22 July_2018

'22 JULY'
    Written by
    Paul Greengrass Based on: "One of Us" by Åsne Seierstad

EXT. RURAL NORWAY - WHITE FARMHOUSE - DAY
    An isolated white farmhouse set within dense pine forest. CAPTION: 21 JULY 2011 VÅLSTUA FARM. 145KM EAST OF OSLO CUT TO:

INT. WHITE FARMHOUSE - GARAGE - CONTINUOUS
    A man (early 30s) fills industrial sacks with thick black powder. Diesel soaked fertiliser mixed with aluminium. Messy work. This is ANDERS BREIVIK and he is preparing for war. CUT TO:

EXT. UTØYA ISLAND - DUSK
    A small island on the eastern flank of LAKE TYRIFJORDEN. CAPTION: UTØYA ISLAND. 40KM WEST OF OSLO. CUT TO:

EXT. UTOYA ISLAND - FERRY DOCK - DUSK
    The early evening ferry from the mainland. Crowds of excited teenagers arrive for the annual summer camp run by Norway's ruling Labour Party. Among them: VILJAR HANSSEN (17), a striking young man and to all his friends a natural leader. With him, his younger brother TORJE (14). They are met off the boat by MOTHER UTOYA (45). She has run the camp for 20 years.
    MOTHER UTOYA
    Aww nice to see you!
    VILJAR
    Hey!
    The boys head on up to the centre of the island. Stopping at a check-in desk.
    VILJAR
    Hi, er.. Viljar Hanssen...
    BOY AT DESK
    Viljar...
    CUT TO:

INT/EXT. WHITE FARMHOUSE - VAN - EVENING
    BREIVIK loads the sacks into the white van. Next the detonator and charges - which he packs in with pieces of old mattress. Then he threads a long black wire from the sacks into the driver's compartment. CUT TO:

EXT. UTOYA ISLAND - DUSK
    VILJAR and TORJE arrive at the campsite. Make-shift signs: Oslo; Telemark...
    VOICE
    (as the brothers approach)
    Hey Viljar!
    VILJAR sees his best friends - SIMON and ANDERS (both 17).
    VILJAR
    Hey!
    SIMON
    We saved a spot for you.
    VILJAR
    Perfect!
    They hug and begin pitching their tents. All around: excitement at the weekend ahead. CUT TO:

EXT/INT. WHITE FARMHOUSE - EVENING
    BREIVIK loading a black peli-case: A Glock. A rifle. A shotgun. Thousands of rounds of ammunition. Grenades. He exits the farmhouse with the peli-case and drives away. CUT TO:

INT. GOVERNEMNT DISTRICT - PM'S OFFICE - EVENING
    Angle on PM's agenda.
    PM AIDE 3
    So on Saturday you go to the AUF summer camp on Utøya. Here's your schedule and attached is also a draft of your speech.
    CAPTION: OFFICE OF THE PRIME MINISTER. GOVERNMENT CENTRE, OSLO PM reads draft.
    PM AIDE 2 OYSTEIN
    I've started with your personal connection to the island. How it inspired your activism, and then you push on to the issues...
    PRIME MINISTER
    (scanning)
    Good. I think it needs to be a bit more personal. More about my memories from the island. And then I want to really address the challenge of youth unemployment.
    PM AIDE 2 OYSTEIN
    Yep. That's good.
    PRIME MINISTER
    (to AIDE 3)
    And make sure we schedule enough time for me to really meet with the kids…Two hours maybe?
    PM AIDE 2 OYSTEIN
    And the committee papers are in your briefcase. You should read them before Monday.
    PRIME MINISTER
    Got it. Well I think we're all set. Get some rest.
    PM AIDE 4
    (handing him briefcase)
    You too, sir.
    PRIME MINISTER
    Thank you.
    PM walks away towards the door with AIDE 3.
    PM AIDE 3
    You have National Security at 10 in the morning, right?
    They move out into a corridor.
    PRIME MINISTER
    Yes, I'll do it in the Residency. And bring the Justice Minister earlier.
    PM AIDE 3
    Yes of course
    PM AIDE 5 (O.O.V)
    Goodnight Prime Minister.
    PM into lift.
    PRIME MINISTER
    See you back here after lunch.
    The lift doors closes. CUT TO:

EXT/INT. OFFICE OF PM - PRIME MINISTER'S CAR - EVENING
    PM gets into a waiting car. The car pulls away. CUT TO:

EXT. NORWAY - MAIN ROAD - NIGHT
    BREIVIK on the road towards OSLO. CUT TO:

INT. BREIVIK'S VAN - CONTINUOUS
    Takes the turning for Oslo City Centre. Outside - Oslo's busy streets. CUT TO:

EXT. OSLO STREET - CONTINUOUS
    Breivik's van turns a corner, out of sight. CUT TO:

EXT. UTØYA ISLAND - NIGHT
    Wide of the island in the middle of the lake. Pick up the sound of singing... CUT TO:

EXT. UTØYA ISLAND - CAMPSITE - EVENING
    A campfire. Music, singing. VILJAR, TORJE, SIMON and ANDERS around a fire pit. SOMEONE strumming a guitar. We see LARA RASHID (16) and her sister BANO (18) too. VILJAR and LARA exchange glances. CUT TO:

EXT. WEST OSLO - BREIVIK'S MOTHER'S APARTMENT - NIGHT
    BREIVIK pulls up outside an apartment complex, in an up- market part of Oslo. CUT TO:

INT. BREIVIK'S VAN - CONTINUOUS
    He stops the engine. Leans back in his seat. CUT TO:

INT. BREIVIK'S MOTHERS APARTMENT - CONTINUOUS
    BREIVIK enters quietly. Goes into his room. In the kitchen his MOTHER listens. CUT TO:

INT. BREIVIK'S BEDROOM - CONTINOUS
    BREIVIK picks up a key from the table and exits. CUT TO:

INT. BREIVIK'S MOTHER'S KITCHEN - CONTINOUS
    BREIVIK'S MOTHER
    Anders?
    CUT TO:

INT. BREIVIK'S MOTHERS APARTMENT HALLWAY - CONTINOUS
    BREIVIK leaves without saying a word. CUT TO:

INT/EXT. MOTHER'S APARTMENT - NIGHT
    Angle from a window: Breivik loads the gun cases from the white van into a small Fiat Diablo. His MOTHER watches from behind the curtain, as he drives away in the Fiat. AMU PUTY IBN WIDE SHO0T OF FLAG

EXT. UTOYA ISLAND - CAMPSITE - MORNING
    VILJAR, TORJE, SIMON and ANDERS walk across the campsite to the canteen.
    MOTHER UTØYA (OOV)
    Good morning!
    CUT TO:

INT. UTOYA ISLAND - CANTEEN/SEMINAR ROOM - DAY
    VILJAR takes off his coat. TORJE already seated. LARA and BANO enter and find their seats. VILJAR sees. She returns his look.
    MOTHER UTØYA
    So welcome to the first seminar for today. We are going to do an exercise, which I have called 'If I were Prime Minister.' One of the good things about Utøya is that you can meet friends, and you can play music and maybe stay up a bit late... Yeah?
    Laughter in the crowd.
    MOTHER UTØYA
    But it's also an opportunity to think about your future. You grow up so fast, and one day it will be you who will be the leader of your community. Viljar, can you start?
    VILJAR
    Yeah, sure...
    VILJAR laughs and then goes up to the stage.
    VILJAR
    So let's see... OK, so in Svalbard where I come from, everyone is welcome, regardless of nationality. We've got Norwegians, Russians, Chinese, Croatians. All living and working together. And we work really hard to integrate everyone.
    AUF MEMBER 1
    But in Svalbard it's only like two thousand people, how do you translate that to the rest of Europe?
    VILJAR
    It's the principle. Thats what's important and if I was Prime Minister, that's what I'd stand for.
    See LARA smile. CUT TO:

INT. BREIVIK'S BEDROOM - MOTHER'S APARTMENT - MORNING
    BREIVIK at his computer. See his email: Consider this my personal gift to all Europeans. Highlights a file: "2083: A European Declaration of Independence." Presses "Send all"

INT. BREIVIK'S BEDROOM - MOTHERS APARTMENT - DAY
    BREIVIK dresses in a police uniform. Puts on a bullet proof vest. Takes a couple of pills. Loads his pistol. Stands back to admire himself in the mirror. He's ready.

INT. BREIVIK'S MOTHER'S APARTMENT HALLWAY - CONTINOUS
    BREIVIK leaves as his MOTHER watches TV in the lounge.

EXT. CENTRAL OSLO - DAY
    Aerial of the Government Centre

EXT. GOVERNMENT BUILDING - OFFICE OF PM - DAY
    Breivik's van enters the Government district. Parks behind the Office of the Prime Minister. Puts on his helmet. Lights the long wire protruding from the back of the van. As the fuse burns, he exits the van, locking the door gently. He calmly walks away.

INT. GOVERNMENT OFFICE LOBBY - CONTINUOUS
    THE SECURITY GUARD sees the van on his CCTV screen. Watches the uniformed figure walk away.
    SECURITY GUARD
    (picks up phone)
    We've got a white van parked out back. Is it one of ours?
    CUT TO:

EXT. UTOYA ISLAND - FOOTBALL PITCH - DAY
    VILJAR, LARA, SIMON and ANDERS play football. TORJE and BANO watch from the sidelines. MOTHER UTØYA marshals crowds of TEENAGERS. Laughter and excitement. VILJAR at the heart of it. CUT TO:

EXT. GOVERNMENT DISTRICT STREET - DAY
    BREIVIK walks around a corner, and gets into the Fiat Diablo. CUT TO:

EXT. OSLO - MAIN ROAD NORTH - DAY
    BREIVIK drives out of Oslo. Turns on the radio. CUT TO:

EXT. OFFICE OF THE PRIME MINISTER - SAME TIME
    BREIVIK's white van parked... CUT TO:

INT. GOVERNMENT OFFICE LOBBY - SAME TIME
    SECURITY GUARD on the phone to the DVLA.
    SECURITY GUARD
    I'll check the number plate and I'll try to find the driver.
    He glances over to CCTV screen, where another GUARD approaches the van. CUT TO:

EXT. GOVERNMENT OFFICE REAR - SAME TIME
    A second SECURITY GUARD is approaching the van.
    GUARD
    Can you check a number plate for me please?
    Suddenly: BOOM. The van explodes in a massive fireball. CUT TO:

INT. PM'S RESIDENCY - STUDY - SECONDS LATER
    PM goes to the window. Sees a huge tower of smoke rising in the distance. Suddenly:
    BODYGUARD 1
    (enters at speed)
    Sir, follow me.
    His SECURITY DETAIL drag him out of the room. CUT TO:

INT. BREIVIK'S FIAT DIABLO - SAME TIME
    BREIVIK drives away, checking his rear-view mirror. CUT BACK TO:

INT. PM'S RESIDENCY - STUDY TO SECURE ROOM - SECONDS LATER
    PM through the residency by his BODYGUARD. More GUARDS responding. Shouting, sirens.
    BODYGUARD 2
    Come on! Move!
    CUT TO:

EXT. GOVERNMENT OFFICE REAR - SAME TIME
    Government quarter devastated. Smoke, debris, paper cascading through the air. A gaping hole in the ground where Breivik's van was parked. And from every direction the sound of sirens and screaming. CUT BACK TO:

INT. PRIME MINITER'S RESIDENCE. SAME TIME
    PM is led around a corner and through a set of doors and into a bare situation room. The lights turned on.
    BODYGUARD 1
    (into radio)
    Prime Minister secure.
    The doors close. The PM protected, but powerless. CUT TO:

EXT. GOVERNMENT QUARTER - SAME TIME
    Burning buildings. Screaming. Bloody VICTIMS. Sirens. POLICE, PARAMEDICS and FIREFIGHTERS arriving on the scene. CUT TO:

EXT/INT. FIAT DOBLO/TUNNEL - ROAD TO UTØYA - SAME TIME
    BREIVIK heading west out of the city. News of the explosion breaks on the radio. He listens. CUT TO:

EXT. GOVERNMENT BUILDING - REAR & LOBBY - SAME TIME
    Blood-stained VICTIMS emerge. PEOPLE screaming. BODIES on the ground. Receiving treatment. CUT TO:

INT. PM'S RESIDENCY- SECURE ROOM - SAME TIME
    Chaos as the SECURE ROOM begins to fill with AIDES. The PM watches news coverage.
    PRIME MINISTER
    Call the cabinet. I want the Police Director, the Head of Defense and the PST.
    AIDE
    Yes sir.
    PRIME MINISTER
    Inform the King: The Prime Minister is safe, government is functioning.
    CUT TO:

EXT/INT. FIAT DOBLO/TUNNEL - ROAD TO UTØYA - SAME TIME
    BREIVIK's van still on the road. Radio coverage of the explosion continues. See BREIVIK. He looks down at his GPS. His destination: UTØYA ISLAND. CUT TO:

INT. UTOYA ISLAND - CANTEEN - SAME TIME
    We follow VILJAR and TORJE into the crowded canteen. SIMON and ANDERS too. Across the room: LARA and her sister BANO.
    MOTHER UTØYA
    As you've probably heard, there's been an explosion in the government district Oslo. We don't have much information yet, but many of you have parents who work there okay, so you should probably call them, if you haven't already.
    TORJE looks up at VILJAR.
    MOTHER UTØYA
    In the meantime, we will suspending activities until we get some more information. But for now, you go and call your parents.
    VILJAR pulls out his phone. Starts to dial. As kids question MOTHER UTØYA.
    VILJAR
    (into phone)
    Mum?
    CHRISTIN (OOV)
    Hi Viljar
    VILJAR
    Are you OK?
    CUT TO: EXT STREET/BUILDING - CENTRAL OSLO - SAME TIME VILJAR'S PARENTS, CHRISTIN and SVEINN (30) emerge from a hotel door. The sound of sirens in the distance. Ahead of them, PEOPLE hurrying towards government centre. POLICE CARS passing.
    CHRISTIN
    (on phone)
    Hi, I'm fine. Dad's with me. We're at the hotel. We're fine.
    SVEINN
    (looking at his phone)
    They're saying it's an explosion.
    CHRISTIN
    Dad says there's been some kind of explosion.
    VILJAR (OOV)
    Was it a bomb?
    CHRISTIN
    We don't know. Are you both OK?
    VILJAR (OOV)
    Yeah, we're fine...
    CUT TO:

INT. UTOYA ISLAND - CANTEEN - SAME TIME
    VILJAR
    Torje's a bit scared but I'll take care of him.
    CUT BACK TO:

EXT. STREET - OSLO - SAME TIME
    CHRISTIN
    Ok we'll call you when we know what's happened, OK?
    CUT BACK TO:

EXT. UTOYA ISLAND - CANTEEN - CONTINUOUS
    VILJAR
    Bye.
    Viljar hangs up.
    VILJAR
    (to Torje)
    She's fine. She said they were nowhere near. Let's go, I need to change.
    CUT TO: EXT STREET/BUILDING - CENTRAL OSLO - SAME TIME CHRISTIN and SVEINN keep walking towards whatever has happened. More EMERGENCY VEHICLES pass by.
    CHRISTIN
    (still on phone)
    Lena? Are you OK? Have you heard from Erik and the others? ...OK. Cancel all the campaign meetings. Call me when you hear anything.
    CUT TO:

INT. BREIVIK'S FIAT DIABLO - ROAD TO UTØYA - CONTINUOUS
    BREIVIK driving. His phone rings: "Mother". He doesn't answer. Behind him Utøya Island comes into view. CUT TO:

INT. BREIVIK'S MOTHERS APARTMENT - SAME TIME
    BREIVIK'S MOTHER calling his mobile. CUT TO:

INT. BREIVIK'S FIAT DIABLO - ROAD TO UTØYA & MAINLAND FERRY
    DOCK - CONTINUOUS Up ahead, a sign to UTØYA ISLAND. He takes the exit. Rounds a bend to reveal the beauty of LAKE TYRIFJORDEN. UTØYA ISLAND in the middle. CUT TO:

EXT. UTØYA ISLAND - CAMPSITE - SAME TIME
    VILJAR, TORJE, ANDERS and SIMON walk towards their tent. CUT BACK TO: IEX. MAINLAND FERRY DOCK - SAME TIME BREIVIK parks. Gets out. Sees a COUPLE of TEENAGE VOLUNTEERS in high-vis jackets, standing by the jetty.
    BREIVIK
    (approaching)
    Hi, I'm Martin Nilsen from OSLO P.D. You heard about the bomb in the city?
    FEMALE VOLUNTEER
    Yes?
    BREIVIK
    I've been sent to secure the island. Where's the ferry?
    FEMALE VOLUNTEER
    Oh, the ferry got cancelled.
    BREIVIK
    Get it over here. I need it now.
    FEMALE VOLUNTEER
    OK.
    BREIVIK unloads the cases from the van.
    FEMALE VOLUNTEER
    (into her radio)
    Monica? There's a policeman over here...
    CUT TO:

EXT. UTØYA ISLAND - CAMPSITE - SAME TIME
    MOTHER UTØYA listens to her radio.
    FEMALE VOLUNTEER (OOV)
    He says he needs the ferry immediately.
    MOTHER UTØYA
    (into radio)
    Yeah, I'll be there...

EXT. MAINLAND FERRY DOCK - SAME TIME
    FEMALE VOLUNTEER
    (to BREIVIK)
    It will be here soon.
    BREIVIK
    OK, good.
    BREIVIK places his cases on the ground as he waits. Sees the FERRY in the distance leaving the island.

EXT. UTØYA ISLAND - FERRY TRAVELLING - SAME TIME
    MOTHER UTØYA on the foredeck. Sees the mainland.

EXT. MAINLAND FERRY DOCK - MOMENTS LATER
    As the ferry ramp lowers, MOTHER UTØYA sees BREIVIK clearly for the first time. He's heavily armed and wearing what looks like a black combat suit.
    MOTHER UTØYA
    I'm Monica, I'm in charge here.
    BREIVIK
    (they shake hands)
    Hi. Martin Nilsen. Oslo Police Department. You heard about the explosion in Oslo?
    MOTHER UTØYA
    Is it bad?
    BREIVIK
    The whole Prime Minister's Office. Everything. I need you to take me to the island.
    MOTHER UTØYA
    Yeah.
    BREIVIK
    Get everyone together and I'll give a debrief about the bomb.
    MOTHER UTØYA
    Everyone?
    BREIVIK
    Yeah, everyone. It's important.
    MOTHER UTØYA
    What's in the cases?
    BREIVIK
    Weapons.
    MOTHER UTØYA
    Well you have to cover them up. They will scare the children.
    BREIVIK
    Sure.
    They start back towards the island. CUT TO:

EXT. UTØYA ISLAND - CAMPSITE - SAME TIME
    TROND leaves the canteen.
    GIRL
    What's going on?
    TROND
    Don't worry - the police have arrived. It's fine.
    TROND, walks down towards the dock. CUT TO:

EXT. FERRY - SAME TIME
    The ferry crosses the lake. Tight on BREIVIK. CUT TO:

EXT. UTØYA ISLAND - CAMPSITE - SAME TIME
    KIDS mill around the campsite, on their phones. Waiting for more news. Unaware and unprotected.
    VILJAR
    (in his tent)
    Simon? Do you have my sweater?
    (to TORJE)
    Any news on the bomb?
    SIMON throws the sweater.
    SIMON
    Here you go.
    TORJE
    It hit the Prime Minister's Office
    ANDERS
    Yeah. The Department of Justice.
    VILJAR
    Was it Al-Qaida?
    TORJE
    It doesn't say.
    CUT TO:

EXT. UTOYA ISLAND - FERRY DOCK - MOMENTS LATER
    The ferry docks. MOTHER UTØYA and BREIVIK disembark. TROND approaches them.
    MOTHER UTØYA
    (to Breivik)
    This is Trond Berntsen, our head of security.
    BREIVIK shakes hands.
    BREIVIK
    Hi. Martin Nilsen. Oslo PD.
    TROND
    They only sent one officer? Why didn't anyone call?
    BREIVIK
    Everyone's needed in Oslo. It's chaos. They sent me to secure the island.
    They start to walk up the hill.
    TROND
    (something about this not right)
    Which precinct are you from?
    BREIVIK
    PST. Police Security Service.
    TROND
    So you must know Jørn. He works down at PST, doesn't he?
    BREIVIK
    Jørn? Yeah, sure. He's one of my superiors.
    Breivik Is everyone gathered up there for the debrief? Monica Yes. We're calling them in now.
    BREIVIK
    We need to get on with this.
    Trond stops. A moment between them. Who's lying here?
    TROND
    Actually, can I see your ID?
    BREIVIK
    Yeah, sure.
    He goes to get his ID. MONICA's radio goes. Suddenly, BREIVIK pulls out the Glock. BANG! TROND falls. Then he turns the gun on MOTHER UTØYA. BANG! CUT TO:

EXT. UTOYA ISLAND - CAMPSITE - SAME TIME
    VILJAR, TORJE, ANDERS, and SIMON turn in the direction of the noise.
    ANDERS
    What was that?
    CUT TO:

EXT. FERRY DOCK - SAME TIME
    BREIVIK shoots two more shots into TROND and MONICA's bodies. CUT TO:

EXT. UTOYA ISLAND - CAMPSITE - SAME TIME
    Back to Viljar and the others.
    VILJAR
    (to ANDERS)
    Maybe you should go and check it out.
    ANDERS
    Yeah.
    VILJAR
    And use your radio.
    ANDERS
    I will.
    CUT TO:

EXT. FERRY DOCK - SAME TIME
    BREIVIK unpacks his guns. Loads. Cocks them. Then heads up the slope. Towards the campsite. CUT BACK TO: EXT. Campsite - SAME TIME VILJAR and TORJE wait by their tent.
    VILJAR
    It's probably nothing.
    CUT TO:

EXT. SLOPE UP TO CANTEEN - SAME TIME
    BREIVIK still coming. Fast. Through the trees towards the campsite. CUT TO:

EXT. CAMPSITE - SAME TIME
    ANDERS walks up towards the canteen. Suddenly: More loud bangs. And the sound of screaming on the wind. A few PEOPLE start running. See VILJAR and TORJE. As... CUT TO:

EXT. SLOPE UP TO CANTEEN - SAME TIME
    BREIVIK approaches the top of the rise. CUT TO:

EXT. CAMPSITE - SAME TIME
    VILJAR sees in the distance screaming TEENAGERS running towards their car. And behind them, BREIVIK cresting the hill. A moment suspended in time... as he raises his gun.
    VILJAR
    (realising)
    RUN!
    VILJAR grabs TORJE and runs, as BREIVIK opens fire. They sprint across the campsite.
    A few TEENAGERS are hit and fall.
    BREIVIK firing relentlessly.
    CUT TO:

EXT. UTØYA ISLAND - CANTEEN - SAME TIME
    BREIVIK approaches the main building.
    BREIVIK
    (Sees faces at the window)
    It's okay. Police. Stay away from the windows. Get down on the floor. And I'll come inside.
    KID AT WINDOW
    OK
    BREIVIK
    OK?
    He goes into the building. CUT TO:

EXT. UTØYA ISLAND - LOVER'S PATH - SAME TIME
    Back to VILJAR and TORJE, running into the woods. Panic. Hundreds of TEENAGERS. Gunfire, screaming behind them. CUT TO:

INT. UTOYA ISLAND - CANTEEN CORRIDOR - CONTINUOUS
    BREIVIK down a corridor. CUT TO:

INT. UTOYA ISLAND - CANTEEN - SAME TIME
    BREIVIK enters. Sees them.
    BREIVIK
    You will die today. Marxists. Liberals. Members of the elite.
    Raises his gun. CUT TO:

EXT. UTOYA ISLAND - CANTEEN - SAME TIME
    The sound of gunfire and screaming from inside. CUT TO:

EXT. UTØYA ISLAND - FOREST - SAME TIME
    ANDERS, BANO, and OTHERS hide below a low crest of a hill.
    ANDERS
    Get down. Stay down.
    CUT TO:

EXT. UTOYA ISLAND - LOVER'S PATH - SAME TIME
    VILJAR and TORJE running. Looking for somewhere - anywhere - to hide. VILJAR sees a break in a fence.
    VILJAR
    (to SIMON)
    Simon. This way.
    SIMON
    Run!
    CUT TO:

EXT. UTOYA ISLAND - CANTEEN - SAME TIME
    BREIVIK leaves the canteen. Crosses the campsite. CUT TO:

EXT. UTOYA ISLAND - LEDGE - SAME TIME
    TORJE and VILJAR go through a break in a fence. They tumble down a muddy bank.
    SIMON
    Get on to the ledge!
    They scramble sideways onto a ledge. A dead end. Below them an 8ft drop to the lake. They're trapped. TORJE beginning to cry. Other TEENAGERS crawl onto the ledge behind them. VILJAR and TORJE crammed together on the ledge. The shooting getting louder. CUT TO:

EXT. UTØYA ISLAND - FOREST - SAME TIME
    TEENAGERS fleeing. BREIVIK firing. CUT BACK TO:

EXT. LEDGE - SAME TIME
    VILJAR, TORJE, SIMON and others cling on, listening. VILJAR take out his phone. Dials. CUT TO:

EXT. GOVERNMENT DISTRICT STREET - SAME TIME
    Viljar's PARENTS, CHRISTIN and SVEINN, arrive at a corner just down from government centre. POLICE CARS, AMBULANCES. CROWDS milling around. Chaos.
    STREET POLICE OFFICER
    Please move back! Please move back!
    CHRISTIN
    Can you at least tell me which buildings have been hit?
    STREET POLICE OFFICER
    We don't know. You just need to move back. Please.
    Suddenly her phone rings... The sound of screaming, running, and the phone being fumbled through hands.
    CHRISTIN
    Viljar?
    VILJAR (V.O.)
    Mum, they're shooting at us!
    CHRISTIN
    Viljar?? What's-
    The phone line goes dead.
    SVEINN
    What is it?
    CHRISTIN
    (trying to call them back)
    It was Viljar. He said someone was shooting at them.
    SVEINN
    At them? Where?
    CHRISTIN
    And then he hung up.
    SVEINN
    He said... what did he say exactly?
    CHRISTIN
    (dialing)
    He said 'mom, someone's shooting at us.' It went really quickly, it was just like that.
    SVEINN
    Shooting at us?
    CHRISTIN
    Yes
    (listens)
    It's going to voicemail.
    A look between them. Then: They push their way through the chaos and run to their car. CUT TO:

EXT. HØNEFOSS POLICE STATION - CONTINUOUS
    HONEFOSS POLICEMAN #1 and his team scrambling to Utøya.
    POLICE DISPATCH (OOV)
    Multiple reports of gunfire on Utøya Island...
    HONEFOSS POLICEMAN #1
    Copy that. This is 05 responding. What's the RV? Over.
    POLICE DISPATCH (OOV)
    Please repeat.
    HONEFOSS POLICEMAN #1
    What's the RV? RV for Utøya? Over.
    POLICE DISPATCH (OOV)
    Standby
    HONEFOSS POLICEMAN #1
    Come on, come on
    POLICE DISPATCH
    RV is Storøya. We'll get back-up to you as soon as we can, but we have a major incident in progress in Oslo.
    HONEFOSS POLICEMAN #1
    Copy that, we're on our way.
    CUT TO:

INT. PM RESIDENCY - SECURE ROOM - DAY
    Follow behind SECURITY OFFICIAL LARS on the phone as he approaches the PM - who is standing, watching news coverage, surrounded by several AIDES.
    SECURITY OFFICIAL LARS
    (holding phone)
    Sir, we may have another attack. Reports of gunfire on Utøya.
    PRIME MINISTER
    What? The summer camp?
    SECURITY OFFICIAL LARS
    We're just getting details now.
    PRIME MINISTER
    But we have hundreds of kids there.
    PM AIDE OYSTEIN
    (also on phone)
    Hold on, hold on. Local police are responding. But everything else, everything, DELTA, is in the city. Dealing with the bomb.
    PRIME MINISTER
    Get on to the Police Director. Tell him to get everything they can down to Utøya. Now!
    SECURITY OFFICIAL LARS
    Sir.
    CUT TO:

EXT. UTØYA ISLAND - FOREST - SAME TIME
    BREIVIK hunts more victims.
    BREIVIK
    Where are you?! Come out you Marxists!
    Opens fire. Another VICTIM falls. CUT TO:

EXT. UTØYA ISLAND - LEDGE - SAME TIME
    VILJAR and the others still clinging on. TORJE crying, panicking.
    TORJE
    He's coming for us! He's coming!
    More gunshots.
    VILJAR
    (to TORJE)
    Look at me. It's going to be ok. I promise you.
    CUT TO:

EXT. UTØYA ISLAND - FOREST - SAME TIME
    ANDERS and BANO still hiding. CUT TO:

EXT. MAINLAND - GOLF COURSE JETTY - DAY
    HONEFOSS POLICEMAN #1 arrives at RV point. DELTA UNITS arriving. The sound of distant gunfire throughout. A police RHIB is frantically deployed. But it's overloaded. The engine won't start.
    DELATE OFFICER 2
    Come on! Come on!
    HONEFOSS POLICEMAN #1
    Delta 2, you take the north side! We take the west side! Got it?
    DELTA 2
    Yeah! Got it!
    HONEFOSS POLICEMAN #1
    Go, go, go, go
    CUT TO:

INT. PM RESIDENCY - SECURE ROOM - SAME TIME
    The PM on a conference call. Grappling to make sense of the unfolding attack.
    SECURITY OFFICIAL ENDRE (OOV)
    (on phone)
    I need an update on DELTA.
    PRIME MINISTER
    This is taking too long, right!
    SECUTIRY OFFICIAL LARS
    (on phone)
    That's because there is no helicopter. No there is no helicopter at all.
    SECURITY OFFICIAL ENDRE
    (on phone)
    Are they on the island yet?
    CUT TO:

EXT. OSLO STREETS - DAY
    CHRISTIN and SVEINN driving towards Utøya. CHRISTIN keeps trying Viljar's phone, listening to the radio.
    CHRISTIN
    Come on
    RADIO (V.O.)
    We're getting news of an attack at Utøya Island. Gunfire...
    CHRISTIN
    Oh God...

EXT. UTØYA ISLAND - FOREST - SAME TIME
    BREIVIK moves through the trees, searching.
    BREIVIK
    Hey?!

EXT. UTØYA ISLAND - FOREST - SAME TIME
    ANDERS and BANO still hiding. ANDERS looks over the crest of the hill and sees BREIVIK coming.
    ANDERS
    Shhh.. He's coming
    BANO looks over the hill
    ANDERS
    Get down, get down

EXT. UTØYA ISLAND - FOREST - SAME TIME
    BREIVIK moves closer towards them. Notices something...

EXT. UTØYA ISLAND - FOREST - SAME TIME
    ANDERS wraps his arm around BANO. Closes his eyes.

EXT. UTØYA ISLAND - FOREST - SAME TIME
    BREIVIK moves towards their hiding place... CUT TO:

EXT. UTØYA ISLAND - FOREST - SAME TIME
    ANDERS
    Play dead, play dead...
    As BREIVIK comes right for them...
    ANDERS
    Shhh...
    Tight on BANO, lying face down in the mud. CUT TO:

EXT. UTØYA ISLAND - FOREST - SAME TIME
    BREIVIK finds them and shoots them. CUT TO:

EXT. UTØYA ISLAND - LEDGE - SAME TIME
    VILJAR and the OTHERS recoil at the gunshots. They're close.
    TORJE
    (crying)
    Viljar
    VILJAR
    Shhh shhh...
    CUT TO:

EXT. UTOYA ISLAND - LOVERS PATH - SAME TIME
    BREIVIK down the path. Sees the gap in the fence ahead. Climbs through it. CUT TO:

EXT. UTØYA ISLAND - LEDGE - SAME TIME
    BOY ON LEDGE
    (whispers)
    I can hear him, quiet..
    CUT TO:

EXT. UTØYA ISLAND - CLIFFTOP ABOVE LEDGE - SAME TIME
    BREIVIK scans the beach below... CUT TO:

EXT. UTØYA ISLAND - LEDGE - SAME TIME
    VILJAR looking up... CUT TO:

EXT. UTØYA ISLAND - CLIFFTOP ABOVE LEDGE - SAME TIME
    BREIVIK hears something. Turns towards the ledge... CUT TO:

EXT. UTØYA ISLAND - LEDGE - SAME TIME
    VILJAR turns to see BREIVIK appearing on the cliffs above him. Sees them all clustered on the ledge. Lifts his gun... He opens fire. PEOPLE falling. Panic. Screaming. VILJAR and TORJE jump. They land on rocks at the water's edge and scramble for cover. BREIVIK shoots again. Simon hit. Two others as well. And then VILJAR is hit. He struggles back up, holding his shoulder. Another shot, he falls again. Another, still he keeps going. Desperately struggling to escape. And another. And then one last impact punctures his skull. TORJE turns back to see his brother on the ground.
    TORJE
    (running back to him)
    Viljar! Viljar!

EXT. UTØYA ISLAND - CLIFFTOP ABOVE BEACH - SAME TIME
    BREIVIK reloads his gun.

EXT. UTØYA ISLAND - BEACH - SAME TIME
    VILJAR sees TORJE coming back for him.
    TORJE
    Viljar!
    VILJAR
    Go
    TORJE
    No, no, Viljar!

EXT. UTØYA ISLAND - CLIFFTOP ABOVE BEACH - SAME TIME
    BREIVIK prepares to open fire again...

EXT. UTØYA ISLAND - BEACH - SAME TIME
    VILJAR
    GO!
    TORJE
    No! You have to come with me!
    CUT TO:

EXT. UTØYA ISLAND - CLIFFTOP ABOVE BEACH - SAME TIME
    BREIVIK takes aim... CUT TO:

EXT. UTØYA ISLAND - BEACH - SAME TIME
    VILJAR
    Go! Go!
    A gunshot hits the sand just next to TORJE's face. Forcing him to run away and find cover. Leaving VILJAR alone. BREIVIK stops firing. Scans the beach for movement. VILJAR's body still. BREIVIK leaves. VILJAR turns and looks up to the now deserted cliffs.
    VILJAR
    Simon! Anders!
    CUT TO:

EXT. DELTA 1 BOAT - MOMENTS LATER
    HONEFOSS POLICEMAN 1 and DELTA speed towards the island. CUT TO:

INT. PM'S RESIDENCY - SECURE ROOM - SAME TIME
    PM waits for news. Pacing. CUT TO:

EXT. UTOYA ISLAND - VILJAR SHORE - SAME TIME
    VILJAR lying on the rocks. CUT TO:

EXT. UTØYA ISLAND - FOREST AREA 2 - SAME TIME
    BREIVIK moves through the trees. Searching.

EXT. UTOYA ISLAND - MAIN JETTY - DAY
    HONEFOSS POLICEMAN #1 and DELTA UNITS lands on the island.
    DELTA LEADER
    Move! Move! Move! Move! Move! Shield!

EXT. UTØYA ISLAND - FOREST - SAME TIME
    BREIVIK still on the move. Hears the police...

EXT. UTØYA ISLAND - PINE FOREST - DAY
    HONEFOSS POLICEMAN 1 and DELTA move through trees. Suddenly, a group of TEENAGERS burst out from bushes to his left, screaming.
    HONEFOSS POLICEMAN #1
    Get down! GET DOWN! Down! Stay hidden!
    He bundles the terrified TEENAGERS past him.

EXT. UTOYA ISLAND - VILJAR SHORE - SAME TIME
    VILJAR, going into shock, looks down at his wounded body.

EXT. ROAD TO UTØYA (NEAR SOLLIHØGDA)- DAY
    CHRISTIN and SVEINN speeding to UTOYA. The lake comes into view. And a police roadblock. SVEINN slams on the brakes. They get out of car. The sound of gunfire in the distance.
    CHRISTIN
    Oh my god! Look at this!
    CUT TO:

EXT. UTØYA ISLAND - VILJAR'S SHORE - SAME TIME
    VILJAR lying helpless. CUT TO:

EXT. ROAD TO UTØYA (NEAR SOLLIHØGDA)- DAY
    CHRISTIN and SVEINN run up the roadblock.
    ROADBLOCK POLICEMAN
    The road is closed! Please turn around.
    CHRISTIN
    You have to let me through! My children are on the island!
    ROADBLOCK POLICEMAN
    We can't, Ma'm.
    CUT TO:

EXT. UTOYA ISLAND - VILJAR SHORE - SAME TIME
    VILJAR uses his uninjured hand to touch the flesh of his exposed brain. CUT TO:

EXT. UTOYA ISLAND - FOREST AREA 4 - SAME TIME
    BREIVIK moves through the trees. Finally sees the police coming... CUT TO:

EXT. UTØYA ISLAND - CANTEEN / FOREST AREA 5 - SAME TIME
    HONEFOSS POLICEMAN #1 AND HIS UNIT move through the trees. Suddenly he spots movement. Sees a black uniformed figure. Raises his gun until he has BREIVIK in his sights. BREIVIK lowers his gun, and stands, open-armed. He starts to walk towards them.
    HONEFOSS POLICEMAN #1
    ARMS DOWN BY THE SIDE! COME
    FORWARD! COME FORWARD! STOP!
    BREIVIK lies down.
    HONEFOSS POLICEMAN #1
    DOWN ON YOUR KNEES! DOWN ON YOUR
    KNEES. ON YOUR STOMACH! ON YOUR
    STOMACH!
    (to his UNIT)
    GO, GO, GO! Cuff him, cuff him.
    (to BREIVIK)
    Look away. Look away from him.
    DELTA OFFICERS bind his wrists with plastic strip cuffs. BREIVIK's head in the mud.

EXT. UTOYA ISLAND - VILJAR SHORE - SAME TIME
    DELTA OFFICERS finds the shore littered with dead. VILJAR among them, lying motionless. They check his pulse and administer first aid.
    DELTA OFFICER
    Casualties over here!

EXT. UTØYA ISLAND - BEACH - MOMENTS LATER
    The SECOND UNIT move through the woods, among the dead. Checking for any signs of life.

EXT/INT. UTOYA ISLAND - CANTEEN / MAIN HALL - DAY
    HONEFOSS POLICEMAN #1 walks into the main hall... Reveals a scene of utter horror. BODIES. Blood. Tight on him. CUT TO:

EXT. ULLEVÅL HOSPITAL - HELIPAD - EVENING
    The air ambulance lands on the roof. VILJAR unloaded. CUT TO:

INT. ULLEVÅL HOSPITAL - OPERATING THEATRE - CONTINUOUS
    VILJAR into the trauma unit. DOCTORS cut through his bloody clothes.
    OTHER DOCTOR
    On me. One, two, three
    The transfer VILJAR onto the surgical table.
    OTHER DOCTOR
    A young male, multiple gunshot wounds. Pressure dropping, 60/30
    TRAUMA SURGEON
    OK, we have to tranfuse him.
    OTHER DOCTOR 2
    O minus, 6 units
    TRAUMA SURGEON
    (examining)
    There is an injury here to his left shoulder...
    A machine bleeps.
    OTHER DOCTOR
    We've got cardiac arrest, we're losing him.
    OTHER DOCTOR 2
    Starting chest compressions
    OTHER DOCTOR
    We're losing him
    TRAUMA SURGEON
    OK, put the pads on. Charge to 150.
    OTHER DOCTOR
    Charging 150
    TRAUMA SURGEON
    OK, clear!
    VILJAR'S chest convulses, as the charge hits.
    OTHER DOCTOR
    Still V-fib
    TRAUMA SURGEON
    Come on, come on, go for 200...
    OTHER DOCTOR
    I got a pulse
    TRAUMA SURGEON
    OK, good. Let's continue. We have a gunshot here to his lower extremity on the right side. And there is another wound here to his right arm.
    The machine bleeps again
    OTHER DOCTOR
    Guys, we're losing him again
    OTHER DOCTOR 2
    V-fib! Starting compressions.
    TRAUMA SURGEON
    Go for 200
    OTHER DOCTOR
    200, charging
    TRAUMA SURGEON
    Clear
    VILJAR is shocked again.
    OTHER DOCTOR
    Got sinus rift, and a pulse
    TRAUMA SURGEON
    There is an entry wound to his right orbita. There is an exit wound here on the posterior.
    OTHER DOCTOR 2
    Blood pressure stable
    OTHER DOCTOR
    80 over 40
    TRAUMA SURGEON
    Do we have the bleeding under control?
    OTHER DOCTOR
    Yes
    Adrenaline is inserted.
    TRAUMA SURGEON
    Ok, we have to go for surgery
    CUT TO:

EXT. UTØYA ISLAND - EVENING
    Wide shot of the island. Helicopters hang in the air. CUT TO:

EXT. UTOYA ISLAND - WHITE BUILDING - EVENING
    POLICE lead BREIVIK to the white building down by the jetty. Ahead of them, more boats arriving. ARMED POLICE and PARAMEDICS. CUT TO:

INT. UTOYA ISLAND - WHITE BUILDING - UPSTAIRS ROOM -
    DUTY DETECTIVE arrives and BREIVIK is sat in a chair. A dictaphone turned on.
    DELTA OFFICER
    (to BREIVIK)
    OK, stand up
    Photos are taken. DNA and fingerprints too.
    DUTY DETECTIVE
    (to BREIVIK)
    I'm the duty detective from Honefoss Police Station. Who are you?
    BREIVIK
    My name is Anders Behring Breivik. This is a military operation. A coup d'etat.
    BREIVIK
    The bomb has removed the Government. And here I have liquidated a political camp.
    DUTY DETECTIVE
    Did anyone help you?
    BREIVIK
    I was selected for this mission. Now my brothers are waiting for my signal. To begin the third attack.
    DUTY DETECTIVE
    So you're telling me there's another attack planned?
    BREIVIK
    Oh yes.
    DUTY DETECTIVE
    Where?
    BREIVIK
    I can't go into details. But I'm authorised to negotiate.
    DUTY DETECTIVE
    What do you want?
    BREIVIK
    A complete ban on immigration. An end to enforced multiculturalism. And if the Prime Minister is still alive tell him if he fails to agree, the attacks will continue.
    CUT TO:

INT. PM RESIDENCY - SECURE ROOM - DUSK
    SECURITY OFFICIAL LARS
    (interrupting)
    They've arrested the shooter. A white Norwegian. He says he wants you to know another attack is coming. But that he's willing to negotiate.
    Hold on PM.
    PRIME MINISTER
    Keep him talking. Bring him to Oslo.
    CUT TO:

EXT / INT. OSLO POLICE STATION - NIGHT
    BREIVIK arrives in convoy into the rear entrance. We follow him as he is brought inside, and booked.
    DESK OFFICER
    Name?
    BREIVIK
    Anders Behring Breivik
    DESK OFFICER
    Arrested?
    POLICE OFFICER
    Utøya.
    DESK OFFICER
    Lawyer?
    BREIVIK
    Yeah, there's a particular lawyer that I would like to represent me. His name is Geir Lippestad.
    CUT TO:

INT. LIPPESTAD'S HOUSE - BEDROOM - CONTINUOUS
    LIPPESTAD sat at his dining table. Watching the TV. Rolling news of the attacks.
    SIGNE LIPPESTAD
    (to ANNA AU PAIR)
    Thank you so much Anna, for staying.
    ANNA AU PAIR
    Of course. Do you need anything?
    SIGNE LIPPESTAD
    Just keep the kids away from the television.
    The phone rings.
    SIGNE LIPPESTAD
    And thank you so much.
    LIPPESTAD
    (answers phone)
    Hi, it's Lippestad
    (beat)
    For me?
    (beat)
    Breivik? I've never heard of him.
    SIGNE looks to him.
    LIPPESTAD
    I understand.
    He puts down the phone. Turns to SIGNE.
    SIGNE LIPPESTAD
    What is it?
    LIPPESTAD
    The person they've arrested. He's asked for me.
    SIGNE
    Why?
    CUT TO:

EXT/INT. SUNDVOLLEN HOTEL - NIGHT
    CAPTION: VICTIM RECEPTION CENTRE. 6KM NORTH OF UTØYA. CHRISTIN and SVEINN arrive at a hotel, now a makeshift crisis- centre. We follow them into the lobby is packed with MEDICS; VOLUNTEERS; REPORTERS; VICTIMS' FAMILIES; and TRAUMATISED SURVIVORS wrapped in towels and bathrobes. CHRISTIN, taking it all in. Suddenly:
    SVEINN
    Torje? Torje!
    She pushes through the CROWD towards TORJE.
    CHRISTIN
    (grabbing him)
    It's OK. It's OK, Torje.
    SVEINN puts his arms around him too. TORJE sobs.
    SVEINN
    It's OK.
    CHRISTIN
    You're safe now.
    SVEINN
    Where's Viljar? Do you know where he is?
    TORJE
    We hid on the cliffs. But when he was shooting. We had to jump.
    SVEIIN
    Did Viljar jump?
    TORJE
    Yes.
    (he breaks down)
    SVEINN
    Was he shot?
    TORJE unable to reply. CHRISTIN hugs him tightly as he weeps.
    CHRISTIN
    (to SVEINN)
    I'll go and check.
    CHRISTIN leaves SVEINN looking after TORJE.
    SVEINN
    Oh my God
    CHRISTIN walks back into the sea of desperate PEOPLE. She sees a VOlUNTEER surrounded by distressed parents.
    CHRISTIN
    Can you check for Viljar Hanssen? Viljar Hanssen. Can you check?
    VOLUNTEER
    Who?
    CHRISTIN
    Viljar Hanssen.
    She waits. Desperate moments. And then....
    VOLUNTEER
    (checking list)
    He's not here.
    She walks back to TORJE and SVEINN. Pulls out her phone.
    CHRISTIN
    (to SVEINN)
    He's not here.
    SVEINN
    What do you mean?
    CHRISTIN
    He's not on any list. I'm calling the hospital now.
    The phone connects.
    CHRISTIN
    Yes hello, I"m looking for my son. Viljar Hanssen. He was on Utoya. Do you have any admissions by that name? OK, thank you.
    She puts the phone down.
    CHRISTIN
    (to SVEINN)
    No.
    (dials again)
    He was on Utøya. Do you have any admissions by that name? OK, thank you.
    (dials again)
    Yes, hello. I"m looking for Viljar Hanssen....
    CUT TO:

INT. ULLEVAL HOSPITAL - OPERATING THEATRE - NIGHT
    VILJAR being operated on. Hovering, like Norway, between life and death. CUT TO:

INT. POLICE STATION - NIGHT
    BREIVIK is led from his prison cell. CUT TO:

INT. OSLO POLICE STATION - NIGHT
    LIPPESTAD arrives at the police station.
    LIPPESTAD
    (to OFFICER)
    Hi.
    He is led down a windowless corridor. CUT TO:

INT. POLICE STATION - LIFT TO INTERVIEW ROOM - CONTINUOUS
    BREIVIK exits a lift, surrounded by OFFICERS. Is led into the interview room. CUT TO:

INT. POLICE STATION - CORRIDOR TO INTERVIEW ROOM - MOMENTS
    LATER LIPPESTAD waits as the cell door is opened, to reveal ANDERS BREIVIK.
    LIPPESTAD
    (to a GUARD)
    Please remove the restraints. Then please give us the room.
    BREIVIK extends his hand as the GUARDS leave. LIPPESTAD hesitates, then shakes it.
    BREIVIK
    Anders Behring Breivik.
    LIPPESTAD
    Geir Lippestad.
    BREIVIK
    Thank you for coming.
    LIPPESTAD
    So...how do you know who I am?
    BREIVIK
    I've seen your work before. Nine years ago. The Benjamin Hermansen Neo-Nazi case. We met during the trial.
    LIPPESTAD
    Did we?
    BREIVIK
    Yes. I knew I would need a lawyer one day.
    See LIPPESTAD, dimly remembering.
    LIPPESTAD
    (tries to take charge)
    Tell me Mr Breivik, what have you done today?
    BREIVIK
    I have started a war. To take back control. Of Norway. Of the West. And defending me will be the greatest thing you will ever do.
    LIPPESTAD
    I don't agree with what you have done Mr. Breivik. They were innocent. Children.
    BREIVIK
    They were traitors. Children of the elite. The leaders of tomorrow.
    LIPPESTAD
    My own children have been to Utoya. I'm an active member of the Labour Party. Does that make me a traitor too?
    BREIVIK
    You're my lawyer. You're an exception.
    Hold on LIPPESTAD. CUT TO:

INT. SUNDVOLLEN HOTEL - NIGHT
    TORJE asleep. CHRISTIN holding him. Across the lobby, SVEINN talking to a group of DISTRAUGHT PARENTS. He hugs them. CHRISTIN watches SVEINN come back. He expression desolate.
    SVEINN
    Simon and Anders are dead.
    CHRISTIN hangs her head. Cries. Moments pass. Her phone rings.
    CHRISTIN
    Hello?
    (listens)
    Yes?
    (beat)
    He has a bad scar on his neck. A fire burn.
    (stands)
    OK, thank you.
    Puts down the phone.
    CHRISTIN
    (to SVEINN and TORJE)
    He's in the hospital. Let's go.
    HARD CUT TO:

INT. OSLO POLICE STATION - CORRIDOR / INTERROGATION ROOM -
    NIGHT BREIVIK and LIPPESTAD are led into a small interrogation room. A one-way glass window. They're being watched. BREIVIK is uncuffed.
    BREIVIK
    (to GUARD)
    Don't be afraid. I'm not operative.
    He's led to a chair. CUT TO:

INT. BREIVIK'S MOTHER'S HOME - NIGHT
    BREIVIK'S MOTHER watches the news. Her phone rings.
    BREIVIKS MOTHER
    Hello?
    VOICE
    Police. Open the door.
    BREIVIKS MOTHER
    Police?
    CUT TO:

INT. POLICE STATION - INTERROGATION ROOM - SAME TIME
    BREIVIK sits waiting. LIPPESTAD next to him. A WOMAN enters.
    FEMALE DETECTIVE
    (as she sits)
    I'm Nina Anderson. I'm a detective at the Homicide and Serious Crimes Unit. Do you understand you've been arrested in connection with the explosion in Oslo, and the shootings on Utøya Island?
    BREIVIK
    Yeah, of course.
    CUT TO:

INT. BREIVIK'S MOTHER'S HOME - NIGHT
    BREIVIK'S MOTHER goes to the door. Opens it to reveal: Dazzling light. Armed DELTA OFFICERS. They storm the apartment. CUT TO:

INT. POLICE STATION - INTERROGATION ROOM - SAME TIME
    DETECTIVE ANDERSON
    Did anyone help you with it?
    BREIVIK
    I am just one cog in a network. The Knight's Templar. Named in honour of the Knights of the Crusade. We want Islam out of Europe.
    DETECTIVe ANDERSON Can you give me any names?
    BREIVIK
    No. Of course not.
    CUT TO:

INT. BREIVIK'S MOTHER'S APARTMENT - BREIVIKS ROOM - SAME TIME
    We follow DELTA into Breivik's bedroom. To his computer. On the screen: Breivik's manifesto. CUT TO:

INT. POLICE STATION - INTERROGATION ROOM - SAME TIME
    DETECTIVE ANDERSON
    We have found your computer, at your mother's apartment. Can you tell me what's on it?
    BREIVIK
    My manifesto. I sent it out so people will understand what I've done. It's all there. 1500 pages.
    A message on Nina's computer screen: Convince him to elaborate on further attacks.
    DETECTIVE ANDERSON
    We need to know if there are more attacks planned.
    BREIVIK
    Yeah, this is a war. Attacks can come at any moment. But you need to agree to my demands.
    DETECTIVE ANDERSON
    This isn't a negotiation.
    BREIVIK
    I don't believe you're in a position to dictate terms.
    DETECTIVE ANDERSON
    Is another attack coming?
    BREIVIK
    (to LIPPESTAD)
    Can we take a break?
    BREIVIK
    I've been trying to get medical attention ever since I was arrested.
    He shows a small cut on his finger.
    BREIVIK
    I cut it on a piece of someone's skull when it shattered. And this might be infection if I don't get treatment.
    LIPPESTAD
    Yes. Can we pause the interview whilst my client is seen by a medic?
    PM AIDE OYSTEIN (V.O.)
    He could be bluffing, Sir...
    CUT TO:

INT. PM'S RESIDENCY - SECURE ROOM - NIGHT
    The PM stands alone. Chaos all around. SECURITY OFFICIAL ENDRE approaches.
    PM AIDE OYSTEIN
    We just don't know.
    Only the PM can make a call like this.
    PRIME MINISTER
    Tell him I'm listening. Tell him personally from me. I'm listening to him.
    CUT TO:

INT. OSLO POLICE STATION - INTERROGATION ROOM - NIGHT
    BREIVIK eating pizza, being treated by a medic. A can of coke. DETECTIVE ANDERSON enters.
    DETECTIVE ANDERSON
    (sitting)
    The Prime Minister has seen your demands. He can't accept your terms. But he wanted me to give you a message.
    BREIVIK
    Really? He said that?
    DETECTIVE ANDERSON
    It was a personal message from the Prime Minister. He said he wants you to know he's listening to you.
    This lands. BREIVIK looks at the window, studying the dark glass.
    BREIVIK
    Is he in there? Watching us?
    DETECTIVE ANDERSON
    We need to know if there are anymore attacks planned.
    BREIVIK
    (eventually)
    Tell him I'm prepared to call off the attacks. For the moment.
    DETECTIVE ANDERSON
    And how do we know that we can trust you?
    BREIVIK
    Because you're all listening to me now.

INT. ULLEVÅL HOSPITAL - LOBBY/ICU ROOM - NEAR DAWN
    VILJAR'S FAMILY arrive. Go through the busy lobby. CAPTION: ULLEVAL HOSPITAL. CENTRAL OSLO.

INT. OPERATING THEATRE. NIGHT
    VILJAR having brain surgery. Fragments of bullets pulled from his exposed brain tissue.
    TRAUMA SURGEON
    Ok, more of these patches please.

INT. ULLEVÅL HOSPITAL - LOBBY/ICU ROOM - NEAR DAWN
    The FAMILY arrive on the ICU ward. A NURSE tells them to wait. Anxious moments. The TRAUMA SURGEON arrives.
    CHRISTIN
    Hi.
    TRAUMA SURGEON
    Hi.
    (shakes CHRISTIN's hand)
    I'm Dr. Tomas. I'm the trauma and Neuro surgeon.
    CHRISTIN
    Christin.
    TRAUMA SURGEON
    I don't know how much you know.
    CHRISTIN
    Very little.
    TRAUMA SURGEON
    Yeah. Viljar has very severe injuries. Gunshot wounds to both of his arms and to his lower extremity on the right side. But what concerns us most is that one of the bullets exploded in his head.
    CHRISTIN
    OK.
    TRAUMA SURGEON
    So I needed to do emergency surgery on him. It was complex. There are several bullet fragments close to his brain stem.
    SVEINN
    But what - what does this mean?
    TRAUMA SURGEON
    That means that if he survives, we will have to perform another surgery. But his condition is critical.
    CHRISTIN
    Can we see him?
    TRAUMA SURGEON
    Of course. Please.
    He leads them into a bare hospital room. See VILJAR. No signs of life. Just the soft bleep of machines. CHRISTIN begins to weep, despite herself. CUT TO:

EXT/INT. PM'S RESIDENCY - SECURE ROOM 2 FRONT DOOR - DAWN 158
    The PM alone at the sink. On the phone.
    AIDE
    (knocks)
    Sir? The Press are ready outside.
    PRIME MINISTER
    One moment.
    SECURITY OFFICIAL (OOV)
    We've got the final number... 8 dead in Oslo. 69 on Utøya.
    PRIME MINISTER
    Wounded?
    SECURITY OFFICIAL
    At least 200.
    PRIME MINISTER
    Thank you.
    The line cuts. Leaving the PM, alone with his reflection.
    PRIME MINISTER (V.O.)
    We are all shocked...
    The door opens to reveal: a MASS OF CAMERAS. The PM faces them.
    PRIME MINISTER
    ...This was an attack on our government, and on our children. We are a long way from understanding why.
    PRIME MINISTER
    But what is clear is that our nation has been attacked by someone who would see it changed...

INT. ULLEVÅL HOSPITAL - VILJAR'S ROOM - SAME TIME
    CHRISTIN sits down next to VILJAR. Holds his hand.
    PRIME MINISTER (V.O.)
    ...He would see our democracy become tyranny. See our humanity fall... We must not give in to this terror. We must fight. But we must not become changed. Instead, we must strengthen our values. And fight this terror with the rule of law, not the barrel of the gun. Thank you.
    It's a rousing call to arms.

EXT. ILA PRISON - DAY
    LIPPESTAD enters through the main gates. CAPTION: ILA DETENTION CENTRE. 12KM WEST OF OSLO.

INT. ILA PRISON. BREIVIK'S CELL / CORRIDOR - DAY
    BREIVIK is taken out of his cell, towards a holding room.
    BREIVIK (V.O.)
    I had a very happy upbringing. I grew up in west Oslo. My parents divorced amicably when I was very young....
    GUARD
    (having uncuffed BREIVIK)
    Sit down.

INT. ILA PRISON - HOLDING ROOM - DAY
    BREIVIK
    ...I maintain a close relationship with my mother. My half-sister and I are not very close but we speak occasionally.
    LIPPESTAD
    What about your father?
    BREIVIK
    I haven't seen him since I was 16. We spoke a couple of years ago. But there was really no time to meet. I was focused on my career, my internet businesses. And he was living in France.
    LIPPESTAD
    How would you describe your relationship with your mother?
    BREIVIK
    My mother had nothing to do with this. She's really not relevant.
    LIPPESTAD
    It's all about understanding what led you to do this.
    BREIVIK
    How many children do you have, Mr. Lippestad?
    LIPPESTAD
    (caught off guard)
    Five.
    BREIVIK
    And you love them?
    LIPPESTAD
    (uncomfortable)
    Yes, of course.
    BREIVIK
    I wanted to hit them where it would hurt the most.
    CUT TO:

EXT. GOVERNMENT BUILDING REAR - DAY
    The PM's car pulls into the government quarter. He gets out. Ahead of him: devastation. See the PM, lost in thought at the magnitude.
    PRIME MINISTER (V.O.)
    So he buys 900 kilos of fertilser...
    CUT TO:

INT. PM'S RESIDENCY - LIVING ROOM (MEETING ROOM) - LATER
    The PM in his living room - hastily transformed into a make- shift office. A security meeting: The PST DIRECTOR, SECURITY OFFICIAL LARS, SECURITY OFFICIAL ENDRE, AIDE MARIT, AIDE OYSTEIN.
    PRIME MINISTER
    ... and aluminum nitrate, and there were no red flags?
    HEAD OF PST
    Our focus has been on Islamist terror.
    PRIME MINISTER
    But we know the Far-Right is growing fast.
    SECURITY OFFICIAL LARS
    We can't stop every threat. We did the best we could, Sir.
    PRIME MINISTER
    We all know that this is not good enough.
    (beat)
    I want to upgrade our national security. Intelligence. Defence. Policing. Everything. And I'm ordering a public inquiry. An inquiry into what happened and how we responded. Something went badly wrong. And we need to find out what. It's the only way we'll get through this.
    CUT TO:

INT. ULLEVAL HOSPITAL - ICU WARD - NIGHT
    SVEINN on the phone.
    SVEINN
    Christin asked me to call. She's suspending the campaign...
    CUT TO:

INT. ULLEVAL HOSPITAL - OPERATING THEATRE - NIGHT
    A surgical drill cuts into bone. VILJAR'S second operation.
    SVEINN (V.O.)
    ...We're going to be staying here in Oslo with Viljar. And Torje's here with us, so he, I called the school, yeah. Yeah, they're operating on him right now.
    CUT TO:

INT. ULLEVAL HOSPITAL - ICU WAITING ROOM - LATER
    SVEINN, TORJE and CHRISTIN wait in silence. The TRAUMA SURGEON enters.
    TRAUMA SURGEON
    (shakes their hands)
    Nice to see you. I just came from the operating room. And I'm sorry that I don't bring better news than this. I tried to get the bullet fragments out, and I managed to take some of them out... but not all. Some of them were too close to his brain stem. It would have been too dangerous unfortunately.
    SVEINN
    So it's ...if he wakes up now, he's not the same as he was?
    TRAUMA SURGEON
    To evaluate his brain injury, we have to wait and see if he wakes up. It's up to him now. But we are trying to do everything to save Viljar's life.
    CHRISTIN
    Thank you.
    The TRAUMA SURGEON exits. The FAMILY try to absorb the news.
    SVEINN
    This is, this is wrong.
    He kicks the chair and exits. CUT TO:

INT. LIPPESTAD'S OFFICE - MEETING ROOM - DAY
    Boxes of police evidence on the table. LIPPESTAD, VIBEKE DEF. LAWYER, and TWO ASSISTANTS leaf through files.
    VIBEKE DEF. LAWYER (V.O.)
    It was a very dysfunctional family. Breivik's parents split acrimoniously when he was very young.
    Insert: LIPPESTAD looks at ABB's SOCIAL SERVICES FILES.
    VIBEKE DEF LAWYER
    She wrote to Social Services asking for help. They had serious doubts about his mother's capacity to parent.
    LIPPESTAD
    And his father?
    VIBEKE DEF. LAWYER
    After the marriage collapsed, his father cut him off.
    LIPPESTAD
    What about his half-sister?
    Insert: LIPPESTAD looks at a photo of YOUNG BREIVIK.
    VIBEKE DEF. LAWYER
    She emigrated to California. When he was about 16 I think.
    LIPPESTAD
    16? 17?… Yeah ok… Thank you.
    VIBEKE DEF. LAWYER
    It was just him and his mother after that.
    Insert: LIPPESTAD looks at photos of TEENAGE BREIVIK.
    LIPPESTAD
    So he was obviously very isolated all the way into adulthood.
    LIPPESTAD ASSISTANT 2
    Not exactly the picture he painted.
    VIBEKE DEF. LAWYER
    No, no it's not.
    INSERT: LIPPESTAD opens a file of crime scene photos. Photos of DEAD BODIES.
    LIPPESTAD
    So what are we talking about here? Developing insanity as a defense?
    LIPPESTAD ASSISTANT 2
    I think so.
    VIBEKE DEF. LAWYER
    How else do we explain it?
    LIPPESTAD looks back at the desperate photos. Closes the file.
    LIPPESTAD
    Yes.
    CUT TO:

EXT. BREIVIK'S MOTHER'S HOUSE - DAY
    LIPPESTAD pulls up outside. Enters the building.
    LIPPESTAD (V.O.)
    I've been appointed by your son to lead his defense...
    CUT TO:

INT. BREIVIK'S MOTHER'S HOUSE - DAY
    LIPPESTAD opposite BREIVIK'S MOTHER.
    LIPPESTAD
    Now I know he doesn't have a relationship with his father. So I wanted to ask you some questions. What was Anders like as a child?
    BREIVIK'S MOTHER
    Oh he was a normal boy. Kind, clever. Lots of friends. He loved affection. Since his father left up, I was a single parent.
    LIPPESTAD
    Any mental health issues?
    BREIVIK'S MOTHER
    No.
    LIPPESTAD
    Was he ever violent?
    BREIVIK'S MOTHER
    Never.
    LIPPESTAD
    Did he ever have any dealings with social services?
    BREIVIK'S MOTHER
    After his father left, I thought I needed their help, but I didn't. He was fine.
    He sees her hands shaking. She's on the edge.
    LIPPESTAD
    And did you have any sense recently that Anders was having problems?
    BREIVIKS MOTHER
    No.
    (beat)
    I told the police that I saw he had guns in his bedroom. But he told me he needed them for hunting. And I believed him.
    LIPPESTAD
    Would you consider testifying in Anders' defense?
    BREIVIKS MOTHER
    What would I say?
    LIPPESTAD
    Just that there were problems, in his childhood. It would help him.
    BREIVIK'S MOTHER
    But then everyone will know who I am.
    LIPPESTAD
    Anders is entitled to a defense, just like everyone else.
    BREIVIKS MOTHER
    (crying)
    I can't do it.
    LIPPESTAD
    (packing up)
    Thank you for your time.
    LIPPESTAD goes to the door.
    BREIVIK'S MOTHER
    He's kind of right though, isn't he. The way the country's going. It's not like it used to be.
    LIPPESTAD
    These are difficult times.
    CUT TO:

INT. ULLEVÅL HOSPITAL - VILJAR'S ICU ROOM - NIGHT
    VILJAR still unconscious. CHRISTIN exhausted. Outside the TRAUMA SURGEON confers with SVEINN, obviously concerned.
    TRAUMA SURGEON
    His situation is still quite critical.
    In Viljar's room, CHRISTIN and TORJE listen in.
    TRAUMA SURGEON
    He's fighting an infection....
    CUT TO:

EXT. LIPPESTAD'S HOUSE - NIGHT
    LIPPESTAD parks. CUT TO:

INT. LIPPESTAD'S HOUSE - CONTINUOUS
    LIPPESTAD enters. SIGNE is asleep in front of the TV. Goes upstairs. Checks on their CHILDREN. The phone goes. He crosses the landing. Answers.
    LIPPESTAD
    Hello?
    VOICE
    You fucking Nazi lover. I know where you live. I'm going to make sure you and your family rot in hell...
    LIPPESTAD puts down the phone. He comes back down to the lounge. A furtive look out the window. As from the TV we hear: announcement of the PM's public inquiry:
    GJORV (ON TV)
    (leaving PM's residency)
    I have just met with the Prime Minister. He has asked me to conduct a searching and independent inquiry into the attacks on 22 July. I have accepted and our work will begin immediately. Thank you.
    He wakes SIGNE. As she gets up:
    PRIME MINISTER (ON TV)
    This public inquiry is of vital importance. Whatever went wrong we must confront it. If we fail to do so, the terrorist will surely win.
    SIGNE
    Who was that?
    LIPPESTAD
    It's from the office.
    SIGNE
    It's the third one tonight.
    CUT TO:

INT. ULLEVÅL HOSPITAL - VILJAR'S ICU ROOM - EARLY MORNING 175
    A tap at the door. CHRISTIN looks up. It's LARA.
    LARA
    I'm Lara…
    CHRISTIN
    Hi Lara..
    LARA
    I was also on the island. I'm just here visiting survivors. How's Viljar?
    CHRISTIN
    He needs to wake up.
    They both look down at VILJAR.
    LARA
    Yeah.
    CHRISTIN
    Are you OK?
    LARA
    My sister didn't make it so...
    CHRISTIN
    (hugging her)
    I'm so sorry. What was her name?
    LARA
    Bano.
    CHRISTIN
    She'd be so happy you're alive, Lara.
    SVEINN enters with TORJE, fresh coffee. He looks exhausted. Sees LARA.
    CHRISTIN
    This is Lara. She was on the island. She wanted to see how Viljar was doing.
    LARA
    Hi.
    SVEINN
    That's kind.
    LARA
    (to TORJE)
    Hi, you ok?
    TORJE
    Hi. Yeah...
    CHRISTIN
    Do you know Viljar well?
    LARA
    I think everyone knows Viljar. I just played against him in the football.
    TORJE
    Yeah, he foaled you.
    LARA
    (laughs)
    Yeah
    SVEINN smiles. An awkward silence.
    LARA
    But I will leave you.
    (beat)
    Maybe I can come back when he wakes up?
    It's a small but powerful gesture of faith.
    SVEINN
    Yes please, that would be very kind of you.
    LARA
    OK. See you.
    She hugs Torje. A moment between them. Then leaves. CUT TO:

INT. ILA PRISON - HOLDING ROOM - DAY
    LIPPESTAD opposite BREIVIK.
    LIPPESTAD
    My recommendation is that you plead insanity. The court will have you assessed by psychiatrists. They will give a diagnosis. And the court will then decide whether to accept it. If they do, you'll go to hospital for treatment.
    BREIVIK
    Not jail?
    LIPPESTAD
    Not jail.
    BREIVIK
    People will be very angry.
    LIPPESTAD
    It's the law.
    BREIVIK
    Will I be able to address the court?
    LIPPESTAD
    I will petition them and you will have the same rights as any other defendant.
    BREIVIK
    Okay.
    CUT TO:

INT. ULLEVÅL HOSPITAL - VILJAR'S ICU ROOM - MIDDLE OF NIGHT
    VILJAR unconscious. The soft bleep of intensive care machines. CHRISTIN and TORJE sleeping. SVEINN sitting. Angle on VILJAR'S hand. A slight movement. Suddenly: Viljar starts to choke.
    CHRISTIN
    (waking)
    He's choking! Can't you help him?
    A NURSE checks VILJAR.
    CHRISTIN
    Can you call someone?
    NURSE
    (on phone)
    Can you come to Room 5? Quickly.
    Still VILJAR chokes on the tube. TRAUMA SURGEON and ANOTHER DOCTOR arrives.
    TRAUMA SURGEON
    What's going on?
    NURSE
    He's reacting to the tube.
    TRAUMA SURGEON
    OK. That's good news. I think we should extobate him. His saturation is good.
    ANOTHER DOCTOR
    Viljar, I'm going to take this tube out of your throat. It's going to give slight discomfort. Are you ready?
    CHRISTIN
    We are here Viljar.
    VILJAR gives a tiny nod. ANOTHER DOCTOR pulls out the tube. VILJAR coughs and gasps. See CHRISTIN.
    TRAUMA SURGEON
    Viljar? Do you hear me?
    VILJAR moans.
    TRAUMA SURGEON
    Very good, Viljar. Can you raise your left arm?
    With immense effort, VILJAR does.
    TRAUMA SURGEON
    Yes. Very good Viljar. Can you move the fingers of your right arm?
    Viljar wiggles his fingers.
    TRAUMA SURGEON
    Unbelievable. Where are you from?
    VILJAR
    (eventually)
    Svalbard.
    CUT TO:

EXT. OSLO - DAWN
    A wide shot over Oslo. Church bells ringing. CUT TO:

INT. ULLEVÅL HOSPITAL - VILJAR'S ICU ROOM - EARLY MORNING 179
    As the sun rises, VILJAR wakes again. He's highly medicated.
    VILJAR
    What happened?
    CHRISTIN looks at SVEINN, not sure what to say.
    SVEINN
    (stepping in)
    It was a terrorist attack. You were shot. But it's alright, you're safe now.
    VILJAR
    Is Torje OK?
    TORJE
    I'm here.
    CHRISTIN
    Torje's fine, he's absolutely fine, Viljar.
    VILJAR
    There was so much shooting.
    CHRISTIN
    Yes.
    SVEINN
    There was just one man. Some kind of Right wing extremist.
    VILJAR processes. His mind moving slowly with the drugs.
    VILJAR
    How many did he kill?
    SVEINN
    (beat)
    Simon and Anders are dead, Viljar. I'm so sorry.
    VILJAR begins to cry. Desperate moments.

INT. ULLEVAL HOSPITAL - VILJAR'S NEW ROOM - NIGHT
    VILJAR in bed. Sleeping fitfully. Bring up the sound of screaming and VILJAR's voice
    VILJAR (V.O.)
    Simon! Simon!
    HARD CUT TO:

EXT. UTOYA ISLAND - VILJAR SHORE - A FLASHBACK
    BREIVIK opening fire. VILJAR being shot. HARD CUT BACK: TO:

INT. ULLEVAL HOSPITAL - VILJAR'S NEW ROOM - NIGHT/DAY
    VILJAR wakes in panic. Later: his head bandages removed to reveal the scars.
    TRAUMA SURGEON (V.O.)
    It is clear that this is going to be a long recovery...

INT. ULLEVÅL HOSPITAL - EXAMINATION ROOM - MORNING
    VILJAR wheeled in by his PARENTS.
    TRAUMA SURGEON
    Two years. Or three years.
    (beat)
    Of course there is brain damage and these bullet fragments that are close to the brain stem - these fragments could shift. And, that could be fatal.
    CHRISTIN rubs VILJAR'S back.
    TRAUMA SURGEON
    So we're going to have to take it one day at a time.
    On VILJAR, taking this in.
    TRAUMA SURGEON
    Do you have any questions for me Viljar?
    VILJAR
    No.

INT. ULLEVÅL HOSPITAL - VILJAR'S NEW ROOM - LATER
    VILJAR is wheeled back to his room.
    CHRISTIN
    OK, Viljar?
    VILJAR
    Can you give me a minute?
    CHRISTIN
    Yes, of course.
    CHRISTIN and SVEINN leave the room. See VILJAR, alone. The pain, the fear, the shock. His fucked up body. Hitting him all at once. CUT TO:

INT. ILA PRISON - ASSESSMENT ROOM - DAY
    BREIVIK chained like Hannibal Lector. Sat opposite him: DR HUSBY and DR SORHEIM.
    LIPPESTAD
    (seeing the restraints)
    Is it necessary to restrain my client?
    DR. SORHEIM
    For the moment.
    BREIVIK
    So I imagine every psychiatrist in the world envies you right now.
    DR. SORHEIM
    Why do you say that?
    BREIVIK
    Because I am The Monster. And you get to look inside my head.
    DR. SORHEIM
    You think you are a monster?
    BREIVIK
    No. But I think you do.
    DR. HUSBY
    You can rad our minds?
    BREIVIK
    Within 70% of accuracy.
    DR. HUSBY
    Do you know or do you think you know?
    BREIVIK
    I know. And there's a difference.
    DR. HUSBY
    Do you think people can read your mind?
    BREIVIK
    Sometimes. I think they try.
    DR. HUSBY
    Did you feel like that before the attacks, or is it a new feeling?
    BREIVIK
    It's not new. But it got worse when I was planning the attacks.
    DR. SORHEIM
    Worse?
    BREIVIK
    Yeah. Much worse.
    See LIPPESTAD watched BREIVIK. Wonders if this is all an act. CUT TO:

INT. ULLEVÅL HOSPITAL - VILJAR'S NEW ROOM - DAY
    A NURSE carefully removes VILJAR'S bandages on his shoulder. Revealing angry red wounds. CHRISTIN watches. Sees VILJAR is in pain.
    NURSE
    Take a deep breath now.
    CHRISTIN
    (to NURSE)
    Can we get him something for the pain?
    VILJAR
    No. No more morphine.
    NURSE
    Sure? OK. We're done now.
    CUT TO:

INT. ULLEVÅL HOSPITAL - VILJAR'S NEW ROOM - DAY
    VILJAR in his hospital bed. A knock at the door.
    LARA
    Hi.
    VILJAR
    Hi. What are you doing around here?
    LARA
    I live around here. We're checking on survivors. Can I come in?
    VILJAR
    Yeah sure.
    LARA
    How you feeling?
    VILJAR
    I'm OK. Are you?
    LARA
    Yeah. I was in the shower block when it started. So I managed to run and hide.
    (beat)
    But I got separated from my sister Bano...
    LARA
    I'm sorry about Simon and Anders too.
    VILJAR
    It's shit.
    It sits there. Survival is a strange land for both of them.
    LARA
    How's the food here? Is it OK?
    VILJAR
    That's shit too... Actually it's really shit.
    LARA
    If you want I can bring you something? Food or...
    VILJAR shakes his head.
    VILJAR
    No, I'm fine. I don't have much appetite.
    LARA
    Do you want anything else? Cigarettes or?
    VILJAR
    That would be nice... Except I don't smoke.
    He laughs. The first time since the attack. But then pain. He puts his right hand to his head.
    LARA
    Does it hurt?
    VILJAR
    No, it's just, I have to be careful.
    LARA
    It's going to take time.
    VILJAR
    That's what everyone keeps saying.
    LARA
    Yeah, that's what they say to me too.
    (a moment between them)
    I'll leave you in peace. But if you want I can come back and check on you again?
    VILJAR
    Yeah. That'd be nice.
    LARA
    OK. Take care.
    VILJAR
    You too.
    LARA
    Bye.
    And she's gone - leaving VILJAR alone. CUT TO:

INT. ILA PRISON - HOLDING ROOM - DAY
    LIPPESTAD watching BREIVIK reading his psychiatric report.
    LIPPESTAD
    It's only the diagnosis. It will be up to the court whether to accept it.
    BREIVIK
    What's their decision?
    LIPPESTAD
    Paranoid Schizophrenia.
    (hands him a bundle of newspapers, letters)
    In the meantime, the judge has modified the terms of your detention. You're allowed to read newspapers. And you've got some mail.
    BREIVIK scans the headlines - furious denunciations of his insanity plea.
    BREIVIK
    (holds up paper)
    Geir, I told you they'd be angry.
    (opens letters)
    Fan mail...
    (beat)
    I will be allowed to speak at the trial?
    LIPPESTAD
    This hasn't been decided yet.
    BREIVIK
    That's very important. There are witnesses I need to cross-examine.
    (hands LIPPESTAD a list)
    LIPPESTAD scans a who's-who of Norway, starting with the King. Then the Prime Minister.
    LIPPESTAD
    Anders, you can't call the Prime Minister. Norway isn't on trial. You are.
    BREIVIK
    Are you sure about that?
    CUT TO DARKNESS:

INT. ULLEVAL HOSPITAL - PHYSIO ROOM - MORNING
    VILJAR trying to stand. A PHYSIOTHERAPIST assisting. His good hand pushes down hard into the bench. His legs shake as he forces his body up.
    PHYSIO
    Come on, come on... Yes very good. And the right leg. Come on, very good.
    VILJAR takes a step.
    PHYSIO
    One more. That's good.
    Then his legs buckle. The PHYSIO catches him.
    PHYSIO
    And breath.
    VILJAR
    I can't do this.
    PHYSIO
    Very good Viljar, come on.
    VILJAR
    No. It's not.
    Close on VILJAR, all energy spent, angry and afraid.
    CHRISTIN (V.O.)
    I'm not enjoying this campaign...
    CUT TO:

INT. ULLEVAL HOSPITAL - CORRIDOR TO MEETING AREA - DAY
    CHRISTIN pushes VILJAR in the wheelchair.
    CHRISTIN
    People are angry.
    VILJAR
    Shouldn't you be there?
    CHRISTIN
    I'm not leaving you.
    VILJAR
    So how will that work on election night?
    CHRISTIN
    I'll Skype.
    VILJAR
    Skype? Seriously?
    CHRISTIN
    A modern mayor. Maybe you could skype with me, if you feel up to it?
    VILJAR
    Only if you win...
    CHRISTIN
    I'll try.
    Her phone goes.
    VILJAR
    Take it.
    CHRISTIN
    No, I'll call them later. It's ok.
    VILJAR
    Seriously take it. It's important. It's a fucking election.
    A moment between them. She takes the call, leaving VILJAR. He looks around, uncertain in the BUSY corridor. Then he hears the sound of a TV. Wheels towards it...
    TV REPORT
    ...the Norwegians Anders Behring Breivik who killed 77 people in July is criminally insane. Breivik who has admitted carrying out the attacks in Oslo and on Utoya Island has been diagnosed with paranoid schizophrenia that developed over a long period of time... The psychiatric evaluation may mean that he will not be sent to prison.
    VILJAR turns a corner. Comes face-to-face with BREIVIK on the TV. Being led into court.
    TV REPORT
    Breivik was described as living in a delusional universe, governing his thoughts and acts. If the conclusions are upheld, he could be detained in a psychiatric unit instead...
    See VILJAR panicking. CHRISTIN enters. Puts her hand on VILJAR shoulder.
    CHRISTIN
    Viljar? He can't get you. He's never going to get you.
    She wheels him away.

INT. PM'S RESIDENCY - LIVING ROOM - NIGHT
    The PM watching election results. Alone. The mood is sombre. The Labour Party retain power, but the Right have made striking gains across the country.
    TV REPORTER
    According to his critics, Prime Minister Stoltenberg has been accused of wasting a once in a lifetime economic boom. His Labour Party is still predicting to win the most votes, but polls suggest overall power will go to a coalition of centre-right parties. In many ways it's a peculiar shift. One change Norwegians may get as a result of this election is the Progress Party. It's a populist anti-immigration movement that mass- killed Anders Breivik used to be a member of.
    Hold on the PM.

INT. ULLEVAL HOSPITAL - VILJAR'S NEW ROOM - NIGHT
    CHRISTIN on her laptop. Her family around her.
    CHRISTIN
    (to Skype camera)
    Hi, yeah everyone is there. That's great. And you can see me? Good. So OK.. I just want to say that I'm really honoured to become Mayor of Svalbard, and I want to thank everyone for being so understanding. As you know this has been a difficult time for us, but hopefully we will be home soon.
    CHRISTIN
    (beat)
    So yeah and Viljar has a message.
    She adjusts the computer.
    VILJAR
    (this is difficult)
    Hi, everybody! Hope you can hear me and... I don't look too scary!
    (he struggles, then)
    I just want to say that I'm very proud of my mum. Hopefully they'll let me out of this place soon and we'll all get home for Christmas.
    CHRISTIN
    (steps in)
    Thank you and maybe we could say goodbye?
    SVEINN, TORJE and VILJAR wave into the camera.
    CHRISTIN
    Bye bye. See you soon.
    VILJAR
    Bye.
    SVEINN
    Bye.
    She ends the call. The room subdued, the whole family strangely empty.

INT. ILA PRISON. BREIVIK'S CELL - DAY
    BREIVIK in his cell.

INT. ULLEVAL HOSPITAL GARDENS - DAY
    VILJAR and LARA sit in the hospital cafe. LARA looks over to a newspaper picture of BREIVIK.
    VILJAR
    They're saying he's insane. Do you think he's insane?
    LARA
    I don't know. Maybe.
    VILJAR
    I saw him. Like this close.
    (beat)
    He knew what he was doing. Definitely.
    LARA
    So, what are you going to do? When you get out?
    VILJAR
    I can't see the future. I just can't see it. It's like I'm still there on the rocks. Like I'm out in this no man's land. Do you know what I mean?
    LARA
    Yeah. But we survived. Right?
    VILJAR
    But what does that even mean?
    LARA
    I really don't know.
    CUT TO:

EXT. COURTHOUSE - DAY
    FAMILY LAWYER (female, 40s) METTE LARSEN, walkS towards court through a crowd of JOURNALISTS.
    REPORTER 1
    Ms Larsen, how do the families feel about Breivik's insanity plea?
    FAMILY LAWYER
    I can say on behalf of my clients, that they strongly oppose Mr. Breivik's psychiatric diagnosis, and as the coordinating lawyer for the families and the survivors of the 22nd July attacks, I will be petitioning the court today to order further assessments. We demand that Mr. Breivik faces justice and is held accountable. Thank you.
    Flurry of flashlights. CUT TO:

INT. COURTHOUSE - JUDGES CHAMBERS - NIGHT
    JUDGE ARTNZEN
    Good afternoon. After careful consideration the Court has decided to allow further psychiatric assessment of Mr. Breivik.
    FAMILY LAWYER
    Your Honour, the families welcome this decision. And they thank you. We will of course be calling our own psychiatric experts. Thank you.
    LIPPESTAD
    Your Honour, the court has already had Mr. Breivik psychiatrically examined. Allowing further assessments has no precedent in law. Thank you.
    JUDGE ARTNZEN
    Mr, Lippestad, the court is trying to do what's best for Norway.
    See LIPPESTAD. This is a reverse. CUT TO:

INT. HANSSEN CAR - DAY
    VILJAR and FAMILY are driven through a vast snowy landscape. Arriving in a small town, nestled between the mountains and the Arctic Sea. CAPTION: SVALBARD, NORWAY. 2,000KM NORTH OF OSLO. CUT TO:

EXT/INT. SVALBARD - VILJAR'S HOME - DAY
    They pull up outside a small clapper-board home. A snow- mobile parked outside. VILJAR gets out of the car. He struggles to walk. They enter and CHRISTIN helps VIlJAR with his coat.
    CHRISTIN
    Do you want me to take your jacket?
    VILJAR
    Yeah.
    TORJE goes ahead of him to his bedroom and shuts the door. SVEINN takes the cases upstairs.
    VILJAR
    OK, thanks.
    Alone in his bedroom, VILJAR sees the life he once had. Smiling photos with his friends, his Arsenal poster, his skis. CUT TO:

INT. SVALBARD - VILJAR'S HOME - LIVING ROOM - CONTINUOUS
    Meanwhile upstairs, SVEINN unpacks. CHRISTIN looks around, lost in thought. See the whole FAMILY coming to terms with being home. TIME-LAPSE TO:

EXT. PLAY SCHOOL - DAY
    Establisher of play-school. KIDS play outside.
    HEADMISTRESS (V.O.)
    Thank you so much for coming in...
    CUT TO:

INT. PLAY SCHOOL - EMPTY CLASSROOM - CONTINUOUS
    SIGNE and LIPPESTAD in a meeting with HEADMISTRESS.
    HEADMISTRESS
    This is very difficult. Some of the parents are unhappy. There have been complaints. Because you are defending such a dangerous man.
    LIPPESTAD
    Meaning?
    HEADMISTRESS
    They think the school might be a target.
    SIGNE LIPPESTAD
    Oh for God's sake.
    HEADMISTRESS
    I know it's very unlikely, but we have to think about what's best for everyone.
    SIGNE
    So what exactly are you saying?
    HEADMISTRESS
    We wonder if you should perhaps find another school. I'm sorry.
    LIPPESTAD
    That's OK.
    CUT TO:

EXT. PLAY SCHOOL - STREET - CONTINUOUS
    LIPPESTAD and SIGNE leaving the school, with their DAUGHTER. AND WE CUT TO:

INT. ILA PRISON - HOLDING ROOM - DAY
    LIPPESTAD enters.
    LIPPESTAD
    Hi Anders.
    BREIVIK
    I want to change my plea.
    LIPPESTAD
    What?
    BREIVIK
    I'm not insane. I was playing a role.
    LIPPESTAD
    What role?
    BREIVIK
    I was playing the monster in a nightmare. But I'm not a monster. I'm a soldier in a war, doing my duty. A leader. And a leader does not give away his power. I've allowed the families to take control, but this is my trial. I decide how it ends. I have to prove these attacks meant something.
    LIPPESTAD
    You'll go to prison. For the rest of your life.
    BREIVIK
    I have to finish what I've started. And standing up in the court. That's the third attack. That's the whole point of this. That's why I surrendered. That is how I win.
    CUT TO:

EXT. ILA PRISON - NIGHT
    LIPPESTAD walks away from the prison.
    LIPPESTAD (V.O.)
    He wants to change his defense...
    CUT TO:

INT. LIPPESTAD'S OFFICE - NIGHT
    Piles of files across every surface. LIPPESTAD looks tired.
    LIPPESTAD
    (to his TEAM)
    He wants to plead guilty.
    LIPPESTAD ASSISTANT 1
    Has he given any reason? I mean, why?
    LIPPESTAD
    He wants to stay in control.
    VIBEKE DEF LAWYER
    And he knows the consequences?
    LIPPESTAD
    He wants to stand up and be accountable for his actions.
    LIPPESTAD ASSISTANT 2
    The psychiatric assessment was clear. And the Prosecution are legally obliged to stick with it. So how do we get around that?
    LIPPESTAD
    Ok so we have to start again. And show that he knew what he was doing. Every step of the way. That only someone rational could have planned and executed something this complex. And then we have to look into the Far-Right. Find witnesses who share his beliefs. So we can show that he's not alone in his views. That's the only way we can do this.
    CUT TO:

EXT. SVALBARD - DAY
    Wide shot of Svalbard. Hemmed in by mountains on one side, and the Arctic Sea on the other. A pick-up pulls up at a remote building. SVEINN gets out. CUT TO:

INT. SVEINN'S OFFICE - DAY
    SVEINN in his more spartan office space. A couple of computers. Science equipment, outdoor gear, charts tracking migration patterns across the Arctic Sea.
    SVEINN'S CO-WORKER
    Hi
    SVEINN
    Hi. It's good to be back.
    CUT TO:

INT. SVALBARD MAYOR'S OFFICE - DAY
    CHRISTIN arrives in her new office.
    CHRISTIN'S CO-WORKER
    Welcome to Svalbard.
    CHRISTIN
    Thank you so much.
    CHRISTIN'S CO-WORKER
    How is Viljar?
    CHRISTIN
    Oh he's fine...
    CUT TO:

INT. SVEINN'S OFFICE - DAY
    SVEINN at work. CUT TO:

INT. CHRISTIN'S OFFICE - DAY
    CHRISTIN sits at her new desk. CUT TO:

INT. SVEINN'S OFFICE - DAY
    SVEINN at his. Trying to engage... CUT TO:

INT. CHRISTIN'S OFFICE - DAY
    CHRISTIN with her TEAM. CUT TO:

INT. SVALBARD HOSPITAL - MRI UNIT - DAY
    VILJAR lying in an MRI tunnel. The screen showing his damaged brain. CUT TO:

INT. SVALBARD HOSPITAL - EXAMINATION ROOM - DAY
    A SECOND DOCTOR carefully fits a prosthetic eye into VILJAR'S empty socket. Bright blue, but lifeless.
    SECOND DOCTOR
    (as he fits eye)
    Just relax. OK. Does it hurt?
    VILJAR
    Does it look normal?
    SECOND DOCTOR
    Yeah. Would you like to have a look?
    VILJAR
    Yeah.
    Hands a mirror to VILJAR. VILJAR looks at his reflection. Bring up the sound of screaming and gunfire. He puts the mirror down. SECOND DOCTOR begins examining VILJAR's body.
    SECOND DOCTOR
    So Viljar, how are you?
    VILJAR
    My head hurts, all the time. My shoulder. I have a lot of phantom pains.
    SECOND DOCTOR
    OK phantom pains are normal when you have a serious head injury. The bullet fragments are sitting deeply in your brain, close to the brain stem, and if they move just the slightest bit...
    VILJAR
    (interrupting)
    I know, I know what the fucking dangers are.
    SECOND DOCTOR
    I understand that you're frustrated. But you have to be careful.
    Hold on VILJAR, anger rising... CUT TO:

INT. SVALBARD HOSPITAL - CORRIDOR - CONTINOUS
    VILJAR, with a stick, walks slowly down the corridor. CUT TO:

EXT. SVALBARD - STREET - DAY
    VILJAR walking painfully back from the hospital. CUT TO:

INT. SVALBARD - VILJAR'S HOME - BATHROOM - DAY
    VILJAR watches coverage of the upcoming trial on TV. Hold on VILJAR. No escape. As we track in, we feel his anger rising. CUT TO:

EXT. VILJAR'S HOME - CONTINUOUS
    VILJAR slewing his snow mobile down the hill. CUT TO:

INT. VILJAR'S HOME - SAME TIME
    TORJE runs out of his room and shouts up the stairs
    TORJE
    Mum, Dad! He's on the snow mobile!
    CHRISTIN and SVEINN appear at the top of the stairs.
    CHRISTIN
    What?
    TORJE
    Viljar! He's on the snow mobile!

EXT. VILJAR'S HOME - MOMENTS LATER
    CHRISTIN and SVEINN race out of the house. Speed away in SVEINN's pick-up truck.

EXT. SVALBARD - SNOW - SNOWMOBILE - NIGHT
    A POV at speed through dense snow. VILJAR on the snow mobile. Riding hard. Back to the POV again: Round a bend. See Viljar pushing on. Faster, faster. As if daring to crash. Now lights behind... SVEINN and CHRISTIN coming after him in a pick-up.

INT. SVEINN'S TRUCK - SAME TIME
    SVEINN
    He's there.
    They see VILJAR up ahead. Desperate to catch him.

EXT. SVALBARD - SNOW - SNOWMOBILE - NIGHT
    VILJAR turns a sharp bend. Faster still. Another bend. And another. His PARENTS follow.

INT. SVEINN'S TRUCK - SAME TIME
    CHRISTIN
    What is he doing?
    Ahead of them VILJAR drives the snowmobile across the road and across another snowy plain.
    SVEINN
    What the fuck is he doing?!
    CUT TO:

EXT. SVALBARD - SNOW - SNOWMOBILE - NIGHT
    See VILJAR, faster and faster. He ploughs into a snow drift. Is thrown off. CUT TO:

INT. SVEINN'S TRUCK - SAME TIME
    SVEINN
    Oh no, he's down.
    CUT TO:

EXT. SVALBARD - SNOW - SNOWMOBILES - NIGHT
    VILJAR gets to his feet. Staggers forward. In the distance behind him, the pick-up approaches. CUT TO:

INT/EXT SVEINN'S TRUCK / SNOW - SAME TIME
    SVEINN pulls over.
    SVEINN
    (out of the pickup)
    Viljar!!
    CHRISTIN
    Viljar!
    He and CHRISTIN run over to him. VILJAR walking away.
    VILJAR
    Go away! I'm fine! I'm fine.
    SVEINN
    Viljar.
    They reach him.
    VILJAR
    I can't live like this! Pretending everything is going to get better. It's not. It's all still here. In my head. And I can't get rid of it.
    They get closer. He turns.
    VILJAR
    What the fuck am I supposed to do?
    SVEINN
    Come on
    VILJAR
    (shrugging him off)
    Tell me!
    SVEINN
    I don't know. I just wish it had been me not you.
    This lands.
    CHRISTIN
    Viljar...
    She hugs him tightly.
    CHRISTIN
    Let's go home, OK.
    They walk back to the truck. CUT TO:

EXT. EAST OSLO - EXTREMIST' HOUSE - DAY
    A part of Oslo we haven't seen before. Poorer, harsher. Neglected. LIPPESTAD parks outside a block of flats. A huddle of MUSLIM MEN on chairs outside a corner shop. LIPPESTAD heads for a tower block. Sees Far-Right graffiti. The Norwegian flag.
    LIPPESTAD (V.O.)
    My client writes about you in his manifesto...
    He enters the block and gets into lift. Doors close.
    LIPPESTAD (V.O.)
    He obviously admires you...
    CUT TO:

INT. EAST OLSO - EXTREMIST'S APARTMENT - DAY
    LIPPESTAD sits in front of A WHITE MAN (40s).
    EXTREMIST
    Many people admire me. But it's not because of me. It's because of my ideas about what's going on in the world.
    LIPPESTAD
    Did you ever meet him?
    EXTREMIST
    He asked. But I'm careful who I work with. What I do. And he's not from round here you know. He's from your side of Oslo. But yes, we share the same vision for the world.
    LIPPESTAD
    He says a war is coming.
    EXTREMIST
    I'd say the war already started.
    LIPPESTAD
    Are you a member of the Knight's Templar?
    EXTREMIST
    There are many other organisations. We are very strong, all across Scandinavia. Northern Europe. Eastern Europe of course. Very strong in the UK. New groups forming all the time.
    LIPPESTAD
    How about America?
    EXTREMIST
    Stormfront. Growing fast. Very fast. And joining up with Europe.
    (beat)
    You know Lippestad, there's a lot of fear and anger out there.
    (beat)
    And that's why tomorrow is going to belong to us.
    That hangs there.
    LIPPESTAD
    Will you testify in my client's defense?
    CUT TO:

EXT. SVALBARD - SVEINN'S OFFICE - DAY
    CHRISTIN drives to Sveinn's office. SVEINN loading caged birds onto his truck.
    CHRISTIN
    We just got an email from the lawyers. There's a briefing on the mainland. They want us to go. So we know what to expect from the trial.
    SVEINN
    You should go.
    CHRISTIN
    Sveinn. We both need to engage with this. It's important.
    SVEINN
    Engaging nearly cost our sons their lives.
    CHRISTIN
    They're still here.
    SVEINN
    Are they?
    (beat)
    I don't care about Anders fucking Breivik and his trial.
    SVEINN
    I just want us to get on with our lives. That's it. That's all.
    CHRISTIN
    CUT TO:

EXT. SVALBARD - MAIN STREET - DAY
    VILJAR walking slowly along Longyearbyen's main street.
    LARA (V.O.)
    Hi... I haven't heard from you. I'm just wondering if you're okay...
    He looks in through a cafe window. CUT TO:

INT. SVALBARD - CAFE - CONTINUOUS
    VILJAR at a table alone. Putting away his phone.
    LARA (V.O.)
    ...Call me if you want to talk.
    CUT TO:

INT. SVALBARD - VILJAR'S HOME - LATER
    TORJE comes downstairs and heads for his room. VILJAR enters. Sees TORJE at the end of the corridor.
    VILJAR
    Hey.
    TORJE
    Hey
    VILJAR
    Do you want to watch a movie or something?
    TORJE
    Maybe later. I'm just doing some music.
    TORJE goes into his room. Closes his door. VILJAR goes to TORJE's door.
    VILJAR
    Torje, talk to me.
    TORJE (OOV)
    I'm fine.
    VILJAR
    No you're not. You know you can talk to me.
    TORJE (OOV)
    You're the one who got hurt. Not me.
    VILJAR
    You were there too.
    VILJAR
    Look, I'm sorry that Mum and Dad have been looking after me so much. I know it has been tough for you. But we're home now.
    TORJE (OOV)
    Yep.
    See TORJE, remembering the island. Crying.
    TORJE
    Yep.
    CUT TO:

EXT. TROMSO ESTABLISHER (AIRPORT TOWN)
    CUT TO:

INT. TROMSO - HOTEL/MEETING ROOM - DAY
    Follow CHRISTIN towards a room, crowded with PARENTS and their LAWYERS.
    FAMILY LAWYER (V.O.)
    So the court has decided that...
    CHRISTIN crosses the lobby.
    FAMILY LAWYER
    Breivik can speak in his own defense.
    PARENTS react angrily.
    FAMILY LAWYER
    I understand...
    ANGRY PARENT 2
    How can it be right that he's allowed to speak? How?
    FAMILY LAWYER
    The court has to preserve his rights.
    CHRISTIN enters and slips into the back as the argument rages.
    ANGRY FATHER
    They are talking about the man who killed my son! I would hang him from a tree!
    ANGRY PARENT 3
    He shouldn't be allowed to turn this trial into propaganda!
    FAMILY LAWYER
    I agree, I agree, and I'm going to be there to make sure that doesn't happen. We are closing the trial with victims' testimonies. That's why it's important that those who survived speak about their experience to stand up against his defense. I think it will be a very very strong statement.
    ANGRY PARENT 3
    He gets to speak? My daughter's too scared to leave her bedroom!
    ANGRY MOTHER
    What about my daughter's voice?!
    FAMILY LAWYER
    They will be the voices of those who cannot speak. Because they were there. And we need to hear their stories.
    CUT TO:

EXT. SVALBARD - STREET - NIGHT
    VILJAR walks away from the house. Opens an envelope. Reads.
    CHRISTIN (OOV)
    They've sent Viljar a letter. They want him to testify at the trial.
    SVEINN (O.O.V)
    He doesn't have to do it. We can just get the doctor to excuse him...
    CUT TO:

INT. SVALBARD - VILJAR'S HOME - KITCHEN - LATER
    SVEINN and CHRISTIN clear up after dinner.
    CHRISTIN
    Maybe he needs to do it.
    SVEINN
    What does that mean?
    CHRISTIN
    Maybe he needs to face it.
    SVEINN
    How do we know it won't set him back?
    CHRISTIN
    We don't.
    SVEINN
    So it's a hell of a risk.
    CHRISTIN
    It's his choice.
    CUT TO:

EXT. SVALBARD - STREET - BEDROOM - SAME TIME
    VILJAR gets out phone and dials.
    LARA'S VOICE
    Hey.
    VILJAR
    Hey.
    LARA'S VOICE
    I've worried about you.
    VILJAR
    I'm fine...
    (beat)
    I just received a letter. They want me to appear. At the trial.
    LARA
    Yeah. Me too.
    On Viljar, flash of relief.
    LARA
    Do you think you can face him?
    Suddenly the sound of: gunfire. Screaming. Then a FLASHBACK: BREIVIK opening fire. VILJAR falling.
    LARA'S VOICE
    Are you still there?
    VILJAR forces himself back.
    VILJAR
    Yeah. I'm here.
    LARA'S VOICE
    Do you think you can do it?
    VILJAR
    Well, I can't even walk down the fucking street.
    CUT TO:

EXT. ILA PRISON - DAY
    Breivik's white van convoy leaves through the prison gates. CUT TO:

EXT. COURTHOUSE - DAY 1 - DAY
    ANGRY CROWDS mass behind barriers. ARMED POLICE, SNIFFER DOGS. And the world's MEDIA too. CAPTION: OSLO DISTRICT COURTHOUSE. CENTRAL OSLO. Bring up the voice of the prosecution's opening statement, as LAWYERS enter the courthouse.
    PROSECUTION INGA
    Your Honour. On the 22 of July 2011, Anders Behring Breivik...
    CUT TO:

INT. COURTROOM - DAY 1 - DAY
    Follow LIPPESTAD into the courtroom.
    PROSECUTION INGA (V.O.)
    ...carried out a dual-terror attack taking the lives of 77 innocent people. 100s more were injured and left forever scarred by his actions...
    AND WE CUT TO:

INT. BREIVIK'S CONVOY - SAME TIME
    BREIVIK sits chained in the back of the van.
    PROSECUTION INGA
    The law is clear: if there is any doubt of the sanity of a person accused...

INT. SVALBARD - VILJAR' HOME - SAME TIME
    VILJAR turns on the TV.
    PROSECUTION INGA (V.O.)
    ...We are required by law to request treatment, not imprisonment. Given the court- ordered psychiatric diagnosis the Prosecution...
    CUT TO:

EXT/INT. COURTHOUSE - STAIRWELL - CONTINUOUS
    BREIVIK is led up through the building...
    PROSECUTION INGA (V.O.)
    ...believes there is clearly significant doubt as to Anders Behring Breivik's...
    CUT TO:

INT. COURTROOM - CONTINUOUS
    EVERYONE in the courtroom stands.
    PROSECUTION INGA (V.O.)
    ...state of mind on the 22 July. Therefore we...
    A ripple through the room as BREIVIK enters.
    PROSECUTION INGA
    ...request the court to find him guilty, but sentence him to mandatory psychiatric treatment in a secure facility.
    LIPPESTAD watches as he is uncuffed.
    LIPPESTAD (V.O.)
    We will not seek to deny the crimes committed on July 22nd. However, we will argue that Mr. Breivik was not psychotic during these attacks. Instead we say, he knew exactly what he was doing. His were political acts.
    BREIVIK sits. Behind him the PARENTS.
    JUDGE ARTNZEN
    (eventually)
    Mr Breivik.
    BREIVIK goes to the witness stand. CUT TO:

INT. SVALBARD - VILJAR'S HOME - CONTINUOUS
    VILJAR watches Breivik. CUT TO:

INT. COURTROOM - DAY
    BREIVIK turns to face the crowded courtroom. Looks at the parents. Going from face-to-face. Then turns and punches the air with a Nazi salute. The room recoils with shock. Cameras click. See LIPPESTAD, he knows the third attack is a call to arms. CUT TO:

INT. SVALBARD - VILJAR'S HOME - CONTINUOUS
    VILJAR watches Breivik's salute. CUT TO:

INT. COURTROOM - DAY
    BREIVIK sits.
    BREIVIK
    (his opening statement)
    Today I speak on behalf of Europeans who have been deprived of their ethnic, indigenous, cultural, and territorial rights.
    (beat)
    The Prosecution tell you I'm insane. They do this because they fear me. Because I have committed the most sophisticated, the most spectacular, political assassination in Europe since World War Two. And why? Because Norway, Europe. These are not real democracies. Is it democratic for a nation not to be consulted about whether it becomes multicultural?
    CUT TO:

INT. SVALBARD - GYMNASIUM - DAY
    VILJAR at the edge of an empty gymnasium.
    BREIVIK (V.O.)
    To force them to become a minority in their own capital?
    CUT TO:

INT. COURTROOM - DAY
    BREIVIK
    Many will realise this in the coming decades and pick up arms. Just as I did.
    FAMILY LAWYER LARSEN stands to object.
    FAMILY LAWYER
    The Defendant has said enough, Your Honour.
    JUDGE ARTNZEN
    You must hurry up, Mr. Breivik.
    BREIVIK
    I must be allowed to finish my statement.
    FAMILY LAWYER
    This is extremely upsetting for the families.
    LIPPESTAD
    (stands)
    Your Honour, the Defendant must be allowed to finish his statement. Thank you.
    CUT TO:

INT. SVALBARD - GYMNASIUM - DAY
    VILJAR nearly in the centre of the hall. Behind him, a PHYSIOTHERAPIST watches.
    JUDGE ARTNZEN (V.O.)
    (beat)
    You may continue, Mr. Breivik.
    CUT TO:

INT. SVALBARD - VILJAR'S HOME - LIVING ROOM - DAY
    Tight on VILJAR, still watching BREIVIK's testimony.
    BREIVIK (V.O.)
    When peaceful revolution is made impossible, then violent revolution is the only option...
    CUT TO:

INT. COURTROOM - DAY
    BREIVIK
    I demand to be acquitted because I acted in defense of my country.

INT. SVALBARD - GYMNASIUM - DAY
    VILJAR stops. Turns around. Drops his stick.
    VILJAR
    (to PHYSIOTHERAPIST)
    I've got eight weeks. I want to walk unassisted. No stick. No shaking. No breathlessness.
    SVALBARD DOCTOR
    You are still very weak.
    VILJAR
    Just tell me what I need to do.
    CUT TO:

EXT. INQUIRY HQ - EVENING
    The PM's car pulls into the basement of the anonymous government building.
    GJØRV (V.O.)
    Thank you for coming today, Prime Minister...
    CUT TO:

INT. INQUIRY HQ - INTERVIEW ROOM - CONTINUOUS
    The PM sits alone in front of the Inquiry panel, STAFF at tables to one side.
    GJØRV
    I want to begin to explore to what extent Government was aware of the threat posed by Anders Behring Breivik prior to his attacks on 22nd of July.
    PRIME MINISTER
    That was obviously a question that concerned me greatly. The Security Services told me they had no warnings. That he operated completely out of sight.
    GJORV
    Prime Minister, our investigation suggests something different. We have discovered that Mr. Breivik's purchase of chemicals that he used in the construction of the bomb came to the attention of the customs services in January 2011. But this was not acted on.
    PRIME MINISTER
    That was not what I was told, Madam Chair.
    GJORV
    Can we turn now to the issue of physical security around the Government Quarters? You can turn to tab 3.
    (beat)
    It appears from the papers there were proposals discussed inside government to improve physical security around the Prime Minister's Office.
    The PM reads.
    GJØRV
    Were you aware of these discussions?
    CUT TO:

INT. COURTROOM - DAY
    BREIVIK
    The Knights Templar are a network. Patriots, who think the way I do and are willing take up arms just as I did, in order to defend their way of life.
    INGA
    Mr. Breivik, you told police that this organisation was set up in 2002. Is that true?
    BREIVIK
    Yes. After September 11th.
    INGA
    Did you attend this first meeting?
    BREIVIK
    I did.
    INGA
    What happened?
    BREIVIK
    I was given my mission. This mission.
    INGA
    Mr. Breivik, the police have tracked your movements in 2002 and found no evidence that you attended such a meeting. Can you explain this?
    BREIVIK
    It was a covert meeting.
    INGA
    But now it is no longer a secret, so can you prove this meeting actually took place?
    BREIVIK
    No comment.
    INGA
    Can you tell me the names of those who attended the meeting?
    BREIVIK
    No comment.

INT. SVALBARD - GYMNASIUM - DAY
    VILJAR in physio. Sweating hard. Battling the pain.
    RADIO REPORTER (OOV)
    The mastermind of Norway's suffering was led in, his hands cuffed. He seemed relaxed. Eager.
    RADIO REPORTER 2 (V.O.)
    Watching this man he is fascinating Robert, in a repulsive sort of way. There is a calmness. A serenity to him.
    RADIO REPORTER 3 (V.O.)
    When he first walked in, and I think we've seen the same again today, he looked as if he owned the place. And to some extent you know, he does. This courtroom was built specifically for this trial, costing 10 million pounds of tax- payers money...
    Finally VILJAR's hits the wall. Unable to go on...

INT. COURTROOM - DAY
    LIPPESTAD is cross-examining BREIVIK now.
    BREIVIK
    Then I carefully began to assemble the components of the bomb. I did it very slowly of course, so that the authorities wouldn't see me.
    LIPPESTAD
    Turning to the attack. Did you feel empathy? For the victims?
    BREIVIK
    (beat)
    Shall I make this easier for you all?
    BREIVIK
    I will forego any appeal, any re- trial, I will spare the families all for this, if the court finds me sane.
    On LIPPESTAD, watching BREIVIK holding the justice system hostage. CUT TO:

INT. SVALBARD - GYMNASIUM - NIGHT
    VILJAR training hard. Pushing himself to the point of failing. Behind him his PARENTS watch. VILJAR buckles and falls. CHRISTIN walks over.
    VILJAR
    (seeing them)
    I'm not ready.
    CHRISTIN
    That's okay. You don't need to do it.
    VILJAR
    It's not okay. I need to do it.
    CHRISTIN
    Then don't push yourself so hard. Just say a few words. That's all.
    VILJAR
    And say what?
    CHRISTIN
    What happened. The truth.
    SVEINN starts to walk over to them.
    VILJAR
    That I cry in my sleep? That I can't talk to strangers? That I'm frightened of dying? I'd rather not go than let him hear that.
    SVEINN
    Then what is it you want?
    VILJAR
    I want to smash him into a bloody pulp. I want to smash his fucking face in. For what he did to everyone. For what he did to Simon and Anders, and Torje, and you. I want to make him see what he's done.
    (beat)
    I just want to beat him.
    Finally:
    SVEINN
    Then maybe this is your chance.
    CUT TO:

INT. COURTROOM - DAY
    LIPPESTAD cross-examines the FAR-RIGHT EXTREMIST. BREIVIK watching closely.
    LIPPESTAD
    Have you ever met the Defendant?
    EXTREMIST
    I met him online.
    LIPPESTAD
    Online?
    EXTREMIST
    Yes, online. In chat forums, attached to mythic, military games like World of Warcraft. Call of Duty. It's a place to train, it's a place to share ideas.
    LIPPESTAD
    Recruit?
    EXTREMIST
    Of course.
    LIPPESTAD
    How did the defendant strike you?
    EXTREMIST
    He liked to lead missions online.
    LIPPESTAD
    Was he rational?
    EXTREMIST
    Perfectly.
    LIPPESTAD
    Was he a leader?
    EXTREMIST
    He certainly wanted to be.
    INGA stands, to begin the Prosecution's cross-examination.
    INGA
    Was Mr. Breivik your leader?
    EXTREMIST
    No he was not.
    INGA
    You wouldn't follow Mr. Breivik?
    EXTREMIST
    I think others are better qualified than him.
    See BREIVIK.
    INGA
    Better than Mr. Breivik?
    EXTREMIST
    Definitely.
    INGA
    Would they be capable of doing what Anders Behring Breivik did?
    EXTREMIST
    The Alt-Right. The Far-Right. Whatever you want to call us. We're deadly serious. About seizing power. About changing society completely. And a single man's violent acts won't help us to reach that goal.
    See BREIVIK watching intently. CUT TO:

INT. COURTHOUSE - HOLDING ROOM - CONTINUOUS
    LIPPESTAD sitting. BREIVIK pacing.
    BREIVIK
    He's a coward. He's a fucking coward.
    CUT TO:

INT. COURTHOUSE - CORRIDOR TO HOLDING ROOM - EARLIER
    BREIVIK is led by GUARDS into the holding room. LIPPESTAD waits for him inside.
    BREIVIK
    To betray me like that. You never betray a brother. Never.
    The door closes. CUT TO:

INT. COURTHOUSE - HOLDING ROOM - CONTINUOUS
    BREIVIK
    There are millions of people out there who support me. And this is the best you can do?
    LIPPESTAD
    He was the only one.
    BREIVIK
    I'm a commander in the Knight's Templar Europe.
    (beat)
    What about my mother? She could say I was normal.
    LIPPESTAD
    She won't do it either.
    See BREIVIK. This lands.
    BREIVIK
    Pathetic. You know there's not once when I could rely on her. Not even once.
    LIPPESTAD
    Anders, there's not one single person who will agree to defend your actions.
    BREIVIK
    I don't need anyone.
    CUT TO:

EXT. SVALBARD - DAWN
    VILJAR walking up hill. One foot in front of the other. Behind him: the endless snows of Svalbard. CUT TO:

INT. COURTROOM - DAY 6 - SAME TIME
    LARA
    We were refugees. We were running from war. It took a long time for Norway to feel like home. And some people were suspicious of us. They were angry that we were even here.
    LIPPESTAD looks at BREIVIK. No reaction.
    LARA
    But my sister Bano, she really helped me. She told me that Norway, Norway's great. It could mean security for us, and freedom, and hope. And that exactly what I felt around the campfire on Utøya. The night before.
    (pauses)
    But the next day, when we were attacked - and when my sister died - I just lost all that...
    CUT TO:

INT. SVALBARD. VILJAR'S BEDROOM - SAME TIME
    VILJAR watches Lara's testimony on TV.
    LARA (V.O.)
    I just had to live in a world of pain and fear. And so much anger...
    CUT TO:

INT. COURTROOM - SAME TIME
    LARA
    And I-sorry...
    (holding back her tears)
    I've just been feeling so guilty. I just keep on wondering how did I live when she died? And how do I face my parents? And what do I say to my brother? And I just couldn't understand why anyone would want to kill us.
    (beat)
    I don't understand what's so frightening about me.
    See BREIVIK, no reaction.
    LARA
    Thank you.
    FAMILY LAWYER
    Thank you Lara.
    CUT TO:

EXT. SVALBARD - VILJAR'S HOME - DAWN
    SVEINN and CHRISTIN head out to the car. CUT TO:

INT. SVALBARD - VILJAR'S HOME - CONTINUOUS
    VILJAR stands alone. Coat on. Comes out into hallway. TORJE comes out too.
    VILJAR
    You OK?
    TORJE
    Yeah, I'm fine.
    They head outside. CUT TO:

EXT. SVALBARD - VILJAR'S HOME - CONTINOUS
    Their car drives away from the house.

INT. ILA PRISON - BREIVIK'S CELL - NIGHT
    BREIVIK sits alone. Track in on him. Feel his malignant force.

INT. OSLO HOTEL - VILJAR'S ROOM - NIGHT
    VILJAR in a hotel room. Oslo stretching out below him. He pulls out his phone.

EXT. OSLO SQUARE - NIGHT
    VILJAR approaches a cafe. Looks inside. Sees LARA. LARA sees him. LATER: And now they're walking along a street.
    LARA
    You OK?
    VILJAR
    Yeah, I'll be fine.
    LARA
    It's nearly over.
    VILJAR
    (covering)
    Definitely.
    (beat)
    Look. I'm sorry I got lost. The last few months. I just...
    LARA
    It's OK. So did I.
    They walk on.
    VILJAR
    How close is he? I couldn't tell from the TV.
    LARA
    (holds her hands apart)
    He's really close.
    See VILJAR.
    LARA
    You don't have to look at him, if you don't want to.
    (beat)
    Do you know what you're going to say?
    VILJAR
    I've tried to think of things, but I get confused. I just don't want to be weak. That's all. Not in front of him.
    LARA
    You can be weak and still strong, you know that right.
    See VILJAR. They hug.
    LARA
    You're going to be great.
    VILJAR
    Thanks.
    LARA
    I should get back. See you tomorrow.
    VILJAR
    See you tomorrow.
    VILJAR watches her walk away. CUT TO:

INT. BREIVIK CELL - DAWN
    BREIVIK gets dressed. CUT TO:

INT. OSLO HOTEL - VILJAR'S ROOM - DAWN
    VILJAR inserts his prosthetic eye. Looks at his reflection. His scars. It's time. CUT TO:

INT. BREIVIK CELL - DAWN
    The cell door opens. BREIVIK is cuffed. CUT TO:

INT. OSLO HOTEL - VILJAR'S ROOM - DAWN
    VILJAR looks out over Oslo. CUT TO:

EXT. COURTHOUSE - MORNING
    BREIVIK's convoy arrives at the courthouse. Passes an ANGRY CROWD. CUT TO:

EXT. COURTHOUSE - MORNING
    VILJAR AND FAMILY, on foot, arrive outside the courthouse. Moving through the CROWDS. Up the steps. See VILJAR, trying to keep his breathing steady. Goes inside. CUT TO:

INT. COURTROOM - CONTINUOUS
    LIPPESTAD prepares for the session. CUT TO:

INT. COURTHOUSE - UNDERGROUND CARPARK/BASEMENT - DAY
    BREIVIK moves towards the courtroom. CUT TO:

INT. COURTHOUSE - LOBBY - CONTINUOUS
    The FAMILY through the atrium. Wait outside the courtroom. VILJAR paces the lobby alone. TORJE goes over to him.
    TORJE
    You OK?
    VILJAR
    I'm fine.
    TORJE hugs him.
    TORJE
    (whispers)
    Thank you.
    A moment between them. CUT TO:

INT. COURTROOM - MOMENTS LATER
    BREIVIK is led in. See LARA. See CHRISTIN, SVEINN, and TORJE. The courtroom settles. VILJAR enters. He walks to the witness stand. Concentrating on keeping his breathing steady. His PARENTS watching. LARA too.
    JUDGE ARTNZEN
    Please, sit down Viljar.
    VILJAR sits. Looks up at BREIVIK. Who's looking right at him. VILJAR looks away.
    FAMILY LAWYER
    Can you tell us what happened to you on Utøya, Viljar?
    VILJAR
    Yes.
    (begins to remember)
    He tried to... He tried to kill me. I remember seeing him. And running away. Trying to find somewhere to hide. And protecting my little brother. And I remember being shot.
    (using his right hand)
    Five times. When I was lying on the beach. I was... all alone. In a kind of pain I couldn't imagine.
    BREIVIK looks up momentarily. Catches VILJAR's eye.
    FAMILY LAWYER
    But you're here now.
    VILJAR steels himself, keeping his emotion at bay.
    VILJAR
    But everything is different. I've had to relearn how to use my body. Learn to walk again, how to feed myself again. I have little use of my left arm. And I'm blind in one eye - but that's... that's a relief.
    PROSECUTION
    A relief? How do you mean?
    VILJAR
    A relief. A relief in that at least now I don't have to look at him.
    Sudden laughter. Breaking the spell. BREIVIK looks around the room. Sees EVERYONE laughing. Can't help but smile himself. And VILJAR sees it. Knows he's got through. LIPPESTAD sees too.
    VILJAR
    But of course it's not that simple, I have a fragment of his bullet lodged in my brain, that could kill me at any time.
    His voice falters.
    VILJAR
    And I don't look like the person I used to anymore. My body. It's broken... And the worst is that he...
    (begins to cry)
    Killed Anders and Simon. My best friends. Stopping them from making their mark on the world. They would have made it a better place. And I miss them every day.
    VILJAR stops, swallowing back his pain, trying to keep control. Head down. EVERYONE watching him.
    VILJAR
    I'm sorry, I didn't want to cry. I so much didn't want to cry in front of him. I wanted to stay strong. Because I do this for them. So they will not be forgotten.
    VILJAR looks right at BREIVIK. Tears, but an unwavering stare.
    VILJAR
    When he shot them and left me alone on the beach, I didn't know if I was living or dying. And I've been stuck there ever since.
    On BREIVIK, looking right back at him.
    VILJAR
    But now I realise that I got a choice. Because I still have family. And friends. And memories. And dreams. Hope. And love.
    (beat)
    And he doesn't. He's completely alone. And he's going to rot in prison, whereas I...
    (beat)
    I survived and I choose to live.
    And at that moment, BREIVIK looks away. And VILJAR sees it. VILJAR knows he's won and BREIVIK knows it too.
    VILJAR
    (to the JUDGE)
    I'm done.
    JUDGE
    Thank you Viljar.
    CUT TO:

INT. COURTHOUSE - ATRIUM - LATER
    VILJAR is reunited with his FAMILY.
    SVEINN
    Let's go home.
    They leave together. CUT TO:

INT. MOD - PM'S OFFICE - DAY
    PM alone, reading through the 22nd July Inquiry Report. The weight of it written into his face. He stands. Looks out the window. Oslo beyond. CUT TO:

INT. MOD - MEETING ROOM - CONTINUOUS
    BEREAVED PARENTS sit waiting. The PM arrives. Hugs them.
    PRIME MINISTER
    Hi.
    (tearful)
    It's good to see you.
    The PM sits amongst them.
    PRIME MINISTER
    Thank you for meeting me. First of all, I want to say, I'm sorry.
    His voice breaks.
    PRIME MINISTER
    We should have done better. I should have done better.
    For a moment there is silence.
    MOTHER
    We all think that the responsibility lies with the terrorist. Only him. Not you.
    See the PM, stunned by her grace.
    JUDGE ARTNZEN (V.O.)
    The verdict is unanimous...
    CUT TO:

INT. COURTROOM - VERDICT - DAY
    BREIVIK standing.
    JUDGE ARTNZEN
    ... The conclusion is as follows. The court finds Anders Behring Breivik guilty of all charges. And we judge him accountable for his actions. Anders Behring Breivik is therefore sentenced to indefinite solitary confinement. For as long as he remains a threat to society.
    LIPPESTAD looks across at his colleagues. INGA and SVEINN for the Prosecution. FAMILY LAWYER for the families. And at the JUDGE. Knows they all played their roles, to ensure the system prevailed. CUT TO:

EXT. ILA PRISON - DAY
    LIPPESTAD drives to prison. CUT TO:

INT. ILA PRISON - CORRIDOR / HOLDING ROOM - CONTINUOUS
    LIPPESTAD is led through the prison by a GUARD. Into the holding room. He and BREIVIK meet for the last time.
    LIPPESTAD
    So now the trial is complete. Please sign here. Just some formalities. Thank you.
    BREIVIK
    Do you think you will you visit me?
    LIPPESTAD
    I don't think so, Anders.
    BREIVIK
    So we're done.
    LIPPESTAD
    Yes. My job is finished.
    BREIVIK holds out his hand. LIPPESTAD doesn't take it. As stands and he reaches the door:
    BREIVIK
    Geir? I'd do it all again if I could.
    LIPPESTAD stops. Turns to face him.
    LIPPESTAD
    You didn't win, Anders. You failed.
    BREIVIK
    (beat and then)
    There will be others. To finish what I have started.
    LIPPESTAD
    We will beat you. My children, and their children. They will beat you.
    BREIVIK
    You can't even see us.
    LIPPESTAD
    Goodbye, Anders.
    LIPPESTAD leaves. BREIVIK sits for a moment and then stands to be taken away by a GUARD.

EXT. ILA PRISON - CONTINUOUS
    LIPPESTAD exits the prison. Out into the sunshine.

INT. ILA PRISON - CORRIDOR / CELL - DAY
    BREIVIK is led down the corridor by the GUARDS. CUT TO:

EXT. ILA PRISON - CONTINUOUS
    LIPPESTAD walks away. CUT TO:

INT. ILA PRISON - BREIVIK'S CELL/CORRIDOR - DAY
    As BREIVIK is unchained and put into his cell. The door closes. CUT TO:

EXT. SVALBARD - DAY
    Tight on VILJAR. Standing alone in the snowy wilderness.
    END

Summary: On July 22, 2011, Anders Behring Breivik dresses in a police uniform, loads a van with home-made explosives, and drives to Regjeringskvartalet, the executive government quarter in Oslo, Norway. He leaves the van outside the office of Prime Minister Jens Stoltenberg. Moments later, it explodes, causing several casualties. On the island of Utøya in Tyrifjorden, Buskerud, teenagers have arrived for Workers' Youth League (AUF) summer camp, organised by the ruling Labour Party. When they learn of the bombing, one student, Viljar Hanssen, calls his parents to make sure they are unhurt. Breivik arrives at the ferry landing and informs staff that he is a police officer, sent to secure the island following the attack in Oslo. The camp director transports him to the island by boat. Breivik instructs the staff to gather the children in one location. When the head of security asks for ID, Breivik shoots him and the director dead. The children flee as Breivik opens fire, murdering dozens. Viljar and his brother Torje hide on a rocky embankment on the beach. Viljar calls his mother to tell her a shooting is in progress. Breivik finds the group and starts shooting. Viljar is shot multiple times, but Torje escapes unharmed. Breivik surrenders to a tactical team, and is brought inland for interrogation. Breivik claims he is the leader of a white nationalist group called the Knights Templar and that more attacks will happen on his signal. He requests the aid of lawyer Geir Lippestad, who defended a Neo-Nazi. Lippestad is morally conscientious of his client and professionally bonded by his ethics as a lawyer. Lippestad tries to argue an insanity defense for Breivik, which draws criticism as it means he will be institutionalized instead of imprisoned. With the help of various psychiatrists and psychologists, Breivik is initially diagnosed with paranoid schizophrenia. Breivik tells Lippestad he wants to be declared competent to legitimize his attacks. Viljar wakes from a coma with life-changing injuries and returns home with his family. He learns to walk again, but is haunted by memories of the attack. With the support of his mother, and another survivor of the attack on Utøya, he appears in court as a witness and delivers an account of the massacre. Breivik is sentenced to 21 years, that can be extended by a court if it is deemed he is still a danger to society.