Neptune and Triton Neptune and Triton Neptune and Triton is an early sculpture by the Italian artist Gian Lorenzo Bernini. It is housed in the Victoria and Albert Museum of London and was executed c. 1622–1623. Carved from marble, it stands 182.2 cm (71.7 in) in height. The sculpture was originally commissioned by Cardinal Peretti Montalto, serving as a fountain to decorate the pond in the garden of his Villa Peretti Montalto on the Esquiline Hill in Rome. It was purchased by the Englishman Thomas Jenkins in 1786, from whom it was purchased later that year by the painter Joshua Reynolds. After Reynolds's
The Light in the Piazza (musical) wholly fascinating harmonies and instrumentation." Ben Brantley, in "The New York Times", deemed the show "encouragingly ambitious and discouragingly unfulfilled... the production comes into its own only in the sweetly bitter maternal regrets and dreams of Margaret Johnson." He further made special mention of the "gorgeous autumn-leaf-strewn set", the "lush golden lighting" and "the delectable period costumes". The Light in the Piazza (musical) The Light in the Piazza is a musical with a book by Craig Lucas and music and lyrics by Adam Guettel. Based on a novella by Elizabeth Spencer, the story is set in the 1950s and revolves