Actaeon heaping up the glowing ashes for you,<br> And cooked ewe-lambs for you every day.<br> But you hit him and turned him into a wolf,<br> His own herd-boys hunt him down<br> And his dogs tear at his haunches.<br><nowiki>"</nowiki>Actaeon, torn apart by dogs incited by Artemis, finds another Near Eastern parallel in the Ugaritic hero Aqht, torn apart by eagles incited by Anath who wanted his hunting bow. The virginal Artemis of classical times is not directly comparable to Ishtar of the many lovers, but the mytheme of Artemis shooting Orion, was linked to her punishment of Actaeon by T.C.W. Stinton; the
The Death of Actaeon a stag and he was attacked and killed by his own hounds. Both paintings belong to a group of large-scale mythological paintings inspired by the "Metamorphoses" and referred to by Titian himself as ‘poesie’, the visual equivalent of poetry, which he began producing for Philip II of Spain in 1551 and which also include "Danaë" (many versions, Philip's in the Prado, Madrid), "Venus and Adonis" (private collection, London, but also other versions), "Perseus and Andromeda" (Wallace Collection, London), "The Rape of Europa" (Isabella Stewart Gardner Museum, Boston), "Diana and Actaeon" and "Diana and Callisto" (shared by National Gallery of Scotland