Allegory of Divine Providence and Barberini Power (Cortona) Allegory of Divine Providence and Barberini Power (Cortona) The Allegory of Divine Providence and Barberini Power is a fresco by Italian painter Pietro da Cortona, filling the large ceiling of the grand salon of the Palazzo Barberini in Rome, Italy. Begun in 1633, it was nearly finished in three years; upon Cortona's return from Venice, it was extensively reworked to completion in 1639. The Palazzo, since the 1620s, had been the palatial home of the Barberini family headed by Maffeo Barberini, by then Urban VIII, who had launched an extensive program of refurbishment of the city with art and architecture.
The Light in the Piazza (musical) wholly fascinating harmonies and instrumentation." Ben Brantley, in "The New York Times", deemed the show "encouragingly ambitious and discouragingly unfulfilled... the production comes into its own only in the sweetly bitter maternal regrets and dreams of Margaret Johnson." He further made special mention of the "gorgeous autumn-leaf-strewn set", the "lush golden lighting" and "the delectable period costumes". The Light in the Piazza (musical) The Light in the Piazza is a musical with a book by Craig Lucas and music and lyrics by Adam Guettel. Based on a novella by Elizabeth Spencer, the story is set in the 1950s and revolves