Actaeon which Actaeon is recognized, both in ancient art and in Renaissance and post-Renaissance depictions. Among others, John Heath has observed, "The unalterable kernel of the tale was a hunter's transformation into a deer and his death in the jaws of his hunting dogs. But authors were free to suggest different motives for his death." In the version that was offered by the Hellenistic poet Callimachus, which has become the standard setting, Artemis was bathing in the woods when the hunter Actaeon stumbled across her, thus seeing her naked. He stopped and stared, amazed at her ravishing beauty. Once seen, Artemis
When Washington Was in Vogue due to its formulaic plotlines, others saw Williams’s analysis of intra-racial social politics as a fascinating window into the period. "Publishers Weekly" heralded it as “an invaluable addition to period scholarship”, while a laudatory review in "The Crisis" said the novel was “a welcome and consistently entertaining glimpse of a pivotal era”. With Christina Moore’s 2013 “Traditional Rebirth: The Epistolary Genre in When Washington Was in Vogue,” published in "African American Review", the novel (as a published whole) received its first scholarly treatment outside of McKible’s own work. When Washington Was in Vogue When Washington Was in Vogue is a