Aeolus (Odyssey) Aeolus' island. Aeolus refused to provide any further help, because he believed that their short and unsuccessful voyage meant that the gods did not favour them. This Aeolus was perceived by post-Homeric authors as a god, rather than as a mortal and simple Keeper of the Winds (as in the "Odyssey"). In the "Aeneid" by Virgil, Juno offers Aeolus the nymph Deiopea as a wife if he will release his winds upon the fleet of Aeneas, but Poseidon later calms the sea. Aeolus (Odyssey) In Greek mythology, Aeolus (; , "Aiolos" , Modern Greek: "quick-moving, nimble") was the keeper of
Greek mythology in popular culture Lord Tennyson's "Oenone" is her lament that Paris deserted her for Helen. When poets of the German Romantic tradition, such as Friedrich Schiller, wrote about the Greek gods, their works were frequently "erotically charged", "openly sensual and hedonistic". In his poem "The Waste Land", T. S. Eliot incorporates a range of elements and inspirations from Greek mythology to pop music to Elizabethan history to create a ""tour-de-force" exposition of Western culture, from the elite to the folk to the utterly primitive". The Indian poet Henry Louis Vivian Derozio's work was heavily influenced by Greek mythology. Nina Kosman published a book