Actaeon reconstruction opposes a too-pat consensus that has an archaic Actaeon aspiring to Semele, a classical Actaeon boasting of his hunting prowess and a Hellenistic Actaeon glimpsing Artemis' bath. Lacy identifies the site of Actaeon's transgression as a spring sacred to Artemis at Plataea where Actaeon was a " hero archegetes" ("hero-founder") The righteous hunter, the companion of Artemis, seeing her bathing naked in the spring, was moved to try to make himself her consort, as Diodorus Siculus noted, and was punished, in part for transgressing the hunter's "ritually enforced deference to Artemis" (Lacy 1990:42). Notes: In the second century AD,
Diana Bathing with her Nymphs with Actaeon and Callisto Diana Bathing with her Nymphs with Actaeon and Callisto Diana Bathing with her Nymphs with Actaeon and Callisto is a 1634 painting by the Dutch painter Rembrandt van Rijn. It is now on show in the Salm-Salm princely collection in the Wasserburg Anholt in Anholt, Germany. It shows two episodes from Ovid's "Metamorphoses", in both of which someone is punished by the goddess Diana for a sexual offence. On the left, Actaeon is punished for seeing the goddess naked by being turned into a stag and killed by his own hounds. On the right, Diana's other nymphs are tearing off