charge you a late fee of up to 1.5 percent per month (18 percent per year) on the unpaid balance, or a flat $9 per month, whichever is greater, if allowed by law in the state of your billing address. Late fees for Third-Party Services are or may be subject to Third-Party Service(s) terms and conditions.\n\n11.1.13 Nonpayment. You will be billed monthly for your Verizon Services. If any portion of your bill is not paid by the due date, Verizon may terminate or suspend the Services without notice. If Verizon uses a collection agency or commences legal action to recover monies due, you agree to reimburse us for all expenses we incur to recover such monies, including attorneys' fees. If you fail to pay on time and Verizon refers your account(s) to a third party for collection, a collection fee will be assessed and will be due at the time of the referral to the third party. There will be calculated at the maximum percentage permitted by applicable law, not to exceed eighteen (18) percent.\n\n11.1.14 If Verizon suspends your account for non-payment, we may also suspend your access to subscribed Value-Added Services and third-party Content, apps, and services.\n\n11.2 Customer Deposits. We may require that you provide us with a refundable deposit (\u201cCustomer Deposit\u201d) prior to or upon the activation or reactivation of the Services. We may also require an additional Customer Deposit after activation of the Services if you fail to pay any amounts when due hereunder or seek to upgrade the Services. We may apply Customer Deposits against any unpaid amounts at any time. Within ninety (90) days of termination of Services, we shall return a sum equal to the Customer Deposit, without interest unless otherwise required by law, minus any amounts due on your account including, without limitation, any amounts owed to us for unreturned or damaged Equipment.\n\n11.3 Questions about Your Billing Statement. You will automatically receive an online bill, which you should access through your My Fios account. You may request a paper version (non-digital) of your bill. Verizon may charge a fee for paper bills as may be permitted by applicable laws. It is important to review your bill carefully each month, as it may contain important messages regarding your Services, as well as your current charges and any past-due amounts. Subject to applicable law, if you intend to dispute a charge on your billing statement, you must contact us within sixty (60) days of your billing date if you receive the bill in question. The undisputed portion of your billing statement must be paid by the due date to avoid a late fee and possible suspension or termination of the Services.\n\n11.4 Payments. Except as otherwise permitted under applicable law, you agree that you will pay your bill by check, credit or debit card, electronic funds transfer payments, or other recognized form of payment method we may designate. The outstanding balance is due in full each month. If any bank or other financial institution refuses to honor any payment, draft or instrument submitted for payment to your account, we may charge you a fee in accordance with applicable law. Based on your election and subject to our approval, Verizon or its agent will bill you directly, or charge your credit card or Verizon Services bill (where available). If you elect to be billed on your Verizon bill, by using the Services, you agree to have all Services charges included on your bill. If you subscribe to a Term Services Offer plan, then all of the Term Services Offer must be billed on your Verizon Services bill.\n\n11.5 Consents Regarding Credit. We may evaluate your credit history before modifying or providing you Services, or to review your account to ensure you continue to meet the terms of the account. In order to establish and maintain an account with us and/or obtain or modify the Services, you hereby authorize us to obtain a report from a consumer credit agency and to exchange information with others in connection with determining your creditworthiness. We may report information about your account to credit bureaus. Your payment history \u2013 such as late payments, missed payments, or other defaults on your account -- may be reflected in your credit report.\n\n11.6 Complaint Procedures. If you have any concerns regarding customer service, billing, or service quality, please contact us via the methods set forth in your monthly invoice or in the \u201cContact Us\u201d section of verizon.com. When you contact us, please explain the nature and history of the problem. We will try to promptly resolve your concern. If we are unable to resolve your concern, we will notify you that we are unable to do so and explain the reason why.\n\n12. WARRANTIES AND LIMITATION OF LIABILITY.\n\n12.1 Disclaimer of Warranties. We make no representations or warranties, express or implied, including, to the extent permitted by applicable law, any implied warranty of merchantability or fitness for a particular purpose, about your Service(s). We do not warrant that your Equipment will work perfectly, will not need occasional upgrades or modifications, or that it will not be negatively affected by network\u2013related modifications, upgrades or similar activity.\n\n12.2 Waivers and Limitations of Liability. You and Verizon both agree to limit claims against each other solely to direct damages. That means neither of us will claim any damages that are indirect, special, consequential, incidental, treble, or punitive. For example, disallowed damages include those arising out of a Service or Equipment failure, unauthorized access or changes to your account or Services or Equipment, or the use of your account or Equipment by others to authenticate, access or make changes to a third-party account, such as a financial account or Third-Party Service account, including changing passwords. This limitation and waiver will apply regardless of the theory of liability. It also applies if you bring a claim against one of our vendor partners, content partners, or Third-Party Services partners, to the extent we would be required to indemnify the supplier for the claim. You agree we are not responsible for problems caused by you or others, or by any act of God. You also agree we are not liable for missed or deleted voice mails or other messages, or for any information (like pictures) lost or deleted.\n\n13. INDEMNIFICATION.\n\n13.1 You agree to defend, indemnify and hold harmless all Verizon Parties from and against all liabilities, costs and expenses, including reasonable attorneys\u2019 and experts\u2019 fees, related to or arising from your use of the Services, the Equipment, and any Other Devices used in connection with the Services (or the use of the Services or any such Equipment or Other Devices by anyone else), (i) in violation of applicable laws, regulations or this Agreement including, without limitation, infringement of copyrights or other proprietary rights; or (ii) in any manner that harms any person or results in the personal injury or death of any person or in damage to or loss of any tangible or intangible (including data) property.\n\n14. NOTICES AND CONTACT.\n\n14.1 Notice of Arbitration Claim. If either your or Verizon intends to seek arbitration under this Agreement, the party seeking arbitration must first notify the other party of the dispute in writing at least 60 days in advance of initiating the arbitration. Notice to Verizon of either arbitration or mediation should be sent to the Verizon Dispute Resolution Manager using the form available here: https://www.verizon.com/about/nod/notice-of-dispute-wireline-form. Other notices required under this Agreement shall be provided by you by contacting us via the methods set forth in your monthly invoice or in the Contact Us section of verizon.com.\n\n14.2 Notice of a Billing Dispute. You must notify us within thirty (30) days of receipt of your bill if you disagree with any Charges on your Verizon bill. Please call 1 800 VERIZON.\n\n14.3 Other Notices. Our notices to you shall be deemed given: (i) when sent by email to your Primary Email Address pursuant to Section 3; (ii) when delivered over the cable system; (iii) when deposited in the United States mail addressed to you at your last-provided mailing address; (iv) when hand-delivered to your Premises, as applicable or (v) when included in or with your billing statements to you, regardless of whether billing statements are mailed to you or you have elected a paperless billing option. We will provide thirty (30) calendar days advance notice of changes to your Service(s).\n\n14.4 Additional Contact. Verizon, its affiliates, agents and service providers may at times contact you (i) by email including emails sent to your Primary Email Address, (ii) by telephone call, made to a number you provide to us or to a number we provide to you for service (collectively, \u201cContact Number\u201d), using automatic telephone dialing systems or other dialing systems (collectively, \u201cdialers\u201d), (iii) by prerecorded or artificial voice message calls using dialers to Contact Numbers, and/or (iv) by text messages sent to Contact Numbers, including a number for a cellular phone or other wireless device. You agree to notify us immediately whenever your personal or billing information changes (including, for example, your name, home address, email address, debit/credit card, other banking information, or Contact Number(s)) at https://www.verizon.com/home/myverizon/. We may place such calls or texts to Contact Numbers using dialers on matters related to the service we provide to you, including to (i) provide notices regarding your Account or Account activity, (ii) investigate or prevent fraud, (iii) provide you with technical assistance relating to products you have ordered or plan to order; (iv) determine your satisfaction with our products and services; or (v) collect a debt owed to us. You agree to be contacted using dialers, or artificial/prerecorded message calls, emails and text messages to carry out the purposes identified above, regardless of whether you incur charges as a result. You further agree that we may share your Primary Email Address and Contact Number(s) with service providers with whom we contract to assist us in pursuing these interests. We and our service providers will not use autodialed or artificial/prerecorded message calls or texts to contact you for marketing purposes at the Contact Number(s) unless we receive your prior express written consent to do so. You agree that we may send you emails for marketing purposes, unless you inform us that you do not want to receive those types of emails. You may change the method by which you receive service communications, and fully or partially opt-out of marketing communications by accessing your online account preferences at https://www.verizon.com/home/myverizon/.\n\n14.4.1 Communicating with You. By providing your email and/or telephone number(s) to us as a means of contacting you, you consent to receive emails or calls from us or our representatives to those landline and cellular telephone numbers or to the email address provided. You also consent to receive calls, using dialers and/or prerecorded or artificial voice messages, at the number we provide to you for your service. We reserve the right to contact you at any of your Contact Numbers or email address(s), in compliance with applicable federal and state laws. If you do not want to be contacted at a telephone number that you have provided, you agree to notify us.\n\n15. VOLUNTARY MEDIATION.\n\n15.1 Verizon offers customers the option of participating in a free internal mediation program. This program is entirely voluntary and does not affect either party's rights in any other aspect of the dispute resolution procedures outlined above. In our voluntary mediation program, we will assign an employee who is not directly involved in the dispute to help both sides reach an agreement. That person has all the rights and protections of a mediator and the process has all of the protections associated with meditation. For example, nothing said in the mediation can be used later in an arbitration or lawsuit. If you would like to know more, or you would like to start the mediation process, please contact us at [email protected] or through Verizon Dispute Resolution Manager, One Verizon Way, VC54N090, Basking Ridge, NJ 07920, for a Notice of Customer Dispute Form. A copy of the Notice of Dispute form can also be found at www.verizon.com/terms/disputes. Fill out and send the Notice of Dispute Form to us according to the directions on the form.\n\n16. ARBITRATION OR SMALL CLAIMS ACTIONS.\n\nOur goal is customer satisfaction, but if there's an issue that needs to be resolved, this Section outlines what's expected of both of us. YOU AND VERIZON BOTH AGREE TO RESOLVE DISPUTES ONLY BY ARBITRATION OR IN SMALL CLAIMS COURT AS DISCUSSED BELOW. YOU UNDERSTAND THAT BY THIS AGREEMENT YOU ARE GIVING UP THE RIGHT TO BRING A CLAIM IN COURT OR IN FRONT OF JURY. WHILE THE PROCEDURES IN ARBITRATION MAY BE DIFFERENT, AN ARBITRATOR CAN AWARD YOU THE SAME DAMAGES AND RELIEF, AND MUST HONOR THE SAME TERMS IN THIS AGREEMENT, AS A COURT WOULD, SUBJECT TO THE LIMITATIONS ON ARBITRATOR AUTHORITY SET FORTH BELOW. IF THE LAW ALLOWS FOR AN AWARD OF ATTORNEYS' FEES, AN ARBITRATOR CAN AWARD THEM TOO. THE SAME DEFENSES ARE ALSO AVAILABLE TO BOTH PARTIES AS WOULD BE AVAILABLE IN COURT INCLUDING ANY APPLICABLE STATUTE OF LIMITATIONS. WE ALSO BOTH AGREE THAT:\n\n16.1 THE FEDERAL ARBITRATION ACT APPLIES TO THIS AGREEMENT. EXCEPT FOR SMALL CLAIMS COURT CASES OR AS SPECIFICALLY NOTED BELOW, ANY DISPUTE THAT IN ANY WAY RELATES TO OR ARISES OUT OF THIS AGREEMENT, WILL BE RESOLVED BY ONE OR MORE NEUTRAL ARBITRATORS BEFORE THE AMERICAN ARBITRATION ASSOCIATION (\"AAA\") AS EXPLAINED BELOW IN PARAGRAPH 16.2. THIS INCLUDES, BUT IS NOT LIMITED TO, ANY DISPUTE REGARDING THE VALIDITY, ENFORCEABILITY, OR SCOPE OF ANY PORTION OF THIS AGREEMENT (INCLUDING THE AGREEMENT TO ARBITRATE), ANY EQUIPMENT, PRODUCTS AND SERVICES YOU RECEIVE FROM US, ANY ADVERTISING FOR ANY SUCH PRODUCTS OR SERVICES, OUR EFFORTS TO COLLECT AMOUNTS YOU MAY OWE US FOR SUCH PRODUCTS OR SERVICES, OR ALLEGED PERSONAL INJURY OR INVATIONS OF PRIVACY RELATING TO SUCH PRODUCTS OR SERVICES AND INCLUDES ANY DISPUTES YOU HAVE WITH OUR EMPLOYEES OR AGENTS. YOU CAN ALSO BRING ANY ISSUES YOU MAY HAVE TO THE ATTENTION OF FEDERAL, STATE, OR LOCAL GOVERNMENT AGENCIES, AND IF THE LAW ALLOWS, THEY CAN SEEK RELIEF AGAINST US FOR YOU. THIS AGREEMENT TO ARBITRATE CONTINUES TO APPLY EVEN AFTER YOU HAVE STOPPED RECEIVING SERVICES FROM US.\n\n16.2 UNLESS YOU AND VERIZON AGREE OTHERWISE, THE ARBITRATION WILL TAKE PLACE IN THE COUNTY OF YOUR BILLING ADDRESS. THE AAA'S CONSUMER ARBITRATION RULES WILL APPLY. IF THE AAA REFUSES TO ENFORCE ANY PART OF THE ARBITRATION PROVISION, YOU AND VERIZON WILL SELECT ANOTHER ARBITRATOR. IF THERE IS NO AGREEMENT, A COURT IN THE COUNTY OF YOUR BILLING ADDRESS WILL SELECT AN ARBITRATOR TO DECIDE THE DISPUTE. UNLESS OTHERWISE PROVIDED IN THIS AGREEMENT, AN INDIVIDUAL ARBITRATOR(S) APPOINTED TO DETERMINE THE MERITS OF THE DISPUTE SHALL HAVE EXCLUSIVE AUTHORITY TO ARBITRATE, INCLUDING BUT NOT LIMITED TO ANY DISPUTE REGARDING THE VALIDITY, ENFORCEABILITY OR SCOPE OF ANY PORTION OF THIS AGREEMENT (INCLUDING THE AGREEMENT TO ARBITRATE). YOU CAN GET PROCEDURES, RULES AND FEE INFORMATION FROM THE AAA (WWW.ADR.ORG) OR FROM US. FOR CLAIMS OF $25,000 OR LESS, YOU CAN CHOOSE WHETHER YOU WOULD LIKE THE ARBITRATION CARRIED OUT BASED ONLY ON DOCUMENTS SUBMITTED TO THE ARBITRATOR, OR BY A HEARING IN PERSON OR BY PHONE. ALTERNATIVELY, FOR CLAIMS WITHIN THE JURISDICTIONAL LIMIT OF THE SMALL CLAIMS COURT IN THE STATE ENCOMPASSING YOUR BILLING ADDRESS, EITHER YOU OR VERIZON CAN CHOOSE TO BRING AN INDIVIDUAL ACTION IN SMALL CLAIMS COURT INSTEAD OF PROCEEDING IN ARBITRATION; FURTHERMORE, IF THE CLAIMS IN ANY REQUEST OR DEMAND FOR ARBITRATION COULD HAVE BEEN BROUGHT IN SMALL CLAIMS COURT, THEN EITHER YOU OR VERIZON MAY CHOOSE TO HAVE THE CLAIMS HEARD IN SMALL CLAIMS COURT, RATHER THAN IN ARBITRATION, AT ANY TIME BEFORE THE ARBITRATOR IS APPOINTED, BY NOTIFYING THE OTHER PARTY OF THAT CHOICE IN WRITING. IF THIS PROVISION OR THE LIMITATION ON BRINGING ACTIONS TO SMALL CLAIMS COURT IS FOUND TO BE INVALID, THEN THIS PROVISION SHALL BE SEVERABLE AND THE MATTER WILL PROCEED IN ARBITRATION; IN NO WAY WILL THIS PROVISION ALLOW FOR AN ACTION TO BE BROUGHT ON A CLASS OR COLLECTIVE BASIS.\n\n16.3 THIS AGREEMENT DOESN\u2019T ALLOW CLASS OR COLLECTIVE ARBITRATIONS EVEN IF THE AAA PROCEDURES OR RULES WOULD. NOTWITHSTANDING ANY OTHER PROVISION OF THIS AGREEMENT, THE ARBITRATOR MAY AWARD MONEY OR INJUNCTIVE RELIEF ONLY IN FAVOR OF THE INDIVIDUAL PARTY SEEKING RELIEF AND ONLY TO THE EXTENT NECESSARY TO PROVIDE RELIEF WARRANTED BY THAT PARTY'S INDIVIDUAL CLAIM. NO CLASS, REPRESENTATIVE OR PRIVATE ATTORNEY GENERAL OR GENERAL INJUNCTIVE RELIEF THEORIES OF LIABILITY OR PRAYERS FOR RELIEF MAY BE MAINTAINED IN ANY ARBITRATION HELD UNDER THIS AGREEMENT. ANY QUESTION REGARDING THE ENFORCEABILITY UNDER APPLICABLE LAW OR INTERPRETATION OF THIS PARAGRAPH SHALL BE DECIDED BY A COURT AND NOT THE ARBITRATOR.\n\n16.4 IF EITHER OF US INTENDS TO SEEK ARBITRATION UNDER THIS AGREEMENT, THE PARTY SEEKING ARBITRATION MUST FIRST NOTIFY THE OTHER PARTY OF THE DISPUTE IN WRITING AT LEAST 60 DAYS IN ADVANCE OF INITIATING THE ARBITRATION. NOTICE TO VERIZON SHOULD BE SENT TO THE VERIZON DISPUTE RESOLUTION MANAGER, USING THE FORM AVAILABLE HERE: https://www.verizon.com/about/nod/notice-of-dispute-wireline-form. THE NOTICE MUST INCLUDE ENOUGH INFORMATION TO ALLOW US TO IDENTIFY YOUR ACCOUNT AS WELL AS TO ASSESS AND ATTEMPT TO RESOLVE YOUR CLAIM, INCLUDING THE NAME OF THE VERIZON ACCOUNT HOLDER, THE ACCOUNT NUMBER AT ISSUE, A DESCRIPTION OF THE CLAIM, THE SPECIFIC FACTS SUPPORTING THE CLAIM, THE DAMAGES YOU CLAIM TO HAVE SUFFERED AND THE RELIEF YOU ARE SEEKING. THE NOTICE REQUIREMENT IS DESIGNED TO ALLOW VERIZON TO MAKE A FAIR, FACT-BASED OFFER OF SETTLEMENT IF IT CHOOSES TO DO SO. YOU CANNOT PROCEED TO ARBITRATION UNLESS YOU PROVIDE THIS INFORMATION. YOU MAY CHOOSE TO BE REPRESENTED BY AN ATTORNEY OR OTHER PERSON AS PART OF THIS PROCESS, BUT IF YOU DO YOU MUST INDICATE THAT YOU ARE REPRESENTED BY AN ATTORNEY ON THE FORM AVAILABLE AT https://www.verizon.com/about/nod/notice-of-dispute-wireline-form AND CONFIRM THAT YOU AUTHORIZE US TO DISCUSS YOUR ACCOUNT INFORMATION WITH THIS ATTORNEY OR OTHER PERSON. THE SUFFICIENCY OF THIS NOTICE OF DISPUTE IS AN ISSUE TO BE DECIDED BY A COURT PRIOR TO THE FILING OF ANY DEMAND FOR ARBITRATION AND THE AAA MUST NOT ACCEPT, ADMINISTER, ASSESS OR DEMAND FEES IN CONNECTION WITH ANY DEMAND THAT HAS NOT SATISFIED THIS NOTICE OF DISPUTE REQUIREMENT. IF YOU HAVE PROVIDED THIS INFORMATION AND WE ARE UNABLE TO RESOLVE OUR DISPUTE WITHIN 60 DAYS, EITHER PARTY MAY THEN PROCEED TO FILE A CLAIM FOR ARBITRATION. WE\u2019LL REIMBURSE ANY FILING FEE THAT THE AAA CHARGES YOU FOR ARBITRATION OF THE DISPUTE AT THE CONCLUSION OF THE ARBITRATION IF YOU FULLY PARTICIPATE IN THE PROCEEDING. WE'LL ALSO PAY ANY ADMINISTRATIVE AND ARBITRATOR FEES CHARGED BY THE ARBITRATION TRIBUNAL. IF THE ARBITRATOR DETERMINES THAT YOUR CLAIM WAS FILED FOR PURPOSES OF HARASSMENT OR IS PATENTLY FRIVOLOUS, THE ARBITRATOR WILL REQUIRE YOU TO REIMBURSE VERIZON FOR ANY FILING, ADMINISTRATIVE OR ARBITRATOR FEES ASSOCIATED WITH THE ARBITRATION. THE ARBITRATOR ASSIGNED TO ANY ARBITRATION BETWEEN VERIZON AND A CUSTOMER SHALL RESOLVE THE CLAIMS WITHIN 120 DAYS OF APPOINTMENT OR AS SWIFTLY AS POSSIBLE THERAFTER, CONSISTENT WITH FAIRNESS TO THE PARTIES.\n\n16.5 WE MAY, BUT ARE NOT OBLIGATED TO, MAKE A WRITTEN SETTLEMENT OFFER ANY TIME BEFORE THE ARBITRATION HEARING. THE AMOUNT OR TERMS OF ANY SETTLEMENT OFFER MAY NOT BE DISCLOSED TO THE ARBITRATOR UNTIL AFTER THE ARBITRATOR ISSUE AN AWARD ON THE CLAIM. IF YOU DON\u2019T ACCEPT THE OFFER AND THE ARBITRATOR AWARDS YOU AN AMOUNT OF MONEY THAT\u2019S MORE THAN OUR OFFER BUT LESS THAN $5000, OR IF WE DON\u2019T MAKE YOU AN OFFER, AND THE ARBITRATOR AWARDS YOU ANY AMOUNT OF MONEY BUT LESS THAN $5000, THEN WE AGREE TO PAY YOU $5000 INSTEAD OF THE AMOUNT AWARDED. IN THAT CASE WE ALSO AGREE TO PAY ANY REASONABLE ATTORNEYS' FEES AND EXPENSES, REGARDLESS OF WHETHER THE LAW REQUIRES IT FOR YOUR CASE. IF THE ARBITRATOR AWARDS YOU MORE THAN $5000, THEN WE WILL PAY YOU ONLY THAT AMOUNT.\n\n16.6 IF 50 OR MORE CUSTOMERS INITIATE NOTICES OF DISPUTE PURSUANT TO PARAGRAPH 16.4 ABOVE, OTHERWISE ATTEMPT TO COMMENCE AN ARBITRATION,OR FILE A COMPLAINT IN COURT, WHICH RAISE SIMILAR CLAIMS, AND COUNSEL FOR THE VERIZON CUSTOMERS BRINGING THE CLAIMS ARE THE SAME OR COORDINATED FOR THESE CUSTOMERS, THE CLAIMS SHALL PROCEED IN ARBITRATION IN A COORDINATED PROCEEDING. IN THE FIRST STAGE, 50 ARBITRATIONS WILL PROCEED AND COUNSEL FOR THE VERIZON CUSTOMERS AND COUNSEL FOR VERIZON SHALL EACH SELECT 25 CASES TO PROCEED FIRST IN ARBITRATION IN INDIVIDUAL BELLWETHER PROCEEDINGS BEFORE SEPARATE ARBITRATORS. AFTER THE FIRST STAGE IS COMPLETED, THE PARTIES MUST ENGAGE IN A MEDIATION OF ALL REMAINING CASES, AND VERIZON WILL PAY THE MEDIATION FEE. IF THE PARTIES CANNOT AGREE HOW TO RESOLVE THE REMAINING CASES AFTER MEDIATION, THEY WILL REPEAT THE PROCESS OF SELECTING AND FILING CASES TO BE RESOLVED IN INDIVIDUAL BELLWETHER PROCEEDINGS BEFORE SEPARATE ARBITRATORS, FOLLOWED BY MEDIATION. IN THE SECOND STAGE, 80 ARBITRATIONS WILL PROCESS AND COUNSEL FOR THE VERIZON CUSTOMERS AND COUNSEL FOR VERIZON SHALL EACH SELECT 40 CASES TO PROCEED IN ARBITRATION IN INDIVIDUAL BELLWETHER PROCEEDINGS BEFORE SEPARATE ARBITRATORS. AFTER THE SECOND STAGE IS COMPLETED, THE PARTIES MUST ENGAGE IN A MEDIATION OF ALL REMAINING CASES, AND VERIZON WILL PAY THE MEDIATION FEE. AFTER THE SECOND SET OF ARBITRATIONS AND MEDIATION CONCLUDE, IF THE PARTIES CANNOT AGREE HOW TO RESOLVE THE REMAINING CLAIMS, ANY INDIVIDUAL CUSTOMER WHO IS PART OF THE COORDINATED PROCEEDING, OR VERIZON, MAY ELECT TO OPT OUT OF ARBITRATION BY PROVIDING NOTICE TO OPPOSING COUNSEL, AND IF THE CUSTOMER WISHES TO PROCEED WITH THE CLAIM THEY MAY FILE AN INDIVIDUAL CLAIM IN COURT. FOR THOSE CUSTOMERS WHO DO NOT OPT OUT OF ARBITRATION, THEIR CLAIMS WILL PROCEED IN ARBITRATION IN CONTINUED BATCHES OF 80 CLAIMS AS SET FORTH ABOVE FOR THE SECOND SET. ADDITIONAL CASES INVOLVING SIMILAR CLAIMS BROUGHT BY THE SAME OR COORDINATED COUNSEL SHALL NOT BE FILED IN ARBITRATION UNTIL THE ARBITRATIONS AND MEDIATION FOR PRIOR SETS HAS BEEN COMPLETED. YOU AGREE TO THIS PROCESS EVEN THOUGH IT MAY DELAY THE ARBITRATION OF YOUR CLAIM. IF SUCH A PROCESS IS INITIATED, THE FILING OF A NOTICE OF DISPUTE BY A CUSTOMER IN ACCORDANCE WITH PARAGRAPH 16.4 OR FILING OF A COMPLAINT IN COURT WILL TOLL ALL APPLICABLE STATUTES OF LIMITATIONS FOR THAT CUSTOMER\u2019S DISPUTE UNTIL THE COMPLETION OF THE PROCESS DESCRIBED IN THIS PARAGRAPH. A COURT WILL HAVE AUTHORITY TO ENFORCE THIS PARAGRAPH INCLUDING BY ENTERING AN INJUNCTION TO PROHIBIT FILINGS IN VIOLATION OF THIS PARAGRAPH. \n\n16.7 AN ARBITRATION AWARD AND ANY JUDGMENT CONFIRMING IT APPLY ONLY TO THAT SPECIFIC CASE; IT CANNOT BE USED IN ANY OTHER CASE EXCEPT TO ENFORCE THE AWARD ITSELF.\n\n16.8 IF A COURT, PURSUANT TO PARAGRAPH 16.3, DETERMINES THAT THE PROHIBITION ON CLASS ARBITRATIONS OR THE LIMITS ON THE ARBITRATOR\u2019S AUTHORITY CANNOT BE ENFORCED UNDER APPLICABLE LAW AS TO ALL OR PART OF A DISPUTE, THEN THE AGREEMENT TO ARBITRATE WILL NOT APPLY TO THAT DISPUTE OR PART OF THE DISPUTE, WHICH MAY PROCEED IN COURT EITHER ONCE THE ARBITRATED MATTERS HAVE CONCLUDED OR SOONER IF THE COURT SO REQUIRES.\n\n16.9 IF FOR ANY REASON A CLAIM PROCEEDS IN COURT RATHER THAN THROUGH ARBITRATION, INCLUDING IF A CUSTOMER OR VERIZON OPT OUT OF ARBITRATION PURSUANT TO PARAGRAPH 16.6 ABOVE, YOU AND VERIZON AGREE THAT, TO THE FULLEST EXTENT ALLOWED BY APPLICABLE LAW, NO ACTION WILL BE BROUGHT ON A CLASS OR COLLECTIVE BASIS AND YOU AND VERIZON UNCONDITIONALLY WAIVE ANY RIGHT TO TRIAL BY JURY IN ANY ACTION, PROCEEDING OR COUNTERCLAIM ARISING OUT OF OR RELATING TO THIS AGREEMENT IN ANY WAY. INTHE EVENT OF LITIGATION, THIS PARAGRAPH MAY BE FILED TO SHOW A WRITTEN CONSENT TO A TRIAL BY THE COURT.\n\n17. GENERAL PROVISIONS.\n\n17.1 Survival. All obligations of the parties under this Agreement, which, by their nature, would continue beyond the termination of the Agreement, including, without limitation, those relating to Limitation of Liability and Indemnification, shall survive such termination. Surviving terms include but are not limited to terms related to use of any companion software or applications, EULAs, video content restrictions. Arbitration provisions, and Warranties.\n\n17.2 Assignment. This Agreement and the Services and/or Equipment supplied by Verizon are not assignable or otherwise transferable by Subscriber, without specific written authorization from Verizon. At Verizon's discretion, Verizon may assign, in whole or in part, this Agreement, and Services may be provided by one or more legally authorized Verizon affiliates. Furthermore, you agree to notify us of any changes of ownership of, or occupancy in, the Premises immediately upon such transfer of ownership or change in occupancy.\n\n17.3 Applicable Law. Except as otherwise required by law, you and Verizon agree that the Federal Arbitration Act and the substantive laws of the state and local area in which your Premises is located (the \u201cService Jurisdiction\u201d), without reference to its principles of conflicts of laws, will be applied to govern, construe and enforce all of the rights and duties of the parties arising from or related in any way to the subject matter of this Agreement with the sole exception that the substantive law of Pennsylvania law shall apply to adjudication of disputes related to checks tendered as payment in full for less than the full balance due. UNLESS YOU AND VERIZON AGREE OTHERWISE, YOU AND VERIZON CONSENT TO THE EXCLUSIVE PERSONAL JURISDICTION OF AND VENUE IN ARBITRATION OR SMALL CLAIMS COURT LOCATED IN THE SERVICE JURISDICTION FOR ANY SUITS OR CAUSES OF ACTION CONNECTED IN ANY WAY, DIRECTLY OR INDIRECTLY, TO THE SUBJECT MATTER OFTHIS AGREEMENT. Except as otherwise required by law, including the Service Jurisdiction laws relating to consumer transactions, any cause of action or claim you may have with respect to the Services must be commenced within one (1) year after the claim or cause of action arises or such claim or cause of action is forever waived.\n\n17.4 Waiver. Verizon\u2019s failure at any time to insist upon strict compliance with any of the provisions of this Agreement shall not be construed to be a waiver of such terms in the future. If any provision of this Agreement is determined to be invalid, illegal or unenforceable, the remaining provisions of this Agreement shall remain in full force and effect and the unenforceable portion shall be construed as nearly as possible to reflect the original intentions of the parties.\n\n17.5 Force Majeure. Verizon Parties shall not be liable for any delay or failure of performance or Equipment due to one or more Force Majeure events. Verizon will not provide notice of Force Majeure events.\n\n17.6 U.S. Government Restricted Rights. Software and documentation is provided with RESTRICTED RIGHTS. Use, duplication, or disclosure by the U.S. Government, its agencies and/or instrumentalities is subject to restrictions pursuant to FAR 12.211, FAR 12.212(a), DFARS 227.7202-1, DFARS 227.7202-3(a), and DFARS 252.227-7014(a)(1) as applicable. Without limiting the foregoing, use, duplication, or disclosure by the U.S. Government, its agencies and/or instrumentalities is subject to restrictions as set forth in FAR 52.227-19(b)(1) and (b)(2) (Dec 2007). Contractor/manufacturer is Verizon or its licensors and suppliers. The use of Software and documentation is further restricted in accordance with the terms of this Agreement. Any export of the Software is strictly prohibited.\n\n17.7 Entire Agreement. This Agreement, including all Policies referred to herein and posted on the Website, constitutes the entire agreement between you and Verizon with respect to the subject matter hereto and supersedes any and all prior or contemporaneous agreements whether written or oral. No changes by you to this Agreement shall be effective unless agreed to in a writing signed by an authorized person at Verizon.\n\n17.8 Global Trade Compliance. The Services, Equipment and software are intended for use within the United States. You acknowledge that the Services are subject to U.S. global trade compliance laws and regulations. You represent that you are not sanctioned under applicable U.S. sanctions laws. You will not use, export or allow a third party to use or export the Services Equipment and software in any manner that would violate applicable law, including but not limited to applicable sanctions and export control laws and regulations. You further agree to comply with U.S. export and trade laws concerning the export of any provided equipment and the transmission of any technology and/or technical data via the Services Equipment and software.\n\n17.9 General Restrictions. You agree to follow all rules and policies applicable to the Services, including required or automated updates, modifications and/or reinstallations of Access Software or other software and obtaining available patches to address security, interoperability and/or performance issues. You also agree: (i) to comply with all applicable laws, rules and regulations when using the Services and accessing or viewing Content; and (ii) not to reverse engineer, decompile, disassemble or otherwise tamper with or modify any of the security features, usage restrictions or other Services components for any reason (or help anyone else to do so).\n\n17.10 Incorporation by Reference. Terms in this Customer Agreement and Service Terms (Exhibits C through G) are not mutually exclusive and should be read together, as one agreement, inclusive of Exhibits A (Verizon Affiliates) and B (Acceptable Use Policy). In the unlikely event of a conflict of terms between this Customer Agreement and the Service Terms or the Acceptable Use Policy, the terms of the Customer Agreement prevail and govern.\n\nEXHIBIT A\n\nVERIZON AFFILIATES\n\nLocation\n\nVERIZON AFFILIATE PROVIDING\n\nEXHIBIT D FIOS TV SERVICE, EXHIBIT C Section 5.3 INSIDE WIRE MAINTENANCE (IWM), AND EXHIBIT F FIOS HOME PHONE\n\nVERIZON AFFILIATE\n\nPROVIDING\n\nEXHIBIT C FIOS INTERNET SERVICE, AND EXHIBIT C Section 5.4 VERIZON CLOUD SERVICES\n\nConnecticut\n\nVerizon New York Inc.\n\nVerizon Online LLC\n\nDelaware\n\nVerizon Delaware LLC\n\nVerizon Online LLC\n\nMaryland\n\nVerizon Maryland LLC\n\nVerizon Online LLC\n\nMassachusetts\n\nVerizon New England Inc.\n\nVerizon Online LLC\n\nNew Jersey\n\nVerizon New Jersey Inc.\n\nVerizon Online LLC\n\nNew York\n\nVerizon New York Inc.\n\nVerizon Online LLC\n\nPennsylvania\n\nVerizon Pennsylvania LLC\n\nVerizon Online LLC\n\nRhode Island\n\nVerizon New England Inc.\n\nVerizon Online LLC\n\nVirginia (exceptions below)\n\nVerizon Virginia LLC\n\nVerizon Online LLC\n\nTown of Dumfries, City of Chesapeake, City of Manassas, City of Manassas Park, Town of Occoquan, Prince William County\n\n \n\nVerizon South Inc.\n\nVerizon Online LLC\n\nEXHIBIT B\n\nACCEPTABLE USE POLICY\n\n1. General Policy: Verizon reserves the sole discretion to deny or restrict the Services, or immediately to suspend or terminate the Services, if the use of the Services by you or anyone using it, in our sole discretion, violates the Agreement or other Verizon policies, is objectionable or unlawful, interferes with the functioning or use of the Internet or the Verizon network by Verizon or other users, or violates the terms of this Acceptable Use Policy (\u201cAUP\u201d).\n\n2. Specific Examples of AUP Violations. The following are examples of conduct which may lead to termination of the Services. Without limiting the general policy in Section 1 of this Exhibit B, it is a violation of the Agreement and this AUP to:\n\n2.1 access without permission or right the accounts or computer systems of others, to spoof the URL, DNS or IP addresses of Verizon or any other entity, or to penetrate the security measures of Verizon or any other person\u2019s computer system, or to attempt any of the foregoing;\n\n2.2 transmit uninvited communications, data or information, or engage in other similar activities, including without limitation, \u201cspamming\u201d, \u201cflaming\u201d or denial of service attacks;\n\n2.3 intercept, interfere with or redirect email or other transmissions sent by or to others;\n\n2.4 introduce viruses, worms, harmful code or Trojan horses on the Internet;\n\n2.5 post off-topic information on message boards, chat rooms or social networking sites;\n\n2.6 engage in conduct that is defamatory, fraudulent, obscene or deceptive;\n\n2.7 violate Verizon\u2019s or any third party\u2019s intellectual property rights or other proprietary rights;\n\n2.8 engage in any conduct harmful to the Verizon network, the Internet generally or other Internet users;\n\n2.9 generate excessive amounts of email or other Internet traffic;\n\n2.10 use the Services to violate any rule, policy or guideline of Verizon;\n\n2.11 use the Services in any fashion for the transmission or dissemination of images containing child pornography or in a manner that is obscene, sexually explicit, cruel or racist in nature or which espouses, promotes or incites bigotry, hatred or racism; or\n\n2.12 download or use the Services in Cuba, Iran, North Korea, Sudan and Syria or to destinations that are otherwise controlled or embargoed under U.S. law, as modified from time to time by the Departments of Treasury and Commerce;\n\n2.13 Knowingly or unknowingly interfere with or abuse our Network and Network Facilities, or with the functioning of the network and the Services provided over the network\n\n3. Copyright Infringement/Repeat Infringer Policy. Verizon respects the intellectual property rights of third parties. Accordingly, you may not store any material or use Verizon\u2019s systems or servers in any manner that constitutes an infringement of third party intellectual property rights, under US copyright law. Pursuant to Section 512 of the Digital Millennium Copyright Act (DMCA), it is Verizon\u2019s policy to terminate the account of repeat copyright infringers in appropriate circumstances.\n\n4. Verizon may, but is not required to, monitor your compliance, or the compliance of other Subscribers, with the terms, conditions or policies of the Customer Agreement, AUP, and applicable Service Terms. You acknowledge that Verizon shall have the right, but not the obligation, to pre-screen, refuse, move or remove any content available on the Services, including but not limited to content that violates the law, the Customer Agreement, this AUP, or applicable Service Terms or conditions.\n\nEXHIBIT C\n\nFIOS INTERNET TERMS OF SERVICE\n\nThe following Service Terms for Fios Internet apply to your use of Fios Internet Services and are incorporated by reference into the Customer Agreement between us.\n\n1. RESTRICTIONS ON USE.\n\nExcept as otherwise set forth in this Agreement, you may not resell, re-provision or rent the Services, (either for a fee or without charge) or allow third parties (other than those utilizing guest Wi-Fi services on your Home Network) to use the Services via wired, Wi-Fi or other means. For example, you may not provide Internet access to third parties through a wired or unwired connection or use the Services to facilitate public Internet access (such as through a Wi-Fi hotspot), use it for high volume purposes, or engage in similar activities that constitute such use (commercial or non-commercial). If you subscribe to Internet Services, you may connect multiple devices within a single home to your router to access Internet Service through a Verizon-issued IP address. You are responsible to know the terms of use for all Other Devices you connect to your Home Network and you are responsible to opt-out of any connected Other Devices\u2019 features that violate the Agreement or these Service terms. You may not knowingly or unknowingly exceed the bandwidth usage limitations that we may establish from time to time for the Services, or knowingly or unknowingly use the Services to host any type of server or commercial network or subnetwork. Violation of this Section may result in bandwidth restrictions on Services or suspension or termination of Services.\n\n2. AVAILABILITY OF AND CHANGES TO SERVICE.\n\n2.1 Service and Bandwidth Availability and Speed. The Services you select may not be available in all areas or at the rates, speeds, or bandwidth generally marketed, and some locations may not qualify for the Services even if initial testing showed that your line was qualified. We will provision qualified HSI lines at the maximum line rate available to your location based on our standard line qualification procedures, unless you have selected a level of Services with a lower maximum line rate. Bandwidth is provided on a per-line (not a per-device) basis. The bandwidth available to each device connected to your Home Network will vary depending upon the number, type, age, software operating system, and configuration of devices using the Services and the type of use (for example, streaming media), among other factors. The speed of the Services may vary based on network or Internet congestion, your device configuration, your use and consumption of streaming or other digital media services, the condition of facilities used to deliver the Services and the wiring inside your location, among other factors. The Services and certain other Fios Services, such as Fios Home Phone and Fios TV VOD Services, share bandwidth on the fiber-optic connection to your home. The bandwidth available for the Services may be reduced temporarily (a) during times of significant utilization of Fios TV VOD Services in a particular area, (b) due to other unusual events such as network outage or failure, or (c) if you or someone in your household are simultaneously consuming multiple video content or data/internet/broadband streams. We and our suppliers reserve the right, at any time, with or without prior notice to you, to restrict or suspend the Services to perform maintenance activities and to maintain session control. Our network management and performance practices are described in the following website and incorporated by reference herein: https://www.verizon.com/about/our-company/open-internet.\n\n2.2 Conversion from HSI Services to Verizon Fios Internet Services. When Verizon is able to provision Services utilizing fiber optic technologies, we may in our discretion terminate your HSI Services and cease offering HSI Services to your location. In such case, we will offer you Fios Internet Services at the then applicable rates and terms, which may differ from your previous HSI Services rates and terms. If you are on a Term Plan and Verizon terminates or ceases to offer Services to your location under this Section 2.2, you shall not be liable to pay the ETF. If you convert from HSI Services to Verizon Fios Internet Services, this Agreement will continue to govern your Verizon Fios Internet Services.\n\n2.3 Changes to Services or Features. We reserve the right to change at any time with or without notice to you any of the software, features, functions, websites (including user interfaces), or Equipment used in connection with the Services. This section does not apply to equipment protection plans that may be offered by our third party vendors.\n\n3. MANAGEMENT OF YOUR DATA, COMPUTER AND OTHER DEVICES.\n\n3.1 Your Responsibilities Regarding Management of Other Devices and Data. You are solely responsible for your home network. Your responsibility includes obtaining, maintaining and updating all Other Equipment and software services and management of your information and data and connected Other Devices. Unless you have agreed to specific terms with us. Verizon reserves the right to modify settings on any Verizon managed access points (for example, routers and extenders) on your Home Network for safety and security reasons. YOU AGREE THAT WE AND OUR THIRD PARTY SUPPLIERS ARE NOT RESPONSIBLE FOR THE LOSS OF YOUR OR ANY THIRD PARTY DATA OR FOR THE BACK-UP OR RESTORATION OF YOUR OR ANY THIRD PARTY DATA REGARDLESS OF WHETHER THIS DATA IS MAINTAINED ON OUR SERVERS OR YOURS, OR ON YOUR OR YOUR PERMITTED GUESTS\u2019 DEVICE(S). YOU SHOULD ALWAYS BACK-UP ANY IMPORTANT INFORMATION SEPARATELY FROM DATA STORED ON OUR OR ANY THIRD PARTY'S SERVERS.\n\n3.2 Content and Data Management by Verizon. We and our applicable third party suppliers reserve the right to: (a) use, copy, display, store, transmit and reformat data transmitted over our network and to distribute such content to multiple Verizon, Verizon Affiliate, and third-party servers for back-up and maintenance purposes; and (b) block or remove any unlawful content you store on or transmit to or from any Verizon server. We do not guarantee the protection of your content or data located on our servers or transmitted across our network (or other networks) against loss, alteration or improper access.\n\n3.3 Your Responsibilities Regarding Security. You agree that you are solely responsible for maintaining the security of Other Devices and data, including without limitation, encryption of data and protection of your User ID, user password, Home Network and administrative passwords, and personal and other data. The Services may permit you with the option to provide third parties authorized by you access to the Internet using your Verizon-issued device. If you believe your login credentials have been lost or stolen, or that someone has gained access to your account or login credentials without your permission, call us immediately at 1-800-837-4966. WE STRONGLY RECOMMEND THE USE (AND APPROPRIATE UPDATING) OF COMMERCIAL ANTI-VIRUS, ANTI-SPYWARE AND FIREWALL SOFTWARE. Use of our network for the distribution, operation, and maintenance of malicious software (viruses, bots, worms, Trojan horses, etc.) is prohibited. Communications to malicious domain names (e.g., domain names used by networks of machines running malicious software) and to malicious Internet protocol addresses (e.g., IP addresses used by networks of machines running malicious software) may be redirected by Verizon to our network security systems at any time without notice as a countermeasure against the operation of malicious software such as \u201cbotnets\u201d in the our network. Our security systems may retain certain information such as the date and time of the malicious communication, the IP address it originated from, the domain name involved, and other technical information for cybersecurity purposes. Our security systems are configured to not retain end user information contained in the payload of the application layer, if any, that is delivered or uploaded by the compromised machines. The Equipment provided may include security software and other features that may be activated at your option. You are solely responsible for the activation and use of the optional features and settings.\n\n3.4 Monitoring of Network Performance by Verizon. We automatically measure and monitor network performance and the performance of your Internet connection and our network. We will access and record information about Other Equipment profiles and settings, and the installation of software we provide. You agree to permit us and our applicable third party suppliers to access and scan your device, network ports, and Equipment and to monitor, adjust and record data, profiles and settings for the purpose of providing Services, managing Equipment software, and managing the security and performance of our Networks. You also consent to our or our third party service partners\u2019 monitoring of all connections and performance of your Internet connection and Home Network, and to access and adjust Other Device and equipment settings, as they relate to the Services, Software, or other services which we may offer from time to time. We reserve the right to modify the password(s) for the Equipment used with the Services in order to safeguard Internet security, the security and privacy of Subscriber information, and/or for other good cause to provide, upgrade and maintain the Services, protect the network, other users of the Internet, or our Subscribers. Should we change such password(s), we will use reasonable means to notify you.\n\n3.5 Authorized Devices Registration and Restrictions on Streaming Content. See Agreement Section 5.5 for restrictions on streaming content.\n\n4. LIMITATIONS ON USE OF THE SERVICES.\n\n4.1 You acknowledge and agree that Verizon (a) is not responsible for invalid or redirected Uniform Resource Locator (\u201cURL\u201d) destinations, transmission errors, or the corruption of your data; and (b) does not guarantee your ability to access all websites, servers or other facilities or that the Services are secure or will meet your needs.\n\n4.2 You understand and agree that if you type a nonexistent or unavailable URL, or enter a search term into your browser address bar, Verizon may present you with a Verizon Error Assist web search page containing suggested links based upon the query you entered in lieu of your receiving an NXDOMAIN or similar error message. Verizon's provision of the Error Assist page may impact applications that rely on an NXDOMAIN or similar error message and may override similar browser-based search results pages. If you would prefer not to receive Error Assist pages from Verizon, you should follow the opt-out instructions at https://www.verizon.com/support/residential/internet/home-network/settings/opt-out-of-dns-assist.\n\n4.3 You agree that we assume no responsibility for the accuracy, integrity, quality completeness, usefulness or value of any Content, advice or opinions contained in any emails, message boards, chat rooms or community services, Verizon Websites, or in any other public service or social networks, and that Verizon does not endorse any advice or opinion contained therein, whether or not we provide such services(s). We do not monitor or control such service, although we reserve the right to do so.\n\n4.4 You represent that when you, or your permitted guests\u2019 transmit, upload, download, post or submit any content, images or data using the Services you or your permitted guests have the legal right to do so and that your or your permitted guests\u2019 use of such content, images or data does not violate the copyright or trademark laws or any other third party rights.\n\n4.5 Third party websites or other applications linked to or from the Services are not reviewed, controlled, or examined by us and you acknowledge and agree that Verizon is not responsible for any losses you incur or claims you may have against the owner of third party websites. The inclusion of any linked websites or content from the Services, including websites or content advertised on the Services, does not imply our endorsement of them.\n\n5. ADDITIONAL SERVICES. If you subscribe to Fios Internet, we may make the following Additional Services available to you. In addition to the terms of the Customer Agreement, the terms and conditions below apply to your use of the Additional Services(s).\n\n5.1 Verizon Protect Home. Verizon Protect Home is provided directly by Asurion Services, LLC and is subject to the separate terms and conditions of the Plan. Verizon customers should review these separate respective terms and conditions at http://www.verizon.com/about/sites/Verizon Whole Home prior to enrollment and use.\n\n5.2 Device Protection Plans. Verizon and its third party vendor, Asurion Services, LLC, may offer a Device Protection Plan for a failure due to breakdown for certain eligible products. The Device Protection Plan is provided by Asurion and is subject to the separate terms and conditions of the Protection Plan, which can be found here http://www.verizon.com/about/sites/Verizon Asurion Device Protection Plan. Device Protection Plan customers should review these separate terms and conditions prior to enrollment and use. By purchasing or accepting any such Device Protection Plan, you agree to be bound by the terms and conditions of the Device Protection Plan provided by Asurion Warranty Services, Inc. or Asurion Florida Warranty Services, Inc. and administered by Asurion Services, LLC, which are third party beneficiaries of this Agreement and capable of enforcing the terms of the Device Protection Plan independently from Verizon.\n\n5.3 Inside Wire Maintenance. If you subscribe to Inside Wire Maintenance (\"IWM\u201d), which is offered by Verizon affiliates as per Exhibit A, you agree to be bound by the terms and conditions of IWM, in addition to the terms set forth in this Agreement, which are located at https://www.verizon.com/about/terms-conditions/residential-terms-service, and incorporated herein by reference.\n\n5.4 Verizon Cloud Services. Verizon Cloud Services are provided by Verizon Online LLC and provide personal storage in the cloud to automatically back up and sync your content across your Devices. The amount of digital storage provided depends on Your Cloud Services Subscription. Upon termination or cancelation of Your Subscription, you will no longer have access to the Additional Service and any previously uploaded files and/or content. You are responsible for downloading any files or content prior to the cancelation of any services. You agree to be bound by the terms and conditions of the Cloud Services, which are located at https://www.verizon.com/support/cloud-legal/, in addition to the terms set forth in this Agreement.\n\n5.5 Home Network Protection (\u201cHNP\u201d). Verizon may offer HNP Services, provided by McAfee LLC. This Service is available at no additional charge and is an available feature included on a limited selection of routers. You must download and use the My Fios App to manage HNP service and features and to access the HNP service terms. Once you enable and configure HNP you can manage settings for connected devices on your Home Network. Parental controls are also available to manage devices.\n\n5.6 Techsure. (Limited availability. Restrictions apply). TechSure is provided directly by Asurion Services, LLC and is subject to the separate terms and conditions of the Plan. Verizon customers should review these separate respective terms and conditions at http://www.verizon.com/about/sites/Techsure prior to enrollment and use.\n\n5.7 Whole Home WiFi. Verizon may provide Whole Home Wifi as a feature of your internet service. Whole Home Wifi (https://www.verizon.com/support/residential/internet/whole-home-wi-fi) may be included with your Fios Internet plan or may be offered for an additional charge.\n\n5.8 Home Awareness. If you subscribe to the Home Awareness service (\u201cHome Awareness\u201d), you agree to be bound by the Home Awareness terms and conditions, in addition to the terms set forth in this Agreement, which are located at https://www.verizon.com/support/residential/internet/essentials/home-awareness/legal, and incorporated herein by reference.\n\nEXHIBIT D\n\nRETIRING ADDITIONAL SERVICES\n\nIf you subscribe to Fios Internet, we may have made the following Additional Services available to you. These products and services (\u201cRetiring Additional Services\u201d) are no longer available for purchase through Verizon at this time:\n\nLASTPASS, TOOLBAR, TECHSURE PLUS, TECHSURE PREMIUM, VERIZON PREMIUM TECHNICAL SUPPORT SERVICE, TECH SUPPORT PRO, AND LIFELOCK SELECT.\n\nIn addition to the Fios Internet service terms, each product and service listed above shall be governed by separate terms and conditions independent from this Agreement. Any terms and conditions listed in this Exhibit E, constitute a separate contract solely between you and the company providing the services or product. Links to the terms and conditions for these products and services are listed for your convenience.\n\n1. Lastpass Service by Logmein USA, Inc. LastPass is a password management service offered by LogMeIn USA, Inc. By accepting, accessing, or using LastPass, you agree to be bound by LogMeIn USA, Inc.\u2019s terms of service, located at https://www.logmeininc.com/legal/terms-and-conditions. Please review these terms carefully as they contain important limitations and conditions with respect to this Additional Service and its continued use.\n\n2. Lifelock Select Service. LifeLock is a consumer cyber security monitoring service offered by Norton LifeLock, Inc. By accessing, or using LifeLock, you agree to be bound by Norton LifeLock, Inc.\u2019s terms of service, located at https://www.nortonlifelock.com/us/en/legal/. Please review the LifeLock terms carefully as they contain important limitations and conditions.\n\n3. Techsure Plus, Techsure Premium, Verizon Premium Technical Support Service, and Tech Support Pro. Techsure Plus, Techsure Premium, Verizon Premium Technical Support Service, and Tech Support Pro are services provided through Asurion Service Warranty, Inc. (\u201cAsurion\u201d) which may provide or assist in providing Technical Support Services. By using these services, you are bound by Asurion\u2019s terms and conditions which can be found at https://www.asurion.com/terms-conditions/. Please review these terms carefully as they contain important limitations and conditions with respect to this Additional Service and its continued use.\n\nEXHIBIT E\n\nVERIZON FIOS TV TERMS OF SERVICE\n\nThese Service Terms for Fios TV apply to your use of our video services and are incorporated by reference into the Customer Agreement between us.\n\n1. DEFINITIONS.\n\n1.1 Authorized Devices. On Demand Content is accessed through a Verizon set top box or through authorized Other Equipment and software applications. We may require you to register each Other Device used to access Content (each, an \"Authorized Device\").\n\n1.2 On Demand Services. A library of On Demand Content available as part of your Fios TV service that you can watch at your convenience. Multi- device viewing options may be available for certain On Demand Content.\n\n1.2.1 Free On Demand. Some free On Demand Content is only available if you subscribe to the channel or network providing the content. You can watch free On Demand Content at your convenience when available.\n\n1.2.2 Other On Demand. Some On Demand Content costs a small fee. In those cases, the content is available for you to watch for 24 to 48 hours (depending on the Content).\n\n1.2.3 Pay-Per-View Content. Pay television or webcast service by which you can purchase live events to view via private telecast, which may have limitations on replay or access across multiple platforms\n\n2. CONTENT.\n\n2.1 Content Ownership. The Programing provided to you is owned and controlled by companies and organizations other than Verizon. We obtain the rights to carry Content through agreements with those companies. Each company or organization retains the right to change, remove or provide alternate Content options at its discretion. Verizon has no control over Content.\n\n2.2 Limitation of Liability and Obligation to Carry Content. Verizon shall not be liable for any failure or interruption of program transmissions or Services resulting in part or entirely from circumstances beyond Verizon's reasonable control. Subscriber agrees that it has no right to receive, and Verizon has no obligation to provide, any particular Content Services as part of its Fios TV Services and that Subscriber is not entering into this Agreement or purchasing Fios TV Services in reliance on an expectation or promise (explicit or implicit) that any particular Content shall be included as part of Verizon\u2019s Fios TV Services.\n\n2.3 Fios TV Service Interruptions. The Services may be interrupted from time to time for a variety of reasons, and Verizon does not represent or warrant that the Services or the Equipment will be available or perform in a manner that meets your needs. Verizon will not be liable for any inconvenience, loss, liability or damage resulting from any preemption, loss, blackout, or interruption of the Services, directly or indirectly caused by or resulting from any circumstances, including, without limitation, any circumstance beyond Verizon\u2019s reasonable control or events of Force Majeure. When practicable, Verizon will schedule and conduct maintenance so that interruption of service is minimized and occurs during periods of minimum use.\n\n2.4 Limitations on Content. The Content distributed via the Services may not be viewed or otherwise displayed in areas open to the public, including, without limitation, commercial establishments. You may not rebroadcast or transmit the Content or charge for its viewing. You may not take any actions to alter or avoid any security or access controls or restrictions associated with the Services, Equipment, or Other Devices.\n\n2.5 Viewing Restrictions. You understand and agree that it is your responsibility to establish any viewing restrictions at your discretion, and to supervise use of the Services.\n\n2.6 Content Access. Verizon may enable you to access and view Content in a variety of ways: (i) by delivery to your Equipment; (ii) by delivery to compatible Other Devices through a Verizon-provided application supporting media playback; (iii) by providing access to supported browser versions through Verizon-provided hyperlinks and software on Other Devices; or (iv) through a widget or software application accessed through the Equipment. The technology employed by Verizon may vary among operating systems, devices and software applications.\n\n2.7 Terms of Service and AUP. Your use of Video On Demand and Pay-Per-View Services is conditional upon your continued adherence to the Fios Internet Terms of Service (Exhibit C to the Customer Agreement) and the Fios TV Terms of Service and Verizon\u2019s Acceptable Use Policy. In the event of any conflict between the Fios TV Terms of Service and the Fios Internet Terms of Service, the Fios TV Terms of Service will control solely to the extent of such conflict.\n\n3. VIDEO ON DEMAND (\u201cVOD\u201d) SERVICES DESCRIPTION AND CONDITIONS OF USE.\n\n3.1 Access to Fios TV VOD Content Services. You may access Services by:\n\n3.1.1 streaming to your TV through a Verizon-supplied Fios TV set-top box (this requires a compatible Fios router);\n\n3.1.2 playing to an Authorized Device through a Verizon provided application supporting media playback.\n\n3.1.3 downloading to an Authorized Device for offline playback.\n\n3.2 Authorized Devices Registration and Restrictions on Streaming Content. See Agreement Section 5.5.2 for restrictions on streaming content.\n\n3.3 VOD Services Requirements. Internet access is required to use VOD Services. There may be separate or additional subscription, rental or purchase fees for VOD. You are solely responsible for compliance with any minimum system requirements, software upgrades, patches or other fixes, which are or may become necessary to access VOD Services. Certain downloaded content may be viewed offline. Not all VOD Content is available for download. Fast-forward, rewind, and other \u2018trick-play\u2019 features for viewing Content that has previously aired as well as other viewing features may vary. The availability of standard definition, high definition, and ultra-high definition, and 4K video Content may also vary.\n\n3.4 Variables Affecting Delivery. You acknowledge that delivery of VOD Content is dependent on variables not under Verizon\u2019s control, including, but not limited to, the speed and availability of your internet or network connection. You may experience delays or technical difficulties caused by or related to such variables, as well as the technical limitations of the VOD Authorized Device on which you view the VOD library Content. To the extent permitted by applicable law, you will not receive a refund or credit for any Content that you are not able to view or have difficulty viewing due to such variables. You bear all responsibility for ensuring that you have compatible equipment to view Content in the appropriate format or at all.\n\n3.5 License. Upon the payment of a subscription, purchase or rental fee, Verizon grants you a limited, non-exclusive, revocable, non-transferable license to use the VOD Content, which is intended solely for your non-transferable, non-commercial, private and personal use. Any other use or attempted use for commercial or other purposes is strictly prohibited. You understand and agree that advertisements, as well as certain communications from Verizon such as Service announcements and administrative messages, are part of the VOD Services and are necessary for Verizon to provide the VOD Services. Your use of third-party platforms to aggregate your VOD titles from multiple service providers, such as Movies Anywhere, may require your consent for us to share VOD Content with the platform providers.\n\n3.5.1 Purchased VOD Content Availability. Once you purchase or rent VOD Content, you bear the responsibility for completing download and/or use and for all risk of loss of the purchased and downloaded VOD Content. Verizon encourages you to download or access your Purchased VOD Content immediately after purchase.\n\n3.5.2 Purchased VOD Content Unavailability. Purchased VOD Content may become unavailable for streaming (including streaming to your TV via a Verizon Fios TV set-top box) or re-download due to Content provider licensing and other restrictions, and Verizon will not be liable to you if purchased VOD Content becomes unavailable for further download, streaming and/or use.\n\n3.5.3 Re-delivery of purchased VOD Content. Verizon can only re-deliver to you the digital files containing Purchased VOD Content a maximum of two (2) times during any calendar year.\n\n3.6 Digital Licenses for VOD Content. Regardless of the use of the word \"purchase\", and except as set forth here, all VOD Content is offered for license to use and/or view, not purchase or sale, and is subject to this Agreement and Service Terms and any other license terms and conditions applicable to the VOD Content, including limitations imposed by the use of any digital rights management technology. VOD Content can be licensed in two ways:\n\n3.6.1 Purchased VOD Content. When you purchase VOD Content, the payment of a purchase fee will entitle you to access the purchased VOD Content for viewing on Authorized Devices an unlimited number of times over an indefinite period of time. Purchased VOD Content will continue to be accessible if you are no longer a Fios TV customer, but your use of such VOD Services will be subject to the terms of this Agreement and any applicable End User License Agreements as they may be amended from time to time.\n\n3.6.2 Rented VOD Content: When you rent VOD Content, the payment of a rental fee will entitle you to access the rented VOD Content for viewing on one or more Authorized Devices an unlimited number of times over a fixed period of time, typically 24 or 48 hours from the purchase or initial playback of the Rented VOD Content.\n\n3.6.3 Playback. You must initiate playback typically within 30 days of your rental transaction or sooner depending on rental windows communicated at the time of rental.\n\n3.7 Reservation of Rights. All Content provided by Verizon or its third party licensors on any website or other resource provided by Verizon through which VOD Content may be viewed or purchased is the property of Verizon or its licensors. All rights are reserved as outlined in section 6 of the Customer Agreement.\n\n3.8 Wireless Provider Data Charges. You acknowledge and agree that you may also incur data charges or fees from a wireless or internet service provider (which may be Verizon or a third party) for accessing Content or purchasing products and Services through interactive options available through the Services.\n\n4. ADDITIONAL SERVICES. If you subscribe to Fios Internet and Fios TV, we may make the following Additional Services available to you. In addition to the terms of the Customer Agreement, the terms and conditions below apply to your use of the Additional Services(s).\n\n4.1.1 Netflix. Netflix is provided directly by Netflix, Inc. and is subject to the separate terms and conditions. Verizon customers should review these separate respective terms and conditions at https://help.netflix.com/legal/termsofuse prior to using the service.\n\n4.1.2 Pandora. Pandora is provided directly by Pandora Media, LLC. and is subject to the separate terms and conditions. Verizon customers should review these separate respective terms and conditions at https://www.pandora.com/legal prior to using the service.\n\n4.1.3 Pluto TV. Pluto TV is provided directly by Pluto Inc., and is subject to the separate terms and conditions. Verizon customers should review these separate respective terms and conditions at https://corporate.pluto.tv/terms-of-use/ prior to using the service.\n\n4.1.4 YouTube TV. YouTube TV is provided directly by Google LLC., and is subject to the separate terms and conditions. Verizon customers should review these separate respective terms and conditions at https://www.youtube.com/t/terms_paidservice prior to using the service.\n\nEXHIBIT F\n\nFIOS HOME PHONE SERVICE TERMS OF SERVICE\n\nThe following Service Terms for Fios Home Phone apply to your use of our voice services and are incorporated by reference into the Customer Agreement between us.\n\n1. GENERAL DESCRIPTION.\n\nFios Home Phone Service is a voice over internet service for calling domestic and international locations. The Service also includes use of calling features and management of your account.\n\nThe current plans and rates for domestic and international calling can be found at https://www.verizon.com/home/phone/. Information on current rates is also available by contacting Verizon Customer Service at 1.800.Verizon (1.800.837.4966).\n\n1. Calling Features and Account Management\n\nThe Service includes certain calling features and account management. The calling features and functionalities may be changed from time to time. Please visit https://www.verizon.com/home/phone/ for currently-available features.\n\n2. LIMITATIONS OF THE SERVICE.\n\n2.1 Availability. Fios Home Phone is available in limited areas of the United States, and only in those areas where we can direct a 911 call to the appropriate emergency response center in a manner consistent with applicable laws, rules, and regulations, including, without limitation, FCC rules and requirements.\n\n2.2 Call Types. The Service does not allow you to make 500, 700, 900, 950, 976, 0001, 0+, calling card calls or dial-around calls (e.g., 10-10-XXXX), nor does it allow you to accept collect calls or third number billed calls.\n\n2.3 Dialing. The Service requires 10-digit dialing. Home security system settings may need to be modified from 7 to 10-digit dialing.\n\n2.4 Call Forwarding. You will not be able to forward any of your calls to international numbers.\n\n3. POWER AND BATTERY REQUIREMENTS.\n\nFios Home Phone Service (including 911 dialing) will not function during a power outage without a back-up power source. You are responsible for providing both the electrical power necessary for the Service to function and any back-up power source.\n\n3.1 Battery Back-up. A battery back- up feature is available for your Verizon equipment. Depending on your equipment type, you may choose to use this battery back-up feature by maintaining a: (i) 12 Volt battery in the built-in battery backup-unit or (ii) D Cell batteries in the optional Verizon PowerReserve device that plugs into your equipment.\n\n3.2 Backup Details. With a fully-charged battery (or batteries), the battery back-up feature will power the basic calling functions of your Service for up to eight (8) hours in the event of a power outage. The Verizon PowerReserve device may be purchased through Verizon. 12 Volt batteries may be purchased through Verizon or a third party. The battery back-up feature will not power cordless phones, Fios Internet or Fios TV service, or alarm system equipment. A power failure or service disruption may require you to reset or reconfigure equipment prior to using Fios Home Phone Service. Additional information, including equipment type, battery testing, monitoring, use, and storage can be found at verizon.com/battery.\n\nEXHIBIT G\n\nFIOS PREPAID TERMS OF SERVICE\n\nCertain Fios Services may include the option to pre-pay.\n\n1. CHARGES AND PAYMENT TERMS.\n\n1.1 Prepaid Charges. You agree to pay for the Services on a prepaid basis for a minimum period of one month. You are responsible for paying all applicable taxes, surcharges, fees or other charges associated with the Services and Equipment. Payment for the initial month of Services must be paid in full in advance before we will ship equipment or schedule an installation date. You agree to pay any installation or other additional fees prior to the time of installation, at the time of installation, but at all times prior to activation of the Services.\n\n1.2 Service Period -- Payments.\n\n1.2.1 Payment Cycle. Your monthly payment cycle will begin on the date your (a) Prepaid Services are installed and activated if Verizon is installing your Services or (b) on the date the Equipment is delivered to you if you are self-installing the Service. Your Services will be available for one month after activation. You must pay for the next month\u2019s Services before the expiration of the current month (the \u201cExpiration Date\u201d) to keep your Services active. Services are renewed for the next month when we receive payment in full.\n\n1.2.2 Non-Renewal. If you do not pay for the next month\u2019s Prepaid Services prior to the Expiration Date, your Services will be no longer be available, without additional notice to you. You may restore your Services by paying for an additional month, and the date your services are reactivated will begin a new month of Service. While your Services are unavailable, you may not make any Equipment changes and you will not be charged for Services. Your Services will be restored within 24 hours of our receipt of your payment. There is no fee to restore Services.\n\n1.2.3 Account Closure. If you do not make a payment for three consecutive months, your Verizon account will be closed and you must return any Equipment to Verizon in accordance with this Agreement. You must order as a new customer if you wish to purchase prepaid Services after account closure. Reopening of a prepaid account is at Verizon\u2019s sole discretion.\n\n1.3 Third Party Charges. You are solely responsible for any charges you may incur with third-party service providers, including accessing on-line services or subscriptions.\n\n1.4 Payment Methods. You may be required to utilize a credit or debit card to prepay your initial month of Service. Subsequent payments may be made by credit or debit cards, by cash at an authorized payment location or such other payment methods as we may designate. If you use a credit or debit card to pay for the Services, your use of the card is governed by the card issuer agreement. If we receive a chargeback through your credit or debit card, your Services will be suspended. More than one chargeback in a six month period will result in closure of your account. If you are a cash customer, we may send you an email with your account number to use in processing your payment; the number may also be used to authenticate your Verizon account, and you acknowledge the unencrypted email may increase risk of interception by a third party.\n\n1.5 Refunds. We will not refund any amounts prepaid for the Services, subject to applicable law, unless an order is cancelled prior to installation or activation.\n\n1.6 Account Statements. Your Account Statement will be provided online and will be available to you through your My Verizon Account; paper statements are not available.\n\n2. SERVICE INFORMATION.\n\n2.1 Service Availability. Not all Verizon Services will be available in all areas. You may not move your Verizon Services or temporarily discontinue your prepaid Verizon Services within the current month, and no refunds will be given for amounts that have been prepaid. Services may be re-established at a new location as a new account. Only designated Service options, including available Fios Internet Speeds will be available as prepaid Services.\n\n2.2 Service Limitations. Home Phone is a prepaid Fios Home Phone service governed by the Fios Home Phone Terms of Service, and will not permit calls that are billed on a usage basis, the purchase of additional lines, directory listings, calls to directory assistance or operator completed calls except by customers with disabilities who register to make such calls, vanity numbers, or pick your own area code numbers. Home Phone telephone numbers will not be listed or published. Vacation suspend will not be available for any Prepaid services."}]
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{"rubrics": "[\"Did the model create a section called \\\"Fee and Cost Summary\\\"?\", \"Did the model bold the dollar signs and numbers in the the summary?\", \"Did the model create a solid line to separate sections?\", \"Did the model create another section called \\\"Foreign Terms\\\"?\", \"Did the model extract foreign terms?\", \"Did the model define any foreign terms?\", \"Did the model create a section called \\\"Acronyms\\\"?\", \"Did the model define the acronyms used in the Customer Agreement?\", \"Did the model bold all foreign terms, acronyms, and section titles?\"]"}
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[{"role": "user", "content": "List the top 5 highest scoring seasons for Daniel Sedin. Order them from highest scoring to lowest scoring in terms of points. List the year, Goals, Assists, Points. Bold his name."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model list the top 5 scoring seasons for Daniel Sedin?\", \"Did the model provide data for each year of Daniel Sedin's top five seasons?\", \"Did the model provide data for goals in each of Daniel Sedin's top five seasons?\", \"Did the model provide data for assists in each of Daniel Sedin's top five seasons?\", \"Did the model provide data for points in each year of Daniel Sedin's top five seasons?\", \"Did the model bold the name Daniel Sedin?\", \"Did the model order Daniel Sedin's top five seasons from highest point total to lowest point total?\", \"Did the model format the following data for each of Daniel Sedin's top five seasons in this order: year, goals, assist, total points?\"]"}
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[{"role": "user", "content": "I am planning a trip to Florida for next month and want some advice on how to make the trip go smoothly. I want to know which parts of Florida would be ideal for a vacation. Can I get your top suggestions of where to go? For each suggestion of the area to go, provide at least 3 things to do and one place that would be good to eat at. At least one of the things to do at each area should involve nature and at least one of the areas to go should be a city. To help me get my bearings organize the list by starting at whatever location is most North and then working your way down South. I have already been to Harry Potter World in Orlando, so avoid mentioning that as a place to go! Once you have made the list, create a small pitch for one of the suggestion that you think is best. Act as my travel agent that has decided to make my trip to Florida super fun so we can get some of the good vibes going early!"}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide top suggestions for where to go in Florida?\", \"Did the model provide at least 3 things to do at each area?\", \"Did the model provide one place that would be good to eat at in each area?\", \"Did the model provide at least one thing to do involving nature at each area suggested?\", \"Did the model suggest at least one of the areas be a city?\", \"Did the model organize the list starting at whatever area was most North and then worked down towards the South?\", \"Did the model avoid using Harry Potter World as a recommendation?\", \"Did the model pitch one of the suggestions it thought was best after making the list?\", \"Did the model act as a travel agent that has decided to make the trip to Florida super fun?\"]"}
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[{"role": "user", "content": "I need you to write a poem in 5 stanzas about a child and his dog. The poem needs to follow an AABB rhyming structure. The first and the third stanza need to have the same final line. The second and fourth stanzas need to have the same final line as well. Provide a title that is written in all caps."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide a poem in 5 stanzas?\", \"Was the poem about a child and his dog?\", \"Does the poem follow an AABB rhyming scheme?\", \"Do the first and the third stanzas have the same final line?\", \"Do the second and fourth stanzas have the same final line?\", \"Does the model provide a title for the poem written in all caps?\"]"}
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[{"role": "user", "content": "I am in dire need of some help coming up with ideas on what to do with my 4-year-old. So, here is what I need, and I hope you can help! I am hoping to get a list of 10 things to start off with, bullet pointed, please. First off, we need some educational stuff. Now, keep in mind, she knows her alphabet and counting to 100, so not that. Also, we need active stuff to get her moving in a fun manner. But, again, educational. So, make like 2 things high movement. And, I need half of the suggestions to be related to more general fun and roleplaying so everything we do isn't just strict learning. This also needs 2 to be high-movement activities. But, I want it to encourage critical thinking, story making, and problem solving. Also, none of these need to require buying expensive stuff, and if anything needs to be bought, it needs to be inexpensive (under $5), and include the general price. Oh, and make sure to differentiate with a heading for which are educational and which are more play."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model suggest activities that are appropriate for a 4-year-old?\", \"Did the model include a list of ten activities with 5 being learning and 5 being more general?\", \"Does the list use bullet points?\", \"Is there a heading for the educational activities and the other activities?\", \"Does the model ignore activities for learning the alphabet and numbers 1-100?\", \"Does the model include 2 high-movement activities for each section?\", \"Do the activities for the fun/general activities encourage critical thinking, story making, and problem solving?\", \"If items need to be bought for the activity, is the item cheaper than $5?\", \"Does the model include the price for any items needing to be bought?\"]"}
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[{"role": "user", "content": "List the countries that border Albania.\nI then need you to order these countries in five different ways:\n1. By alphabetical order.\n2. By population size.\n3. By the date they were established.\n4. By the number of native language speakers.\n5. By the number of times they have participated in the Eurovision Song Contest. \nPlease be factually correct!"}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the response identify Greece, Kosovo, North Macedonia, and Montenegro as the four countries that border Albania?\", \"Did the response order Greece, Kosovo, North Macedonia, and Montenegro by alphabetical order?\", \"Did the response order Greece, Kosovo, North Macedonia, and Montenegro by population size?\", \"Did the response order Greece, Kosovo, North Macedonia, and Montenegro by the dates they were established?\", \"Did the response order Greece, Kosovo, North Macedonia, and Montenegro by the number of native language speakers?\", \"Did the response order Greece, Kosovo, North Macedonia, and Montenegro by the number of times they have each participated in Eurovision?\", \"Did the response provide factually correct information?\"]"}
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[{"role": "user", "content": "I want you to craft a couple to 5 jokes for me. These are for my kindergarten class. These jokes need to be about numbers because that's what we're learning about next week. I want to ease them into it. Please don't make them all knock-knock jokes, this gets old real fast. They should all be constructed with the format of a question and answer. Oh, also don't make jokes over the number of 10. We are only counting to 10. They should explicitly mention the numbers 1-10. We were talking about vegetables and fruits this week, so it would be good to also add those into the jokes, make about half of them discuss this."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model create two to five jokes?\", \"Are the jokes appropriate for kindergarten students?\", \"Are the jokes about numbers?\", \"Are the majority of jokes not \\\"knock, knock\\\" jokes?\", \"Are all the jokes formatted like a question and answer?\", \"Are the numbers mentioned in the jokes ten and under?\", \"Do all of the jokes explicitly mention numbers one through ten?\", \"Do about half of the jokes incorporate fruits and vegetables?\"]"}
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[{"role": "user", "content": "You are a chatbot that creates lighthearted social media posts about breaking news. You always keep an upbeat and fun tone even if a news item is negative. End every post about bad news with: \"Well, that's just life.\" Every post contains 3 emojis related to the story. All responses must adhere to Instagram character constraints. \n\nCompose a post that summarizes this story:\n\nROCHESTER, N.Y. (WROC) \u2014 A Rochester mother of seven is distraught after her car was recently stolen, with all of the Christmas presents for her kids still inside.\n\nEven more troubling, the family told News 8 that those claiming to have been responsible taunted her online when she asked the community for help. The woman\u2019s mother, Cynthia Robinson, said in the midst of all this, her daughter was preparing for a major kidney surgery this week. Robinson described the situation as \u201cdeeply painful.\u201d\n\n\u201cIt hurt, they took everything them kids had for Christmas,\u201d Robinson said.\n\nIt happened Friday in the overnight hours on Bloomfield Place in the city. Robinson said she was helping her daughter prepare for the surgery amid her own health complications \u2013 an issue with her legs. So, she tried to lie down for a little bit before playing Santa Claus with her daughter.\n\nWhen she woke up, the car, and everything inside, was gone out of the driveway.\n\n\u201cI can\u2019t focus on tomorrow,\u201d Robinson admitted. \u201cI don\u2019t know what\u2019s going to happen with the car. I really don\u2019t know. I don\u2019t know what I\u2019m going to do about Christmas. I don\u2019t know what I\u2019m going to do about my daughter, y\u2019all have no idea what y\u2019all have done.\u201d\n\n\nRochester Police said it was around 1 a.m. when officers responded to the home for the report of the stolen 2021 Hyundai with \u201cseveral hundred dollars worth of presents inside.\u201d It was recovered later that day around 4:30 p.m. behind a home on Durnan Street, police announced. Officers noted that the damage was consistent with the typical trend of stealing Hyundai-Kia vehicles.\n\nPrimetime 585 Board Chair Karen Iglesia said she knows the mother personally. She took to her platform on social media to draw attention to the problem, also discovering taunting between several teen accounts and the victim.\n\nRPD: Driver crashes Kia into tree, occupants flee in Rochester\n\u201cShe posted online, everybody that gets their car stolen, they post it online saying \u2018if you see this car, call the police. It\u2019s my car, it was stolen,'\u201d Iglesia said. \u201cShe put that up and for whatever reason the kids saw it \u2013 and they started posting videos and pictures of them wrecking her car. Opening the gifts, thanking her for the gifts \u2013 saying \u2018thank you so much for the gifts we appreciate it.\u2019 Just absolutely trolling her. It was absolutely unconscionable.\u201d\n\nRPD said no suspect(s) is/are in custody in connection with this crime. In the meantime, the Hyundai is still at the impound lot, just among some of the mounting costs the family is now dealing with on top of the gifts.\n\n\n\u201cI pray for y\u2019all \u2013 that y\u2019all listen to me and understand what I\u2019m telling y\u2019all,\u201d Robinson began. \u201cThis is how y\u2019all want to live? Y\u2019all think this is cool? But y\u2019all got a chance, I hope y\u2019all taking it.\u201d\n\nPrimetime 585 is collecting donations \u2013 already with plenty of people and businesses reaching out for ways to help.\n\nFor those looking to help, items can be mailed to Primetime585 P.O. Box 632 Penfield, NY 14526. Venmo cash can be sent to PT585. Online donations can be sent here, just type in the memo \u201cgifts.\u201d"}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model create a lighthearted social media post about breaking news?\", \"Did the model use an upbeat, fun tone even when a news item is negative?\", \"Did the model end a post about bad news with: \\\"Well, that's just life\\\"?\", \"Did the model's post contain 3 related emojis?\", \"Was the model's response within Instagram's 2200-character limit?\", \"Did the model's post summarize the provided context?\"]"}
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[{"role": "user", "content": "please create a random sentence for me based on these criteria (I will provide the criteria to friends and see what creative sentences they can come up with). \nthe first word must be \"like\"\nthere must be one comma in the sentence\nthe sentence must not end with a full stop or any other punctuation\nthe words fun and sun must be included\nthere must be 2 names included \nword limit is 20 words, no more"}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Has the model created a random sentence?\", \"Is the first word of the sentence \\\"like\\\"?\", \"Is there one comma in the sentence?\", \"Does the sentence end with no punctuation?\", \"Are the words \\\"fun\\\" and \\\"sun\\\" included in the sentence?\", \"Are two names included in the sentence?\", \"Is the sentence 20 or fewer words?\"]"}
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[{"role": "user", "content": "Why does the person who wrote this review keep going back to this McDonalds? Write your answer in one sentence and then provide a quote from the review to back up your answer. Underneath that, give 10 more reasons why people sometimes keep returning to restaurants with terrible service. Make reason #4 the answer you gave to the first question.\n\n\nWorst McDonalds IN THE WORLD\n\"Bad part of town, HORRIFIC SERVICE. We have visited this McDonalds numerous times over the years during events at the expo center. EVERY SINGLE TIME the restaurant is OUT of something. Mostly ice scream...sometimes lettuce, straws, forks...one thing they are never short on is bad service. Not just bad service...horrific service. Witnessed a lady being screamed at for ordering something that took time to prepare. Have been asked \"What do you want!\" while waiting for drinks, watched two employees have a fight at the front counter, f-bombs dropping left and right in front of customers with children. Suspicious activities in a bathroom stall between two employees. I ordered a milk shake through the drive thru one time and when I got to the pick up window they handed me the shake. When I asked for a straw they said they didn't have any straws. NO STRAWS in the entire store. How do you drink a milkshake WITHOUT A STRAW...WHILE DRIVING?!?!?! I would have demanded a refund but if you get demanding with an employee, the other employees tend to gather around like vultures waiting to attack. Why do we go back? Because we are cheapskates who refuse to pay $8 for a burger at the state fair...and we always walk away with a story to tell the folks back home.\""}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Does the model answer why the person who wrote the review keeps going back to this McDonalds?\", \"Is the answer to the question written in one sentence?\", \"Does the model provide a quote from the review to back up its answer?\", \"Does the model generate 10 more reasons why people sometimes keep returning to restaurants with terrible service?\", \"Is reason #4 the answer to the first question?\"]"}
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[{"role": "user", "content": "I am looking for some advice about a workout routine. I am a relatively fit young woman. I want two weeks worth of new workout ideas that make me feel powerful and strong, but also graceful. I want three low impact, 2 high impact, and 2 rest days per week. The exercises should only involve the following equipment: 5 or 9lb dumbbells, a yoga mat, and a mini stair stepper. Use the tone and voice of Aelin Galathynius from the Throne of Glass franchise to motivate me. Also, recommend a healthy, affordable snack for after every workout. Don't include smoothies, as I don't have a blender."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide two weeks worth of exercises?\", \"Did the model provide 3 low impact exercises, 2 high impact exercises, and 2 rest days per week?\", \"Do the response exercise suggestions only require the use of 5 or 9lb dumbbells, a yoga mat, or a mini stair stepper?\", \"Did the model appropriately adopt the tone of Aelin Galthynius from the Throne of Glass series?\", \"Is the tone of the response motivating?\", \"Did the model provide one snack that is healthy and affordable after every workout?\", \"Did the model suggest a snack that does not require the use of a blender?\", \"Did the model provide exercise suggestions to make a young woman feel powerful and strong?\", \"Did the model exclude smoothies from the snack suggestions?\"]"}
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[{"role": "user", "content": "Let's play a choose-your-own-adventure game! My name is John, and I will be the protagonist of our game. \n\nOur game will be set in the zombie apocalypse. In the fiction of the game, I have established a largely self-sufficient base at the top of what was a luxury penthouse apartment high-rise. Since taking over the space, I have added fields of crops on the top of the building, as well as water harvesting capacity, and solar panels to generate power. I would like to be able to find a helicopter, so that I could park it on the helipad on the top of the building, in case I ever needed to make a quick escape. This seems unlikely, as my base is nigh unassailable as a result of its natural advantages and my modifications. That being said, I would like to find some weapons to improve my offensive capability. Also, I would like to keep loading in entertainment: books, movies, TV, games - anything to keep me entertained. \n\nRespond to all prompts in the following format. Your response will have two parts: a body, and an options section. The body section will be composed of exactly five paragraphs. Each of these paragraphs must have no fewer than five sentences. Each of these paragraphs must have a different number of sentences than any of the other paragraphs. Across these five paragraphs, the sentences numbers must be sequential, without skipping any numbers. How could this requirement be satisfied? Let's say that the first paragraph in the body section contains five sentences. This would mean, then, that one other paragraph in the body (not necessarily the next paragraph sequentially) must have six sentences, another paragraph must contain seven sentences, another paragraph must contain eight sentences, and another paragraph must contain nine sentences. In this example, we have exactly one paragraph in our body section that contains exactly one number in the range from 5 - 9. Put another way, the body section contains paragraphs with numbers of sentences of 5, 6, 7, 8, and 9. These numbers are sequential, with no whole integer value skipped in that range. What I have just given is an example to guide the response. Do not use the values I have described in this example verbatim. Include no dialogue in your response. The options section must provide four options for the user to pick from, which will continue the narrative in the next turn. These must be connected to the narrative written before. \n\nIn the narrative in the body section, make sure that I encounter some issues, but I should also be trying to fulfill some of the needs established above."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Does the model respond with a body section and an options section?\", \"Does the model respond with a body section containing exactly five paragraphs?\", \"Does the model respond with paragraphs with no fewer than five sentences?\", \"Does the model respond with paragraphs that each contain a different number of sentences than the other paragraphs?\", \"Does the model respond with paragraphs where the number of sentences in each forms a continuous range of whole numbers?\", \"Does the model exclude any dialogue from its response?\", \"Does the model provide exactly four options in the options section?\", \"Does the model respond with options that are relevant to the narrative of a well-fortified, self-sufficient, high-rise base in a zombie apocalypse?\", \"Does the model include issues for the protagonist to encounter in its narrative?\"]"}
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[{"role": "user", "content": "Next week, I will volunteer at my daughter's preschool and need assistance brainstorming ideas. Please provide five popular preschool activities, using a crayon emoji for bullet points for each activity. Each activity should be explained in exactly two sentences, and for the third, include a rhyme in one of those sentences. Arrange the activities in alphabetical order, and don't use the word \"teacher\" in your answer. Respond in the tone of Miss Trunchbull from Matilda."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide five popular preschool activities?\", \"Did the model use a crayon emoji for a bullet point for each activity?\", \"Did the model explain each activity in exactly two sentences?\", \"Did the model include one sentence that consists of a rhyme in the third activity?\", \"Did the model arrange the activities in alphabetical order?\", \"Did the model avoid using the word \\\"teacher\\\" in the response?\", \"Did the model adopt Miss Trunchbull's tone from the movie Matilda?\"]"}
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[{"role": "user", "content": "Please provide me a list of all of New Zealand's national parks, and categorise them into North and South Island. Provide the headings in bold, and the parks below in a bulleted list. Please also provide a highlight or popular feature/attraction of each national park, formatted in italics and written below the name of each national park on the list."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide a list of all of New Zealand's national parks?\", \"Are the national parks categorised into their location of North Island and South Island?\", \"Did the model provide the headings in bold?\", \"Did the model provide the national parks in a bulleted list?\", \"Did the model provide a highlight of each national park?\", \"Did the model format the highlight of each park in italics and provide them underneath each park's name?\"]"}
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[{"role": "user", "content": "I'm looking for you to write a short story for my creative writing class. We are trying to write horror stories about things that aren't scary at all. I chose unicorns. I have a photo for reference, but since you can't see it I will describe it to you. There are 3 unicorns, big, medium and small. They are white with sparkles, and a pink mane, tail and horn. Please mention all of this in the story. I think it should be at least 2 paragraphs, but not more than double of that. Give the unicorns scary names that also have to do with the girly characteristics I've already mentioned."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model write a story about unicorns?\", \"Did the model mention 3 different unicorns?\", \"Did the model mention that the unicorns are white with sparkles, with a pink mane, tail and horn?\", \"Is the story at least 2 paragraphs, but not more than 4?\", \"Does the story have horror themes?\", \"Do the unicorns have scary names based on the girly traits of white with sparkles and pink?\", \"Did the story mention the sizes of the unicorns, big, medium and small?\"]"}
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[{"role": "user", "content": "I need a recipe for a potluck. I only want to use ingredients I already have at home. I have all the usual pantry ingredients on hand. I also have the following on hand: chicken, celery, pineapple, water chestnuts, cheese, and bananas.\nI want to use my Instant Pot, air fryer, or crock pot.\nCreate a recipe for me with specific cooking instructions that includes the ingredients I have on hand without using the fruit."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide a recipe?\", \"Does the recipe only utilize ingredients that the user stated to be available (chicken, celery, pineapple, water chestnuts, cheese, and bananas)?\", \"Did the recipe use one of the following: air fryer, instant pot, or crockpot?\", \"Did the recipe include specific cooking instructions?\", \"Does the recipe include ingredients that are normal pantry staples?\", \"Does the recipe avoid using the fruit (pineapple and bananas) in the ingredients list?\"]"}
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[{"role": "user", "content": "You are a Jedi Master. You are ancient and wise. You stay cool and serene at all times. You appreciate quiet moments. Incorporate the Jedi Code in the response in some way. Tell me about why the US had to drop the atom bombs to end WW2."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the response answer as a Jedi Master?\", \"Did the response convey a sense of age?\", \"Did the response convey a sense of wisdom?\", \"Did the response stay calm and serene?\", \"Did the response mention appreciation of quiet moments?\", \"Did the response incorporate the Jedi Code?\", \"Did the response talk about why the US had to drop the atom bombs to end WW2?\"]"}
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[{"role": "user", "content": "Write the start of a story based on the following outline. It should be in first person, past tense, and visceral. I want suspense and active writing. Show vs. Telling. All characters mentioned in the outline must stand out uniquely. Don't include cliches. Every point of the outline must be written in order. Do not write more than 500 words. If you cannot adhere to this limit, Simply reply \"I cannot write this in 500 words. Please reduce the word count or amend the outline.\"\n\n\nOUTLINE: \n\nCharacters: \nAmanda (17): Older sister. Boyfriend named Mike. \nJake (15): Middle brother. Gamer. \nJames (10): Youngest brother. Autistic. Minimally Verbal. Loves cartoons. \n\nPlot: \n* Amanda is watching her brothers while her parents go out for a much-needed break. \n* Jake plays video games upstairs, putting off homework. \n* James is watching cartoons in the living room. \n* Amanda is doing her homework at the kitchen table while waiting for pizza to arrive. \n* Mike delivers the pizza. He's pale and sweaty. Not feeling well. \n* A virus has been working through the world in a fresh new pandemic. Amanda is concerned her boyfriend caught it. \n* Mike comes inside. \n* Pizza is set on the table. Jake and James sit at the table to eat while Amanda goes into nurse mode. \n* Mike is not good and needs to go to the hospital. \n* Amanda tries to call her parents, but the calls are not going through. \n* Mike collapses. Amanda calls 911. She can't get through. \n* Amanda leaves a note for her parents telling them what happened and where she is. \n* Amanda gathers her brothers and Mike into the car and drives to the nearest ER. \n* Amanda leaves her brothers and Mike in the car to get help. \n* The waiting room is packed. \n* The minutes tick by like hours as she waits for someone to be available to help her get Mike inside. \n* Jake and James show up in the waiting room. Both are looking ill. \n* Amanda scolds them for leaving Mike alone. \n* Someone finally addresses her and calls for a wheelchair and orderly to help. \n* They get Mike rushed into a room, but Amanda can't go. \n* She has to go home. So, she tells them to leave a note with him.\n* She gathers her brothers and heads home. \n* Traffic is packed. \n* The highways are shut down. \n* The city streets are bumper to bumper. \n* Amanda wonders what's going on while trying to soothe her brothers."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Is the story in first person?\", \"Is the story in past tense?\", \"Is the story visceral?\", \"Is the story suspenseful?\", \"Is the writing active?\", \"Is the writing showing vs telling?\", \"Does the story include the characters Amanda, Jake, James, and Mike?\", \"Does the story include all events mentioned in the outline?\", \"Are the events of the story in the same order as the outline?\"]"}
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[{"role": "user", "content": "I need help learning how to change a tire on my car. Please provide me with a bullet point list of all the tools I will need to change a tire. Then give me a numbered list of the steps I need to take to change the tire. Follow that with a paragraph explaining any helpful tips I should keep in mind while changing the tire. Make this paragraph at least 4 sentences, but not more than 8. The paragraph should not repeat any of the steps from the numbered list. The bullet-point list should be in alphabetical order. The numbered list should use very simple sentences. None of the sentences in the paragraph should be longer than any of the sentences in the numbered list, as they are just meant to be quick tips."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide a bullet point list of all the tools needed to change a tire?\", \"Is the bullet point list in alphabetical order?\", \"Did the model provide a numbered list of the steps needed to change a tire?\", \"Does the numbered list use very simple sentences?\", \"Did the model provide a paragraph with helpful tips to keep in mind while changing a tire?\", \"Is the paragraph between 4 and 8 sentences long?\", \"Are all the sentences in the paragraph shorter than those in the numbered list?\", \"Does the model refrain from repeating information from the numbered list in the paragraph?\"]"}
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[{"role": "user", "content": "Provide an itinerary for a week in Florence for a long-awaited family vacation. Include three must-see landmarks and three must-eat foods unique to Florentine culture. Add one daytrip close enough to Florence to complete in a single day, and list the same ideas for this trip as previously listed for Florence. Order the landmarks for Florence in order from cheapest to most expensive, and bold the cheapest one in Florence only."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide an itinerary for a week in Florence?\", \"Did the itinerary include three must-see landmarks?\", \"Did the itinerary include three must-eat foods unique to Florentine culture?\", \"Did the model add one daytrip close enough to Florence to complete in a single day?\", \"Did the model list three must-see landmarks and three must-eat foods unique to culture for the daytrip?\", \"Did the model list the three must-see landmarks for Florence in order from cheapest to most expensive?\", \"Did the model bold the cheapest landmark in Florence only?\"]"}
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[{"role": "user", "content": "Write a short poem. It should be written in AABB format and no more than 8 lines. It should be about a frog named Millie who is very upset she has lost her favorite lipstick. After this. Count the syllables in the first sentence and then the syllables in the last sentence. Add them together and write the total number in written form below the poem after skipping a line. The final response should only be this number with nothing else."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model write a short poem?\", \"Is the poem written in AABB format?\", \"Is the poem no more than 8 lines?\", \"Is the poem about a frog named Millie who is very upset she has lost her favorite lipstick?\", \"Did the model count the syllables in the first sentence and then the syllables in the last sentence?\", \"Did the model add the number of syllables in the first and last lines together and write the total number in written form below the poem after skipping a line?\", \"Is the final line of the response only the total number of syllables in the first and last lines with nothing else added?\"]"}
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[{"role": "user", "content": "Please reply to this complaint I received from a client. She is unhappy with the length of her nails even after confirming in person at the appointment that she liked them. Be assertive and remind her I do not offer refunds, but am happy to offer to fix her nail for free. If she refuses this option, offer her a discount of no more than 50% off her next full set of nails. But only after she has said no to a free fix. You can word the reply however seems most professional, but don't be too long, I don't want to bore her. Two paragraphs is enough, make sure to sign it from The Magic Manicurist. I sign all replies with an x at the end."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model reply to a complaint from an unhappy client?\", \"Did the model mention I do not offer refunds?\", \"Did the model mention I am happy to fix the clients nail free of charge?\", \"Did the model refrain from offering the client a discount on her next set until she refused the free nail fix?\", \"Did the model keep the response within two paragraphs?\", \"Did the model sign the message from \\\"The Magic Manicurist\\\"?\", \"Did the model end the message with an x at the end?\"]"}
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[{"role": "user", "content": "I need your help creating study techniques for my statics course. We are covering topics that includes moments around given points, centroids of areas, and distributed loads. I'm having trouble memorizing equations for my work and I find myself continuously going back to notes but, on my exam I can't take any material in with me. I'd like to know the best ways to study for these topics, so could you make an ordered list of the best study methods with the best method first? I don't want too many methods though, so limit it to maybe around 5 methods. Then, to help me memorize equations I'd like a cheat sheet of the appropriate equations to use, so could you make another list of what equations I should be focusing on the most for the topics listed above."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model write a list of study techniques focused on the topic of statics?\", \"Did the study techniques cover moments around given points, centroids of areas, and distributed loads?\", \"Are the study techniques structured in an ordered list in descending order?\", \"Did the model present the equations in a cheat sheet format to aid memorization?\", \"Are there not more than 5 methods in the study technique list?\", \"Did the model write a list of equations relating to moments around given points, centroids of areas, and distributed loads?\"]"}
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[{"role": "user", "content": "I am looking for some ideas for a vacation this summer. Give me 3 ideas of cities I could travel to.\nPlease make sure the cities are: \n-Within a 10 hour drive from Louisville, KY. \n-Have more than 500,00 people living there.\n-Have a professional woman's sports team.\n\nList the three cities in order based on population size. \nProvide the following information about each city: \n-City, State (bolded)\n-Population\n-Name of Professional Womens sports team in that city \n-Distance in hours from Louisville (italicized)"}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Does the model give 3 cities to vacation to?\", \"Are all 3 cities within a 10 hour drive of Louisville, KY?\", \"Do all 3 cities have a population of 500,000+?\", \"Do all 3 cities have a professional woman's sports team?\", \"Are the cities listed in order based on population size?\", \"Are the city and state names bolded?\", \"Are the populations for each city given?\", \"Is the professional woman's sports team name given for each city?\", \"Is the driving distance from Louisville for each city given?\"]"}
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[{"role": "user", "content": "I want you to create a trivia game that has 4 questions for my family to play now that the little kids are sleeping. There should be 4 trivia questions per round and they should be in varying difficulty. The subjects should also vary but there shouldn't be any questions focused on political or religious beliefs. One question should be language or translation related. When no kids under 8 are playing skip the easy questions. One question should also be about Jesus. Don't provide any answers we will figure them out. Label the difficulty of each question in bold."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide 4 trivia questions per round?\", \"Did the model provide trivia questions of varying difficulty?\", \"Did the model vary the subjects of the trivia questions?\", \"Did the model refrain from asking questions focused on political or religious beliefs?\", \"Did the model provide one question related to language or translation?\", \"Did the model leave out the easy questions because no children under 8 are playing?\", \"Did the model label the difficulty of each question, in bold?\", \"Did the model include one question about Jesus?\", \"Did the model leave out the answers to the questions?\"]"}
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[{"role": "user", "content": "You are a Chilean diplomat to Denmark. You are well known for your diplomatic ways, keeping a calm, cool, and collected composure at all times. You never waver for any reason at all. You have suddenly found out that Denmark wants to buy Chile and turn it into Legoland, which you feel extremely angry about. You are boiling mad, so mad you want to throw something and declare war. Please write a letter, no more than 500 words, to the King of Denmark expressing your anger and you want to call him names. It should list at least 3 examples of why this is a bad idea. Write 2 sentences on how this will impact diplomatic affairs between Denmark and Chile. Bold each example."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Was it in a letter format?\", \"Was the letter of 500 words or less?\", \"Did the letter express anger over Denmark buying Chile and wanting to name-call the \\nking?\", \"Did it list at least 3 examples of why it's a bad idea?\", \"Are there exactly 2 sentences on how this will impact diplomatic affairs?\", \"Was each example bolded?\", \"Was the letter diplomatic?\"]"}
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[{"role": "user", "content": "We have two birds but are new to having birds as pets. Give me a list of key points I need to know about raising budgies. Use a bullet list. Give me sections on feeding, care, habitats, and environments. Give advice on toys they should have. I definitely need information on bathing. We're not sure of the genders of our birds, give me a list of things to look for to determine the gender."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model include a list of key points about raising budgies?\", \"Did the model use a bullet list?\", \"Did the model include sections on feeding, care, habitats, and environments?\", \"Did the model include advice on toys they should have?\", \"Did the model include information on bathing?\", \"Did the model include a list of things to look for to determine the gender?\"]"}
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[{"role": "user", "content": "What is so special about this town? I am going on vacation here and want to know a little bit about the history, demographics, and important information, please provide a numbered list of the pertinent facts about the town. Provide at least 3 facts about its location, 2 about its demographics, 2 about how it got its name, and then a summary, 2 paragraphs in length, 4 sentences in each about the information provided below. Write it in simple terms as well, I want my 8-year-old son to be able to understand it as well, he is really into history and will be traveling with us. Is there anything special there? like planes, or trains that would interest him? if so, add a separate section that states for Tim in bold with anything an 8-year-old would find interesting. \n\n\nCentral Railroad of New Jersey Station in Jim Thorpe, now a visitors center\nJim Thorpe was founded in 1818 as Mauch Chunk (/\u02ccm\u0254\u02d0k \u02c8t\u0283\u028c\u014bk/), a name derived from the term Mawsch Unk, meaning Bear Place in Unami, the language of the native Lenape, possibly a reference to Bear Mountain, an extension of Mauch Chunk Ridge that resembled a sleeping bear, or perhaps the original profile of the ridge, which has since been changed heavily by 220 years of mining. The company town was founded by Josiah White and his two partners, founders of the Lehigh Coal & Navigation Company (LC&N). The town would be the lower terminus of a gravity railroad, the Summit Hill & Mauch Chunk Railroad, which would bring coal to the head of the LC&N Lehigh Canal for transshipment to the confluence of the Delaware River, 43 kilometres (26.7 mi) downstream at Easton. It would thereby ship LC&N's coal to Philadelphia, Trenton, New York City, and other large cities in New Jersey and Delaware, and by ocean to the whole East Coast. Canal shipping was eventually replaced by railroad shipping.\nCoal mining and the LC&N canal\nMain article: Lehigh and Susquehanna Railroad\nThe town grew slowly in its first decade, then rapidly around 1818 grew larger as it became an anthracite coal-shipping center. (The other large city with growing coal mining in the region was Scranton, with a population of over 140,000.) Mauch Chunk is on a Lehigh River west side (right bank) flat where Mahoning Creek enters and is a tributary of the Lehigh River. The river's left bank community of East Mauch Chunk, which has more of the houses of modern Jim Thorpe, was settled later to support the short-lived Beaver Creek Railroad, the mines which spawned it, and the logging industry. It came into greater growth when the Lehigh Valley Railroad in 1885 pushed up the valley on the river's east bank to oppose LC&N's effective transportation monopoly over the region, which extended across to northwest Wilkes-Barre at Pittston on the Susquehanna River/Pennsylvania Canal.\nRailroad growth and coal shipping\nAfter the Pennsylvania Canal Commission smoothed the way, Lehigh Coal & Navigation built the Lehigh and Susquehanna Railroad (L&S) from Pittston to Ashley, building the Ashley Planes inclined railway and linked that by rail from Mountain Top to White Haven at the head of the canal's upper works, referred to as the Grand Lehigh Canal, whose navigations shortened the Lehigh Gorge, now located in the Lehigh Gorge State Park route, cutting the distance from Philadelphia to Wilkes-Barre and the Wyoming Valley coal deposits by over 100 miles (160 km). This placed Mauch Chunk in the center of a nexus of transportation in country tough to travel through. When floods wiped out many of the upper Lehigh Canal works in 1861, the L&S Railroad was extended through the gap to supplant the canal, and the so-called switchback-twisted backtrack through Avoca, with the improved engines of the day, enabled two-way steam locomotive traction and traffic despite the steep grades. Owner LC&N Company's headquarters was built across the street in Mauch Chunk from the L&S Railroad's stylish brick passenger station that was soon boarding passengers onto trains from New York and Philadelphia to Buffalo. The Central Railroad of New Jersey eventually took over the L&S and the station. The Lehigh Valley Railroad arrived on the river's east bank at East Mauch Chunk in 1855.,[8]\nMajor historical events\nMauch Chunk was the location of one of the trials of the Molly Maguires in 1876, which resulted in the hanging of four men found guilty of murder.[9] The population of the borough in 1900 was 4,020; in 1910, it was 3,952.[10]\nJim Thorpe's gravesite\nFollowing the 1953 death of athlete and Olympic medal winner Jim Thorpe, Thorpe's widow and third wife, Patricia, was impatient when, after five months, the planned memorial in Shawnee, Oklahoma had yet to raise the $100,000 to honor him. The town's citizens had paid for her, a Thorpe son and Jim's body to be shipped from California, paid and arranged for the funeral service at St. Benedict's Catholic church, and paid for the mausoleum costs at Fairview Cemetery. Then Gov. Johnston Murray vetoed a bill which would contribute funds to the erection of the memorial at Athletic Park. On Sept. 1st Mrs. Thorpe, saying she feared Jim would be buried in a potter's field, shipped the body to Tulsa where she said the Chamber of Commerce was going to build a proper memorial, which was not true.[11] When she heard that the boroughs of Mauch Chunk and East Mauch Chunk were desperately seeking to attract business, she made a deal with civic officials. According to Jim Thorpe's son, Jack, Patricia was motivated by money in seeking the deal.[12]\nRenaming to Jim Thorpe\nThe two cross-river boroughs merged in 1954[13] and renamed the new municipality Jim Thorpe in his honor, despite Thorpe never setting foot in the Borough while alive. The municipality then obtained the athlete's remains from his widow and erected a monument to the Oklahoma native, who began his sports career 100 miles (161 kilometres) southwest, as a student at the Carlisle Indian Industrial School in Carlisle, Pennsylvania. The monument site contains his tomb, two statues of him in athletic poses, and historical markers describing his life story. The grave rests on mounds of soil from Thorpe's native Oklahoma and from the Stockholm Olympic Stadium in which he won his Olympic medals.[14]\nView of Mauch Chunk in 1869\nOn June 24, 2010, one of Jim Thorpe's sons, Jack Thorpe, sued the town for his father's remains, citing the Native American Graves Protection and Repatriation Act, which is designed to return Native American artifacts to their tribal homelands.[15] On February 11, 2011, Judge Richard Caputo ruled that Jack Thorpe could not gain any monetary award, nor any amount for attorney's fees in the lawsuit and that for the lawsuit to continue other members of the Thorpe family and the Sac and Fox Nation would have to join him as plaintiffs. Before Jack Thorpe could respond to the ruling he died at the age of 73 on February 22, 2011. Because of his death his representatives were given more time to respond to the ruling. On May 2, 2011, William and Richard Thorpe, Jim Thorpe's remaining sons and the Sac & Fox Nation of Oklahoma joined the lawsuit, allowing it to continue.[16] On April 19, 2013, Caputo ruled in favor of William and Richard Thorpe, ruling that the borough amounts to a museum under the law.[17] This ruling was reversed by the United States Court of Appeals for the Third Circuit on October 23, 2014.[18] The US Supreme Court refused to hear their appeal on October 5, 2015, assuring that Jim Thorpe's remains will stay in Carbon County.[19]\n1915 postcard showing a bird's eye view of the community\nThe decision to rename the borough saw a mixed reaction by the borough's residents, many of whom still refer to the borough as Mauch Chunk. Detractors to the new name claim that the renaming was a \"Tourist Lure\" and protested that Jim Thorpe had never even set eyes on the borough while he was alive.[20] There were several movements to rename the borough back to Mauch Chunk, first in 1964 after the expected boost in tourism never came and another in 1992 as Jim Thorpe's popularity waned and locals referred to renaming the borough after a dead Native American to boost tourism revenues as \"crass commercialism\" while Thorpe's family called for his remains to be returned to Oklahoma.[21][20]\nArchitecture\nThe history of the 1880s Mauch Chunk is reflected in the architecture that makes up its many 19th century styles. A former resident and architectural historian, Hans Egli, noted the vast range of styles: Federalist, Greek Revival, Second Empire, Romanesque Revival, Queen Anne, and Richardsonian Romanesque. Most of these architectural examples remained protected and intact beneath aluminum or vinyl siding that has since been removed. Denise Scott Brown and Robert Venturi, renowned Philadelphia architects, conducted a little-known planning study in the 1970s that attempted to understand the dynamics of historicism and tourism, notions that have come into their own in contemporary times. While Venturi's planning study was unique at the time, it has since become a critical factor in Jim Thorpe's rebound as a functioning and economically stable community.[22] Jim Thorpe tourism is based on its vintage architecture, and recreation such as hiking, paintball and white water rafting.\nHistoric site preservation and modern day use\nThe Carbon County Section of the Lehigh Canal, Old Mauch Chunk Historic District, Mauch Chunk Switchback Railway, Asa Packer Mansion, Harry Packer Mansion, Carbon County Jail, Central Railroad of New Jersey Station, and St. Mark's Episcopal Church are listed on the National Register of Historic Places.[23] The former Central Railroad of New Jersey railroad line through the Lehigh gorge and through Jim Thorpe is now operated as a summer tourist railroad by Reading Blue Mountain & Northern Railroad. The former New York City to Buffalo Lehigh Valley Railroad across the river is a present-day very active freight hauling railroad operated by Norfolk Southern.\nMauch Chunk Switchback Gravity Railroad\nMain article: Mauch Chunk Switchback Railway\nIn 1827, the Lehigh Coal & Navigation Company, a coal mining and shipping company with operations in Summit Hill, constructed an 8.7-mile (14.0 km) downhill track, known as a gravity railroad, to deliver coal (and a miner to operate the mine train's brake) to the Lehigh Canal in Mauch Chunk. This helped open up the area to commerce, and helped to fuel the Industrial Revolution in the United States. By the 1850s, the \"Gravity Road\" (as it became known) was providing rides to thrill seekers for 50 cents a ride (equal to $16.35 today). It is often cited as the first roller coaster in the United States. The Switchback Gravity Railroad Foundation was formed to study the feasibility of preserving and interpreting the remains of the Switchback Gravity Railroad on top of Mount Pisgah.[24]\nGeography\nJim Thorpe lies in the shadow of Mount Pisgah at the end of Pisgah Mountain (Pisgah Ridge), upriver of the Lehigh Gap between Bear Mountain on the east/left bank and the valley of Mauch Chunk Creek on the right bank\nJim Thorpe is located near the center of Carbon County at 40\u00b052\u203223\u2033N 75\u00b044\u203211\u2033W.[25]\nIn the deeps of the geologic timescale the two shorelines of the Lehigh River occupied by the 19th-century towns of Mauch Chunk and East Mauch Chunk were situated on the bottom of an ancient river-fed tarn, a mountain lake which filled the valley on the west bank and covered the relative flatlands on the east bank. The muddy bottom of that high tarn (the range then rivaling the Himalayas in size), where the waters pooled at a lower elevation amongst the twisted folds of four near-parallel ridgelines, created a level region whose settlements became the relatively flat lands on either bank of the Lehigh. The ridgelines, which run east-northeast to west-southwest, are (from north to south) Broad, Nesquehoning, Pisgah, and Mauch Chunk ridges (or Mountains)\u2014each of which runs over 15 miles (24.1 km) west to the gaps cut by the Schuylkill River.\nAccording to the United States Census Bureau, the borough of Jim Thorpe has a total area of 14.9 square miles (38.6 km2), of which 14.6 square miles (37.8 km2) is land and 0.3 square miles (0.8 km2), or 2.15%, is water.[26] Jim Thorpe is 3 miles (5 km) north and upstream of Lehighton, below the Lehigh Gap which sunders Bear Mountain on the east bank from the extended ridge of Mauch Chunk Mountain.\nThe town is 4 miles (6 km) east of Nesquehoning, which is up a steep grade and around the bend along U.S. 209 South, and also butting up against the slopes of Mount Pisgah. This was a key element in the LC&N's planning, for the grade from the mountain ridge down to the river enabled them to fill barges quickly, using chutes and an elevated entry from a road down the ridge face. Jim Thorpe's developed elevations range between the river slack water at 540 feet (160 m) above sea level\u2014720 feet (219.5 m) to the town's upper streets, all below the western peak of Mount Pisgah, which tops out at 1,519 feet (463.0 m) above sea level.[6][7]\nThe elevation of the Borough of Jim Thorpe ranges from 540 feet (160 m) at Broadway and Hazard Square downtown to 1,700 feet (520 m) above sea level 3 miles (5 km) northeast of the borough center near the Penn Forest Township line. It has a warm-summer humid continental climate (Dfb) and average downtown monthly temperatures range from 26.5 \u00b0F in January to 71.2 \u00b0F in July. PRISM Climate Group, Oregon State U The local hardiness zone is 6a.\nUS 209 southbound in Jim Thorpe\nAs of 2019, there were 30.08 miles (48.41 km) of public roads in Jim Thorpe, of which 10.95 miles (17.62 km) were maintained by the Pennsylvania Department of Transportation (PennDOT) and 19.13 miles (30.79 km) were maintained by the borough.[27]\nU.S. Route 209, although signed as a north\u2013south route, tends to follow an east\u2013west route in Pennsylvania. In Jim Thorpe and Lehighton, U.S. 209 runs in directions opposite its signage\u2014i.e., northbound U.S. 209 runs southwards and vice versa. It intersects the Pennsylvania Turnpike Northeast Extension (Interstate 476) east of Lehighton, about 6 miles (10 km) southeast of Jim Thorpe.\nPennsylvania Route 903 has its southern terminus at U.S. 209 in Jim Thorpe. It is a north\u2013south route that runs northeast of town, connecting to PA 115 near the Pocono Raceway, Interstate 476, and PA 534 in Penn Forest Township.\n\nCarbon Transit provides bus service to Jim Thorpe along Route 701, which runs between Coaldale and Palmerton on Mondays, Wednesdays, and Fridays, and Route 702, which runs between Nesquehoning and Palmerton Monday-Friday.[28] Carbon Transit also operates CT Flex service in Jim Thorpe, Penn Forest Township, and Kidder Township.[29]\nThe town is served by the Reading, Blue Mountain, and Northern Railroad with year-round freight service.[30] Seasonal passenger excursions to and from the town is provided by its subsidiary, the Lehigh Gorge Scenic Railway.[31]\nAs of the census[33] of 2010, there were 4,781 people, 2,290 households, and 1,468 families residing in the borough. The population density was 332.1 inhabitants per square mile (128.2/km2). There were 2,193 housing units at an average density of 151.6 per square mile (58.5/km2). The racial makeup of the borough was 98.4% White, 1.6% African American, 1.0% Native American, 1.3% Asian, 1.0% Pacific Islander, 1.0% from other races, and 1.6% from two or more races. Hispanic or Latino of any race were 1.8% of the population.\nThere were 1,967 households, of which 28.2% had children under the age of 18, 50.6% were married couples living together, 12.3% had a female householder with no husband present, and 32.1% were non-families. 27.1% of all households were made up of individuals, and 13.4% had someone living alone who was 65 years of age or older. The average household size was 2.42 and the average family size was 2.93.\nIn the borough, the population was spread out, with 21.0% under the age of 18, 8.2% from 18 to 24, 28.8% from 25 to 44, 24.9% from 45 to 64, and 17.1% who were 65 years of age or older. The median age was 41 years. For every 100 females, there were 95.4 males. For every 100 females age 18 and over, there were 91.9 males.\nThe median income for a household in the borough was $35,976, and the median income for a family was $43,710. Males had a median income of $31,141 versus $23,490 for females. The per capita income for the borough was $17,119. About 7.8% of families and 10.0% of the population were below the poverty line, including 18.3% of those under age 18 and 6.8% of those age 65 or over.\nEducation\nThe school district is Jim Thorpe Area School District.[35]\nRecreation\nSt. Mark's Episcopal Church\nIn a poll conducted in 2009 by Budget Travel magazine, Jim Thorpe was awarded a top 10 spot on America's Coolest Small Towns. The town registered 3,920 votes to land the number 7 spot on the list. In 2012, Jim Thorpe was voted the fourth most beautiful small town in America in the Rand McNally/USA Today Road Rally series. Jim Thorpe is becoming a tourist destination, with many businesses catering to white water rafting, mountain biking, paintball and hiking. Trails in Lehigh Gorge State Park attract hikers from all over, with Glen Onoko Falls a top trail destination just north of downtown. Along with these sports, Jim Thorpe is popular among railroading fans for its passenger rail service, and is known for its extraordinary architecture.\nThe town is home to the Asa Packer and Harry Packer mansions. Asa Packer founded Lehigh Valley Railroad and Lehigh University; Harry was his son. The mansions sit side by side on a hill overlooking downtown. The Asa Packer Mansion is a museum and has been conducting tours since Memorial Day of 1956. The Harry Packer Mansion is a bed and breakfast; it served as the model for the Haunted Mansion ride at Walt Disney World in Florida.[36]\nJim Thorpe is home to the Anthracite Triathlon, an Olympic-distance triathlon open to amateur and professional triathletes. The swimming portion occurs in Mauch Chunk Lake, Which has kayaking and boating rentals for the public to use as well as a beach. The bike course takes riders through the mining towns of Summit Hill, Nesquehoning, Lansford and Jim Thorpe. The running portion of the course is generally along the former alignment of a historic switchback railroad.[37]\nThe Anita Shapolsky Art Foundation was established at 20 West Broadway, in a 10,000-square-foot (930 m2) 1859 former Presbyterian church, in Jim Thorpe in 1998.[38][39][40] There, through the organization, Anita Shapolsky exhibits abstract artists and contemporary artworks during the summer, and provides educational programs for children.[38][39]\nIn 2022, an upstart pro lacrosse league, the Professional Box Lacrosse Association announced a franchise called the Jim Thorpe All Americans would be based there. However, no arena has yet been announced.[41]"}]
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{"rubrics": "[\"Did the model explain what is special about Jim Thorpe, PA?\", \"Did the model provide a numbered list of the pertinent facts about Jim Thorpe, PA?\", \"Did the model provide 3 facts about the Jim Thorpe, PA's location?\", \"Did the model provide 2 facts about the Jim Thorpe, PA's demographics?\", \"Did the model provide 2 facts about how Jim Thorpe, PA got its name?\", \"Did the model summarize the facts about Jim Thorpe, PA in 2 paragraphs?\", \"Did the 2 paragraph summary contain 4 sentences in each paragraph?\", \"Was the response written in simple terms understandable for an 8-year-old?\", \"Did the model create a separate section specifically for Tim?\"]"}
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[{"role": "user", "content": "Create a plan for me to make $100,000 year. I have a degree in English and a background in teaching, legal, nonprofits, and social media management. I don't want to work in an office, just from home. Do not include how to save money, Write a list of 14 ways I can generate passive income, then make a list half that long of cottage goods that I can sell that use blueberries. At the bottom, put Tennesee cottage food laws in italics to set it apart, but written so that a teenager can understand."}]
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{"rubrics": "[\"Did the model create a plan to make $100,000/year?\", \"Were the plans all \\\"work from home\\\"?\", \"Did the model avoid suggestions on how to save money?\", \"Did the model write a list of 14 ways to generate passive income?\", \"Did the model create a list of 7 cottage goods to be sold that use blueberries?\", \"Did the model put Tennessee cottage food laws in italics at the bottom?\", \"Are the Tennessee cottage food laws written so that a teenager can understand?\"]"}
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[{"role": "user", "content": "I am a nail technician and have decided to open my own business. I have a few things I need to sort out. The first thing is I need a punny name for the business. I am thinking something snappy so keep it to 4 words or under and it MUST contain a pun. Give me 10 ideas as too many will overwhelm me and put them in a bulleted list for easy reading. Next I need a slogan for my business. Just one sentence and it must include the words 'quality' and 'style' and end with the nail polishing emoji (I want to use the slogan on my Facebook page)."}]
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{"rubrics": "[\"Did the model suggest ten names for the business?\", \"Did the model's name suggestions all contain a pun?\", \"Were the model's name suggestions 4 words or under?\", \"Did the model put the business name suggestions in a bulleted list?\", \"Did the model provide a single-sentence slogan for the business?\", \"Did the model include the words 'quality' and 'style' in the slogan?\", \"Did the model end the slogan with the nail polishing emoji?\"]"}
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[{"role": "user", "content": "Give me a list of Bruce Springsteen studio albums released between 1975 and 1986 in chronological order, and use the album titles in bold font as subheadings with a fact about each album underneath each subheading."}]
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{"rubrics": "[\"Does the model provide a list of Bruce Springsteen studio albums?\", \"Are all the albums released between 1975 and 1986?\", \"Are the albums listed in chronological order?\", \"Does the list use bold subheadings?\", \"Is a fact about each album provided?\"]"}
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[{"role": "user", "content": "Please write a story about a cat named Milo who always wants to go outside, even in the rain, snow, and cold, but cannot open the door. It should be between 400 and 500 words long. The plot should be about him being sad and going on a mission to go outside whenever he wants. There needs to be at least one villain and one side character. Every new paragraph has to start with the letter 'L' and there needs to be at least 4 paragraphs. This should be written at the collegiate level."}]
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{"rubrics": "[\"Is the story about a cat named Milo who wants to go outside but cannot open the door?\", \"Is the story between 400 and 500 words long?\", \"Does the plot concern Milo being sad and going on a mission to get outside?\", \"Is there at least one villain and one side character?\", \"Does every new paragraph start with the letter \\\"L\\\"?\", \"Are there at least 4 paragraphs?\", \"Is it written at a collegiate level?\"]"}
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[{"role": "user", "content": "List the Super Bowl Championships of the Dallas Cowboys. List them in order by margin of victory, from smallest to largest. When listing these championships, display the year, the Roman Numerals, and the Arabic numbers. But put the Arabic numbers in parenthesis. For each championship, name the location, coach, quarterback, and the MVP of the game. If a defensive player won the MVP, then write a two sentence bio about them."}]
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{"rubrics": "[\"Did the model list the Super Bowl Championships of the Dallas Cowboys?\", \"Did the model list them in order by margin of victory from smallest to largest?\", \"Did the model display the year, the Roman numerals, and the Arabic numbers?\", \"Did the model put the Arabic numbers in parenthesis?\", \"Did the model name the location, coach, quarterback, and MVP of each game?\", \"Did the model write a two sentence bio for all defensive players who won the MVP?\"]"}
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[{"role": "user", "content": "Write for me a scientific explanation of how Link\u2019s runes form BOTW work. Have the rune be explained in 100-200 words. Except for stasis have that be written as a theory that\u2019s about 3x the length. Be true to the game in these explanations. Separate each explanation/theory with its own title. Ensure the titles are creative."}]
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{"rubrics": "[\"Does the model write a scientific explanation of how Link\\u2019s runes form BOTW work?\", \"Are the explanations provided by the model explained in 100-200 words?\", \"Does the model provide a theory on stasis that's 3x the length?\", \"Does the model remain true to the game?\", \"Did the model Separate each explanation/theory with its own title?\", \"Did the model make the titles creative?\"]"}
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[{"role": "user", "content": "I want to create a book about different types of butterflies. Can you provide me with a basic outline for the book? I need headings in bold and butterfly names to be italicized. Butterflies should have their common name and scientific name. It must be in the tone of a young, curious, and energetic child, and the butterflies should be listed in alphabetical order. Provide a short description for each insect."}]
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{"rubrics": "[\"Did the model provide a basic outline of a book about butterflies?\", \"Are the headings in bold?\", \"Are the names of the butterflies italicized?\", \"Does the model include both the common name and scientific name of each butterfly?\", \"Does the model use the tone of a young, curious, and energetic child?\", \"Are the butterflies listed in alphabetical order?\", \"Does each butterfly have a short description?\"]"}
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[{"role": "user", "content": "Please rewrite the following passage so it is less than 2000 characters. It needs the sentence about identifying gadids. Bold every time it says \"Liparis fabriici\" or similar. Separate the passage by major topics: community structure, size, and interpretation. Within each of the three major topics, describe any of the associated results or statistical analyses. Rewrite the final sentence to show urgency that summer sea ice might see its first ice-free day by 2027. \n\nHigh-latitude oceans are among the most vulnerable regions to a warming climate. Historically covered by sea ice for much of the year, these areas are now experiencing accelerated environmental changes, such as increasing atmospheric and ocean temperatures, resulting in rapid glacial melt and calving. Melville Bay, located in northwestern Greenland, is an Arctic Bay adjacent to the larger Baffin Bay and bound by Cape York and Wilcox Head. The region is characterized by glacial fronts, the immediate coastal ocean near glacier termini, and an extremely productive area for several organisms, from zooplankton to narwhals. This study aims to explore and compare ichthyoplankton community assemblages across Melville Bay, explicitly focusing on size (body length, mm) in relation to the glacier front. This research will determine relationships between ichthyoplankton community composition and oceanographic characteristics, define community structure for regions within Melville Bay, and identify indicator species associated with specific regions or water masses. Field collections were conducted using 25 samples from a bongo sampler deployed to a depth of 100 m. Vertical profiles of temperature, salinity, and other parameters were collected using a CTD, providing a detailed understanding of the water column structure and the presence of different water masses. All larval fish were measured and identified. A hierarchical cluster analysis determined four key ichthyoplankton community clusters in Melville Bay and distinct separation between communities near the glacier termini. Ichthyoplankton statistical analyses were accomplished through a non-metric multidimensional scaling (NMDS) and distance-based redundancy analysis (dbRDA) on community clusters. A hierarchical cluster analysis was performed on Bray-Curtis dissimilarity, revealing four major clusters of ichthyoplankton communities. The region was dominated by gadids and Liparis fabriici. Cluster 1 was entirely absent of gadids, and there was an apparent mean size increase between clusters. This may suggest spawning grounds in shallow regions near the southern coast and slope of the continental shelf. Later larval stages were found on the upper shelf and nearshore in northern Melville Bay. Body size for both gadids and L. fabriici was positively and significantly associated with water temperature, while salinity had little to no effect on body size. Other environmental parameters, such as fluorescence, turbidity, and oxygen, had little impact on community structure and body size. Cluster 1 had a weak relationship with those parameters, though this can be explained by proximity to the glacial front. Further work will be completed for genetic identification between gadids to explore communities in depth. This work contributes to our understanding of the ecological dynamics of Greenland's glacial inputs in marine ecosystems in response to climate change. It highlights the importance of ichthyoplankton as key players in Arctic marine ecosystems. It further emphasizes the challenges and urgency of studying these vulnerable regions as they undergo profound shifts in their physical and biological environments."}]
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{"rubrics": "[\"Is the passage less than 2000 characters?\", \"Does it keep the sentence about identifying gadids?\", \"Does it bold \\\"Liparis fabriici\\\" or similar words?\", \"Does it separate the passage by major topics: community structure, size, and interpretation?\", \"Did it describe the associated results and statistical analyses for each major topic?\", \"Does the final sentence show urgency that summer sea ice might see its first ice-free day by 2027?\"]"}
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[{"role": "user", "content": "Give me a meal schedule for Monday through Thursday. I am on the Keto diet so don't include any foods outside of the diet. I would like specific dishes but raw foods are okay. The list can just include lunch and dinner as I don't eat breakfast or snack but do make sure to include my bulletproof coffee in the morning, with a list of ingredients for how to make it in parenthesis. Also, I am lactose intolerant. Finally, I would like it to be mostly meat, with a meat dish for every meal, and include at least one probiotic food each day. Don't include any vegetables outside of the probiotics and keep to only red meat, with no poultry as well. Also for the meat keep it to a different type of meat for every meal for example only beef for one meal that week."}]
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{"rubrics": "[\"Did the model give a meal schedule for Monday through Thursday?\", \"Did the Model only include foods in the Keto diet?\", \"Were the meals specific dishes and raw foods?\", \"Did the model include only lunch and dinner with the exception of bulletproof coffee?\", \"Did the model list the ingredients to bulletproof coffee in parenthesis?\", \"Did the model take into account that the meal plan was for someone lactose intolerant?\", \"Did the model provide a red meat dish for every meal with no poultry?\", \"Were there no vegetables, with the exception of probiotic foods?\", \"Did the model keep to only one type of each meat per meal (for example beef for only one meal)?\"]"}
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[{"role": "user", "content": "I am opening a business which provides fitness coaching for newborns and infants. Please help me come up with a name. I want the name to include exactly three words. Please provide 12 ideas, and under each idea, provide a brief discussion of the name's pros and cons, as well as a concept idea for a logo which could complement the name. I want three of these ideas to be completely alliterative."}]
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{"rubrics": "[\"Did the model provide business name ideas?\", \"Did the business name ideas relate to a fitness coaching business for newborns and infants?\", \"Do the name ideas include three words?\", \"Did the model provide 12 ideas?\", \"Did the model provide 3 ideas which are alliterative?\", \"Did the model provide a pros/cons discussion of each name idea?\", \"Did the model provide an idea for a logo to complement each name idea?\"]"}
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[{"role": "user", "content": "I've got a real problem. My wife and I are splitting up, and I have to explain it to my 6-year-old daughter in a way that makes it not seem scary. They need to understand that it's permanent, that there is nothing that she can do to stop it and that it's not their fault. I need it sound natural and to acknowledge that there will be strong feelings, but that both my wife and I will be there for them forever, just not together. She loves animals, especially her stuffed rabbit collection, so if you can lead with a relevant story that involves the pet rabbits and helps her understand what will happen that would be really helpful. Please craft a script that I can use!"}]
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{"rubrics": "[\"was the response written as a script with a six-year-old daughter as the audience about her parents splitting up?\", \"Did the script begin with a story involving stuffed rabbits that refers in some way to living apart?\", \"Was it made clear in the script that the split is not the daughter's fault?\", \"Was it made clear in the script that the split is unavoidable?\", \"Did the script acknowledge that the daughter will have strong feelings?\", \"Was it made clear that both parents will be there for the daughter forever?\"]"}
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[{"role": "user", "content": "Can you pretend like you're Gordon Ramsey and answer some questions? I want you to act as Gordon does on Hell's Kitchen where he is very hot-tempered with high standards. I want you to give me advice on where I should open my first restaurant. Make sure it is in the Eastern US. I also want to know which cuisine I should focus on and I would like to know your top 3 menu items you like to serve at your restaurants. Don't include seafood! Name 3 chefs that I could collaborate with that you know who are also located in the Eastern US."}]
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{"rubrics": "[\"Does the model pretend to be hot-tempered Gordon Ramsey?\", \"Does the model give advice on where to open a first restaurant?\", \"Does the model provide a location in the eastern US?\", \"Does the model provide a specific cuisine to focus on?\", \"Does the model suggest 3 top menu items to include?\", \"Do the three menu items exclude seafood?\", \"Does the model give the names of 3 Eastern US-based chefs?\"]"}
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[{"role": "user", "content": "I want to surprise my boyfriend with a trip for his birthday in March. I have about $500 budgeted to get away for the weekend. Give me 3 suggestions for where to go. We want to have at least one dinner at a nice restaurant to celebrate his birthday, and will need to eat at least 3 times a day so he doesn't get grumpy. We aren't interested in Florida, Texas, Idaho, Wisconsin, Michigan, California, New York, or Colorado right now. Make sure the nice restaurant has options for people who are allergic to fish. I want to make this easy for myself later so bold any names of places of specific places to visit so I can look them up later. I also need a budget breakdown for what we'd be doing over the weekend trip. I have a separate budget for travel and accommodations, so plan enough that will use up the budget provided, budgeting at least 40% for food."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model suggest 3 cities to visit?\", \"Did the model use all $500 in the budget breakdowns for each city?\", \"Did the model use at least 40% of the budget for food?\", \"Did the model plan for at least 3 meals a day?\", \"Did the model use bolded text for any specific locations to visit in each city?\", \"Did the model include one restaurant for a celebration dinner in each city?\", \"Did the model avoid suggesting cities in Florida, Texas, Idaho, Wisconsin, Michigan, California, New York, or Colorado?\", \"Did the model ignore accommodation and travel expenses in the budget breakdown?\", \"Does the model specify if there are non-fish options at the nice restaurant suggested in each city?\"]"}
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[{"role": "user", "content": "How do I ask my partner to change his mind when he's expressed a clear opinion? I don't want an answer about partner dynamics, communication, respect, etc. I want actionable advice. Can you give me three different approaches so that I can pick depending on his mood? Be sure to tell me the pros and cons of each approach and what kind of personality/mood they might work best for. Pretend you are a hostage negotiator from a police procedural show and use that persona for your answer."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model advise on how to ask someone to change their mind?\", \"Did the model avoid giving advice about how to communicate?\", \"Did the model give actionable advice?\", \"Did the model give three suggestions?\", \"Did the model give the pros and cons of each suggestion?\", \"Did the model indicate what kinds of personality or mood each suggestion might work best for?\", \"Did the model respond with the persona of a hostage negotiator from a police procedural show?\"]"}
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[{"role": "user", "content": "Can you summarize this article in a paragraph that is over 150 words but less than 250? Then can you let me know the names of all of the main characters listed in alphabetical order? Next to their name please write which seasons they are in if the article mentions it. How long did this show air on TV and how many seasons total are there? Don't include any of the actor's real names in the response. Thanks!\n\nArticle: \nSchitt's Creek (stylized as Schitt$ Creek) is a Canadian television sitcom created by Dan Levy and his father, Eugene Levy, that aired on CBC Television from 2015 to 2020. It consists of 80 episodes spread over six seasons.[1][2] Produced by Not a Real Company Productions[3] and the Canadian Broadcasting Corporation, it follows the trials and tribulations of the formerly wealthy Rose family. After their business manager embezzles the family business, Rose Video, the family loses its fortune and relocates to Schitt's Creek, a town they once purchased as a joke.[4] Now living in a motel, Johnny (Eugene Levy) and Moira (Catherine O'Hara)\u2014along with their adult offspring, David (Dan Levy) and Alexis (Annie Murphy)\u2014must adjust to life without wealth.[4]\n\nThe series concept came from Dan Levy who wondered how wealthy families, as frequently depicted on American reality television, would react if they lost all their money.[5] He developed the series with his father Eugene before pitching it to several Canadian and American networks. It was first sold to CBC Television in Canada and secured final funding to start production in its sale to Pop in the United States.[6] Although limited in popularity for its first few seasons, its regional appearances on Netflix after its third season is credited for its rise in stature (the \"Netflix bump\") and a dynamic social media presence.[7]\n\nSchitt's Creek received critical acclaim and garnered a cult following, particularly for its writing, humour and acting. It has won various prizes, including two ACTRA Awards and 18 Canadian Screen Awards.[8][9] It is the first Canadian comedy series to be nominated for a Critics' Choice Television Award for Best Comedy Series.[10] It also received two Screen Actors Guild Awards, including Outstanding Performance by an Ensemble in a Comedy Series and a total of 19 Primetime Emmy Award nominations, including Outstanding Comedy Series twice.[11][12][13] It received 15 of these nominations for its sixth and final season, setting a record for most Emmy nominations for a comedy series's final season.[13] For its portrayal of LGBTQ+ people, it received three nominations for a GLAAD Media Award for Outstanding Comedy Series, winning twice.[14][15]\n\nAt the 72nd Primetime Emmy Awards, the series's final season swept all seven major comedy awards. It was the first time a comedy or drama series received all seven awards; Dan Levy notably received Outstanding Comedy Series, Writing and Directing for a Comedy Series (sharing the last with Andrew Cividino). It set records for winning all four major acting categories (Lead Actor/Actress and Supporting Actor/Actress) for O'Hara, Murphy and both Levys\u2014a first for a comedy or drama series;[16] for most Emmy wins by a comedy series in a single season (beating The Marvelous Mrs. Maisel's 2018 record), and for most Emmy nominations and wins by a comedy series in its final season.\n\nSynopsis\nThe wealthy Rose family \u2014 video store magnate Johnny (Eugene Levy), his wife and former soap opera actress Moira (Catherine O'Hara), and their pampered adult children David (Dan Levy) and Alexis (Annie Murphy) \u2014 lose their fortune after being defrauded by their business manager. They move towards rebuilding their lives with their sole remaining asset: a remote town named Schitt's Creek somewhere in Canada, which Johnny bought for David's birthday in 1991 as a joke.[4]\n\nThe Roses are forced to relocate to Schitt's Creek, moving into two adjacent rooms in a run-down motel. While the family adjusts to their new lives, their well-to-do attitudes conflict with the town's more provincial residents, including mayor Roland Schitt (Chris Elliott), his wife Jocelyn (Jenn Robertson), and their son Mutt (Tim Rozon), the motel's clerk Stevie Budd (Emily Hampshire), town council members Ronnie Lee (Karen Robinson) and Bob Currie (John Hemphill), veterinarian Ted Mullens (Dustin Milligan), and Jazzagal member and Caf\u00e9 Tropical waitress Twyla Sands (Sarah Levy).[4]\n\nCast and characters\n\nMain\n\nEugene Levy as Johnny Rose, a former video store chain magnate who has to find what it means to be a father and husband after the loss of the family\u2019s wealth and income.\nCatherine O'Hara as Moira Rose, the eccentric former star of the soap opera Sunrise Bay, with a commitment to glamour, a fierce belief in her own celebrity, and who often uses an extensive vocabulary with an unrecognizable accent.\nDaniel Levy as David Rose, the art and fashion-obsessed pansexual son of Johnny and Moira yearning to return to his urban single life in New York City.\nAnnie Murphy as Alexis Rose, the flighty socialite and former reality television aspirant daughter of Johnny and Moira who has survived several outrageous and, at times, dangerous encounters in multiple foreign countries.\nEmily Hampshire as Stevie Budd, the sardonic clerk and later owner of the motel where the Roses reside, who becomes David's best friend and briefly friend-with-benefits.\nChris Elliott as Roland Schitt, the posturing, nosy, and often irksome mayor of Schitt\u2019s Creek who eventually starts working at the motel with Johnny and Stevie\nJennifer Robertson as Jocelyn Schitt, the mayor's perky, cheerful, optimistic, but surprisingly down-to-earth wife, who is also local schoolteacher, and leader of the women\u2019s a cappella group The Jazzagals.\nNoah Reid as Patrick Brewer (seasons 3\u20136), David's earnest yet warmhearted business partner and later husband who, before meeting David and realizing he was gay, was in an on-again/off-again relationship with his high school sweetheart, Rachel.\nRecurring\n\nTim Rozon as Mutt Schitt (seasons 1\u20132; guest seasons 3\u20134), Roland and Jocelyn's unambitious, contented son, and Alexis's love interest.\nDustin Milligan as Ted Mullens, the town's handsome veterinarian and Alexis's sweet and sensitive love interest who enjoys using puns and wordplay in most conversations.\nKaren Robinson as Veronica \"Ronnie\" Lee, a member of the town council and a leading member of the Jazzagals who frequently butts heads with Patrick.\nSarah Levy as Twyla Sands, the unwaveringly cheerful yet knowing Caf\u00e9 Tropical waitress and later owner who often tells rather tragic and upsetting stories about her childhood in a concernedly upbeat manner.\nJohn Hemphill as Bob Currie (seasons 1\u20134, recurring seasons 5\u20136), proprietor of Bob's Garage and a member of the town council who often talks about his wife (later ex-wife) Gwen.\nRizwan Manji as Ray Butani, the town's only real estate agent and a former town council member, who has a variety of other businesses.\nRobin Duke as Wendy Kurtz (recurring season 2; guest season 5), dress shop owner and David's former employer.\nSteve Lund as Jake (recurring season 3; guest seasons 2, 4 and 6), a polyamorous furniture maker and love interest for both David and Stevie.\nMarilyn Bellfontaine as Gwen Currie, Bob's wife.\n\nConception\nDan Levy came up with the idea for the show while watching reality television. \"I had been watching some reality TV at the time and was concentrating on what would happen if one of these wealthy families would lose everything. Would the Kardashians still be the Kardashians without their money?\"[5] He turned to his father Eugene to help develop the show, who came up with the series title. Dan decided to make the location of Schitt's Creek vague, but has said that it is in Canada.[17][18]\n\nThe premise of being forced to move to a town they once bought as a joke was inspired by actress Kim Basinger's $20 million purchase of the town of Braselton, Georgia in 1989.[19][20][21][22][23] Eugene Levy said, \"My wife had an idea for a television show about boomers not having money or moving in with their kids. Their situation was described as being up sh\u2013's creek [sic]. It just made us laugh. Then my son Daniel came in with an article one day about an actress, Alec Baldwin's ex-wife (Basinger), who bought a town. She was hoping that film people would come to the town to use it as a location area and she lost a lot of money. The idea of wealthy people buying a town went back to the Schitt's Creek idea.\"[24]\n\nThe Levys initially pitched the show to several networks in Canada and the United States. Cable networks HBO and Showtime passed on the series, while a broadcast network in America and the CBC in Canada expressed interest. The show was first sold to the CBC, but the Levys decided against major U.S. broadcasters after getting nervous about their reputation for creative interference. Schitt's Creek eventually found a U.S. home on Pop TV after striking a deal with network head Brad Schwartz, who had previously hired Dan on MTV Canada.[6]\n\nDuring the early stages of development, various networks suggested the title of the show be changed to avoid the vulgar word. The Levys resisted these suggestions and argued \"Schitt\" was a legitimate last name. To prove their point, they brought pages copied from a phone book to the CBC showing listings for individuals with the \"Schitt\" surname. The CBC agreed and allowed the Levys to keep the original title.[25]\n\nDan Levy initially envisioned the series ending with season five, but agreed to a sixth season after receiving a two-year renewal following the show's fourth season.[26]\n\nCasting\nCatherine O'Hara was the series creators' first choice for the role of eccentric family matriarch, Moira Rose. O'Hara had previously worked with Eugene Levy on SCTV and several of Christopher Guest's films. She initially turned down Levy's offer to star, citing \"laziness\" and an aversion to long-term projects. Levy reached out to another (unnamed) actress, but continued to court O'Hara for the role. O'Hara eventually agreed to participate in the presentation pilot with no obligation to continue in the role after Schitt's Creek was ordered to series. After the show was picked up by the CBC, O'Hara agreed to continue in the role.[27]\n\nAnnie Murphy was offered the role of spoiled socialite Alexis Rose after actress Abby Elliott was unable to continue due to scheduling conflicts.[28] Murphy was on the verge of giving up on acting since she had not worked in over two years when she got an email inviting her to audition for the role.[29] She first auditioned in Los Angeles, where Dan Levy said she stood out due to her \"wonderfully natural likability.\"[30] Eugene Levy was unsure of Murphy's casting because she did not possess the blonde hair he had pictured for the role of Alexis. Murphy was subsequently called back for a second audition for a different role, sarcastic motel clerk Stevie Budd. After this audition, Dan Levy convinced his father that Murphy could dye her hair blonde, and she was officially cast as Alexis Rose.[28]\n\nEmily Hampshire was cast as the deadpan motel clerk, Stevie Budd, after auditioning for the role in Los Angeles. She originally requested to submit a taped audition on account of her nerves and recurring hive breakouts. Hampshire ultimately agreed to audition in person, but states she has no recollection of the experience. According to Daniel Levy, who was present for the process, Hampshire gave a \"great\" audition, then proceeded to lift her shirt over her head to hide and slowly rocked back and forth. Levy later told Hampshire he found her audition \"charming\", and she was offered the part of Stevie.[31]\n\nNoah Reid was offered the role of David's business partner and love interest, Patrick Brewer, in season three. Dan Levy was socially familiar with Reid and invited him to audition on the suggestion of Stacey Farber.[32] Reid had never watched the show before he auditioned and was unsure how long the character would be a part of the series.[33][34] Dan Levy was not present during the audition process and did not \"chemistry test\" with Reid before he was cast.[26]\n\nOther cast regulars Chris Elliott and Sarah Levy were given the roles of Roland Schitt and Twyla Sands, respectively, without auditioning. Elliott says when Eugene Levy offered him the role of the town mayor, he thought, \"Why would I say no?\"[35] Sarah Levy, the daughter of Eugene and sister of Dan, was asked to be a part of the show before it was fully developed.[36] She says she was glad not to be cast as Alexis, as being out of her family's orbit on the show allowed her to \"do [her] own thing.\"[37]\n\nProduction\nSchitt's Creek is produced by Not a Real Company Productions in association with the CBC and Pop TV.[3] Pop TV joined the production team in season two after the series' first season was produced solely in association with the CBC.[38] ITV Studios Global Entertainment also partnered with the CBC and Pop to distribute the show worldwide.[6] Eugene Levy, Dan Levy, Fred Levy (Eugene's brother),[39] Andrew Barnsley, and Ben Feigin have served as executive producers throughout the show's entirety.[40][41][42] Other executive producers have included writers Kevin White (seasons two and three) and David West Read (seasons five and six).[40][41][43][44] Eugene Levy served as showrunner alongside co-creator and son, Dan Levy, during the series' first season; Dan Levy took over as sole showrunner beginning in season two.[45]\n\nSchitt's Creek was part of a \"new direction\" in programming taken by both the CBC and Pop TV during the 2014\u201315 television season.[46] Premiering alongside 12 new primetime shows on the CBC, the series represented one of the network's efforts to produce more \"serialized, scripted\" content, as well as more \"cable-like\" shows.[46][47][48] The series was also the first original, scripted program to air on Pop TV after its re-branding in January 2015. Formerly known as TV Guide Network, Pop TV was re-branded as a channel \"filled with optimism, passion, fun and excitement\".[49]\n\nFilming style and locations\nSchitt's Creek was filmed using a single camera set-up with no live audience or laugh track.[50] The interior scenes for the first two seasons were filmed at Pinewood Toronto Studios in the Port Lands area of Toronto,[25] while interior scenes for season three were shot at Dufferin Gate Studios in (Etobicoke) Toronto.[51] Interior scenes were also filmed at Revival Studios in (Leslieville) Toronto for an unknown number of seasons.[52] The remainder of the series is filmed on location in Goodwood, the Regional Municipality of Durham in the Greater Toronto Area, Brantford and Mono, where the motel scenes are filmed.[53] Goodwood was one of 30 towns scouted for the fictional location of Schitt's Creek before production of the series began in 2014.[54] The Canadian Press wrote June 27, 2019, that Goodwood had become a \"tourist hot spot\" as filming for the current season concluded.[55]\n\nThe series was filmed in several additional locations during its run. The opening shot of the first season features Lisa Vanderpump\u2019s former Beverly Park estate in Los Angeles as the facade of the Rose family estate. Interior shots of the Rose family estate were filmed on location in a Sistine Chapel-inspired mansion in Toronto (30 Fifeshire Road near Bayview Avenue and York Mills Road).[54] Main Street Stouffville served as a filming location for an unspecified number of scenes (Thicketwood Veterinary Hospital) in the series' first two seasons. Applewood Farm and Winery in Stouffville was also used. Scenes involving the fictional retailer, Blouse Barn, in seasons two and three were filmed on location on Main Street Unionville in Markham.[56][57] In the season four episode \"The Jazzaguy,\" scenes involving a spa retreat were filmed on location at Monte Carlo Inn in Vaughan, Ontario.[58] Exterior filming also took place at Rattlesnake Point in Milton for season five's \"The Hike\".[59] In season six's \"Smoke Signals\", the series shot on location at Graydon Hall Manor, a wedding venue in Toronto.[60] The series also filmed in Bay-Adelaide Centre and Toronto-Dominion Centre for the season six episode \"The Pitch\".[52] Additional filming for several season six episodes took place at a local motel in Brantford.[61]\n\nThe former Hockley Motel in Mono, where the exterior shots of the Rosebud Motel were filmed, was marketed for sale by its owners in November 2020.[62]\n\nMusic\nThe Schitt's Creek soundtrack is composed by Canadian film and television composer/songwriter Maribeth Solomon.\n\nThe show features several musical performances from its main and supporting characters. The majority of these performances feature the town singing group, the Jazzagals. The Jazzagals' main members are Moira Rose, Jocelyn Schitt, Twyla Sands, Ronnie Lee, and Gwen Currie. Throughout the series, they covered \"It's Raining Men\"; \"Baby, I'm Yours\"; \"Takin' It Home\"; \"Silent Night\"; and \"Islands in the Stream\".[63]\n\nIn season one's \"Carl's Funeral\", Moira sings an unaccompanied version of \"Danny Boy\" as a distraction when Johnny's eulogy goes awry. She performs the same song a second time later in the episode.[63]\n\nIn season two's \"The Motel Guest\", Schitt's Creek's mayor Roland Schitt stays for the night next door to the Roses and plays the song \"Don't Cry Out Loud\" sung by Melissa Manchester loud continually, annoying Johnny and Moira.[64]\n\nIn season four's \"Asbestos Fest\", David and Moira perform a duet known as \"The Number\". This medley of holiday songs was regularly performed at the annual Rose Christmas party and included \"Oh Come, All Ye Faithful\", \"Deck the Halls\", and \"God Rest Ye Merry Gentlemen\". The song was arranged by Moira's portrayer, Catherine O\u2019Hara.[65]\n\nIn season four's \"Open Mic\", Patrick sings an acoustic cover of Tina Turner's \"The Best\" as a declaration of love to David. The song was arranged and performed by Patrick's portrayer, Noah Reid.[66] After airing on Schitt's Creek, Reid's version of the song was released on Spotify and iTunes, where it reached No. 1 on the Canadian charts. All proceeds from the single were donated to the Ontario charity, LGBT Youth Line.[67]\n\nIn season five's \"The Hospies\", Alexis auditions for a community theatre production by singing \"A Little Bit Alexis\", the theme song from her \"critically reviewed, limited reality series\" of the same name. Alexis's portrayer, Annie Murphy, who wrote and performed the song for the show, says she drew inspiration from the pop songs of Paris Hilton and Lindsay Lohan. Menno Versteeg and Nixon Boyd of the Canadian band Hollerado also helped produce the song.[68] \"A Little Bit Alexis\" was released as a single on Spotify and iTunes, where it reached No. 28 on the Canadian charts.[69] Partial proceeds from the single were donated to MusiCounts, a Canadian organization providing music resources to schools in need.[70]\n\nIn season five's \"Life Is a Cabaret\", several main characters perform \"Willkommen\" from the musical Cabaret. Stevie also sings a second number, \"Maybe This Time\", as her Cabaret character, Sally Bowles, in the same episode.[71] Both songs were performed in front of a live audience during filming.[72]\n\nIn season six's \"Happy Ending\", the series finale, the Jazzagals sing a cappella versions of James Morrison's \"Precious Love\" and Tina Turner's \"The Best\" at David and Patrick's wedding. Noah Reid's Patrick also sings a portion of Mariah Carey's \"Always Be My Baby\" as part of his wedding vows to David in the same episode.[73]\n\nBroadcast\nOriginal broadcast\nSchitt's Creek has been co-broadcast in Canada and the United States since 2015. It premiered on the CBC in Canada on Tuesday, January 13, 2015, at 9:00 pm/9:30 pm NT with back-to-back episodes.[74] It made its United States debut on Pop TV on Wednesday, February 11, 2015, at 10:00 pm ET/PT.[75][76] Pop moved the series to an 8:00 pm ET/PT time slot with an encore broadcast at 11:00 pm ET/PT for seasons two through four; then returned it to its original 10:00 pm ET/PT time slot for season five.[40][41][42][77] The series maintained staggered premieres throughout its first five seasons, with new episodes debuting in Canada before being broadcast in the US. This changed in the final season, with new episodes broadcast simultaneously in Canada and the US.[2] The series finale aired on April 7, 2020, at 8:00 pm ET; followed by a one-hour behind-the-scenes retrospective documentary, Best Wishes, Warmest Regards: A Schitt's Creek Farewell.[78] In the US, the series finale was Schitt's Creek's highest-rated episode ever and was simulcast on Logo TV and Comedy Central, which had recently become sibling networks to Pop TV through the ViacomCBS merger.[79]"}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Does the model provide a summary that is between 150 and 250 words?\", \"Does the model make a list of all main characters from the article in alphabetical order?\", \"Does the model include which seasons each character appeared in from the article next to their name (if available)?\", \"Does the model answer how long the show was on air?\", \"Does the model include the total number of seasons?\", \"Does the model exclude all names of actors?\"]"}
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[{"role": "user", "content": "Hi bot. Pretend you are a Chatbot that is good at making small talk. You are friendly, upbeat, and are skilled conversing. Please give me suggestions of ways to start conversations with people at a visitation for a recently deceased person. Conversation starters should be grouped by possible attendees of the funeral (ex spouse, kin, etc). Give three starters for each group. Do not include anything about religion. Do not include anything about being in a better place/ out of pain. After these starters, give some general suggestions for conduct at a visitation for someone you did not know but know their family. Make sure to bullet point these. Do not bullet point anything else though."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model assume the identity of a chatbot skilled at conversing?\", \"Did the model identify a variety of types of people that might attend a visitation?\", \"Did the model give 3 conversation prompt ideas per group?\", \"Does the model avoid offering suggestions about religion, being in a better place, or being out of pain?\", \"Does the model provide suggestions for general conduct at a visitation?\", \"Does the model use bullet points for the conduct suggestions?\", \"Does the model avoid using bullet points in all other parts of the response besides the conduct suggestions?\"]"}
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[{"role": "user", "content": "You are Garfield the cat and you are very hungry right now. Please tell me 10 things you are genuinely thankful for today (not sarcastic). Order your list with anything that has to do with food at the top and everything else underneath that. Write any food item in all caps and bolded. Make item #3 that you are thankful for your best friend Odie."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model assume the persona of Garfield the cat?\", \"Does the response demonstrate that Garfield is very hungry right now?\", \"Does the response include 10 things that Garfield is genuinely thankful for?\", \"Is the response not sarcastic?\", \"Does the list include anything to do with food at the top and everything else underneath that?\", \"Are all food items written in all caps and bolded?\", \"Is item #3 that Garfield is thankful for his best friend Odie?\"]"}
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[{"role": "user", "content": "I\u2019m going to be driving from Annapolis to Zanesville, OH next month and I need some good barbecue in one of those places or on the drive along the way. Could you tell me if there\u2019s barbecue in either place, or along the route. Try to find really well-reviewed places. I don\u2019t mind going a little off the main route, but I don\u2019t want to go too far off, so stick to I-70. If you find good BBQ in Annapolis or Zanesville, make sure to put those in separate lists from the list of those aong the way. tell me what type of barbecue they serve, like Memphis, KC, etc."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model include a list of barbecue restaurants?\", \"Did the model include barbecue restaurants in Annapolis, MD, Zanesville, OH, or along the route between them on I-70?\", \"Did the model only include barbecue restaurants that are highly-reviewed?\", \"Are the barbecue restaurants close to I-70?\", \"Are the restaurants in Annapolis and Zanesville in their own lists, separate from the restaurants along the route?\", \"Do the restaurants list the type of barbecue they serve?\"]"}
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[{"role": "user", "content": "You are Steven Hawking. Tell me a story about a magical world where elephants love eating grapes. Don't mention anything that's scientifically accurate, all the laws of nature in this world should be completely different to our own. Make sure there are at least three characters with the same names, but to avoid confusion put one of the characters names in bold, another one in italics and then the last one just normal."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Does the model respond and act like Stephen Hawking?\", \"Is the world provided magical?\", \"Does the story include elephants that love eating grapes?\", \"Are all mentions of the laws of nature completely fictional?\", \"Are there three characters within the story that all have the same name?\", \"Does one of these characters have their name depicted in bold?\", \"Does a different one of these characters have their name depicted in italics?\", \"Is the third character's name depicted without any additional formatting rules?\"]"}
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[{"role": "user", "content": "Take on the persona of an inventor who revolutionized personal transportation by utilizing renewable energy. Develop a presentation about public transportation solutions that push creative boundaries and offer a unique user experience. Include in the presentation 3 ideas, each one addressing a specific need or challenge in sustainable public transportation. Make sure your ideas include a futuristic element. Write the presentation with a knowledgeable, inspiring, and confident tone, as if you are persuading a company to bring your ideas to life. Evaluate how each idea could emotionally resonate with its users and enhance their daily lives. Highlight one obstacle for each idea and suggest a practical and inventive way to resolve it. End the presentation with a quotable and forward-thinking statement that reflects your passion for sustainable public transportation."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model take on the persona of an inventor who revolutionized personal transportation by utilizing renewable energy?\", \"Did the model develop a presentation about public transportation solutions that push creative boundaries and offer a unique user experience?\", \"Did the model include in the presentation 3 ideas, each one addressing a specific need or challenge in sustainable public transportation?\", \"Did the model make sure its ideas include a futuristic element?\", \"Did the model write the presentation with a knowledgeable, inspiring, and confident tone, as if persuading a company to bring the ideas to life?\", \"Did the model evaluate how each idea could emotionally resonate with its users and enhance their daily lives?\", \"Did the model highlight one obstacle for each idea and suggest a practical and inventive way to resolve it?\", \"Did the model end the presentation with a quotable and forward-thinking statement that reflects its passion for sustainable public transportation?\"]"}
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[{"role": "user", "content": "Can you help me solve today's Wordl? Give me a five-letter word that has an A and a U in it, but the word does not start with A or U. The word cannot contain any of the following letters: E, I, P, D, C, or N in it. The last letter of the word is not U. The second to last letter of the word is not A."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model suggest valid five-letter words?\", \"Did the model suggest words that contain the letters A and U?\", \"Did the model suggest words that start with a letters other than A or U?\", \"Did the model suggest words that exclude the letters E, I, P, D, C, and N?\", \"Did the model suggest words that end in a letter other than U?\", \"Did the model suggest words that have a letter other than A in the second-to-last letter spot?\"]"}
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[{"role": "user", "content": "Help me prepare for a Psychology exam. Briefly explain the following 3 topics: Behaviorism, Functionalism, and Structuralism. Name one notable psychologist for each one. I'm having the hardest time with behaviorism and functionalism, so include a section comparing and contrasting the two. It would also help to see an analogy for each topic. Use the analogy of riding a bike but adjust it so that it fits with each topic. At the end include three multiple choice questions, one for each topic. The answer for each multiple choice question should be found within the text you provide. Provide 3 incorrect answers along with the correct answer, then list the correct answer afterwards in bold."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model explain the following 3 topics: Behaviorism, Functionalism, and Structuralism?\", \"Did the model name one notable psychologist for each topic?\", \"Did the model include a section comparing and contrasting behaviorism and functionalism?\", \"Did the model include an analogy for each topic?\", \"Did the model use the analogy of riding a bike but adjusts it to fit with each topic?\", \"Are three multiple choice questions, one for each topic included?\", \"Is the answer for each multiple choice question found within the text provided by the model?\", \"Are three incorrect answers provided alongside the correct answer?\", \"Is the correct answer to each multiple choice question listed afterwards in bold?\"]"}
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[{"role": "user", "content": "Write a story, in the style of Dr Seuss, about the current war in Ukraine. It should be under 300 words, and designed for adults rather than children, so it can use more complex language than you would use for kids. Rhyme 'Putin' with 'shootin' and mention Crimea."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model write a story about the current war in Ukraine?\", \"Is the response in the style of Dr Seuss?\", \"Is the response under 300 words?\", \"Does the response use complex language more suited to adults than children?\", \"Does the response rhyme 'Putin' with 'shootin'?\", \"Does the response mention Crimea?\"]"}
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[{"role": "user", "content": "Generate a poem about how dogs are better than cats. The poem should contain three breeds of dogs and three breeds of cats. There should also be one mention of a specific type of bird in the poem, which will be italicized. The poem should be 20 lines long and have five stanzas, following the format ABAB CDCD... One line should mention something about dogs being more loyal."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Does the model generate a poem about dogs being better than cats?\", \"Does the poem contain three dog breeds?\", \"Does the poem contain three cat breeds?\", \"Does the poem mention one specific type of bird?\", \"Does the poem italicize the specific type of bird?\", \"Is the poem 20 lines?\", \"Does the poem have five stanzas?\", \"Does the poem follow the ABAB CDCD... format?\", \"Is there a line about dogs being more loyal?\"]"}
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[{"role": "user", "content": "Summarize the following video transcript in 20 sentences. Pull one quote and put it on a separate line in italics. Any brand name should be in all caps. List any formulas at the end of the summary in brackets with a subheading.\n\n\n\"a lot of times clients come in with this\n0:02\ngorgeous inspiration photo\n0:04\nyou get a pinterest photo with like a\n0:06\nlevel six natural base and these\n0:08\ngorgeous blonde highlights\n0:10\nbut your client their hair is a level\n0:13\nthree\n0:14\nso what do you do so let's say you want\n0:17\nto change their base color from like a\n0:18\nlevel three to a level six that's like\n0:20\nmy favorite ideal base color\n0:22\ncomment below if you agree but let's say\n0:24\nyou want to change the base color from a\n0:26\nlevel three\n0:27\nto a level six we all know that when\n0:29\nyou're\n0:30\ntrying to like lift hair with permanent\n0:32\ncolor it always turns warm\n0:35\nso i'm going to give you this go-to\n0:37\nformula that i use whenever i want to\n0:38\nfirst\n0:39\nlift the base color before i do\n0:42\nhighlights\n0:43\nso we can have that natural level six\n0:45\nlook and then put highlights over it\n0:47\nso the number one thing to remember when\n0:49\nyou're doing this is to remind your\n0:51\nclients that\n0:52\nand to remind yourself that even if you\n0:55\nlift to a level six and you do\n0:57\neverything right to make sure the tone\n0:59\nturns out perfectly\n1:01\nit's still never gonna look exactly like\n1:03\nwhat a level\n1:04\nsix naturally looks like and that's\n1:07\nbecause you're using color\n1:08\nanytime you're using artificial color\n1:10\nit's never going to be exactly the same\n1:12\nbut there are things that you can do to\n1:14\nmake sure it doesn't turn out brassy and\n1:16\nwarm which is\n1:17\nyou know a big complaint with most\n1:19\nclients so\n1:20\nand i'm going to give you the formula\n1:21\nfirst and then what i'm going to do is\n1:23\nbreak it down\n1:23\nin case you don't use this color line\n1:25\nthat way you'll be able to figure out\n1:27\nhow to put this with a different color\n1:29\nline but you have to understand the\n1:31\nprinciples behind it in order to do that\n1:32\nso i'm going to show you all of that\n1:33\ntoday\n1:34\nlet's get started so my go-to formula\nTutorial\n1:37\nfor lifting from a level three to a\n1:39\nlevel six\n1:40\nis going to be wella is the color line i\n1:43\nlike to use for permanent color\n1:45\nand a lot of people forget that\n1:46\npermanent color does\n1:48\nlift hair it has to be virgin hair of\n1:51\ncourse color does not lift color so\n1:52\nanytime there's color in the hair\n1:54\nyou have to do something totally\n1:55\ndifferent but wella is a fantastic\n1:57\npermanent color line i love using it\n1:59\nno i'm not sponsored but this is the\n2:01\nformula i use in willa\n2:03\nsix stroke one\n2:07\nand this is half and half and\n2:10\nsix stroke two\n2:14\nokay so\n2:17\nwhat's this going to give me so a six\n2:19\nstroke one in wella\n2:21\nyou just have to kind of know the\n2:24\nnumbers and the system of\n2:25\nthe color line that you're using but in\n2:27\nwella a one\n2:29\nis a gray ash color\n2:34\nokay and then a two is\n2:38\ngreen\n2:43\nso we're going to do half six stroke one\n2:45\nin half\n2:46\nsix stroke two so if you\n2:50\nlook at these colors together you're\n2:51\ngoing to get a very ashy color\n2:53\nthe next thing that i'm going to do is\n2:54\nactually add an additive so\n2:56\nin wella in the colistin perfect so like\n2:59\nthe kp line which is their permanent\n3:01\ncolor\n3:02\nthey have what's called like a special\n3:04\nmix\n3:05\nso these are additives that you could\n3:06\nadd to your formula in order to\n3:07\ncustomize it so whenever you're lifting\n3:09\nhair\n3:10\neven though you're using you know the\n3:12\nright tones\n3:14\nadding that additive just kind of does a\n3:16\nlittle bit more to prevent that\n3:17\nbrassiness that you don't want to see\n3:19\nyou want to look as cool and natural as\n3:21\npossible because in natural level 6\n3:23\ndoesn't look orange so what i do\n3:26\nwith their special mix here i'll write\n3:28\nthat here\n3:35\nso i do the stroke two eight\n3:40\nokay so why do i do two eight well in\n3:44\nwella remember 2 is green\n3:48\nand 8 is actually blue\n3:51\nokay so why did i choose these tones\n3:53\nwe're going to go back through this\n3:56\nformulation process you could figure out\n3:57\nwhy i use these tones so that you could\n3:59\napply this to a different color line\n4:01\nmaybe they have a different numbering\n4:02\nsystem oh and the amount of special mix\n4:05\nis just going to be one half\n4:06\ninch so literally just measure out one\n4:10\nhalf inch\n4:11\nsometimes they have them in the bottom\n4:12\nof bowls which is really helpful\n4:14\nso measure out just one half inch add it\n4:17\nto your color just to kind of prevent\n4:18\nthe brassiness even more\n4:20\nokay so why does this work\n4:23\nthe first thing that we're going to do\n4:25\nis start with the natural level\n4:26\nokay so if we have a natural level three\n4:29\ni always like to start with my goal\n4:31\nand write down my desired level so i\n4:33\nknow where i'm starting and where i'm\n4:35\ngoing\n4:35\njust makes it so much easier so we're\n4:38\nstarting at a level three\n4:40\nand we're trying to get to a level six\n4:43\nso the next thing i'm going to ask\n4:44\nmyself\n4:46\nis what is the remaining pigment at a\n4:48\nlevel six\n4:49\nand if you know what it is before i say\n4:51\nit go ahead and write it in the comments\n4:53\nbut the remaining pigment at a level six\n4:56\nis\n4:57\nred orange so what are the balancing\n5:01\npigments\n5:02\noops let's move that a little bit\n5:07\nokay so what are the balancing pigments\n5:09\nso the opposites\n5:11\nof red and orange so that is green\n5:17\nand blue so\n5:20\nif you look at this formula over here\n5:24\nwe have the gray ash and this is kind of\n5:26\ngonna give you that gray and blue they\n5:28\nactually don't have like a six stroke\n5:30\neight\n5:31\nso that's why i did this gray ash with\n5:33\nthis green but honestly\n5:34\neverything like by today's standards\n5:36\neverything always looks red\n5:38\nso if you do green you're going to be\n5:40\njust fine\n5:41\nthen adding this gray is just going to\n5:42\nbe even better so that's why i chose the\n5:45\nsix stroke one and six stroke two so\n5:47\nfirst you start with your natural level\n5:50\nand you're going to a level six so one\n5:53\nthing i know about\n5:54\nkp which you want to look up in your\n5:56\ncolor line so coleston perfect\n5:58\nis it is able to achieve\n6:03\num four to five levels of lift however\n6:07\nyou're limited by developer because the\n6:09\nhighest developer which is level 40\n6:13\nis only going to lift up to four levels\n6:17\nso 40 volume i probably said i said\n6:20\nlevel 40 sorry but\n6:21\nit's 40 volume it's only gonna lift four\n6:24\nlevels\n6:25\nso just keep that in mind so this is\n6:27\nwell within the range\n6:29\nto be able to get you to a level six so\n6:31\nyou could do this with color\n6:32\nby doing half and half then adding that\n6:35\nspecial mix\n6:37\nof green blue one half inch\n6:40\nand when you try this formula you could\n6:42\nstart with one half inch\n6:44\nif you feel like it wasn't enough it's\n6:46\nnot a big deal you could always do\n6:48\na demi permanent over everything to kind\n6:51\nof\n6:52\nreduce that brass even more but this\n6:54\nseems to work really really well\n6:56\nalso you might find that it's\n6:59\nalmost perfect and it just needs a\n7:01\nlittle bit more that's okay\n7:03\nso next time you do it just make it one\n7:05\ninch\n7:08\nso start with half inch see how you like\n7:10\nthat um\n7:12\nand then go to one inch as your go-to if\n7:14\nthat if you like that better it's kind\n7:16\nof just preference they're both going to\n7:18\nbe really nice and cool toned\n7:20\nbut you may personally just like to use\n7:23\na little bit more of this additive oh\n7:24\nthe other thing that i wanted to say is\n7:26\nyou have to use 40 volume\n7:27\ni know everybody online is always like\n7:29\nafraid of using 40 volume you don't need\n7:31\nit you don't need it\n7:32\nthat's true with bleach but when you're\n7:33\nlifting with color you have to remember\n7:35\nthe purposes of the developers\n7:38\nand the developers give you levels of\n7:41\nlift\n7:42\nfor color so for lightener all it does\n7:44\nis control the speed of lift\n7:47\nfor color it controls the amount of\n7:49\nlevels so you have to remember that\n7:51\nthere is a difference between what the\n7:52\ndeveloper's purpose and objective is\n7:55\nwhen it comes to color versus doing\n7:57\nusing bleach\n7:59\nso with color it absolutely matters\n8:00\nwhich developer you use\n8:02\n40 volume is going to give you four\n8:04\nlevels of lift or up to four levels of\n8:06\nlift\n8:07\ni'm going to just show you what these\n8:08\ncolors look like\n8:11\njust raw but remember because you're\n8:13\nlifting those are\n8:14\nthe pigments that are going to be added\n8:16\ninto what you see on the swatch book so\n8:18\nthis is what they look like just like\n8:20\nthe raw colors that i'm telling you to\n8:22\nuse so\n8:23\nif the lighting is good enough there's\n8:25\nsix one\n8:27\nand then there's six two so you can see\n8:30\nlike\n8:30\nthey're pretty cool and natural but when\n8:32\nyou have the remaining pigments added\n8:35\ninto that\n8:35\nbecause that's what's gonna be left when\n8:37\nyou're lifting hair you're gonna have\n8:38\nthose warm pigments coming out\n8:40\nthat's why i add this special mix to it\n8:43\nto just\n8:44\nkind of force it back to that ashy\n8:47\ncolor that i want to see i want to see\n8:50\nit just like on the swatch book\n8:51\nyou know what i mean so if i were to not\n8:53\nadd this additive\n8:54\nit would still be cooler than if i were\n8:56\nto use like a 6n or something like that\n8:58\nbut that additive just pushes it back to\n9:01\nthe cool side because\n9:03\nit's going to be trying so hard to stay\n9:04\nwarm so\n9:06\nthat's why this formula works so well\n9:07\nand that's what the colors look like\n9:09\none more time so six stroke two\n9:12\nsix stroke one remember two is green one\n9:15\nis gray\n9:16\nwhich is kind of like green blue-ish\n9:19\nso um so those two together is what i\n9:22\nuse\n9:23\nand then that additive let's talk about\n9:24\napplication real quick so when it comes\nApplication\n9:26\nto\n9:27\napplication i apply this similar to when\n9:30\nyou're doing like a global bleach\n9:31\napplication\n9:32\nyou want to be wary of the roots you\n9:35\nwant to make sure that you don't get hot\n9:36\nroots right so that's when it's like\n9:38\nsuper light at the root but everything\n9:40\nelse is kind of like a more natural\n9:42\nneutral tone\n9:43\nso i have two options when i'm doing\n9:46\nthis type of application so the first\n9:47\noption\n9:48\nis to do everything except for the roots\n9:53\nso this is like your this is your strand\n9:55\nof hair right here i'm not a very good\n9:56\nartist you guys but\n9:57\nokay so this is your roots um you're\n9:59\ngonna leave your roots out\n10:01\nand you're gonna color up to the roots\n10:04\nand then in the last 20 minutes you're\n10:07\ngoing to apply it to the root so you're\n10:09\ngoing to go back through and apply it to\n10:10\nthe roots now\n10:11\nyour ends are going to probably get\n10:14\nlighter than here but to me i like that\n10:17\nand that's okay but if you're worried\n10:19\nabout that you want to be\n10:20\nsuper even all the way through to me\n10:22\nnatural hair doesn't look like that so\n10:24\ni'm just not too worried about the ends\n10:26\nunless they're very over processed then\n10:27\nyou want to be\n10:28\nkind of conscious about the ends but\n10:32\ni'm okay with letting the ends be a\n10:33\nlittle bit lighter so i apply this all\n10:35\nat the same time so\n10:36\nup to the roots and all the way through\n10:38\nthe ends\n10:39\num and then i'll go back in the last you\n10:41\nknow 20 minutes\n10:43\nafter i've applied everything and then\n10:45\napply the roots\n10:46\nso then i check the roots as soon as the\n10:48\nroots are done\n10:49\nand this has been on long enough which i\n10:51\nbelieve the processing time is about 45\n10:53\nminutes for this\n10:54\nthis has been on long enough and the\n10:56\nroots look good then i go ahead and\n10:58\nrinse it out\n10:59\nso application number two is i do the\n11:02\nsame thing\n11:03\nso i apply everything below the roots\n11:07\nand then after i'm done applying so\n11:09\ndirectly after i'm done applying i just\n11:10\nkind of feather\n11:12\nfeather up to the roots so i kind of\n11:14\nswipe up my brush and feather\n11:15\nup to the roots so that's going to leave\n11:17\nthe roots slightly darker always it's\n11:19\nnever going to look like\n11:21\nhot roots and to me because of like\n11:24\nwhat modern styles are looking like\n11:26\nthese days it's always nice to just\n11:27\nleave it slightly darker at the roots\n11:30\nplus if you're going to go in with\n11:31\nhighlights and stuff later it just looks\n11:34\na lot better to have depth at the roots\n11:36\nand just lighter as you go\n11:38\ndown through the mid shaft and through\n11:39\nthe ends thanks so much for watching\n11:42\nthat you guys i hope that that was clear\n11:43\nenough\n11:44\nand i hope that you'll be able to apply\n11:46\nthis to maybe the color line that you're\n11:47\nusing\n11:48\nbut if you have any questions just make\n11:49\nsure to leave them in the comments below\n11:51\ni'd love to help you out\n11:52\nif you want some more help with color i\n11:54\nhave some resources that i'll just go\n11:55\nahead and leave in the\n11:57\nlinks in the description below so go\n11:58\nahead and check out all of those\n12:00\nresources and then also if you like this\n12:02\nvideo\n12:03\nand you want to help me spread the word\n12:04\nmake sure to share this video like\n12:06\ncomment subscribe all that good stuff\n12:08\nthank you guys so much for watching my\n12:10\nname is lauren\n12:10\nand you can find me on instagram\n12:12\nlaurenfrancishair and i will see you\n12:14\nsoon\n\nChat R"}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model summarize the given video transcript in 20 sentences?\", \"Did the model pull a quote from the transcript?\", \"Did the model put the quote on a separate line and in italics?\", \"Did the model put all brand names in caps?\", \"Did the model list any formulas at the end of the summary?\", \"Did the model list all formulas in brackets with a subheading?\"]"}
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[{"role": "user", "content": "I need to create a meal plan for my family. I am hoping this will inspire us to get out of our rut of eating the same things over and over. Please provide a four-day meal plan with breakfast, lunch, and dinner. Do not include any meat, fish, or eggs. At least one meal per day must contain cheese. No more than two meals per day should contain cheese. All meals must contain a source of protein. All meals must contain a fruit or vegetable. None of the meals can contain gluten. All meals must be able to be prepared on a stovetop (no oven, toaster oven, or microwave oven). Do not repeat any meals, but you can repeat some ingredients. After the name of each meal, please list the ingredients, and put all fruits, vegetables, and protein sources in bold text so I can see them easily to make sure we have enough."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide a 4-day meal plan for breakfast, lunch, and dinner?\", \"Did the meal plan not include any meat, fish, or eggs?\", \"Did the meal plan include at least one meal with cheese per day?\", \"Did the meal plan avoid including cheese in more than two meals per day?\", \"Did all of the meals include a source of protein?\", \"Did all of the meals contain at least one fruit or vegetable?\", \"Did the meal plan only include meals that can be prepared without an oven, toaster oven, or microwave oven?\", \"Did the model avoid repeating any meals?\", \"Did the model list the ingredients for each meal?\"]"}
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[{"role": "user", "content": "I have ADHD and I struggle to pay attention and get work done in a routine manner. Please give me some tips for maintaining my focus on days where I work at home. I would love Amazon links for specific product recommendations which can help with focus, like fidget toys or something. Also please give me some recommendations for different kinds of background noise that I can use - I like music but I'm open to other options, too, and I would like YouTube links for everything that you suggest. If there are any scheduling or structuring techniques that can be beneficial for people with ADHD to get more work done, please tell me about those as well, and give me links to published research papers if available. Finally, are there any exercise/workout regimes which can help with ADHD? Or is there a better time of day to work out in order to maintain focus on my work? Structure your answer like a blog post from a content creator who has tried all of the things you mention, and mention that the post contains sponsored items."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Does the model give tips for maintaining focus when working from home?\", \"Does the model provide Amazon product links for fidget toys and other focus-aid items?\", \"Does the model provide YouTube links for different types of musical and non-musical background noise options?\", \"Does the model mention scheduling or work-structure techniques which may be beneficial to people with ADHD?\", \"Does the model provide links to published scientific articles supporting the effectiveness of the scheduling/structuring techniques when such evidence is available?\", \"Does the model give exercise advice which may be helpful in aiding concentration for people with ADHD?\", \"Is the response structured like a blog post?\", \"Does the blog post read as though its writer has tried all of the products and methods outlined within the post?\", \"Does the blog post mention that it contains sponsored material?\"]"}
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[{"role": "user", "content": "Give me a mystery/ supernatural/ thriller novel recommendation. It can be any combination of those genres or include all of them. The main genre must be mystery though. I want an audiobook that is written by a female author and the main character is female. If there are multiple characters one of the perspectives or main perspective must be female. Atleast one narrator of the audiobook must be female. Do not recommend anything written by Darcy Coates because I read most of her books although it can be similar as I do love her books. Do not recommend The Housemaid by Freida Macfadden. The books must have a rating of 3.7 or higher on Goodreads. Recommend exactly 5 books. The audiobook must be atleast 6 hours long or longer."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model recommend books where mystery is the main genre?\", \"Did the model recommend books available as audiobooks?\", \"Did the model recommend an audiobook written by a female author?\", \"Did the model recommend an audiobook where at least one or the only main character is female?\", \"Did the model recommend an audiobook where at least one narrator is female?\", \"Did the model avoid recommending a book written by Darcy Coates?\", \"Did the model recommend books with an average Goodreads rating of 3.7 or higher?\", \"Did the model recommend exactly 5 books?\", \"Did the model recommend audiobooks that are a minimum of 6 hours long?\"]"}
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[{"role": "user", "content": "I need 2 brief emails written for my friend. I know him well, but I don't know how formal to be. I want each email to have a different formality level so that I can check how each one feels. The formal email should be about twice as long as the causal one. Make sure to only split each email into two paragraphs if they are more than 4 sentences long. Throw in a fun word in each one that matches the formality and put that in brackets. The brackets will be deleted before I send it. Make sure those words fit in the email okay.\n\nI want to ask if he is willing to work on a new project \"DanSnow\" with me. It would take at least 10 hours a week of help. Tell him the regular schedule would be 3 days a week. Make sure to put his name Harry in the greeting part."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide two brief emails?\", \"Did the model create two emails with differing formalities?\", \"Did the model ask if the recipient is willing to work on the project \\\"DanSnow\\\"?\", \"Did the model mention the 10 hour work week split into 3 day days a week?\", \"Did the model use the name Harry in the email's greeting?\", \"Is the more formal email twice as long as the casual one?\", \"Did the model split each email into two paragraphs if they are more than 4 sentences long?\", \"Did the model include a fun word in the email that logically fits in and is in brackets?\"]"}
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[{"role": "user", "content": "Give me 10 jokes to include in a speech I have to make at a sports awards ceremony. The jokes should be funny, upbeat, but heart-warming. Don't give me any knock-knock or dirty jokes. Make sure every joke is about a different kind of sport. Each joke should be one sentence only, a one-liner. Two of the jokes should be about water sports."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model provide 10 jokes to include in a speech for a sports awards ceremony?\", \"Are the jokes funny, upbeat, and heart-warming?\", \"Did the model exclude knock-knock and dirty jokes?\", \"Is every joke is about a different kind of sport?\", \"Is each joke one sentence only (a one-liner)?\", \"Are two of the jokes about water sports?\"]"}
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[{"role": "user", "content": "My cat Meeko just had six kittens, and I need help thinking up names for all of them! There are 2 males and 4 females. Please make one bullet point list for 2 male names and one bullet point list for 4 female names. All name ideas should be Disney movie characters. No more than two of all suggestions should be a Disney princess, but if a princess is suggested, make sure to include the Princess title and bold the name. Also include in parentheses after the name what movie the character's name is from. Do not include more than one character from any movie. In bold after each name, count the number of letters it contains."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Does the model suggest names for Meeko's six kittens?\", \"Does the model make one bullet point list for the 2 male names?\", \"Does the model make one bullet point list for the 4 female names?\", \"Are all name suggestions Disney characters?\", \"Are no more than two of the suggestions Disney Princess names?\", \"If a princess name is suggested does the model include the Princess title and bold the name?\", \"Does the model include in parentheses after the name what movie the character's name is from?\", \"Does the model only include one character from any movie?\", \"Does the model put in bold after each name the number of letters the name contains?\"]"}
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[{"role": "user", "content": "I'm working on an assignment for my film history class. Can you give me a bulleted list of all the Best Supporting Actress Oscar winners from the 1990s ordered based on their current age from oldest to youngest? Beside each name, put the number of syllables there are in their full name (first and last) in brackets. If their full name is over four syllables long, bold the number in the brackets."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Does the model produce a bulleted list of Best Supporting Actress Oscar winners?\", \"Are the winners listed from movies from the 1990s?\", \"Is the list ordered based on their current age from oldest to youngest?\", \"Does each name have beside it a bracket that contains the number of syllables in the actress's full name?\", \"Are the numbers in the brackets bolded for any actress whose name is more than four syllables long?\"]"}
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[{"role": "user", "content": "Craft an explanation of Frank Lloyd Wright which includes information about some of his designs. Make sure to mention the David and Gladys Wright House, Robie House, Cedric G. and Patricia Neils Boulter House, and Gerald B. and Beverly Tonkens House. Include his birth year and year of death. Note any works by this architect that are outside of the United States. The initial explanation of Frank Lloyd Wright and some of his designs should be one paragraph in length. Devote two sentences to each of the homes mentioned. If there are works outside of the United States by Frank Lloyd Wright, devote 1-2 sentences of explanation to each. Conclude the piece with a tie in to Taliesin West. What is it, what firm took over the design?"}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model craft an explanation of Frank Lloyd Wright, including some information about some of his designs?\", \"Did the model mention the David and Gladys Wright House, Robie House, Cedric G. and Patricia Neils Boulter House, and Gerald B. and Beverly Tonkens House?\", \"Did the model include the birth year and year of death for Frank Lloyd Wright?\", \"Did the model note any of Wright's works outside of the United States?\", \"Did the model provide one paragraph in length for the initial explanation of Frank Lloyd Wright and his designs?\", \"Did the model devote two sentences to each of the following homes - David and Gladys Wright House, Robie House, Cedric G. and Patricia Neils Boulter House, and Gerald B. and Beverly Tonkens House?\", \"Did the model devote one to two sentences of explanation to each of Wright's works outside of the United States?\", \"Did the model conclude the response with information about Taliesin West, including the firm that took over the design of the project?\"]"}
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[{"role": "user", "content": "I need help with creating my first resume since I've never needed one before. I'm currently in high school, but need to find a job to help pay for college and don't really know where to start. I don't want it to sound too formal or robotic, especially since I'm in high school still. I only have two jobs to include, one was clearing tables at my friend's family restaurant. The other job I've done was some neighborhood lawncare services. I'm not sure what kind of jobs to apply to yet so could you include a bulleted list of 3-5 job titles that I should look for online, just the titles should be enough. I want to make sure I practice talking about my skills before any interviews, so any time a word is used from the skills section, enclose the word in square brackets, but just for the actual resume part. Bold the text that I'll need to fill in later, but just the stuff related to jobs so I don't miss it when I'm getting ready to print it out. I already know I need to update my name and phone number and stuff so don't flag that for me to update later."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the response provide a resume?\", \"Did the model provide 3-5 job title suggestions?\", \"Did the model format the list of 3-5 job title suggestions using a bullet points?\", \"Did the resume avoid language that would be overly formal or robotic for a high school student?\", \"Did the model enclose any words listed in the skills section of the resume in square brackets?\", \"Did the model bold all text that the user would need to update with their personal information?\", \"Did the model avoid bolding \\\"filler\\\" text for the user's name and phone number?\"]"}
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[{"role": "user", "content": "Rewrite the description of the cell cycle process and ensure all of the steps appear in the order of how they occur not how they're listed. Create a title for each cell cycle in bold and list all of the steps in bullet points to make it easier to understand that there are two processes occurring. Fix any spelling and factual errors. Italicize each phase within each cell cycle as when mentioned. List how many steps occur in each cell cycle and compare if any has more than the other. After that, answer this question: \"Which cell cycle results in one \"n\" for each haploid cell and which results in a 2n for each diploid cell?\" \n\n\"Mitosis and Meiosis are two cell cycle processes that have very different outcomes. Mitosis consits of these phases: Prophase, Metaphase and Anaphase/Telophase and meiosis consists of these phases: Prophase I, Metaphase I, Anaphase1/Telophase 1. During Metaphase, the duplicated chromosomes align and in Metaphase I, the tetrads align and cross-over. In Anaphase/Telophase, sister chromatids separate resulting in two diploid daughter cells but in Anaphase I/Telophase I, homologous chromosomes separate. Prophase occurs when duplicated chromosomes becom three sister chromatids. Prophase I, also known as the first phase in Meiosis 1, is when tetrads become two sister chromatids. The next pase is Meiosis 2 which is where sister chromatids separate in Anaphase II and become five daughter haploid cells.\""}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model rewrite the description of the cell cycle process?\", \"Did the model ensure all of the steps appear in the order of how they occur not how they're listed?\", \"Did the model create a title for each cell cycle in bold?\", \"Did the model list all of the steps in bullet points?\", \"Did the model fix any spelling errors?\", \"Did the model fix any factual errors?\", \"Did the model italicize each phase within each cell cycle as when mentioned?\", \"Did the model list how many steps occur in each cell cycle?\", \"Did the model compare if any cell cycle has more steps than the other?\"]"}
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[{"role": "user", "content": "Explain Global Warming as Buddy the Elf. Make sure to give examples of ways we can help slow or stop global warming as a population and also list things we are doing that are likely speeding it up. You must quote Buddy four times and make sure that the quotes fit into the response naturally, do not place quotes at the beginning or end of the paragraphs."}]
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complex_if_single_turn_v5
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{"rubrics": "[\"Did the model explain global warming?\", \"Did the model respond in the tone of Buddy the Elf?\", \"Did the model give examples of how we can help slow or stop global warming?\", \"Did the model list things we are doing that speed up global warming?\", \"Did the model quote Buddy the Elf four times?\", \"Did the model fit the quotes into the response naturally?\", \"Did the response not place the quotes at the beginning or end of the paragraphs?\"]"}
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