Generate text that refutes this claim: Intellectual property is a legal fiction created for convenience in some instances, but copyright should cease to be protected under this doctrine  An individual’s idea only truly belongs solely to them so long as it rests in their mind alone. When they disseminate their ideas to the world they put them in the public domain, and should become the purview of everyone to use. Artists and creators more generally, should not expect some sort of ownership to inhere in an idea they happen to have, since no such ownership right exists in reality. [1] No one can own an idea. Thus recognizing something like a property right over intangible assets is contrary to reason, since doing so gives monopoly power to individuals who may not make efficient or equitable use of their inventions or products. Physical property is a tangible asset, and thus can be protected by tangible safeguards. Ideas do not share the same order of protection even now because they exist in a different order to physical reality. However, some intellectual property is useful in encouraging investment and invention, allowing people to engage their profit motives to the betterment of society as a whole. To an extent one can also sympathize with the notion that creators deserve to accrue some additional profit for the labour of the creative process, but this can be catered for through Creative Commons non-commercial licenses which reserve commercial rights. [2] These protections should not extend to non-commercial use of the various forms of arts. This is because art is a social good of a unique order, with its purpose not purely functional, but creative. It only has value in being experienced, and thus releasing these works through creative commons licenses allows the process of artistic experience and sharing proceeds unhindered by outmoded notions of copyright. The right to reap some financial gain still remains for the artists, as their rights still hold over all commercial use of their work. This seems like a fair compromise of the artist’s right to profit from their work and society right to experience and grow from those works.  [1] Fitzgerald, Brian and Anne Fitzgerald. Intellectual Property: In Principle. Melbourne: Lawbook Company. 2004.  [2] Walsh, K., “Commercial Rights Reserved proposal outcome: no change”, Creative Commons, 14 February 2013,
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Although ideas are not tangible intellectual property generally, and copyright in particular, is far from a fiction. Rather it is a realization of the hard work and demiurgic force that sparks the generation and fulfilment of artistic endeavour. The property right assigned over these things to their creators is a very real one that recognizes their fundamental right over these works as owners, and the right to profit from them. The artist must have the right to prevent even non-commercial use of the idea if it is to maintain its value and so retain for the creator the ability to commercialise it. These protections are critical to the moral understanding of all property and must be rigorously protected, not eroded for the benefit of some nebulous notion of social good.