Polka in the 19th century also wrote many polkas to satisfy the demands of the dance-music-loving Viennese. In France, another dance-music composer Emile Waldteufel also wrote many polkas in addition to his chief profession of penning waltzes. The polka evolved during the same period into different styles and tempi. In principle, the polka written in the 19th century has a 4-theme structure; themes 1A and 1B as well as a 'Trio' section of a further 2 themes. The 'Trio' usually has an 'Intrada' to form a break between the two sections. The feminine and graceful 'French polka' (polka française) is slower
Polka Party! his website, he wrote that while the band members "are all terrific people individually", they "didn't seem to get along all that great when they weren't on stage." "Polka Party!" received mixed to negative reviews from critics. Allmusic reviewer Eugene Chadbourne gave the album three stars and wrote that "just about anyone could feel let down by this album." Chadbourne was largely critical of the parody choices, noting that many of the original versions would be forgotten in "fifteen years". Christopher Thelen from The Daily Vault gave "Polka Party!" an F and described it as an album that "seemed like