10 Matching Annotations
  1. Oct 2020
    1. Clicking through to the photo, there is no mention of this image appearing on this important announcement. Perhaps the author privately contact the photographer about using his image. Since Ken Doctor is so incredible with his media experience (i’m being serious), I’m fairly certain someone from his team would have contacted the photographer to give him a heads up.

      I'm sure I've said it before, but I maintain that if the source of the article and the target both supported the Webmention spec, then when a piece used an image (or really any other type of media, including text) with a link, then the original source (any website, or Flickr in this case) would get a notification and could show—if they chose—the use of that media so that others in the future could see how popular (or not) these types of media are.

      Has anyone in the IndieWeb community got examples of this type of attribution showing on media on their own websites? Perhaps Jeremy Keith or Kevin Marks who are photographers and long time Flickr users?

      Incidentally I've also mentioned using this notification method in the past as a means of decentralizing the journal publishing industry as part of a peer-review, citation, and preprint server set up. It also could be used as part of a citation workflow in the sense of Maria Popova and Tina Roth Eisenberg's Curator's Code<sup>[1]</sup>set up, which could also benefit greatly now with Webmention support.

    1. and serve as pre-prints to work that may live later on, or always exist in their current format

      Thinking of a personal site as a pre-print server is an interesting concept and somewhat similar to the idea of a commonplace book.

    1. Senior colleagues indicate that I should not have to balance out publishing in “traditional, peer-reviewed publications” as well as open, online spaces.

      Do your colleagues who read your work, annotate it, and comment on it not count as peer-review?

      Am I wasting my time by annotating all of this? :) (I don't think so...)

    2. academia is built on the premise (IMHO) of getting a good idea, parlaying that into a job and tenure, and waiting for death. I’ve had a lot of colleagues and acquaintances ask why I would bother blogging. Ask why I share all of this content online. Ask why I’m not afraid that someone is going to steal my ideas.

      Though all too true, this is just a painful statement for me. The entirety of our modern world is contingent upon the creation of ideas, their improvement and evolution, and their spreading. In an academic world where attribution of ideas is paramount, why wouldn't one publish quickly and immediately on one's own site (or anywhere else they might for that matter keeping in mind that it's almost trivially easy to self-publish it on one's own website nearly instantaneously)?

      Early areas of science were held back by the need to communicate by handwriting letters as the primary means of communication. Books eventually came, but the research involved and even the printing process could take decades. Now the primary means of science communication is via large (often corporate owned) journals, but even this process may take a year or more of research and then a year or more to publish and get the idea out. Why not write the ideas up and put them out on your own website and collect more immediate collaborators? Funding is already in such a sorry state that generally, even an idea alone, will not get the ball rolling.

      I'm reminded of the gospel song "This little light of mine" whose popular lyrics include: "Hide it under a bushel? No! / I'm gonna let it shine" and "Don't let Satan blow it out, / I'm gonna let it shine"

      I'm starting to worry that academia in conjunction with large corporate publishing interests are acting the role of Satan in the song which could easily be applied to ideas as well as to my little light.


      [also on boffosocko.com]

  2. Nov 2018
    1. I have published a more extensive bibliography on the website for this book, http://www.twitterandteargas.com.

      I wish more books did this...

    2. The author has made an online version of this work available under a Creative Commons Attribution-Noncommercial-ShareAlike 4.0 International Public License. It can be accessed through the author’s website at http://www.twitterandteargas.com.

      A great example of academic samizdat on Zeynep Tufekci's part.

      The free creative commons version is available in the footer link at https://www.twitterandteargas.org/

    1. Some news: there will be a free creative commons copy of my book. It will be available as a free PDF download in addition to being sold as a bound book. This is with the hopes that anyone who wants to read it can do so without worrying about the cost. However, this also means that I need to ask that a few people who can afford to do so to please consider purchasing a copy. This is not just so that Yale University Press can do this for more authors, but also because if it is not sold (at least a little bit!) in the initial few weeks, bookstores will not stock it and online algorithms will show it to fewer people. No sales will mean less visibility, and less incentive for publishers to allow other authors creative commons copies. 

      An excellent example of academic samizdat

  3. Jun 2018
  4. May 2018
    1. As an academic, I need to regularly have empirical research publications in top-tier, peer-reviewed journals. Nothing else matters. Many senior colleagues bemoan the fact that I need to play double duty…yet the system still exists.

      And why can't your own blog count as a top-tier, peer-reviewed journal?
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