The Madwoman in the Attic The Madwoman in the Attic The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination is a 1979 book by Sandra Gilbert and Susan Gubar, in which they examine Victorian literature from a feminist perspective. Gilbert and Gubar draw their title from Charlotte Brontë's "Jane Eyre", in which Rochester's wife (née Bertha Mason) is kept secretly locked in an attic apartment by her husband. The text specifically examines Jane Austen, Mary Shelley, Charlotte and Emily Brontë, George Eliot, Elizabeth Barrett Browning, Christina Rossetti and Emily Dickinson. In the work, Gilbert and Gubar examine the notion that women
The True Confessions of Charlotte Doyle against Jaggery, Charlotte has changed by the end of the novel into an authentic version of herself, not merely reflecting what society expected of her. Avi felt the ending where Charlotte rejects her family was a choice for freedom and an essential element of the overall story. He also identified Jaggery as a protagonist in the story and felt the book served as an implicit criticism of capitalism. However, by the end of the novel the only non-working class person alive, Charlotte, also becomes the Captain thus suggesting a preservation of the class system even while gender roles have been