Pavane pour une infante défunte little princess might, in former times, have danced at the Spanish court". The pavane was a slow processional dance that enjoyed great popularity in the courts of Europe during the sixteenth and seventeenth centuries. This antique miniature is not meant to pay tribute to any particular princess from history, but rather expresses a nostalgic enthusiasm for Spanish customs and sensibilities, which Ravel shared with many of his contemporaries (most notably Debussy and Albéniz) and which is evident in some of his other works such as the "Rapsodie espagnole" and the "Boléro". Ravel dedicated the "Pavane" to his patron, the Princesse
Polonaise (clothing) an underskirt, sometimes with a waistcoat effect. This could be draped or undraped. In July 1894, "The Sydney Mail" stated: The polonaise underwent another revival in the mid-late 1910s. A 1914 newspaper advert for McCall Patterns found in the "Evening Independent" announced the 'redingote polonaise' to be the height of fashion in Paris and New York. The "Reading Eagle" ran a fashion column in November 1915 describing the polonaise of 1914/15 as a French design consisting of a long coat-like overdress of metallic lace or elaborately decorated sheer fabric worn over a plain underdress. Another version of the polonaise was