Polka "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka. OED also suggests that the name may have been derived from the Czech "Polka" meaning "Polish woman" (feminine form corresponding to "Polák", a Pole). The word was widely introduced into the major European languages in the early 1840s. It should not be confused with the "polska", a Swedish dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a time signature. Folk music of Polka style appeared in written music about 1800. The beginning of the propagation
Pavane pour une infante défunte playing of the work was "unutterably slow." However, the composer was not impressed by interpretations that plodded. After a performance by Charles Oulmont, Ravel mentioned to him that the piece was called "Pavane for a dead princess", not "dead pavane for a princess". When asked by the composer-conductor Manoah Leide-Tedesco how he arrived at the title "Pavane pour une infante défunte", Ravel smiled coyly and replied, "Do not be surprised, that title has nothing to do with the composition. I simply liked the sound of those words and I put them there, "c'est tout"". But Ravel also stated that the