Georgina Hogarth Dickens's brothers, Dickens's own separation from Catherine or his worries over his sons Alfred Dickens and Edward Dickens. What was unusual, however, was the editors' methods: if cuts were made in one letter leaving passages stranded, these passages were inserted in letters of a later date. In the Preface Georgina Hogarth and Mary Dickens stated: "We intend this Collection of Letters to be a Supplement to the "Life of Charles Dickens," by John Forster. That work, perfect and exhaustive as a biography, is only incomplete as regards correspondence; the scheme of the book having made it impossible to include in
The Bench (Hogarth) added. Willes' eyebrows, which had been black in the painting, are white in the engraving. The print was accompanied by a second sheet of the same size with a lengthy inscription detailing Hogarth's motives for creating the piece. In a letter to Hogarth, a correspondent identified only as "B" noted that the print seemed of minor importance compared to the inscription, indeed it was the only written work that Hogarth released under his own name after the completion of "The Analysis of Beauty"; Paulson suggests it may have been a rejected passage from that book, and Trusler, a nineteenth-century commentator