The Merchant (play) would make a big profit, but this did not happen. He wrote a book about the play in 1999, "The Birth of Shylock and the Death of Zero Mostel". In this play, Shylock is a good man and Antonio's, the title character in Shakespeare's play, good friend. They bond in their love of knowledge and mutual dislike of the antisemitism in their community. Shylock's demand for a pound of flesh is meant as a jest, but he can not retract it. Both Shylock and Antonio are relieved when the demand is denied in court. Reviewing "The Merchant", critic Michael Billington
The Merchant of Venice actors. I feel there has to be a great love between the two characters … there's great attraction. I don't think they have slept together but that's for the audience to decide." The earliest performance of which a record has survived was held at the court of King James in the spring of 1605, followed by a second performance a few days later, but there is no record of any further performances in the 17th century. In 1701, George Granville staged a successful adaptation, titled "The Jew of Venice", with Thomas Betterton as Bassanio. This version (which featured a masque)