Polka in the 19th century also wrote many polkas to satisfy the demands of the dance-music-loving Viennese. In France, another dance-music composer Emile Waldteufel also wrote many polkas in addition to his chief profession of penning waltzes. The polka evolved during the same period into different styles and tempi. In principle, the polka written in the 19th century has a 4-theme structure; themes 1A and 1B as well as a 'Trio' section of a further 2 themes. The 'Trio' usually has an 'Intrada' to form a break between the two sections. The feminine and graceful 'French polka' (polka française) is slower
Polonaise de Concert, Op. 4 (Wieniawski) It is a popular violin showpiece for its melodic beauty and technical virtuosity. Polonaise de Concert, Op. 4 (Wieniawski) Polonaise Brillante (Polonaise de Concert) Op. 4 is the first of two polonaises composed by the Polish violin virtuoso Henryk Wieniawski. It was written in two versions: for violin with piano accompaniment, and for violin and orchestra. The version known to us today was published in Germany in 1853 as Polonaise de Concert in D major. However it was originally sketched out in 1848, by a thirteen year old Wieniawski. It was dedicated to the Polish virtuoso violinist Karol Lipiński. It