Symphony No. 8 (Schubert) by default incomplete), and the even more undeniable fact that Schubert had begun a third movement in B minor (leaving precisely 30 bars of fully orchestrated scherzo and 112 succeeding bars in short score), stands against the view that the two completed movements can legitimately stand alone. Reviewing the premiere of the symphony in 1865, the music critic Eduard Hanslick wrote: He ended by stressing that the symphony is among Schubert's most beautiful instrumental works. In 1927–28, Felix Weingartner—better known as a classical conductor and the first to record all nine Beethoven symphonies and the second, after Stokowski, to record
Symphony No. 1 (Beethoven) the first violins alone (an unusual effect) beginning on G and gradually adding more notes. After finally reaching an F, outlining a dominant seventh chord in C major, the real start of the finale "Allegro molto e vivace" begins in C major with a theme similar (both in rhythm and character) to the 4th movement of Haydn's Symphony No. 88 in G major. Composed again in a solid sonata form, Beethoven uses the scale as the prevailing motivic element in this movement which, by character, pays most of all tribute to the customary finale established by Haydn in the preceding