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Mark Hunter (Slater), a high school student in a sleepy suburb of Phoenix, Arizona, starts an FM pirate radio station that broadcasts from the basement of his parents' house. Mark is a loner, an outsider, whose only outlet for his teenage angst and aggression is his unauthorized radio station. His pirate station's theme song is "Everybody Knows" by Leonard Cohen and there are glimpses of cassettes by such alternative musicians as The Jesus and Mary Chain, Camper Van Beethoven, Primal Scream, Soundgarden, Ice-T, Bad Brains, Concrete Blonde, Henry Rollins, and The Pixies. By day, Mark is seen as a loner, hardly talking to anyone around him; by night, he expresses his outsider views about what is wrong with American society. When he speaks his mind about what is going on at his school and in the community, more and more of his fellow students tune in to hear his show.
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Nobody knows the true identity of "Hard Harry" or "Happy Harry Hard-on," as Mark refers to himself, until Nora Diniro (Mathis), a fellow student, tracks him down and confronts him the day after a student named Malcolm commits suicide after Harry attempts to reason with him. The radio show becomes increasingly popular and influential after Harry confronts the suicide head-on, exhorting his listeners to do something about their problems instead of surrendering to them through suicideâat the crescendo of his yelled speech, an overachieving student named Paige Woodward (who has been a constant listener) jams her various medals and accolades into a microwave and turns it on. She then sits, watching the awards cook until the microwave explodes, injuring her. While this is happening, other students act out in cathartic release.
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Eventually, the radio show causes so much trouble in the community that the FCC is called in to investigate. During the fracas, it is revealed that the school's principal (Annie Ross) has been expelling "problem students," namely, students with below-average standardized test scores, in an effort to boost the district's test scores while still keeping their names on the rolls (a criminal offense) in order to retain government funding.
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Realizing he has started something huge, Mark decides it is up to him to end it. He dismantles his radio station and attaches it to his mother's old jeep, creating a mobile transmitter so his position can't be triangulated. Pursued by the police and the FCC, Nora drives the jeep around while Mark broadcasts. The harmonizer he uses to disguise his voice breaks, and with no time left to fix it, Mark decides to broadcast his final message as himself. They finally drive up to the crowd of protesting students, and Mark tells them that the world belongs to them and that they should make their own future. The police step in and arrest Mark and Nora. As they are taken away, Mark reminds the students to "talk hard." As the film ends, the voices of other students (and even one of the teachers) speak as intros for their own independent stations, which can be heard broadcasting across the country.
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Maskull, a man longing for adventures, accepts an invitation from Krag, an acquaintance of his friend Nightspore, to travel to Tormance after a seance. The three set off in a crystal ship from an abandoned observatory in Scotland but Maskull awakens to find himself alone on Tormance. In every land he passes through he usually meets only one or two persons; these meetings often (though not always) end in the death of those he meets, either at his own hand or by that of another. He learns of his own impending death, meets Krag again, and dies shortly after learning that he is in fact Nightspore himself. The book concludes with a final revelation from Krag (who claims to be known on Earth as "Pain") to Nightspore about the origin of the Universe. The author turns out to support a variation of the doctrine of the Demiurge, somewhat similar to that propounded by some Gnostics.
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All of the characters and lands are types used to convey the author's critique of several philosophical systems. On Tormance, most such viewpoints or ways of life are accompanied by corresponding new bodily sense organs or modifications of the same, thus each distinct Weltanschauung landscape has its corresponding sensorium.
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The story follows its title heroine, from childhood to confirmation. After her mother's death, Lisbeth (given the nickname Longskirt, or Sidsærk in the original Norwegian, because of her much too-long skirt, a Christmas present given her by her brother) as she moves from her original home at New Ridge farm (called "Peerout Castle" for its fine view of the valley), to Hoel farm, one of the central farms of the area. Her brother, Jacob, also goes to Nordrum farm to become a herdsman there. At Hoel, Lisbeth is cared for by Kjersti Hoel, the farm's owner, who has made a promise to Lisbeth's mother before she died. Lisbeth works with livestock both at the farm, and at the seter (sæter in the book's transliteration), a mountain pasture used during the summertime. At the seter, Lisbeth meets two other herdsmen from neighboring farms, and spends the summer with them, getting to know them as she grows up.
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The content of the book concerns the difficult conditions of the work of the country children who had to eke out a poor existence far away from their parents. In spite of this account of their hard lot an optimistic kind of portrayal is predominant.
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Frankie Ryan works as a page boy at a radio station located in Hollywood. His friend Jeff works in the same place, but as a porter. Their real dream is to perform as radio comedians on the air, with their own show. Unfortunately they haven't convinced anyone about their great sense of humor yet. When they try to help the station receptionist, Anne Mason, by setting up a false audition for the position as singer, they are almost fired for their antics.
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The station has financial problems related to their current moody singer Rita Wilson, and try to find a way to get rid of her. Their prayers are heard when Rita is shot and killed during a blackout when she is rehearsing for a broadcast.
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Police detectives Marty Phillips and Delaney arrive at the scene, and even though they haven't found the murder weapon, they start suspecting a wannabe cowboy singer, Tex Barton, who tried to slip out the back door after the shooting. He was in the audience when Rita was rehearsing before the blackout.
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Station producer Farrell is afraid of being suspected as well, since he had an argument with Rita not long before the shooting. He asks Frankie, who overheard the discussion, to not tell the police about it. As a sign of gratitude, Farrell promises to give Anne a real audition for the position as singer, which is empty since Rita is gone.
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Frankie soon finds the weapon used to shoot Rita, hidden in a ventilator duct. It turns out the gun belongs to Tex, and has been used in a prior shooting by a woman named Gladys Wharton. When Frankie and Jeff audition for a comedy spot on air (with Frankie in blackface as a disguise), the police come looking for Tex. Later, Tex is found murdered in the office of the station owner.
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Frankie and Jeff decide to do a little investigation of their own, and search Tex's room to see if they can find anything. The only thing of interest is a picture of Anne, suggesting that her real name is Gladys. Anne is therefore suspected of the murder and arrested by the police. However, a while later she makes bail and is released.
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Frankie discovers from a radio station in Cheyenne that the shooter Gladys Wharton was a blonde woman who fell for one of her superiors and left her husband - Tex. Since Anne is a true brunette, Frankie concludes that Rita could be Gladys instead of Anne.
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When all the station executives are gathered in one room by the police, one of them, Van Martin, pulls out a gun and confesses to both crimes. When Jeff enters the room unannounced, he accidentally knocks the gun out of Van's hand and the police arrest him.
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The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives—Oscar Wilde's The Importance of Being Earnest—and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
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12—whose title is often mistakenly derived from the number of years it took to create the film (10 actually)—is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. The only exception is that Kitty's husband, Chris Baldry, is a British soldier fighting in France. While Kitty laments in the nursery, Margaret Grey arrives at the estate wishing to bear news to the two women. When Jenny and Kitty meet her, they are surprised to find a drab middle-aged woman. And even more to their shock, Margaret tells them that the War Office sent her, not Kitty and Jenny, notification of Chris's injury and return home. Kitty dismisses Margaret from the estate trying to deny that she could have been the recipient of such information.
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Soon after, another cousin of Jenny notifies the two women that he in fact has visited Chris and he is obsessing over Margaret, whom he had had a summer fling with fifteen years before. Soon after, Chris returns shell-shocked to the estate thinking he is still twenty years old, but finding himself in a strange world which had aged fifteen years beyond his memory. Trying to understand what is real for Chris, Jenny asks Chris to explain what he is feeling to be true. Chris tells her the story of a romantic summer on Monkey Island, where Chris at the age of twenty fell in love with Margaret, the daughter of the innkeeper on the island. The summer ends with a rash departure by Chris caused by a fit of jealousy.
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After Chris tells this story, Jenny travels to nearby Wealdstone to bring Margaret back to Chris and help him understand the difference between his remembered past and reality. She arrives at Margaret's dilapidated row-house to find her disheveled and taking care of her husband. After some conversation, Jenny convinces Margaret to return with her to the estate in order to help Chris. Upon Margaret's return, Chris recognizes her and becomes excited. Before returning to her home, Margaret explains that fifteen years have passed since their Monkey Island summer and that Chris is now married to Kitty. Chris acknowledges this passage of time intellectually but cannot retrieve his memories and still pines for Margaret.
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Margaret continues to visit, and Kitty and Jenny despair about Chris's loss of memory. Jenny and Kitty decide to consult Dr Gilbert Anderson, a psychoanalyst. Dr. Anderson arrives during one of Margaret's visits and questions the women, and with the help of Margaret decides on a course of treatment: Margaret must confront Chris with proof of his dead child. Margaret retrieves toys and some of the child's clothing, and confronts Chris with the truth. Finally, Chris regains his memory, Margaret departs and Kitty rejoices in the Chris's return to a state fit to be a soldier.
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The book is broken up into four parts. The first section, "Mrs Baines" details the adolescence of both Sophia and Constance, and their life in their father's shop and house (a combined property). The father is ill and bedridden, and the main adult in their life is Mrs Baines, their mother.
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By the end of the first book, Sophia (whose name reflects her sophistication, as opposed to the constant Constance) has eloped with a travelling salesman. Constance meanwhile marries Mr Povey, who works in the shop.
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The second part, "Constance", details the life of Constance from that point forward up until the time she is reunited with her sister in old age. Her life, although outwardly prosaic, is nevertheless filled with personal incident, including the death of her husband, Mr Povey, and her concerns about the character and behaviour of her son.
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The third part, "Sophia", carries forward the story of what happened to Sophia after her elopement. Abandoned by her husband in Paris, Sophia eventually becomes the owner of a successful pensione.
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The final part, "What Life Is", details how the two sisters are eventually reunited. Sophia returns to England and the house of her childhood, where Constance still lives.
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Mrs. Frisby is the widowed head of a family of field mice. Mrs. Frisby's son, Timothy, is ill with pneumonia just as the farmer Mr. Fitzgibbon begins preparation for spring plowing in the garden where the Frisby family lives. Normally she would move her family, but Timothy would not survive the cold trip to their summer home. Mrs. Frisby obtains medicine from her friend Mr. Ages, an older white mouse. On the return journey, she saves the life of Jeremy, a young crow, from Dragon, the farmer's cat - the same cat who had killed her husband, Jonathan. Jeremy suggests she seek help in moving Timothy from an owl who dwells in the forest. Jeremy flies Mrs. Frisby to the owl's tree, but the owl says he can't help until he finds out that she is the widow of Jonathan Frisby. He suggests that Mrs. Frisby seek help from the rats who live in a rosebush near her.
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Mrs. Frisby discovers the rats have a literate and mechanized society. They have technology such as elevators, have tapped the electricity grid to provide lighting and heating, and have acquired other human skills, such as storing food for the winter. Their leader, Nicodemus, tells Mrs. Frisby of the rats' capture by scientists working for a laboratory located at the National Institute of Mental Health (NIMH) and the subsequent experiments that the humans performed on the rats, which increased the rats' intelligence to the point of being able to read, write, and operate complicated machines, as well as enhancing their longevity and strength. This increased intelligence and strength allowed them to escape from the NIMH laboratories and migrate to their present location. Jonathan Frisby and Mr. Ages were the only two survivors of a group of eight mice who had been part of the experiments at NIMH, and made the rats' escape possible. Out of respect for Jonathan, the rats agree to move Mrs. Frisby's house to a location safe from the plow.
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Nicodemus also tells Mrs. Frisby about "The Plan", which is to abandon their lifestyle of dependence on humans, which some rats regard as theft, for a new, independent farming colony. One rat, Jenner, disagreed vehemently with The Plan and left the colony with a group of followers at some point prior to Mrs. Frisby's arrival.
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To move the Frisby home, the rats have to drug Dragon as it is too dangerous to work in the open without any place to hide. However, Mr. Ages has a broken leg and cannot dash to Dragon's bowl to put in the drug. Since the other rats are too big to fit into the hole in the wall to enter the house, Mrs. Frisby volunteers to go. Unfortunately, she is caught by the family's son, Billy, who puts her in a cage. While captured, Mrs. Frisby overhears the Fitzgibbons discussing an incident at a nearby hardware store in which a group of rats were electrocuted after seemingly attempting to steal a small motor. This has attracted the attention of a group of men (who never identify themselves) who have offered to exterminate the rat colony on Fitzgibbon's land free of charge for him.
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At night, Justin (one of the rats) comes to save Mrs. Frisby and manages to get her out of the cage. Mrs. Frisby warns Justin of what she learned while captured; they assume that the rats at the hardware store were all from Jenner's group and that the group of men were from NIMH and are looking for them specifically.
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The successful house move allows the mouse family to remain while Timothy recovers before moving to their summer home. Although the rats have not yet had time to move everything they needed for The Plan, they manage to destroy their underground rooms, and create the illusion that they are just regular rats by placing rubbish in the remaining rooms. As the others move, ten rats stay behind so the exterminators would not think the rat hole has been abandoned. When the exterminators fill the rat hole with poisonous gas, eight of the ten rats manage to escape, while two rats die in the hole. It is not revealed exactly who these two are.
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Once Timothy recovers, Mrs. Frisby and her family move to their summer home, and Martin makes plans to visit the rats when they return to their winter home again.
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The story begins in 1647 when King Charles I has been defeated in the civil war and has fled from London towards the New Forest. Parliamentary soldiers have been sent to search the forest and decide to burn Arnwood, the house of Colonel Beverley, a Cavalier officer killed at the Battle of Naseby. The four orphan children of the house, Edward, Humphrey, Alice and Edith, are believed to have died in the flames. However, they are saved by Jacob Armitage, a local verderer, who hides them in his isolated cottage and disguises them as his grandchildren.
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Under Armitage's guidance, the children adapt from an aristocratic lifestyle to that of simple foresters. After Armitage's death, Edward takes charge and the children develop and expand the farmstead, aided by the entrepreneurial spirit of the younger brother Humphrey. They are assisted by a gypsy boy, Pablo, who they rescue from a pitfall trap. A sub-plot involves a hostile Puritan gamekeeper named Corbould who seeks to harm Edward and his family. Edward also encounters the sympathetic Puritan, Heatherstone, placed in charge of the Royal land in the New Forest, and rescues his daughter, Patience, in a house-fire. Edward leaves the cottage and works as a secretary for Heatherstone, but Edward maintains the pretence that he is the grandson of Jacob Armitage.
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Edward eventually joins the army of the future King Charles II, but after the Royalist defeat at the Battle of Worcester, he returns to the New Forest where he learns that Heatherstone has been awarded the old Arnwood estate. Disillusioned by this, and by Patience's apparent rejection of his declarations of love, Edward flees to France. His sisters are sent away to be brought up as aristocratic ladies and his brother continues to live in the New Forest. Edward learns that Patience does, in fact, love him, and that Heatherstone had acquired the Arnwood estate for Edward, but he works as a mercenary soldier in exile until the Restoration when they are reunited.
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In the Australian Outback, a young boy named Cody rescues and befriends a rare giant eagle named Marahute, who shows him her nest and eggs. Later on, the boy unknowingly falls into an animal trap set by Percival C. McLeach, a local poacher wanted by the Australian Rangers. When McLeach finds one of the eagle's feathers on the boy's backpack, he is instantly overcome with excitement, for he knows that catching an eagle that size would make him rich because he had caught one before, which was Marahute's mate. McLeach throws Cody's backpack to a pack of crocodiles in order to trick the Rangers into thinking that Cody was dead, and kidnaps him in his attempt to force him to reveal the whereabouts of Marahute.
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A mouse, the bait in the trap, runs off to alert the Rescue Aid Society. A telegram is sent to the Rescue Aid Society headquarters in New York City, where Bernard and Miss Bianca, the RAS' elite field agents, are assigned to the mission, despite Bernard's attempts to propose marriage to Bianca. They go to find Orville the albatross who aided them previously, but instead find his brother Wilbur. Bernard and Bianca convince Wilbur to fly them to Australia to save Cody. In Australia, they meet Jake, a hopping mouse who is the RAS' local regional operative. Jake becomes infatuated with Bianca and starts flirting with her, despite Bernard's chagrin. He serves as their "tour guide" and protector in search of the missing boy.
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At the same time, Wilbur is immobilized when his spinal column is bent out of its natural shape, convincing Jake to send him to a nearby hospital run by mice. Wilbur, terrified of the surgical equipment the doctor intends to use (including a chainsaw), refuses to undergo surgery and is forced to flee. His back is unintentionally straightened by the efforts of the mouse medical staff preventing him from escaping through a window. Cured, Wilbur departs in search of his friends. At McLeach's ranch, Cody has been thrown into the dungeon with several of McLeach's imprisoned animals for refusing to give up Marahute's whereabouts. Cody tries to free himself and the animals using various objects tied together with a hook on the end, but he is thwarted every time by Joanna, McLeach's pet goanna. Realizing that Marahute's eggs are Cody's weak spot, McLeach tricks Cody into thinking that Marahute has died, causing Cody to lead him straight to Marahute's nest.
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Bernard, Bianca, and Jake, knowing that Cody is about to fall for a trap, jump onto McLeach's Halftrack to follow him. At Marahute's nest, the three mice try to warn Cody that he has been followed; for just as they do, McLeach arrives and captures Marahute, along with Cody, Jake, and Bianca. Following McLeach's orders, Joanna tries to eat Marahute's eggs, but realizes they are actually egg-shaped rocks. Frightened that McLeach might be angry with her, Joanna drops the stones over the cliff instead. When she leaves, Bernard crawls out of the nest with the hidden eggs, grateful that Joanna fell for the trick. Just then, Wilbur arrives at the nest, whereupon Bernard convinces him to sit on the eagle's eggs, so that Bernard can go after McLeach. Enraged by Cody's interference, McLeach takes his captives to Crocodile Falls, where he ties Cody up and hangs him over a group of crocodiles in attempts to feed him to them. But Bernard, riding a wild razorback pig he had tamed using a horse whispering technique that Jake used on a snake earlier, follows and disables McLeach's vehicle.
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McLeach then tries to shoot the rope holding Cody above the water. To save Cody, Bernard tricks Joanna into crashing into McLeach, causing them to both fall into the water. This causes the crocodiles to turn their attention from Cody toward McLeach and Joanna, while behind them the badly damaged rope holding Cody breaks apart. McLeach fights and fends off the crocodiles, but although Joanna manages to reach the shoreline, McLeach is swept over the waterfall to his death. Bernard dives into the water to save Cody, but every time he fails. His actions, however, buy Jake and Bianca enough time to free Marahute so they can save both Cody and Bernard.
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Bernard, desperate to prevent any further incidents, proposes to Bianca, who eagerly and happily accepts while Jake salutes him with a newfound respect. All of them depart for Cody's home. Back at the nest, Marahute's eggs finally hatch, much to Wilbur's dismay.
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep-stealing couple. Once they have discovered and punished the thieves, the storyline switches to the familiar one of the three shepherds being told of the birth of Christ by an angel, and going to Bethlehem to offer the true Child gifts.
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At the start of the play, Coll, the first shepherd ("primus pastor") arrives in a field, invoking God in anachronistic terms (referring, as the shepherds will do throughout the play, to the life and death of Christ even though at this point of the play Christ has not yet been born) complaining about the (typically English) cold weather and about his poverty and the arrogance of local gentry. He begins by saying, "Lord, what these weders are cold! And I am ill happyed" which translates as "God, the weather is cold and I am ill prepared/clothed." Gib, the second shepherd, arrives without seeing Coll and complains first about the weather and then about the plight of married men, himself included, with bawdy speculation about the lives of men with more than one wife and advice to "young men of wooing" to "Be well war of weding" (wary of marriage). He paints a portrait of his wife as a loud, heavy-drinking, alternately abusive and sentimentally pious, whale-sized woman. "By him that died for us all, I would I had run til I had lost her!" at which point he is startled by Coll. They confer about where Daw, a third, young, lazy and mischievous, shepherd, has gotten to, at which point Daw arrives complaining about employers, hunger, and about recent floods which he compares to Noah's flood.
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Mak, a local good-for-nothing and well-known thief, arrives and pretends to be a yeoman from a lord. Although they recognize him from the start, he insults and threatens them by saying that he will have them flogged. When they threaten him, he pretends not to have known who they were. Mak tries to gain sympathy from the shepherds by explaining how his wife is a lazy drunk who gives birth to too many children. Invoking Christ and Pontius Pilate, Mak agrees to camp with the shepherds, and feigns to lie down among them. However, once they have fallen asleep he casts a spell to make sure they will not wake up and then sneaks off to steal one of their sheep. He heads back to his cottage and trades insults with Gill, his wife, who firmly believes that Mak will be hanged for the theft and comes up with a plan for hiding the sheep - she will put it in an empty cradle and pretend that it is her newborn child, and that she is loudly, painfully in labor with its twin, so that the shepherds will quickly give up any search.
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Mak sneaks back among the shepherds and pretends to awaken along with them. They head off to take account of their sheep while Mak heads home to prepare. With despair at their catastrophic ill fortune, the shepherds realize a sheep is missing and go to search Mak's house. They are initially fooled by Mak and Gill's ruse despite Gill going so far as to say that if she's lying she'll eat the child in her cradle (as she indeed plans to). The shepherds leave defeated, but realize that they have failed to bring any gifts to the "baby", and go back. When they remove the swaddling clothes they recognize their sheep, but decide not to kill Mak but instead roll him in canvas and throw him up and down, punishing him until they are exhausted.
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When they have left Mak's cottage, the biblical story proper begins - the Angel appears and tells them to go to "Bedlam" (Bethlehem) to see the Christ child. They wonder at the event, chastising each other for their collective delay, and then go to the manger where Mary (Mother of Jesus) welcomes them and receives their praise for her mildness. They each address the Child in turn, beginning by praising His authority and His creation of all things in tones of reverence and awe, but each comically shifting mid-speech to cooing, gushing baby talk, since they are addressing an adorable baby, who Coll, Gib, and Daw respectively give "a bob of cherries," a bird, and a ball ("Have and play thee withal, and go to the tennis!") The shepherds rejoice at their salvation, all thoughts of hardship and complaint vanished, and leave singing in unison.
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On Saturday, March 24, 1984, five students report at 7:00Â a.m. for all-day detention at Shermer High School in Shermer, Illinois. While not complete strangers, each of them comes from a different clique, and they seem to have nothing in common: the beautiful and pampered Claire Standish, the state champion wrestler Andrew Clarke, the bookish Brian Johnson, the reclusive outcast Allison Reynolds, and the rebellious delinquent John Bender.
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They gather in the high school library, where assistant principal Richard Vernon instructs them not to speak, move from their seats, or sleep until they are released at 4:00Â p.m. He assigns them a 1,000-word essay, in which each must describe "who you think you are." He then leaves, returning only occasionally to check on them. John, who has a particularly antagonistic relationship with Vernon, ignores the rules and frequently riles up the other students, teasing Brian and Andrew and harassing Claire. Allison is initially quiet, except for an occasional random outburst. Over the course of the day, Vernon gives John several weekends' worth of additional detention and even locks him in a storage closet, but he escapes and returns to the library.
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The students pass the hours by talking, arguing, and, at one point, smoking cannabis that John retrieves from his locker. Gradually, they open up to each other and reveal their deepest personal secrets: Allison is a compulsive liar; Andrew cannot easily think for himself; John comes from an abusive household; Brian was planning to kill himself with a flare gun due to a bad grade; and Claire is a virgin who feels constant pressure from her friends. They also discover that they all have strained relationships with their parents: Allison's parents ignore her due to their own problems; Andrew's father constantly criticizes his efforts at wrestling and pushes him as hard as possible; John's father verbally and physically abuses him; Brian's overbearing parents put immense pressure on him to earn high grades; and Claire's parents use her to get back at each other during frequent arguments. The students realize that, even with their differences, they face similar pressures and complications in their lives.
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Despite their differences in social status, the group begins to form friendships (and even romantic relationships) as the day progresses. Claire gives Allison a makeover, to reveal just how pretty she really is, which sparks romantic interest in Andrew. Claire decides to break her "pristine" virgin appearance by kissing John in the closet and giving him a hickey. Although they suspect that the relationships will end with the end of their detention, their mutual experiences will change the way they look at their peers afterwards.
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As the detention nears its end, the group requests that Brian complete the essay for everyone and John returns to the storage closet to fool Vernon into thinking he has not left. Brian writes the essay and leaves it in the library for Vernon to read after they leave. As the students part ways outside the school, Allison and Andrew kiss, as do Claire and John. Allison rips Andrew's state champion patch from his letterman jacket to keep, and Claire gives John one of her diamond earrings, which he attaches to his earlobe. Vernon reads the essay (read by Brian in voice-over), in which Brian states that Vernon has already judged who they are, using simple definitions and stereotypes. One by one, the five students' voices add, "But what we found out is that each one of us is a brain, and an athlete, and a basket case, a princess, and a criminal." Brian signs the letter as "The Breakfast Club." John raises his fist in triumph as he walks across the school football field toward home.
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In 1996, psychopathic career criminal Simon Phoenix kidnaps a number of hostages and takes refuge with his gang in an abandoned building. LAPD Sgt. John Spartan uses a thermal scan of the building and finds no trace of the hostages, and leads an unauthorized assault to capture Phoenix. When he is captured, Phoenix sets off a series of explosives that bring down the building, and when the police search the wreckage, they find the corpses of the hostages. Spartan is charged with manslaughter, and he is incarcerated along with Phoenix in the city's new "California Cryo-Penitentiary", where they will be cryogenically frozen. During their time "in deep freeze", they are to be rehabilitated through subconscious conditioning.
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During their incarceration, the "Great Earthquake" leads the cities of Los Angeles, San Diego, and Santa Barbara to merge into a single metropolis under the name San Angeles. The city becomes a utopia run under the pseudo-pacifist guidance and control of the evangelistic Dr. Raymond Cocteau, where human behavior is tightly controlled. In 2032, Phoenix is woken for a parole hearing, but he finds he somehow knows the access codes to the security systems, and is able to escape the prison and begins wreaking havoc on the city. The police, having not dealt with violent crime for many years, are unable to handle Phoenix and opt to wake Spartan and enlist his help. Spartan is assigned to Lieutenant Lenina Huxley to help with acclimation to the future, which he finds depressing. Others on the police force find his behavior brutish and uncivilized, though Huxley, who is fascinated by the lifestyles of the late 20th century, helps Spartan to overcome this, and the two grow close, despite the limitations on displays of public affection.
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They attempt to stop Phoenix from stealing 20th century weapons from a museum display, but Phoenix manages to escape. Phoenix encounters Dr. Cocteau during his escape, and though he tries to shoot him, finds himself unable to do so. Dr. Cocteau calmly asks Phoenix to assassinate Edgar Friendly, the leader of the resistance group called the Scraps that fight against Cocteau's rule, and allows Phoenix to bring other criminals out of cryo-sleep to help at his request. Meanwhile, Spartan and Huxley review the cryo-prison records and find that instead of the normal rehabilitation program, Phoenix had been given the information necessary for his escape by Cocteau directly. They also discover information directing Phoenix towards Friendly, and go off to warn him.
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At the Scraps' underground base, Friendly is initially distrustful but Spartan is able to convince him of the threat and takes sympathy in their cause given what he has seen above ground. When Phoenix and his gang attack, Spartan and the Scraps ward off the attack, leading to a car chase between Spartan and Phoenix. During the chase, Phoenix taunts Spartan by revealing that he had killed the hostages before Spartan had arrived in 1996. Phoenix escapes while Spartan comes to terms that he had been wrongly charged with the crime. Meanwhile, Friendly and the Scraps work with the police to try to help stop Phoenix and his gang of cryo-cons.
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Phoenix returns to Dr. Cocteau with his gang, and as the rehabilitation programming prevents him from killing Cocteau, orders one of his gang to do so. Spartan and Huxley arrive soon after, finding that Phoenix has already left to release more prisoners. Spartan enters the prison alone to fight Phoenix, engages in a violent fight that ravages the facility, and eventually uses the cryogenic chemical to freeze Phoenix before shattering him. Spartan escapes the prison before it explodes and regroups with the police and the Scraps. The police fear the loss of Cocteau will send their society into a downward spiral, but Spartan suggests that they and the Scraps work together to recreate a society that returns some of the personal freedoms that were lost. He then kisses Huxley and the two go off together.
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The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's." In the late 19th century, the authors were part of a San Francisco radical literary group known as "The Crowd."
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Kempton makes the case for feeling and emotion, while Wace proceeds "scientifically" and analyzes love in Darwinian terms:
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“I purpose to order my affairs in a rational manner....Wherefore I marry Hester Stebbins. I am not impelled by the archaic sex madness of the beast, nor by the obsolescent romance madness of later-day man. I contract a tie which reason tells me is based upon health and sanity and compatibility. My intellect shall delight in that tie.”
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Initially the public was piqued by the anonymity of the writers and the book was moderately successful. London biographer Russ Kingman praised the book; he quoted the Buffalo Commercial as admiring the "sheer charm of its prose" and saying the book "holds firmly its place in the front rank of the best of the season's publications."
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The New York Times was less charitable. It opened its review with the terse line, "The sex problem again." It complained that "Nothing that the scientist says is new, nothing that the poet says is new. The thing has been thrashed out some millions of times... Nor does the unnamed author infuse into either Wace or Kempton anything to give human personality or appeal.... As a story [it] falls flat; as a discussion of a topic as old as interesting, as overworked."
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Joseph Noel says that George Sterling described London's portion of the book, as "a spiritual misprint, a typographical error half a volume long" and says "His vocabulary, in the letters of Herbert Wace, sounds as if taken that day from an encyclopedia by a conscientious sophomore."
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Biographers have been intrigued by The Kempton-Wace Letters for the light it seems to shed on Jack London's life and ideas. Strunsky was named as the co-respondent in Jack London's divorce from his first wife, Bessie, but biographers generally agree that his relation with the younger Strunsky was platonic. They were active in socialism and the literary group, "The Crowd", in San Francisco.
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In the novel, London expresses his theories about the "Mother-Woman" and the "Mate-Woman," roles which seem to correspond to the roles played by his first wife and his second. After London's death in 1916, Strunsky published a memoir in The Masses in 1917 about their relationship.
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In 1976, in South Africa during apartheid, Ben Du Toit (Donald Sutherland) is a South African school teacher at a school for whites only. One day the son of his gardener, Gordon Ngubene (Winston Ntshona), gets beaten by the white police and gets caught by the police during a peacefully demonstration for a better education policy for blacks in South Africa. Gordon asks Ben for help. After Ben refuses to help because of his trust in the police, Gordon gets caught by the police as well and is tortured. Against the will of his family, Ben tries to find out more about the disappearance of his gardener by himself. Seeing the weakness and helplessness of the blacks, he decides to bring this incident up before a court with Ian McKenzie (Marlon Brando) as lawyer but loses. Afterwards, he continues to act by himself and supports a small group of blacks to interview others to find out what happened to Gordon.
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The white police notices their intentions and detains some responsible persons. They continue and (to increase their safety) hide the information at Ben's house. Ben lets his son in on his plans. His son and his daughter both get to know the hiding spots, and after the police searched through Ben's house earlier, there is an explosion next to the hiding spot because the daughter betrayed it to the police though the son saved the documents. Gordon's wife, Emily (Thoko Ntshinga) and children are captured as well. Ben's wife and daughter leave. The daughter offers her father to get the documents to a safer place.
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They meet at a restaurant and Ben gives her the fake documents, which she delivers to the police man. Instead of giving her the documents, Ben gave her a book about art. At the end, Ben is run over by the police man. The policeman is shot by a black assistant of Ben in revenge.
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Two Bad Mice reflects Potter's deepening happiness in her professional and personal relationship with Norman Warne and her delight in trouncing the rigors and strictures of middle class domesticity. For all the destruction the mice wreak, it is miniaturized and thus more amusing than serious. Potter enjoyed developing a tale that gave her the vicarious thrill of the sort of improper behaviour she would never have entertained in real life.
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The tale begins with "once upon a time" and a description of a "very beautiful doll's-house" belonging to a doll called Lucinda and her cook-doll Jane. Jane never cooks because the doll's-house food is made of plaster and was "bought ready-made, in a box full of shavings". Though the food will not come off the plates, it is "extremely beautiful".
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One morning the dolls leave the nursery for a drive in their perambulator. No one is in the nursery when Tom Thumb and Hunca Munca, two mice living under the skirting board, peep out and cross the hearthrug to the doll's-house. They open the door, enter, and "squeak for joy" when they discover the dining table set for dinner. It is "all so convenient!" Tom Thumb discovers the food is plaster and loses his temper. The two smash every dish on the table — "bang, bang, smash, smash!" — and even try to burn one in the "red-hot crinkly paper fire" in the kitchen fireplace.
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Tom Thumb scurries up the sootless chimney while Hunca Munca empties the kitchen canisters of their red and blue beads. Tom Thumb takes the dolls' dresses from the chest of drawers and tosses them out the window while Hunca Munca pulls the feathers from the dolls' bolster. In the midst of her mischief, Hunca Munca remembers she needs a bolster and the two take the dolls' bolster to their mouse-hole. They carry off several small odds and ends from the doll's-house including a cradle, however a bird cage and bookcase will not fit through the mouse-hole. The nursery door suddenly opens and the dolls return in their perambulator.
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Lucinda and Jane are speechless when they behold the vandalism in their house. The little girl who owns the doll's-house gets a policeman doll and positions it at the front door, but her nurse is more practical and sets a mouse-trap. The narrator believes the mice are not "so very naughty after all": Tom Thumb pays for his crimes with a crooked sixpence placed in the doll's stocking on Christmas Eve and Hunca Munca atones for her hand in the destruction by sweeping the doll's-house every morning with her dust-pan and broom.
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Holden McNeil (Ben Affleck) and Banky Edwards (Jason Lee) are comic book artists and lifelong friends. Holden is the friendly, more mild-mannered half of the duo; Banky, meanwhile, is the loud and fiery half. Everything is going well for them until they meet fellow comic book artist Alyssa Jones (Joey Lauren Adams) at a comic book convention in New York City where they are promoting their comic Bluntman and Chronic. Holden is attracted to Alyssa, but soon learns that she is attracted to women. The two begin hanging out, and a deep friendship develops. Eventually, Holden is no longer able to contain his feelings, and confesses his love to Alyssa. She is initially angry with him, but that night, the two begin a romantic relationship.
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This new development worsens the tension between Holden and Banky, who hates and mistrusts Alyssa and is disturbed by her and Holden's relationship. Banky investigates and uncovers dirt on Alyssa's past, and he reports to Holden that Alyssa participated in a threesome with two guys during high school, which gave her the nickname "Finger Cuffs". Holden is deeply upset by this revelation, having previously believed that he is the first man Alyssa had ever slept with. He angrily confronts Alyssa while attending a hockey game, and clumsily attempts baiting her into confessing. During a tearful argument, she tells Holden about her "many" youthful sexual experimentations. She apologizes for letting him believe that he was the only man she had been with. However, she refuses to apologize for her past, and Holden leaves feeling disillusioned and furious.
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Later, during lunch with Jay and Silent Bob (Jason Mewes and Kevin Smith), Silent Bob reveals that he was once in a relationship similar to Holden's. Despite the fact that he was in love with his girlfriend, Amy, his neurosis about her adventurous sexual past caused him to sabotage the relationship and leave her. Angry at himself for letting her go, he has "spent every day since then chasing Amy, so to speak."
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Moved by Silent Bob's story, Holden devises a plan to fix both his relationship with Alyssa and his estranged friendship with Banky. He invites them both over and tells Alyssa that he would like to get over her past and remain her boyfriend. He also tells Banky that he realizes that Banky is in love with himâkissing him passionately to prove the point. Holden suggests a threesome. Though initially shocked, Banky agrees to participate, whereas Alyssa explains to Holden that it will not save their relationship. Before leaving, she states that she loves him, but she will not be his "whore." Banky also leaves the apartment, instantly ending their friendship.
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One year later, both Banky and Holden are busy promoting their own respective comics at a convention in New York. It is revealed that Holden has dissolved their partnership over Bluntman and Chronic, leaving the viewer with the assumption that he sold the publishing and creative rights over to Banky (which is corroborated in the beginning of Jay and Silent Bob Strike Back). Banky smiles sadly at seeing his old friend, who silently congratulates him for his success on his own comic. Banky gestures over to a booth hosted by Alyssa, and provides wordless encouragement to Holden to go talk to her. He has a brief, quietly emotional conversation with Alyssa, and gives her a copy of Chasing Amy, his new comic based on their failed relationship. After Holden leaves, Alyssa's new girlfriend (Virginia Smith) arrives and asks who she was talking to. A shaken, misty-eyed Alyssa feigns indifference and replies, "Oh, just some guy I knew."
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Dr Watson is called to tend Holmes, who is apparently dying of a rare disease contracted while he was on a case. Watson was shocked, having heard about his friend’s illness. Mrs. Hudson says that Holmes has neither eaten nor drunk anything in three days.
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Holmes instructs Watson not to come near him, because the illness is highly infectious. Although Watson wishes to examine Holmes himself or send for a specialist, Holmes demands that Watson wait several hours before seeking help. So, Watson is forced to wait, in extreme worry as Holmes mutters nonsense.
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While Watson waits, he examines several objects in Holmes’s room. Holmes grows angry when Watson touches items explaining that he does not like his things touched.
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At six o’clock, Holmes tells Watson to turn the gaslight on, but only half-full. He then instructs Watson to bring Mr Culverton Smith of 13 Lower Burke Street to see Holmes, but to make sure that Watson returns to Baker Street before Smith arrives.
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Watson goes to Smith's address. Although Smith refuses to see anyone, Watson forces his way in. Once Watson explains his errand on behalf of Sherlock Holmes, Smith's attitude changes drastically. Smith agrees to come to Baker Street within a half hour. Watson excuses himself, saying that he has another appointment, and returns to Baker Street before Smith's arrival.
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Believing that they are alone, Smith is frank with Holmes. It soon emerges, to the hiding Watson’s horror, that Holmes has been sickened by the same illness that killed Smith’s nephew Victor. Smith then sees the little ivory box, which he had sent to Holmes by post, and which contains a sharp spring infected with the illness. Smith pockets it, removing the evidence of his crime. He then resolves to stay there and watch Holmes die.
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Holmes asks Smith to turn the gas up full, which Smith does. Smith then asks Holmes if he would like anything else, to which Holmes replies — no longer in the voice of a man near death — "a match and a cigarette." Inspector Morton then enters — the full gaslight was the signal to move in. Holmes tells Morton to arrest Culverton Smith for the murder of his nephew, and perhaps also for the attempted murder of Sherlock Holmes. Smith, still as arrogant as ever, points out that his word is as good as Holmes’s in court, but Holmes then calls for Watson to emerge from behind the screen, to present himself as another witness to the conversation.
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Holmes was never really dying. His feigned illness was a ruse to induce Smith to confess to his nephew’s murder. Holmes was not infected by the little box; he has enough enemies to know that he must always examine his mail carefully before he opens it. Starving himself for three days,and the claim of the "disease's" infectious nature was to keep Watson from examining him and discovering the ruse.
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Mrs. Tittlemouse is a tale in which no humans play a part and one in which events are treated as though they have occurred since time immemorial and far from human observance. It is a simple story, and one likely to appeal to young children.
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Mrs. Tittlemouse is a "most terribly tidy little mouse always sweeping and dusting the soft sandy floors" in the "yards and yards" of passages and storerooms, nut-cellars, and seed-cellars in her "funny house" amongst the roots of a hedge. She has a kitchen, a parlour, a pantry, a larder, and a bedroom where she keeps her dust-pan and brush next to her little box bed. She tries to keep her house tidy, but insect intruders leave dirty footprints on the floors and all sorts of messes about the place.
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A beetle is shooed away, a ladybird is exorcised with "Fly away home! Your house is on fire!", and a spider inquiring after Miss Muffet is turned away with little ceremony. In a distant passage, Mrs. Tittlemouse meets Babbitty Bumble, a bumble bee who has taken up residence with three or four other bees in one of the empty storerooms. Mrs. Tittlemouse tries to pull out their nest but they buzz fiercely at her, and she retreats to deal with the matter after dinner.
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In her parlour, she finds her toad neighbour Mr. Jackson sitting before the fire in her rocking chair. Mr. Jackson lives in "a drain below the hedge, in a very dirty wet ditch". His coat tails drip with water and he leaves wet footmarks on Mrs. Tittlemouse's parlour floor. She follows him about with a mop and dish-cloth.
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Mrs. Tittlemouse allows Mr. Jackson to stay for dinner, but the food is not to his liking, and he rummages about the cupboard searching for the honey he can smell. He discovers a butterfly in the sugar bowl, but when he finds the bees, he makes a big mess pulling out their nest. Mrs. Tittlemouse fears she "shall go distracted" as a result of the turmoil and takes refuge in the nut-cellar. When she finally ventures forth, she discovers everybody has left but her house is a mess. She takes some moss, beeswax, and twigs to partly close up her front door to keep Mr. Jackson out. Exhausted, she goes to bed wondering if her house will ever be tidy again.
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The fastidious little mouse spends a fortnight spring cleaning. She rubs the furniture with beeswax and polishes her little tin spoons, then holds a party for five other little wood-mice wearing their Regency finery. Mr. Jackson attends but is forced to sit outside because Mrs. Tittlemouse has narrowed her door. He takes no offence at being excluded from the parlour. Acorn-cupfuls of honeydew are passed through the window to him and he toasts Mrs. Tittlemouse's good health.
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Andy Kaufman's (Jim Carrey) "foreign man" character appears in black and white, declaring that (due to massive editing), this is actually the end of the film, not the beginning. He plays a phonograph record alongside the credits before walking somberly off. Kaufman then comes back, and, in his normal voice, claiming he "had to get rid of the people who don't understand me, and don't want to try," he proceeds to show the story of his life on a film projector, starting with his childhood home in Great Neck, New York, circa 1957.
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Kaufman is a struggling performer whose act fails in nightclubs because, while the audience wants comedy, he sings children's songs and refuses to tell conventional jokes. As the audience begins to believe that Kaufman may have no real talent, his peculiar "foreign man" puts on a rhinestone jacket and does a dead-on Elvis impersonation and song. The audience bursts into applause, realizing Kaufman had tricked them.
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He catches the eye of talent agent George Shapiro (Danny DeVito), who signs Kaufman as a client and immediately lands him a network TV series, Taxi, much to Kaufman's dismay, since he dislikes sitcoms. Because of the money, visibility, and promise that he can do his own television special, Kaufman accepts the role on Taxi, turning his foreign man into a mechanic named Latka Gravas. He secretly hates doing the show, however, and expresses a desire to quit.
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Invited to catch a different act at a nightclub, Shapiro witnesses a performance from a rude, loud-mouthed lounge singer, Tony Clifton, whom Andy wants to guest-star on Taxi. Clifton's bad attitude is matched by his horrible appearance and demeanor. But backstage, when he meets Shapiro in person, Clifton takes off his sunglasses and reveals that he is actually Kaufman. Clifton is a "villain character" created by Kaufman and his creative partner, Bob Zmuda (Paul Giamatti). Once again, the gag is on the audience.
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Kaufman's fame increases with his Saturday Night Live appearances, but he has problems with his new-found fame. When he travels to college campuses, audiences dislike his strange sense of humor and demand that he perform as Latka, so he deliberately antagonizes them by reading The Great Gatsby aloud from start to finish. Kaufman shows up on the Taxi set as Clifton and proceeds to cause chaos until he is removed from the studio lot. He relates to Shapiro that he never knows exactly how to entertain an audience "short of faking my own death or setting the theater on fire."
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Kaufman decides to become a professional wrestlerâbut to emphasize the "villain" angle, he would wrestle only women (hired actresses) and then berate them after winning, declaring himself "Inter-Gender Wrestling Champion." He becomes smitten with one woman he wrestles, Lynne Margulies (Courtney Love), and they begin a romantic relationship.
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Problems arise when an appearance on a live TV comedy show, ABC's Fridays, turns into a fiasco when Kaufman refuses to speak his lines. Also, the wrestling Kaufman enjoys getting a rise out of the crowds and feuds publicly with Jerry Lawler, a professional male wrestler, who challenges Kaufman to a "real" wrestling match, which Kaufman accepts. Lawler easily overpowers and seriously injures Kaufman, resulting in the comedian wearing a neck brace. Lawler and an injured Kaufman appear on NBC's Late Night with David Letterman, theoretically to call a truce, but Lawler insults Kaufman, who throws a drink at the wrestler and spews a vicious tirade of epithets. It is later revealed, however, that Kaufman and Lawler were in fact good friends, and staged the entire feud, but despite this, Andy pays a price when he is banned from Saturday Night Live by a vote of audience members, weary of his wrestling antics. Shapiro advises Kaufman and Lawler not to work together again, and later calls Kaufman to inform him that Taxi has been canceled.
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