Allegory of Divine Providence and Barberini Power (Cortona) Allegory of Divine Providence and Barberini Power (Cortona) The Allegory of Divine Providence and Barberini Power is a fresco by Italian painter Pietro da Cortona, filling the large ceiling of the grand salon of the Palazzo Barberini in Rome, Italy. Begun in 1633, it was nearly finished in three years; upon Cortona's return from Venice, it was extensively reworked to completion in 1639. The Palazzo, since the 1620s, had been the palatial home of the Barberini family headed by Maffeo Barberini, by then Urban VIII, who had launched an extensive program of refurbishment of the city with art and architecture.
Neptune and Triton in the body positions and subtle hints at natural life. He was making the myths, rumours and stories an opportunity to be true and demand its viewer to believe in its truth. Neptune and Triton Neptune and Triton is an early sculpture by the Italian artist Gian Lorenzo Bernini. It is housed in the Victoria and Albert Museum of London and was executed c. 1622–1623. Carved from marble, it stands 182.2 cm (71.7 in) in height. The sculpture was originally commissioned by Cardinal Peretti Montalto, serving as a fountain to decorate the pond in the garden of his Villa Peretti