Actaeon reconstruction opposes a too-pat consensus that has an archaic Actaeon aspiring to Semele, a classical Actaeon boasting of his hunting prowess and a Hellenistic Actaeon glimpsing Artemis' bath. Lacy identifies the site of Actaeon's transgression as a spring sacred to Artemis at Plataea where Actaeon was a " hero archegetes" ("hero-founder") The righteous hunter, the companion of Artemis, seeing her bathing naked in the spring, was moved to try to make himself her consort, as Diodorus Siculus noted, and was punished, in part for transgressing the hunter's "ritually enforced deference to Artemis" (Lacy 1990:42). Notes: In the second century AD,
Diana Bathing with her Nymphs with Actaeon and Callisto Callisto's clothing to reveal how she has broken her vow of chastity and is now carrying Jupiter's child - Diana expels her from her court and she later gives birth to Arcas before being turned into a bear by Juno, whom Arcas almost kills whilst hunting. Unusually, the painting also includes an image of an elderly couple unrelated to either of the two stories (background) and a middle-aged nymph (in the foreground). Diana Bathing with her Nymphs with Actaeon and Callisto Diana Bathing with her Nymphs with Actaeon and Callisto is a 1634 painting by the Dutch painter Rembrandt van