Polka in the 19th century also wrote many polkas to satisfy the demands of the dance-music-loving Viennese. In France, another dance-music composer Emile Waldteufel also wrote many polkas in addition to his chief profession of penning waltzes. The polka evolved during the same period into different styles and tempi. In principle, the polka written in the 19th century has a 4-theme structure; themes 1A and 1B as well as a 'Trio' section of a further 2 themes. The 'Trio' usually has an 'Intrada' to form a break between the two sections. The feminine and graceful 'French polka' (polka française) is slower
Polonaise include Johann Sebastian Bach, Georg Philipp Telemann, Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Ferdinand Ries, Michał Kleofas Ogiński, Karol Kurpiński, Józef Elsner, Niccolò Paganini, Maria Agata Szymanowska, Franz Schubert, Vincenzo Bellini, Louis Spohr, Carl Maria von Weber, Robert Schumann, Franz Liszt, Henryk Wieniawski, David Popper, Wojciech Kilar, Johann Kaspar Mertz, Moritz Moszkowski, Friedrich Baumfelder, Ferdinando Carulli, Mauro Giuliani, Modest Mussorgsky, Nicolai Rimsky-Korsakov, Pyotr Ilyich Tchaikovsky and Alexander Scriabin. Another more recent prolific polonaise composer was the American Edward Alexander MacDowell. John Philip Sousa wrote the "Presidential Polonaise", intended to keep visitors moving briskly