Polka in the 19th century also wrote many polkas to satisfy the demands of the dance-music-loving Viennese. In France, another dance-music composer Emile Waldteufel also wrote many polkas in addition to his chief profession of penning waltzes. The polka evolved during the same period into different styles and tempi. In principle, the polka written in the 19th century has a 4-theme structure; themes 1A and 1B as well as a 'Trio' section of a further 2 themes. The 'Trio' usually has an 'Intrada' to form a break between the two sections. The feminine and graceful 'French polka' (polka française) is slower
Polonaise-Fantaisie (Chopin) Polonaise-Fantaisie (Chopin) The Polonaise-fantaisie in A-flat major, Op. 61, is a composition for piano by Frédéric Chopin. It was dedicated to Mme A. Veyret, written and published in 1846. It opens with "Allegro maestoso", 3/4 time. This work was slow to gain favor with musicians, due to its harmonic complexity and intricate form. Arthur Hedley was one of the first critics to speak positively of the work, writing in 1947 that it 'works on the hearer's imagination with a power of suggestion equaled only by the F minor Fantasy or the fourth Ballade', although Arthur Rubinstein, Leff Pouishnoff, Claudio Arrau