Polka in the 19th century also wrote many polkas to satisfy the demands of the dance-music-loving Viennese. In France, another dance-music composer Emile Waldteufel also wrote many polkas in addition to his chief profession of penning waltzes. The polka evolved during the same period into different styles and tempi. In principle, the polka written in the 19th century has a 4-theme structure; themes 1A and 1B as well as a 'Trio' section of a further 2 themes. The 'Trio' usually has an 'Intrada' to form a break between the two sections. The feminine and graceful 'French polka' (polka française) is slower
Pavane pour une infante défunte Pavane pour une infante défunte Pavane pour une infante défunte ("Pavane for a Dead Infanta") is piece for solo piano by the French composer Maurice Ravel in 1899 when he was studying composition at the Conservatoire de Paris under Gabriel Fauré. Ravel also published an orchestrated version of the "Pavane" in 1910; it is scored for two flutes, oboe, two clarinets (in B-flat), two bassoons, two horns, harp, and strings. A typical performance of the piece lasts between six and seven minutes. It is widely considered a masterpiece. Ravel described the piece as "an evocation of a pavane that a