Diana and Actaeon the role of the Satyr, with Lydia Ivanova as Diana and Nicholas Efimov as Endymion. In 1886, Petipa incorporated a new "pas de deux," set to music by Riccardo Drigo, into his production of Pugni's "La Esmeralda" for the Maryinsky Ballet, as the Imperial Russian Ballet had come to be called. This "pas de deux" was based on the Greek myth of Artemis (predecessor to the Roman Diana), in her aspect of virgin goddess of the hunt, and Actaeon, a Theban hero. According to Ovid's "Metamorphoses," Actaeon, out on a hunt, stumbled upon Artemis while she was bathing at a
The Death of Actaeon Titian seems never to have resolved it to his satisfaction, and the painting apparently remained in his studio until his death in 1576. There has been considerable debate as to whether it is finished or not, as with other very late Titians, such as the "Flaying of Marsyas", which unlike this has a signature, perhaps an indication of completion. It is a sequel of Titian's work "Diana and Actaeon" showing the story's tragic conclusion, which approximately follows the Roman poet Ovid's account in the "Metamorphoses": after Actaeon surprised the goddess Diana bathing naked in the woods, she transformed him into