Fred Astaire wartime drama "The Sky's the Limit" (1943), in which he introduced Arlen and Mercer's "One for My Baby" while dancing on a bar counter in a dark and troubled routine. This film, which was choreographed by Astaire alone and achieved modest box office success, represented an important departure for Astaire from his usual charming happy-go-lucky screen persona, and confused contemporary critics. His next partner, Lucille Bremer, was featured in two lavish vehicles, both directed by Vincente Minnelli: the fantasy "Yolanda and the Thief", which featured an avant-garde surrealistic ballet, and the musical revue "Ziegfeld Follies" (1946), which featured a memorable
Fred Astaire of Devonshire. Fred went on to achieve success on his own on Broadway and in London with "Gay Divorce" (later made into the film "The Gay Divorcee"), while considering offers from Hollywood. The end of the partnership was traumatic for Astaire but stimulated him to expand his range. Free of the brother-sister constraints of the former pairing and working with new partner Claire Luce, Fred created a romantic partnered dance to Cole Porter's "Night and Day," which had been written for "Gay Divorce". Luce stated that she had to encourage him to take a more romantic approach: "Come on, Fred,