Question: Describe the State of Australian Cities reports. Respond in 307 words.

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 Describe the State of Australian Cities reports. Respond in 307 words.

Since 2010, the State of Australian Cities reports have examined the progress being made in our major cities.
These reports have provided insight into the vital role that Australian cities play in the growth of our economy and have tracked the overall progress made in Australia's major centres. The State of Australian Cities 2014–2015 once again looks at the drivers behind some of the public policy issues facing the country today and into the future.
Australia is a highly urbanised country. The populations of Australia's major cities are at record levels, as is the number of people employed. It is in our cities that the overwhelming majority of jobs are located and where the most new jobs are being created. The economic output of our major cities has grown and their national importance remains extremely high.
However, alongside that growth there is more demand on transport systems in Australia than ever before. This report examines population growth, economic growth and the increased traffic flows through our ports and airports and on our roads and rail lines.
Issues of space and the potential conflicts of the usability of cities with the utility and long term capacity of freight hubs, ports and airports and the movement of goods and people in cities is a challenge for policy makers. This report provides the evidence base for policy makers at all levels of government to consider those challenges now and into the future.
State of Australian Cities 2014–2015 is the fifth in a series of Australian Government publications. First launched in 2010, the State of Australian Cities reports explore particular facets of population and settlement, productivity, sustainability and liveability in Australian cities. For example, in 2011 the focus of the Population and Settlement chapter was demographic structure and migration flows, and in 2012 the focus was on population growth and housing.


Question: Describe the influence of Kraftwerk on popular music.

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 Describe the influence of Kraftwerk on popular music.

The building’s exterior, typical of German post-war reconstruction styles, does not reflect what took place behind the non-descript door. There, however, in Mintropstrasse 16, in a somewhat seedy neighbourhood area near the Düsseldorf central railway station , a revolution in music started some four decades ago. In stark contrast to the monumentalised Abbey Road studios in London where The Beatles recorded most of their songs, there is no indication that this was once home to the Kling Klang Studio where Kraftwerk recorded their seminal albums in the 1970s. Techno, house, dance, trance, and also much contemporary R&B: they all owe a debt to these German pioneers of electronic music. Even now, some forty years later, “‘Autobahn’ still sounds like a road map for the musical future” according to Stephen Dalton (2015) in a recent issue of Uncut.
In the early 1970s, Ralf Hütter and Florian Schneider, both students at the Robert-Schumann-MusikHochschule in Düsseldorf, decided to create their own kind of music which would not be based on the dominant American or British templates of pop music, returning instead to rather high-brow European sources of inspiration. So no Chuck Berry, Elvis, Dylan, Beatles or Rolling Stones, but instead icons of German music: Bach, Beethoven, Schubert, and, importantly, Karlheinz Stockhausen, who broke new ground by playing Bach on what was then a new instrument, the Moog synthesiser. Following the example of the latter, they opted for a completely electronic instrumentation. In 1974, they scored an international hit with a shortened version of Autobahn, their minimalistic ode of 22 minutes to the iconic German highway. The album cover showed a highly stylised, almost completely empty highway save for one Volkswagen and one Mercedes, both archetypical images of the German Wirtschaftswunder, within an almost mythical mountainous landscape as backdrop. The cover, influenced by Joseph Beuys who taught at the art school in Düsseldorf, made clear from the start that Kraftwerk was not just about music, but aimed at a total work of art or Gesamtkunstwerk of music, imagery, and dress (Buckley, 2012). Later on, with the Man Machine album, when influences from filmmaker Fritz Lang (Metropolis) and Soviet constructivist El Lissitzky, both from the 1920s, were absorbed, nostalgia and the future seamlessly blended.
With chart success in both the UK and the US, German music now came to be associated more with avant-garde than with the risible schmaltz of the Schlager music. David Bowie, prominent trendsetter and tastemaker in the 1970s, was one of the torchbearers. He was hit by “their singular determination to stand apart from stereotypical American chord sequences and their wholehearted embrace of a European sensibility” (Dalton, 2015: 49). Others, among them former Roxy Music member Brian Eno and the composer of minimal music Philip Glass, were also inspired by Kraftwerk.
Even more remarkable was the impact of Kraftwerk on the Afro-American music scene. A recent BBC documentary, tells the story about a Kraftwerk concert in Detroit in 1981. On stage, four static and seemingly uncharismatic, robot-like musicians from the (West-)German upper-middle classes performing for a dominantly black audience with a rather different social background dancing to the rhythms of Trans Europe Express and Robots. Ralf Hütter later described the response of the audience as “very strong, very dynamic” (Hooper, 2013). Music and imagery, deeply embedded in an elitist European culture, apparently resonated with the thriving Afro-American music scene in Detroit, the city of Tamla Motown. A DJ prepped the ground for the breakthrough, suitably named Electrifying Mojo, who had a radio show targeting the Afro-American public. He thus embodies the crucial link between Kraftwerk and Techno, the electronic music genre born in Detroit and mother of a whole host of dance music styles.
One could also argue that Electrifying Mojo can be seen as the embodiment of a so-called global pipeline linking two spatially disparate clusters of music production and thereby contributing to processes of innovation. These clusters themselves are typically spatial concentrations of art worlds (not just artists, but also critics, tastemakers, Kloosterman, 2005) in combination with a dedicated infrastructure of institutions among them and, in the case of music, especially studios (Watson and Ward, 2013). Düsseldorf apparently provided such an environment in the 1970s. One could also argue that its initial relative isolation from other musical centres in combination with its rich cultural legacy was one of the conditions that fostered the creation of highly original new soundscapes and forms of representation. This, however, did not last and Düsseldorf has dropped off the radar as a centre of music innovation of global importance. The city evidently lacks the critical mass and the diversity of global cultural capitals as London, New York, and Los Angeles, which have been able to reproduce their creative milieus over extended periods of time.
There is, however, more than just sheer numbers to sustained creative milieus. A smaller city may specialise in a particular cultural industry and specific style. Such specialisation is fostered by the continued presence of an informed local clientele or, in the case of music, devoted fans helping to infuse the cityscape with meaningful signs referring to that music style. That I had to ask a local resident who happened onto the street if his ‘neighbor’ had indeed been home of the famous Kling Klang Studio goes some way to explain why Düsseldorf has remained a one-hit city wonder.
Robert C. Kloosterman is Professor of Economic Geography and Planning at the Universiteit van Amsterdam. He is head of the research group Geographies of Globalisations. Part of his research activities are focused on cultural industries, including music. He has published the rise of black music in the US, on Morrissey, on the clustering of music in urban environments, and – together with Amanda Brandellero - on world music.


Question: Explain the concept of "coffee naps" and how they can help with alertness. Respond in 37 words.

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Health Check: what are 'coffee naps' and can they help you power through the day?
Health Check: what are ‘coffee naps’ and can they help you power through the day?
How caffeine naps help you stay alert.


Question: "Who is Jude Abbott?" Respond in 1 sentences.

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 "Who is Jude Abbott?" Respond in 1 sentences.

Jude Abbott (born 4 February 1962) is an English musician, perhaps best known for her work with anarcho-punk and later folk band Chumbawamba.


Question: Respond in 2 sentences. What changes did the Olympic program make in 1948?

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 Respond in 2 sentences. What changes did the Olympic program make in 1948?

The weightlifting competition at the 1948 Summer Olympics in London consisted of six weight classes, all for men only. The bantamweight division was a newly created weight class, marking the first change to the Olympic program since 1920.


Question: What features does the electric vehicle offer?

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 What features does the electric vehicle offer?

Pure electric. 75mph top speed. Up to 100-mile range. Open or enclosed. Bring a friend.


Question: How can we stop missionary activities in Uman before Rosh Hashanah?

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 How can we stop missionary activities in Uman before Rosh Hashanah?

Missionary activities in Eretz Yisrael have been increasing over recent years R”L, as these individuals remain committed to their goal, to pull Jews away from avodas Hashem. With Rosh Hashanah approaching, Yad L’Achim is warning the tzibur at large that missionaries are concentrating efforts in Uman, amid the awareness that tens of thousands of Jews from Israel, the US and other countries, will be visiting the tziyun of Rav Nachman of Breslov ZT”L.
Yad L’Achim warns that Christian missionaries are working the streets of Ukraine, handing out literature and speaking with people in order to persuade Jews to leave their religion. Some of the flyers being distributed by missionaries are printed in Yiddish.
A Yad L’Achim representative spoke with BeChadrei Chareidim, and they report the missionaries are quite aware that some of the mispallalim joining the tens of thousands in Uman for Rosh Hashanah are just in the beginning of their baal teshuva process; and are easier targets as persuading them to change direction chas v’sholom may be easier than one who is firm in his Avodas Hashem.
In fact, after last Rosh Hashanah, Yad L’Achim learned missionaries began operating in Uman, but it was too late for last year. However, there is time to make the tzibur aware of the lurking danger this year, ahead of Rosh Hashanah.
Yad L’Achim is not known for taking a passive attitude, and this is the case here as well, as its shluchim will be on the look out in Uman too. The organization urges anyone who may have seen missionaries operating in Uman to phone their Uman number, +38-093-36-36-148. The number is Eretz Yisrael is 03-6154-100.
get numerous guys together and carry them out of the village and tell them not to come back in!


Question: List some TurtleCoin resources.

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 List some TurtleCoin resources.

TurtleCoin Supply → Check current and future TurtleCoin’s supply.
TurtleCoin Video Interviews → Playlist of TurtleCoin related videos and interviews.
TRTL CLI → CLI tool to check TurtleCoin network status and community activity.
TRTL CLI py → CLI tool to check TurtleCoin network status and community activity, written in Python.
Shellmap → A graphical interface of world wide earth bound nodes.
Who sent 10 Turtle? → A fun game that lets you test TurtleCoin payments with TurtlePay™.
TurtleWallet.lol → TRTL Web Wallet with advanced graphs, conversion and export keys functionality.
trtl.faucet.llama.horse → Llama & Horse free turtles! Come and get ‘em!


Question: Provide a description of the life and work of W. Nelson Francis. Respond in 9 sentences.

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 Provide a description of the life and work of W. Nelson Francis. Respond in 9 sentences.

W. Nelson Francis, Ph.D. (October 23, 1910 – June 14, 2002) was an American author, linguist, and university professor. He served as a member of the faculties of Franklin & Marshall College and Brown University, where he specialized in English and corpus linguistics. He is known for his work compiling a text collection entitled the "Brown University Standard Corpus of Present-Day American English", which he completed with Henry Kučera.
Winthrop Nelson Francis was born on October 23, 1910 in Philadelphia, Pennsylvania. Both of his parents were from New England. His mother was raised in Calais, Maine. His mother attended Wellesley College and taught public school in Boston, before marrying Francis' father and moving to Philadelphia. His father, Joseph Sidney Francis, was a mathematician and engineer. Francis grew up in the Germantown area of Philadelphia, where he attended the Charles W. Henry Public School and Penn Charter School.


Question: Share your thoughts on China’s crypto project rankings.

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 Share your thoughts on China’s crypto project rankings.

What do you think of China’s crypto project rankings? Let us know in the comments section below.
Images courtesy of Shutterstock, EOS, and CCID.


Question: What did Gene Whelan do?

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 What did Gene Whelan do?

Eugene Francis "Gene" Whelan, (; ) was a Canadian politician, sitting in the House of Commons from 1962 to 1984, and in the Senate from 1996 to 1999. He was also Minister of Agriculture under Pierre Trudeau from 1972 to 1984, and became one of Canada's best-known politicians. During his career, he would meet Queen Elizabeth II, help Canada beat U.S. president Richard Nixon to the punch in "opening up" China, and play a catalyzing role in the fall of the Iron Curtain and the end of the Cold War. In an editorial immediately following his death, the "Windsor Star" said:
Whelan was always known as a die hard Liberal. He loved to boast,


Question: What are the rules and prizes for the Trick Taking Game Design Contest?

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 What are the rules and prizes for the Trick Taking Game Design Contest?

This contest is complete, and the winner has been chosen.
We want you to design a completely unique trick taking game. Trick taking is an ancient style of card game. We want you to turn this age-old mechanic and turn it on its head.
Andrew Smith, winner of the 2015 Gamehole Board Game Challenge, will be personally judging all entries.
Your game must be a trick taking card game with a twist.
You are welcome to use any printables or game pieces available in our shop to create your game.
The cost of your game cannot exceed $19.99.
A rules document must be downloadable from your game's shop page and also included in the game itself. Can be in booklet or document form.
The game must be publish ready, meaning it has a logo, backdrop, shop ad, action shots, description, and cool factors. It must also have all images proofed, and have packaging.
This must be a new game created for this contest. It cannot have existed on TGC prior to the start of the contest.
All artwork must be your own, commissioned by you, licensed to you, or in the public domain.
All entries must be submitted through TGC's game editor (by clicking on the "Contests" button) no later than Noon UTC (6am US Central time) on March 6, 2017.
Contestants may submit multiple entries to this contest. Each entry will be judged separately.
You retain all rights to your game and are welcome to sell it in our shop during and after the contest, regardless of the outcome of the contest.
The first round of judging is handled by a community voting process. The final two rounds are handled by the judge. See complete details.
Automatic Showcase status on thegamecrafter.com.
$50 of shop credit on thegamecrafter.com.
Induction into The Game Crafter Hall of Fame.
The possibility of judging a future contest.


Question: Summarize how much Norway pays for its relationship with the EU as a member of the European Economic Area and what the UK might have to pay if it want the same deal.

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 Summarize how much Norway pays for its relationship with the EU as a member of the European Economic Area and what the UK might have to pay if it want the same deal.

Per head, Norway pays almost the same amount into the EU budget as the UK.
Norway’s payments linked to its relationship with the EU are around two thirds of what the UK pays per head of population, before money comes back. Comparing payments after money comes back is difficult, but seems to narrow the gap still further.
How much does Norway, which sits outside the European Union, pay for its relationship with the bloc as a member of the European Economic Area? And is it a guide to what the UK might have to stump up if we wanted the same deal?
The UK pays £14,000 million a year to be a full member.
This translates to £140 per Norwegian, compared to £220 per Brit.
There would be some financial savings.
There would be some scope for negotiation on exactly how much the UK would have to pay.
There would still be significant financial costs.
Norway’s main payments are direct grants to poorer European countries, and participation fees for specific EU initiatives. Along with some other running costs, this will add up to around 890 million euros per year up until 2020, or £740 million at current exchange rates.
That figure doesn’t include what Norway gets back.
The UK’s contribution to the EU budget as a fully paid-up member was set to be around £220 per head between 2015 and 2020, whereas Norway is set to put in around £140 per head.
Unlike Norway, the UK contributes directly to the central EU budget. The size of its contribution is based on the size of its economy and its VAT income.
The UK was set to pay £14,000 million per year in to the EU budget up to 2020, ignoring what it would get back. About £4,500 million per year of the EU budget was earmarked for the UK public sector.
So the UK government was due to pay in about £9,500 million each year on balance for its EU membership—its ‘net contribution’.
“It is not possible to compare net payments between those of an EU Member State and those of a Non-Member state”.
The House of Commons Library has estimated that, assuming that Norway didn’t get a lot back, imitating its relationship with the EU would make the UK’s contribution to the EU per head about 25% smaller.
A more recent estimate from the think tank Open Europe says that the saving per head would be more like 12%.
The difference is largely down to taking into account research funding from the EU, which both British and Norwegian researchers get a lot of.
Norway pays around €400 million a year in grants paid to some of the EU’s poorer countries.
While not formally a single market membership fee, this money is linked to trade relations with the EU.
Norway’s EU minister said last year that “We gain from being a member of the single market. That is correct and that is also why we are definitely prepared to contribute”.
Switzerland has a series of treaties with the EU to be in parts of the single market, and also makes grant payments.
So the UK might be asked to pay similar grants if it wanted to be in the single market.
The other major cost to Norway of its relationship with the EU is for joining in particular bits of its work. For example, it pays its share to be part of the EU-run Erasmus student exchange programme.
The bill for Norway and other EEA countries joining in these EU programmes is calculated based on the size of their economies.
This suggests that if the UK took part in the same programmes, it could cost several billion a year.
Most UK economists think that leaving the EU will be bad for the economy, but remaining part of the single market as an EEA member will be the least damaging option.
The membership fee, either to be an EU member or an EEA member, affects the public finances much less than changes to the wider economy.
But EEA membership might be seen as being in the letter rather than the spirit of the referendum vote. Among other things, it generally requires accepting free movement of people. The new government is reportedly against it.
We changed the conclusion at the top of the article as it did not reflect the main text.
We updated the article in light of a new estimate from Open Europe, and updated some of our own figures.


Question: Have you heard about the new 801 Chophouse coming to Minneapolis next fall?

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 Have you heard about the new 801 Chophouse coming to Minneapolis next fall?

The Denver-based 801 Chophouse will open next fall.
Ever since the downtown Minneapolis Barnes & Noble anchoring RSM Plaza closed in April 2017, the prime corner at 8th St. and Nicollet Mall has remained vacant.
That will change next fall when 801 Chophouse takes over the storefront. The 11,180 square-foot-space will become the seventh location in the Midwest for the Denver-based chain, and the company’s largest, said co-owner Jamie Lynch.
The site’s proximity to the IDS Center and other office buildings and sporting venues is an advantage, Lynch said.
“I think that Minneapolis is really a blue chip city,” said Lynch, who lived in Minneapolis for more than a decade, but currently calls Denver home.
“It’s got sort of a dense, consistent, executive activity sort of reputation so you got a lot of executive entertainment occurring,” he said.


Question: Hi there, I'm looking for some funny gifts for a band geek. Got any ideas?

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 Hi there, I'm looking for some funny gifts for a band geek. Got any ideas?

Do you have a talented and dedicated band geek to buy gifts for? Well, here are a load of fun gift ideas that are bound to make your band geek smile. Marching bands aren’t that common here in the UK but I do understand they are a huge part of school life in the USA so here’s some funny gift ideas for those talented musical geeks and nerds out there.
First up is a series of books for band nerds everywhere. Having read a bunch of positive reviews, it seems the author is spot on with his humorous observations and that recipients of these books love them. I’m sure your band nerd would enjoy any one of these books too.
I love the humor in these t-shirts – the stick figure trumpet player design is available with a violin or piano player (yes, I know piano isn’t exactly band!) too. The rivalry between football and band seems to be a common theme in many band geek designs so these two t-shirts will undoubtedly appeal to band geeks everywhere.
When I saw the Bach t-shirt, I just had to include it even though I have no idea if bands even play any of Bach’s music! The yellow Trombone t-shirt made me smile as it’s a little bit rude but still funny. I did understand the band geek threat #27 though – I’m not totally ignorant of musical stuff after all it seems!
If your band geek is a girl then these beautiful necklaces would make a stunning Valentine’s Day gift for her. All three feature a treble clef and are good quality gold rather than costume jewelry. I really like the one with the enameled heart as I like small dainty necklaces but the open design of the heart & treble clef is actually about the same size. Always check product dimensions when buying anything online – the sales photography can be very deceptive!
Lastly we have some slightly random items! I absolutely adore the animal marching band mug and wouldn’t it be a great gift for a younger band geek? The flute band geek tote is also available with a clarinet design and in this age of reusable bags, would make a perfect gift for someone who likes to shop and save the planet at the same time.
I will own up to being very unmusical. I did take guitar lessons as a kid but I have very little sense of rhythm as well as being seemingly tone deaf! I do love music though and I love to sing – you just don’t want to be around when I do! I greatly admire anyone who has the talent and the dedication to become a musician and band geeks are right up there too. Playing any instrument is hard enough but doing it whilst marching is just another level completely!
If you have a geek or a nerd or a gamer to buy gifts for and would like some help finding something special, you can leave a comment below or if you prefer, you could leave a message on our Gifts for Geeks and Gamers Facebook page. We’ll do our best to find some great gift ideas for you.


Question: Describe the opinion of Leonard Pitts on the possibility of Donald Trump being re-elected.

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 Describe the opinion of Leonard Pitts on the possibility of Donald Trump being re-elected.

To a degree, that’s understandable. Next month marks 50 years since the Chicago convention wherein Democratic anger — and police brutality — split the party, alienated voters and helped make Richard Nixon president. But their palpable discomfort with the outrage of their constituents suggests Democrats have over-learned the lessons of that debacle.
Consider last month when Trump officials were being harassed in public and Rep. Maxine Waters went rhetorically rogue. If it was hypocritical for Republican leaders — some of them barely housebroken — to start chirping about civility, it felt weak and mealy-mouthed for Democratic leaders to join them.
They seem to be holding out hope of an eventual return to “normal.” But normal — i.e., the pre-Trump world — is gone for good. When in history has a social upheaval — and that’s surely what this is — ever brought us back to where we started? So instead of pining for what was, Democrats must figure out how to thrive in what is. Besides, it’s not as if the people are without reason for rage. From the corruption at the EPA to the caging of immigrant children to a nonstop litany of lies and alibis to the betrayal summit in Helsinki, the reasons could not be more clear — or righteous.
Meantime, the political party that has won the popular vote in six of the last seven presidential elections struggles to find its voice. It’s lovely that Democrats have a new slogan, but what they need is a new attitude.
Democrats can begin by recognizing the opportunity at the heart of their problem. The choice here, after all, is simple. They can continue to deny the people’s righteous anger.
Or they can use it.
Leonard Pitts on the possibility of Donald Trump being re-elected.


Question: What does it mean to be a revolutionary?

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 What does it mean to be a revolutionary?

When our friends of the democratic republic, apprehensive of our ideas and our inclinations, cry out against the qualification of socialist which we add to that of democrat, of what do they reproach us? — They reproach us for not being revolutionaries.
Revolutions are the successive manifestation of justice in human history. — It is for this reason that all revolutions have their origins in a previous revolution.
In this way, the likes of Galileo, Arnaud de Bresce, Giordano Bruno, Descartes, Luther — all that elite of thinkers, wise men and artists, who shone in the 15th, 16th and 17th centuries as great revolutionaries — were at the same time the conservatives of society, the heralds of civilization. They continued, in opposition to the representatives of Christ, the movement started by Christ, and for it suffered no lack of persecution and martyrdom!
Here was the second great revolution, the second great manifestation of justice. It too renewed the world — and saved it.
Thus, with each revolution, liberty appeared to us always as the instrument of justice, with equality as its criterion. The third term — the aim of justice, the goal it always pursues, the end it approaches — is brotherhood.
Who dares deny that the revolution undertaken sixty years ago by our fathers, and which the heroic memory makes our hearts beat with such force that we almost forget our own sense of duty — who denies, I ask, that that revolution was a progress? Nobody. Very well, then. But was it not both progressive and conservative? Could society have survived with its time-worn despotism, its degraded nobility, its corrupt clergy, with its egotistical and undisciplined parliament, so given to intrigue, with a people in rags, a race which can be exploited at will?
— Revolution of 1848, what do you call yourself?
— I am the right to work!
— What is your flag?
— Where are you taking us?
— Salut to you, Revolution! I will serve you as I have served God, as I have served Philosophy and Liberty, with all my heart, with all my soul, with all my intelligence and my courage, and will have no other sovereign and ruler than you!
Within the empire of polytheism, slavery had established and perpetuated itself in the name of what principle? In the name of religion. — Christ appeared, and slavery was abolished, precisely in the name of religion.
Feudalism, in the name of politics, controlled everything, subjecting the laborer to the bourgeois, the bourgeois to the noble, the noble to the king, the king to the priest, and the priest to a dead letter. — In the name of politics again, ’89 subjected everyone to the law, and recognized among men only citizens.
Let us suppose that in ’89, the prudent counselors of despotism, the well-advised spirits of the nobility, the tolerant clergy, the wise men of the middle class, the most patient of the people — let us suppose, I say, that this elite of citizens, with the most upright vision and the most philanthropic views, but convinced of the dangers of abrupt innovations, had agreed to manage, following the rules of high policy, the transition from despotism to liberty. What would they have done?
I know that to all except for us social democrats, who have envisioned and prepared for it, the Revolution of February has been a surprise; and if it is difficult for the old constitutionals to pass in so short a time from the monarchical faith to republican conviction, it is still more so for the politicians of the other century to comprehend anything of the practice of the new Revolution. Other times have other ideas. The great maneuvers of ‘93, good for the time, do not suit us now any more than the parliamentary tactics of the last thirty years; and if we want to abort the revolution, you have no surer means than to take up again these errors.


Question: Describe the New Jersey Senate race between Democrat Bob Menendez and Republican Bob Hugin.

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 Describe the New Jersey Senate race between Democrat Bob Menendez and Republican Bob Hugin.

Democrat Bob Menendez's lead over Republican challenger Bob Hugin has dwindled in the New Jersey Senate race, according to a Quinnipiac poll.
Menendez likely will have a tougher time winning than usual this year as ethics problems tail him.
Hugin, the former Celgene CEO, has spent heavily on television ads, while Menendez's campaign only recently started its ad campaign.
Senator Robert Menendez, a Democrat from New Jersey, speaks to the media.
Democrats might have more work to do than usual in New Jersey.
Sen. Bob Menendez's lead in his re-election bid over Republican challenger Bob Hugin has dwindled with his favorability rating underwater, according to a Quinnipiac University poll released Wednesday. Forty-three percent of voters back the incumbent Democrat, while 37 percent support the GOP former pharmaceutical executive, the survey said.
Another poll released by the university in March — before the state held primary elections or Menendez was "severely admonished" by the Senate's ethics panel for his behavior in office — found a 17 percentage point edge for the Democrat.
The poll result shows Democrats may have to labor to keep a Senate seat in a state that a Republican has not represented in the chamber since the early 1980s. The party hardly needs a competitive race in a traditional stronghold, as Democrats and independents who caucus with them defend 26 Senate seats this year. Ten of those are in states President Donald Trump won in 2016.
Though the race appears much closer than Democrats would want it, the state's partisan leanings still favor Menendez. A midterm year marked by Democratic enthusiasm could also help the senator avoid an upset.
Hugin, the former CEO of drugmaker Celgene, has used his personal wealth to fund a barrage of television ads in the state branding himself as an independent voice and characterizing Menendez as corrupt. The Republican had given more than $15 million to his campaign as of June 30, and it had already spent $8.6 million. It had $8.1 million in cash on hand at the time.
Earlier this year, prosecutors acquitted Menendez, who faced allegations that he gave political favors to a wealthy Florida eye doctor in exchange for gifts. But the Democrat did face admonishment from his colleagues in April.
Menendez's campaign has one advantage. It started its multi-million dollar ad campaign only this week. The Democrat's campaign had spent about $3.9 million as of June 30, less than half of what Hugin's campaign had shelled out. It had about $6.4 million in cash at that time.
In a TV ad released Wednesday, Menendez accused Hugin of lining his pockets "to the tune of millions by gouging cancer patients." Hugin has said he is proud of his record of job creation at Celgene, and argued that it "created value" by putting nearly 40 percent of its revenue back into research and development of new products.
Wednesday's Quinnipiac poll shows some potential trouble spots for both candidates. Only 29 percent of voters said they had a favorable opinion of Menendez, versus 47 percent who responded that they have an unfavorable view.
In addition, about 49 percent said they believe he was involved in serious wrongdoing. Only 16 percent answered that they do not think so, while 31 percent said they had not heard enough to make a judgment.
Forty percent of voters said they approve of the job Menendez is doing as senator, while 47 percent responded that they disapprove.
The poll also suggests that Hugin still has issues getting his name out, despite his spending on ads. While the former executive had a positive favorability rating in the Quinnipiac survey, more than half of respondents said they hadn't heard enough about him to know whether they like him.
In a statement, Hugin communications director Megan Piwowar contended that the poll shows Menendez "is running scared and he should be."
Conversely, Menendez campaign communications director Steven Sandberg argued that the survey shows "how resilient and strong the support is" for Menendez despite Hugin's heavy ad spending.


Question: Have you seen Leave No Trace?

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 Have you seen Leave No Trace?

Expectations were set high for a movie with 100% on Rotten Tomatoes as of July 9th. It may be difficult to find a theater showing this limited release film that premiered at the 2018 Sundance Film Festival, but it is well worth the effort. The movie revolves around the unique relationship and living situation of a father and his daughter- both wanting to live a life they deem right for themselves. As they trek through the forests of the great Northwest, they find themselves not only learning about each other, but about themselves as well. Seeing as no film is perfect, there were brief scenes that did little to add to the story line, which slowed down the pacing of the film. Both director, Debra Granik, and casting directors did a phenomenal job bringing together this unique pair, Ben Foster and Thomas McKenzie, as well as others to tell a story of finding your place among society.


Question: Tell me about Enkronos Apps.

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 Tell me about Enkronos Apps.

Ico Enkronos > news > Enkronos Apps are online!!
We are excited to announce you that, in advance of 12 days on our planning, last Thursday 3 May we published our Enkronos Apps, with free access for everybody logging in from https://apps.enkronos.com.
Enkronos Apps will give you access to many different apps, all unique, that will vary from marketing and promotions, to AI/AR engagement, to IoT+AI monitoring and prediction, to e-democracy.
Furthermore, the interactions among single applications will create in Enkronos Apps a powerful common view of users data. The dashboard will give you an immediate view of your apps usage trends.
The first 3 applications already available are Contest Dream, Loyalty Venue and YourGamify.
Find out more registering and opening a free account in https://apps.enkronos.com.
For more information you can visit also our company website.


Question: What was the first conference of the 1982 PBA season?

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 What was the first conference of the 1982 PBA season?

The 1982 Philippine Basketball Association (PBA) Reinforced Filipino Conference was the first conference of the 1982 PBA season. It started on March 7 and ended on July 13, 1982. The tournament is an Import-laden format, which requires an import with the height limit of 6"5' and below for each team.


Question: Describe the link between aging and stem cell dysfunction.

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 Describe the link between aging and stem cell dysfunction.

Clearance of Senescent Cells as a Therapy for Age-Related Muscle Loss and Frailty – Fight Aging!
I'm willing to bet my pocket change (2 cents) that what drives stem cell dysfunction is aging itself, I'm not talking about damage per say though it surely contributes, but it is biological age largest determinant - centenarians who are biologically better preserved show lower biological age. Inversely, progeria people have accelerated biological age for their chronological real time age. Progeria people have accelerated stem cell dysfunction as their stem cell divide uncontrollably and deplete niche. Loss of homeostatic balance between differentiation vs self-regeneration, quiescence vs differentiation. The niche becomes empty faster than it can be regenerated. The stem cells telomeres are lost dramatically quicker, there is not enough time for telomerase or higher-telomeres cells replacing by cell turnover, to offset telomeres shrinking acceleration..
And now it has been proven that telomeres damage is causal to replicative senescence cell aging.
Also, epigenetic aging is the other clue and large determinant.
When cells approach M1 Crisis replicative senescence barrier, they show distinct epigenetic clock age change/acceleration of epigenetic clock age advancement.
Likewise, when cells go rogue, mutate and turn into metastatic tumors, there is distinct epigenetic clock age advancement in these cells too. Epigenetic clock is master control, telomeres and chromosomes/lamin/progerin accumulation changes the other interlinked decider.
Stem cell replacement is a band aid solution. We have to remove/repair huge plethora damages in orders of magnitude faster than they appear to offset rising cumul.
The question is when the first senolitic therapy will be available for humans. Mouse models are very bad for age related issues.


Question: Describe the incident at the Department of Justice building in Washington D.C.

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 Describe the incident at the Department of Justice building in Washington D.C.

WASHINGTON - An all-clear was given at the Department of Justice building in the nation's capital after there was a large police response to a report of an active shooter, police say.
D.C. police have confirmed that the report came from a third-party call at around 4:43 p.m., which was determined to be unfounded.
A police source told FOX 5's Evan Lambert that this incident was likely a hoax call.


Question: Respond in 3 sentences. How can I watch a movie before it's released in theaters?

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 Respond in 3 sentences. How can I watch a movie before it's released in theaters?

Find a Screening in Your Area!
See the film before your friends do! Enter your zip code below and find a screening in your neighborhood.


Question: What's up?

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 What's up?


Question: Discuss the situation between Valve and Apple and how it affects the video game industry.

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 Discuss the situation between Valve and Apple and how it affects the video game industry.

COMMENTARY: If you play games on your PC at all, you likely have a somewhat complex relationship with the Bellevue-based Valve Software’s online storefront Steam. Released in 2003 as a patch client for Valve’s lineup of games (specifically, Counter-Strike), Steam has risen to dominate the digital distribution market. Through easy consumer access, frequent sales, and providing a worldwide platform for both mainstream and independent developers, Steam has built a base of more than 150 million users worldwide. In 2017, 7,600 games were released via Steam, leading to $4.3 billion in sales.
Steam’s ubiquity, ease of use, and market penetration all go a long way, but it’s a mixed blessing for anyone besides, arguably, Valve itself. Independent developers often run into problems with the service’s frequent flash sales, where a 25-75% discount can slash into what can already be a slim profit margin.
Steam is also a “games-as-service” model, where you’re paying for indefinite rental of a digital asset, rather than a physical object that you possess. That’s great if you’re low on space, and a boon to the greater games industry (you can’t trade in your digital games to GameStop, which will then resell them for pure profit at no net gain to the games’ actual publishers), but it does mean that your games library is effectively not in your direct control.
There have also been arguments in circulation for years, which seem to ebb and flow like the tides, that Steam, like any other digital storefront, is simply overcrowded; it’s a playground for trolls due to being insufficiently moderated; and the ease with which it can be accessed as a market means that there’s a lot of truly tasteless dreck being offered through the service. Steam is indisputably one of the major games-industry success stories of the last twenty years, but especially in recent months, cracks are beginning to show.
In the last couple of years, Valve has made several different moves to leverage Steam’s market share in order to shape the games industry as a whole. As we discussed last month, Valve’s Steam Machines were the highly visible part of a larger attempt to popularize their Linux-based SteamOS as a viable gaming platform.
Even as Valve’s output as a game development studio has notoriously stalled, the company has become quietly evangelical over Linux’s viability, primarily due to Gabe Newell’s notorious dissatisfaction with Windows as a platform. Newell was speaking specifically about Windows 8 at the time, but to this day, many of Valve’s moves can still be readily interpreted as shots across Windows’s bow.
Microsoft has been making its own big moves, with initiatives such as Xbox Play Anywhere, which allows full cross-play compatibility between the Xbox One and Windows 10. A game with Play Anywhere functionality can work on either platform, which allows a player to move between the office and living room as their situation dictates. This turns the built-in Windows Store into a potentially lucrative, near-omnipresent digital storefront, giving Microsoft a captive audience for its library of software, and not coincidentally acts as a challenge to Steam’s market dominance.
However, the same initiative also means that there are effectively no real exclusives for the Xbox One. Success or failure in the console market often relies upon a system’s library of unique games, and almost all of the Xbox One’s lineup is also available on Windows 10. (The handful of exceptions to that rule include Halo 5, Sunset Overdrive, and blink-and-you-missed-it rail shooter Crimson Dragon.) Microsoft is cannibalizing its own console sales, forcing the Xbox One to compete against not just the PlayStation 4 and Switch, but its own parent company’s operating system, the one that’s currently running on 42% of all PCs worldwide, in order to muscle in on Steam’s territory. It’s the kind of cut-off-your-nose-to-spite-your-face move that you’d only get from Microsoft.
This week, we saw a third front open up when Apple unexpectedly blocked the Steam Link app on the Apple Store, citing “business conflicts.” The Steam Link is another part of Valve’s attempts, much like the Steam Machine, to get Steam out of consumers’ computer rooms and home offices and into the living room, where most entertainment is typically consumed.
By blocking the Steam Link’s release on iOS, Apple has denied Valve access to its app store, one of the few digital storefronts in the world that is bigger than Steam. Apple marketing chief Phil Schiller’s assurances notwithstanding, it’s easy to see why Apple would consider Steam a threat to its market share.
The good news for consumers, then, is that competition is escalating. Steam is up against much bigger companies which are willing to take a hit to gain an advantage, but Steam’s got name recognition, market penetration, and years of lead time. Apple does much larger numbers, but it’s naturally limited to its own ecosystems, whereas Steam runs on pretty much every OS there is at this point. Valve’s also taking the interesting tactic of trying to undercut Windows not by direct competition, but by introducing viable alternatives.
The question is, considering what happened the last time a major software company did something to annoy Newell, what’s he going to do now that Apple is low-key antagonizing Valve?


Question: Describe the recent court case involving Charles Waterstreet.

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 Describe the recent court case involving Charles Waterstreet.

High-profile barrister Charles Waterstreet will consider declaring himself bankrupt after he was ordered to pay more than $420,000 to the Tax Office in a long-running dispute over unpaid income tax.
Waterstreet, 67, was ordered on Wednesday to pay $420,456.21 and costs after a District Court judge found he failed to pay income tax in the financial years of 2012, 2013, 2014 and 2015, and did not pay subsequent penalties issued for failure to pay on time.
In court documents, Waterstreet denied some of the allegations levelled against him by the Deputy Commissioner of Taxation and said he could "neither confirm nor deny" others.
Judge Judith Gibson said Waterstreet had not offered a "substantive" defence to the allegations, adding some of his denials were "contradictory" and "not supported by any evidence".
In contrast, she said, documents provided by the Deputy Commissioner of Taxation showed "clearly there were no payments received between those dates".
"I am satisfied that the plaintiff has made out entitlement to each of the sums claimed," Judge Gibson said.
"There will accordingly be judgment for the plaintiff."
Waterstreet owed $200,892.66 for a deficit debt on his running balance account, while his "tax-related liability" for his income was $212,451.56.
The amounts related to income tax returns, payment towards his GST, and pay as you go withholding obligations over "what appears to have been an extended period of time".
Waterstreet did not appear at the hearing, nor did any lawyer acting on his behalf.
He sent an email 12 minutes after the hearing began and said he "meant no disrespect" but had been unable to get representation after his previous legal team ceased to act for him.
"I have been advised that I am in no position to defend this action and without prejudice withdraw further defence," the email said.
"I am advised to take action under the provisions of the Bankrupcy [sic] Act and ope [sic] to do so.
"I had this matter down in diary for tomorrow and as usual the shoemaker's children are worst shod. You can show this email and contents to court by way of explanation."
A second email showed he had been informed at 9.10am that he would not be represented.
Judge Gibson said Waterstreet's lawyers notified the court on February 2 they were going to withdraw from his case, which had given him a month to prepare.
"He is a barrister by profession and is experienced in court proceedings," Judge Gibson said.
"He had not only legal representation, but his own experience to draw upon."
Arthur Moses, SC, president of the NSW Bar Association, said the association would be "reviewing this development" of potential bankruptcy.
“Apart from noting this, the Legal Profession Uniform Law (NSW) prohibits the Bar Association from disclosing, directly or indirectly, any information obtained in the execution or administration of the Law or the Uniform Rules," Mr Moses said.
The past few months have been turbulent for Waterstreet, after he was accused of sexually harassing a young law student - a claim he has denied.
In February, he was due to appear on the ABC's Q&A to discuss the "#MeToo" movement against sexual misconduct. However, he withdrew at the last minute after he was told by the Bar Association his appearance would be "neither appropriate or prudent".


Question: What is Adobe doing to protect users from manipulation of their online Flash settings?

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 What is Adobe doing to protect users from manipulation of their online Flash settings?

Adobe's online flash settings vulnerable to manipulation If a forged certificate is accepted when accessing the Flash Player's Settings Manager, which is available exclusively online, attackers can potentially manipulate the player's website privacy settings. This allows a web page to access a computer's web cams and microphones and remotely turn the computer into a covert listening device or surveillance camera.
At the "Meta Rhein Main Chaos Days 111b" (German language link), Fraunhofer SIT employee Alexander Klink presented a scenario in which he used a man-in-the-middle attack (MiTM) to intercept the communication with Adobe's Settings Manager. The Settings Manager itself is a simple Flash applet, and the Adobe pages load it into the browser as an SWF file via HTTPS – a fixed link to it is encoded into the browser.
However, the MiTM attack allows attackers to inject a specially crafted applet which, to put it simply, manipulates the Flash cookies (Local Shared Objects, LSOs) on the victim's computer in such a way that the computer's web cam and microphone become accessible to arbitrary domains – by default, no domain has access to these components. This, in turn, allows images and audio to be transmitted to the attacker's server via RTMP streaming.
While attackers need their potential victims to co-operate and accept a forged certificate in order to hack the SSL connection, an error when accessing one of Adobe's Macromedia pages is unlikely to cause much suspicion. Adobe has been informed about the problem and is considering whether to release a new GUI for the Settings Manager. Klink suggests that a warning be displayed when a user accesses certain APIs of external pages. Another alternative is to set the "AVHardwareDisable = 1" option in the mms.cfg configuration file completely disables Flash Player's access to audio and video hardware. The location of this file is revealed in a tech note by Adobe.


Question: Tell me about Longquan Temple.

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 Tell me about Longquan Temple.

Longquan Temple in Beijing recently gained a significant following after a chubby robot named Xian'er, which was developed by the temple, went viral. Beyond Xian’er, the temple itself is a top-level research institute with cutting-edge technology and talents from renowned universities.
Standing about 60 centimeters high and clad in a yellow robe, the robot was developed by the temple in cooperation with artificial intelligence experts, and is able to sense its surroundings and engage in basic discussions about Buddhism. The monastery also has its own IT and animation teams, both composed of monks who graduated from top universities like Tsinghua University and Beihang University.
For instance, Master Xianxin, who majored in computer science and graduated from the Beijing University of Technology, is the head of the IT team. He manages digital technology for the temple, as well as the information platform that he built with the help of volunteers.
Liu Zhiyu, a math whiz and recent graduate from Beijing University, gave up a full scholarship offered by the prestigious Massachusetts Institute of Technology (MIT) in the U.S. in order to become a monk at Longquan Temple.
One rumor even says that it was a monk from the temple who advised Zhang Xiaolong, creator of China’s WeChat messaging service, when Zhang met some roadblocks during the research and development phase.
In addition to the monks, there are also more than 300 volunteers living in the monastery, some of who also graduated from top universities and won prestigious math honors.
To become a monk in the temple, one has to start as a volunteer, serving in position suited to one’s specific skills. However, only the morally qualified volunteers are ultimately selected as monks.
Besides IT and animation, the temple also has a highly qualified translation team for eight foreign languages. The temple’s blog is updated in all eight languages, including English, Japanese and Russian.


Question: Have you heard any news about Chris Bosh possibly returning to the Heat?

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 Have you heard any news about Chris Bosh possibly returning to the Heat?

December 7, 2017 2017-18 season, Anthony Chiang, Chris Bosh, Former Heat players.
Although Chris Bosh has not played in an NBA game since Feb. 9, 2016 because of blood clotting issues, he’s not ready to close the door on his NBA playing career just yet.
“That’s still there in front of me,” Bosh said on The Full 48 podcast hosted by Bleacher Report’s Howard Beck. “The window is still open. Once I close the doors, it’s closed. I don’t open it back up. That’s kind of me as a human being. That’s just one of the things about me. … But yeah, for me, I don’t close anything until I’m officially done. So until that day, I will definitely let everybody know when that day comes, if it comes soon.
The Heat waived Bosh in July after an NBA doctor ruled in the Heat’s favor and agreed with the organization’s belief that Bosh’s blood clot issues are considered a career-ending illness. This move was the final step for Miami in receiving cap relief from Bosh’s contract.
But Bosh’s time away from the NBA began before the Heat officially released the 11-time All-Star this summer. Even though Bosh was part of Miami’s 15-man roster last season, he spent the year away from the team as the organization waited until it was eligible to apply for salary-cap relief from his contract to waive him.
After Bosh failed a team physical just before last season, Heat president Pat Riley said that Bosh’s career with Miami “probably is over” and Bosh didn’t seem to understand the team’s position at that point. But on The Full 48 podcast, Bosh hinted that his relationship with the organization has improved since then.
But Bosh is not ready to move on from his NBA playing career. The 33-year-old could still return to the NBA if he provides medical evidence that meets league approval.
Some ask, why would Bosh risk his life to continue playing basketball? Bosh understands this question, but he also hopes people understand his situation.
Could that spark be returning to Heat sixth-man Tyler Johnson’s game?
Miami Heat Mailbag: Should James Johnson become permanent starter at power forward?


Question: What is your response to the EU's military operations against refugee flows in Europe?

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 What is your response to the EU's military operations against refugee flows in Europe?

WikiLeaks has released a classified report detailing the EU's military operations against refugee flows in Europe. It also outlines a plan to develop a "reliable" government in Libya which will, in turn, allow EU operations to expand in the area.
The leaked report, dated January 29, 2016, is written by the operation's commander, Rear Admiral Enrico Credendino of the Italian Navy, for the European Union Military Committee and the Political and Security Committee of the EU.
The document gives refugee flow statistics and details of performed and planned operation phases of the joint EU forces operating in the Mediterranean.
The report also places pressure on the responsible EU bodies to help speed up the process of forming a “reliable” government in Libya, which is expected to invite EU forces to operate within its territorial waters, and later give permission to extend EU military operations onshore.
"Through the capability and capacity building of the Libyan Navy and Coastguard we will be able to give the Libyan authorities something in exchange for their cooperation in tackling the irregular migration issue. This collaboration could represent one of the elements of the EU comprehensive approach to help secure their invitation to operate inside their territory during Phase 2 activities," the document states.
"...We are ready to move to phase 2B (Territorial Waters) where we can make a more significant impact on the smuggler and traffickers business model."
"However, in order to move into the following phases we need to have a government of national accord with which to engage."
"A suitable legal finish is absolutely fundamental to the transition to phase 2B (Territorial Waters) as without this, we cannot be effective."
"Central to this and to the whole transition to phase 2B, is an agreement with the Libyan authorities. Ultimately they have the casting vote on the legal finish which will in turn drive the transition to phase 2B and the appetite for Member States to provide assets. As a European Union, we must therefore apply diplomatic pressure appropriately to deliver the correct outcome," the document states.
The leak comes less than five months after it was reported that Operation Sophia would consist of 22 member states and 1,300 personnel which would board and seize suspect vessels in the Mediterranean.
However, the document notes that when the operation progresses into phases 2B and 3, "the smugglers will again most likely adapt quickly to the changing situation. The primary concern for smugglers will likely remain to avoid being apprehended so they can continue their illegal activities."
The operation's objective is primarily to disrupt smuggling routes by human traffickers, rather than to stop migration flows, according to the European Union Institute for Security Studies, which wrote in a document that the operation began on July 27, 2015.
The document's release comes as Europe continues to face the worst refugee crisis since World War II, with the numbers of new arrivals expected to grow this year.


Question: Respond in detail. Describe the career and creative process of playwright and actor, Vidalia Unwin.

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 Respond in detail. Describe the career and creative process of playwright and actor, Vidalia Unwin.

Entire contents are copyright © 2018 by Keith Waits. All rights reserved.
Vidalia Unwin has been a playwright and an actor for several years in Louisville and the surrounding area. The Alley Theater, The Bard’s Town, and Finnigan Productions have produced her plays. Most recently, Broken Iris made its debut as part of the inaugural Louisville Fringe Festival. It happens also to be the first play produced since the playwright, a transgender individual, has been in transition.
When asked how long it might be before she considers the transition “complete”, Unwin quickly answers – “Never.” Although the practical reference is to a lifetime of hormone protocols, I detect a sense of inevitability about the fluidity of identity and a resignation of the ongoing fight for acceptance.
It is difficult not to try and connect the dots on that observation and the question of what are the defining characteristics of Unwin as a writer. She talks about “presenting”; a term that denotes a heightened self-awareness of superficial gender identity that also is strikingly theatrical in its connotation. While it seems fair to assume it is something shared by all transgender individuals, it feels as if there is another level of meaning for transgender theatre artists, and perhaps actors in particular. Unwin prefers the term “actor” to “actress” in discussing that part of her work, although she doesn’t appear to get overly stressed about the nomenclature.
Unwin breaks her writing into three categories, or “universes”. Broken Iris occupies the Unwinverse, along with @Con (2016), an environment for the more respectable stories that remain edgy and offbeat but exist in a world we might recognize.
The “strange and confounding” The Ballad of Night Moose (2014), co-written by Lex Mitchell, well represents the “Mooseverse”, in which absurdity injects itself into genre parodies.
Finally, there is the “Pretentious, Existentialist Banana”, or “PEBverse”. Unwin explains that the work from this most personal silo is the closest she ever comes to cathartic writing, but since none of the PEBverse has ever been produced, there is no way to judge the veracity of the observation. One can only speculate as to how strange and confounding this writing might be.
Talking with Unwin about all of this on a late summer afternoon over chicken and waffles, she reveals a depth of traditional intellectual underpinning for her writing that seems unexpected. In my mind, and perhaps that of the audience who has followed her, the eccentricity of her earlier work belies such an academic foundation. There was often an embrace of outrageousness and characters that lived away from the mainstream that could easily have been taken as subversive or facetious; a thumbing of the nose to established theatrical and storytelling convention. It could be seen to suggest the artistic point-of-view of a rebel, an anarchist flinging abuse from a position well enough outside the mainstream that the traditional foundation might seem surprising.
Yet, Unwin’s preoccupation with subcultures is arguably as much in touch with contemporary society today as anything else. The current American identity seems to rely on the appropriation of “The Other” and fragmentation into groups and networks of like-minded obsessives. In the way of any writing of true worth, Unwin is casting a critical eye on the world around her and asking her audience to explore a different world than the one they find themselves in. And like so many other artists, her perspective may well be a step or two ahead of the rest of us.
A crucial part of her growth as an artist and one example of one of the more positive of those aforementioned groups of obsessives is the Derby City Playwrights, a collective of Louisville-based playwrights dedicated to the development of locally grown plays. Unwin’s @Con was produced in 2016 as a part of the group’s First Annual DCP New Play Festival, and Punk Snot, a play derived from a novel she wrote when she was 16, will be included in the next Festival, scheduled for the summer of 2019. Between now and then, all of the six selected scripts will go through a collaborative review and workshop process to prepare them for production.