Polka in the 19th century also wrote many polkas to satisfy the demands of the dance-music-loving Viennese. In France, another dance-music composer Emile Waldteufel also wrote many polkas in addition to his chief profession of penning waltzes. The polka evolved during the same period into different styles and tempi. In principle, the polka written in the 19th century has a 4-theme structure; themes 1A and 1B as well as a 'Trio' section of a further 2 themes. The 'Trio' usually has an 'Intrada' to form a break between the two sections. The feminine and graceful 'French polka' (polka française) is slower
Pavane pour une infante défunte his eponymous album (1982), in which he made use of synthesizers instead of acoustic instruments. Some unusual interpretations include another electronic versions by William Orbit in "Pieces in a Modern Style" (2000) and by Isao Tomita (1979), Edgar Meyer recorded a version for double bass and piano on his CD "Work in Progress" (1990), a solo bass guitar version by Jimmy Earl (1995), Ali Aiman's minimalist/electronic adaptation in his Overture EP (2014) and Hayley Westenra's vocal adaptation "Never Say Goodbye", which appears in her album "Pure" (2004). Pavane pour une infante défunte Pavane pour une infante défunte ("Pavane for a