Catherine Dickens to publish his statement in "Punch" as they thought it unsuitable for a humorous periodical. Another public statement appeared in the "New York Tribune", which later found its way into several British newspapers. In this statement Dickens declared that it had been only Georgina Hogarth who had held the family together for some time: Dickens and Catherine had little correspondence after their separation, but she remained attached and loyal to her husband and to his memory until her own death from cancer. On her deathbed in 1879 Catherine gave the collection of letters she had received from Dickens to her
The Bench (Hogarth) Vinci – with his version of some Raphael characters (from the Cartoons) and a hundred of his own character profiles. After Hogarth's death the subscription ticket was reproduced as print in its own right, minus the subscription details for "Marriage a-la-mode", and came to be known as "Characters and Caricaturas" (from the inscription Hogarth had added at the foot of the original). Hogarth intended to formally address the point with "The Bench" by creating a print for sale that showed characters, caricatures and "outré". Hogarth dismissed "outré" as a subset of caricature, but considered caricature to be as far below