Antonio (The Merchant of Venice) to an individual's sexual identity but only to specific sexual acts any individual might engage in. As Bray writes: "To talk of an individual of this period as being or not being 'a homosexual' is an anachronism and ruinously misleading. The temptation to debauchery, from which homosexuality was not clearly distinguished, was accepted as part of the common lot ... homosexuality [as understood in 15th-century England] was a sin 'to which men's natural corruption and viciousness [were] prone' " (16–17, Rainolds qtd. in Bray, 17). Antonio (The Merchant of Venice) Antonio is the title character in Shakespeare's "The Merchant of
The Jew of Malta often compared, Shylock and Barabas, are themselves profoundly different. Regardless of whether or not The Merchant of Venice was a direct influence, or merely a product of the contemporaneous society that they both were written in, it is noteworthy that Marlowe and Shakespeare were the only two British playwrights of their time to include a Jewish principal character in one of their plays. At the end of the play, Barabas attempts to murder his erstwhile Turkish allies by tricking them into falling through a trap door into a hot cauldron in a pit. In the end, it is Barabas who