Polka in the 19th century also wrote many polkas to satisfy the demands of the dance-music-loving Viennese. In France, another dance-music composer Emile Waldteufel also wrote many polkas in addition to his chief profession of penning waltzes. The polka evolved during the same period into different styles and tempi. In principle, the polka written in the 19th century has a 4-theme structure; themes 1A and 1B as well as a 'Trio' section of a further 2 themes. The 'Trio' usually has an 'Intrada' to form a break between the two sections. The feminine and graceful 'French polka' (polka française) is slower
Pavane pour une infante défunte given on 27 February 1911 in Manchester, England, conducted by Sir Henry Wood. Reviewing the concert, the critic Samuel Langford called the work "most beautiful" and added, "The piece is hardly representative of the composer, with whom elusive harmonies woven in rapid figuration are the usual medium of expression. In the "Pavane" we get normal, almost archaic harmonies, subdued expression, and a somewhat remote beauty of melody." The first gramophone recording of the "Pavane" was made in 1921 in Paris. A later recording, made in Paris in 1932 is sometimes thought to have been conducted by the composer, but was