Paraguayan polka Paraguayan polka Paraguayan polka, also known as Danza Paraguaya (Paraguayan dance), is a style of music created in Paraguay in the 19th century. The Paraguayan polka is very different from the traditional polka, mainly because the Paraguayan version combines ternary and binary rhythms, whereas the European only uses binary. The juxtaposition of the mentioned rhythms gives the peculiar sound that characterizes this style. There are several variants of the Paraguayan polka such as "polca syryry", "polca kyre'y", "polca popo", "polca saraki", "polca galopa", "polca jekutu". All of them are slightly different because of the different influences and styles adopted by
Polonaise-Fantaisie (Chopin) and Vladimir Horowitz had been including it in their programs some decades earlier. It is intimately indebted to the polonaise for its metre, much of its rhythm, and some of its melodic character, but the fantaisie is the operative formal paradigm (Samson, 1988), and Chopin is said to have referred initially to the piece only as a Fantasy. Parallels with the Fantaisie in F minor include the work's overall tonality, A-flat, the key of its slower middle section, B major, and the motive of the descending fourth. Jeffrey Kallberg has suggested that the Polonaise-Fantaisie represents a change in Chopin's style