Generate text that refutes this claim: Broadcasters almost never show scenes of torture or torment because they know this will cause offence, the same principle should apply here.  Journalists and editors use their judgement all the time on what is acceptable to print or broadcast. Expletives [1] or graphic images of violence or sex are routinely prevented because they would cause offence, giving personal details might cause distress and are omitted as a courtesy, and the identities of minors are protected as a point of law in most jurisdictions. It is simply untrue to suggest that journalists report the ‘unvarnished truth’ with no regard to its ramifications. Where a particular fact or image is likely to cause offence or distress, it is routine to exercise self-censorship – it’s called discretion and professional judgement [2] . Indeed, the news outlets that fail to do so are the ones most frequently and vociferously denounced by the high-minded intelligentsia who so frequently argue that broadcasting issues such as this constitutes free speech.  It is palpably and demonstrably true that news outlets seek to avoid offending their market; so liberal newspapers avoid exposés of bad behaviour by blacks or homosexuals otherwise they wouldn’t have a readership. [3] Most journalists try to minimise the harm caused by their reporting as shown by a study interviewing journalists on their ethics but how they define this harm and what they think will cause offence differs. [4] Western journalists may find it awkward that many in the Arab world find the issue of homosexuality unpleasant or offensive but many of the same journalists would be aghast if they were asked to report activities that ran counter to their cultural sensibilities simply as fact.  [1] Trask, Larry, ‘The Other Marks on Your Keyboard’, University of Sussex, 1997,   [2] For example see the BBC guide to editorial policy.  [3] Posner, Richard, A., ‘Bad News’, The New York Times, 31 July 2005,   [4] Deppa, Joan A, &amp; Plaisance, Patrick Lee, 2009 ‘Perceptions and Manifestations of Autonomy, Transparency and Harm Among U.S. Newspaper Journalists’, Association for Education in Journalism and Mass Communication, pp.328-386, p.358,
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All of the issues that Prop raises are matters of choice - the use of expletives or the visual portrayal of a brutal act are the representations of an active choice, either by the subject of the story or the reporter. The endemic homophobia in the Arab world attacks people on the basis of their humanity, if people were being imprisoned for having green eyes or red hair or black skin or breasts or an attraction to the opposite sex, nobody would suggest that there were cultural sensitivities involved. Journalists would report it as a crime of apartheid.  Free speech is grounded in giving voice to the voiceless, not only regardless of the fact that some may find that inconvenient but in active defiance of it. Journalism at its best recognises that fact. For example the ethics guide of the American Society of Professional Journalists states that journalists should, “Tell the story of the diversity and magnitude of the human experience even when it is unpopular to do so.” [1] At its worst it’s merely a handy way of filling space between adverts for washing powder; the best of journalism happens when it challenges, takes risks and, frequently, offends. In demonstrating that an American President was, in fact, a crook, [2] or reminding Western viewers that there was a famine happening in much of Africa, the journalists concerned made their readers and viewers uncomfortable because they reminded them that they were complicit.  [1] Quoted in Handbook for Journalists. Publ. Reporters Without Borders. P 91.  [2] ‘Watergate at 40’, Washington Post, June 2012,