Aeolus (Odyssey) Aeolus' island. Aeolus refused to provide any further help, because he believed that their short and unsuccessful voyage meant that the gods did not favour them. This Aeolus was perceived by post-Homeric authors as a god, rather than as a mortal and simple Keeper of the Winds (as in the "Odyssey"). In the "Aeneid" by Virgil, Juno offers Aeolus the nymph Deiopea as a wife if he will release his winds upon the fleet of Aeneas, but Poseidon later calms the sea. Aeolus (Odyssey) In Greek mythology, Aeolus (; , "Aiolos" , Modern Greek: "quick-moving, nimble") was the keeper of
Greek mythology in western art and literature for all things Greek, including Greek mythology. In Britain, it was a great period for new translations of Greek tragedies and Homer's works, and these in turn inspired contemporary poets, such as Keats, Byron, and Shelley. The Hellenism of Queen Victoria's poet laureate, Alfred Lord Tennyson, was such that even his portraits of the quintessentially English court of King Arthur are suffused with echoes of the Homeric epics. The visual arts kept pace, stimulated by the purchase of the Parthenon marbles in 1816; many of the "Greek" paintings of Lord Leighton and Lawrence Alma-Tadema were seriously accepted as part of