Fred Astaire wartime drama "The Sky's the Limit" (1943), in which he introduced Arlen and Mercer's "One for My Baby" while dancing on a bar counter in a dark and troubled routine. This film, which was choreographed by Astaire alone and achieved modest box office success, represented an important departure for Astaire from his usual charming happy-go-lucky screen persona, and confused contemporary critics. His next partner, Lucille Bremer, was featured in two lavish vehicles, both directed by Vincente Minnelli: the fantasy "Yolanda and the Thief", which featured an avant-garde surrealistic ballet, and the musical revue "Ziegfeld Follies" (1946), which featured a memorable
Fred Astaire he danced on screen. He acted nine different roles in "The Man in the Santa Claus Suit" in 1979. His final film role was the 1981 adaptation of Peter Straub's novel "Ghost Story". This horror film was also the last for two of his most prominent castmates, Melvyn Douglas and Douglas Fairbanks Jr. Astaire was a virtuoso dancer, able to convey light-hearted venturesomeness or deep emotion when called for. His technical control and sense of rhythm were astonishing. Long after the photography for the solo dance number "I Want to Be a Dancin' Man" was completed for the 1952 feature