Polonaise character of a polonaise. For example, the third movement of Beethoven's Triple Concerto op. 56, marked "Rondo alla polacca," and the finale of Chopin's Variations on "Là ci darem la mano" both feature this notation. In his book "Classic Music: Expression, Form, and Style", Leonard G. Ratner cites the fourth movement from Beethoven's Serenade in D major, Op. 8, marked "Allegretto alla Polacca," as a representative example of the polonaise dance topic (Ratner 1980, pp. 12–13). Frédéric Chopin's polonaises are generally the best known of all polonaises in classical music. Other composers who wrote polonaises or pieces in polonaise rhythm
Polka in tempo and is more measured in its gaiety. Johann Strauss II's Annen Polka op. 114, Demolirer polka op. 269, the Im Krapfenwald'l op. 336 and the Bitte schön! polka op. 372 are examples of this type of polka. The polka-mazurka is also another variation of the polka, being in the tempo of a mazurka but danced in a similar manner as the polka. The final category of the polka form around that time is the "polka schnell", which is a fast polka or "galop". Eduard Strauss is better known for this last category, as he penned the 'Bahn Frei'