The Merchant (play) would make a big profit, but this did not happen. He wrote a book about the play in 1999, "The Birth of Shylock and the Death of Zero Mostel". In this play, Shylock is a good man and Antonio's, the title character in Shakespeare's play, good friend. They bond in their love of knowledge and mutual dislike of the antisemitism in their community. Shylock's demand for a pound of flesh is meant as a jest, but he can not retract it. Both Shylock and Antonio are relieved when the demand is denied in court. Reviewing "The Merchant", critic Michael Billington
The Merchant of Venice be a "happy ending" for the character, as, to a Christian audience, it saves his soul and allows him to enter Heaven. Regardless of what Shakespeare's authorial intent may have been, the play has been made use of by antisemites throughout the play's history. The Nazis used the usurious Shylock for their propaganda. Shortly after Kristallnacht in 1938, "The Merchant of Venice" was broadcast for propagandistic ends over the German airwaves. Productions of the play followed in Lübeck (1938), Berlin (1940), and elsewhere within the Nazi territory. In a series of articles called "Observer", first published in 1785, British playwright