Generate text that refutes this claim: Pluralism and Political Interference  The removal of ‘The Spear’ from the Goodman Gallery and the City Press also hints at a threat to pluralism, especially when one considers the political nature of the campaign to have such images removed.  While Jacob Zuma attempted to have the image banned in a personal capacity, the intensive campaigning by both the ANC and the Congress of South African Trade Unions (COSATU) against both the Goodman Gallery and City Press [1] hints at a dangerously political action taken by those with close access to power over the South African state.  This should be cause to worry. Chapter Two of the Constitution of South Africa, in place since 1997, protects freedoms such as Freedom of Speech and Freedom of Association. [2] The intimidation of Art Galleries and Newspapers threatens the free exchange of ideas that occurs in these areas, as well sending an implicit image by its supports that criticism of the Government cannot be tolerated.  If neither the Gallery nor City Press removed the image of ‘The Spear’ from public view, then a clear message would have been sent that the principles of Free Speech, Free Association and Freedom of Intimidation outlined in the Constitution is to be upheld at all times, regardless of who may take offence at what is being said. It is important in the South African context to protect the right to criticise the government and voice opinions that vary from the ideals of the majority. It is worrying what kind of message is sent by those close to the South African Government that intimidation seems to be the appropriate response to criticism such as this rather than asking why such criticism is there in the first place.  [1] Mthembu, Jackson, ‘ANC calls on all South Africans to boycott buying City Press Newspaper and to join the protest match to the Goodman Gallery’, African National Congress, 24 May 2012,   [2] ‘Constitution of the Republic of South Africa’, Statutes of the Republic of South Africa, 4 February 1997,
reputation and defamation house believes spear should have remained
Just because groups and individuals have a Freedom of Expression, does not mean it can be used without proper consideration of whom maybe hurt and offended by connotations implied in the image. A White artist portraying the Black leader of the country and the ANC as someone who leads with their genitals goes someway to dehumanising him, launching into character assassination that fails to actually examine policy.  Pluralism can exist without needlessly causing offence in the way Murray has done in this painting. The Constitution protects Freedom of Expression; however the grave offence causedto many people by dehumanising President Zuma in this way can justify the protests against the artworks installation and replication in the news media. No constructive criticism is meted out in the painting, thus justifying counter-protests against it.  While there were supporters of the ANC and COSATU, who are allied with the government, who took part in protests, it is a stretch to suggest that this is political overreach in action. The image attacked the President in ways that evoked previous allegations against him that were later disproven in court. The President took legal action in a personal capacity, whilst other exhibits created by Murray which highly critical of the ANC were not targeted in this manner, hinting at there being a free platform for criticism and satire in South African Political discourse.