Fred Astaire in "Carefree" (1938). He first presented Jerome Kern's "The Way You Look Tonight" in "Swing Time" (1936); the Gershwins' "They Can't Take That Away from Me" in "Shall We Dance" (1937), "A Foggy Day" and "Nice Work if You Can Get it" in "A Damsel in Distress" (1937); Johnny Mercer's "One for My Baby" from "The Sky's the Limit" (1943) and "Something's Gotta Give" from "Daddy Long Legs" (1955); and Harry Warren and Arthur Freed's "This Heart of Mine" from "Ziegfeld Follies" (1946). Astaire also co-introduced a number of song classics via song duets with his partners. For example, with
Fred Astaire of increased production costs, and Astaire left RKO, after being labeled "box office poison" by the "Independent Film Journal". Astaire was reunited with Rogers in 1949 at MGM for their final outing, "The Barkleys of Broadway", the only one of their films together to be shot in Technicolor. In 1939, Astaire left RKO to freelance and pursue new film opportunities, with mixed though generally successful outcomes. Throughout this period, Astaire continued to value the input of choreographic collaborators and, unlike the 1930s when he worked almost exclusively with Hermes Pan, he tapped the talents of other choreographers in an effort