Generate text that refutes this claim: Technology has enabled Africa’s cultural industries to grow.  Technology has enabled the development of entrepreneurial ideas for business, but also within Africa’s cultural industry. Access to video recording mobile phones, the internet, and televised publications has created a new culture of expression for African youths. Cultural industries are raising critical questions for politics, and empowering youth to tell their stories. The use of journalism has become mobilised by youths - as seen in initiatives such as, African Slum Voices, of which are encouraging youths to pro-actively raise their opinions and voices on issues occurring within their communities.  Furthermore, the music and film industry in Africa has arisen as a result of access to new technologies at a lower-cost. Two key components responsible for the growth of Nollywood (Nigeria’s Film Industry) include access to digital technology and entrepreneurship. Youths have become vital within Nollywood, as actors, producers and editors. Today Nollywood’s low-budget films have inspired the growth of regional film industries across Africa and contributed to its status as the third largest film industry. Nollywood’s revenue stand’s at around $200mn a year [1] .  [1] See further readings: ABN, 2013.
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Cultural industries don’t always provide a positive role. If entrepreneurial youths today are using technology to create films on witchcraft in the public sphere, what effect will this have on future generations? Growth cant just rely on creative industries as there needs to be money created to drive demand for these films, and any money that might be made by the creative industries are undermined by piracy. Without a solution small time films are hardly the most secure of jobs.