Deer in mythology stood in some sort of connexion to Odin's endowment of the dignity of kings." In Greek mythology, the deer is particularly associated with Artemis in her role as virginal huntress. Actaeon, after witnessing the nude figure of Artemis bathing in a pool, was transformed by Artemis into a stag that his own hounds tore to pieces. Callimachus, in his archly knowledgeable "Hymn III to Artemis", mentions the deer that drew the chariot of Artemis: One of the Labors of Heracles was to capture the Cerynian Hind sacred to Artemis and deliver it briefly to his patron, then rededicate it to
Diana and Actaeon the transformation still in progress; like many depictions the head is shown transformed, but most of the body remains human. Less often Actaeon is fully transformed when caught by his dogs. The story was popular on Italian Renaissance maiolica. The origins of the "Diana and Actaeon Pas de Deux," a "divertissement" created for a 1935 version of "La Esmeralda," lie in two earlier ballet productions. The first of these was "Tsar Kandavl" (aka "Le Roi Candaule"), premiered in 1868 by the Imperial Russian Ballet in Saint Petersburg. Based on a story told by Herodotus in his "Histories," this four-act ballet,