Diana and Actaeon spring. Outraged and embarrassed that he had seen her naked, she punished him by destroying his power of speech and turning him into a stag, with antlers and a shaggy coat. In deer form, he was torn to pieces by his own hunting dogs, whipped into a raging fury by Artemis. In 1935, Agrippina Vaganova staged a new production of "La Esmeralda" for the Kirov Ballet in Leningrad, as the company and the city were then known. She created a new, bravura "pas de deux" for Diana and Actaeon, joining the names of the modest Roman goddess and the hapless
The Death of Actaeon a stag and he was attacked and killed by his own hounds. Both paintings belong to a group of large-scale mythological paintings inspired by the "Metamorphoses" and referred to by Titian himself as ‘poesie’, the visual equivalent of poetry, which he began producing for Philip II of Spain in 1551 and which also include "Danaë" (many versions, Philip's in the Prado, Madrid), "Venus and Adonis" (private collection, London, but also other versions), "Perseus and Andromeda" (Wallace Collection, London), "The Rape of Europa" (Isabella Stewart Gardner Museum, Boston), "Diana and Actaeon" and "Diana and Callisto" (shared by National Gallery of Scotland