James Bond filmography that Connery "looks weary and bored ... he is overweight, slow-moving, and doesn't seem to be trying to create a credible character". Despite that, Benson considers that Connery "still radiates more screen presence than Roger Moore or George Lazenby". On the other hand, Pauline Kael said "Connery's James Bond is less lecherous than before and less foppish—and he's better this way". In the early 1980s producer Jack Schwartzman moved ahead with a non-Eon Bond film, following the controversy over the 1961 novel "Thunderball" and the subsequent long legal battle; the result was "Never Say Never Again". Connery accepted an offer
Sean Connery Pacific" at the Opera House, Manchester over the Christmas period of 1954, Connery developed a serious interest in the theatre through American actor Robert Henderson who lent him copies of the Henrik Ibsen works "Hedda Gabler", "The Wild Duck", and "When We Dead Awaken", and later listed works by the likes of Marcel Proust, Leo Tolstoy, Ivan Turgenev, George Bernard Shaw, James Joyce and William Shakespeare for him to digest. Henderson urged him to take elocution lessons and got him parts at the Maida Vale Theatre in London. In addition, he had already begun pursuing a film career, having been