History of the Kingdom of Dahomey of National Assembly of Benin 1990-1991), and others. Kojo Tovalou Houénou (1887–1936), who claimed to be a prince of Dahomey but had lived most of his life in France, became a major critic of the French colonial empire founded the "Ligue Universelle pour la Défense de la Race Noire" to push for recognition of Africans as full citizens of the French state. European historiography of Dahomey has been significant for its use in debates about the morality of the slave trade and for its importance to fields outside African history. Many of the early histories and descriptions were written by
In Dahomey also thought to have marked a significant shift in black theatre performance. Limited by a demand for the comedy of ethnic and racial stereotypes— particularly black stereotypes as depicted through minstrel performance— African American performers were constricted to perform variations of the "darky" and the Chinese as caricatures. While still featuring such racial caricatures, "In Dahomey" simultaneously builds on depictions of black characters, forging a significant shift in dominant representations of blacks in the theatre during its era and creating. As the first show with an entirely African American cast, "In Dahomey" is said to have been met with hostility.