Polonaise character of a polonaise. For example, the third movement of Beethoven's Triple Concerto op. 56, marked "Rondo alla polacca," and the finale of Chopin's Variations on "Là ci darem la mano" both feature this notation. In his book "Classic Music: Expression, Form, and Style", Leonard G. Ratner cites the fourth movement from Beethoven's Serenade in D major, Op. 8, marked "Allegretto alla Polacca," as a representative example of the polonaise dance topic (Ratner 1980, pp. 12–13). Frédéric Chopin's polonaises are generally the best known of all polonaises in classical music. Other composers who wrote polonaises or pieces in polonaise rhythm
Polonaise de Concert, Op. 4 (Wieniawski) Polonaise de Concert, Op. 4 (Wieniawski) Polonaise Brillante (Polonaise de Concert) Op. 4 is the first of two polonaises composed by the Polish violin virtuoso Henryk Wieniawski. It was written in two versions: for violin with piano accompaniment, and for violin and orchestra. The version known to us today was published in Germany in 1853 as Polonaise de Concert in D major. However it was originally sketched out in 1848, by a thirteen year old Wieniawski. It was dedicated to the Polish virtuoso violinist Karol Lipiński. It was renamed to Polonaise Brillante when it was re-published in Paris in 1858.