History of the Kingdom of Dahomey Agoli-Agbo III and Houedogni Behanzin holding rival claims to the throne. The political and economic hierarchies of Dahomey have remained crucial in post-independence Dahomey and Benin. One of the key leaders in the triumvirate which dominated politics in the country from 1960 until 1972 was Justin Ahomadégbé-Tomêtin, twice the head of state of the country, who garnered significant political power through his connection to the royal lineage of Dahomey. The descendents of Francisco Félix de Sousa remain very important political leaders in Benin to this day including Colonel Paul-Émile de Souza (Benin head of state 1969-1970), Isidore de Souza (President
In Dahomey also thought to have marked a significant shift in black theatre performance. Limited by a demand for the comedy of ethnic and racial stereotypes— particularly black stereotypes as depicted through minstrel performance— African American performers were constricted to perform variations of the "darky" and the Chinese as caricatures. While still featuring such racial caricatures, "In Dahomey" simultaneously builds on depictions of black characters, forging a significant shift in dominant representations of blacks in the theatre during its era and creating. As the first show with an entirely African American cast, "In Dahomey" is said to have been met with hostility.