The Merchant of Venice which Shakespeare was likely familiar. (Auden sees the theme of usury in the play as a comment on human relations in a mercantile society.) Other interpreters of the play regard Auden's conception of Antonio's sexual desire for Bassanio as questionable. Michael Radford, director of the 2004 film version starring Al Pacino, explained that, although the film contains a scene where Antonio and Bassanio actually kiss, the friendship between the two is platonic, in line with the prevailing view of male friendship at the time. Jeremy Irons, in an interview, concurs with the director's view and states that he did not
The Jew of Malta often compared, Shylock and Barabas, are themselves profoundly different. Regardless of whether or not The Merchant of Venice was a direct influence, or merely a product of the contemporaneous society that they both were written in, it is noteworthy that Marlowe and Shakespeare were the only two British playwrights of their time to include a Jewish principal character in one of their plays. At the end of the play, Barabas attempts to murder his erstwhile Turkish allies by tricking them into falling through a trap door into a hot cauldron in a pit. In the end, it is Barabas who