Generate text that refutes this claim: Social disgust can be central to artwork  Some forms of art rely strongly on the provocation of disgust or other strong reactions. For example, conceptual artists often rely heavily upon the provocation of strong emotions in the viewer as a way of drawing attention to important, taboo areas (e.g. death, religion and sexuality). If they are banned from doing this, then we lose an entire branch of art: we are left instead with forms of art that choose not to engage with these areas at all.  Particularly in cases where people want to draw attention to what they see as unnecessary taboos, shock is integral. For example, the work of Sarah Lucas explored taboos surrounding sexuality and gender: her work drew attention to stereotyping and taboo in a way that (necessarily) many people found disgusting. Further, it is possible to critically engage with that disgust. It is wrong to assume that the end point of a provocative piece of art is “oh, I’ve been provoked”. Rather, this emotional first response is only the beginning when it comes to the contemplation of that work. Thinking about the reasons for your disgust, and its context, allows us a greater insight into the work, which if you believe ideas are central to pieces of art (which conceptual artists do) is vital.
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First, it seems implausible that there are ideas that can only be conveyed by instant, emotional responses. It must surely be possible to convey these ideas in other ways.  Second, it is unclear why it is so important that these reactions are provoked: surely if something is incredibly shocking it is that way for a reason? Something cannot provoke social disgust without taking a clear stride over the line of what we consider to be acceptable in society.  The taboos that exist in society are not meaningless: rather, they express inviolable values that are present throughout time, and in many different societies.