Actaeon reconstruction opposes a too-pat consensus that has an archaic Actaeon aspiring to Semele, a classical Actaeon boasting of his hunting prowess and a Hellenistic Actaeon glimpsing Artemis' bath. Lacy identifies the site of Actaeon's transgression as a spring sacred to Artemis at Plataea where Actaeon was a " hero archegetes" ("hero-founder") The righteous hunter, the companion of Artemis, seeing her bathing naked in the spring, was moved to try to make himself her consort, as Diodorus Siculus noted, and was punished, in part for transgressing the hunter's "ritually enforced deference to Artemis" (Lacy 1990:42). Notes: In the second century AD,
The Death of Actaeon reliefs and engraved gems showing either Diana hunting with dogs, or Actaeon being attacked by his dogs, and a few Renaissance works, but the subject was rare, and "it may be that Titian had never seen another painting or other representation of the subject." It was probably still in Titian's studio at his death in 1576, and presumably sold in Venice by his heirs. It probably belonged to the famous Venetian collection of Bartolomeo della Nave, most of which was bought for James Hamilton, 1st Duke of Hamilton (then still a Marquess) in 1636-38, one of the great collectors of