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Answer the following question the ebst you can about Brandon Sanderson's works and the Cosmere
Dalinar is my absolute favorite character in any book now. During previous AMA someone asked you about character’s mental health and you wrote that Dalinar has had PTSD, alcoholism and “a few other things”. Can you explain what these “other things” are?
All right, so with Dalinar, I wouldn't suggest looking for some broad categorization--like, I think there would be an instinct by some people to diagnose him with Antisocial PD during his youth. He certainly has some hallmarks (the lack of empathy, the aggression, and the and willingness to put responsibility for his actions onto someone else.) But I think more, with Dalinar, it wasn't some grand schema to diagnose--but a lot of little problems, like most of us have, that were unhealthy ways of seeing the world. Some of this relates to his mix of jealousy/devotion related to his brother, both of which emotions were unhealthy at times. But also his bloodlust in combat, which wasn't just the Thrill--but a real enjoyment of fighting, and a willingness to ignore consequences to others for that. These are still all issues he has, though he's worked through many--but the knowledge that losing control was so bad for him in the past has led him to what I'd call his current biggest challenge, which is the need to be in control at all times. (To the point that he doesn't completely trust others to see something get done, despite what he claims.)
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Epilogue - Part Two The discussion of Feruchemy and Allomancy working together is one of the most complicated magical explanations I've ever done, and I hope it works. One of the fun things about my books are the magic, and it's really tough to walk the line between making magic that has technically interesting aspects without making it either a) too complicated or b) feel like I'm just making it up as I go along. I was trying to get across here an unexpected consequence of mixing the two magics. Like how certain chemicals react oddly when mixed, or even like two computer programs running on the same computer can cause odd reactions, letting someone use Feruchemy and Allomancy together makes for some very strange mixtures of the powers. (I intend to get into this later.) Of course, what this also does is un-deify the Lord Ruler somewhat, which is intentional. I don't want it to undermine the accomplishment the characters have made–what they did was difficult and they have achieved a great victory. However, what I'm trying to give in this book–however–is a sense of foreboding.
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Chapter Sixty-Eight Sazed Takes Action Ladies and gentlemen, Sazed is back. This is the confident Sazed, the person who—without raising his voice, without seeming to make demands—can control a group and get the information he desires. He's always claimed that he's no leader, but he's actually a fantastic one when he puts his mind to it. His calm sense of purpose puts people at ease, and makes them do as he requests. He's not a king—he's right on that count. He is, however, a man to be respected and obeyed. He doesn't have much time left; the book is almost finished. However, he will make good use of his time.
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I've only mentioned Gragdets a couple of places. Hrathen never thinks much about them, since he doesn't consider them part of the traditional Derethi structure. In truth, they aren't–but they do have authority over a Gyorn in their own small sphere. I don't think that the reader needs to understand the entire social structure of the religion, however. Hrathen understands what is happening, and knows that he should probably let himself be under Dilaf's authority. That should be enough for most readers.
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Anyway, Nightblood is named for the smoke he leaks, and he originally had a different name when he was created. Vasher himself dubbed the sword Nightblood after he had used it to kill the woman he loved. The blackness that leaks out is actually corrupted and consumed Breaths, the ones that Nightblood leeches off anyone who draws him.
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Yeah, I was just sitting there, thinking about Dalinar getting that trench. That would be difficult.
I have it cutting right now, but I don't know if I can have it actually completely cut because we slide it through the rock and things like that, right? So it's gotta be that, like, atomizing a little bit into Investiture or something like that. Because I use it in a way that they just-- but there's not really friction on it, so mathematically I'd probably have to say that something is vanishing... I don't want it to but I probably have to. RAFO. RAFO for you, sir.
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The First Generation Arrive The First Generation are different from the other generations. Other kandra were born from mistwraiths that had bred true, becoming their own species. The Firsts, however, were humans who were changed directly into kandra. They aren't as good at holding their bodies together as creatures who were born first as mistwraiths. Someone like TenSoon carries with him a heritage of intuition and instinct gained by his previous life as a mistwraith. The Firsts don't have that. They haven't practiced taking new bodies—in fact, only a couple of them have ever even done such a thing. They've spent their lives in the Homeland and don't know how to use their powers. The skin droops from their bones, and they look—and feel—old, something that doesn't happen to other kandra. Here, oddly, is the first climax of the TenSoon chapters. He's not there to see it, but his words are what finally convinced the Firsts to come down from their alcoves and face the truth that the end has come. Also, Moshe, I still think those should be podiums rather than lecterns.
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What is the most powerful Radiant Order? Bondsmith?
"Power" is related to situation, perception, and need. A Bondsmith can probably draw the most raw investiture, depending on the situation--but comparisons like this ignore the heart of the matter. I don't look at people in the cosmere as having a "power level," because I don't consider it to be a good measure of the way the stories will play out.
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Is the magic on Sel geographically based because the techtonic plates act like Aon's, or is it distance from shardpools?
No, but that's a great guess.
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And, yes, Dilaf always had bones that were deformed. That's why I mention that they're not terribly disfiguring–they would be quite easy to hide under robes. And I often pointed out in the book that Dilaf was wearing his enveloping robes. Hopefully, these moments–Dilaf's unleashing–have been building for you through the entire book. By now, you should have realized that Dilaf was always the main villain of the story. He's the one with true hatred, and true instability. Hrathen is an antagonist, but he's no villain. Dilaf, however, has been built-up as someone who can do some truly terrible things. Now he’s unleashed, and he has an army of demonic monks at his control. And yes, we'll get to more about how Dilaf was able to imitate an Arelene later.
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In this scene, there are some small hints of what it was like during the Manywar—with people Awakening ropes to toss boulders and things like that. It was a pretty dramatic conflict, the first one where Lifeless and Awakeners were put to a great deal of use in battle.
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Remember the Lord Ruler's final words. They're important. The lack of atium will impact the second book greatly, as well the fact that Kelsier is dead. Overthrowing the Lord Ruler was tough, but it was still the easy part of this trilogy. Things get hard from here on out. . . .
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Epilogue - Part Three And here we come to the final scene of the book. This one is important for several reasons. I intentionally made it focus around Reen's voice in her head, since the very first chapter of the book where we see Vin, she's dealing with those same whispers from Reen. Here, I wanted to show the progress Vin has made in one final moment. I don't think of my books as romances, but they certainly have romantic elements. The Vin/Elend relationship was actually one of the parts of the book that was less planned (as I think I've mentioned). I knew I wanted her to get involved with a man of the court, but I wasn't sure where I'd take it, or how it would end. I think my books have happy endings. Ominous ones, sometimes–and bittersweet ones, definitely. But they're happy, at least for me. I'm an incurable romantic, and I like it when two people find each other. Of course, this isn't the end. Vin and Elend don't really have a relationship yet, they have the budding beginning of one. We'll deal with the more. . .testing elements of relationships in the second book. For now, however, they get to be happy. That's a rare enough thing in the Mistborn world that it's worth noting.
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Chapter Sixty-Nine Marsh Finds Goradel And, Goradel dies. I hope Rich appreciates the time and effort I put into this death scene. I mean, if you've gotta go, then facing down an Inquisitor in the night, surrounded by ash, and actually giving him some trouble is a pretty good way. Spook's message is now gone, destroyed. Sorry about that. Not sure what else to say about this short chapter. I like the poetry of the discarded tools imagery, and it reminds me of things Zane said in book two—that he felt like he was always someone else's knife. Spiked through the chest, he was one of Ruin's more useful pawns.
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Chapter Fifty-Nine - Part One I think I've noted that my viewpoints tend to speed up as I approach the endings of books. Well, Elantris is a perfect example. We're hopping viewpoints like a crazed body-snatcher. At the risk of sounding redundant, I did this to increase pacing and tension. Quick-rotating viewpoints give a cinematic feel to the story, in my opinion–kind of like cameras changing angles. This keeps things quick and snappy, and keeps the reader reading. It should be noted that writing and filmmaking are two completely different arts. What works in one doesn't work in the other–action sequences, for instance, have to be written completely differently in a novel than they would be displayed on screen. However, both storytelling forms try to evoke similar feelings in their audiences. So, you can't do the same things in writing as you can in filmmaking–but you can get a similar effect by using different tools. Here, I use viewpoint shifts, which is something a filmmaker can't really access without first-person voice-overs. Viewpoint is, in my opinion, one of the prime unique tools that we have as writers. That's why I think it's important to understand, and to manipulate. If you're paying attention to such things, we actually get two complete–and well-rotated–viewpoint triads in this chapter. Again, this is to increase the sense of urgency and pacing.
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Denth Captures Vasher So, between this chapter and the previous one, Denth's mercenaries—who were being hidden in the tunnels beneath the palace—quietly killed the two soldiers who were standing guard at Siri's door. They are also, along with the Lifeless that Bluefingers broke, securing the Lifeless compound, grabbing Blushweaver, and taking control of the palace. The priests get wind of this, though, and react by marshaling their own forces. For most of the night, the priests assume that they're struggling with Idrian rebels who have tried to take the palace and rescue Siri.
Answer the following question the ebst you can about Brandon Sanderson's works and the Cosmere
Now that Scadrial is on a better orbit, are there landmasses between the poles that are inhabitable?
Yes, indeed there are.
Answer the following question the ebst you can about Brandon Sanderson's works and the Cosmere
Will we ever see another Shard combination like Harmony?
RAFO.
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Was it relevant that Ruin mentioned Passion to Vin?
Yes.
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Do you plan on having a true, definite ending to the Cosmere, such that no more books will be written that exist in it?
I DO have a true, definite ending. However, I can't say "no more books could exist" as there are always more stories to be told. But when I reach this ending in the years to come, I might very well decide enough has been done on this story. We shall see.
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Oh, and yes, Elantrians can go unconscious. They can fall asleep, after all. The Elantrian brain is the one organ that continues to work very similarly to the way it did before the Shaod. So, taking a large amount of trauma can make it black out. The Elantrian won't remain unconscious forever–but when he wakes up, the actual physical damage will be there. That's why Raoden loses his sense of balance and everything gets fuzzy.
Answer the following question the ebst you can about Brandon Sanderson's works and the Cosmere
Marsh was there in the village Elend attacked a few chapters back, by the way. That is where he went after Luthadel; he took charge of a group of koloss and began leading them around to destroy cities. When Elend came to get the koloss, he was commanded to hold onto them for a time—and make it tough for Elend—but then to give them up and let them go. He was the nearest Inquisitor to Fadrex, which is why he's the one who showed up to claim the nonexistent atium.
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Does the Shard of Autonomy have a paired Shard (like Ruin/Preservation or…Cultivation/Preservation)? I was thinking that Unity would work as the opposition of Autonomy, though we don’t even know what Unity is.
RAFO.
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Was Bloody Tan performing like Lessie?
RAFO.
Answer the following question the ebst you can about Brandon Sanderson's works and the Cosmere
Chapter Fifty-Two Lightsong Gathers His Finery in His Palace Is there a lesson in all of this, as Lightsong accuses Llarimar of teaching? Perhaps. The value of something is indeed in how you treat it. All of the riches in the world could be piled in one place, and they would be unimportant unless you ascribed value to them. I think this is one of the reasons Lightsong has been so flippant all of his life as a god. Before Returning, the things he valued were far more intangible. People, his life's work, intellectual freedom—all these things were taken from him, then replaced with gold and baubles. To him, they're inferior replacements, and he can't help but chafe—unknowingly—at his confines. I wanted a chance for Llarimar to take off his hat and be just a friend for a time. His belief system is complex, since he knew Lightsong ahead of time. He sees the divine mantle, but he also sees the man. The man who was his younger brother, the daring and gregarious one, the one who didn't always do what he was supposed to. One of the subtle twists of this book is that Llarimar and Lightsong's relationship is supposed to be a parallel of Vivenna and Siri's. They were closer than those two ever were, and as both were middle-aged, they interacted differently. But Lightsong (or Stennimar as he was then known) never married. He liked traveling too much, and enjoyed his bachelor lifestyle. Llarimar was the one who always did what he should, but he also always admired his brother for his sense of adventure, his proactiveness, and his simple kindness toward other people.
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Ars Arcanum It's kind of surprising to me, but to some people, appendices like this can be very divisive topics. There are people who will pick up a book and check to see if it has a map and appendix–and if it has both, they're more likely to read it. (I was actually one of these when I was younger.) I guess the philosophy here, if I analyze my teenage self, was that if an author put so much work into a book–and if the book was so complex–that there had to be an appendix, then that was a book I wanted to read. Others have the opposite reaction, I've come to learn. I've met people who think that this sort of thing in the back of a book indicates that the author is sloppy, and can't tell a tight story. Or, that the story is going to be too complicated to enjoy. In Elantris , my first book, I fought for a pronunciation guide and a cast of characters in the back. I like appendixes, though now it's mostly because my untrustworthy brain often forgets who characters are. With the Mistborn trilogy being as complex as (hopefully) I want it to be, I figured I'd need cast lists in order to help you remember book one when reading book two. So, book two has a bigger appendix. However, I wanted to do something in this one as well. One thing I knew people were going to ask about was a way to keep the metals straight. That's why I developed the quick reference chart, and my friend Isaac did that beautiful metal table for a visual reference–I absolutely love how it looks. ... My magic systems are generally like a new science for the world in which they are practiced, so I like the feel this gives. Hopefully, you found this appendix useful. If not, I suspect you'll really appreciate the one in book two, as the cast of characters there will provide a lot of helpful reminders.
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Could Lift's food ability be taken by Hemalurgic spike?
Theoretically yes.
Answer the following question the ebst you can about Brandon Sanderson's works and the Cosmere
Also, in another fun note, Ruin didn't know about the horseshoes trick Vin used until he saw her do it. During a thousand years of Allomancy, she was the first to figure out how to do that. Clever girl.
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1. When did Dalinar start Bonding with the Stormfather? and 2. How did he opened Oathgates? I expect two RAFOs, but maybe you'll be able to give any hints.:)
RAFO. RAFO. (Yup, you were right!)
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The name "Ars Arcanum" deserves a note as well. I’ve always liked how Ann McCaffery named her appendix the "Dragondex" in the back of her Pern books. One of the biggest draws of my books are the magic systems, and since I intend to do a new one for every series I write (and many, like the Mistborn trilogy, will have multiple magic systems per series) I wanted some sort of "catch all" title I could name the appendixes in each of my books. I fiddled around for a while. Ars Magica was my first choice, since it's kind of a cool Latinate take on "Magical Arts" or "Magical Skills." However, there's an RPG out with that name, and I figured I wanted to stay away from their title. Ars Arcanum, then, was my next choice. I ended up liking it better, if only because it has a little more true Latinate feel to it.
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Can you get to the Cognitive Realm using Allomancy? From what I've been reading recently, Shardpools sound like a common way to go.. but Rosharan magic can be used to get to Shadesmar without a shardpool around, for instance. Can Allomancy be used to get there too?
The parts of Allomancy you know do not allow entering into Shadesmar.
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Chapter Fifty-Nine - Part Two Kiin gets a little over-confident here by letting the two of them go on top. However, he doesn't know how powerful the Dakhor are. He assumes that his roof is unscalable. In addition, he realizes how difficult a situation he is in. Dilaf has an army–Kiin's fortress house, no matter how well fortified, can't defend against them for long. He needs to do something, and thinks that maybe the negotiations will offer a way. So, he takes the chance. Whoops.
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Siri Is Locked Up, and Her Guards Change Just a quick reminder here of what's going on with Siri. I worry about her next few sequences looking too "damsel in distress." I tried to counteract this in several places, which I'll mention. Still, I had a problem here. Once things turn to combat and fighting, there is very little that Siri can do. She's not Vin—she can't approach things the same way. However, since Elend got to play damsel in distress fairly often in the Mistborn books, I think I've earned the right to put a female protagonist into that role here. It's appropriate to the plot, and I don't think it could have worked any other way.
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Are oathgates fabrials that mimic the transportation surge? You have said that fabrials can copy all 10.
This is a valid line of reasoning, but I'm not going to say yes or no.
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Lightsong Sneaks into Mercystar's Palace Here's the other big place where I cheated just a tad and added Lightsong's dreams of the tunnels and the moon as a reason to get him into the right place at the right time. I added this in a later draft; originally, this was one of my big personal problems with the book: the fact that Lightsong got into just the right place at just the right time. It was just too coincidental, and it always bugged me. I wasn't paying attention to the tools I'd given myself (as I think I mentioned earlier). If I'm going to go to all this trouble to build a magic system that uses prophecy as a major component of its religion, then I might as well use a few of those prophecies as small plot points. I didn't want them to solve any major problems, but letting Lightsong dream of where he has to be brings nice closure to the entire "What's in those tunnels?" plot while at the same time playing into his quest to determine if he really is a god or not.
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Hrathen's conditioning is manifesting here. We've always seen him as the leader of the area, but he spent many years as a lesser priest beneath other leaders. In the Derethi religion, you do what you're told by your betters. As soon as it is established that Dilaf is in charge, Hrathen's training would force him to become a follower.
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Chapter Seventy The Reason for the Mistsickness So, it finally comes out. I wonder at this numbers plot, as I think many readers will glaze over it and ignore it. I think others will read into it and figure out what it means very quickly, then feel that the reveal here isn't much of a revelation. Hopefully I'll get a majority in the middle who read the clues, don't know what they mean, but are happily surprised when it comes together. That's a difficult line to walk sometimes. What is going on here is that the mists are awakening the Allomantic potential inside of people. It's very rough on a person for that to come out, and can cause death. Preservation set this all up before he gave his consciousness to imprison Ruin, so it's not a perfect system. It's like a machine left behind by its creator. The catalyst is the return of the power to the Well of Ascension. As soon as that power becomes full, it sets the mists to begin Snapping those who have the potential for Allomancy buried within them. Many of these people won't be very strong Allomancers. Their abilities were buried too deeply to have come out without the mists' intervention. Others will have a more typical level of power; they might have Snapped earlier, had they gone through enough anguish to bring the power out. My idea on this is that Allomantic potential is a little like a supersaturated solution. You can suspend a great deal of something like sugar in a liquid when it is hot, then cool it down and the sugar remains suspended. Drop one bit of sugar in there as a catalyst, however, and the rest will fall out as a precipitate. Allomancy is the same. It's in there, but it takes a reaction—in this case, physical anguish—to trigger it and bring it out. That's because the Allomantic power comes from the extra bit of Preservation inside of humans, that same extra bit that gives us free will. This bit is trapped between the opposing forces of Preservation and Ruin, and to come out and allow it the power to access metals and draw forth energy, it needs to fight its way through the piece of Ruin that is also there inside. As has been established, Ruin's control over creatures—and, indeed, an Allomancer's control over them—grows weaker when that creature is going through some extreme emotions. (Like the koloss blood frenzy.) This has to do with the relationship between the Cognitive Realm, the Physical Realm, and the Spiritual Realm—of which I don't have time to speak right now. Suffice it to say that there are people who have Snapped because of intense joy or other emotions. It just doesn't happen as frequently and is more difficult to control.
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I was rereading W&W books recently and noticed something interesting. In Shadows of Self , when Sazed/Harmony is talking with Wax, he feels warmth. Wax felt a warmth, a fire, as if the inside of the carriage were heating to incredible temperatures The voice vanished. The temperature returned to normal. Wax leaned back, sweating, feeling drained. That makes me think about our favorite Bondsmith who experiences something familiar. Is it a coincidence? No, I don't mean Sazed specifically, but perhaps this happens when Shard (any Shard) tries to communicate with people? In the case of Dalinar it could be Cultivation or another big splinter of Honor.
This parallelism is intentional, but that's all I will say for now.
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Book Wrap-up Well, there you have it, the complete annotations for The Final Empire , Book One of Mistborn . The paperback of this comes out in just about three weeks, so my goal of getting all the Annotations posted before the paperback release has been achieved. This was a very fun book to write. In a couple of months, Book Two will come out—which was, in turn, the most challenging book I think I've ever written. (But we'll talk about that during the annotations.) Every book has things that turn out just like you imagined, things that surprise you, and things that never quite work out. In this book, the "heist" feel for the book is the one that never quite worked out. I sit and look back through the pages, and can still imagine the book as it was in my head before I wrote it. It's kind of an odd feeling to then have this book, which shares some attributes with the imagined novel, yet deviates in some important ways. The power of the characters was what worked well—the thing that I wanted to have happen, then was pleased when it finally worked out. Kelsier's surprise at the end was a similarly nice payoff, as was the way that Allomancy worked out. Elend was a surprise, as was the amount of time I ended up spending in the ball scenes. All in all, I'm very pleased with this book—I think it's better than Elantris , if not as "meaningful", and achieves just what I wanted. A second book to show off what I can really do. I hope you enjoyed reading it. The Final Empire Project: November 2001-July 2007 Brandon Sanderson
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I was wondering about the Steel Ministry's stance on sexuality. That sounds like a Steel Ministry thing.
If you're paying them, they don't really care. Yup.
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"Failed my love. . . ." Poor Sarene. Her weddings just never work out. Honestly, I think this might be one of the most traumatic sections of writing I've ever done. (Traumatic for the characters, that is. Like most writers, I'm a closet masochist, and enjoy making my characters–and my readers–squirm.) Things aren't looking too good. Maybe they'll get better in the next chapter.
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I asked you at minicon if Roshar had always been the only large landmass on the planet and I think you said that there was once no large land mass on Roshar. Did I hear you correctly? I've been kicking my self for months for not recording that small q and a.
You heard me right. Not necessarily.
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Did Hoid meet Frost before, after, or sometime in the same time range that he met the 16?
Before, but (on a cosmere scale) it was very close to when he met the others.
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Chapter Seventy-One Sazed Finds No Easy Answer Now we get to dig deeply into some concepts of theology. Sazed came to the Homeland expecting deus ex religion. (Hee hee.) Instead, he discovers that his lost Terris religion is quite a lot like other religions. There are no easy answers to this question. Why do we believe? Why have faith? The Bible teaches to follow the Bible—the logic is circular, and faith is required. I'm a believer, but I'm also a man of logic. I see these inconsistencies and have to admit that there are holes, things we haven't been told yet. Religion can be a force for great good, if we let it. The problem—the clash—between religion and science comes down to fundamentals. The basic tenet of a lot of religions, including my own faith, is that some things require belief before signs or proofs are given. Science teaches that you get proof and  then  believe. I believe in rendering to science the things that belong to science. I have no problem with evolution or discussions of the age of the Earth, for I don't believe that we come anywhere near comprehending the mind of God or the workings of the universe. Science can explain a lot, but it cannot give us faith, and I think we need both. Sazed, however, has some soul-searching to do. He's looking for an easy answer, and there isn't one. If he's going to believe in religion, then he'll have to accept that his  true  religion shares a lot in common with other religions. He'll have to accept faith. If he doesn't, then that's all right too. No man is an idiot for questioning these things.
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Giving you power! That voice at the end of the chapter is Kelsier, who can finally speak to Vin, now that her earring is gone. She's close enough to the mists and Preservation's power that he can touch Vin's mind or a brief moment and send a few words toward her. The last words echo his famous line about the mists, the first thing he taught Vin about them on a mist-wetted street in Luthadel her first night of training.
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Vasher Tortured Moshe wanted Vasher naked here, but I felt that keeping him in the white shorts was good enough. We've had a lot of nudity in this book, both male and female, and I didn't want to push it any farther and distract from the discussion here.
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Are you planning on any of the Stormlight exclusive characters becoming world-hoppers?
RAFO.
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Does the positioning of a Hemalurgic spike matter on the donor, the recipient, or both?
Recipient.
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TenSoon comments that when the unbirthed are given Blessings, they lose the mimickry instinct that mistwraiths have and have to be taught anew. If their only native senses are touch and taste, how exactly do you teach a blob of muscles how to form things like eyes and ears? I don't know if you've considered how mistwraiths would be taxonomically classified; have you decided whether or not mistwraiths would be considered 'mammals'?
Basically, you feed it some partially digested eyes, then some more eyes, then eventually it starts making eyes on its own. It takes a while; Kandra 'children' grow more slowly than human ones. They are not mammals. Since they were deliberately created, I'd place them in their own branch.
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Lukel and the Will to Fight I wanted to bring the "sheep" idea full-circle in this chapter, and show that people don't just have to go along to their slaughter with docility. I think readers will be rooting for this, and this section–where Lukel and Shuden prepare to attack–gives us a little hope. This is a very tense chapter, and everything is going wrong. I decided I needed a few points of light in the narrative, otherwise it might get too depressing. So, I hint the people won't get killed without a fight. Besides, this lets Lukel–the regular guy surrounded by mages, heroes, and politicians–be a bit of a hero himself. He overcomes his fear and his lethargy.
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Vasher is wrong about Arsteel, by the way. Arsteel didn't need to be killed; Vasher misinterpreted the man's motives in joining with Denth. It's unfortunate that the two came to blows, but Arsteel never intended to kill Vasher in the duel, just subdue him and talk some sense into him. ("Sense" as Arsteel saw it. He wasn't actually right in what he was doing—he didn't understand Vasher's reasoning either. All I'm saying is that Arsteel's motives were, in fact, pure.)
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Chapter Seventy-Three Cinematic Writing I sometimes wonder just how much writers from my era have been influenced by the visual media of entertainment we've experienced. How do I imagine things differently because of my childhood watching television and movies? What have the improvements in special affects done for my ability to visualize things I have not seen? How does my pacing, plotting, and description reflect my background and my exposure to media? I look at a chapter like this one, and it feels extremely cinematic to me. Not that I'm some great master of the cinematic form, but rather that I'm so familiar with that media—as are many of us—that I am drawn to it instinctively. The quick flashes from viewpoint to viewpoint—TenSoon, Breeze, Elend—showing what was going on, followed by a quick cut of Vin mid-action . . . it just feels right to me to do it this way.
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Do you plan to write any more books in the Steelheart universe?
...There's a big story here. So, the book that I started writing right after finishing Oathbringer in June was called The Apocalypse Guard . This is in the same universe as the Reckoners. And I wrote the whole book, and there were some things wrong with it, as happens sometimes with books. And so I thought, "Eh, I'll send it to my editor, and see what my editor at Random House thinks." She read it, she got back, she's like, "I like some things about it, but it's got these problems." I'm like, "Oh, those are the same problems I thought it had; that's not a good sign." So I got on and I brainstormed, and said "What do you think we should do?" She's like, "Well, maybe this or this." I spent, like, two weeks working on a really in-depth revision document. And I revised about 20% of the book following this document and it was worse. It didn't fix the problem. And so I'm like, "I need more time on this book. This book is not working. I'm sure I can fix it eventually." Like I told you, I stopped writing The Stormlight Archive in 2002. So, I pulled that book and set it aside. And I actually, I sent it to Dan Wells, actually, 'cause he's one of the best writers I know. And I'm like, "Dan! Something's broken. Can you tell me what's broken?" I'm waiting to see what Dan has to say on that, but for now, that's where Secret Project [ Skyward ] came from, 'cause I'm like, "Well, I don't feel good releasing Apocalypse Guard next year, I have to fix it first, it's just not good enough." So, I pulled out an outline for something else... and I said, "Well, I'm gonna write this right now, 'cause I feel like I can write this, and it's gonna work." So, I started writing this. The answer is, yes, there will be more books, and there will even be, if I get around to it, a book about Mizzy as a protagonist, if I can find-- Like, I have to get The Apocalypse Guard working first.
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Denth has done a relatively good job keeping Tonk Fah from murdering as often as he used to. Killing is necessary, sometimes, in Denth's opinion—but there's no need to go around killing people who don't need it. He's managed to rein Tonk Fah in. It's a slight measure of the good that's left in Denth.
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A lot of people probably ask you how to write better. Do you have any advice for people who want to read better?
What an interesting question. So I don't know if you can read the wrong way? Upside down, if it works for you, man. One of my speeches previous year, the little things I get up, where I go professor on you. One of those things was where I talked about "there is no wrong way to read my books." And you have the power as a reader, I feel, to have, like, line-item veto. If I describe a certain person a certain way, and you're like, "Nope." You are allowed to change that in your version of the book. I have a good friend, he's still in my writing group, actually, he's Leyten from Bridge Four. 'Cause all my friends ended up in Bridge Four. Except for Dan, who I killed horribly in the Mistborn books. He survived the first time. I let him survive, and then he died. All of my friends ended up in Bridge Four. So Leyten, he was reading The Wheel of Time back when he was a teenager, and we got to the part where Thom Merrilin has a mustache. Have you read these books? He's a guy that has this really awesome mustache. And Alan's said, "Nope. No mustache. He doesn't match my--" When he told me this, I was horrified! I'm like, "That is, like, a central feature of what Thom Merrilin looks like, he has a big, drooping mustache!" Alan's like, "Nope. Not in my version." And I'm okay with that, when you do that on my book. You can pronounce the names the way you want. You can-- like, I give you a script, and you direct it. And you can change whatever you want in your head.So, I don't know if there's a right or a wrong way to read, if that makes sense. I did take a speed-reading class for, like, three days. No, it was just, like, one day, where they started teaching how to speed-read. And I realized, when I was speed-reading, I was missing kind of the music of the writing for me. Like, one of the tactics of speed-reading is to stop hearing it in your head, the sounds while you're reading. Which is great for getting through something fast, but I was like, "No! This doesn't work. It makes the books-- less musical?" if that makes any sense. And so I immediately dropped out of that class. But that was for me, I need to savor the story a little bit more. If you want to speed-read it, and that works for you, go. It's an interesting question that I just basically refused to answer, I'm sorry.
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Are all the kinds of intelligent spren seen in the Shadesmar chapters capable of forming Nahel bonds?
RAFO.
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Chapter Sixty - Part Four Raoden Viewpoints It was essential to this chapter that I establish that Raoden can catch glimpses of what's happening around him. I went to a lot of work to get him into place above the city where he could make the connection, looking down on Elantris and the outer cities. The pool, actually, simply grew out of my need to find a way to put Raoden on the slopes of the mountains near the ending of the book. I like how it turned out in the final story–it added a dimension of mysticism to the Elantrian belief system, and it worked very well into the plotting I had developed. My only worry about it is that it was too far away from the Elantris, but we'll talk about that later.
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"Government is far too inefficient to provide a suitable income." In Breeze's scene, we have another reference back to book one as he mentions telling Kelsier that he didn't want to rule. That's not 100% accurate—Breeze was actually talking to Yeden or Vin, I think. However, he  did  go on a diatribe about not wanting to rule or be in charge, since leading countries seemed like a bad way to make money. However, I can't find this scene now, so I can't point out exactly where it is.
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Did the Heralds ever temporarily swap Honorblades and learn to use more than their regular two Surges?
It has happened. (But it was not common.)
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By and large, I love your characters. I really dislike Eshonai. Really dislike her. Is there a character that you really dislike writing? Or, if you don't dislike them, is it hard to find their voice.
Cadsuane. Sorry, Wheel of Time fans, but Cadsuane, you're not my real mom. Moiraine is my real mom. I tried to do my best with Cadsuane that I could. So, I would say-- of my own characters, they're all like my children, and I love my children all equally. *gives Joel a side hug* The same thing with my characters. When I'm writing someone, they're my favorite. I wouldn't say so, but on The Wheel of Time , definitely. Cadsuane, she can go eat a brick.
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The Spirit of Elantris So, this moment–where Raoden is nearly dead, looking down on the cities, and finally makes the connection–was one of the scenes that made me want to write this book. In each novel I write, I have some important scenes in my mind. They're like. . .focuses for the novel. They're the places I know I need to get, and they're usually very dynamic in my mind. In a way, I tell the rest of the story just so I can make my way to these moments. This book had two main Moments for me. We haven't gotten to the second yet, but this is the first. I hope that you, the reader, arrived at the realization just as Raoden did. I've had a lot of trouble getting this balance right. Some readers figured out the secret early, while others (the larger group) didn't even understand what's going on in this chapter. If it requires explanation, Raoden is thinking about Aon Rao. Then he notices that Elantris and the cities around it form a pattern–the exact pattern of Aon Rao. The cities form an Aon on the ground. At this moment, Raoden realizes why Elantris fell, and why the Elantrians went with it. If you haven't figured it out yet, I won't spoil it for you.
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Vivenna Suits Up and Leaves Vivenna is in a similar position to Siri here in these last chapters. Things are getting so dangerous that both women (well, and Lightsong too) are rather out of their elements. However, I knew that I had to have them both involved. It would be incredibly frustrating to read an entire book focused on two characters, then have them get pushed around for the entire climax. So during my outlining, I made certain to build the story in such a way that they could be useful, even if they're very much out of their elements. I feel this makes the story more tense in a lot of ways, since they're forced to deal with things for which they're completely unprepared. Here, we have Vivenna sorting through her own emotions and finding enough determination left to go out and do something. This is an important moment for her, even though she doesn't realize it. This is the moment where she takes her first real step toward becoming her new self.
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Vin Draws In All the Mist Here we finally have Vin suck in the mists and use them to fuel her Allomancy completely. I began building this plot arc way back in book one, which ends with Vin drawing upon the mists to fight the Lord Ruler. It took me all the way until here to make good on that, though I still don't even explain how or why she was able to do it. Eventually I'd like to be able to do that, but we'll see. It's bigger than this trilogy. I have to leave  some  secrets for later. I do want to mention that this scene of Vin blasting Kredik Shaw to pieces was quite fulfilling to write for some reason. It  feels  like the end of a series to me, with familiar places being torn down and old expectations being dismantled.
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You've mentioned that a person's personality eventually erodes and is replaced by the will of the shard they hold. Besides Harmony, are there any Shards holders that are still actively and significantly defying the intent of their shard?
Yes. Its intent(s) match Sazed very well, actually, and he has the philosophy that these natural powers are best minded and not dominated. So while he pushes back against the inaction holding both of them has caused, he appreciates and understands the need for both. I'd say he has less "push back" than some others.
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Way of Kings epigraph: "Three of sixteen ruled, but now the Broken One reigns (Odium)" Words of Radiance back cover: "The Bondsmith (Dalinar), born in blood and death, striving to rebuild what was destroyed. " Am I onto something?
RAFO. It is reigns. (Though that is a cool possible interpretation.)
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Chapter Seventy-Four Allomantic Secrets Some people have asked me why the Lord Ruler was so careful to keep secrets about Allomancy. What would it have mattered if he let out that there were atium Mistings? Some of the secrets offered a sizable tactical advantage. Keeping back duralumin and aluminum gave him and his Inquisitors (the only ones told about those metals, other than a few select obligators) tools that nobody knew about. Very few Inquisitors could burn duralumin (and most who did it gained the ability through the use of spikes reused from previous, dead Inquisitors—and those spikes were therefore much weaker.). However, those who did have the power could appear inordinately skilled in Allomancy, enhancing the Lord Ruler's divine reputation. Beyond that, knowledge is power. I believe that. And I think that if you're the Lord Ruler, you want to keep a few secrets about your magic system. Mistborn are very rare. Mistings among the nobility—particularly in the early centuries—were not rare. If they'd known about atium Mistings, it could have upset the balance by creating too many superwarriors. Plus, if there are unknown superwarriors to be had, then you want to keep them for yourself.
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Dilaf I really wanted to bring these Dilaf scenes in and make them personal. That was my prime reasoning behind sending Sarene with him. I wanted the reader to care, and I wanted Hrathen to care–which, hopefully, would make the reader care even more. Dilaf was very interesting to write as an antagonist. By the time he finally came to his own, I didn't have to worry about developing him as a viable threat. His personality through the entire novel had prepared the reader for the awful moment when he finally got the other characters into his power. And, because Hrathen was so sympathetic a villain through the entire novel, I think I can make Dilaf more raw and unapproachable. It's nice to have sympathetic villains, but with Hrathen in the book, I didn't feel that I needed much sympathy for Dilaf. Also, with one such well-drawn villain, I felt that if I tried to do the same with Dilaf, the comparison would make him come off very poorly. So, I went the other direction, and the contrast gives the readers someone that they can just hate. If they didn't hate him already, then this last scene with Sarene was meant to push them over the edge. Here is a man who kills for pleasure. No matter how wronged he was in the past, he has no justification for the cruelty and enjoyment he displays in anticipating Sarene's death. This is an evil man.
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One Wayne and Wax question left in me that I can't get out of my head. What exactly made you decide upon their combination of abilities? Did you focus on the abilities and what they can do, or did you want to give those two characters specific sets of weaknesses and then went from there?
I built them like I built the original Mistborn thieving crew, actually. I decided their roles, then picked powers to compliment them. This is opposite of the Stormlight archive, where I have the orders, and I fit people to them.
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Have you ever read a book that has made you cried? Or made you so frustrated that you wanted to throw the book?
It's not that hard to make me emotional in a book. I'm normally a very even-keeled guy, but a really great story told really well can really get to me. It's part of why I wanted to be a writer. I've got a very even temperament. I wake up most days, just kinda feeling the same I did the day before. So, if there's, like, bipolar or things like this, I'm like the opposite. I'm, like, if you vary, like, people vary from a 0 and a 100, I'm, like, at a 75 all the time. Which can be really cool, except when everyone else is, like, super excited, and they all go to, like, 90 and 100, and I'm like, "Yay? That's cool. I'm happy too!" But a good story, that gets me, right? That can really get me. So, a lot of my favorite stories-- Anne McCaffrey was really good at doing this for me. But Terry Pratchett, right? They're comedies? If I mention that I like something, it's probably stirred powerful emotions in me. What have I wanted to throw across the room? I'm sorry, I know that some of you really like this, but-- and I'm sure they're really good books if you're in the right mindset, but-- this is gonna date me a little. There was a sequel series to the Willow movie, which was written. And Chris Claremont is a great writer, right? I think this is the X-Men Chris Claremont. I don't blame Chris. [George] Lucas was involved. Strike that from the record. But I loved Willow . When I was a kid, I'm like, "A fantasy movie that doesn't suck! Yes! Nothing against you Beastmaster , but, you know, a fantasy movie that doesn't suck, and Warwick Davis was awesome, I love that movie!" And then the books came out, and in the first one, you're like, "Yeah, all those people you loved? They're dead." That's how, like, the prologue goes! And the character whose life they saved in the movie, and things like that--spoilers, it's been like thirty years--is, like, a spoiled brat, and everyone's personality changed. That's probably the book I'm the most, like, throw-against-the-wall-ish. I'm like, "No, don't kill all my favorite characters!" Here's a clue for ya: if people love a whole bunch of stuff, don't start the sequel with, "Yeah, all that stuff you loved? We're just gonna..." Don't Aliens 3 your movie. Don't do that to your books. It's okay to have loss, but don't have all the people you love die in between stories. Bad idea.
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Lightsong Is in Prison Lightsong here is not giving up, which I think is very appropriate for his character. He still has his sense of confidence. In a way, the priest who kills Blushweaver is right. Lightsong does still see it as a game. His life in the court has taught him that things aren't ever dangerous for him. This is all just politics, and a big piece of him feels that he's just on an adventure. He finds it exciting. That's why Llarimar blows up at him. It's not Lightsong's fault—he's been trained by the last five years to look at life this way. But here, the games have ended, and it's suddenly become very real and very dangerous. Llarimar is the type who is very calm headed until you just push him past his snapping point, and then he loses it. It's hard to get him there, but the current situation is enough.
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Is Dalinar a Sliver?
RAFO.
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What’s the likelihood of Elantris or Warbreaker being narrated by Michael Kramer?
Not good, I'm afraid, as we've already done two versions of Warbreaker and the current Elantris reader is generally liked for the book.
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Chapter End So, things look pretty grim, eh? Sarene about to be murdered, Teod about to fall, Elantris about to be burned, Raoden in the pool. Hum. Guess the good guys lose. There's no reason to read the last three chapters. . . .
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At the end of Words of Radiance , Hoid is sitting there talking to some cremlings. And I was wondering, is he talking to one of the Dysian Aimians?
*laughs and motions for Joel to hold up the RAFO sign*
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... are there also spren attracted to robots? man, that would be terrible. Being tied to a concept that nobody's thought up yet, so having a huge identity crisis.
The way spren are created makes this not an issue. :)
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Yomen Is a Seer That raises the question of how Yomen discovered that he was a Seer. He mentions that atium was too valuable to waste on testing for atium Mistings. That's true, but incomplete. The Lord Ruler  did  test his obligators for the power, particularly the high-ranking ones. Those he found were told of their power and used as an extra level of security. There weren't many, but there were some—and they tended to rise very quickly in the ranks (like Yomen) and be given important positions. Yomen's power with atium made him a valuable secret weapon, and when in a position of power, he could use his ability to quell rebels or perform feats of wonder to keep the people in line.
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By the way, this is only the second time Lightsong has landed them both in prison. The first time happened a good twenty years earlier, even if Llarimar has never quite gotten over it. It involved a whole lot of drinking. (Llarimar, already then an acolyte priest of the Iridescent Tones, had never gotten "good drunk" as Lightsong called it at the time. So, he took him out on he day before his ordination as a full priest and got him solidly, rip-roaringly drunk. The embarrassment of what they did, landing themselves in prison for trying to bust into the Court of Gods while wearing only their underclothing, nearly got Llarimar tossed out of the priesthood. Needless to say, he didn't make full priest the next day. It was three years before he was allowed to apply for ordination again.)
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Chapter Seventy-Five The Second Generation Seizes Control This chapter is another indication of my attempt to space out the climaxes in my books. We've had the big Vin fight with the Inquisitors; now I'm going to back off from things just a tad so that the reader has time to catch his or her breath. That isn't to say that the next few chapters aren't going to be more quickly paced than ones from the middle of the book; I just hope that they're not quite as breakneck as similar chapters from  Elantris  or some of my other books with overwhelming endings. I had fun with these sections because I was able to make good on some tensions and interactions that were going on since the first TenSoon chapters. TenSoon himself isn't here, but we are paid off for the time we spent with him getting to know the kandra in the Homeland, as now their interactions with Sazed directly affect the major conflicts in the series. Some readers worried that the revolt of the Seconds here was a little out of nowhere. I read through again, just in case, and this is one of those situations where I disagreed with the alpha readers. I believe I've fully established that the Seconds enjoy being in charge, and have somewhat let their power go to their heads. We've rarely seen them offer to the Firsts the same reverence they demand from everyone else. Beyond that, they were just embarrassed in front of the kandra people, and the Firsts began to speak of requiring the mass suicide of the entire race. If that wouldn't encourage a group of aristocrats to revolt, I don't know what would. The Seconds control the police force in the tunnels, and are the ones who truly rule the kandra. It makes sense to me that they'd do what they just did. You know, if I were in their place, I'd probably do the exact same thing. What the Firsts are talking about is very discomforting, and something that should make anyone—whatever their level of faith—sit down and question whether their beliefs really should require such a sacrifice.
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Will we be finding out what Dalinar's wife's name was, or has her name been similarly wiped from the flashbacks like Dalinar's mind?
I feel I should RAFO questions about the flashbacks, except to say that I wouldn't jump into them without understanding what readers want to see--and either fulfilling that, or subverting it in the name of the story. (The latter happening very rarely.)
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Have the Heralds lost Connection and Identity? And, if so, can Regrowth heal it?
*Brandon motions for Joel to hold up the RAFO sign*
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Blushweaver's Death My editor was uncomfortable with the way this happened—he felt that the motivations for the killers weren't solid enough. I tried to put a little more in, which placated Moshe, but I always felt that they were solid. Bad guys in books often do stupid things, and it annoys me. They're often not allowed to do the smartest things they could because it would ruin the plot. I wanted them to do the smart thing here, and I felt that the smartest thing was to kill Blushweaver. Just threatening her wouldn't have worked with Lightsong; he refused to take things seriously. A simple threat would have earned them mockery and frustration. So, not knowing that he loved her, they killed Blushweaver to show how serious they were. Then they grabbed Llarimar, not intending to actually kill him, as they knew he was the best bargaining chip against Lightsong they had. (If he hadn't talked, they'd have started cutting off Llarimar's fingers.) The brutality of that moment of Blushweaver's throat being slit is supposed to be a major reversal in tone for Lightsong's sections. I hope that it worked for you; I think I laid the proper groundwork that this story could have things like that happen in it. I think I justified the motivations of the killers enough. The games are over.
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Chapter Sixty-One - Part One Hrathen's Decision As I've mentioned, Hrathen has the most progression of any of the characters in this book. It's fitting, therefore, that he should get the best character climax. Essentially, Elantris –at least Hrathen's third of it–is a redemption story. It is the story of Hrathen trying to make up for the massacre he caused in Duladel. Beyond that, it's the story of a man struggling to understand what faith is, and what that faith requires of him. In the end, his decision to save Sarene comes as a rejection of the sins of his past. And, in a slight way, it is a rejection of the heartless, logical man he assumed himself to be.
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When Hoid Awakens, does he speak his native tongue (Yolish)?
RAFO.
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The Pool So, this is a SLIGHTLY contrived mechanic, and I realize that. I let Raoden off easily by having him simply choose not to be dissolved by the pool. Partially, I did this simply because I couldn't think of a better way to get him out of it. In addition, however, I think it fits the form of the novel. The pool represents giving in–though it's giving in to peace instead of pain, it is still an admittance of defeat. I've mentioned over and over that the pain has no power against one who doesn't give in to it. I don't see why the peace should be any different. If you can resist one, then you can resist the other. Besides, the image of Raoden bursting from the pool in front of Galladon and Karata was too good to pass up. I'm honestly not sure what the pool is or how exactly it fits into the theory of this magic system. It was added as a plotting devise, as mentioned earlier, and therefore was never tied directly to the cosmology or theoretics of the world. When I do a sequel to this book, I think I'll try and find a way to tie it in. For now, however, it's kind of a loose thread. The only thing I know for certain is what I mentioned above. Just like the pain of an Elantrian, I think the peace offered by this pool is a supernatural force. It has something to do with the physical form of the Elantrians.
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Are spren able to manifest Surges like the humans they are bonded to? Syl is able to stick things together are other types able to do other things or is the sticking things together something else?
The Spren are living Surges, in a way. There are some "higher" spren which have more ability than others to touch certain Surges. Honor, for example, is not a force of nature--but a force of thought. What is attributed to it relates more to the abstract. And that didn't really answer you, did it? Well, hopefully it's enough. Similar.
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On First of The Sun, does Silverlight have a permanent outpost on the Cognitive side or is it still too dangerous to hang around? Lastly, any cool tidbits about First of The Sun or its people would be awesome, worldhoppers or the like?
This is actually a RAFO too--it would be relevant if I write a sequel to Sixth of the Dusk . The opening sequence would involve an expedition into Shadesmar...
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Chapter Fifty-Four Vivenna Meets with the Beggar, Then Goes to Get Nightblood She lays it on a little thick here. But hey, if you're a beggar, sometimes you like to be brownnosed. Plus, she's new to this kind of thing, and she did give him a very pretty handkerchief. . . .
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Sazed Decides However, we should back up and talk a little about Sazed's decision in the first part of the chapter. I'm not certain that I'm trying to say anything specific with these sections. As I've mentioned, I don't look to insert themes in most of my books. I write the themes that are important to the characters, and what I say varies based on whose viewpoint we are in. Sazed has been struggling between his logical side and the side that desires some kind of faith to form a groundwork for his life. The problem has been in his attempts to analyze religions like one would a machine—input and output. The difference for him comes when he looks at the lives and writings of those who believe. That is what changes his heart. In the end, he decides to elevate his faithful side over his rational side in this one instance. You can always question. Skepticism is as dangerous as faith, in my opinion, because it is difficult to know when to stop. You can become such a skeptic that you refuse to take anything at all as true. At some point, you need to decide when to stop questioning. This is where Sazed decides he will stop. You may decide somewhere else.
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Soulcast blood? Does it have Rh factor? Or, does it match anyone's DNA?
So, the answers are to that, "Yes."
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So, Hoid was not afraid of a Shardblade? Would he be afraid of Nightblood?
Every rational person *laughter* who has ever existed in the cosmere is afraid of Nightblood, or should be. Hoid isn't always rational, but yes, he is afraid of him.
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The First Contract I was originally tempted to include the full text of the First Contract. In the end, however, I didn't write it. There wasn't a good place for it, and I felt that we already knew the important information from it without reading it. It would simply have slowed down the plot at this point. Plus, the questions and problems it could have raised weren't worth the trouble. By including it, I would have taken the chance of contradicting myself or setting up other problems that—at this point in the book—I just didn't want to have to work out. So we don't get to read it. Sorry. There aren't any hidden secrets in it, though.
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Did the publicly known nobility Mistborn have some sort of training/play ground? Like a big space they could properly train they're abilities and fly around in? Thinking about it more, a public Mistborn gathering place would probably be a big assasin bullseye... Better to have a place just for you where you can staff it with a lot of misting guards.
Some built things like this. That's what I assumed the question was asking.
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Are Shards limited to one per perpendicularity? Can a non-Splintered Shard control where and how their perpendicularity manifests?
RAFO, but yes on the second.
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Chapter Sixty-One - Part Two Shuden's ChayShan The several mentions of the ChayShan, along with both of the scenes where Shuden performs it, were added to the book to give a feeling of scope. I wanted the reader to understand that there are things in this world that are different from the increasingly-familiar magic and society of Arelon. We'll talk a little bit more about this event in the text. However, realize that the ChayShan wasn't ever intended to be effective or successful–it's not a Deus Ex Machina for the people trapped inside Elantris. It is a hint of things I plan to do with the future of this world.
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Vivenna Suits Up and Leaves Vivenna is in a similar position to Siri here in these last chapters. Things are getting so dangerous that both women (well, and Lightsong too) are rather out of their elements. However, I knew that I had to have them both involved. It would be incredibly frustrating to read an entire book focused on two characters, then have them get pushed around for the entire climax. So during my outlining, I made certain to build the story in such a way that they could be useful, even if they're very much out of their elements. I feel this makes the story more tense in a lot of ways, since they're forced to deal with things for which they're completely unprepared. Here, we have Vivenna sorting through her own emotions and finding enough determination left to go out and do something. This is an important moment for her, even though she doesn't realize it. This is the moment where she takes her first real step toward becoming her new self.
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Way of Kings epigraph: "Three of sixteen ruled, but now the Broken One reigns (Odium)" Words of Radiance back cover: "The Bondsmith (Dalinar), born in blood and death, striving to rebuild what was destroyed. " Am I onto something?
RAFO. It is reigns. (Though that is a cool possible interpretation.)
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You've mentioned that a person's personality eventually erodes and is replaced by the will of the shard they hold. Besides Harmony, are there any Shards holders that are still actively and significantly defying the intent of their shard?
Yes. Its intent(s) match Sazed very well, actually, and he has the philosophy that these natural powers are best minded and not dominated. So while he pushes back against the inaction holding both of them has caused, he appreciates and understands the need for both. I'd say he has less "push back" than some others.
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The Spirit of Elantris So, this moment–where Raoden is nearly dead, looking down on the cities, and finally makes the connection–was one of the scenes that made me want to write this book. In each novel I write, I have some important scenes in my mind. They're like. . .focuses for the novel. They're the places I know I need to get, and they're usually very dynamic in my mind. In a way, I tell the rest of the story just so I can make my way to these moments. This book had two main Moments for me. We haven't gotten to the second yet, but this is the first. I hope that you, the reader, arrived at the realization just as Raoden did. I've had a lot of trouble getting this balance right. Some readers figured out the secret early, while others (the larger group) didn't even understand what's going on in this chapter. If it requires explanation, Raoden is thinking about Aon Rao. Then he notices that Elantris and the cities around it form a pattern–the exact pattern of Aon Rao. The cities form an Aon on the ground. At this moment, Raoden realizes why Elantris fell, and why the Elantrians went with it. If you haven't figured it out yet, I won't spoil it for you.
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Vin Draws In All the Mist Here we finally have Vin suck in the mists and use them to fuel her Allomancy completely. I began building this plot arc way back in book one, which ends with Vin drawing upon the mists to fight the Lord Ruler. It took me all the way until here to make good on that, though I still don't even explain how or why she was able to do it. Eventually I'd like to be able to do that, but we'll see. It's bigger than this trilogy. I have to leave  some  secrets for later. I do want to mention that this scene of Vin blasting Kredik Shaw to pieces was quite fulfilling to write for some reason. It  feels  like the end of a series to me, with familiar places being torn down and old expectations being dismantled.
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Lightsong Is in Prison Lightsong here is not giving up, which I think is very appropriate for his character. He still has his sense of confidence. In a way, the priest who kills Blushweaver is right. Lightsong does still see it as a game. His life in the court has taught him that things aren't ever dangerous for him. This is all just politics, and a big piece of him feels that he's just on an adventure. He finds it exciting. That's why Llarimar blows up at him. It's not Lightsong's fault—he's been trained by the last five years to look at life this way. But here, the games have ended, and it's suddenly become very real and very dangerous. Llarimar is the type who is very calm headed until you just push him past his snapping point, and then he loses it. It's hard to get him there, but the current situation is enough.