The Merchant of Venice know not why I am so sad" – and utter devotion to Bassanio has led some critics to theorise that he is suffering from unrequited love for Bassanio and is depressed because Bassanio is coming to an age where he will marry a woman. In his plays and poetry Shakespeare often depicted strong male bonds of varying homosociality, which has led some critics to infer that Bassanio returns Antonio's affections despite his obligation to marry: In his essay "Brothers and Others", published in "The Dyer's Hand," W. H. Auden describes Antonio as "a man whose emotional life, though his conduct
The Merchant of Venice actors. I feel there has to be a great love between the two characters … there's great attraction. I don't think they have slept together but that's for the audience to decide." The earliest performance of which a record has survived was held at the court of King James in the spring of 1605, followed by a second performance a few days later, but there is no record of any further performances in the 17th century. In 1701, George Granville staged a successful adaptation, titled "The Jew of Venice", with Thomas Betterton as Bassanio. This version (which featured a masque)