Generate text that refutes this claim: Just shock-tactics, at the cost of better art  Sometimes artists go too far in a bid to get their message across. Simply grabbing the headlines with shock tactics does not constitute art of the sort that should be receiving either public support or attention. It is important to recognise that public displays and funding of art are limited commodities, so every time one piece is chosen for an exhibition, or an artist is given money, this comes at the cost of other possible pieces of art. It is surely better to support those artists who have chosen to express their ideas and messages in a way that does not rely on simple attention-grabbing horror: it is surely more artistically meritorious to create a work that conveys its message in a way that rewards close attention and careful study, with layers of meaning and technique.
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Who determines whether something is too disgusting? It is also hard to separate a piece of work’s artistic merit from its impact. It is perfectly possible for a work of art to display great technical competence, and yet fail to have an emotional impact on its audience, and so as a consequence it seems most sensible to allow, display and fund as wide a display of art as possible.  Limiting the forms of art that we display or give funding to those considered ‘artistically meritorious’ will result in the loss of innovation in the art world: if we only encourage those pieces that are ‘good’ under present-day metrics, we lose those pieces of art that, though considered controversial, or ‘not art’ now, may in the future be considered masterpieces (e.g. Picasso’s Guernica).