Actaeon reconstruction opposes a too-pat consensus that has an archaic Actaeon aspiring to Semele, a classical Actaeon boasting of his hunting prowess and a Hellenistic Actaeon glimpsing Artemis' bath. Lacy identifies the site of Actaeon's transgression as a spring sacred to Artemis at Plataea where Actaeon was a " hero archegetes" ("hero-founder") The righteous hunter, the companion of Artemis, seeing her bathing naked in the spring, was moved to try to make himself her consort, as Diodorus Siculus noted, and was punished, in part for transgressing the hunter's "ritually enforced deference to Artemis" (Lacy 1990:42). Notes: In the second century AD,
Tsar Kandavl or Le Roi Candaule not lovers, but had one association when he stumbled upon her bathing naked with her nymphs, after which, she transformed him into a stag and he was hunted down and killed by his own hunting dogs. However, Petipa's original scheme and Bryullov's painting also contain a mythological inaccuracy in that they both erroneously portray Endymion as the lover of Diana; this is an inaccuracy that appears in several ballets, including Léo Delibes's "Sylvia". In actual fact, Endymion was the lover of Luna the Roman Goddess of the Moon (Selene in Greek mythology) and never had any association with Diana at