Aeolus (Odyssey) Aeolus' island. Aeolus refused to provide any further help, because he believed that their short and unsuccessful voyage meant that the gods did not favour them. This Aeolus was perceived by post-Homeric authors as a god, rather than as a mortal and simple Keeper of the Winds (as in the "Odyssey"). In the "Aeneid" by Virgil, Juno offers Aeolus the nymph Deiopea as a wife if he will release his winds upon the fleet of Aeneas, but Poseidon later calms the sea. Aeolus (Odyssey) In Greek mythology, Aeolus (; , "Aiolos" , Modern Greek: "quick-moving, nimble") was the keeper of
Greek mythology libretti for many of Handel's and Mozart's operas. By the end of the 18th century, Romanticism initiated a surge of enthusiasm for all things Greek, including Greek mythology. In Britain, new translations of Greek tragedies and Homer inspired contemporary poets (such as Alfred Lord Tennyson, Keats, Byron and Shelley) and painters (such as Lord Leighton and Lawrence Alma-Tadema). Christoph Gluck, Richard Strauss, Jacques Offenbach and many others set Greek mythological themes to music. American authors of the 19th century, such as Thomas Bulfinch and Nathaniel Hawthorne, held that the study of the classical myths was essential to the understanding of