Symphony No. 9 (Schubert) trombone as an effect, and therefore very sparingly, or, in the case of his Ninth Symphony, also to double the alto, tenor, and bass parts of the chorus as was common in sacred music and opera at the time. However, in Schubert’s Unfinished Symphony and the Ninth Symphony, the trombones become essential members of the orchestra playing throughout the piece, and even receive important melodic roles. Symphony No. 9 (Schubert) The Symphony No. 9 in C major, D 944, known as the Great (published in 1840 as "Symphony No. 7 in C Major", listed as No. 8 in the Neue
Symphony No. 5 (Beethoven) classical symphonies. These notes would terminate the classical symphony as a musical coda, but for Beethoven they become a motif repeating throughout the work for a very different and dramatic effect, he says. Evaluations of these interpretations tend to be skeptical. "The popular legend that Beethoven intended this grand exordium of the symphony to suggest 'Fate Knocking at the gate' is apocryphal; Beethoven's pupil, Ferdinand Ries, was really author of this would-be poetic exegesis, which Beethoven received very sarcastically when Ries imparted it to him." Elizabeth Schwarm Glesner remarks that "Beethoven had been known to say nearly anything to relieve