Generate text that refutes this claim: Restriction based on social disgust prevents socially liberal ideas from flourishing  Great, socially liberal movements have always been controversial, and always been supported, encouraged and propagated by art. Art is a realm wherein an artist’s expression is less limited by social structures (like the necessity of pleasing your box; of being ‘commercially viable’). Subsequently it has easily, and often, been utilised as a means of changing public opinion.  Some of these movements, for example, the breaking down of stereotypes and norms surrounding sexuality (in particular female sexuality) and gender that Sarah Lucas, Tracey Emin and others contributed to in the liberalising 80s and 90s, attract social disgust. In any situation where a taboo is being attacked, this will happen. The converse however, is not the case: it is almost impossible to provoke social disgust by maintaining the status quo.  As a result, restriction of art that provokes social disgust will disproportionately attack the socially liberal, and thus help to maintain the status quo, regardless of whether it is worthy of such protection.
arts human rights thbt social disgust legitimate grounds restriction artistic
Social change does not come from pieces of art. It comes from real, concrete political action and struggles, over time. It is unclear, therefore, why it should not be the case that we ought first to campaign for changes to society, and then display (newly) acceptable art reflecting upon the changes we have made. To do otherwise is to suggest that artists should be allowed special dispensation to run ‘ahead’ of the norms the rest of us feel bound by: note that it is not always the case that disgusting art later becomes acceptable. Not all transgressions are for the sake of future changes to society; some simply remain transgressions.