North Atlantic Deep Water be detected by its high salinity, high oxygen content, nutrient minima, high C/C, and chlorofluorocarbons (CFCs). CFCs are anthropogenic substances that enter the surface of the ocean from gas exchange with the atmosphere. This distinct composition allows its path to be traced as it mixes with Circumpolar Deep Water (CDW), which in turn fills the deep Indian Ocean and part of the South Pacific. NADW and its formation is essential to the Atlantic Meridional Overturning Circulation (AMOC), which is responsible for transporting large amounts of water, heat, salt, carbon, nutrients and other substances from the Tropical Atlantic to the Mid
The Deep End of the Ocean (film) DeSanto's authentic costumes and, particularly, John Bloom's fluent editing serve as models for efficient storytelling, representing mainstream cinema at its best." In the "San Francisco Chronicle", Edward Guthmann commended Pfeiffer and Jackson but was ultimately unimpressed: "Pfeiffer, who segued into mother roles in her past two films, "One Fine Day" and "A Thousand Acres", brings heart and soul to this domestic melodrama, but it's not enough. "The Deep End of the Ocean" has nothing but the noblest of intentions, and Grosbard's direction is meticulous, sober and tasteful, but the movie is so deliberate, so enervated that you feel as if