Motifs in the James Bond film series can be a private island ("Dr. No", "The Man with the Golden Gun"), underwater ("The Spy Who Loved Me"), mountaintop retreat ("On Her Majesty's Secret Service", "For Your Eyes Only") volcano ("You Only Live Twice"), or underground base ("Live and Let Die"), a ship ("Thunderball", "Tomorrow Never Dies"), an oil rig ("Diamonds Are Forever") or even a space station ("Moonraker")—among other variations. Bond usually sabotages the lair and, with time ticking down, dispatches the supervillain, rescues the principal Bond girl and they escape as the place blows up. In some cases, the villain or his primary henchman escapes to launch
The James Bond Dossier 'almost parodic scholarly dedication', Amis provides a ten-category ('Places', 'Girl', 'Villain's Project', etc.) reference guide (pp. 156–159) to the Bond novels and short stories. Typical of Amis's approach is where he suggests several implausibilities in Bond's capture by the eponymous villain in "Dr No" (1958). However, that 'Bond is temporarily helpless in his creator's grip', does not matter, because 'three of Mr Fleming's favourite situations are about to come up one after the other. Bond is to be wined and dined, lectured on the aesthetics of power, and finally tortured by his chief enemy'. Earlier, Amis had discussed the matter