Generate text that refutes this claim: The lack of control over, and profit from, art will serve as a serious disincentive to artistic output  Profit is as much a factor in artists’ decision to produce work, if not more so, than the primordial urge to create. Without the guarantee of ownership over one’s artistic work, the incentive to invest in its creation is certainly diminished. Within a strong copyright system, individuals feel free to invest time in their pursuits because they have full knowledge that the final product of their labours will be theirs to enjoy. [1] Without copyright protections the marginal cases, like people afraid to put time into actually building an installation art piece rather than doing more hours at their job, will not opt to create. If their work were to immediately leave their control, they would most certainly be less inclined to do so. Furthermore, the inability of others to simply duplicate existing works as their own means they too will be galvanized to break ground on new ideas, rather than simply re-tread over current ideas and to adapt existing works to markets. Art thrives by being new and original. Copyright protections shield against artistic laziness and drive the creative urges of the artistically inclined to ever more interesting fields.  [1] Greenberg, M. “Reason or Madness: A Defense of Copyright’s Growing Pains”. John Marshall Review of Intellectual Property Law. 2007.
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Few artists ever see much profit from their work anyway, many choosing the life of bohemian squalor in order to keep producing art rather than taking up more profitable pursuits. Vincent van Gogh sold almost nothing, but his drive to create never abated. No doubt the true artists will continue to feel the urge to create under this policy, and the loss of a few marginal cases must be weighed against the massive losses to art in general, such as the huge curtailment of exploration of and response to existing works, which are often artistically meritorious in their own right, and also the rendering unavailable of much of the artistic output of the world.