Paraguayan polka the composers in the early years of the Paraguayan polka. The oldest polkas in Paraguay are from the early 19th century, such as "Campamento Cerro León", "Alfonso Loma", "Mamá Cumanda", "Che Lucero Aguai'y", "Ndarekoi La Culpa", "London Karape" and "Carreta Guy". Paraguayan polka Paraguayan polka, also known as Danza Paraguaya (Paraguayan dance), is a style of music created in Paraguay in the 19th century. The Paraguayan polka is very different from the traditional polka, mainly because the Paraguayan version combines ternary and binary rhythms, whereas the European only uses binary. The juxtaposition of the mentioned rhythms gives the peculiar sound
Pavane (Fauré) about six minutes. The original version of the "Pavane" was written for piano and chorus in the late 1880s. The composer described it as "elegant, but not otherwise important." Fauré intended it to be played more briskly than it has generally come to be performed in its more familiar orchestral guise. The conductor Sir Adrian Boult heard Fauré play the piano version several times and noted that he took it at a tempo no slower than 100 quarter notes per minute. Boult commented that the composer's sprightly tempo emphasised that the "Pavane" was not a piece of German romanticism, and