Roy Orbison mix from the top down rather than from the bottom up, beginning with close-miked backing vocals in the foreground, and ending with the rhythm section soft in the background. This combination became Orbison's trademark sound. "Only the Lonely" shot to number two on the "Billboard" Hot 100 and hit number one in the UK and Australia. According to Orbison, the subsequent songs he wrote with Melson during this period were constructed with his voice in mind, specifically to showcase its range and power. He told "Rolling Stone" in 1988, "I liked the sound of [my voice]. I liked making it
Roy Orbison discography With Foster, Orbison and his frequent songwriting partners Joe Melson and Bill Dees tailored many of Orbison's songs for his unique voice; his most popular songs were dramatic ballads ending with emotional crescendos that showcased his powerful vocals. After his biggest hit in 1964, "Oh, Pretty Woman", Orbison continued to record and chart intermittently in the UK, but it was not until 1987 that he again found the level of popular worldwide success he had known in the early 1960s, when his original recording of "In Dreams" was used in David Lynch's film "Blue Velvet". The following year, Orbison co-founded