Paraguayan polka Paraguayan polka Paraguayan polka, also known as Danza Paraguaya (Paraguayan dance), is a style of music created in Paraguay in the 19th century. The Paraguayan polka is very different from the traditional polka, mainly because the Paraguayan version combines ternary and binary rhythms, whereas the European only uses binary. The juxtaposition of the mentioned rhythms gives the peculiar sound that characterizes this style. There are several variants of the Paraguayan polka such as "polca syryry", "polca kyre'y", "polca popo", "polca saraki", "polca galopa", "polca jekutu". All of them are slightly different because of the different influences and styles adopted by
Pavane pour une infante défunte his eponymous album (1982), in which he made use of synthesizers instead of acoustic instruments. Some unusual interpretations include another electronic versions by William Orbit in "Pieces in a Modern Style" (2000) and by Isao Tomita (1979), Edgar Meyer recorded a version for double bass and piano on his CD "Work in Progress" (1990), a solo bass guitar version by Jimmy Earl (1995), Ali Aiman's minimalist/electronic adaptation in his Overture EP (2014) and Hayley Westenra's vocal adaptation "Never Say Goodbye", which appears in her album "Pure" (2004). Pavane pour une infante défunte Pavane pour une infante défunte ("Pavane for a