Paraguayan polka the composers in the early years of the Paraguayan polka. The oldest polkas in Paraguay are from the early 19th century, such as "Campamento Cerro León", "Alfonso Loma", "Mamá Cumanda", "Che Lucero Aguai'y", "Ndarekoi La Culpa", "London Karape" and "Carreta Guy". Paraguayan polka Paraguayan polka, also known as Danza Paraguaya (Paraguayan dance), is a style of music created in Paraguay in the 19th century. The Paraguayan polka is very different from the traditional polka, mainly because the Paraguayan version combines ternary and binary rhythms, whereas the European only uses binary. The juxtaposition of the mentioned rhythms gives the peculiar sound
Polonaise-Fantaisie (Chopin) and Vladimir Horowitz had been including it in their programs some decades earlier. It is intimately indebted to the polonaise for its metre, much of its rhythm, and some of its melodic character, but the fantaisie is the operative formal paradigm (Samson, 1988), and Chopin is said to have referred initially to the piece only as a Fantasy. Parallels with the Fantaisie in F minor include the work's overall tonality, A-flat, the key of its slower middle section, B major, and the motive of the descending fourth. Jeffrey Kallberg has suggested that the Polonaise-Fantaisie represents a change in Chopin's style