Symphony No. 8 (Schubert) by default incomplete), and the even more undeniable fact that Schubert had begun a third movement in B minor (leaving precisely 30 bars of fully orchestrated scherzo and 112 succeeding bars in short score), stands against the view that the two completed movements can legitimately stand alone. Reviewing the premiere of the symphony in 1865, the music critic Eduard Hanslick wrote: He ended by stressing that the symphony is among Schubert's most beautiful instrumental works. In 1927–28, Felix Weingartner—better known as a classical conductor and the first to record all nine Beethoven symphonies and the second, after Stokowski, to record
Symphony No. 5 (Beethoven) is increased to presto. The symphony ends with 29 bars of C major chords, played fortissimo. In "The Classical Style", Charles Rosen suggests that this ending reflects Beethoven's sense of Classical proportions: the "unbelievably long" pure C major cadence is needed "to ground the extreme tension of [this] immense work." It has been shown that this long chord sequence was a pattern that Beethoven borrowed from the Italian composer Luigi Cherubini, whom Beethoven “esteemed the most” among his contemporary musicians. Spending much of his life in France, Cherubini employed this pattern consistently to close his overtures, which Beethoven knew well.