Mary Hogarth Charles Dickens when Mary was aged 14, on Dickens' first visit to the Hogarth household in Brompton, London. Whilst Dickens and Catherine were courting, Mary was a constant companion and chaperone to both of them. After Charles and Catherine Dickens married in 1836, Hogarth lived with them for a month in a three bedroom apartment at the Furnival's Inn in Holborn, London. From March 1837, Hogarth lived with the couple at 48 Doughty Street, where she helped her sister with household chores, as Catherine was pregnant with her first child. Hogarth was described by those who knew her as "sweet,
The Bench (Hogarth) added. Willes' eyebrows, which had been black in the painting, are white in the engraving. The print was accompanied by a second sheet of the same size with a lengthy inscription detailing Hogarth's motives for creating the piece. In a letter to Hogarth, a correspondent identified only as "B" noted that the print seemed of minor importance compared to the inscription, indeed it was the only written work that Hogarth released under his own name after the completion of "The Analysis of Beauty"; Paulson suggests it may have been a rejected passage from that book, and Trusler, a nineteenth-century commentator