Motifs in the James Bond film series can be a private island ("Dr. No", "The Man with the Golden Gun"), underwater ("The Spy Who Loved Me"), mountaintop retreat ("On Her Majesty's Secret Service", "For Your Eyes Only") volcano ("You Only Live Twice"), or underground base ("Live and Let Die"), a ship ("Thunderball", "Tomorrow Never Dies"), an oil rig ("Diamonds Are Forever") or even a space station ("Moonraker")—among other variations. Bond usually sabotages the lair and, with time ticking down, dispatches the supervillain, rescues the principal Bond girl and they escape as the place blows up. In some cases, the villain or his primary henchman escapes to launch
Motifs in the James Bond film series with rockets going astray. Similarly Bond's anti-heroin mission in "Live and Let Die" coincided with President Nixon's 1972 declaration of a War on Drugs, whilst "GoldenEye" played against the backdrop of Ronald Reagan's Strategic Defense Initiative. For the series of Bond novels, Fleming realised that without threatening villains Bond seemed less heroic: this tradition of strong literary villain was brought across to the screen in the Eon series. The third Bond film, "Goldfinger", set a pattern for having a main villain with a loyal and dangerous henchman, a model which was followed in subsequent films. Whilst Bond scholar Glenn Yeffeth