The Merchant of Venice (opera) 2013. Keith Warner directed the production, which was also supported by the Adam Mickiewicz Institute and the Grand Theatre – National Opera, Warsaw. The opera libretto follows the plot of the original play very closely, generally using Shakespeare's own words. Many of the minor characters are excised. Act I introduces the melancholy merchant Antonio, his friend Bassanio who asks Antonio for money to back his wooing of Portia, the Jewish moneylender Shylock, his daughter Jessica and her Gentile lover, Lorenzo. Despite evident mutual personal animosity, Shylock agrees to lend Antonio 3000 ducats against the pledge of a pound of the
Jessica (The Merchant of Venice) and happiness. For the Jessica–Shylock relationship, John Drakakis, the editor of The Arden Shakespeare's third series edition, highlights the verbal connection between "The Merchant of Venice" and "The Jew of Malta" with Barabas's words when Abigail rescues his gold and Shylock's at Jessica's theft of his Ducats. Another version of the play's plot can be found in Anthony Munday's "Zelauto: The Fountain of Fame Erected in an Orchard of Amorous Adventures" (1580). In this version it is Munday's Jessica analogue, Brisana, who pleads the case first in the courtroom scene, followed by Cornelia, the Portia analogue. But the Jessica–Lorenzo plot