Symphony No. 8 (Schubert) by default incomplete), and the even more undeniable fact that Schubert had begun a third movement in B minor (leaving precisely 30 bars of fully orchestrated scherzo and 112 succeeding bars in short score), stands against the view that the two completed movements can legitimately stand alone. Reviewing the premiere of the symphony in 1865, the music critic Eduard Hanslick wrote: He ended by stressing that the symphony is among Schubert's most beautiful instrumental works. In 1927–28, Felix Weingartner—better known as a classical conductor and the first to record all nine Beethoven symphonies and the second, after Stokowski, to record
Symphony No. 5 (Beethoven) classical symphonies. These notes would terminate the classical symphony as a musical coda, but for Beethoven they become a motif repeating throughout the work for a very different and dramatic effect, he says. Evaluations of these interpretations tend to be skeptical. "The popular legend that Beethoven intended this grand exordium of the symphony to suggest 'Fate Knocking at the gate' is apocryphal; Beethoven's pupil, Ferdinand Ries, was really author of this would-be poetic exegesis, which Beethoven received very sarcastically when Ries imparted it to him." Elizabeth Schwarm Glesner remarks that "Beethoven had been known to say nearly anything to relieve