Diana and Actaeon spring. Outraged and embarrassed that he had seen her naked, she punished him by destroying his power of speech and turning him into a stag, with antlers and a shaggy coat. In deer form, he was torn to pieces by his own hunting dogs, whipped into a raging fury by Artemis. In 1935, Agrippina Vaganova staged a new production of "La Esmeralda" for the Kirov Ballet in Leningrad, as the company and the city were then known. She created a new, bravura "pas de deux" for Diana and Actaeon, joining the names of the modest Roman goddess and the hapless
Bathing and nymphs of Greek mythology were depicted bathing in allegorical paintings by artists such as Titian and François Boucher, both of whom painted the goddess Diana bathing. Artists continued to paint Biblical characters bathing, and also sometimes depicted contemporary women bathing in the river, an example being Rembrandt's "Woman Bathing". In the 19th century, the use of the bathing scene reached its high point in classicism, realism and impressionism. Oriental themes and harem and turkish baths scenes became popular. These scenes were based on the artists' imagination, because access by men to Islamic women was not generally permitted. In the