Polonaise character of a polonaise. For example, the third movement of Beethoven's Triple Concerto op. 56, marked "Rondo alla polacca," and the finale of Chopin's Variations on "Là ci darem la mano" both feature this notation. In his book "Classic Music: Expression, Form, and Style", Leonard G. Ratner cites the fourth movement from Beethoven's Serenade in D major, Op. 8, marked "Allegretto alla Polacca," as a representative example of the polonaise dance topic (Ratner 1980, pp. 12–13). Frédéric Chopin's polonaises are generally the best known of all polonaises in classical music. Other composers who wrote polonaises or pieces in polonaise rhythm
Pavane pour une infante défunte his eponymous album (1982), in which he made use of synthesizers instead of acoustic instruments. Some unusual interpretations include another electronic versions by William Orbit in "Pieces in a Modern Style" (2000) and by Isao Tomita (1979), Edgar Meyer recorded a version for double bass and piano on his CD "Work in Progress" (1990), a solo bass guitar version by Jimmy Earl (1995), Ali Aiman's minimalist/electronic adaptation in his Overture EP (2014) and Hayley Westenra's vocal adaptation "Never Say Goodbye", which appears in her album "Pure" (2004). Pavane pour une infante défunte Pavane pour une infante défunte ("Pavane for a