Polonaise, Op. 89 (Beethoven) Polonaise, Op. 89 (Beethoven) The Polonaise in C major, Op. 89, by Ludwig van Beethoven is a polonaise for solo piano, published in 1815. He composed it in December 1814, at a time when the polonaise was becoming a popular dance and class marker among the European nobility. Beethoven was presented as a prominent artist at the ongoing Congress of Vienna, where he met the visiting Russian Empress Elizabeth Alexeievna. He dedicated the polonaise to the Empress, and was compensated with a sum of 50 ducats. The piece is Beethoven's first and only published standalone polonaise, and is notable as
Polonaise-Fantaisie (Chopin) and Vladimir Horowitz had been including it in their programs some decades earlier. It is intimately indebted to the polonaise for its metre, much of its rhythm, and some of its melodic character, but the fantaisie is the operative formal paradigm (Samson, 1988), and Chopin is said to have referred initially to the piece only as a Fantasy. Parallels with the Fantaisie in F minor include the work's overall tonality, A-flat, the key of its slower middle section, B major, and the motive of the descending fourth. Jeffrey Kallberg has suggested that the Polonaise-Fantaisie represents a change in Chopin's style