Jan Miel mainly Dutch and Flemish artists working in Rome. It was customary for the Bentvueghels to adopt an appealing nickname, the so-called 'bent name'. For Miel two different bent names are documented: "Bieco" (which means squint in Italian) and "Honingh-Bie" (which means honey bee and is derived from the surname 'Miele' by which he was known in Italy and which means 'honey' in Italian). In Rome he also became linked to the circle of genre painters whose work was influenced by the Dutch genre painter Pieter van Laer and were referred to as 'Bamboccianti'. The Bamboccianti were mainly Dutch and Flemish
Jan Miel included multiple anecdotal scenes in a single work. This is evident in (Christie's, Sale 1708, Lot 56). This composition depicts various groups of people acting independently of each other: there are an elegant couple on the lower left on the stairs, figures at the well next to them and card players on the steps in the distance. Miel's figures were typically farmers, beggars, morra players, innkeepers and porters often mixed with elegantly dressed men and women, who provided a rich flavor of Roman daily life to the architectural setting created by Salucci. There is evidence that in 1641, Jan Miel