Symphony No. 9 (Dvořák) of the symphony include the phrase "wide open spaces" about what inspired the symphony and/or about the feelings it conveys to listeners. Dvořák was also influenced by the style and techniques used by earlier classical composers including Beethoven and Schubert. The falling fourths and timpani strokes in the "New World Symphony"s Scherzo movement evokes the Scherzo of Beethoven's Choral Symphony (Symphony No. 9). The use of flashbacks to prior movements in the New World Symphony's last movement is reminiscent of Beethoven quoting prior movements in the opening Presto of the Choral Symphony's final movement. At the premiere in Carnegie Hall,
Symphony No. 5 (Beethoven) the resemblance when he examined a sketchbook used by Beethoven in composing the Fifth Symphony: here, 29 bars of Mozart's finale appear, copied out by Beethoven. Much has been written about the Fifth Symphony in books, scholarly articles, and program notes for live and recorded performances. This section summarizes some themes that commonly appear in this material. The initial motif of the symphony has sometimes been credited with symbolic significance as a representation of Fate knocking at the door. This idea comes from Beethoven's secretary and factotum Anton Schindler, who wrote, many years after Beethoven's death: The composer himself provided