Actaeon which Actaeon is recognized, both in ancient art and in Renaissance and post-Renaissance depictions. Among others, John Heath has observed, "The unalterable kernel of the tale was a hunter's transformation into a deer and his death in the jaws of his hunting dogs. But authors were free to suggest different motives for his death." In the version that was offered by the Hellenistic poet Callimachus, which has become the standard setting, Artemis was bathing in the woods when the hunter Actaeon stumbled across her, thus seeing her naked. He stopped and stared, amazed at her ravishing beauty. Once seen, Artemis
Diana and Actaeon into a deer with a dappled hide and long antlers, robbed of his ability to speak, and thereafter promptly flees in fear. It is not long, however, before his own hounds track him down and kill him, failing to recognize their master. The story became very popular in the Renaissance. The most common scene shown was Actaeon surprising Diana, but his transformation and his death were also sometimes shown. Titian painted the first two scenes in two of his greatest late "poesies" for Philip II of Spain, in "Diana and Actaeon" and "The Death of Actaeon". The latter actually shows