Motifs in the James Bond film series can be a private island ("Dr. No", "The Man with the Golden Gun"), underwater ("The Spy Who Loved Me"), mountaintop retreat ("On Her Majesty's Secret Service", "For Your Eyes Only") volcano ("You Only Live Twice"), or underground base ("Live and Let Die"), a ship ("Thunderball", "Tomorrow Never Dies"), an oil rig ("Diamonds Are Forever") or even a space station ("Moonraker")—among other variations. Bond usually sabotages the lair and, with time ticking down, dispatches the supervillain, rescues the principal Bond girl and they escape as the place blows up. In some cases, the villain or his primary henchman escapes to launch
Motifs in the James Bond film series demonstrates Western society's patriarchal, individualistic culture. Academic Tricia Jenkins, meanwhile, sees that Bond as "hyperheterosexual", as he is ""more" masculine, "more" sexually desirable, "more" heterosexual than the others around him". Bond girls became a major theme in many Bond film posters, beginning with "Dr. No"; the suggestiveness of the images used had to be toned down in some countries. Bond girls often have highly suggestive names, including "Goldfinger"'s Pussy Galore, which the American censor refused to allow on promotional materials and for the US market she was subsequently referred to as "Miss Galore" or "Goldfinger's personal pilot"; however Honor Blackman