Michael Martin Murphey closed out a successful decade of recording with the album "Land of Enchantment", which contained "Never Givin' Up on Love", "Got to Pay the Fiddler", "Route 66", and "Land of Enchantment", which became New Mexico's state ballad. Despite the impressive critical and commercial success he achieved throughout the 1980s, Michael Martin Murphey's creative heart and spirit began to focus on the Western music that first captured his imagination as a boy growing up in Texas. As early as 1985, Murphey performed with the New Mexico Symphony in a show called "A Night in the American West", which led to many
Land of Israel settlement. Eliezer Schweid sees Canaan as a geographical name, and Israel the spiritual name of the land. He writes: "The uniqueness of the Land of Israel is thus "geo-theological" and not merely climatic. This is the land which faces the entrance of the spiritual world, that sphere of existence that lies beyond the physical world known to us through our senses. This is the key to the land's unique status with regard to prophecy and prayer, and also with regard to the commandments". Thus, the renaming of this landmarks a change in religious status, the origin of the Holy Land