Catherine Dickens to publish his statement in "Punch" as they thought it unsuitable for a humorous periodical. Another public statement appeared in the "New York Tribune", which later found its way into several British newspapers. In this statement Dickens declared that it had been only Georgina Hogarth who had held the family together for some time: Dickens and Catherine had little correspondence after their separation, but she remained attached and loyal to her husband and to his memory until her own death from cancer. On her deathbed in 1879 Catherine gave the collection of letters she had received from Dickens to her
A Just View of the British Stage A Just View of the British Stage A Just View of the British Stage or Three Heads are Better than One is an unsigned 1724 engraving attributed to the English artist William Hogarth. It is a satirical view of the management of British plays and mocks the subjects as degenerate. It forms part of an attack on the tastes of the theatre which Hogarth mounted in earnest between 1723 with "Masquerades and Operas" and 1727 with "Masquerade Ticket" (and which would continue to some extent in later works including "Charmers of the Age" in 1740–41). The staging of "Harlequin Sheppard"