Generate text that refutes this claim: The costs of monitoring copyright by states, artists, and lawyers far outweigh the benefits, and is often simply ineffective  The state incurs huge costs in monitoring for copyright infringement, in arresting suspected perpetrators, in imprisonment of those found guilty, even though in reality nothing was stolen but an idea that, once released to it, belonged to the public domain more or less. [1] Furthermore, the deterrent effect to copyright piracy generated by all the efforts of the state and firms has proven generally minimal. In fact, the level of internet piracy of books, music, and films has increased dramatically year on year for several years, increasing by 30% in 2011 alone. [2] This is because in many cases copyright laws are next to unenforceable, as the music and movie industries have learned to their annoyance in recent years, for example ninety percent of DVDs sold in China are bootlegs while even western consumers are increasingly bypassing copyright by using peer to peer networks. [3] Only a tiny fraction of perpetrators are ever caught, and though they are often punished severely in an attempt to deter future crime, it has done little to stop their incidence. Copyright, in many cases, does not work in practice plain and simple. Releasing works under a creative commons licensing scheme does a great deal to cope with these pressures. In the first instance it is a less draconian regime, so individuals are more willing to buy into it as a legitimate claim by artists rather than an onerous stranglehold on work. This increases compliance with the relaxed law. Secondly, the compliance means that artists are given the vocal crediting under the license rules that gives them more public exposure than clandestine copying could not. Ultimately this adaptation of current copyright law would benefit the artist and the consumer mutually.  [1] World Intellectual Property Organization. “Emerging Issues in Intellectual Property”. 2011   [2] Hartopo, A. “The Past, Present and Future of Internet Piracy”. Jakarta Globe. 26 July 2011.   [3] Quirk, M., “The Movie Pirates”, The Atlantic, 19 November 2009,
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It may be costly and sometimes ineffective to police copyright, but that does not make them any less of a right worth protecting. If artists or firms feel that they might benefit from fighting infringers of their rights, they should have the right to do so, not simply be expected to roll over and give in to the pirates and law breakers. The state likewise, has an obligation to protect the rights, physical and intangible, of its citizens and cannot give up on them simply because they prove difficult and costly to enforce. Furthermore, the ensuring health of the economy is a primary duty of the state and this means aiding its domestic businesses and one of the ways it does that is by acting to enforce copyright both internally and if possible externally.