Romeo and Juliet the 20th century, these moral arguments were disputed by critics such as Richard Green Moulton: he argued that accident, and not some character flaw, led to the lovers' deaths. In "Romeo and Juliet", Shakespeare employs several dramatic techniques that have garnered praise from critics; most notably the abrupt shifts from comedy to tragedy (an example is the punning exchange between Benvolio and Mercutio just before Tybalt arrives). Before Mercutio's death in Act three, the play is largely a comedy. After his accidental demise, the play suddenly becomes serious and takes on a tragic tone. When Romeo is banished, rather than
Romeo and Juliet earth, blood, humanity ... I've always felt that John missed the lower half and that made me go for the other ... But whatever it was, when I was playing Romeo I was carrying a torch, I was trying to sell realism in Shakespeare." Peter Brook's 1947 version was the beginning of a different style of "Romeo and Juliet" performances. Brook was less concerned with realism, and more concerned with translating the play into a form that could communicate with the modern world. He argued, "A production is only correct at the moment of its correctness, and only good at