Generate text that refutes this claim: Artistic Freedom  A core principle of art is that it should be free from any form of inhibition, as the particular artwork is an expression of the particular views and ideals of the artist. The subject matter in many instances is their own choice; therefore they have the right to say what they want about the subject matter, safe in the knowledge that is their opinion alone being portrayed.  The artist that painted ‘The Spear’, Brett Murray, created the piece as part of an exhibition that reflected his own discontent at the lack of major progress since the ruling African National Congress took power in South Africa after the end of Apartheid in 1994. Murray used his work to promulgate an idea that he has, allowing for others to see the art work for themselves and make up their own minds about President Zuma and the ANC. [1]  Art Galleries have a right to display any artist they feel will attract visitors as well showcase the forms of art that they believe is suitable. The Goodman Gallery saw no issue with Murray’s work to the extent that they prevented any particular works from being displayed. As it was their venue which was the setting for ‘The Spear’s display, The Goodman Gallery had the right to take decisions independently of external pressure. The removal of the exhibit sets a dangerous precedent whereby government can unduly censor artworks, threatening the free actions of artists and the galleries that display their work in turn affecting plural, democratic discourse. [2]  [1] Du Toit, ‘Artist Brett Murray explains why he painted ‘The spear’, 2 Ocean’s Vibe, 2012,   [2] Robins. P, ‘The spear that divided the nation’, Amandla, 2012,
reputation and defamation house believes spear should have remained
While public art is valuable, it can serve a purpose to educate and send a message, influencing discourse. Criticism of a political figure, when expressed via an art form, can change perceptions of that figure, particularly when their policy is under scrutiny. However, the image portrayed in ‘The Spear’ does not do these things. It does not focus on the policies of President Zuma, but rather relies on innuendo surrounding the President’s personal life, graphically represented by Zuma’s exposed penis, which is a prominent feature of the painting.  While artists have a right to criticise those in authority and galleries have a right to display any art it wants, such rights are balanced by responsibilities over how such artists conduct themselves when they choose to enter political discourse. A provocative image such as ‘The Spear’ flouts those responsibilities by relying upon graphic innuendo instead of policy criticism to get the point across. This is damaging for a number of reasons specific to the South African context which will be explained in the Opposition Arguments.