Actaeon reconstruction opposes a too-pat consensus that has an archaic Actaeon aspiring to Semele, a classical Actaeon boasting of his hunting prowess and a Hellenistic Actaeon glimpsing Artemis' bath. Lacy identifies the site of Actaeon's transgression as a spring sacred to Artemis at Plataea where Actaeon was a " hero archegetes" ("hero-founder") The righteous hunter, the companion of Artemis, seeing her bathing naked in the spring, was moved to try to make himself her consort, as Diodorus Siculus noted, and was punished, in part for transgressing the hunter's "ritually enforced deference to Artemis" (Lacy 1990:42). Notes: In the second century AD,
Desco da parto The recto shows the story of Diana and Actaeon. Diana, goddess of hunting appears in the foreground clothed in a dark, broaded robe and carrying a falcon; at the right, her nymphs pursue a boar. At the top of the painting, Diana and her nymphs are bathing in a pool of water when the mortal Actaeon happens upon the naked goddess. For offending the virgin deity, Actaeon was transformed into a stag to be hunted down by his own dogs. His fate is illustrated on the left side, where hounds chase a deer. The reverse (verso) shows the allegorical figure