Polka in the 19th century also wrote many polkas to satisfy the demands of the dance-music-loving Viennese. In France, another dance-music composer Emile Waldteufel also wrote many polkas in addition to his chief profession of penning waltzes. The polka evolved during the same period into different styles and tempi. In principle, the polka written in the 19th century has a 4-theme structure; themes 1A and 1B as well as a 'Trio' section of a further 2 themes. The 'Trio' usually has an 'Intrada' to form a break between the two sections. The feminine and graceful 'French polka' (polka française) is slower
Polonaise (clothing) an underskirt, sometimes with a waistcoat effect. This could be draped or undraped. In July 1894, "The Sydney Mail" stated: The polonaise underwent another revival in the mid-late 1910s. A 1914 newspaper advert for McCall Patterns found in the "Evening Independent" announced the 'redingote polonaise' to be the height of fashion in Paris and New York. The "Reading Eagle" ran a fashion column in November 1915 describing the polonaise of 1914/15 as a French design consisting of a long coat-like overdress of metallic lace or elaborately decorated sheer fabric worn over a plain underdress. Another version of the polonaise was