Curse of the ninth "serious" music criticism. Though composers can indeed be found who died after achieving nine symphonies (the most famous example perhaps being Ludwig van Beethoven), nine is not a statistically predominant total in the history of the symphony. In addition, while some very prominent composers (e.g. Schubert, Dvořák, Spohr, Bruckner, Mahler, and Vaughan Williams) are regularly adduced as examples, several of them are only credited with having "composed nine symphonies" as a result of error or oversimplification (see below). According to Arnold Schoenberg, this superstition began with Gustav Mahler, who, after writing his Eighth Symphony, wrote "Das Lied von der Erde",
Symphony No. 4 (Beethoven) perform. In general the symphony is sunny and cheerful, with light instrumentation that recalls the symphonies of Joseph Haydn, with whom Beethoven had studied a decade before. The Fourth Symphony contrasts with Beethoven's composition style in the previous Third Symphony, and is often overshadowed by both its predecessor and succeeding work, the celebrated Fifth Symphony which Beethoven had set aside to complete the Fourth. Despite being written in a style more akin to that of Beethoven's first two symphonies, the Fourth contains many aspects that show his growing strength as a composer, most notably the B minor Adagio introduction to