Actaeon reconstruction opposes a too-pat consensus that has an archaic Actaeon aspiring to Semele, a classical Actaeon boasting of his hunting prowess and a Hellenistic Actaeon glimpsing Artemis' bath. Lacy identifies the site of Actaeon's transgression as a spring sacred to Artemis at Plataea where Actaeon was a " hero archegetes" ("hero-founder") The righteous hunter, the companion of Artemis, seeing her bathing naked in the spring, was moved to try to make himself her consort, as Diodorus Siculus noted, and was punished, in part for transgressing the hunter's "ritually enforced deference to Artemis" (Lacy 1990:42). Notes: In the second century AD,
Who Saw Her Die? on "an aura of uneasiness". Buzz McClain of AllMovie awarded "Who Saw Her Die?" three-and-a-half stars out of five, highlighting Lazenby's performance and Morricone's score; McClain felt that the film's plot was unnecessarily complicated, but that this was compensated for by its setting and cinematography. Who Saw Her Die? Who Saw Her Die? () is a 1972 Italian "giallo" film directed by Aldo Lado and Vittorio De Sisti, starring Anita Strindberg and George Lazenby. Lazenby and Strindberg play the parents of a murdered girl, who pursue her black-veiled killer throughout Venice. "Who Saw Her Die?" features music by Ennio Morricone,