Diana and Actaeon the role of the Satyr, with Lydia Ivanova as Diana and Nicholas Efimov as Endymion. In 1886, Petipa incorporated a new "pas de deux," set to music by Riccardo Drigo, into his production of Pugni's "La Esmeralda" for the Maryinsky Ballet, as the Imperial Russian Ballet had come to be called. This "pas de deux" was based on the Greek myth of Artemis (predecessor to the Roman Diana), in her aspect of virgin goddess of the hunt, and Actaeon, a Theban hero. According to Ovid's "Metamorphoses," Actaeon, out on a hunt, stumbled upon Artemis while she was bathing at a
Greek mythology in popular culture Lord Tennyson's "Oenone" is her lament that Paris deserted her for Helen. When poets of the German Romantic tradition, such as Friedrich Schiller, wrote about the Greek gods, their works were frequently "erotically charged", "openly sensual and hedonistic". In his poem "The Waste Land", T. S. Eliot incorporates a range of elements and inspirations from Greek mythology to pop music to Elizabethan history to create a ""tour-de-force" exposition of Western culture, from the elite to the folk to the utterly primitive". The Indian poet Henry Louis Vivian Derozio's work was heavily influenced by Greek mythology. Nina Kosman published a book