Generate text that refutes this claim: Racialised Opposition  Some critics of ‘The Spear’ have criticised the artwork on the grounds that it ‘dehumanises’ black people in general [1] and President Zuma in particular and criticises him based upon his personal life rather than policy, using vulgar means to do it. This line of opposition is part of a dog-whistle tactic that the ANC has consistently used against white critics of its government in the past. [2]  ANC criticisms of its white critics, including the opposition Democratic Alliance have made discreet reference to the injustices of the past as a means of creating distrust in the minds of poor, black voters who maintain ANC support as a result. Some politicians within the ANC, most notably the former President of its youth wing Julius Malema, have made incendiary statements that could be seen to stoke up hatred against whites.  It is against this back drop that the double standards over criticism of Murray should be viewed. Murray, a white artist, has been criticised roundly for ‘The Spear’, while black artists have created works that could be seen to denigrate President Zuma in a similar manner to ‘The Spear’. A noticeable example is ‘Ngcono ihlwempu kunesibhanxo sesityebi’ (Better a fool than a rich man’s nonsense) by Ayanda Mabulu, that carried a much more graphic depiction of the President and other leading politicians of the past and present with barely a murmur raised. [3]  By bowing to the pressure exerted by the ANC and its followers, the Goodman Gallery and City Press have bowed to pressure, denying criticism of the government and accepting the implied view that White South Africans are unable to criticise the government without seeking to re-assert any forms of superiority that had existed under Apartheid. Whilst there may still be underlying problems of Far-Right activity in South Africa, to smear anyone who criticises the government based on their race does nothing to help move the country on from autocracy and institutionalised racism. The Goodman Gallery and City Press should have stood by displaying the image as it represented the opinion of Brett Murray, free from intimidation or race based slander.  [1] Dana, Simphiwe, ‘The 'Sarah Baartmanisation' of the black body’, Mail &amp; Guardian, 12 June 2012,   [2] Hlongwane, Sipho, ‘The ANC's best friend: Brett Murray &amp; The Spear’, Amandla,   [3] Ndlovu, Andile, ‘'Spear' sparks hot Twitter debate’, Times Live, 23 May 2012,
reputation and defamation house believes spear should have remained
To somehow state that racism is the motivation to criticisms of ‘The Spear’ is fanciful and far-fetched. People were massively offended by the piece and as such used their right to protest to demonstrate the fact. The artwork itself was vulgar, displaying images that would be offensive to anyone, regardless of race.  No-one is accusing Murray of being in favour of restoring Apartheid; indeed his early works in the 1980’s attacked the government of the day, highlighting their crimes. But when a public gallery and a newspaper releases an image that is seen as offensive to many people on many levels, provoking angry responses in the process, then it is only right that such images are removed to prevent further protest and controversy for those involved.  It is also erroneous to accuse the ANC of race-baiting. It is a multi-racial organisation and has had prominent non-Black members leading the organisation during the struggle. If any criticism of White Opponents including the Democratic Alliance is seen to be racialised, then it is probably a reflection upon the DA’s ineffectiveness in gaining the support of poor black voters, remaining a party for privileged whites as a result. Criticism of Murray was not based on race, rather the shocking and offensive artwork that hurt so many people, not least the President himself.