Polonaise character of a polonaise. For example, the third movement of Beethoven's Triple Concerto op. 56, marked "Rondo alla polacca," and the finale of Chopin's Variations on "Là ci darem la mano" both feature this notation. In his book "Classic Music: Expression, Form, and Style", Leonard G. Ratner cites the fourth movement from Beethoven's Serenade in D major, Op. 8, marked "Allegretto alla Polacca," as a representative example of the polonaise dance topic (Ratner 1980, pp. 12–13). Frédéric Chopin's polonaises are generally the best known of all polonaises in classical music. Other composers who wrote polonaises or pieces in polonaise rhythm
Pavane pour une infante défunte Pavane pour une infante défunte Pavane pour une infante défunte ("Pavane for a Dead Infanta") is piece for solo piano by the French composer Maurice Ravel in 1899 when he was studying composition at the Conservatoire de Paris under Gabriel Fauré. Ravel also published an orchestrated version of the "Pavane" in 1910; it is scored for two flutes, oboe, two clarinets (in B-flat), two bassoons, two horns, harp, and strings. A typical performance of the piece lasts between six and seven minutes. It is widely considered a masterpiece. Ravel described the piece as "an evocation of a pavane that a