Motifs in the James Bond film series in the films: the laboratory of Hugo Drax is opened by touchtones that play the tune of "Close Encounters of the Third Kind", whilst when Bond and Anya are seen walking across the desert in "The Spy Who Loved Me", the theme from "Lawrence of Arabia" is heard. In most of the films, the main villain often captures Bond and, rather than kill him quickly, attempts a slow and protracted death, from which Bond will always escape. This will often also come with a scene of the villain explaining his master plan to Bond. Goldfinger chained Bond to a nuclear
Motifs in the James Bond film series demonstrates Western society's patriarchal, individualistic culture. Academic Tricia Jenkins, meanwhile, sees that Bond as "hyperheterosexual", as he is ""more" masculine, "more" sexually desirable, "more" heterosexual than the others around him". Bond girls became a major theme in many Bond film posters, beginning with "Dr. No"; the suggestiveness of the images used had to be toned down in some countries. Bond girls often have highly suggestive names, including "Goldfinger"'s Pussy Galore, which the American censor refused to allow on promotional materials and for the US market she was subsequently referred to as "Miss Galore" or "Goldfinger's personal pilot"; however Honor Blackman