Polka in the 19th century also wrote many polkas to satisfy the demands of the dance-music-loving Viennese. In France, another dance-music composer Emile Waldteufel also wrote many polkas in addition to his chief profession of penning waltzes. The polka evolved during the same period into different styles and tempi. In principle, the polka written in the 19th century has a 4-theme structure; themes 1A and 1B as well as a 'Trio' section of a further 2 themes. The 'Trio' usually has an 'Intrada' to form a break between the two sections. The feminine and graceful 'French polka' (polka française) is slower
Polonaise, Op. 89 (Beethoven) a precursor to Chopin's more well-known polonaises. The piece is marked "Alla Polacca, vivace" (as a polonaise, lively)"." After four measures, there is a brief barless passage of ascending and descending scales moving to "adagio" (slow) and then to "più presto" (faster). At the conclusion of this unusual introduction, the piece returns to the first tempo and meter, and the polonaise rhythm and main theme are introduced. The piece ends with a lengthy coda. It takes about five minutes to perform. Polonaise, Op. 89 (Beethoven) The Polonaise in C major, Op. 89, by Ludwig van Beethoven is a polonaise for