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10
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3VJ4PFXFJ38EADQ6PROMNFFMC27AUQ
|
To this end , areas were organized to locate objects within their cultural contexts , to make them accessible to the world , which used several rooms and spaces within the palace .
| 0
| 11
|
To this end
| 10
| 10
| 1
| 0
| 1
| 0.05
|
3VJ4PFXFJ38EADQ6PROMNFFMC27AUQ
|
To this end , areas were organized to locate objects within their cultural contexts , to make them accessible to the world , which used several rooms and spaces within the palace .
| 25
| 34
|
organized
| 10
| 10
| 5
| 1
| 1
| 0.3
|
3VJ4PFXFJ38EADQ6PROMNFFMC27AUQ
|
To this end , areas were organized to locate objects within their cultural contexts , to make them accessible to the world , which used several rooms and spaces within the palace .
| 8
| 11
|
end
| 10
| 10
| 0
| 0
| 0
| 0
|
3VJ4PFXFJ38EADQ6PROMNFFMC27AUQ
|
To this end , areas were organized to locate objects within their cultural contexts , to make them accessible to the world , which used several rooms and spaces within the palace .
| 14
| 19
|
areas
| 10
| 10
| 0
| 0
| 0
| 0
|
3VJ4PFXFJ38EADQ6PROMNFFMC27AUQ
|
To this end , areas were organized to locate objects within their cultural contexts , to make them accessible to the world , which used several rooms and spaces within the palace .
| 66
| 74
|
cultural
| 10
| 10
| 1
| 0
| 1
| 0.05
|
3VJ4PFXFJ38EADQ6PROMNFFMC27AUQ
|
To this end , areas were organized to locate objects within their cultural contexts , to make them accessible to the world , which used several rooms and spaces within the palace .
| 38
| 44
|
locate
| 10
| 10
| 0
| 0
| 0
| 0
|
3VJ4PFXFJ38EADQ6PROMNFFMC27AUQ
|
To this end , areas were organized to locate objects within their cultural contexts , to make them accessible to the world , which used several rooms and spaces within the palace .
| 45
| 52
|
objects
| 10
| 10
| 0
| 0
| 0
| 0
|
3VJ4PFXFJ38EADQ6PROMNFFMC27AUQ
|
To this end , areas were organized to locate objects within their cultural contexts , to make them accessible to the world , which used several rooms and spaces within the palace .
| 66
| 83
|
cultural contexts
| 10
| 10
| 3
| 3
| 1
| 0.3
|
3VJ4PFXFJ38EADQ6PROMNFFMC27AUQ
|
To this end , areas were organized to locate objects within their cultural contexts , to make them accessible to the world , which used several rooms and spaces within the palace .
| 75
| 83
|
contexts
| 10
| 10
| 1
| 4
| 1
| 0.25
|
3VJ4PFXFJ38EADQ6PROMNFFMC27AUQ
|
To this end , areas were organized to locate objects within their cultural contexts , to make them accessible to the world , which used several rooms and spaces within the palace .
| 99
| 109
|
accessible
| 10
| 10
| 8
| 4
| 1
| 0.6
|
3VJ4PFXFJ38EADQ6PROMNFFMC27AUQ
|
To this end , areas were organized to locate objects within their cultural contexts , to make them accessible to the world , which used several rooms and spaces within the palace .
| 89
| 93
|
make
| 10
| 10
| 0
| 0
| 0
| 0
|
3VJ4PFXFJ38EADQ6PROMNFFMC27AUQ
|
To this end , areas were organized to locate objects within their cultural contexts , to make them accessible to the world , which used several rooms and spaces within the palace .
| 117
| 122
|
world
| 10
| 10
| 0
| 0
| 0
| 0
|
3VJ4PFXFJ38EADQ6PROMNFFMC27AUQ
|
To this end , areas were organized to locate objects within their cultural contexts , to make them accessible to the world , which used several rooms and spaces within the palace .
| 144
| 149
|
rooms
| 10
| 10
| 0
| 0
| 0
| 0
|
3VJ4PFXFJ38EADQ6PROMNFFMC27AUQ
|
To this end , areas were organized to locate objects within their cultural contexts , to make them accessible to the world , which used several rooms and spaces within the palace .
| 154
| 160
|
spaces
| 10
| 10
| 0
| 0
| 0
| 0
|
3VJ4PFXFJ38EADQ6PROMNFFMC27AUQ
|
To this end , areas were organized to locate objects within their cultural contexts , to make them accessible to the world , which used several rooms and spaces within the palace .
| 172
| 178
|
palace
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Beethoven 's Symphony No. 7 , Bruckner 's Symphony No. 6 and Mendelssohn 's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era .
| 0
| 9
|
Beethoven
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Beethoven 's Symphony No. 7 , Bruckner 's Symphony No. 6 and Mendelssohn 's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era .
| 13
| 21
|
Symphony
| 10
| 10
| 8
| 4
| 1
| 0.6
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Beethoven 's Symphony No. 7 , Bruckner 's Symphony No. 6 and Mendelssohn 's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era .
| 42
| 50
|
Symphony
| 10
| 10
| 0
| 2
| 1
| 0.1
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Beethoven 's Symphony No. 7 , Bruckner 's Symphony No. 6 and Mendelssohn 's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era .
| 30
| 38
|
Bruckner
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Beethoven 's Symphony No. 7 , Bruckner 's Symphony No. 6 and Mendelssohn 's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era .
| 76
| 84
|
Symphony
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Beethoven 's Symphony No. 7 , Bruckner 's Symphony No. 6 and Mendelssohn 's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era .
| 61
| 72
|
Mendelssohn
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Beethoven 's Symphony No. 7 , Bruckner 's Symphony No. 6 and Mendelssohn 's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era .
| 91
| 99
|
comprise
| 10
| 10
| 8
| 4
| 1
| 0.6
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Beethoven 's Symphony No. 7 , Bruckner 's Symphony No. 6 and Mendelssohn 's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era .
| 102
| 108
|
nearly
| 10
| 10
| 0
| 2
| 1
| 0.1
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Beethoven 's Symphony No. 7 , Bruckner 's Symphony No. 6 and Mendelssohn 's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era .
| 126
| 136
|
symphonies
| 10
| 10
| 5
| 1
| 1
| 0.3
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Beethoven 's Symphony No. 7 , Bruckner 's Symphony No. 6 and Mendelssohn 's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era .
| 109
| 117
|
complete
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Beethoven 's Symphony No. 7 , Bruckner 's Symphony No. 6 and Mendelssohn 's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era .
| 118
| 122
|
list
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Beethoven 's Symphony No. 7 , Bruckner 's Symphony No. 6 and Mendelssohn 's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era .
| 145
| 148
|
key
| 10
| 10
| 2
| 0
| 1
| 0.1
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Beethoven 's Symphony No. 7 , Bruckner 's Symphony No. 6 and Mendelssohn 's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era .
| 156
| 164
|
Romantic
| 10
| 10
| 2
| 0
| 1
| 0.1
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Beethoven 's Symphony No. 7 , Bruckner 's Symphony No. 6 and Mendelssohn 's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era .
| 156
| 168
|
Romantic era
| 10
| 10
| 1
| 1
| 1
| 0.1
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Beethoven 's Symphony No. 7 , Bruckner 's Symphony No. 6 and Mendelssohn 's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era .
| 165
| 168
|
era
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Mozart 's Clarinet Concerto and Clarinet Quintet are both in A major , and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major .
| 0
| 6
|
Mozart
| 10
| 10
| 1
| 0
| 1
| 0.05
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Mozart 's Clarinet Concerto and Clarinet Quintet are both in A major , and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major .
| 10
| 18
|
Clarinet
| 10
| 10
| 1
| 2
| 1
| 0.15
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Mozart 's Clarinet Concerto and Clarinet Quintet are both in A major , and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major .
| 10
| 48
|
Clarinet Concerto and Clarinet Quintet
| 10
| 10
| 1
| 0
| 1
| 0.05
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Mozart 's Clarinet Concerto and Clarinet Quintet are both in A major , and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major .
| 19
| 27
|
Concerto
| 10
| 10
| 3
| 0
| 1
| 0.15
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Mozart 's Clarinet Concerto and Clarinet Quintet are both in A major , and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major .
| 41
| 48
|
Quintet
| 10
| 10
| 4
| 0
| 1
| 0.2
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Mozart 's Clarinet Concerto and Clarinet Quintet are both in A major , and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major .
| 32
| 40
|
Clarinet
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Mozart 's Clarinet Concerto and Clarinet Quintet are both in A major , and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major .
| 63
| 68
|
major
| 10
| 10
| 1
| 0
| 1
| 0.05
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Mozart 's Clarinet Concerto and Clarinet Quintet are both in A major , and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major .
| 85
| 91
|
Mozart
| 10
| 10
| 1
| 0
| 1
| 0.05
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Mozart 's Clarinet Concerto and Clarinet Quintet are both in A major , and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major .
| 75
| 84
|
generally
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Mozart 's Clarinet Concerto and Clarinet Quintet are both in A major , and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major .
| 85
| 100
|
Mozart was more
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Mozart 's Clarinet Concerto and Clarinet Quintet are both in A major , and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major .
| 115
| 124
|
clarinets
| 10
| 10
| 4
| 4
| 1
| 0.4
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Mozart 's Clarinet Concerto and Clarinet Quintet are both in A major , and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major .
| 166
| 178
|
E-flat major
| 10
| 10
| 1
| 1
| 1
| 0.1
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Mozart 's Clarinet Concerto and Clarinet Quintet are both in A major , and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major .
| 130
| 135
|
major
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Mozart 's Clarinet Concerto and Clarinet Quintet are both in A major , and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major .
| 154
| 157
|
key
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Mozart 's Clarinet Concerto and Clarinet Quintet are both in A major , and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major .
| 166
| 172
|
E-flat
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Mozart 's Clarinet Concerto and Clarinet Quintet are both in A major , and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major .
| 173
| 178
|
major
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Johannes Brahms , César Franck , and Gabriel Fauré wrote violin sonatas in A major .
| 9
| 15
|
Brahms
| 10
| 10
| 1
| 0
| 1
| 0.05
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Johannes Brahms , César Franck , and Gabriel Fauré wrote violin sonatas in A major .
| 0
| 8
|
Johannes
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Johannes Brahms , César Franck , and Gabriel Fauré wrote violin sonatas in A major .
| 45
| 50
|
Fauré
| 10
| 10
| 1
| 0
| 1
| 0.05
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Johannes Brahms , César Franck , and Gabriel Fauré wrote violin sonatas in A major .
| 18
| 23
|
César
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Johannes Brahms , César Franck , and Gabriel Fauré wrote violin sonatas in A major .
| 24
| 30
|
Franck
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Johannes Brahms , César Franck , and Gabriel Fauré wrote violin sonatas in A major .
| 37
| 44
|
Gabriel
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Johannes Brahms , César Franck , and Gabriel Fauré wrote violin sonatas in A major .
| 57
| 63
|
violin
| 10
| 10
| 1
| 0
| 1
| 0.05
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Johannes Brahms , César Franck , and Gabriel Fauré wrote violin sonatas in A major .
| 51
| 56
|
wrote
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Johannes Brahms , César Franck , and Gabriel Fauré wrote violin sonatas in A major .
| 57
| 71
|
violin sonatas
| 10
| 10
| 1
| 1
| 1
| 0.1
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Johannes Brahms , César Franck , and Gabriel Fauré wrote violin sonatas in A major .
| 64
| 71
|
sonatas
| 10
| 10
| 9
| 7
| 1
| 0.8
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Johannes Brahms , César Franck , and Gabriel Fauré wrote violin sonatas in A major .
| 75
| 82
|
A major
| 10
| 10
| 0
| 1
| 1
| 0.05
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
Johannes Brahms , César Franck , and Gabriel Fauré wrote violin sonatas in A major .
| 77
| 82
|
major
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
In connection to Beethoven 's Kreutzer Sonata , Peter Cropper said that A major `` is the fullest sounding key for the violin . ''
| 3
| 13
|
connection
| 10
| 10
| 1
| 0
| 1
| 0.05
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
In connection to Beethoven 's Kreutzer Sonata , Peter Cropper said that A major `` is the fullest sounding key for the violin . ''
| 30
| 38
|
Kreutzer
| 10
| 10
| 1
| 0
| 1
| 0.05
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
In connection to Beethoven 's Kreutzer Sonata , Peter Cropper said that A major `` is the fullest sounding key for the violin . ''
| 17
| 26
|
Beethoven
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
In connection to Beethoven 's Kreutzer Sonata , Peter Cropper said that A major `` is the fullest sounding key for the violin . ''
| 54
| 61
|
Cropper
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
In connection to Beethoven 's Kreutzer Sonata , Peter Cropper said that A major `` is the fullest sounding key for the violin . ''
| 39
| 45
|
Sonata
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
In connection to Beethoven 's Kreutzer Sonata , Peter Cropper said that A major `` is the fullest sounding key for the violin . ''
| 48
| 53
|
Peter
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
In connection to Beethoven 's Kreutzer Sonata , Peter Cropper said that A major `` is the fullest sounding key for the violin . ''
| 74
| 79
|
major
| 10
| 10
| 0
| 1
| 1
| 0.05
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
In connection to Beethoven 's Kreutzer Sonata , Peter Cropper said that A major `` is the fullest sounding key for the violin . ''
| 90
| 97
|
fullest
| 10
| 10
| 0
| 1
| 1
| 0.05
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
In connection to Beethoven 's Kreutzer Sonata , Peter Cropper said that A major `` is the fullest sounding key for the violin . ''
| 98
| 106
|
sounding
| 10
| 10
| 0
| 1
| 1
| 0.05
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
In connection to Beethoven 's Kreutzer Sonata , Peter Cropper said that A major `` is the fullest sounding key for the violin . ''
| 98
| 110
|
sounding key
| 10
| 10
| 0
| 1
| 1
| 0.05
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
In connection to Beethoven 's Kreutzer Sonata , Peter Cropper said that A major `` is the fullest sounding key for the violin . ''
| 119
| 125
|
violin
| 10
| 10
| 1
| 0
| 1
| 0.05
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
In connection to Beethoven 's Kreutzer Sonata , Peter Cropper said that A major `` is the fullest sounding key for the violin . ''
| 107
| 110
|
key
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
According to Christian Friedrich Daniel Schubart , A major is a key suitable for `` declarations of innocent love , ... hope of seeing one 's beloved again when parting ; youthful cheerfulness and trust in God . ''
| 23
| 32
|
Friedrich
| 10
| 10
| 1
| 0
| 1
| 0.05
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
According to Christian Friedrich Daniel Schubart , A major is a key suitable for `` declarations of innocent love , ... hope of seeing one 's beloved again when parting ; youthful cheerfulness and trust in God . ''
| 0
| 9
|
According
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
According to Christian Friedrich Daniel Schubart , A major is a key suitable for `` declarations of innocent love , ... hope of seeing one 's beloved again when parting ; youthful cheerfulness and trust in God . ''
| 13
| 22
|
Christian
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
According to Christian Friedrich Daniel Schubart , A major is a key suitable for `` declarations of innocent love , ... hope of seeing one 's beloved again when parting ; youthful cheerfulness and trust in God . ''
| 40
| 48
|
Schubart
| 10
| 10
| 1
| 0
| 1
| 0.05
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
According to Christian Friedrich Daniel Schubart , A major is a key suitable for `` declarations of innocent love , ... hope of seeing one 's beloved again when parting ; youthful cheerfulness and trust in God . ''
| 33
| 39
|
Daniel
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
According to Christian Friedrich Daniel Schubart , A major is a key suitable for `` declarations of innocent love , ... hope of seeing one 's beloved again when parting ; youthful cheerfulness and trust in God . ''
| 53
| 58
|
major
| 10
| 10
| 1
| 0
| 1
| 0.05
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
According to Christian Friedrich Daniel Schubart , A major is a key suitable for `` declarations of innocent love , ... hope of seeing one 's beloved again when parting ; youthful cheerfulness and trust in God . ''
| 68
| 76
|
suitable
| 10
| 10
| 4
| 1
| 1
| 0.25
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
According to Christian Friedrich Daniel Schubart , A major is a key suitable for `` declarations of innocent love , ... hope of seeing one 's beloved again when parting ; youthful cheerfulness and trust in God . ''
| 64
| 67
|
key
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
According to Christian Friedrich Daniel Schubart , A major is a key suitable for `` declarations of innocent love , ... hope of seeing one 's beloved again when parting ; youthful cheerfulness and trust in God . ''
| 84
| 96
|
declarations
| 10
| 10
| 7
| 2
| 1
| 0.45
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
According to Christian Friedrich Daniel Schubart , A major is a key suitable for `` declarations of innocent love , ... hope of seeing one 's beloved again when parting ; youthful cheerfulness and trust in God . ''
| 84
| 113
|
declarations of innocent love
| 10
| 10
| 1
| 0
| 1
| 0.05
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
According to Christian Friedrich Daniel Schubart , A major is a key suitable for `` declarations of innocent love , ... hope of seeing one 's beloved again when parting ; youthful cheerfulness and trust in God . ''
| 100
| 108
|
innocent
| 10
| 10
| 4
| 2
| 1
| 0.3
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
According to Christian Friedrich Daniel Schubart , A major is a key suitable for `` declarations of innocent love , ... hope of seeing one 's beloved again when parting ; youthful cheerfulness and trust in God . ''
| 142
| 149
|
beloved
| 10
| 10
| 3
| 1
| 1
| 0.2
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
According to Christian Friedrich Daniel Schubart , A major is a key suitable for `` declarations of innocent love , ... hope of seeing one 's beloved again when parting ; youthful cheerfulness and trust in God . ''
| 109
| 113
|
love
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
According to Christian Friedrich Daniel Schubart , A major is a key suitable for `` declarations of innocent love , ... hope of seeing one 's beloved again when parting ; youthful cheerfulness and trust in God . ''
| 120
| 124
|
hope
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
According to Christian Friedrich Daniel Schubart , A major is a key suitable for `` declarations of innocent love , ... hope of seeing one 's beloved again when parting ; youthful cheerfulness and trust in God . ''
| 171
| 179
|
youthful
| 10
| 10
| 1
| 1
| 1
| 0.1
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
According to Christian Friedrich Daniel Schubart , A major is a key suitable for `` declarations of innocent love , ... hope of seeing one 's beloved again when parting ; youthful cheerfulness and trust in God . ''
| 161
| 168
|
parting
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
According to Christian Friedrich Daniel Schubart , A major is a key suitable for `` declarations of innocent love , ... hope of seeing one 's beloved again when parting ; youthful cheerfulness and trust in God . ''
| 171
| 192
|
youthful cheerfulness
| 10
| 10
| 1
| 1
| 1
| 0.1
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
According to Christian Friedrich Daniel Schubart , A major is a key suitable for `` declarations of innocent love , ... hope of seeing one 's beloved again when parting ; youthful cheerfulness and trust in God . ''
| 180
| 192
|
cheerfulness
| 10
| 10
| 3
| 6
| 1
| 0.45
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
According to Christian Friedrich Daniel Schubart , A major is a key suitable for `` declarations of innocent love , ... hope of seeing one 's beloved again when parting ; youthful cheerfulness and trust in God . ''
| 197
| 209
|
trust in God
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
According to Christian Friedrich Daniel Schubart , A major is a key suitable for `` declarations of innocent love , ... hope of seeing one 's beloved again when parting ; youthful cheerfulness and trust in God . ''
| 197
| 202
|
trust
| 10
| 10
| 0
| 0
| 0
| 0
|
3HYV4299H0XJ2T052TP3N6NO0QD8E3
|
According to Christian Friedrich Daniel Schubart , A major is a key suitable for `` declarations of innocent love , ... hope of seeing one 's beloved again when parting ; youthful cheerfulness and trust in God . ''
| 206
| 209
|
God
| 10
| 10
| 0
| 0
| 0
| 0
|
3INZSNUD80REOS5FBQKXHK0EKKUD94
|
Al - ` Ain is often called the ` Garden City of The Gulf ' given the many oases , parks , tree-lined avenues and decorative roundabouts within the city .
| 7
| 10
|
Ain
| 10
| 10
| 1
| 0
| 1
| 0.05
|
3INZSNUD80REOS5FBQKXHK0EKKUD94
|
Al - ` Ain is often called the ` Garden City of The Gulf ' given the many oases , parks , tree-lined avenues and decorative roundabouts within the city .
| 0
| 2
|
Al
| 10
| 10
| 0
| 0
| 0
| 0
|
3INZSNUD80REOS5FBQKXHK0EKKUD94
|
Al - ` Ain is often called the ` Garden City of The Gulf ' given the many oases , parks , tree-lined avenues and decorative roundabouts within the city .
| 74
| 79
|
oases
| 10
| 10
| 5
| 5
| 1
| 0.5
|
3INZSNUD80REOS5FBQKXHK0EKKUD94
|
Al - ` Ain is often called the ` Garden City of The Gulf ' given the many oases , parks , tree-lined avenues and decorative roundabouts within the city .
| 20
| 26
|
called
| 10
| 10
| 0
| 0
| 0
| 0
|
3INZSNUD80REOS5FBQKXHK0EKKUD94
|
Al - ` Ain is often called the ` Garden City of The Gulf ' given the many oases , parks , tree-lined avenues and decorative roundabouts within the city .
| 33
| 39
|
Garden
| 10
| 10
| 0
| 0
| 0
| 0
|
3INZSNUD80REOS5FBQKXHK0EKKUD94
|
Al - ` Ain is often called the ` Garden City of The Gulf ' given the many oases , parks , tree-lined avenues and decorative roundabouts within the city .
| 40
| 44
|
City
| 10
| 10
| 0
| 0
| 0
| 0
|
3INZSNUD80REOS5FBQKXHK0EKKUD94
|
Al - ` Ain is often called the ` Garden City of The Gulf ' given the many oases , parks , tree-lined avenues and decorative roundabouts within the city .
| 52
| 56
|
Gulf
| 10
| 10
| 0
| 0
| 0
| 0
|
3INZSNUD80REOS5FBQKXHK0EKKUD94
|
Al - ` Ain is often called the ` Garden City of The Gulf ' given the many oases , parks , tree-lined avenues and decorative roundabouts within the city .
| 90
| 100
|
tree-lined
| 10
| 10
| 0
| 2
| 1
| 0.1
|
3INZSNUD80REOS5FBQKXHK0EKKUD94
|
Al - ` Ain is often called the ` Garden City of The Gulf ' given the many oases , parks , tree-lined avenues and decorative roundabouts within the city .
| 82
| 87
|
parks
| 10
| 10
| 0
| 0
| 0
| 0
|
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