Roy Orbison mix from the top down rather than from the bottom up, beginning with close-miked backing vocals in the foreground, and ending with the rhythm section soft in the background. This combination became Orbison's trademark sound. "Only the Lonely" shot to number two on the "Billboard" Hot 100 and hit number one in the UK and Australia. According to Orbison, the subsequent songs he wrote with Melson during this period were constructed with his voice in mind, specifically to showcase its range and power. He told "Rolling Stone" in 1988, "I liked the sound of [my voice]. I liked making it
Roy Orbison million copies. Orbison's success was greater in Britain; as "Billboard" magazine noted, "In a 68-week period that began on August 8, 1963, Roy Orbison was the "only" American artist to have a number-one single in Britain. He did it twice, with 'It's Over' on June 25, 1964, and 'Oh, Pretty Woman' on October 8, 1964. The latter song also went to number one in America, making Orbison impervious to the current chart dominance of British artists on both sides of the Atlantic." Following "Oh, Pretty Woman", Orbison endured some upheavals. Claudette and he divorced in November 1964 over her infidelities,