Polka such as accordion, fiddle, diatonic accordion, hardingfele and nyckelharpa. Bedřich Smetana incorporated the polka in his opera "The Bartered Bride" () and in particular, Act 1. While the polka is Bohemian in origin, most dance music composers in Vienna (the capital of the vast Habsburg Austro-Hungarian Empire, which was the cultural centre for music from all over the empire) composed polkas and included the dance in their repertoire at some point of their career. The Strauss family in Vienna for example, while probably better-known for their waltzes also composed polkas that have survived obscurity. Josef Lanner and other Viennese composers
Pavane pour une infante défunte playing of the work was "unutterably slow." However, the composer was not impressed by interpretations that plodded. After a performance by Charles Oulmont, Ravel mentioned to him that the piece was called "Pavane for a dead princess", not "dead pavane for a princess". When asked by the composer-conductor Manoah Leide-Tedesco how he arrived at the title "Pavane pour une infante défunte", Ravel smiled coyly and replied, "Do not be surprised, that title has nothing to do with the composition. I simply liked the sound of those words and I put them there, "c'est tout"". But Ravel also stated that the