Polka in the 19th century also wrote many polkas to satisfy the demands of the dance-music-loving Viennese. In France, another dance-music composer Emile Waldteufel also wrote many polkas in addition to his chief profession of penning waltzes. The polka evolved during the same period into different styles and tempi. In principle, the polka written in the 19th century has a 4-theme structure; themes 1A and 1B as well as a 'Trio' section of a further 2 themes. The 'Trio' usually has an 'Intrada' to form a break between the two sections. The feminine and graceful 'French polka' (polka française) is slower
Polonaise-Fantaisie (Chopin) from 'late' to 'last'. It is suggested that the formal ambiguities of the piece (particularly the unconventional and musically misleading transitions into and out of the lyrical inner section) are the most significant defining qualities of this 'last style', which only includes this and one other piece—the F minor Mazurka (Op. 68, No. 4), Chopin's last composition. The piece plays a central role in Sandor Marai's novel "Embers". Polonaise-Fantaisie (Chopin) The Polonaise-fantaisie in A-flat major, Op. 61, is a composition for piano by Frédéric Chopin. It was dedicated to Mme A. Veyret, written and published in 1846. It opens with