Callisto (mythology) afterwards, when she was already with child, was seen bathing and so discovered. Upon this, the goddess was enraged and changed her into a beast. Thus she became a bear and gave birth to a son called Arcas. Either Artemis "slew Kallisto with a shot of her silver bow," perhaps urged by the wrath of Juno (Hera) or later Arcas, the eponym of Arcadia, nearly killed his bear-mother, when she had wandered into the forbidden precinct of Zeus. In every case, Zeus placed them both in the sky as the constellations Ursa Major, called "Arktos" (αρκτος), the "Bear", by Greeks,
The Death of Actaeon a stag and he was attacked and killed by his own hounds. Both paintings belong to a group of large-scale mythological paintings inspired by the "Metamorphoses" and referred to by Titian himself as ‘poesie’, the visual equivalent of poetry, which he began producing for Philip II of Spain in 1551 and which also include "Danaë" (many versions, Philip's in the Prado, Madrid), "Venus and Adonis" (private collection, London, but also other versions), "Perseus and Andromeda" (Wallace Collection, London), "The Rape of Europa" (Isabella Stewart Gardner Museum, Boston), "Diana and Actaeon" and "Diana and Callisto" (shared by National Gallery of Scotland