Polonaise 15th century. In later centuries it gained popularity among the nobility and townspeople. Polonaise in French Courts The polonaise or "polonez", was first introduced in the 17th century in French courts, although the form originated in Poland and was very popular throughout Europe. This dance in 3/4 meter was designed to entertain the French royal court. The term polonaise was used over the term "polonez" at the start of the 18th century. Princess Anna Maria of Saxony Princess Anna Maria of Saxony collected polonaises throughout her life time, collecting over 350. Her collection was focused on the finest examples of
Polonaise-Fantaisie (Chopin) and Vladimir Horowitz had been including it in their programs some decades earlier. It is intimately indebted to the polonaise for its metre, much of its rhythm, and some of its melodic character, but the fantaisie is the operative formal paradigm (Samson, 1988), and Chopin is said to have referred initially to the piece only as a Fantasy. Parallels with the Fantaisie in F minor include the work's overall tonality, A-flat, the key of its slower middle section, B major, and the motive of the descending fourth. Jeffrey Kallberg has suggested that the Polonaise-Fantaisie represents a change in Chopin's style