The Merchant of Venice (opera) 2013. Keith Warner directed the production, which was also supported by the Adam Mickiewicz Institute and the Grand Theatre – National Opera, Warsaw. The opera libretto follows the plot of the original play very closely, generally using Shakespeare's own words. Many of the minor characters are excised. Act I introduces the melancholy merchant Antonio, his friend Bassanio who asks Antonio for money to back his wooing of Portia, the Jewish moneylender Shylock, his daughter Jessica and her Gentile lover, Lorenzo. Despite evident mutual personal animosity, Shylock agrees to lend Antonio 3000 ducats against the pledge of a pound of the
The Merchant of Venice literature up until the 20th century depicts the Jew as "a monied, cruel, lecherous, avaricious outsider tolerated only because of his golden hoard". Many modern readers and theatregoers have read the play as a plea for tolerance, noting that Shylock is a sympathetic character. They cite as evidence that Shylock's "trial" at the end of the play is a mockery of justice, with Portia acting as a judge when she has no right to do so. The characters who berated Shylock for dishonesty resort to trickery in order to win. In addition, Shakespeare gives Shylock one of his most eloquent