Fred Astaire in "Carefree" (1938). He first presented Jerome Kern's "The Way You Look Tonight" in "Swing Time" (1936); the Gershwins' "They Can't Take That Away from Me" in "Shall We Dance" (1937), "A Foggy Day" and "Nice Work if You Can Get it" in "A Damsel in Distress" (1937); Johnny Mercer's "One for My Baby" from "The Sky's the Limit" (1943) and "Something's Gotta Give" from "Daddy Long Legs" (1955); and Harry Warren and Arthur Freed's "This Heart of Mine" from "Ziegfeld Follies" (1946). Astaire also co-introduced a number of song classics via song duets with his partners. For example, with
Fred Astaire Michael Kidd, Astaire's co-choreographer on the 1953 film "The Band Wagon", found that his own concern about the emotional motivation behind the dance was not shared by Astaire. Kidd later recounted: "Technique was important to him. He'd say, 'Let's do the steps. Let's add the looks later.' " Although he viewed himself primarily as an entertainer, his artistry won him the admiration of twentieth century dancers such as Gene Kelly, George Balanchine, the Nicholas Brothers, Mikhail Baryshnikov, Margot Fonteyn, Bob Fosse, Gregory Hines, Rudolf Nureyev, Michael Jackson, and Bill Robinson. Balanchine compared him to Bach, describing him as "," while