Fountain Piazza Barberini (1642), by Gian Lorenzo Bernini, is a masterpiece of Baroque sculpture, representing Triton, half-man and half-fish, blowing his horn to calm the waters, following a text by the Roman poet Ovid in the Metamorphoses. The Triton fountain benefited from its location in a valley, and the fact that it was fed by the Aqua Felice aqueduct, restored in 1587, which arrived in Rome at an elevation of above sea level (fasl), a difference of in elevation between the source and the fountain, which meant that the water from this fountain jetted sixteen feet straight up into the air
The Light in the Piazza (musical) wholly fascinating harmonies and instrumentation." Ben Brantley, in "The New York Times", deemed the show "encouragingly ambitious and discouragingly unfulfilled... the production comes into its own only in the sweetly bitter maternal regrets and dreams of Margaret Johnson." He further made special mention of the "gorgeous autumn-leaf-strewn set", the "lush golden lighting" and "the delectable period costumes". The Light in the Piazza (musical) The Light in the Piazza is a musical with a book by Craig Lucas and music and lyrics by Adam Guettel. Based on a novella by Elizabeth Spencer, the story is set in the 1950s and revolves