Motifs in the James Bond film series can be a private island ("Dr. No", "The Man with the Golden Gun"), underwater ("The Spy Who Loved Me"), mountaintop retreat ("On Her Majesty's Secret Service", "For Your Eyes Only") volcano ("You Only Live Twice"), or underground base ("Live and Let Die"), a ship ("Thunderball", "Tomorrow Never Dies"), an oil rig ("Diamonds Are Forever") or even a space station ("Moonraker")—among other variations. Bond usually sabotages the lair and, with time ticking down, dispatches the supervillain, rescues the principal Bond girl and they escape as the place blows up. In some cases, the villain or his primary henchman escapes to launch
Motifs in the James Bond film series No", with Bond leaving a corpse in a car outside Government House and asking the Duty Sergeant to make sure he didn't get away, whilst in "Goldfinger", Bond electrocutes a man in a bath, before commenting, "Shocking, positively shocking". During Sean Connery's Bond films, the humour was delivered by Connery to soften a violent situation, such as the electrification, or his shooting a villain with a spear gun and saying "I think he got the point". The humour changed towards innuendo and self-mockery during the Roger Moore films, with his jokes delivered with what media historian James Chapman considered to