Catherine Dickens to publish his statement in "Punch" as they thought it unsuitable for a humorous periodical. Another public statement appeared in the "New York Tribune", which later found its way into several British newspapers. In this statement Dickens declared that it had been only Georgina Hogarth who had held the family together for some time: Dickens and Catherine had little correspondence after their separation, but she remained attached and loyal to her husband and to his memory until her own death from cancer. On her deathbed in 1879 Catherine gave the collection of letters she had received from Dickens to her
The Bench (Hogarth) added. Willes' eyebrows, which had been black in the painting, are white in the engraving. The print was accompanied by a second sheet of the same size with a lengthy inscription detailing Hogarth's motives for creating the piece. In a letter to Hogarth, a correspondent identified only as "B" noted that the print seemed of minor importance compared to the inscription, indeed it was the only written work that Hogarth released under his own name after the completion of "The Analysis of Beauty"; Paulson suggests it may have been a rejected passage from that book, and Trusler, a nineteenth-century commentator