Diana and Actaeon the role of the Satyr, with Lydia Ivanova as Diana and Nicholas Efimov as Endymion. In 1886, Petipa incorporated a new "pas de deux," set to music by Riccardo Drigo, into his production of Pugni's "La Esmeralda" for the Maryinsky Ballet, as the Imperial Russian Ballet had come to be called. This "pas de deux" was based on the Greek myth of Artemis (predecessor to the Roman Diana), in her aspect of virgin goddess of the hunt, and Actaeon, a Theban hero. According to Ovid's "Metamorphoses," Actaeon, out on a hunt, stumbled upon Artemis while she was bathing at a
Diana and Her Companions her tears", according to Wheelock. (Christ also kneeled before his disciples and washed their feet at the Last Supper.) Selena Cant believes Vermeer's contemporaries would have immediately drawn the association of foot-washing with the idea of Jesus washing feet. "[T]his maidservant steals the scene", according to Cant, who points out the "unusual brown-bronze bodice" worn by the servant. According to Wheelock, the painting "has [...] no obvious literary source". As a depiction of Diana, the painting is notable in part for what it does not depict—neither Actaeon catching sight of Diana and her nymphs bathing nor the actual moment when