Five Easy Pieces of four: The title of "Five Easy Pieces" refers not to the women its hero makes along the road, for there are only three, but to a book of piano exercises he owned as a child. The film, one of the best American films, is about the distance between that boy, practicing to become a concert pianist, and the need he feels 20 years later to disguise himself as an oil-field rigger. When we sense the boy, tormented and insecure, trapped inside the adult man, "Five Easy Pieces" becomes a masterpiece of heartbreaking intensity... The movie is joyously alive to
Five Easy Pieces (Milo Rau) the Brechtian tradition: his actors learn to play. Every scene of Milo Rau's "Five Easy Pieces" starts with the projection of a short film in which adults start the scene. The children then take up live, act the scene simultaneously on the theatre stage, and continue playing while the only adult actor - in the role of director - films and encourages them. In this way the children play the role of the old and sick father of Dutroux, a police agent who discovers the murdered children, one of his victims and the parents of one of his other victims.