Symphony No. 8 (Schubert) by default incomplete), and the even more undeniable fact that Schubert had begun a third movement in B minor (leaving precisely 30 bars of fully orchestrated scherzo and 112 succeeding bars in short score), stands against the view that the two completed movements can legitimately stand alone. Reviewing the premiere of the symphony in 1865, the music critic Eduard Hanslick wrote: He ended by stressing that the symphony is among Schubert's most beautiful instrumental works. In 1927–28, Felix Weingartner—better known as a classical conductor and the first to record all nine Beethoven symphonies and the second, after Stokowski, to record
Symphony the 19th century, Beethoven elevated the symphony from an everyday genre produced in large quantities to a supreme form in which composers strove to reach the highest potential of music in just a few works. Beethoven began with two works directly emulating his models Mozart and Haydn, then seven more symphonies, starting with the Third Symphony ("Eroica") that expanded the scope and ambition of the genre. His Symphony No. 5 is perhaps the most famous symphony ever written; its transition from the emotionally stormy C minor opening movement to a triumphant major-key finale provided a model adopted by later symphonists