Diana and Actaeon spring. Outraged and embarrassed that he had seen her naked, she punished him by destroying his power of speech and turning him into a stag, with antlers and a shaggy coat. In deer form, he was torn to pieces by his own hunting dogs, whipped into a raging fury by Artemis. In 1935, Agrippina Vaganova staged a new production of "La Esmeralda" for the Kirov Ballet in Leningrad, as the company and the city were then known. She created a new, bravura "pas de deux" for Diana and Actaeon, joining the names of the modest Roman goddess and the hapless
Diana and Her Companions her tears", according to Wheelock. (Christ also kneeled before his disciples and washed their feet at the Last Supper.) Selena Cant believes Vermeer's contemporaries would have immediately drawn the association of foot-washing with the idea of Jesus washing feet. "[T]his maidservant steals the scene", according to Cant, who points out the "unusual brown-bronze bodice" worn by the servant. According to Wheelock, the painting "has [...] no obvious literary source". As a depiction of Diana, the painting is notable in part for what it does not depict—neither Actaeon catching sight of Diana and her nymphs bathing nor the actual moment when