James Bond in film Deighton together with Sean Connery to work on a script. The script ran into difficulties after accusations from Eon Productions that the project had gone beyond copyright restrictions, which confined McClory to a film based on the "Thunderball" novel only, and once again the project was deferred. Towards the end of the 1970s developments were reported on the project under the name "James Bond of the Secret Service", but then producer Jack Schwartzman became involved and cleared a number of the legal issues that still surrounded the project and licensed the rights from McClory. With Connery still committed to the
James Bond in film February 1962; five days later filming began at Pinewood Studios in England with sets designed by Ken Adam, who had previously worked with Broccoli on the 1960 film "The Trials of Oscar Wilde". Maurice Binder created the title sequence and introduced the gun barrel motif that appears in all the Eon Bond films. Monty Norman wrote the accompanying soundtrack, which included the "James Bond Theme", heard in the gun barrel sequence and in a calypso medley over the title credits; the theme was described by another Bond film composer, David Arnold, as "bebop-swing vibe coupled with that vicious, dark, distorted