The Merchant of Venice "play Antonio as gay". Joseph Fiennes, however, who plays Bassanio, encouraged a homoerotic interpretation and, in fact, surprised Irons with the kiss on set, which was filmed in one take. Fiennes defended his choice, saying "I would never invent something before doing my detective work in the text. If you look at the choice of language … you'll read very sensuous language. That's the key for me in the relationship. The great thing about Shakespeare and why he's so difficult to pin down is his ambiguity. He's not saying they're gay or they're straight, he's leaving it up to his
The School of Night (play) his own knife. Skeres and Poley are horrified. Marlowe dies. Shakespeare and Rosalinda visit Marlowe's grave in Deptford. Rosalinda is still convinced that all went as planned and she will meet Marlowe in Venice. Shakespeare says she must prepare herself for the possibility that Marlowe is dead. In "Shakespeare Survey", Jill L. Levinson, says that Whelan creates an "elusive Shakespeare, gifted and influential" and that the play weaves together references to "more than half a dozen scripts from Henry VI to Othello." The Hollywood Reporter complained that the play was far too heavy on exposition, but that "Whelan does capture