Dom Pérignon (monk) at the Abbey of Hautvillers, Dom Groussard, who in 1821 gave an account of Dom Pérignon "inventing" Champagne among other exaggerated tales about the Abbey in order to garner historical importance and prestige for the church. Groussard’s myth achieved more than prestige for the church, it helped commercialize champagne at the turn of the twentieth century. The Syndicat du commerce used the myth to promote champagne and the Champagne region, producing a pamphlet called "Le Vin de Champagne" in 1896 that celebrated Perignon as the inventor of champagne by following "ancient traditions." The myth served to protect champagne made in
Who the Hell Is Juliette? the "artiest home movie ever made" and was critical about how the subtitles appeared and disappeared too quickly to be easily read. On the other hand, the "New York Daily News" called the film "a great example of what happens when a film maker follows a subject that intrigues him rather than a pre-set program". The documentary received two Ariel Awards. At the 1998 Sundance Film Festival, it received the Latin American Cinema Award. Who the Hell Is Juliette? Who the Hell is Juliette? () is a Mexican 1997 documentary film written and directed by Carlos Marcovich. The film is