Polka in the 19th century also wrote many polkas to satisfy the demands of the dance-music-loving Viennese. In France, another dance-music composer Emile Waldteufel also wrote many polkas in addition to his chief profession of penning waltzes. The polka evolved during the same period into different styles and tempi. In principle, the polka written in the 19th century has a 4-theme structure; themes 1A and 1B as well as a 'Trio' section of a further 2 themes. The 'Trio' usually has an 'Intrada' to form a break between the two sections. The feminine and graceful 'French polka' (polka française) is slower
Polonaise (clothing) the back," with the bodice closed at the top center front and sloping away at the sides, leaving a triangular gap that was filled by a false waistcoat. Sleeves could be three-quarter length or long, and various styles such as the Irish, Italian and French "polonaise" were described by contemporaries. A variation on the "robe à la polonaise" was the "robe à la circassienne", cut the same but trimmed with "oriental" tassels or fur. The term "polonaise" was applied to a variety of garments throughout the 19th century, often because their styling was thought to be Polish in inspiration. One