Romeo and Juliet the play's "twin themes of love and the total breakdown of understanding between two generations" had contemporary relevance. Recent performances often set the play in the contemporary world. For example, in 1986, the Royal Shakespeare Company set the play in modern Verona. Switchblades replaced swords, feasts and balls became drug-laden rock parties, and Romeo committed suicide by hypodermic needle. In 1997, the Folger Shakespeare Theatre produced a version set in a typical suburban world. Romeo sneaks into the Capulet barbecue to meet Juliet, and Juliet discovers Tybalt's death while in class at school. The play is sometimes given a historical
Romeo and Juliet repeating the same musical theme at the ball, in the balcony scene, in Juliet's bedroom and in the tomb has been used by subsequent directors: for example, Nino Rota's love theme is used in a similar way in the 1968 film of the play, as is Des'ree's Kissing You in the 1996 film. Other classical composers influenced by the play include Henry Hugh Pearson ("Romeo and Juliet, overture for orchestra", Op. 86), Svendsen ("Romeo og Julie", 1876), Delius ("A Village Romeo and Juliet", 1899–1901), Stenhammar ("Romeo och Julia", 1922), and Kabalevsky ("Incidental Music to Romeo and Juliet", Op. 56, 1956).