Motifs in the James Bond film series can be a private island ("Dr. No", "The Man with the Golden Gun"), underwater ("The Spy Who Loved Me"), mountaintop retreat ("On Her Majesty's Secret Service", "For Your Eyes Only") volcano ("You Only Live Twice"), or underground base ("Live and Let Die"), a ship ("Thunderball", "Tomorrow Never Dies"), an oil rig ("Diamonds Are Forever") or even a space station ("Moonraker")—among other variations. Bond usually sabotages the lair and, with time ticking down, dispatches the supervillain, rescues the principal Bond girl and they escape as the place blows up. In some cases, the villain or his primary henchman escapes to launch
The James Bond Dossier of Bond's correct designation: 'It's inaccurate, of course, to describe James Bond as a "spy", in the strict sense of one who steals or buys or smuggles the secrets of foreign powers ... Bond's claims to be considered a "counter-spy", one who operates against the agents of unfriendly powers, are rather more substantial'. Although, as noted elsewhere, Amis wrote three books related to the James Bond franchise, and may or may not have contributed to one of Fleming's novels, "The James Bond Dossier" would end up being the only book of this type to be published under Amis's own name.