Romeo and Juliet the 20th century, these moral arguments were disputed by critics such as Richard Green Moulton: he argued that accident, and not some character flaw, led to the lovers' deaths. In "Romeo and Juliet", Shakespeare employs several dramatic techniques that have garnered praise from critics; most notably the abrupt shifts from comedy to tragedy (an example is the punning exchange between Benvolio and Mercutio just before Tybalt arrives). Before Mercutio's death in Act three, the play is largely a comedy. After his accidental demise, the play suddenly becomes serious and takes on a tragic tone. When Romeo is banished, rather than
Romeo and Juliet (Tchaikovsky) Romeo and Juliet (Tchaikovsky) Romeo and Juliet, TH 42, ČW 39, is an orchestral work composed by Pyotr Ilyich Tchaikovsky. It is styled an "Overture-Fantasy", and is based on Shakespeare's play of the same name. Like other composers such as Berlioz and Prokofiev, Tchaikovsky was deeply inspired by Shakespeare and wrote works based on "The Tempest" and "Hamlet" as well. Unlike Tchaikovsky's other major compositions, "Romeo and Juliet" does not have an opus number. It has been given the alternative catalogue designations TH 42 and ČW 39. Although styled an 'Overture-Fantasy' by the composer, the overall design is a symphonic