The Battle Pavane modern notation (semiquavers). This piece is very typical of the mid-sixteenth century court music and would have been played by consorts of instruments of the same type, like sackbutts and cornetts, shawms, viols, recorders, and possible also by mixed consorts. The Battle Pavane The Battle Pavane (alternative spelling: "Battle Pavan)" is an instrumental piece by Tielman Susato which he published in 1551 in "alderhande Danserye", a collection of Renaissance dance music. In recent decades (as of 2007) Bob Margolis' arrangement of it has gained mass popularity among high school wind ensembles in the USA. The piece is often played by
Polonaise-Fantaisie (Chopin) and Vladimir Horowitz had been including it in their programs some decades earlier. It is intimately indebted to the polonaise for its metre, much of its rhythm, and some of its melodic character, but the fantaisie is the operative formal paradigm (Samson, 1988), and Chopin is said to have referred initially to the piece only as a Fantasy. Parallels with the Fantaisie in F minor include the work's overall tonality, A-flat, the key of its slower middle section, B major, and the motive of the descending fourth. Jeffrey Kallberg has suggested that the Polonaise-Fantaisie represents a change in Chopin's style