Serval by freckle-sized dots. "F. servalina" was first described in 1839 by Irish naturalist William Ogilby from Sierra Leone; in 1867, British zoologist John Edward Gray described "F. herschelii" from an Indian skin, which was probably the same as the servaline cat. In 1907, British zoologist Reginald Innes Pocock commented that the two forms should be considered independent species, but reverted from this in 1917. Eventually, the two forms came to be recognised as the same species. Another form, "F. himalayanus" (Himalayan serval), was described from a skin procured from the Himalayan region; however, Scottish naturalist William Jardine noted in 1843
What is a Masterpiece? confluence of memories and emotions forming a single idea", that it has "a power of recreating traditional forms so that they become expressive of an artist's own epoch and yet keep a relationship to the past". The highest masterpieces are said to be "illustrations of great themes." Clark also implicitly excluded the erotic from considerations of what constituted a masterpiece, based on his perspective that a necessary condition is the balance between sense and form (works that are too sensual are, therefore, unbalanced and not to be categorised at masterpiece level). What is a Masterpiece? What is a Masterpiece? is