Symphony No. 9 (Dvořák) of the symphony include the phrase "wide open spaces" about what inspired the symphony and/or about the feelings it conveys to listeners. Dvořák was also influenced by the style and techniques used by earlier classical composers including Beethoven and Schubert. The falling fourths and timpani strokes in the "New World Symphony"s Scherzo movement evokes the Scherzo of Beethoven's Choral Symphony (Symphony No. 9). The use of flashbacks to prior movements in the New World Symphony's last movement is reminiscent of Beethoven quoting prior movements in the opening Presto of the Choral Symphony's final movement. At the premiere in Carnegie Hall,
Beethoven and Mozart the impresario sponsored the sketch phases of Beethoven's intended opera "Vestas Feuer", just as he had been the impetus for Mozart's "The Magic Flute". (Beethoven eventually abandoned "Vestas Feuer" in favor of "Fidelio".) Mozart's influence was apparent in the works of Beethoven even after his death. For example, Beethoven copied a passage from Mozart's 40th Symphony into the sketchbook he was using when he composed his Fifth Symphony, the third movement of which opens with a theme similar to one from the Mozart. Charles Rosen sees Mozart's C minor Piano Concerto, K. 491, as a model for Beethoven's 3rd Piano