Polka in the 19th century also wrote many polkas to satisfy the demands of the dance-music-loving Viennese. In France, another dance-music composer Emile Waldteufel also wrote many polkas in addition to his chief profession of penning waltzes. The polka evolved during the same period into different styles and tempi. In principle, the polka written in the 19th century has a 4-theme structure; themes 1A and 1B as well as a 'Trio' section of a further 2 themes. The 'Trio' usually has an 'Intrada' to form a break between the two sections. The feminine and graceful 'French polka' (polka française) is slower
Polonaise (clothing) such example was the witzchoura, a fur-lined cloak with sleeves sometimes described as being "à la Polonaise". In May 1868 the "Ladies' Monthly Magazine" published a coloured fashion plate showing a green silk dress with an asymmetrically opening front described as being made "à la Polonaise", along with a pattern for making it up. During the very late 1860s references to historical dress became fashionable, including draped overskirts loosely based on the 18th century "robe à la polonaise". In 1871 "Peterson's Magazine" stated that the polonaise was an overdress based on the 18th century sacque, with the bodice cut in