The Merchant of Venice which Shakespeare was likely familiar. (Auden sees the theme of usury in the play as a comment on human relations in a mercantile society.) Other interpreters of the play regard Auden's conception of Antonio's sexual desire for Bassanio as questionable. Michael Radford, director of the 2004 film version starring Al Pacino, explained that, although the film contains a scene where Antonio and Bassanio actually kiss, the friendship between the two is platonic, in line with the prevailing view of male friendship at the time. Jeremy Irons, in an interview, concurs with the director's view and states that he did not
The London Merchant for the nobility, Lillo brought the concept to the everyman character and further complicated his idea by including the situation of acquisition through exchange, rather than through conquest. The idea of exchange ties heavily to the pro-merchant/ master theme of the play, as Thorowgood is a merchant and a good master. The play also provides a portrait of the model apprentice in the character of Trueman, who is juxtaposed with George Barnwell in an effort to demonstrate proper apprentice behavior as well as warn the many apprentices who were expected to be in attendance of the dangers of disobeying their