Romeo and Juliet the 20th century, these moral arguments were disputed by critics such as Richard Green Moulton: he argued that accident, and not some character flaw, led to the lovers' deaths. In "Romeo and Juliet", Shakespeare employs several dramatic techniques that have garnered praise from critics; most notably the abrupt shifts from comedy to tragedy (an example is the punning exchange between Benvolio and Mercutio just before Tybalt arrives). Before Mercutio's death in Act three, the play is largely a comedy. After his accidental demise, the play suddenly becomes serious and takes on a tragic tone. When Romeo is banished, rather than
Romeo and Juliet (1954 film) by a novelist. Critics responded to the film as a piece of cinema (its visuals were especially admired in Italy, where it was filmed) but not as a performance of Shakespeare's play: Robert Hatch in "The Nation" said "We had come to see a play... perhaps we should not complain that we were shown a sumptuous travelogue", and "Time"′s reviewer added that "Castellani's "Romeo and Juliet" is a fine film poem... Unfortunately it is not Shakespeare's poem!" Commercially response to the film was underwhelming. One journalist described it as the "unchallenged flop of the year". Romeo and Juliet (1954 film)