Actaeon reconstruction opposes a too-pat consensus that has an archaic Actaeon aspiring to Semele, a classical Actaeon boasting of his hunting prowess and a Hellenistic Actaeon glimpsing Artemis' bath. Lacy identifies the site of Actaeon's transgression as a spring sacred to Artemis at Plataea where Actaeon was a " hero archegetes" ("hero-founder") The righteous hunter, the companion of Artemis, seeing her bathing naked in the spring, was moved to try to make himself her consort, as Diodorus Siculus noted, and was punished, in part for transgressing the hunter's "ritually enforced deference to Artemis" (Lacy 1990:42). Notes: In the second century AD,
The Man Who Changed His Name (1934 film) thoughts when gradually come to suspect that their intended victim, having since changed his name, is in fact a notorious killer from Canada. Eventually it transpires he was not the murderer, but is only using it as a trick to push his wife and her lover to reveal their deception out of fear. The Man Who Changed His Name (1934 film) The Man Who Changed His Name is a 1934 British crime film directed by Henry Edwards and starring Lyn Harding, Betty Stockfeld and Leslie Perrins. It was based on the play "The Man Who Changed His Name" by Edgar