Motifs in the James Bond film series can be a private island ("Dr. No", "The Man with the Golden Gun"), underwater ("The Spy Who Loved Me"), mountaintop retreat ("On Her Majesty's Secret Service", "For Your Eyes Only") volcano ("You Only Live Twice"), or underground base ("Live and Let Die"), a ship ("Thunderball", "Tomorrow Never Dies"), an oil rig ("Diamonds Are Forever") or even a space station ("Moonraker")—among other variations. Bond usually sabotages the lair and, with time ticking down, dispatches the supervillain, rescues the principal Bond girl and they escape as the place blows up. In some cases, the villain or his primary henchman escapes to launch
James Bond in film the film, Special Effects and Miniature Effects Supervisor Chris Corbould used a more realistic style of film making and significantly reduced digital effects compared with previous Bond films. Corbould noted that, "CGI is a great tool and can be very useful, but I will fight to the tooth and nail to do something for real. It's the best way to go". Corbould used the 007 stage at Pinewood for the sinking of the Venetian house at the climax of the film, which featured the largest rig ever built for a Bond film. "Casino Royale" featured music composed by David Arnold,