Actaeon heaping up the glowing ashes for you,<br> And cooked ewe-lambs for you every day.<br> But you hit him and turned him into a wolf,<br> His own herd-boys hunt him down<br> And his dogs tear at his haunches.<br><nowiki>"</nowiki>Actaeon, torn apart by dogs incited by Artemis, finds another Near Eastern parallel in the Ugaritic hero Aqht, torn apart by eagles incited by Anath who wanted his hunting bow. The virginal Artemis of classical times is not directly comparable to Ishtar of the many lovers, but the mytheme of Artemis shooting Orion, was linked to her punishment of Actaeon by T.C.W. Stinton; the
Callisto (mythology) held by two nymphs, who may be pulling off what little clothing remains on her. Other versions include one by Rubens, and "Diana Bathing with her Nymphs with Actaeon and Callisto" by Rembrandt, which unusually combines the moment with the arrival of Actaeon. The basic composition is rather unusually consistent. Carlo Ridolfi said there was a version by Giorgione, who died in 1510, though his many attributions to Giorgione of paintings that are now lost are treated with suspicion by scholars. Other, less dramatic, treatments before Titian established his composition are by Palma Vecchio and Dosso Dossi. Although Ovid places