Curse of the ninth "serious" music criticism. Though composers can indeed be found who died after achieving nine symphonies (the most famous example perhaps being Ludwig van Beethoven), nine is not a statistically predominant total in the history of the symphony. In addition, while some very prominent composers (e.g. Schubert, Dvořák, Spohr, Bruckner, Mahler, and Vaughan Williams) are regularly adduced as examples, several of them are only credited with having "composed nine symphonies" as a result of error or oversimplification (see below). According to Arnold Schoenberg, this superstition began with Gustav Mahler, who, after writing his Eighth Symphony, wrote "Das Lied von der Erde",
Symphony No. 5 (Beethoven) is increased to presto. The symphony ends with 29 bars of C major chords, played fortissimo. In "The Classical Style", Charles Rosen suggests that this ending reflects Beethoven's sense of Classical proportions: the "unbelievably long" pure C major cadence is needed "to ground the extreme tension of [this] immense work." It has been shown that this long chord sequence was a pattern that Beethoven borrowed from the Italian composer Luigi Cherubini, whom Beethoven “esteemed the most” among his contemporary musicians. Spending much of his life in France, Cherubini employed this pattern consistently to close his overtures, which Beethoven knew well.