Polonaise character of a polonaise. For example, the third movement of Beethoven's Triple Concerto op. 56, marked "Rondo alla polacca," and the finale of Chopin's Variations on "Là ci darem la mano" both feature this notation. In his book "Classic Music: Expression, Form, and Style", Leonard G. Ratner cites the fourth movement from Beethoven's Serenade in D major, Op. 8, marked "Allegretto alla Polacca," as a representative example of the polonaise dance topic (Ratner 1980, pp. 12–13). Frédéric Chopin's polonaises are generally the best known of all polonaises in classical music. Other composers who wrote polonaises or pieces in polonaise rhythm
Polonaise, Op. 89 (Beethoven) a precursor to Chopin's more well-known polonaises. The piece is marked "Alla Polacca, vivace" (as a polonaise, lively)"." After four measures, there is a brief barless passage of ascending and descending scales moving to "adagio" (slow) and then to "più presto" (faster). At the conclusion of this unusual introduction, the piece returns to the first tempo and meter, and the polonaise rhythm and main theme are introduced. The piece ends with a lengthy coda. It takes about five minutes to perform. Polonaise, Op. 89 (Beethoven) The Polonaise in C major, Op. 89, by Ludwig van Beethoven is a polonaise for