Artemis who Artemis turns into a stag for a transgression and who is then killed by hunting dogs. Usually, the dogs are his own, who no longer recognize their master. Sometimes they are Artemis' hounds. According to the standard modern text on the work, Lamar Ronald Lacey's "The Myth of Aktaion: Literary and Iconographic Studies", the most likely original version of the myth is that Actaeon was the hunting companion of the goddess who, seeing her naked in her sacred spring, attempts to force himself on her. For this hubris, he is turned into a stag and devoured by his own
The Death of Actaeon a stag and he was attacked and killed by his own hounds. Both paintings belong to a group of large-scale mythological paintings inspired by the "Metamorphoses" and referred to by Titian himself as ‘poesie’, the visual equivalent of poetry, which he began producing for Philip II of Spain in 1551 and which also include "Danaë" (many versions, Philip's in the Prado, Madrid), "Venus and Adonis" (private collection, London, but also other versions), "Perseus and Andromeda" (Wallace Collection, London), "The Rape of Europa" (Isabella Stewart Gardner Museum, Boston), "Diana and Actaeon" and "Diana and Callisto" (shared by National Gallery of Scotland