Actaeon heaping up the glowing ashes for you,<br> And cooked ewe-lambs for you every day.<br> But you hit him and turned him into a wolf,<br> His own herd-boys hunt him down<br> And his dogs tear at his haunches.<br><nowiki>"</nowiki>Actaeon, torn apart by dogs incited by Artemis, finds another Near Eastern parallel in the Ugaritic hero Aqht, torn apart by eagles incited by Anath who wanted his hunting bow. The virginal Artemis of classical times is not directly comparable to Ishtar of the many lovers, but the mytheme of Artemis shooting Orion, was linked to her punishment of Actaeon by T.C.W. Stinton; the
Diana Bathing with her Nymphs with Actaeon and Callisto Callisto's clothing to reveal how she has broken her vow of chastity and is now carrying Jupiter's child - Diana expels her from her court and she later gives birth to Arcas before being turned into a bear by Juno, whom Arcas almost kills whilst hunting. Unusually, the painting also includes an image of an elderly couple unrelated to either of the two stories (background) and a middle-aged nymph (in the foreground). Diana Bathing with her Nymphs with Actaeon and Callisto Diana Bathing with her Nymphs with Actaeon and Callisto is a 1634 painting by the Dutch painter Rembrandt van