Polka in the United States is an example of the way some polka bands have tried to break free of the restrictions of genre and adapt to modern culture. From tiny ethnic dance halls to larger-scale national organizations, there is a huge network of people working to keep the polka alive. One Web site lists a total of 49 formal polka clubs nationwide, and there are many other smaller organizations . The largest organizations today include the International Polka Association (IPA), the United States Polka Association, the Polka Lovers Klub of America (Po.L.K. of A.), the Cleveland-Style Polka Hall of Fame, the Penn-Ohio Polka Pals,
Pavane pour une infante défunte playing of the work was "unutterably slow." However, the composer was not impressed by interpretations that plodded. After a performance by Charles Oulmont, Ravel mentioned to him that the piece was called "Pavane for a dead princess", not "dead pavane for a princess". When asked by the composer-conductor Manoah Leide-Tedesco how he arrived at the title "Pavane pour une infante défunte", Ravel smiled coyly and replied, "Do not be surprised, that title has nothing to do with the composition. I simply liked the sound of those words and I put them there, "c'est tout"". But Ravel also stated that the