Fountain in Piazza Santa Maria in Trastevere mentioned in documents dating to the second half of the 15th century. A drawing of the fountain appears on the map of Rome made by Pietro del Massaio in 1471, along with a description of the legend of the fountain's origin. According to the legend, which appears in the "Chronicle" of Eusebius, translated and finished by Saint Jerome in the fifth century, on the night of the birth of Christ a fountain of oil appeared miraculously in front of the church, which as a result was given the name "Santa Maria in fontibus." The original fountain was supplied with water
Three Coins in the Fountain (film) they happily admire the fountain, which has proved lucky to them all. Upon its theatrical release, the film received generally positive reviews, particularly for its color and CinemaScope wide-screen cinematography of Italian filming locations. In his review in "The New York Times", Bosley Crowther wrote, ""Three Coins in the Fountain" is quite clearly a film in which the locale comes first. However, the nonsense of its fable tumbles nicely within the picture frame." Crowther underscored the film's visual appeal to the audiences of his time. The review in "Variety" noted that the film "has warmth, humor, a rich dose of