The Merchant of Venice (opera) 2013. Keith Warner directed the production, which was also supported by the Adam Mickiewicz Institute and the Grand Theatre – National Opera, Warsaw. The opera libretto follows the plot of the original play very closely, generally using Shakespeare's own words. Many of the minor characters are excised. Act I introduces the melancholy merchant Antonio, his friend Bassanio who asks Antonio for money to back his wooing of Portia, the Jewish moneylender Shylock, his daughter Jessica and her Gentile lover, Lorenzo. Despite evident mutual personal animosity, Shylock agrees to lend Antonio 3000 ducats against the pledge of a pound of the
The London Merchant for the nobility, Lillo brought the concept to the everyman character and further complicated his idea by including the situation of acquisition through exchange, rather than through conquest. The idea of exchange ties heavily to the pro-merchant/ master theme of the play, as Thorowgood is a merchant and a good master. The play also provides a portrait of the model apprentice in the character of Trueman, who is juxtaposed with George Barnwell in an effort to demonstrate proper apprentice behavior as well as warn the many apprentices who were expected to be in attendance of the dangers of disobeying their