Catherine Dickens to publish his statement in "Punch" as they thought it unsuitable for a humorous periodical. Another public statement appeared in the "New York Tribune", which later found its way into several British newspapers. In this statement Dickens declared that it had been only Georgina Hogarth who had held the family together for some time: Dickens and Catherine had little correspondence after their separation, but she remained attached and loyal to her husband and to his memory until her own death from cancer. On her deathbed in 1879 Catherine gave the collection of letters she had received from Dickens to her
The Bench (Hogarth) death. Hogarth had often been accused of being a caricaturist, but regarded this as a slur on his work. In his book on art, "The Analysis of Beauty", Hogarth claimed that the critics had branded all his women as harlots and all his men as caricatures. He complained: He had made an early attempt to address what he perceived as a mistake on the part of his critics with the subscription ticket for his 1743 series "Marriage à-la-mode", on which he contrasted a number of his reproductions of classical caricatures – from Annibale Carracci, Pier Leone Ghezzi and Leonardo da