Symphony No. 9 (Schubert) trombone as an effect, and therefore very sparingly, or, in the case of his Ninth Symphony, also to double the alto, tenor, and bass parts of the chorus as was common in sacred music and opera at the time. However, in Schubert’s Unfinished Symphony and the Ninth Symphony, the trombones become essential members of the orchestra playing throughout the piece, and even receive important melodic roles. Symphony No. 9 (Schubert) The Symphony No. 9 in C major, D 944, known as the Great (published in 1840 as "Symphony No. 7 in C Major", listed as No. 8 in the Neue
Symphony No. 1 (Beethoven) the first violins alone (an unusual effect) beginning on G and gradually adding more notes. After finally reaching an F, outlining a dominant seventh chord in C major, the real start of the finale "Allegro molto e vivace" begins in C major with a theme similar (both in rhythm and character) to the 4th movement of Haydn's Symphony No. 88 in G major. Composed again in a solid sonata form, Beethoven uses the scale as the prevailing motivic element in this movement which, by character, pays most of all tribute to the customary finale established by Haydn in the preceding