Generate text that refutes this claim: Artists should retain the right to control their work’s interaction with the public space even if their work is publicly funded  Art is the expression of its creator’s sense of understanding of the world, and thus that expression will always have special meaning to him or her that no amount of reinterpretation or external appreciation can override. How a work is used once released into the public sphere, whether expanded, revised, responded to, or simply shown without their direct consent, thus remains an active issue for the artist, because those alternative experiences are all using a piece of the artist in its efforts. Artists deserve to have that piece of them treated in a way they see as reasonable. It is a simple matter of justice that artists be permitted to maintain the level of control they desire, and it is a justice that is best furnished through the conventional copyright mechanism that provides for the maximum protection of works for their creators, and allows them to contract away uses and rights to those works on their own terms. Many artists care about their legacies and the future of their artistic works, and should thus have this protection furnished by the state through the protection of copyright, not cast aside by the unwashed users of the creative commons. Samuel Beckett is a great example of this need. Beckett had exacting standards about the fashion in which in his plays could be performed. [1] For him the meaning of the art demanded an appreciation for the strict performance without the adulteration of reinterpretation. He would lack that power under this policy, meaning either the world would have been impoverished for want of his plays, or he would have been impoverished for want of his rights to his work. These rights are best balanced through the aegis of copyright as it is, not under the free-for-all of the creative commons license.  [1] Catron, L. “Copyright Laws for Theatre People”. 2003.
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Upon entering the public arena works of art take on characters of their own, often far different than their original creators did, or could have, imagined. The art is consumed, absorbed, and reimagined and takes on its own identity that the artist cannot claim full ownership over. It is important that art as a whole be able to thrive in society, but this is only possible when artists are able to make use of, and actively reinterpret and utilize existing works. That art does, due to its origination belong more to the people, who should have access, even if the artist, like Beckett has bizarrely rigorous feelings about the work.