Diana and Actaeon spring. Outraged and embarrassed that he had seen her naked, she punished him by destroying his power of speech and turning him into a stag, with antlers and a shaggy coat. In deer form, he was torn to pieces by his own hunting dogs, whipped into a raging fury by Artemis. In 1935, Agrippina Vaganova staged a new production of "La Esmeralda" for the Kirov Ballet in Leningrad, as the company and the city were then known. She created a new, bravura "pas de deux" for Diana and Actaeon, joining the names of the modest Roman goddess and the hapless
Actaeon Greek context of the mortal's reproach to the amorous goddess is translated to the episode of Anchises and Aphrodite. Daphnis too was a herdsman loved by a goddess and punished by her: see Theocritus' First Idyll. In Greek Mythology, Actaeon is thought by many, including Hans Biedermann, to symbolize ritual human sacrifice in attempt to please a God or Goddess. In the case of Actaeon, the dogs symbolize the sacrificers and Actaeon symbolizes the sacrifice. Actaeon also may symbolize a human curiosity or irreverence. The myth is seen by Jungian psychologist Wolfgang Giegerich as a symbol of spiritual transformation and/or