Dahomey conquered Allada, the origin for the royal family according to oral tradition, and in 1727 he conquered Whydah. This increased size of the kingdom, particularly along the Atlantic coast, and increased power made Dahomey into a regional power. The result was near constant warfare with the main regional state, the Oyo Empire, from 1728 until 1740. The warfare with the Oyo empire resulted in Dahomey assuming a tributary status to the Oyo empire. Tegbesu, also spelled as Tegbessou, was King of Dahomey, in present-day Benin, from 1740 until 1774. Tegbesu was not the oldest son of King Agaja (1718–1740), but
In Dahomey also thought to have marked a significant shift in black theatre performance. Limited by a demand for the comedy of ethnic and racial stereotypes— particularly black stereotypes as depicted through minstrel performance— African American performers were constricted to perform variations of the "darky" and the Chinese as caricatures. While still featuring such racial caricatures, "In Dahomey" simultaneously builds on depictions of black characters, forging a significant shift in dominant representations of blacks in the theatre during its era and creating. As the first show with an entirely African American cast, "In Dahomey" is said to have been met with hostility.