Catherine Dickens to publish his statement in "Punch" as they thought it unsuitable for a humorous periodical. Another public statement appeared in the "New York Tribune", which later found its way into several British newspapers. In this statement Dickens declared that it had been only Georgina Hogarth who had held the family together for some time: Dickens and Catherine had little correspondence after their separation, but she remained attached and loyal to her husband and to his memory until her own death from cancer. On her deathbed in 1879 Catherine gave the collection of letters she had received from Dickens to her
The Bench (Hogarth) the art of character painting as the "wild attempts of children". In his own comments on "The Bench" he compared character, caricature, and "outré" to comedy, tragedy, and farce in the theatre. Comedy, which he aligned with character, showed a true view of nature, as nothing was outside reality. Tragedy, which he compared to caricature, heightened reality, exaggerating aspects of its subjects. Farce and "outré" both took this heightening of features to ridiculous extremes. Hogarth scholar Ronald Paulson suggests that by the time he produced "The Bench" Hogarth had become very sensitive to the criticisms levelled at him as a