Actaeon which Actaeon is recognized, both in ancient art and in Renaissance and post-Renaissance depictions. Among others, John Heath has observed, "The unalterable kernel of the tale was a hunter's transformation into a deer and his death in the jaws of his hunting dogs. But authors were free to suggest different motives for his death." In the version that was offered by the Hellenistic poet Callimachus, which has become the standard setting, Artemis was bathing in the woods when the hunter Actaeon stumbled across her, thus seeing her naked. He stopped and stared, amazed at her ravishing beauty. Once seen, Artemis
Diana and Actaeon the transformation still in progress; like many depictions the head is shown transformed, but most of the body remains human. Less often Actaeon is fully transformed when caught by his dogs. The story was popular on Italian Renaissance maiolica. The origins of the "Diana and Actaeon Pas de Deux," a "divertissement" created for a 1935 version of "La Esmeralda," lie in two earlier ballet productions. The first of these was "Tsar Kandavl" (aka "Le Roi Candaule"), premiered in 1868 by the Imperial Russian Ballet in Saint Petersburg. Based on a story told by Herodotus in his "Histories," this four-act ballet,