James Bond, The Spy Who Loved Me since "Colonel Sun" nearly a decade earlier. Christopher Wood, himself a novelist, and who co-authored the screenplay with Richard Maibaum, was commissioned to write the book, which was given the title "James Bond, The Spy Who Loved Me". Wood would also novelize the screenplay for the next Bond film, "Moonraker" in 1979. The novelization and the screenplay, although both written by Wood, are somewhat different. In the novelization SMERSH has been reactivated some time before the start of the novel, and is still after James Bond. Their part in the novelization begins during the "pre-title credits" sequence, in which Bond
Motifs in the James Bond film series title sequence for "Spectre". A contemporary artist usually sings during the title sequence and an instrumental version of the main track may also be featured as a leitmotif during the film, which repeats in various moods. Writing for "Rolling Stone", Andy Greene says that "James Bond title songs, as a rule, have the name of the movie in the chorus," though he notes that this is not always the case. "On Her Majesty's Secret Service" has an entirely instrumental credit sequence, though the film features an alternate theme, "We Have All the Time in the World", sung by Louis Armstrong.