Motifs in the James Bond film series in the films: the laboratory of Hugo Drax is opened by touchtones that play the tune of "Close Encounters of the Third Kind", whilst when Bond and Anya are seen walking across the desert in "The Spy Who Loved Me", the theme from "Lawrence of Arabia" is heard. In most of the films, the main villain often captures Bond and, rather than kill him quickly, attempts a slow and protracted death, from which Bond will always escape. This will often also come with a scene of the villain explaining his master plan to Bond. Goldfinger chained Bond to a nuclear
Motifs in the James Bond film series title sequence for "Spectre". A contemporary artist usually sings during the title sequence and an instrumental version of the main track may also be featured as a leitmotif during the film, which repeats in various moods. Writing for "Rolling Stone", Andy Greene says that "James Bond title songs, as a rule, have the name of the movie in the chorus," though he notes that this is not always the case. "On Her Majesty's Secret Service" has an entirely instrumental credit sequence, though the film features an alternate theme, "We Have All the Time in the World", sung by Louis Armstrong.