The Merchant of Venice "play Antonio as gay". Joseph Fiennes, however, who plays Bassanio, encouraged a homoerotic interpretation and, in fact, surprised Irons with the kiss on set, which was filmed in one take. Fiennes defended his choice, saying "I would never invent something before doing my detective work in the text. If you look at the choice of language … you'll read very sensuous language. That's the key for me in the relationship. The great thing about Shakespeare and why he's so difficult to pin down is his ambiguity. He's not saying they're gay or they're straight, he's leaving it up to his
The Jew of Malta often compared, Shylock and Barabas, are themselves profoundly different. Regardless of whether or not The Merchant of Venice was a direct influence, or merely a product of the contemporaneous society that they both were written in, it is noteworthy that Marlowe and Shakespeare were the only two British playwrights of their time to include a Jewish principal character in one of their plays. At the end of the play, Barabas attempts to murder his erstwhile Turkish allies by tricking them into falling through a trap door into a hot cauldron in a pit. In the end, it is Barabas who